To Laura At The Harpsichord
When o'er the chords thy fingers stray,
My spirit leaves its mortal clay,
A statue there I stand;
Thy spell controls e'en life and death,
As when the nerves a living breath
Receive by Love's command! [1]
More gently zephyr sighs along
To listen to thy magic song;
The systems formed by heavenly love
To sing forever as they move,
Pause in their endless-whirling round
To catch the rapture-teeming sound;
'Tis for thy strains they worship thee,--
Thy look, enchantress, fetters me!
From yonder chords fast-thronging come
Soul-breathing notes with rapturous speed,
As when from out their heavenly home
The new-born seraphim proceed;
The strains pour forth their magic might,
As glittering suns burst through the night,
When, by Creation's storm awoke,
From chaos' giant-arm they broke.
Now sweet, as when the silv'ry wave
Delights the pebbly beach to lave;
And now majestic as the sound
Of rolling thunder gathering round;
Now pealing more loudly, as when from yon height
Descends the mad mountain-stream, foaming and bright;
Now in a song of love
Dying away,
As through the aspen grove
Soft zephyrs play:
Now heavier and more mournful seems the strain,
As when across the desert, death-like plain,
Whence whispers dread and yells despairing rise,
Cocytus' sluggish, wailing current sighs.
Maiden fair, oh, answer me!
Are not spirits leagued with thee?
Speak they in the realms of bliss
Other language e'er than this?
poem by Friedrich Schiller
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Moon-Light
COME, gentle muse! now all is calm,
The dew descends, the air is balm;
Unruffled is the glassy deep,
While moon-beams o'er its bosom sleep;
The gale of summer mildly blows,
The wave in soothing murmur flows;
Unclouded Vesper shines on high,
And ev'ry flow'r has clos'd its tearful eye.
Oh! at this hour, this placid hour,
Soft music, wake thy magic pow'r!
Be mine to hear thy dulcet measure,
Thy warbling strains, that whisper, pleasure;
Thy heavenly airs, of cadence dying,
And harp to every zephyr sighing;
When roving by the shadowy beam,
That gilds the fairy-bow'r and woodland-stream!
But all is still! no mellow sound
Floats on the breeze of night around ;
Yet fancy, with some airy spell,
Can wake 'sweet Echo' from her cell;
Can charm her pensive votary's ear,
With plaintive numbers melting near;
And bid celestial spirits rise,
To pour their wild, enchanted melodies.
I love the rosy dawn of day,
When Zephyr wakes the laughing May;
I love the summer-evening's close,
That lulls the mind in calm repose;
But sweeter far the hour serene,
When softer colours paint the scene;
When Vesper sheds a dewy ray,
And o'er the sleeping wave the moon-beams play.
poem by Felicia Dorothea Hemans
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To a friend, on being asked for some verses
I thought the Soul of Song had made
This heart of mine her sepulchre;
For all her golden dreams had fled,
And I could win no note from her.
But when for thee thou bid'st her sing,
That spell dissolves her icy chain;
She slowly plumes her drooping wing,
And strikes her shattered chords again.
For more than lifeless would she be,
If thou shouldst bid her wake in vain;
And lost her chords, if still for thee
She could not wake one living strain.
For thee -- that hours of deep distress,
And days of gloom with kindness lit,
Till half I blessed the bitterness
That gave me thee to sweeten it.
For thee -- that when, despairing long,
I said, "No friend has earth for me,"
Didst bid the tones die on my tongue,
And I could utter, "only thee."
For thee -- that when my mother earth
Shall call me to her sheltering breast,
Of all I know wilt weep alone
Above my nameless place of rest.
But see! her wings refuse to fly;
Her chords are harsh from silence long;
Alas! thy gentle sorcery
Hath summoned but the ghost of Song.
She hovers o'er her living tomb,
She seeks once more her grave and chain,
As spectres haunt the midnight gloom:
Sweet friend, awake her not again.
If o'er the wind harp's gentle strings
The threatening tempest rudely flies,
It does not wake more thrilling strains --
The chords are rent, the music dies.
Thus is my harp, thus is my song --
I woo in vain its sweetness fled,
The storms have swept the chords too long,
The music of my soul is dead.
poem by Anne Lynch Botta from Poems (1848)
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The Triumph Of Love
By love are blest the gods on high,
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!
In Pyrrha's rear (so poets sang
In ages past and gone),
The world from rocky fragments sprang--
Mankind from lifeless stone.
Their soul was but a thing of night,
Like stone and rock their heart;
The flaming torch of heaven so bright
Its glow could ne'er impart.
Young loves, all gently hovering round,
Their souls as yet had never bound
In soft and rosy chains;
No feeling muse had sought to raise
Their bosoms with ennobling lays,
Or sweet, harmonious strains.
Around each other lovingly
No garlands then entwined;
The sorrowing springs fled toward the sky,
And left the earth behind.
