Lachrymæ Musarum
Low, like another's, lies the laurelled head:
The life that seemed a perfect song is o'er:
Carry the last great bard to his last bed.
Land that he loved, thy noblest voice is mute.
Land that he loved, that loved him! nevermore
Meadow of thine, smooth lawn or wild sea-shore,
Gardens of odorous bloom and tremulous fruit,
Or woodlands old, like Druid couches spread,
The master's feet shall tread.
Death's little rift hath rent the faultless lute:
The singer of undying songs is dead.
Lo, in this season pensive-hued and grave,
While fades and falls the doomed, reluctant leaf
From withered Earth's fantastic coronal,
With wandering sighs of forest and of wave
Mingles the murmur of a people's grief
For him whose leaf shall fade not, neither fall.
He hath fared forth, beyond these suns and showers.
For us, the autumn glow, the autumn flame,
And soon the winter silence shall be ours:
Him the eternal spring of fadeless fame
Crowns with no mortal flowers.
Rapt though he be from us,
Virgil salutes him, and Theocritus;
Catullus, mightiest-brained Lucretius, each
Greets him, their brother, on the Stygian beach;
Proudly a gaunt right hand doth Dante reach;
Milton and Wordsworth bid him welcome home;
Bright Keats to touch his raiment doth beseech;
Coleridge, his locks aspersed with fairy foam,
Calm Spenser, Chaucer suave,
His equal friendship crave:
And godlike spirits hail him guest, in speech
Of Athens, Florence, Weimar, Stratford, Rome.
What needs his laurel our ephemeral tears,
To save from visitation of decay?
Not in this temporal sunlight, now, that bay
Blooms, nor to perishable mundane ears
Sings he with lips of transitory clay;
For he hath joined the chorus of his peers
In habitations of the perfect day:
His earthly notes a heavenly audience hears,
And more melodious are henceforth the spheres,
Enriched with music stol'n from earth away.
He hath returned to regions whence he came.
Him doth the spirit divine
Of universal loveliness reclaim.
All nature is his shrine.
Seek him henceforward in the wind and sea,
In earth's and air's emotion or repose,
In every star's august serenity,
And in the rapture of the flaming rose.
There seek him if ye would not seek in vain,
There, in the rhythm and music of the Whole;
Yea, and for ever in the human soul
Made stronger and more beauteous by his strain.
For lo! creation's self is one great choir,
And what is nature's order but the rhyme
Whereto the worlds keep time,
And all things move with all things from their prime?
Who shall expound the mystery of the lyre?
In far retreats of elemental mind
Obscurely comes and goes
The imperative breath of song, that as the wind
Is trackless, and oblivious whence it blows.
Demand of lilies wherefore they are white,
Extort her crimson secret from the rose,
But ask not of the Muse that she disclose
The meaning of the riddle of her might:
Somewhat of all things sealed and recondite,
Save the enigma of herself, she knows.
The master could not tell, with all his lore,
Wherefore he sang, or whence the mandate sped;
Ev'n as the linnet sings, so I, he said;--
Ah, rather as the imperial nightingale,
That held in trance the ancient Attic shore,
And charms the ages with the notes that o'er
All woodland chants immortally prevail!
And now, from our vain plaudits greatly fled,
He with diviner silence dwells instead,
And on no earthly sea with transient roar,
Unto no earthly airs, he trims his sail,
But far beyond our vision and our hail
Is heard for ever and is seen no more.
No more, O never now,
Lord of the lofty and the tranquil brow
Whereon nor snows of time
Have fall'n, nor wintry rime,
Shall men behold thee, sage and mage sublime.
Once, in his youth obscure,
The maker of this verse, which shall endure
By splendour of its theme that cannot die,
Beheld thee eye to eye,
And touched through thee the hand
Of every hero of thy race divine,
Ev'n to the sire of all the laurelled line,
The sightless wanderer on the Ionian strand,
With soul as healthful as the poignant brine,
Wide as his skies and radiant as his seas,
Starry from haunts of his Familiars nine,
Glorious Mæonides.
Yea, I beheld thee, and behold thee yet:
Thou hast forgotten, but can I forget?
The accents of thy pure and sovereign tongue,
Are they not ever goldenly impressed
On memory's palimpsest?
I see the wizard locks like night that hung,
I tread the floor thy hallowing feet have trod;
I see the hands a nation's lyre that strung,
The eyes that looked through life and gazed on God.
The seasons change, the winds they shift and veer;
The grass of yesteryear
Is dead; the birds depart, the groves decay:
Empires dissolve and peoples disappear:
Song passes not away.
Captains and conquerors leave a little dust,
And kings a dubious legend of their reign;
The swords of Cæsars, they are less than rust:
The poet doth remain.
Dead is Augustus, Maro is alive;
And thou, the Mantuan of our age and clime,
Like Virgil shalt thy race and tongue survive,
Bequeathing no less honeyed words to time,
Embalmed in amber of eternal rhyme,
And rich with sweets from every Muse's hive;
While to the measure of the cosmic rune
For purer ears thou shalt thy lyre attune,
And heed no more the hum of idle praise
In that great calm our tumults cannot reach,
Master who crown'st our immelodious days
With flower of perfect speech.
poem by William Watson

