On The Death Of Mr. Viner
Is Viner Dead? and shall each Muse become
Silent as Death, and as his Musick Dumb?
Shall he depart without a poet's Praise,
Who oft to Harmony has tun'd their Lays?
Shall he, who knew the Elegance of Sound,
Find no one voice to sing him to the Ground?
musick and poetry are Sister-Arts,
Shew a like Genius, and consenting Hearts:
My Soul with his is secretly ally'd,
And I am forc'd to speak, since viner dy'd.
Oh that my Muse, as once his Notes, could swell!
That I might all his Praises fully tell;
That I might say with how much skill he play'd,
How nimbly four extended Strings survey'd;
How Bow and Fingers, with a noble Strife,
Did raise the vocal fiddle into Life;
How various Sounds, in various Order rang'd,
By unobserv'd Degrees minutely chang'd;
Thro' a vast Space could in Divisions run,
Be all distinct, yet all agree in One:
And how the fleeter Notes could swiftly pass,
And skip alternately from Place to Place;
The Strings could with a sudden Impulse bound,
Speak every Touch, and tremble into Sound.
The liquid Harmony, a tuneful Tide,
Now seem'd to rage, anon wou'd gently glide;
By Turns would ebb and flow, would rise and fall,
Be loudly daring, or be softly small:
While all was blended in one common Name,
Wave push'd on Wave, and all compos'd a Stream.
The diff'rent tones melodiously combin'd,
Temper'd with Art, in sweet Confusion join'd;
The Soft, the Strong, the Clear, the Shrill, the Deep,
Would sometimes soar aloft, and sometimes creep;
While ev'ry Soul upon his Motions hung,
As tho' it were in tuneful Concert strung.
His Touch did strike the Fibres of the Heart,
And a like Trembling secretly impart;
Where various Passions did by Turns succeed,
He made it chearful, and he made it bleed;
Could wind it up into a glowing Fire,
Then shift the Scene, and teach it to expire.
Oft have I seen him on a Publick Stage,
Alone the gaping Multitude engage;
The Eyes and Ears of each Spectator draw,
Command their Thoughts, and give their Passions Law;
While other Musick in Oblivion drown'd,
Seem'd a dead Pulse, or a neglected Sound.
Alas! he's gone, our Great Apollo's dead,
And all that's sweet and tuneful with him fled.
hibernia—with one universal Cry,
Laments its Loss, and speaks his elegy.
Farewel, thou Author of refin'd Delight,
Too little known, too soon remov'd from Sight;
Those Fingers, which such Pleasure did convey,
Must now become to stupid Worms a prey:
Thy grateful fiddle with for ever stand
A silent Mourner for its master's Hand:
Thy art is only to be match'd Above,
Where Musick reigns, and in that Musick Love:
Where Thou wilt with the happy chorus join,
And quickly Thy melodious soul refine
To the exalted pitch of Harmony Divine.
poem by Thomas Parnell
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An Ode For St. Cecilia's Day
I.
Prepare the hallow'd strain, My Muse,
Thy softest sounds and sweetest numbrs chuse;
the bright Cecilia's praise rehearse,
In warbling words,a nd glittering verse,
that smootly run into a song,
and gently die away,and melt upon the tongue.
II.
First let the sprightly violin
The joyful melody begin,
And none of all her strings be mute,
while the sharp sound and shriller lay
In sweet harmonious notes decay,
Soften and mellow'd by the flute.
'The Flute that sweetly can complain,
'Disolve the frozen nymph's disdain;
'Panting sympathy impart,
'Till she partake of her lover's smart.'
C H O R U S.
III.
Next, let the solemn organ join
Religious airs, and strains divine,
Such as may lift us to the skies,
And set all heaven before our eyes:
'Such as may lift us to the skies;
'So far at least till they
'Descend with kind surprise.
'And meet our pious harmony half-way.'
IV.
Let then the trumpet's piersing sound
Our ravish'd ears with pleasure wound:
The Soul o'er-powering with delight,
As, with a quick uncommon ray,
A streak of lightning clears the day,
And flashes on the sight.
Let echo too perform her part,
Prolonging every note with art,
And in a low expiring strain
Play all the concert o'er again.
V.
Such were the tuneful notes that hung
On bright Cecilia's charming tongue:
Notes that sacred heats inspir'd,
and with religious ardour fir'd:
The love-sick youth, that long suppress'd
His smother'd passion in hisbreast,
No sooner heard the warbling dame,
But, by the secret influence turn'd,
He felt a new diviner flame,
And with devotion burn'd.
With ravish'd soul,a nd looks amaz'd,
Upon her beauteous face he gaz'd;
Nor made his amorous complaint:
In vain her eyes his heart had charm'd.
Her heavenly voice her eyes disarm'd,
And chang'd the lover to a saint.
G R A N D C H O R U S.
VI.
And how the choir compleat rejoices,
With trembling strings and melting voices,
The tuneful ferment rises high,
And works with mingled melody:
Quick divisions run their rounds,
A thousand trills and quivering sounds
In airy circles o'er us fly.
Till wafted by a gentle breeze,
They faint and languish by degrees,
And at a distance die.
poem by Joseph Addison
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A Song For St. Cecilia's Day, At Oxford
I.
Cecilia, whose exalted hymns
With joy and wonder fill the blest,
In choirs of warbling seraphims
Known and distinguish'd fom the rest;
Attend, harmonious saint, and see
Thy vocal sons of harmony;
Attend, harmonious saint, and hear our prayers;
Enliven all our earthly airs,
and, as thou sing'st thy God, teach us to sing of thee:
Tune every string and every tongue,
Be thou the Muse and subject of our song.
II.
Let all Cecilia's praise proclaim,
Enploy the echo in her name.
Hark how the flutes and trumpets raise,
At bright Cecilia's name, their lays;
The organ labours in her praise.
Cecilia's name does all our numbers grace,
From every voice the tuneful accents fly,
In soaring trebles now it rises high,
And now it sinks, and dwells upon the base.
Cecilia's name through all the notes we sing,
The work of every skilful tongue
The sound of every trembling string,
The sound and triumph of our song.
III.
For ever consecrate the day,
To music and Cecilia;
Music, the greatest good that mortals know,
And all of heaven we have below.
Music can noble hints impart,
Engender fury, kindle love;
With unsuspected eloquence can move,
And manage all the man with secret art.
When Orpheus strikes the trembling lyre
The streams stand still, the stones admire;
The listening savages advance,
The world and lamb around him trip
The bears in aukward measures leap,
And tigers mingle in the dance
The moving woods attended as he played
And Rhodope was left without a shade.
IV.
Music religious heats inspires,
It wakes the soul, and lifts it high,
And wings it with sublime desires,
And fits it to bespeak the Deity.
Th' Almighty listens to a tuneful tongue,
And seems well-pleas'd and courted with a song.