From out the sea Aurora rose
With none to hail her then;
The sun unhailed, at daylight's close,
In ocean sank again.
In forests wild, man went astray,
Misled by Luna's cloudy ray--
He bore an iron yoke;
He pined not for the stars on high,
With yearning for a deity
No tears in torrents broke.
.....
But see! from out the deep-blue ocean
Fair Venus springs with gentle motion
The graceful Naiad's smiling band
Conveys her to the gladdened strand,
A May-like, youthful, magic power
Entwines, like morning's twilight hour,
Around that form of godlike birth,
The charms of air, sea, heaven, and earth.
The day's sweet eye begins to bloom
Across the forest's midnight gloom;
Narcissuses, their balm distilling,
The path her footstep treads are filling.
A song of love, sweet Philomel,
Soon carolled through the grove;
The streamlet, as it murmuring fell,
Discoursed of naught but love,
Pygmalion! Happy one! Behold!
Life's glow pervades thy marble cold!
Oh, LOVE, thou conqueror all-divine,
Embrace each happy child of thine!
.....
By love are blest the gods on high,--
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!
.....
The gods their days forever spend
In banquets bright that have no end,
In one voluptuous morning-dream,
And quaff the nectar's golden stream.
Enthroned in awful majesty
Kronion wields the bolt on high:
In abject fear Olympus rocks
When wrathfully he shakes his locks.
To other gods he leaves his throne,
And fills, disguised as earth's frail son,
The grove with mournful numbers;
The thunders rest beneath his feet,
And lulled by Leda's kisses sweet,
The Giant-Slayer slumbers.
Through the boundless realms of light
Phoebus' golden reins, so bright,
Guide his horses white as snow,
While his darts lay nations low.
But when love and harmony
Fill his breast, how willingly
Ceases Phoebus then to heed
Rattling dart and snow-white steed!
See! Before Kronion's spouse
Every great immortal bows;
Proudly soar the peacock pair
As her chariot throne they bear,
While she decks with crown of might
Her ambrosial tresses bright,
Beauteous princess, ah! with fear
Quakes before thy splendor, love,
Seeking, as he ventures near,
With his power thy breast to move!
Soon from her immortal throne
Heaven's great queen must fain descend,
And in prayer for beauty's zone,
To the heart-enchainer bend!
.....
By love are blest the gods on high,
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!
.....
'Tis love illumes the realms of night,
For Orcus dark obeys his might,
And bows before his magic spell
All-kindly looks the king of hell
At Ceres' daughter's smile so bright,--
Yes--love illumes the realms of night!
In hell were heard, with heavenly sound,
Holding in chains its warder bound,
Thy lays, O Thracian one!
A gentler doom dread Minos passed,
While down his cheeks the tears coursed fast
And e'en around Megaera's face
The serpents twined in fond embrace,
The lashes' work seemed done.
Driven by Orpheus' lyre away,
The vulture left his giant-prey [8];
With gentler motion rolled along
Dark Lethe and Cocytus' river,
Enraptured Thracian, by thy song,--
And love its burden was forever!
By love are blest the gods on high,
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!
.....
Wherever Nature's sway extends,
The fragrant balm of love descends,
His golden pinions quiver;
If 'twere not Venus' eye that gleams
Upon me in the moon's soft beams,
In sunlit hill or river,--
If 'twere not Venus smiles on me
From yonder bright and starry sea,
Not stars, not sun, not moonbeams sweet,
Could make my heart with rapture beat.
'Tis love alone that smilingly
Peers forth from Nature's blissful eye,
As from a mirror ever!
Love bids the silvery streamlet roll
More gently as it sighs along,
And breathes a living, feeling soul
In Philomel's sweet plaintive song;
'Tis love alone that fills the air
With streams from Nature's lute so fair.
Thou wisdom with the glance of fire,
Thou mighty goddess, now retire,
Love's power thou now must feel!
To victor proud, to monarch high,
Thou ne'er hast knelt in slavery,--
To love thou now must kneel!
Who taught thee boldly how to climb
The steep, but starry path sublime,
And reach the seats immortal?
Who rent the mystic veil in twain,
And showed thee the Elysian plain
Beyond death's gloomy portal?
If love had beckoned not from high,
Had we gained immortality?
If love had not inflamed each thought,
Had we the master spirit sought?
'Tis love that guides the soul along
To Nature's Father's heavenly throne
By love are blest the gods on high,
Frail man becomes a deity
When love to him is given;
'Tis love that makes the heavens shine
With hues more radiant, more divine,
And turns dull earth to heaven!
poem by Friedrich Schiller
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To Hope
Oh! take, young Seraph, take thy harp,
And play to me so cheerily;
For grief is dark, and care is sharp,
And life wears on so wearily.
Oh! take thy harp!