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Why Art Thou Thus Cast Down, My Heart?
Why art thou thus cast down, my heart?
Why troubled, why dost mourn apart,
O'er nought but earthly wealth?
Trust in thy God, be not afraid,
He is thy Friend who all things made.
Dost think thy prayers He doth not heed?
He knows full well what thou dost need,
And heaven and earth are His;
My Father and my God, who still
Is with my soul in every ill.
Since Thou my God and Father art,
I know Thy faithful loving heart
Will ne'er forget Thy child;
See I am poor, I am but dust,
On earth is none whom I can trust.
The rich man in his wealth confides,
But in my God my trust abides;
Then laugh ye as ye will,
I hold this fast that He hath taught,--
Who trusts in God shall want for nought.
Yes, Lord, Thou art as rich to-day
As Thou hast been and shalt be aye,
I rest on Thee alone;
Thy riches to my soul be given,
And 't is enough for earth and heaven.
What here may shine I all resign,
If the eternal crown be mine,
That through Thy bitter death
Thou gainedst, O Lord Christ, for me--
For this, for this, I cry to Thee!
All wealth, all glories, here below,
The best that this world can bestow,
Silver or gold or lands,
But for a little time is given,
And helps us not to enter heaven.
I thank Thee, Christ, Eternal Lord,
That Thou hast taught me by Thy word
To know this truth and Thee;
O grant me also steadfastness
Thy heavenly kingdom not to miss.
Praise, honour, thanks, to Thee be brought,
For all things in and for me wrought
By Thy great mercy, Christ.
This one thing only still I pray,
Oh cast me ne'er from Thee away
poem by Hans Sachs

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Love-Laurel
Ah! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.
Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.
Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?
For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?
Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?
Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.
The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.
And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.
poem by Victor James Daley

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At Dawn and Dusk
At Dawn and Dusk
Love-Laurel
IN MEMORY OF HENRY KENDALL
AH! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.
Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.
Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?
For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?
Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?
Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.
The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.
. . . . .
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.
And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.
. . . . .
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.
poem by Victor James Daley

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Autumn
Thou burden of all songs the earth hath sung,
Thou retrospect in Time's reverted eyes,
Thou metaphor of everything that dies,
That dies ill-starred, or dies beloved and young
And therefore blest and wise,-
O be less beautiful, or be less brief,
Thou tragic splendour, strange, and full of fear!
In vain her pageant shall the Summer rear?
At thy mute signal, leaf by golden leaf,
Crumbles the gorgeous year.
Ah, ghostly as remembered mirth, the tale
Of Summer's bloom, the legend of the Spring!
And thou, too, flutterest an impatient wing,
Thou presence yet more fugitive and frail,
Thou most unbodied thing,
Whose very being is thy going hence,
And passage and departure all thy theme;
Whose life doth still a splendid dying seem,
And thou at height of thy magnificence
A figment and a dream.
Stilled is the virgin rapture that was June,
And cold is August's panting heart of fire;
And in the storm-dismantled forest-choir
For thine own elegy thy winds attune
Their wild and wizard lyre:
And poignant grows the charm of thy decay,
The pathos of thy beauty, and the sting,
Thou parable of greatness vanishing!
For me, thy woods of gold and skies of grey
With speech fantastic ring.
For me, to dreams resigned, there come and go,
'Twixt mountains draped and hooded night and morn,
Elusive notes in wandering wafture borne,
From undiscoverable lips that blow
An immaterial horn;
And spectral seem thy winter-boding trees,
Thy ruinous bowers and drifted foliage wet-
Past and Future in sad bridal met,
O voice of everything that perishes,
And soul of all regret!
poem by William Watson

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Damayante To Nala In The Hour Of Exile
SHALT thou be conquered of a human fate
My liege, my lover, whose imperial head
Hath never bent in sorrow of defeat?
Shalt thou be vanquished, whose imperial feet
Have shattered armies and stamped empires dead?
Who shall unking thee, husband of a queen?
Wear thou thy majesty inviolate.
Earth's glories flee of human eyes unseen,
Earth's kingdoms fade to a remembered dream,
But thine henceforth shall be a power supreme,
Dazzling command and rich dominion,
The winds thy heralds and thy vassals all
The silver-belted planets and the sun.
Where'er the radiance of thy coming fall,
Shall dawn for thee her saffron footcloths spread,
Sunset her purple canopies and red,
In serried splendour, and the night unfold
Her velvet darkness wrought with starry gold
For kingly raiment, soft as cygnet-down.
My hair shall braid thy temples like a crown
Of sapphires, and my kiss upon thy brows
Like çithar-music lull thee to repose,
Till the sun yield thee homage of his light.
O king, thy kingdom who from thee can wrest?
What fate shall dare uncrown thee from this breast,
O god-born lover, whom my love doth gird
And armour with impregnable delight
Of Hope's triumphant keen flame-carven sword?
poem by Sarojini Naidu