Soft moving sounds and heavenly airs
Give forece to every word, and recommend our prayers
When time itself shall be no more,
And all things in confusion hurl'd,
Music shall then exert its power,
And sound survive the ruins of the world:
Then saints and angels shall agree
In one eternal jubilee:
All heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.
C H O R U S.
Consecrate the place and day,
To music and Cecilia Let no rough winds approach, nor dare
Invade the hallow'd bounds,
Nor rudely shake the tuneful air,
Nor spoil the fleeting sounds.
Nor mournful sigh nor groan be heard,
But gladness dwell on every tongue;
Whilst all, with voice and strings prepar'd,
Keep u; the loud harmonious song.
And imitate the blest above,
In joy, and harmony, and love.
poem by Joseph Addison
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Ode To Apollo
1.
In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.
2.
Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.
3.
Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro's lyre:
The soul delighted on each accent dwells,--
Enraptur'd dwells,--not daring to respire,
The while he tells of grief around a funeral pyre.
4.
'Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell'd peers,
Nor move, till ends the lofty strain,
Nor move till Milton's tuneful thunders cease,
And leave once more the ravish'd heavens in peace.
5.
Thou biddest Shakespeare wave his hand,
And quickly forward spring
The Passions--a terrific band--
And each vibrates the string
That with its tyrant temper best accords,
While from their Master's lips pour forth the inspiring words.
6.
A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
'Tis still! Wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.
7.
Next thy Tasso's ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from Pleasure's lair:--
Then o'er the strings his fingers gently move,
And melt the soul to pity and to love.
8.
But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
Thy dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.
poem by John Keats
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Away, Away, Ye Notes Of Woe!
Away, away, ye notes of woe!
Be silent, thou once soothing strain,
Or I must flee from hence--for, oh!
I dare not trust those sounds again.
To me they speak of brighter days
But lull the chords, for now, alas!
I must not think, I may not gaze,
On what I am--on what I was.
The voice that made those sounds more sweet
Is hush'd, and all their charms are fled
And now their softest notes repeat
A dirge, an anthem o'er the dead!
Yes, Thyrza! yes, they breathe of thee,
Beloved dust! since dust thou art;
And all that once was harmony
Is worse than discord to my heart!
'Tis silent all!--but on my ear
The well remember'd echoes thrill;
I hear a voice I would not hear,
A voice that now might well be still:
Yet oft my doubting soul 'twill shake;
Even slumber owns its gentle tone,
Till consciousness will vainly wake
To listen, though the dream be flown.
Sweet Thyrza! waking as in sleep,
Thou art but now a lovely dream;
A star that trembled o'er the deep,
Then turn'd from earth its tender beam.
But he who through life's dreary way
Must pass, when heaven is veil'd in wrath,
Will long lament the vanish'd ray
That scatter'd gladness o'er his path.
December 6, 1811.
A Divine Pastorall
Strephon & I upon a bank were laid,
Where the gay spring in varied colours playd,
& her rich odours lavish nature shed.
When thus the Youth, while this we wondring view
Can we but wonder at its maker too,
Amintas, if I know him, did not use
Shoud such a subject call, to want a muse,
Oh sing the great, the wise creating powr,
While silent I admire, & in your words adore.
Then I, for long before the thought was mine,
Did thus to meet the good demand begin.
Ye Mountains, & ye hills which lower rise,
Ye humble vallies, & ye spreading trees,
Ye pleasant meadows, & thou easy stream,
O praise the Lord, O magnify his name!
Yes, as you can you tell his name abroad,
The wondrous work proclaims the worker God.
Gently awhile sweet Breezes move along,
Then swiftly bear aloft my finisht song.
Ye tame & savage beasts in one accord,
Joyn with all these to Glorify the Lord;
Ye Birds, Ye tunefull birds in him rejoyce,
Give him your musick, who gave you your voice,
Hark how the cheerfull labour of their throats,
returns the tribute of their pretty notes.
Gently awhile sweet Breezes move along,
Then swiftly bear aloft my rising song.
But still the earth, & still the seas are mute,
The Birds are speechless, speechless is the Brute,
Man that alone can speak his praise must doo't.
Praise him O man with a transported heart,
Let the melodious hand confess its art,
Let the raisd voice his bounteous glory's sing,
Shoud less be joynd to praise so great a King?
Gently awhile sweet Breezes move along,
Then swiftly bear aloft my rising song.
For thee the seasons run the circling year,
The clouds drop fatness, & the fruits appear,
Thee as the Lord of all below he plac'd,
Free in thy choice, & by thy chusing bless'd,
Tis true we must account for all we do,
But to a God alone th' account is due.
Gently awhile sweet Breezes move along,
Then swiftly bear aloft my rising song.
The Seraphim, & all the Heavenly pow'r,
Bright in their shapes, but in their virtues more,
Came to the shade where our first parents lay,
They heard him reason, & they heard her pray,
Then struck their Golden harps, & as they flew,
Cry'd, Halelujah, man is made for heaven too.
Go on, my Muse, Go on, & Gratefully express,
The Creatures thanks, in the Creators praise.
To see this pair the fallen powrs came in,
Torturd with malice, & deformd by sin,
They saw this happy pair designd to fill
The realms, from whence they fell by doing ill,
They heard their Joyfull anthems to their God,
& faign they woud have harmd ym if they coud,
Whom they woud harm they impotently curse,
Their strength indeed was great but God was ours.
Go on, My Muse, Go on, & Gratefully express.
The Creatures thanks, in the Creators praise.
I know I cannot speak his mercy's through,
Yet what I can, of what I ought Ile do,
Mean as they are, my notes to him belong,
Mean as it is, he will reward my song.
Go on, my Muse go on, & gratefully express
The Creatures thanks, in the Creators praise.
On such a theam I coud for ever dwell,
Thus lett my voice when I must perish fail
& thus my monument my story tell;
Here lyes a Youth—stay passenger & pray,
Nor pitty him who di'd no common way,
But when his breath was all in hymns bestowd
Sent up his soul to bear 'em to his God.
So lett me end, the twilight does appear,
The heat has left to rarify the air,
The winds it broke grow strong enough to fly,
Yes swiftly fly ye winds, & bear my Lays on high.
poem by Thomas Parnell
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A Song for St. Cecilia's Day
FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.
What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?
The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, 'tis too late to retreat!
The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.
Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.
But O, what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.
Orpheus could lead the savage race;
And trees unrooted left their place,
Sequacious of the lyre;
But bright Cecilia rais'd the wonder higher:
When to her organ vocal breath was given,
An angel heard, and straight appear'd
Mistaking Earth for Heaven.
GRAND CHORUS.
As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the Blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky!
poem by John Dryden
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To A Lady That Desired Me I Would Beare My Part With Her In A Song Madam A. L.
This is the prittiest motion:
Madam, th' alarums of a drumme
That cals your lord, set to your cries,
To mine are sacred symphonies.