Oh! sing as thou wert wont to do,
When, all youth's sunny season long,
I sat and listened to thy song,
And yet 'twas ever, ever new,
With magic in its heaven-tuned string—
The future bliss thy constant theme.
Oh! then each little woe took wing
Away, like phantoms of a dream;
As if each sound
That flutter'd round,
Had floated over Lethe's stream!
By all those bright and happy hours
We spent in life's sweet eastern bow'rs,
Where thou wouldst sit and smile, and show,
Ere buds were come, where flowers would blow,
And oft anticipate the rise
Of life's warm sun that scaled the skies;
By many a story of love and glory,
And friendships promised oft to me;
By all the faith I lent to thee,—
Oh! take, young Seraph, take thy harp,
And play to me so cheerily;
For grief is dark, and care is sharp,
And life wears on so wearily.
Oh! take thy harp!
Perchance the strings will sound less clear,
That long have lain neglected by
In sorrow's misty atmosphere;
It ne'er may speak as it hath spoken
Such joyous notes so brisk and high;
But are its golden chords all broken?
Are there not some, though weak and low,
To play a lullaby to woe?
But thou canst sing of love no more,
For Celia show'd that dream was vain;
And many a fancied bliss is o'er,
That comes not e'en in dreams again.
Alas! alas!
How pleasures pass,
And leave thee now no subject, save
The peace and bliss beyond the grave!
Then be thy flight among the skies:
Take, then, oh! take the skylark's wing,
And leave dull earth, and heavenward rise
O'er all its tearful clouds, and sing
On skylark's wing!
Another life-spring there adorns
Another youth—without the dread
Of cruel care, whose crown of thorns
Is here for manhood's aching head.
Oh! there are realms of welcome day,
A world where tears are wiped away!
Then be thy flight among the skies:
Take, then, oh! take the skylark's wing,
And leave dull earth, and heavenward rise
O'er all its tearful clouds, and sing
On skylark's wing!
poem by Thomas Hood
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To Elizabeth Barrett Browning
I have not met thee in this outward world,
Bounded by time and space; but in that realm,
O'er which imagination holds her reign,
There have I seen thy spirit face to face,
Majestic, and yet lovely. There have I
Sat at thy feet to listen to thy voice,
And as the symphony sublimely rose,
Reverence and awe had held me spell-bound there,
But that there fell upon my listening ear
Low breathing sighs, the sound of falling tears,
The under-tone of human love and woe,
That touched the trembling chords of sympathy,
And drew me near to thy great woman's heart.
Thou crownéd queen of Song! from this free land
That owes allegiance only unto God
And Genius, his anointed, o'er the sea
I send my vows of homage, and my heart
Sends love and blessings unto thee and thine.
poem by Anne Lynch Botta from Poems (1848)
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The Forsaken
I.
IT is the music of her native land,--
The airs she used to love in happier days;
The lute is struck by some young gentle hand,
To soothe her spirit with remember'd lays.
II.
But her sad heart is wandering from the notes,
Her ear is fill'd with an imagined strain;
Vainly the soften'd music round her floats,
The echo it awakes is all of pain!
III.
The echo it awakes, is of a voice
Which never more her weary heart shall cheer;
Fain would she banish it, but hath no choice,
Its vanish'd sound still haunts her shrinking ear,--
IV.
Still haunts her with its tones of joy and love,
Its memories of bitterness and wrong,
Bidding her thoughts thro' various changes rove,--
Welcomes, farewells, and snatches of wild song.
V.
Why bring her music? She had half forgot
How left, how lonely, how oppress'd she was;
Why, by these strains, recal her former lot,
The depth of all her suffering, and its cause?
VI.
Know ye not what a spell there is in sound?
Know ye not that the melody of words
Is nothing to the power that wanders round,
Giving vague language to harmonious chords?
VII.
Oh I keep ye silence! He hath sung to her,
And from that hour--(faint twilight, sweet and dim,
When the low breeze scarce made the branches stirs)--
Music hath been a memory of HIM!
VIII.
Chords which the wandering fingers scarcely touch
When they would seek for some forgotten song,--
Stray notes which have no certain meaning, such
As careless hands unthinkingly prolong,--
IX.
Come unto HER, fraught with a vivid dream
Of love, in all its wild and passionate strength,--
Of sunsets, glittering on the purple stream,--
Of shadows, deepening into twilight length,--
X.
Of gentle sounds, when the warm world lay hush'd
Beneath the soft breath of the evening air,--
Of hopes and fears, and expectations crush'd,
By one long certainty of blank despair!
XI.
Bear to the sick man's couch the fiery cup,
Pledged by wild feasters in their riotous hours,
And bid his parch'd lips drink the poison up,
As tho' its foam held cool refreshing powers,--
XII.
Lift some poor wounded wretch, whose writhing pain
Finds soothing only in an utter rest,
Forth in some rude-made litter, to regain
Strength for his limbs and vigour for his breast;--
XIII.