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To Thyrza: And Thou Art Dead, As Young And Fair
And thou art dead, as young and fair
As aught of mortal birth;
And form so soft, and charms so rare,
Too soon return'd to Earth!
Though Earth received them in her bed
And o'er the spot the crowd may tread
In carelessness or mirth,
There is an eye which could not brook
A moment on that grave to look.
I will not ask where thou liest low,
Nor gaze upon the spot;
There flowers or weeds at will may grow,
So I behold them not:
It is enough for me to prove
That what I loved, and long must love,
Like common earth can rot;
To me there needs no stone to tell,
'Tis Nothing that I loved so well.
Yet did I love thee to the last
As fervently as thou,
Who didst not change through all the past,
And cans't not alter now.
The love where Death has set his seal,
Nor age can chill, nor rival steal,
Nor falsehood disavow:
And, what were worse, thou canst not see
Or wrong, or change, or fault in me.
The better days of life were ours;
The worst can be but mine:
The sun that cheers, the storm that lowers,
Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep;
Nor need I to repine,
That all those charms have pass'd away
I might have watch'd through long decay.
The flower in ripen'd bloom unmatch'd
Must fall the earliest prey;
Though by no hand untimely snatch'd,
The leaves must drop away:
And yet it were a greater grief
To watch it withering, leaf by leaf,
Than see it pluck'd to-day;
Since earthly eye but ill can bear
To trace the change to foul from fair.
I know not if I could have borne
To see thy beauties fade;
The night that followed such a morn
Had worn a deeper shade:
Thy day without a cloud hath passed
And thou wert lovely to the last;
Extinguish'd, not decay'd;
As stars that shoot along the sky
Shine brightest as they fall from high.
As once I wept, if I could weep,
My tears might well be shed,
To think I was not near to keep
One vigil o'er thy bed;
To gaze, how fondly! on thy face,
To fold thee in a faint embrace,
Uphold thy drooping head;
And show that love, however vain,
Nor thou nor I can feel again.
Yet how much less it were to gain,
Though thou hast left me free,
The loveliest things that still remain,
Than thus remember thee!
The all of thine that cannot die
Through dark and dread Eternity
Returns again to me,
And more thy buried love endears
Than aught except its living years.
Our Lady's Well
Fount of the woods! thou art hid no more,
From Heaven's clear eye, as in time of yore!
For the roof hath sunk from thy mossy walls,
And the sun's free glance on thy slumber falls;
And the dim tree-shadows across thee pass,
As the boughs are sway'd o'er thy silvery glass;
And the reddening leaves to thy breast are blown,
When the autumn wind hath a stormy tone;
And thy bubbles rise to the flashing rain-
Bright Fount! thou art nature's own again!
Fount of the vale! thou art sought no more
By the pilgrim's foot, as in time of yore,
When he came from afar, his beads to tell,
And to chant his hymn at Our Lady's Well.
There is heard no Ave through thy bowers,
Thou art gleaming lone 'midst thy water-flowers!
But the herd may drink from thy gushing wave,
And there may the reaper his forehead lave,
And the woodman seeks thee not in vain-
-Bright Fount! thou art nature's own again!
Fount of the Virgin's ruin'd shrine!
A voice that speaks of the past is thine!
It mingles the tone of a thoughtful sigh,
With the notes that ring through the laughing sky;
'Midst the mirthful song of the summer-bird,
And the sound of the breeze, it will yet be heard!
-Why is it that thus we may gaze on thee,
To the brilliant sunshine sparkling free?
-'Tis that all on earth is of Time's domain-
He hath made thee nature's own again!
Fount of the chapel with ages grey!
Thou art springing freshly amidst decay!
Thy rites are closed, and thy cross lies low,
And the changeful hours breathe o'er thee now!
Yet if at thine altar one holy thought
In man's deep spirit of old hath wrought;
If peace to the mourner hath here been given,
Or prayer, from a chasten'd heart, to Heaven,
Be the spot still hallow'd while Time shall reign,
Who hath made thee nature's own again!
poem by Felicia Dorothea Hemans

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The Foresters
Clear as of old the great voice rings to-day,
While Sherwood's oak-leaves twine with Aldworth's bay:
The voice of him the master and the sire
Of one whole age and legion of the lyre,
Who sang his morning-song when Coleridge still
Uttered dark oracles from Highgate Hill,
And with new-launchèd argosies of rhyme
Gilds and makes brave this sombreing tide of time.
Far be the hour when lesser brows shall wear
The laurel glorious from that wintry hair-
When he, the sovereign of our lyric day,
In Charon's shallop must be rowed away,
And hear, scarce heeding, 'mid the plash of oar,
The
ave atque vale
from the shore!
To him nor tender nor heroic muse
Did her divine confederacy refuse:
To all its moods the lyre of life he strung,
And notes of death fell deathless from his tongue.
Himself the Merlin of his magic strain,
He bade old glories break in gloom again;
And so exempted from oblivious doom,
Through him these days shall fadeless break in bloom.
poem by William Watson