What, though 'tis said I have a voice;
I know 'tis but that hollow noise
Which (as it through my pipe doth speed)
Bitterns do carol through a reed;
In the same key with monkeys jiggs,
Or dirges of proscribed piggs,
Or the soft Serenades above
In calme of night, when cats make love.
Was ever such a consort seen!
Fourscore and fourteen with forteen?
Yet sooner they'l agree, one paire,
Then we in our spring-winter aire;
They may imbrace, sigh, kiss, the rest:
Our breath knows nought but east and west.
Thus have I heard to childrens cries
The faire nurse still such lullabies,
That, well all sayd (for what there lay),
The pleasure did the sorrow pay.
Sure ther's another way to save
Your phansie, madam; that's to have
('Tis but a petitioning kinde fate)
The organs sent to Bilingsgate,
Where they to that soft murm'ring quire
Shall teach you all you can admire!
Or do but heare, how love-bang Kate
In pantry darke for freage of mate,
With edge of steele the square wood shapes,
And DIDO to it chaunts or scrapes.
The merry Phaeton oth' carre
You'l vow makes a melodious jarre;
Sweeter and sweeter whisleth He
To un-anointed axel-tree;
Such swift notes he and 's wheels do run;
For me, I yeeld him Phaebus son.
Say, faire Comandres, can it be
You should ordaine a mutinie?
For where I howle, all accents fall,
As kings harangues, to one and all.
Ulisses art is now withstood:
You ravish both with sweet and good;
Saint Syren, sing, for I dare heare,
But when I ope', oh, stop your eare.
Far lesse be't aemulation
To passe me, or in trill or tone,
Like the thin throat of Philomel,
And the smart lute who should excell,
As if her soft cords should begin,
And strive for sweetnes with the pin.
Yet can I musick too; but such
As is beyond all voice or touch;
My minde can in faire order chime,
Whilst my true heart still beats the time;
My soule['s] so full of harmonie,
That it with all parts can agree;
If you winde up to the highest fret,
It shall descend an eight from it,
And when you shall vouchsafe to fall,
Sixteene above you it shall call,
And yet, so dis-assenting one,
They both shall meet in unison.
Come then, bright cherubin, begin!
My loudest musick is within.
Take all notes with your skillfull eyes;
Hearke, if mine do not sympathise!
Sound all my thoughts, and see exprest
The tablature of my large brest;
Then you'l admit, that I too can
Musick above dead sounds of man;
Such as alone doth blesse the spheres,
Not to be reacht with humane eares.
poem by Richard Lovelace
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Mortification
How soon doth man decay!
When clothes are taken from a chest of sweets
To swaddle infants, whose young breath
Scarce knows the way;
Those clouts are little winding-sheets,
Which do consign and send them unto Death.
When boyes go first to bed,
They step into their voluntarie graves;
Sleep binds them fast; onely their breath
Makes them not dead:
Successive nights, like rolling waves,
Convey them quickly who are bound for Death.
When Youth is frank and free,
And calls for musick, while his veins do swell,
All day exchanging mirth and breath
In companie,
That musick summons to the knell
Which shall befriend him at the house of Death.
When man grows staid and wise,
Getting a house and home, where he may move
Within the circle of his breath,
Schooling his eyes,
That dumbe inclosure maketh love
Unto the coffin, that attends his death.
When Age grows low and weak,
Marking his grave, and thawing ev'ry year,
Till all do melt and drown his breath
When he would speak,
A chair or litter shows the biere
Which shall convey him to the house of Death.
Man, ere he is aware,
Hath put together a solemnitie,
And drest his hearse, while he has breath
As yet to spare;
Yet, Lord, instruct us so to die,
That all these dyings may be LIFE in DEATH.
poem by George Herbert
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To The Nightingale
Exert thy Voice, sweet Harbinger of Spring!
This Moment is thy Time to sing,
This Moment I attend to Praise,
And set my Numbers to thy Layes.
Free as thine shall be my Song;
As thy Musick, short, or long.
Poets, wild as thee, were born,
Pleasing best when unconfin'd,
When to Please is least design'd,
Soothing but their Cares to rest;
Cares do still their Thoughts molest,
And still th' unhappy Poet's Breast,
Like thine, when best he sings, is plac'd against a Thorn.
She begins, Let all be still!
Muse, thy Promise now fulfill!
Sweet, oh! sweet, still sweeter yet
Can thy Words such Accents fit,
Canst thou Syllables refine,
Melt a Sense that shall retain
Still some Spirit of the Brain,
Till with Sounds like these it join.
'Twill not be! then change thy Note;
Let division shake thy Throat.
Hark! Division now she tries;
Yet as far the Muse outflies.
Cease then, prithee, cease thy Tune;
Trifler, wilt thou sing till June?
Till thy Bus'ness all lies waste,
And the Time of Building's past!
Thus we Poets that have Speech,
Unlike what thy Forests teach,
If a fluent Vein be shown
That's transcendant to our own,
Criticize, reform, or preach,
Or censure what we cannot reach.
poem by Anne Kingsmill Finch
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The Poet And The Muse
Whither, and whence, and why hast fled?
Thou art dumb, my muse; thou art dumb, thou art dead,
As a waterless stream, as a leafless tree.
What have I done to banish thee?
But a moon ago, the whole day long
My ears were full of the sound of song;
And still through my darkly silent dreams
Plashed the fitful music of far-off streams.
When the night turned pale and the stars grew dim,
The morning chanted a dewy hymn.
The fragrant languor of cradled noon
Was lulled by the hum of a self-sung tune.
Joy came on the wings of a jocund lay,
And sorrow in harmony passed away;
And the sunny hours of tideless time
Were buoyed on the surges of rolling rhyme.
The moon went up in a cloudless sky,
Silently but melodiously;
And the glitter of stars and the patter of rain
Were notes and chords of an endless strain.
And vision, and feeling, and sound, and scent,
Were the strings of a sensitive instrument,
That silently, patiently, watched and waited,
And unto my soul reverberated.
In the orchard reddens the rounded fruit
'Mid the yellowing leaves, but my voice is mute.
The thinned copse sighs like a heart forsaken,
But not one chord of my soul is shaken.
Through the gloaming broadens the harvest moon;
The fagged hind whistles his homeward tune;
The last load creaks up the hamlet hill;
'Tis only my voice, my voice that is still.
(The Muse answers)
Poet, look in your poet's heart.
It will tell you what keepeth us twain apart.
I have not left you; I still am near.
But a music not mine enchants your ear.
Another hath entered and nestles deep
In the lap of your love, like a babe asleep.
You watch her breathing from morn till night;
She is all your hearing and all your sight.
Yet fear not, poet, to do me wrong.
She is sweeter far than the sweetest song.
One looks and listens the way she went,
As towards lark that is lost in the firmament.
So gladly to her I you resign,
Her caress is tenderer much than mine;
I hover round you, and hear her kiss
With wonder at its melodiousness.
When you gaze on the moon, you see but her.
You hear her feet when the branches stir;
And sunrise and sunset and starlight only
Make their beauty, without her, feel more lonely.