But soothe ye not that proud forsaken heart
With strains whose sweetness maddens as they fall;
Untroubled let her feverish soul depart--
Not long shall memory's power its might enthral;
XIV.
Not long,--tho' balmy be the summer's breath!
In the deep stillness of its golden light,
A shadowy spirit sits, whose name is DEATH,
And turns, what was all beauty, into blight;
XV.
And she, before whose sad and dreaming eye
Visions of by-gone days are sweeping on,
In her unfaded youth shall drooping die,
Shut from the glow of that Italian sun:
XVI.
Then let the organ's solemn notes prolong
Their glory round the silence of her grave,
Then let the choral voices swell in song
And echo thro' the chancel and the nave;
XVII.
For then her heart shall ache not at the sound,
Then the faint fever of her life shall cease
Silence, unbroken, calm, shall reign around,
And the long restless shall be laid at peace.
poem by Caroline Elizabeth Sarah Norton
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The Grave Of A Poetess
I stood beside thy lowly grave;
Spring-odours breath'd around,
And music, in the river-wave,
Pass'd with a lulling sound.
All happy things that love the sun,
In the bright air glanc'd by,
And a glad murmur seem'd to run
Thro' the soft azure sky.
Fresh leaves were on the ivy-bough
That fring'd the ruins near;
Young voices were abroad–but thou
Their sweetness couldst not hear.
And mournful grew my heart for thee,
Thou in whose woman's mind
The ray that brightens earth and sea,
The light of song was shrined.
Mournful, that thou wert slumbering low,
With a dread curtain drawn
Between thee and the golden glow
Of this world's vernal dawn.
Parted from all the song and bloom
Thou wouldst have lov'd so well,
To thee the sunshine round thy tomb
Was but a broken spell.
The bird, the insect on the wing,
In their bright reckless play,
Might feel the flush and life of spring,–
And thou wert pass'd away!
But then, ev'n then, a nobler thought
O'er my vain sadness came;
Th' immortal spirit woke, and wrought
Within my thrilling frame.
Surely on lovelier things, I said,
Thou must have look'd ere now,
Than all that round our pathway shed
Odours and hues below.
The shadows of the tomb are here,
Yet beautiful is earth!
What see'st thou then where no dim fear,
No haunting dream hath birth?
Here a vain love to passing flowers
Thou gav'st–but where thou art,
The sway is not with changeful hours,
There love and death must part.
Thou hast left sorrow in thy song,
A voice not loud, but deep!
The glorious bowers of earth among,
How often didst thou weep!
Where couldst thou fix on mortal ground
Thy tender thoughts and high?–
Now peace the woman's heart hath found,
And joy the poet's eye.
poem by Felicia Dorothea Hemans
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From Faust - IV. Chorus Of Spirits
VANISH, dark clouds on high,
Offspring of night!
Let a more radiant beam
Through the blue ether gleam,
Charming the sight!
Would the dark clouds on high
Melt into air!
Stars glimmer tenderly,
Planets more fair
Shed their soft light.
Spirits of heav'nly birth,
Fairer than sons of earth,
Quivering emotions true
Hover above;
Yearning affections, too,
In their train move.
See how the spirit-band,
By the soft breezes fann'd,
Covers the smiling land,--
Covers the leafy grove,
Where happy lovers rove,
Deep in a dream of love,
True love that never dies!
Bowers on bowers rise,
Soft tendrils twine;
While from the press escapes,
Born of the juicy grapes,
Foaming, the wine;
And as the current flows
O'er the bright stones it goes,--
Leaving the hilly lands
Far, far behind,--
Into a sea expands,
Loving to wind
Round the green mountain's base;
And the glad-winged race,
Rapture sip in,
As they the sunny light,
And the fair islands bright,
Hasten to win,
That on the billows play
With sweet deceptive ray,
Where in glad choral song
Shout the exulting throng;
Where on the verdant plain
Dancers we see,
Spreading themselves amain
Over the lea.
Some boldly climbing are
O'er the steep brake,
Others are floating far
O'er the smooth lake.
All for a purpose move,
All with life teem,
While the sweet stars above
Blissfully gleam.
poem by Johann Wolfgang von Goethe
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Ulla, Or The Adjuration
'Thou'rt gone!–thou'rt slumb'ring low,
With the sounding seas above thee;
It is but a restless wo,
But a haunting dream to love thee!
Thrice the glad swan has sung,
To greet the spring-time hours,
Since thine oar at parting flung
The white spray up in showers.
There's a shadow of the grave on thy hearth and round thy home;
Come to me from the ocean's dead!–thou'rt surely of them–come!'
'Twas Ulla's voice–alone she stood
In the Iceland summer night,
Far gazing o'er a glassy flood,
From a dark rock's beetling height.