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The Princes' Qust - Part the Fourth
That night he dreamed that over him there stole
A change miraculous, whereby his soul
Was parted from his body for a space,
And through a labyrinth of secret ways
Entered the world where dead men's ghosts abide
To seek the Seer who yestermorn had died.
And there in very truth he found the Seer,
Who gazing on him said, 'What would'st thou here,
O royal-born, who visitest the coasts
Of darkness, and the dwellings of the ghosts?'
Then said the Prince, 'I fain would know to find
The land as yet untrod of mortal-kind
Which I beheld by gracious leave of Sleep.'
To whom the Spirit: 'O Prince, the seas are deep
And very wide betwixt thee and that land,
And who shall say how many days do stand,
As dim-seen armed hosts between thy bliss
And thee?-Moreover, in the world there is
A certain Emerald Stone which some do call
The Emerald of the Virtues Mystical;
(Though what those Virtues Mystical may be
None living knows) and since, O youth, to me
Thou dost apply for counsel, be it known
Except thou have this wondrous emerald stone,
Go seek through all the world, thou shalt not find
The land thou wouldst: but like the houseless wind
That roams the world to seek a resting-place,
Thou through inhospitable time and space
Shalt roam, till time and space deliver thee,
To spaceless, timeless, mute eternity.
'For in a certain land there once did dwell
(How long ago it needs not I should tell)
At the king's court a great astrologer,
Ev'n such as erst was I, but mightier
And far excelling; and it came to pass
That he fell sick; and very old he was;
And knowing that his end was nigh, he said
To him that sat in sorrow by his bed,
'O master well-beloved and matchless king,
Take thou and keep this lowly offering
In memory of thy servant;' whereupon
The king perceived it was a gem that shone
Like the sea's heart: and on one side of it
This legend in an unknown tongue was writ-
Who holdeth Me may go where none hath fared
Before, and none shall follow afterward.
So the king took the bright green stone betwixt
His fingers, and upon the legend fixed
His eyes, and said unto the dying Seer,
'Now who shall render this dark scripture clear
That I may know the meaning of the gift?'
And the mage oped his mouth and strove to lift
His voice, but could not, for the wishèd word
Clave to his rattling throat, that no man heard:
Whereby the soul, departing, bore away
From all men living, even to this day,
The secret. And the jewel hath passed down
Seven times from sire to son, and in the crown
It shineth of that country's kings, being called
Ev'n to this day the mystic emerald;
But no man liveth in the world, of wit
To read the writing that is on it writ.'
'O Master,' said the Prince, 'and wilt not thou
Instruct me where to find the king who now
Weareth the jewel in his diadem?'
To whom the Spirit, 'O youth, and if the gem
Be worth the finding, is't not also worth
The little pain of seeking through the earth?-
Yet so thou may'st not wander witlessly,
Look thou forget not this I tell to thee:
When in thy journeyings thou shalt dream once more
The fateful dream thou haddest heretofore,
That filled thy veins with longing as with wine,
Till all thy being brimm'd over-by that sign
Thou mayest know thyself at last to be
Within the borders of his empery
Who hath the mystic emerald stone, whose gleam
Shall light thee to the country of thy dream.'
'But,' said the Prince, 'When all the world's highways
My feet have trod, till after length of days
I reach the land where lies the wondrous stone,
How shall I make so rare a, thing mine own?
For had I riches more than could be told,
What king would sell his jewels for my gold?'
And on this wise the answer of the Seer
Fell in the hollow of his dreaming ear:
'Behold this Iron Chain,-of power it is
To heal all manner of mortal maladies
In him that wears it round his neck but once,
Between the sun's downgoing and the sun's
Uprising: take it thou, and hold it fast
Until by seeking long thou find at last
The king that hath the mystic emerald stone:
And having found him, thou shalt e'en make known
The virtues lodged within this charmed chain:
Which when the king doth hear he will be fain
To have possession of so strange a thing;
And thou shalt make a bargain with the king
To give the Iron Chain in bartery
For that mysterious jewel whereof he
Knows not the secret worth. And when at last
The emerald stone in thy own hands thou hast,
Itself shall guide thee whither thou would'st go-
Ev'n to the land revealed of sleep, where no
Grief comes to mar their music, neither sound
Of sighing, while the golden years go round.'
So spake the Spirit unto him that dreamed,
And suddenly that world of shadow seemed
More shadowy; and all things began to blend
Together: and the dream was at an end.
Then slept the Prince a deep sweet sleep that knew
Nor dream nor vision; till the dawnlight grew
Up, and his soul a sudden halt did make
About the confines dim of sleep and wake,
Where wandering lights and wildered shadows meet.
But presently uprising to his feet
From tarriance in that frontier-region dim,
Exceeding wonderment laid hold on him;
For even while from off his bed he rose,
He heard a clinking as of metal, close
Thereby, and could in no-wise understand:
And lo the Iron Chain was in his hand!
poem by William Watson

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To the Comet of 1843
Thy purpose, heavenly stranger, who may tell
But Him, who linked thee to the starry whole?
Wherefore, in this our darkness, be it ours
To must upon thee in thy high career,
As of some wandering symphony from amidst
Those highest stellar harmonies that track
Through infinite space and the great rounds of time
The mighty marches of creation.
Behold, how high thou travellest in heaven!
Myriads of wondering human spirits here,
Duly each night with upturned looks seek out
The mystery of thy advent.
In thy last
Bright visitation, even thus thou saw’st
The young, the lovely, and the wise of earth—
A buried generation—crowding out,
With looks upturned, to see thee passing forth
Beyond the signs of time—and then to know,
In all the awful vastness of the heaven,
Thy place no more! And when the flaming steps
Of thy unspeakable speed, which of itself
Blows back the long strands of thy burning hair
Through half the arch of night, shall lead thee forth
Into the dim of the inane, beyond
Our utmost vision; all the eloquent eyes
Now opened wide with welcome and with wonder—
Eyes tender as the turtle’s, or that speak
The fervent soul and the majestic mind;
All these, alas!—all these, ere thou once more
Shalt drive thus fulgently around the sun
Thy chariot of fire, fast closed in dust
And mortal darkness, shall have given for aye
Their lustre to the grave.
But human eyes
As many and beautiful—yea, more sublime
And radiant in their passion, from a more
Enlarged communion with the spirit of truth,—
Shall welcome thee instead, mysterious stranger,
When thou return’st anew.
And thus to think
Consoles us, even while we watch thee pass
Out of our times for ever; yea, although
Some selfish entertainment of a truth
At all times mournful, whisper us the while:
So shall it be indeed, for God abides,
And nature, born of His eternal power,
Must share its dateless energy as well.
Yea, all that flows from the Eternal must,
If from divine necessity alone,
Work with its cause for ever—still, alas!
Though thence derived, how fugitive and swift,
How vague and shadow-like, this life of Man!
poem by Charles Harpur