So how should you, poet, hope to sing?
The lute of Love hath a single string.
Its note is sweet as the coo of the dove;
But 'tis only one note, and the note is Love.
But when once you have paired and built your nest,
And can brood therein with a settled breast,
You will sing once more, and your voice will stir
All hearts with the sweetness gained from her.
poem by Alfred Austin
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Hymn to Science
Science! thou fair effusive ray
From the great source of mental day,
Free, generous, and refin'd!
Descend with all thy treasures fraught,
Illumine each bewilder'd thought,
And bless my lab'ring mind.
But first with thy resistless light,
Disperse those phantoms from my sight,
Those mimic shades of thee;
The scholiast's learning, sophist's cant,
The visionary bigot's rant,
The monk's philosophy.
O! let thy powerful charms impart
The patient head, the candid heart,
Devoted to thy sway;
Which no weak passions e'er mislead,
Which still with dauntless steps proceed
Where Reason points the way.
Give me to learn each secret cause;
Let number's, figure's, motion's laws
Reveal'd before me stand;
These to great Nature's scenes apply,
And round the globe, and thro' the sky,
Disclose her working hand.
Next, to thy nobler search resign'd,
The busy, restless, human mind
Thro' ev'ry maze pursue;
Detect Perception where it lies,
Catch the ideas as they rise,
And all their changes view.
Say from what simple springs began
The vast, ambitious thoughts of man,
Which range beyond control;
Which seek Eternity to trace,
Dive thro' th' infinity of space,
And strain to grasp the whole.
Her secret stores let Memory tell,
Bid Fancy quit her fairy cell,
In all her colours drest;
While prompt her sallies to control,
Reason, the judge, recalls the soul
To Truth's severest test.
Then launch thro' Being's wide extent;
Let the fair scale, with just ascent,
And cautious steps, be trod;
And from the dead, corporeal mass,
Thro' each progressive order pass
To Instinct, Reason, God.
There, Science! veil thy daring eye;
Nor dive too deep, nor soar too high,
In that divine abyss;
To Faith content thy beams to lend,
Her hopes t' assure, her steps befriend,
And light her way to bliss.
Then downwards take thy flight agen;
Mix with the policies of men,
And social nature's ties:
The plan, the genius of each state,
Its interest and its pow'rs relate,
Its fortunes and its rise.
Thro' private life pursue thy course,
Trace every action to its source,
And means and motives weigh:
Put tempers, passions in the scale,
Mark what degrees in each prevail,
And fix the doubtful sway.
That last, best effort of thy skill,
To form the life, and rule the will,
Propitious pow'r! impart:
Teach me to cool my passion's fires,
Make me the judge of my desires,
The master of my heart.
Raise me above the vulgar's breath,
Pursuit of fortune, fear of death,
And all in life that's mean.
Still true to reason be my plan,
Still let my action speak the man,
Thro' every various scene.
Hail! queen of manners, light of truth;
Hail! charm of age, and guide of youth;
Sweet refuge of distress:
In business, thou! exact, polite;
Thou giv'st Retirement its delight,
Prosperity its grace.
Of wealth, pow'r, freedom, thou! the cause;
Foundress of order, cities, laws,
Of arts inventress, thou!
Without thee what were human kind?
How vast their wants, their thoughts how blind!
Their joys how mean! how few!
Sun of the soul! thy beams unveil!
Let others spread the daring sail,
On Fortune's faithless sea;
While undeluded, happier I
From the vain tumult timely fly,
And sit in peace with thee.
poem by Mark Akenside
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Psalm 148 Paraphrased
Universal praise to God.
Loud hallelujahs to the Lord,
From distant worlds where creatures dwell;
Let heav'n begin the solemn word,
And sound it dreadful down to hell.
The Lord, how absolute he reigns!
Let every angel bend the knee;
Sing of his love in heav'nly strains,
And speak how fierce his terrors be.
High on a throne his glories dwell,
An awful throne of shining bliss;
Fly through the world, O sun! and tell
How dark thy beams compared to his.
Awake, ye tempests, and his fame
In sounds of dreadful praise declare;
And the sweet whisper of his name
Fill every gentler breeze of air.
Let clouds, and winds, and waves agree
To join their praise with blazing fire;
Let the firm earth and rolling sea
In this eternal song conspire.
Ye flowery plains, proclaim his skill;
Valleys, lie low before his eye;
And let his praise from every hill
Rise tuneful to the neighb'ring sky.
Ye stubborn oaks, and stately pines,
Bend your high branches and adore:
Praise him, ye beasts, in diff'rent strains;
The lamb must bleat, the lion roar.
Birds, ye must make his praise your theme;
Nature demands a song from you;
While the dumb fish that cut the stream
Leap up, and mean his praises too.
Mortals, can you refrain your tongue,
When nature all around you sings?
O for a shout from old and young,
From humble swains and lofty kings!
Wide as his vast dominion lies
Make the Creator's name be known;
Loud as his thunder shout his praise,
And sound it lofty as his throne.
Jehovah! 'tis a glorious word:
O may it dwell on every tongue!
But saints, who best have known the Lord,
Are bound to raise the noblest song.
Speak of the wonders of that love
Which Gabriel plays on every chord:
From all below, and all above,
Loud hallelujahs to the Lord!
poem by Isaac Watts
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Mr. Clay’s Reception At Raleigh, April, 1844
Salute the august train! a scene so grand,
With every tuneful band;
The mighty brave,
His country bound to save,
Extends his aiding hand;
For joy his vot'ries hoop and stamp,
Excited by the blaze of pomp!
Let ev'ry eye
The scene descry,
The sons of freedom's land.
They look ten thousand stars! lamp tumbler blaze,
To give the Hero praise!
Immortal Clay,
The cause is to pourtray!
Your tuneful voices raise;
The lights of our Columbian sun,
Break from his patriotic throne;
Let all admire
The faithful sire,
The chief musician plays.
Ye bustling crowds give way, proclaims the drum,
And give the Patriot room;
The cannon's sound,
The blast of trumpets bound,
Be this our father's home;
Now let the best musician play,
A skillful tune for Henry Clay!
Let every ear
With transport hear!
The President is come.
Let sister states greet the Columbian feast,
With each admiring guest;
Thou art our choice!
Let ev'ry joyful voice,
Sound from the east to west;
Let haughty Albion's lion roar,
The eagle must prevail to soar;
And in lovely form,
Above the storm,
Erect her peaceful nest.
Beyond each proud empire she throws her eye!
Which lifted to the sky,
No thunders roll,
To agitate her soul,
Beneath her feet they fly!
Let skillful fingers sweep the lyre,
Strike ev'ry ear! set hearts on fire!
Let monarchs sleep
Beyond the deep,
And howling faction die.
Nor hence forget the scene applauding day,
When every heart was gay;
The universal swell
Rush'd from the loud town bell;
In awful, grand array,
We see them form the bright parade;
And hark, a gladdening march is play'd!