'I know thou hast thy bed
Where the sea-weed's coil hath bound thee;
The storm sweeps o'er thy head,
But the depths are hush'd around thee.
What wind shall point the way
To the chambers where thou'rt lying?
Come to me thence, and say
If thou thought'st on me in dying?
I will not shrink to see thee with a bloodless lip and cheek–
Come to me from the ocean's dead!–thou'rt surely of them–speak!'
She listen'd–'twas the wind's low moan,
'Twas the ripple of the wave,
'Twas the wakening osprey's cry alone,
As it started from its cave.
'I know each fearful spell
Of the ancient Runic lay,
Whose mutter'd words compel
The tempest to obey.
But I adjure not thee
By magic sign or song,
My voice shall stir the sea
By love,–the deep, the strong!
By the might of woman's tears, by the passion of her sighs,
Come to me from the ocean's dead!–by the vows we pledg'd–arise!'
Again she gazed with an eager glance,
Wandering and wildly bright;–
She saw but the sparkling waters dance
To the arrowy northern light.
'By the slow and struggling death
Of hope that loath'd to part,
By the fierce and withering breath
Of despair on youth's high heart;
By the weight of gloom which clings
To the mantle of the night,
By the heavy dawn which brings
Nought lovely to the sight,
By all that from my weary soul thou hast wrung of grief and fear,
Come to me from the ocean's dead–awake, arise, appear!'
Was it her yearning spirit's dream,
Or did a pale form rise,
And o'er the hush'd wave glide and gleam,
With bright, still, mournful eyes?
'Have the depths heard?–they have!
My voice prevails–thou'rt there,
Dim from thy watery grave,
Oh! thou that wert so fair!
Yet take me to thy rest!
There dwells no fear with love;
Let me slumber on thy breast,
While the billow rolls above!
Where the long-lost things lie hid, where the bright ones have their home,
We will sleep among the ocean's dead–stay for me, stay!–I come!'
There was a sullen plunge below,
A flashing on the main,
And the wave shut o'er that wild heart's wo,
Shut,–and grew still again.
poem by Felicia Dorothea Hemans
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Music: An Ode
WAS it light that spake from the darkness,
or music that shone from the word,
When the night was enkindled with sound
of the sun or the first-born bird?
Souls enthralled and entrammelled in bondage
of seasons that fall and rise,
Bound fast round with the fetters of flesh,
and blinded with light that dies,
Lived not surely till music spake,
and the spirit of life was heard.
Music, sister of sunrise, and herald of life to be,
Smiled as dawn on the spirit of man,
and the thrall was free.
Slave of nature and serf of time,
the bondman of life and death,
Dumb with passionless patience that breathed
but forlorn and reluctant breath,
Heard, beheld, and his soul made answer,
and communed aloud with the sea.
Morning spake, and he heard:
and the passionate silent noon
Kept for him not silence:
and soft from the mounting moon
Fell the sound of her splendour,
heard as dawn's in the breathless night,
Not of men but of birds whose note
bade man's soul quicken and leap to light:
And the song of it spake, and the light and the darkness
of earth were as chords in tune.
poem by Algernon Charles Swinburne
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Requiem
To what bright world afar didst thou belong,
Thou whose pure soul seemed not of mortal birth?
From what fair clime of flowers and love and song,
Cam'st thou, a star beam to our shadowed earth?
What hadst thou done, sweet spirit in that sphere,
That thou wert banished here?
Here, where our blossoms early fade and die,
Where autumn frosts despoil our loveliest bowers,
Where song goes up to heaven an anguished cry
From wounded hearts, like perfume from crushed flowers;
Where Love despairing waits and weeps in vain,
His Psyche to regain.
Thou cam'st not unattended on thy way; --
Spirits of grace and beauty, joy and love,
Were with thee ever, bearing each some ray
From the far home that thou hadst left above;
And ever at thy side, upon our sight
Gleamed forth their wings of light.
We heard their voices in the gushing song
That rose like incense from thy poet heart;
We saw the footsteps of the shining throng
Glancing upon thy pathway, high apart,
Where in thy radiance thou didst walk the earth,
Thou child of glorious birth.
But the way lengthened and the song grew sad,
Breathing those tones that find no echo here;
Aspiring, soaring, but no longer glad,
Its mournful music fell upon the ear:
'Twas the home-sickness of a soul that sighs
For its own native skies.
Then he that to earth's children comes at last,
The angel-messenger, white-robed and pale,
Upon thy soul his sweet oblivion cast,
And bore thee gently through the shadowy vale,
The fleeting years of thy brief exile o'er,
Home to the blissful shore.
poem by Anne Lynch Botta from Poems (1848)
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Come To Me When I'm Dying
A SONG.
Come to me when I'm dying;
Gaze on my wasted form,
Tired with so long defying
Life's ever-rushing storm.
Come, come when I am dying,
And stand beside my bed,
Ere yet my soul is flying,
And I am cold and dead.