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Alfred Tennyson
Tears, idle tears! Ah, who shall bid us weep,
Now that thy lyre, O prophet, is unstrung?
What voice shall rouse the dull world from its sleep
And lead its requiem as when Grief was young,
And thou in thy rapt youth, Time's bards among,
Captured our ears, and we looked up and heard
Spring's sweetest music on thy mourning tongue
And knew thee for Pain's paradisal bird.
We are alone without thee in our tears,
Alone in our mute chauntings. Vows are vain
To tell thee how we loved thee in those years
Nor dream to look upon thy like again.
We know not how to weep without thy aid,
Since all that tears would tell thyself hast said.
poem by Wilfrid Scawen Blunt

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The Prayer Of Nature
Father of Light! great God of Heaven!
Hear'st thou the accents of despair?
Can guilt like man's be e'er forgiven?
Can vice atone for crimes by prayer?
Father of Light, on thee I call!
Thou seest my soul is dark within;
Thou who canst'mark the sparrow's fall,
Avert from me the death of sin.
No shrine I seek, to sects unknown;
Oh, point to me the path of truth!
Thy dread omnipotence I own;
Spare, yet amend, the faults of youth.
Let bigots rear a gloomy fane,
Let superstitition hail the pile,
Let priests, to spread their sable reign,
With tales of mystic rites beguile.
Shall man confine his Maker's sway
To Gothic domes of mouldering stone?
Thy temple is the face of the day;
Earth, ocean, heaven, thy boundless throne.
Shall man condemn his race to hell,
Unless they bend in pompous form?
Tell us that all, of one who fell,
Must perish in the mingling storm?
Shall each pretend to reach the skies,
Yet doom his brother to expire,
Whose soul a different hope supplies,
Or doctrines less severe inspire?
Shall these, by creeds they can't expound,
Prepare a fancied bliss or woe?
Shall reptiles, grovelling on the ground,
Their great Creator's purpose know?
Shall those, who live for self alone,
Whose years float on in a daily crime -
Shall they by Faith for guilt atone,
And live beyond the bounds of Time?
Father! no prophet's laws I seek,-
Thy laws in Nature's works appear;-
I own myself corrupt and weak,
Yet will I pray, for thou wilt hear!
Thou, who canst guide the wandering star
Through trackness realms of other's space;
Who calm'st the elemental war,
Whose hand from pole to pole I trace.
Thou, who in wisdom placed me here,
Who, when thou wilt, canst take me hence,
Ah! whilst I tread this earthly sphere,
Extend to me thy wide defence.
To Thee, my God, to thee I call!
Whatever weal or woe betide,
By thy command I rise or fall,
In thy protection I confide.
If, when this dust to dust's restored,
My soul shall float on airy wing,
How shall thy glorious name adored
Inspire her feedle voice to sing!
But, if this fleeting spirit share
With clay the gaves eternal bed,
While life yet throbs I raise my prayer,
Though doom'd no more to quit the dead.
To Thee I breathe my humble strain;
Grateful for all thy mercies past,
And hope, my God, to thee again
This erring life may fly at last.
December 29, 1806
To Isa in Heaven
Early, bright, transient, chaste as morning dew,
She sparkled, was exhaled, and went to heaven! — Young.
Where is she now?
Oh! Isa! tell me where thou art?
If death has laid his hand upon thy brow,
Has he not touched my heart?
Has he not laid it in the grave with thine,
And buried all my joys?—Speak! thou art mine!
If thou were dead,
I would not ask thee to reply;
But thou art living—thy dear soul has fled
To heaven, where it can never die!
Then why not come to me? Return—return
And comfort me, for I have much to mourn!
I sigh all day!
I mourn for thee the livelong night!
And when the next night comes, thou art away,
And so is absent my delight!
Oh! as the lone dove for his absent mate,
So is my soul for thee disconsolate!
I long for death—
For any thing—to be with thee!
I did inhale, alas! thy dying breath,
That it might have some power on me
To make me what thou art!—but, thou art dead!
And I am here!—it strengthened me instead!
Joy there is none—
It went into the grave with thee!
And grief, because my spirit is alone,
Is all that comes to comfort me!
The very air I breathe is turned to sighs,
And all mine soul is melting from mine eyes!
I hear, at even,
The liquid carol of birds;
Their music makes me think of thee in heaven,
It is so much like thy sweet words.
The brooklet whispers, as it runs along,
Our first love-story with its liquid tongue.
Wake, Isa! wake!
And come back in this world again!
Oh! come down to me, for my soul's dear sake,
And cure me of this trying pain!
I would give all that earth to man can be,
If thou wert only in this world with me!
Day after day
I seek thee, but thou art not near!
I sit down on thy grave in the cold clay,
And listen for thy soul!—oh! dear!
And when some withered leaf falls from the tree,
I start as if thy soul had spoke to me!
And so it is,
And so it ever more must ever be
To him, who has been robbed of all the bliss
He ever knew, by loving thee!
For misery, in thine absence, is my wife!
What joy had been, hadst thou remained in life!
It is now even;
The birds have sung themselves to sleep;
And all the stars seem coming out of heaven,
As if to look upon me weep!—
Oh! let me not look up to thee in vain,
But come back to me in this world again!
poem by Thomas Holley Chivers (1842)