Along the street,
The theme is sweet,
For every voice is Clay.
To the Capitol the low and upland peers
Resort with princely fears,
And homage pay;
A loud huzza for Clay!
Falls on our ears;
Loud from his lips the thunders roll,
And fill with wonder every soul;
Round the sire of state
All concentrate,
And every mortal hears.
poem by George Moses Horton
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Upon A Little Lady
Under the Discipline of an Excellent Person.
I.
How comes the Day orecast? the Flaming Sun
Darkn'd at Noon, as if his Course were run?
He never rose more proud, more glad, more gay,
Ne're courted Daphne with a brighter Ray!
And now in Clouds he wraps his Head,
As if not Daphne, but himself were dead!
And all the little Winged Troop
Forbear to sing, and sit and droop;
The Flowers do languish on their Beds,
And fading hang their Mourning Heads;
The little Cupids discontented, shew,
In Grief and Rage one breaks his Bow,
An other tares his Cheeks and Haire,
A third sits blubring in Despaire,
Confessing though, in Love, he be,
A Powerful, Dreadful Deitie,
A Child, in Wrath, can do as much as he!
Whence is this Evil hurl'd,
On all the sweetness of the World?
Among those Things with Beauty shine,
(Both Humane natures, and Divine)
There was not so much sorrow spi'd,
No, not that Day the sweet Adonis died!
II.
Ambitious both to know the Ill, and to partake,
The little Weeping Gods I thus bespake.
Ye Noblest Pow'rs and Gentlest that Above,
Govern us Men, but govern still with Love,
Vouchsafe to tell, what can that Sorrow be,
Disorders Heaven, and wounds a Deitie.
My Prayer not spoken out,
One of the Winged Rout,
With Indignation great,
Sprung from his Airie-Seat,
And mounting to a Higher Cloud,
With Thunder, or a Voice as loud
Cried, Mortal there, there seek the Grief o'th' Gods,
Where thou findst Plagues, and their revengeful Rods!
And in the Instant that the Thing was meant,
He bent his Bow, his Arrow plac't, and to the mark it sent!
I follow'd with my watchful Eye,
To the Place where the Shaft did flie,
But O unheard-of Prodigy.
It was retorted back again,
And he that sent it, felt the pain,
Alas! I think the little God was therewith slain!
But wanton Darts ne're pierce where Honours found,
And those that shoot them, do their own Breasts wound.
III.
The Place from which the Arrow did return,
Swifter then sent, and with the speed did burn,
Was a Proud Pile which Marble Columnes bare,
Tarrast beneath, and open to the Aire,
On either side, Cords of wove Gold did tie
A purfl'd Curtain, hanging from on high,
To clear the Prospect of the stately Bower,
And boast the Owners Dignity and Power!
This shew'd the Scene from whence Loves grief arose,
And Heaven and Nature both did discompose,
A little Nymph whose Limbs divinely bright,
Lay like a Body of Collected Light,
But not to Love and Courtship so disclos'd,
But to the Rigour of a Dame oppos'd,
Who instant on the Faire with Words and Blows,
Now chastens Error, and now Virtue shews.
IV.
But O thou no less Blind,
Than Wild and Savage Mind,
Who Discipline dar'st name,
Thy Outrage and thy shame,
And hop'st a Radiant Crown to get
All Stars and Glory to thy Head made fit,
Know that this Curse alone shall Serpent-like incircle it!
May'st thou henceforth, be ever seen to stand,
Grasping a Scourge of Vipers in thy Hand,
Thy Hand, that Furie like—But see!
By Apollos Sacred Tree,
By his ever Tuneful Lyre,
And his bright Image the Eternal Fire,
Eudoras she has done this Deed
And made the World thus in its Darling bleed!
I know the Cruel Dame,
Too well instructed by my Flame!
But see her shape! But see her Face!
In her Temple such is Diana's Grace!
Behold her Lute upon the Pavement lies,
When Beautie's wrong'd, no wonder Musick dies!
V.
What blood of Centaurs did thy Bosom warme,
And boyle the Balsome there up to a Storme?
Nay Balsome flow'd not with so soft a Floud,
As thy Thoughts Evenly Virtuous, Mildly Good!
How could thy Skilful and Harmonious Hand,
That Rage of Seas, and People could command,
And calme Diseases with the Charming strings,
Such Discords make in the whole Name of Things?
But now I see the Root of thy Rash Pride,
Because thou didst Excel the World beside,
And it in Beauty and in Fame out-shine,
Thou would'st compare thy self to things Divine!
And 'bove thy Standard what thou there didst see,
Thou didst Condemn, because 'twas unlike thee,
And punisht in the Lady as unfit,
What Bloomings were of a Diviner Wit.
Divine she is, or else Divine must be,
A Borne or else a Growing Deitie!
VI.
While thus I did exclaime,
And wildly rage and blame,
Behold the Sylvan-Quire
Did all at one conspire,
With shrill and cheerful Throats,
T'assume their chirping Notes;
The Heav'ns refulgent Eye
Dance't in the clear'd-up Skie,
And so triumphant shon,
As seven-days Beams he had on!
The little Loves burn'd with nobler fier
Each chang'd his wanton Bow, and took a Lyre,
Singing chast Aires unto the tuneful strings,
And time'd soft Musick with their downy Wings.
I turn'd the little Nymph to view,
She singing and did smiling shew;
Eudora led a heav'nly strain,
Her Angels Voice did eccho it again!
I then decreed no Sacriledge was wrought,
But neerer Heav'n this Piece of Heaven was brought.
She also brighter seem'd, than she had been,
Vertue darts forth a Light'ning 'bove the Skin.
Eudora also shew'd as heretofore,
When her soft Graces I did first adore.
I saw, what one did Nobly Will,
The other sweetly did fulfil;
Their Actions all harmoniously did sute,
And she had only tun'd the Lady like her Lute.
poem by Anne Killigrew
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A Supplication
Awake, awake, my Lyre!
And tell thy silent master's humble tale
In sounds that may prevail;
Sounds that gentle thoughts inspire:
Though so exalted she
And I so lowly be
Tell her, such different notes make all thy harmony.
Hark, how the strings awake!
And, though the moving hand approach not near,
Themselves with awful fear
A kind of numerous trembling make.
Now all thy forces try;
Now all thy charms apply;
Revenge upon her ear the conquests of her eye.
Weak Lyre! thy virtue sure
Is useless here, since thou art only found
To cure, but not to wound,
And she to wound, but not to cure,
Too weak too wilt thou prove
My passion to remove;
Physic to other ills, thou'rt nourishment to love.
Sleep, sleep again, my Lyre!