Bend low and lower o'er me,
For I've a word to say
Though death is just before me,
Ere I can go away.
Now that my soul is hovering
Upon the verge of day,
For thee I'll lift the covering
That veils its quivering ray.
O, ne'er had I thus spoken
In health's bright, rosy glow!
But death my pride hath broken,
And brought my spirit low.
Though now this last revealing
Quickens life's curdling springs,
And a half-timid feeling
Faint flushes o'er me flings.
Bend lower yet above me,
For I would have thee know
How passing well I love thee,
And joy to tell thee so.
This love, so purely welling
Up in this heart of mine,
O, hath it e'er found dwelling
Within thy spirit's shrine?
I've prayed my God, in meekness,
To give me some control
Over this earthly weakness
That so enthralled my soul;
And now my soul rejoices
While sweetly-thrilling strains,
From low, harmonious voices,
Soothe all my dying pains.
They sing of the Eternal,
Whose throne is far above,
Where zephyrs softly vernal
Float over bowers of love;
Of hopes and joys, earth-blighted,
Blooming 'neath cloudless skies,
Of hearts and souls united
In love that never dies.
'Tis there, 'tis there I'll meet thee
When life's brief day is o'er;
O, with what joy to greet thee
On that eternal shore!
Farewell! for death is chilling
My pulses swift and fast;
And yet in God I'm willing
This hour should be my last.
Sometimes, when day declineth,
And all the gorgeous west
In gold and purple shineth,
Go to my place of rest;
And if thy voice in weeping,
Is borne upon the air,
Think not of me as sleeping;
All cold and silent there:--
But turn, with glances tender,
Toward a shining star,
Whose rays with chastened splendor
Fall on thee from afar.
And know the blissful dwelling
Where I am waiting thee,
When Jordan fiercely swelling
Shall set thy spirit free.
poem by Frances Ellen Watkins Harper
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From “Torrismond” - In A Garden By Moonlight
Veronica. COME then, a song; a winding gentle song,
To lead me into sleep. Let it be low
As zephyr, telling secrets to his rose,
For I would hear the murmuring of my thoughts;
And more of voice than of that other music
That grows around the strings of quivering lutes;
But most of thought; for with my mind I listen,
And when the leaves of sound are shed upon it,
If there ’s no seed remembrance grows not there.
So life, so death; a song, and then a dream!
Begin before another dewdrop fall
From the soft hold of these disturbed flowers,
For sleep is filling up my senses fast,
And from these words I sink.
SONG
How many times do I love thee, dear?
Tell me how many thoughts there be
In the atmosphere
Of a new-fall’n year,
Whose white and sable hours appear
The latest flake of Eternity:
So many times do I love thee, dear.
How many times do I love again?
Tell me how many beads there are
In a silver chain
Of evening rain,
Unravell’d from the tumbling main,
And threading the eye of a yellow star:
So many times do I love again.
Elvira. She sees no longer: leave her then alone,
Encompass’d by this round and moony night.
A rose-leaf for thy lips, and then goodnight:
So life, so death; a song, and then a dream!
poem by Thomas Lovell Beddoes
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The Revellers
Ring, joyous chords!-ring out again!
A swifter still, and a wilder strain!
They are here-the fair face and the careless heart,
And stars shall wane ere the mirthful part.
-But I met a dimly mournful glance,
In a sudden turn of the flying dance;
I heard the tone of a heavy sigh,
In a pause of the thrilling melody!
And it is not well that woe should breathe
On the bright spring-flowers of the festal wreath!
-Ye that to thought or to grief belong,
Leave, leave the hall of song!
Ring, joyous chords!-but who art thou
With the shadowy locks o'er thy pale young brow,
And the world of dreamy gloom that lies
In the misty depths of thy soft dark eyes?
-Thou hast lov'd, fair girl! thou hast lov'd too well!
Thou art mourning now o'er a broken spell;
Thou hast pour'd thy heart's rich treasures forth,
And art unrepaid for their priceless worth!
Mourn on!-yet come thou not here the while,
It is but a pain to see thee smile!
There is not a tone in our songs for thee-
-Home with thy sorrows flee!
Ring, joyous chords!-ring out again!
-But what dost thou with the Revel's train?
A silvery voice through the soft air floats,
But thou hast no part in the gladdening notes;
There are bright young faces that pass thee by,
But they fix no glance of thy wandering eye!
Away! there's a void in thy yearning breast,
Thou weary man! wilt thou here find rest?
Away! for thy thoughts from the scene have fled,
And the love of thy spirit is with the dead!
Thou art but more lone midst the sounds of mirth-
-Back to thy silent hearth!
Ring, joyous chords!-ring forth again!
A swifter still, and a wilder strain!