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Astrophel And Stella-First Song
Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.
Who hath the eyes which marry state with pleasure?
Who keeps the key of Nature's chiefest treasure?
To you, to you, all song of praise is due;
Only for you the heaven forgat all measure.
Who hath the lips where wit in fairness reigneth?
Who womankind at once both decks and staineth?
To you, to you, all song of praise is due;
Only by you Cupid his crown maintaineth.
Who hath the feet whose step all sweetness planteth?
Who else, for whom Fame worthy trumpets wanteth?
To you, to you, all song of praise is due;
Only to you her sceptre Venus granteth.
Who hath the breast whose milk doth passions nourish?
Whose grace is such that when it chides doth cherish?
To you, to you, all song of praise is due;
Only through you the tree of life doth flourish.
Who hath the hand which without stroke subdueth?
Who long-dead beauty with increase reneweth?
To you, to you, all song of praise is due;
Only at you all envy hopeless rueth.
Who hath the hair which, loosest, fastest tieth?
Who makes a man live then glad when he dieth?
To you, to you, all song of praise is due;
Only of you the flatterer never lieth.
Who hath the voice which soul from senses sunders?
Whose force but yours the bolts of beauty thunders?
To you, to you, all song of praise is due;
Only with you not miracles are wonders.
Doubt you to whom my Muse these notes intendeth,
Which now my breast o'ercharged to music lendeth?
To you, to you, all song of praise is due;
Only in you my song begins and endeth.
poem by Philip Sidney

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The Mediterranean
[A SCHOOL COMPOSITION.]
Hail! thou eternal flood, whose restless waves
Roll onward in their course, as wild and free,
As if the shores they lashed were not the graves
Of mouldering empires; When I think of thee,
Thou dost remind me of that ebbless sea --
The sea of Time, whose tide sweeps unconfined,
Its channel Earth, its shores Eternity;
Whose billows roll resistless o'er mankind; --
Like that thou rollest on, nor heed'st the wrecks behind.
Thy shores were empires; but the tide of Time
Rolled o'er them, and they fell; and there they lie,
Wrecked in their greatness, mouldering, yet sublime
And beautiful in their mortality.
And god-like men were there, the wise and free;
But what are they who now look o'er thy waves?
They're but as worms that feed on their decay;
They kneel to stranger lords -- a land of slaves,
Of men whose only boast is their ancestral graves.
Upon thy shores the Holy Prophets trod,
And from their hill-tops came the voice of One
Whom thou obeyest, even the Eternal God;
And on thy breast the star of Bethlehem shone:
That star, though quenched in blood, hath risen a sun,
And other climes are radiant with its light;
But thy fair shores, alas! it shines not on,
Save when some land, with its effulgence bright,
Reflects the heavenly rays upon their moral night.
Philosophy hath decked her form divine,
In all her loveliest draperies, and wrought
Her brightest dreams by thee, thy shores her shrine,
Thy sons her oracles, the kings of thought;
But they have passed, and, save their names, are naught,
And their bright dreams are buried like their clay,
Or shattered, like the fanes where they were taught.
But though religions, empires, men decay,
Thou, restless, changeless flood -- thou dost not pass away.
There Poesy hath woven such fair dreams,
That man hath deemed them bright reality;
There she hath peopled hills, and vales, and streams,
And thy blue waters with her phantasy;
And fabled gods left heaven to roam by thee:
There she embodied passions of the heart,
In such fair forms, that frail morality
Failed to conceive, until triumphal Art
Bade from the Parian stone the immortal image start.
The loftiest bards, whose names illume the past,
Have sung upon thy shores; and thy deep tone
Ceased at their Orphean lyres; -- but now the last,
"The pilgrim bard," whose matchless song alone
Had made thy name immortal as his own, --
A stranger of the north, but, "as it were
A child of thee," his spirit too hath flown.
Thus have the greatest passed. Thine azure air
Still echoes to their song, but thou alone art there.
Thine empires, one by one, have fall'n, and now
The last is crumbling in decay: -- yes, she,
The coronet upon thy furrowed brow,
The mistress of the world, the queen of thee,
The paradise of earth, sweet Italy;
Stript of her queenly robes, in dust she lies,
Enchained by slaves, nor struggling to be free.
There hath she fallen, as the dolphin dies,
More brightly beautiful in her last agonies.
But though thy shores are sepulchres, that Time
Hath peopled with dead empires; though they are
But shattered wrecks, and every other clime
Hath sprung from their decay; yet Nature there
Hath made their pall of beauty sadly fair;
And they shall be, while thy blue waves shall foam,
The Mecca of the world, -- the altar, where
Science, Devotion, Genius, Art shall come,
And feel as Moslems feel above their prophet's tomb.
And thou, unchanging flood, that wanderest on,
Through that dark path of ruin and decay,
Still must thou roll untended and alone.
Men shall arise, and shine, and pass away,
Like the bright bubbles of thy glittering spray;
And thrones shall totter, kingdoms be laid waste --
Yea, empires rise and fall along thy way,
Like the dark heavings of thy troubled breast;
But thou shalt still roll on -- for thee there is no rest.
poem by Anne Lynch Botta from Poems (1848)