For thou canst never tell my humble tale
In sounds that will prevail,
Nor gentle thoughts in her inspire;
All thy vain mirth lay by,
Bid thy strings silent lie,
Sleep, sleep again, my Lyre, and let thy master die.
poem by Abraham Cowley
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A Desire To Praise
Propitious Son of God to thee
With all my soul I bend my knee,
My wish I send my want impart,
And dedicate my mind and heart,
For as an absent parent's son
Whose second year is only run,
When no protecting friend is near,
Void of wit and void of fear,
With things that hurt him fondly plays,
Or here he falls, or there he strays;
So shou'd my soul's eternal guide
The sacred spirit be deny'd,
Thy servant soon the loss wou'd know,
And sink in sin, or run to woe.
O spirit bountifully kind,
Warm, possess, and fill my mind,
Disperse my sins with light divine
And raise the flames of love with thine,
Before thy pleasures rightly priz'd
Let wealth and honour be despis'd,
And let the Father's glory be
More dear itself than life to me.
Sing of Jesus! virgins sing
Him your everlasting King;
Sing of Jesus! chearful youth,
Him the God of love and truth:
Write and raise a song divine
Or come and hear, and borrow mine.
Son Eternal, word supreme,
Who made the universal frame,
Heav'n and all its shining show,
Earth and all it holds below;
Bow with mercy bow thine ear
While we sing thy praises here;
Son Eternal ever bless'd,
Resting on the Father's breast,
Whose tender love for all provides,
Whose power over all presides;
Bow with pity, bow thine ear
While we sing thy praises, hear.
Thou, by pity's soft extream,
Mov'd, and won, and set on flame,
Assum'd the form of man, and fell
In pains, to rescue man from hell;
How bright thine humble glories rise
And match the lustre of the skies,
From death and hell's dejected state
Arising, thou resum'd thy seat,
And golden thrones of bliss prepar'd
Above, to be thy saints reward.
How bright thy glorious honours rise,
And with new lustre grace the skies.
For thee, the sweet seraphick Choir
Raise the voice and tune the Lyre,
And praises with harmonious sounds
Through all the highest heav'n rebounds.
O make our notes with theirs agree
And bless the souls that sing of thee:
To thee, the churches here rejoice,
The solemn organs aid the voice:
To sacred roofs the sound we raise,
The sacred roofs resound thy praise:
And while our notes in one agree,
O! bless the church that sings to thee.
poem by Thomas Parnell
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Three Songs
LOVE, thou art best of Human Joys,
Our chiefest Happiness below;
All other Pleasures are but Toys,
Musick without Thee is but Noise,
And Beauty but an empty Show.
Heav'n, who knew best what Man wou'd move,
And raise his Thoughts above the Brute;
Said, Let him Be, and let him Love;
That must alone his Soul improve,
Howe'er Philosophers dispute.
II
Quickly, Delia, Learn my Passion,
Lose not Pleasure, to be Proud;
Courtship draws on Observation,
And the Whispers of the Croud.
Soon or late you'll hear a Lover,
Nor by Time his Truth can prove;
Ages won't a Heart discover,
Trust, and so secure my Love
III
'TIS strange, this Heart within my breast,
Reason opposing, and her Pow'rs,
Cannot one gentle Moment rest,
Unless it knows what's done in Yours.
In vain I ask it of your Eyes,
Which subt'ly would my Fears controul;
For Art has taught them to disguise,
Which Nature made t' explain the Soul.
In vain that Sound, your Voice affords,
Flatters sometimes my easy Mind;
But of too vast Extent are Words
In them the Jewel Truth to find.
Then let my fond Enquiries cease,
And so let all my Troubles end:
For, sure, that Heart shall ne'er know Peace,
Which on Anothers do's depend.
poem by Anne Kingsmill Finch
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A Dialogue, Between the Resolved Soul, And Created Pleasure
Courage my Soul, now learn to wield
The weight of thine immortal Shield.
Close on thy Head thy Helmet bright.
Ballance thy Sword against the Fight.
See where an Army, strong as fair,
With silken Banners spreads the air.
Now, if thou bee'st that thing Divine,
In this day's Combat let it shine:
And shew that Nature wants an Art
To conquer one resolved Heart.
Pleasure
Welcome the Creations Guest,
Lord of Earth, and Heavens Heir.
Lay aside that Warlike Crest,
And of Nature's banquet share:
Where the Souls of fruits and flow'rs
Stand prepar'd to heighten yours.
Soul
I sup above, and cannot stay
To bait so long upon the way.
Pleasure
On these downy Pillows lye,
Whose soft Plumes will thither fly:
On these Roses strow'd so plain
Lest one Leaf thy Side should strain.
Soul
My gentler Rest is on a Thought,
Conscious of doing what I ought.
Pleasure
If thou bee'st with Perfumes pleas'd,
Such as oft the Gods appeas'd,
Thou in fragrant Clouds shalt show
Like another God below.
Soul
A Soul that knowes not to presume
Is Heaven's and its own perfume.
Pleasure
Every thing does seem to vie
Which should first attract thine Eye:
But since none deserves that grace,
In this Crystal view thy face.
Soul
When the Creator's skill is priz'd,
The rest is all but Earth disguis'd.
Pleasure
Heark how Musick then prepares
For thy Stay these charming Aires ;
Which the posting Winds recall,
And suspend the Rivers Fall.
Soul
Had I but any time to lose,
On this I would it all dispose.
Cease Tempter. None can chain a mind
Whom this sweet Chordage cannot bind.
Chorus
Earth cannot shew so brave a Sight
As when a single Soul does fence
The Batteries of alluring Sense,
And Heaven views it with delight.
Then persevere: for still new Charges sound:
And if thou overcom'st thou shalt be crown'd.
Pleasure
All this fair, and cost, and sweet,
Which scatteringly doth shine,
Shall within one Beauty meet,
And she be only thine.
Soul
If things of Sight such Heavens be,
What Heavens are those we cannot see?
Pleasure
Where so e're thy Foot shall go
The minted Gold shall lie;
Till thou purchase all below,
And want new Worlds to buy.
Soul
Wer't not a price who 'ld value Gold?
And that's worth nought that can be sold.
Pleasure
Wilt thou all the Glory have
That War or Peace commend?
Half the World shall be thy Slave
The other half thy Friend.
Soul
What Friends, if to my self untrue?
What Slaves, unless I captive you?
Pleasure
Thou shalt know each hidden Cause;
And see the future Time:
Try what depth the Centre draws;
And then to Heaven climb.
Soul
None thither mounts by the degree
Of Knowledge, but Humility.
Chorus
Triumph, triumph, victorious Soul;
The World has not one Pleasure more:
The rest does lie beyond the pole,
And is thine everlasting Store.
poem by Andrew Marvell
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Hezekiah
From the bleak Beach and broad expanse of sea,
To lofty Salem, Thought direct thy way;
Mount thy light chariot, move along the plains,
And end thy flight where Hezekiah reigns.
How swiftly thought has pass'd from land to land,
And quite outrun Time's meas'ring glass of sand,
Great Salem's walls appear and I resort
To view the state of Hezekiah's court.
Well may that king a pious verse inspire,
Who cleans'd the temple, who reviv'd the choir,
Pleas'd with the service David fix'd before,
That heav'nly musick might on earth adore.