-But thou , though a reckless mien be thine,
And thy cup be crown'd with the foaming wine,
By the fitful bursts of thy laughter loud,
By thine eye's quick flash through its troubled cloud,
I know thee!-it is but the wakeful fear
Of a haunted bosom that brings thee here!
I know thee!-thou fearest the solemn night,
With her piercing stars and her deep wind's might!
There's a tone in her voice which thou fain wouldst shun,
For it asks what the secret soul hath done!
And thou-there's a dark weight on thine-away!
-Back to thy home and pray!
Ring, joyous chords!-ring out again!
A swifter still, and a wilder strain!
And bring fresh wreaths!-we will banish all
Save the free in heart from our festive hall.
On through the maze of the fleet dance, on!
-But where are the young and the lovely?-gone!
Where are the brows with the red rose crown'd,
And the floating forms with the bright zone bound?
And the waving locks and the flying feet,
That still should be where the mirthful meet!
-They are gone-they are fled-they are parted all-
-Alas! the forsaken hall!
poem by Felicia Dorothea Hemans
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Sinfonia Eroica
(To Sylvia.)
My Love, my Love, it was a day in June,
A mellow, drowsy, golden afternoon;
And all the eager people thronging came
To that great hall, drawn by the magic name
Of one, a high magician, who can raise
The spirits of the past and future days,
And draw the dreams from out the secret breast,
Giving them life and shape.
I, with the rest,
Sat there athirst, atremble for the sound;
And as my aimless glances wandered round,
Far off, across the hush'd, expectant throng,
I saw your face that fac'd mine.
Clear and strong
Rush'd forth the sound, a mighty mountain stream;
Across the clust'ring heads mine eyes did seem
By subtle forces drawn, your eyes to meet.
Then you, the melody, the summer heat,
Mingled in all my blood and made it wine.
Straight I forgot the world's great woe and mine;
My spirit's murky lead grew molten fire;
Despair itself was rapture.
Ever higher,
Stronger and clearer rose the mighty strain;
Then sudden fell; then all was still again,
And I sank back, quivering as one in pain.
Brief was the pause; then, 'mid a hush profound,
Slow on the waiting air swell'd forth a sound
So wondrous sweet that each man held his breath;
A measur'd, mystic melody of death.
Then back you lean'd your head, and I could note
The upward outline of your perfect throat;
And ever, as the music smote the air,
Mine eyes from far held fast your body fair.
And in that wondrous moment seem'd to fade
My life's great woe, and grow an empty shade
Which had not been, nor was not.
And I knew
Not which was sound, and which, O Love, was you.
Song of the Stars
When the radiant morn of creation broke,
And the world in the smile of God awoke,
And the empty realms of darkness and death
Were moved through their depths by his mighty breath,
And orbs of beauty and spheres of flame
From the void abyss by myriads came, -
In the joy of youth as they darted away,
Through the widening wastes of space to play,
Their silver voices in chorus rung,
And this was the song of the bright ones sung.
'Away, away, through the wide, wide sky, -
The fair blue fields that before us lie, -
Each sun with the worlds that round him roll,
Each planet poised on her turning pole;
With her isles of green and her clouds of white,
And her waters that lie like fluid light.
'For the Source of Glory uncovers his face,
And the brightness o'erflows unbounded space;
And we drink, as we go, the luminous tides
In our ruddy air and our blooming sides;
Lo, yonder the living splendors play;
Away, on our joyous path, away!
'Look, look, through our glittering ranks afar,
In the infinite azure, star after star,
How they brighten and bloom as they swiftly pass!
How the verdure runs o'er each rolling mass!
And the path of the gentle winds is seen,
Where the small waves dance, and the young woods lean.
'And see, where brighten day-beams pour,
How the rainbows hang in the sunny shower;
And the morn and eve, with their pomp of hues,
Shift o'er the bright planets and shed their dues;
And 'twixt them both, o'er the teeming ground,
With her shadowy cone the night goes round!
'Away, away! in our blossoming bowers,
In the soft air wrapping these spheres of ours,
In the seas and fountains that shine with morn,
See, love is brooding, and life is born,
And breathing myriads are breaking from night,
To rejoice like us, in motion and light.
'Glide on in your beauty, ye youthful spheres,
To weave the dance that measures the years;
Glide on, in the glory of gladness sent,
To the farthest wall of the firmament, -
The boundless visible smile of Him,
To the veil of whose brow your lamps are dim.'
poem by William Cullen Bryant
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The Last Prophecy Of Cassandra
THE sun is fading in the skies,
And evening shades are gathering fast;
Fair city, ere that sun shall rise,
Thy night hath come,-thy day is past!
Ye know not,-but the hour is nigh;
Ye will not heed the warning breath;
No vision strikes your clouded eye,
To break the sleep that wakes in death.
Go, age, and let thy withered cheek
Be wet once more with freezing tears;
And bid thy trembling sorrows speak,
In accents of departed years.