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To The Painted Columbine
Bright image of the early years
When glowed my cheek as red as thou,
And life's dark throng of cares and fears
Were swift-winged shadows o'er my sunny brow!
Thou blushest from the painter's page,
Robed in the mimic tints of art;
But Nature's hand in youth's green age
With fairer hues first traced thee on my heart.
The morning's blush, she made it thine,
The morn's sweet breath, she gave it thee,
And in thy look, my Columbine!
Each fond-remembered spot she bade me see.
I see the hill's far-gazing head,
Where gay thou noddest in the gale;
I hear light-bounding footsteps tread
The grassy path that winds along the vale.
I hear the voice of woodland song
Break from each bush and well-known tree,
And on light pinions borne along,
Comes back the laugh from childhood's heart of glee.
O'er the dark rock the dashing brook,
With look of anger, leaps again,
And, hastening to each flowery nook,
Its distant voice is heard far down the glen.
Fair child of art! thy charms decay,
Touched by the withered hand of Time;
And hushed the music of that day,
When my voice mingled with the streamlet's chime;
But on my heart thy cheek of bloom
Shall live when Nature's smile has fled;
And, rich with memory's sweet perfume,
Shall o'er her grave thy tribute incense shed.
There shalt thou live and wake the glee
That echoed on thy native hill;
And when, loved flower! I think of thee,
My infant feet will seem to seek thee still.
poem by Jones Very

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A Dead Friend
I.
Gone, O gentle heart and true,
Friend of hopes foregone,
Hopes and hopeful days with you
Gone?
Days of old that shone
Saw what none shall see anew,
When we gazed thereon.
Soul as clear as sunlit dew,
Why so soon pass on,
Forth from all we loved and knew
Gone?
II.
Friend of many a season fled,
What may sorrow send
Toward thee now from lips that said
'Friend'?
Sighs and songs to blend
Praise with pain uncomforted
Though the praise ascend?
Darkness hides no dearer head:
Why should darkness end
Day so soon, O dear and dead
Friend?
III.
Dear in death, thou hast thy part
Yet in life, to cheer
Hearts that held thy gentle heart
Dear.
Time and chance may sear
Hope with grief, and death may part
Hand from hand's clasp here:
Memory, blind with tears that start,
Sees through every tear
All that made thee, as thou art,
Dear.
IV.
True and tender, single-souled,
What should memory do
Weeping o'er the trust we hold
True?
Known and loved of few,
But of these, though small their fold,
Loved how well were you!
Change, that makes of new things old,
Leaves one old thing new;
Love which promised truth, and told
True.
V.
Kind as heaven, while earth's control
Still had leave to bind
Thee, thy heart was toward man's whole
Kind.
Thee no shadows blind
Now: the change of hours that roll
Leaves thy sleep behind.
Love, that hears thy death-bell toll
Yet, may call to mind
Scarce a soul as thy sweet soul
Kind.
VI.
How should life, O friend, forget
Death, whose guest art thou?
Faith responds to love's regret,
How?
Still, for us that bow
Sorrowing, still, though life be set,
Shines thy bright mild brow.
Yea, though death and thou be met,
Love may find thee now
Still, albeit we know not yet
How.
VII.
Past as music fades, that shone
While its life might last;
As a song-bird's shadow flown
Past!
Death's reverberate blast
Now for music's lord has blown
Whom thy love held fast.
Dead thy king, and void his throne:
Yet for grief at last
Love makes music of his own
Past.
poem by Algernon Charles Swinburne

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Eternal Time, That Wastest Without Waste
Eternal Time, that wastest without waste,
That art and art not, diest, and livest still;
Most slow of all, and yet of greatest haste;
Both ill and good, and neither good nor ill:
How can I justly praise thee, or dispraise?
Dark are thy nights, but bright and clear thy days.
Both free and scarce, thou giv'st and tak'st again;
Thy womb that all doth breed, is tomb to all;
What so by thee hath life, by thee is slain;
From thee do all things rise, by thee they fall:
Constant, inconstant, moving, standing still;
Was, Is, Shall be, do thee both breed and kill.
I lose thee, while I seek to find thee out;
The farther off, the more I follow thee;
The faster hold, the greater cause of doubt;
Was, Is, I know; but Shall, I cannot see.
All things by thee are measur'd; thou, by none:
All are in thee; thou, in thyself alone.
poem by Anonymous Americas