Deep-rob'd in white, he made the Levites stand
With Cymbals, Harps, and Psaltries in their hand;
He gave the Priests their trumpets, prompt to raise
The tuneful soul, by force of sound to praise.
A skilful master for the song he chose,
The songs were David's these, and Asaph's those.
Then burns their off'ring, all around rejoice,
Each tunes his instrument to join the voice;
The trumpets sounded, and the singers sung,
The People worship'd and the temple rung.
Each while the victim burns presents his heart,
Then the Priest blesses, and the People part.
Hail sacred musick! since you know to draw
The soul to Heav'n, the spirit to the law,
I come to prove thy force, thy warbling string
May tune my soul to write what others sing.
But is this Salem? this the proms'd bliss,
These sighs and groans? what means the realm by this?
What solemn sorrow dwells in ev'ry street?
What fear confounds the downcast looks I meet?
Alas the King! whole nations sink with woe,
When righteous Kings are summon'd hence to go;
The King lies sick, and thus to speak his doom,
The Prophet, grave Isaiah, stalks the room:
Oh Prince thy servant sent from God, believe,
Set all in order for thou can'st not live.
Solemn he said, and sighing left the place,
Deep prints of horror furrow'd ev'ry face,
Within their minds appear eternal glooms,
Black gaping marbles of their monarchs tombs,
A King belov'd deceas'd, his offspring none,
And wars destructive e'er they fix the throne.
Strait to the wall he turn'd with dark despair,
('Twas tow'rds the temple, or for private pray'r,)
And thus to God the pious monarch spoke,
Who burn'd the groves, the brazen serpent broke:
Remember Lord with what a heart for right,
What care for truth, I walk'd within thy sight.
'Twas thus with terror, pray'rs and tears he toss'd,
When the mid-court the grave Isaiah cross'd,
Whom in the cedar columns of the square,
Meets a sweet Angel hung in glitt'ring air.
Seiz'd with a trance he stop'd, before his eye
Clears a rais'd arch of visionary sky,
Where as a minute pass'd, the greater light
Purpling appear'd, and south'd and set in night;
A Moon succeeding leads the starry train,
She glides, and sinks her silver horns again:
A second fanci'd morning drives the shades;
Clos'd by the dark the second ev'ning fades;
The third bright dawn awakes, and strait he sees
The temple rise, the monarch on his knees.
Pleas'd with the scene, his inward thoughts rejoice,
When thus the Guardian angel form'd a voice.
Now tow'rds the captain of my people go,
And, Seer, relate him what thy visions show,
The Lord has heard his words, and seen his tears,
And through fifteen extends his future years.
Here to the room prepar'd with dismal black,
The Prophet turning, brought the comfort back.
Oh monarch hail, he cry'd, thy words are heard,
Thy virtuous actions meet a kind regard,
God gives thee fifteen years, when thrice a day,
Shews the round Sun, within the temple pray.
When thrice the day! surpriz'd the monarch cries,
When thrice the Sun! what pow'r have I to rise!
But if thy comfort's human or divine,
'Tis short to prove it—give thy prince a sign.
Behold, the Prophet cry'd, (and stretch'd his hands)
Against yon lattice where the dial stands,
Now shall the Sun a backward journey go
Through ten drawn lines, or leap to ten below.
'Tis easier posting nature's airy track,
Replies the monarch, let the Sun go back.
Attentive here he gaz'd, the prophet pray'd,
Back went the Sun, and back pursu'd the shade.
Chear'd by the sign, and by the Prophet heal'd,
What sacred thanks his gratitude reveal'd?
As sickly Swallows when a summer ends,
Who miss'd the passage with their flying friends,
Take to a wall, there lean the languid head,
While all who find them think the sleepers dead;
If yet their warmth new days of summer bring,
They wake and joyful flutter up to sing;
So far'd the monarch, sick to death he lay,
His court despair'd, and watch'd the last decay;
At length new favour shines, new life he gains,
And rais'd he sings; 'tis thus the song remains.
I said, my God, when in the loath'd disease
Thy Prophet's words cut off my future days,
Now to the grave with mournful haste I go,
Now death unbars his sable gates below.
How might my years by course of nature last?
But thou pronounc'd it, and the prospect pass'd.
I said, my God, thy servant now no more
Shall in thy Temple's sacred courts adore,
No more on earth with living man converse,
Shrunk in a cold uncomfortable hearse.
My life, like tents which wand'ring shepherds raise,
Proves a short dwelling and removes at ease.
My sins pursue me, see the deadly band,
My God, who sees them, cuts me from the land;
As when a weaver finds his labour sped,
Swift from the beam he parts the fast'ning thread.
With pining sickness all from night to day,
From day to night, he makes my strength decay:
Reck'ning the time, I roll with restless groans,
'Till with a lion's force, he crush my bones,
New-morning dawns, but like the morning past,
'Tis day, 'tis night, and still my sorrows last.
Now screaming like the Crane my words I spoke,
Now like the swallow, chatt'ring quick and broke,
Now like the doleful dove, when on the plains
Her mourning tone affects the list'ning swains.
To heav'n for aid my wearying eyes I throw,
At length they're weary'd quite, and sink with woe.
From death's arrest for some delays I sue,
Thou Lord who judg'd me, thou reprieve me too.
Rapture of joy! what can thy servant say?
He sent his Prophet to prolong my day;
Through my glad Limbs I feel the wonder run,
Thus said the Lord, and this Himself has done.
Soft shall I walk, and well secur'd from fears
Possess the comforts of my future years.
Keep soft my heart, keep humble while they roll,
Nor e'er forget my bitterness of soul.
'Tis by the means thy sacred words supply
That mankind live, but in peculiar I;
A second grant thy mercy pleas'd to give,
And my rais'd spirits doubly seem to live.
Behold the time! when peace adorn'd my reign,
'Twas then I felt my stroke of humbling pain;
Corruption dug her pit, I fear'd to sink,
God lov'd my soul, and snatch'd me from the brink.
He turn'd my follies from his gracious eye,
As men who pass accounts and cast them by.
What mouth has death which can thy praise proclaim?
What tongue the grave to speak thy glorious name?
Or will the senseless dead exult with mirth,
Mov'd to their hope by promises on earth?
The living Lord, the living only praise,
The living only fit to sing thy lays,
These feel thy favours, these thy temple see,
These raise the song, as I this day to thee.
Nor will thy truth the present only reach,
This the good fathers shall their offspring teach,
Report the blessings which adorn my page,
And hand their own with mine from age to age.
So when the Maker heard his creature crave,
So kindly rose his ready Will to save.
Then march we solemn tow'rds the Temple door,
While all our joyful musick sounds before,
There on this day through all my life appear,
When this comes round in each returning year,
There strike the strings, our voices jointly raise,
And let his dwellings hear my songs of praise.