Go, child, and pour thy sinless prayer
Before the everlasting throne;
And He, who sits in glory there,
May stoop to hear thy silver tone.
Go, warrior, in thy glittering steel,
And bow thee at the altar's side;
And bid thy frowning gods reveal
The doom their mystic counsels hide.
Go, maiden, in thy flowing veil,
And bare thy brow, and bend thy knee;
When the last hopes of mercy fail,
Thy God may yet remember thee.
Go, as thou didst in happier hours,
And lay thine incense on the shrine;
And greener leaves, and fairer flowers,
Around the sacred image twine.
I saw them rise, the buried dead,
From marble tomb and grassy mound;
I heard the spirits' printless tread,
And voices not of earthly sound.
I looked upon the quivering stream,
And its cold wave was bright with flame;
And wild, as from a fearful dream,
The wasted forms of battle came.
Ye will not hear, ye will not know,
Ye scorn the maniac's idle song;
Ye care not! but the voice of woe
Shall thunder loud, and echo long.
Blood shall be in your marble halls.
And spears shall glance, and fire shall glow;
Ruin shall sit upon your walls,
But ye shall lie in death below.
Ay, none shall live, to hear the storm
Around their blackened pillars sweep;
To shudder at the reptile's form,
Or scare the wild bird from her sleep.
poem by Oliver Wendell Holmes
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May Song
How fair doth Nature
Appear again!
How bright the sunbeams!
How smiles the plain!
The flow'rs are bursting
From ev'ry bough,
And thousand voices
Each bush yields now.
And joy and gladness
Fill ev'ry breast!
Oh earth!--oh sunlight!
Oh rapture blest!
Oh love! oh loved one!
As golden bright,
As clouds of morning
On yonder height!
Thou blessest gladly
The smiling field,--
The world in fragrant
Vapour conceal'd.
Oh maiden, maiden,
How love I thee!
Thine eye, how gleams it!
How lov'st thou me!
The blithe lark loveth
Sweet song and air,
The morning flow'ret
Heav'n's incense fair,
As I now love thee
With fond desire,
For thou dost give me
Youth, joy, and fire,
For new-born dances
And minstrelsy.
Be ever happy,
As thou lov'st me!
poem by Johann Wolfgang von Goethe
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The Power Of Song
The foaming stream from out the rock
With thunder roar begins to rush,--
The oak falls prostrate at the shock,
And mountain-wrecks attend the gush.
With rapturous awe, in wonder lost,
The wanderer hearkens to the sound;
From cliff to cliff he hears it tossed,
Yet knows not whither it is bound:
'Tis thus that song's bright waters pour
From sources never known before.
In union with those dreaded ones
That spin life's thread all-silently,
Who can resist the singer's tones?
Who from his magic set him free?
With wand like that the gods bestow,
He guides the heaving bosom's chords,
He steeps it in the realms below,
He bears it, wondering, heavenward,
And rocks it, 'twixt the grave and gay,
On feeling's scales that trembling sway.
As when before the startled eyes
Of some glad throng, mysteriously,
With giant-step, in spirit-guise,
Appears a wondrous deity,
Then bows each greatness of the earth
Before the stranger heaven-born,
Mute are the thoughtless sounds of mirth,
While from each face the mask is torn,
And from the truth's triumphant might
Each work of falsehood takes to flight.
So from each idle burden free,
When summoned by the voice of song,
Man soars to spirit-dignity,
Receiving force divinely strong:
Among the gods is now his home,
Naught earthly ventures to approach--
All other powers must now be dumb,
No fate can on his realms encroach;
Care's gloomy wrinkles disappear,
Whilst music's charms still linger here,
As after long and hopeless yearning,
And separation's bitter smart,
A child, with tears repentant burning,
Clings fondly to his mother's heart--
So to his youthful happy dwelling,
To rapture pure and free from stain,
All strange and false conceits expelling,
Song guides the wanderer back again,
In faithful Nature's loving arm,
From chilling precepts to grow warm.
poem by Friedrich Schiller
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Ode To Apollo
1.
In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.
2.
Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.
3.
Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro's lyre:
The soul delighted on each accent dwells,--
Enraptur'd dwells,--not daring to respire,
The while he tells of grief around a funeral pyre.
4.
'Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell'd peers,
Nor move, till ends the lofty strain,
Nor move till Milton's tuneful thunders cease,
And leave once more the ravish'd heavens in peace.
5.
Thou biddest Shakespeare wave his hand,
And quickly forward spring
The Passions--a terrific band--
And each vibrates the string
That with its tyrant temper best accords,
While from their Master's lips pour forth the inspiring words.
6.
A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
'Tis still! Wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.
7.
Next thy Tasso's ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from Pleasure's lair:--
Then o'er the strings his fingers gently move,
And melt the soul to pity and to love.
8.
But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
Thy dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.
poem by John Keats
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