Thus wrote the monarch, and I'll think the lay
Design'd for publick when he went to pray;
I'll think the perfect composition runs,
Perform'd by Heman's or Jeduthun's sons.
Then since the time arrives the Seer foretold,
And the third morning rolls an orb of gold,
With thankful zeal recover'd prince prepare
To lead thy nation to the Dome of pray'r.
My fancy takes her chariot once again,
Moves the rich wheels, and mingles in thy train;
She sees the singers reach Moriah's hill,
The minstrels follow, then the porches fill,
She wakes the num'rous instruments of art,
That each perform its own adapted part,
Seeks airs expressive of thy grateful strains,
And list'ning hears the vary'd tune she feigns.
From a grave pitch, to speak the Monarch's woe,
The notes flow down and deeply sound below,
All long-continuing, while depriv'd of ease
He rolls for tedious nights and heavy days.
Here intermix'd with discord, when the Crane
Screams in the notes through sharper sense of pain;
There run with descant on, and taught to shake
When pangs repeated force the voice to break;
Now like the dove they murmur, 'till in sighs
They fall, and languish with the failing eyes.
Then slowly slack'ning, to surprize the more,
From a dead pause, his exclamations soar,
To meet brisk health the notes ascending fly,
Live with the living, and exult on high.
Yet still distinct in parts the musick plays,
'Till prince and people both are call'd to praise,
Then all uniting strongly strike the string,
Put forth their utmost breath, and loudly sing;
The wide spread chorus fills the sacred ground,
And holy transport scales the clouds with sound.
Or thus, or livelier, if their hand and voice
Join'd the good anthem, might the realm rejoice.
This story known, the learn'd Chaldeans came,
Drawn by the sign observ'd, or mov'd by fame;
These ask the fact for Hezekiah done,
And much they wonder at their God the sun,
That thrice he drove through one extent of day
His gold-shod horses in etherial way:
Then vainly ground their guess on nature's laws,
The soundest knowledge owns a greater cause.
Faith knows the fact transcends, and bids me find
What help for practice here incites the mind;
Strait to the song, the thankful song I move,
May such the voice of ev'ry creature prove,
If ev'ry creature meets its share of woe,
And for kind rescues ev'ry creature owe;
In publick so thy Maker's praise proclaim,
Nor what you beg'd with tears, conceal with shame.
'Tis there the ministry thy name repeat
And tell what mercies were vouchsaf'd of late,
Then joins the church, and begs through all our days
Not only with our lips, but lives to praise.
'Tis there our Sov'reigns for a signal day,
The feast proclaim'd, their signal thanks repay.
O'er the long streets we see the chariots wheel,
And, following, think of Hezekiah still;
In the bless'd Dome we meet the white-rob'd Choir,
In whose sweet notes our ravish'd souls aspire;
Side answ'ring side we hear and bear a part,
All warm'd with language from the grateful heart,
Or raise the song where meeting keys rejoice,
And teach the Base to wed the treble voice;
Arts soft'ning ecchos in the musick sound,
And answ'ring natures from the roof rebound.
Here close my verse, the service asks no more,
Bless thy good God, and give the transport o'er.
poem by Thomas Parnell
Submitted by Poetry Lover
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Carolan's Prophecy
A sound of music, from amidst the hills,
Came suddenly, and died; a fitful sound
Of mirth, soon lost in wail.–Again it rose,
And sank in mournfulness.–There sat a bard,
By a blue stream of Erin, where it swept
Flashing thro' rock and wood; the sunset's light
Was on his wavy, silver-gleaming hair,
And the wind's whisper in the mountain-ash,
Whose clusters droop'd above. His head was bow'd,
His hand was on his harp, yet thence its touch
Had drawn but broken strains; and many stood,
Waiting around, in silent earnestness,
Th' unchaining of his soul, the gush of song,–
Many, and graceful forms! yet one alone
Seem'd present to his dream; and she indeed,
With her pale, virgin brow, and changeful cheek,
And the clear starlight of her serious eyes,
Lovely amidst the flowing of dark locks
And pallid braiding flowers, was beautiful,
Ev'n painfully!–a creature to behold
With trembling midst our joy, lest aught unseen
Should waft the vision from us, leaving earth
Too dim without its brightness!–Did such fear
O'ershadow, in that hour, the gifted one,
By his own rushing stream?–Once more he gaz'd
Upon the radiant girl, and yet once more
From the deep chords his wandering hand brought out
A few short festive notes, an opening strain
Of bridal melody, soon dash'd with grief,
As if some wailing spirit in the strings
Met and o'ermaster'd him: but yielding then
To the strong prophet-impulse, mournfully,
Like moaning waters o'er the harp he pour'd
The trouble of his haunted soul, and sang–
Voice of the grave!
I hear thy thrilling call;
It comes in the dash of the foaming wave,
In the sear leaf's trembling fall!
In the shiver of the tree,
I hear thee, O thou voice!
And I would thy warning were but for me,
That my spirit might rejoice.
But thou art sent
For the sad earth's young and fair,
For the graceful heads that have not bent
To the wintry hand of care!
They hear the wind's low sigh,
And the river sweeping free,
And the green reeds murmuring heavily,
And the woods–but they hear not thee!
Long have I striven
With my deep foreboding soul,
But the full tide now its bounds hath riven,
And darkly on must roll.
There's a young brow smiling near,
With a bridal white-rose wreath,–
Unto me it smiles from a flowery bier,
Touch'd solemnly by death!
Fair art thou, Morna!
The sadness of thine eye
Is beautiful as silvery clouds
On the dark-blue summer sky!
And thy voice comes like the sound
Of a sweet and hidden rill,
That makes the dim woods tuneful round–
But soon it must be still!
Silence and dust
On thy sunny lips must lie,
Make not the strength of love thy trust,
A stronger yet is nigh!
No strain of festal flow
That my hand for thee hath tried,
But into dirge-notes wild and low
Its ringing tones have died.
Young art thou, Morna!
Yet on thy gentle head,
Like heavy dew on the lily's leaves,
A spirit hath been shed!
And the glance is thine which sees
Thro' nature's awful heart–
But bright things go with the summer-breeze,
And thou too, must depart!
Yet shall I weep?
I know that in thy breast
There swells a fount of song too deep,
Too powerful for thy rest!
And the bitterness I know,
And the chill of this world's breath–
Go, all undimm'd, in thy glory go!
Young and crown'd bride of death!
Take hence to heaven
Thy holy thoughts and bright,
And soaring hopes, that were not given
For the touch of mortal blight!
Might we follow in thy track,
This parting should not be!
But the spring shall give us violets back,
And every flower but thee!
There was a burst of tears around the bard:
All wept but one, and she serenely stood,
With her clear brow and dark religious eye,
Rais'd to the first faint star above the hills,
And cloudless; though it might be that her cheek
Was paler than before.–So Morna heard
The minstrel's prophecy.
And spring return'd,
Bringing the earth her lovely things again,
All, save the loveliest far! A voice, a smile,
A young sweet spirit gone.
poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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