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To Victor Hugo
IN the fair days when God
By man as godlike trod,
And each alike was Greek, alike was free,
God’s lightning spared, they said,
Alone the happier head
Whose laurels screened it; fruitless grace for thee,
To whom the high gods gave of right
Their thunders and their laurels and their light.
Sunbeams and bays before
Our master’s servants wore,
For these Apollo left in all men’s lands;
But far from these ere now
And watched with jealous brow
Lay the blind lightnings shut between God’s hands,
And only loosed on slaves and kings
The terror of the tempest of their wings.
Born in those younger years
That shone with storms of spears
And shook in the wind blown from a dead world’s pyre,
When by her back-blown hair
Napoleon caught the fair
And fierce Republic with her feet of fire,
And stayed with iron words and hands
Her flight, and freedom in a thousand lands:
Thou sawest the tides of things
Close over heads of kings,
And thine hand felt the thunder, and to thee
Laurels and lightnings were
As sunbeams and soft air
Mixed each in other, or as mist with sea
Mixed, or as memory with desire,
Or the lute’s pulses with the louder lyre.
For thee man’s spirit stood
Disrobed of flesh and blood,
And bare the heart of the most secret hours;
And to thine hand more tame
Than birds in winter came
High hopes and unknown flying forms of powers,
And from thy table fed, and sang
Till with the tune men’s ears took fire and rang.
Even all men’s eyes and ears
With fiery sound and tears
Waxed hot, and cheeks caught flame and eyelids light,
At those high songs of thine
That stung the sense like wine,
Or fell more soft than dew or snow by night,
Or wailed as in some flooded cave
Sobs the strong broken spirit of a wave.
But we, our master, we
Whose hearts, uplift to thee,
Ache with the pulse of thy remembered song,
We ask not nor await
From the clenched hands of fate,
As thou, remission of the world’s old wrong;
Respite we ask not, nor release;
Freedom a man may have, he shall not peace.
Though thy most fiery hope
Storm heaven, to set wide ope
The all-sought-for gate whence God or Chance debars
All feet of men, all eyes—
The old night resumes her skies,
Her hollow hiding-place of clouds and stars,
Where nought save these is sure in sight;
And, paven with death, our days are roofed with night.
One thing we can; to be
Awhile, as men may, free;
But not by hope or pleasure the most stern
Goddess, most awful-eyed,
Sits, but on either side
Sit sorrow and the wrath of hearts that burn,
Sad faith that cannot hope or fear,
And memory grey with many a flowerless year.
Not that in stranger’s wise
I lift not loving eyes
To the fair foster-mother France, that gave
Beyond the pale fleet foam
Help to my sires and home,
Whose great sweet breast could shelter those and save
Whom from her nursing breasts and hands
Their land cast forth of old on gentler lands.
Not without thoughts that ache
For theirs and for thy sake,
I, born of exiles, hail thy banished head;
I whose young song took flight
Toward the great heat and light
On me a child from thy far splendour shed,
From thine high place of soul and song,
Which, fallen on eyes yet feeble, made them strong.
Ah, not with lessening love
For memories born hereof,
I look to that sweet mother-land, and see
The old fields and fair full streams,
And skies, but fled like dreams
The feet of freedom and the thought of thee;
And all between the skies and graves
The mirth of mockers and the shame of slaves.
She, killed with noisome air,
Even she! and still so fair,
Who said “Let there be freedom,” and there was
Freedom; and as a lance
The fiery eyes of France
Touched the world’s sleep and as a sleep made pass
Forth of men’s heavier ears and eyes
Smitten with fire and thunder from new skies.
Are they men’s friends indeed
Who watch them weep and bleed?
Because thou hast loved us, shall the gods love thee?
Thou, first of men and friend,
Seest thou, even thou, the end?
Thou knowest what hath been, knowest thou what shall be?
Evils may pass and hopes endure;
But fate is dim, and all the gods obscure.
O nursed in airs apart,
O poet highest of heart,
Hast thou seen time, who hast seen so many things?
Are not the years more wise,
More sad than keenest eyes,
The years with soundless feet and sounding wings?
Passing we hear them not, but past
The clamour of them thrills us, and their blast.
Thou art chief of us, and lord;
Thy song is as a sword
Keen-edged and scented in the blade from flowers;
Thou art lord and king; but we
Lift younger eyes, and see
Less of high hope, less light on wandering hours;
Hours that have borne men down so long,
Seen the right fail, and watched uplift the wrong.
But thine imperial soul,
As years and ruins roll
To the same end, and all things and all dreams
With the same wreck and roar
Drift on the dim same shore,
Still in the bitter foam and brackish streams
Tracks the fresh water-spring to be
And sudden sweeter fountains in the sea.
As once the high God bound
With many a rivet round
Man’s saviour, and with iron nailed him through,
At the wild end of things,
Where even his own bird’s wings
Flagged, whence the sea shone like a drop of dew,
From Caucasus beheld below
Past fathoms of unfathomable snow;
So the strong God, the chance
Central of circumstance,
Still shows him exile who will not be slave;
All thy great fame and thee
Girt by the dim strait sea
With multitudinous walls of wandering wave;
Shows us our greatest from his throne
Fate-stricken, and rejected of his own.
Yea, he is strong, thou say’st,
A mystery many-faced,
The wild beasts know him and the wild birds flee;
The blind night sees him, death
Shrinks beaten at his breath,
And his right hand is heavy on the sea:
We know he hath made us, and is king;
We know not if he care for anything.
Thus much, no more, we know;
He bade what is be so,
Bade light be and bade night be, one by one;
Bade hope and fear, bade ill
And good redeem and kill,
Till all men be aweary of the sun
And his world burn in its own flame
And bear no witness longer of his name.
Yet though all this be thus,
Be those men praised of us
Who have loved and wrought and sorrowed and not sinned
For fame or fear or gold,
Nor waxed for winter cold,
Nor changed for changes of the worldly wind;
Praised above men of men be these,
Till this one world and work we know shall cease.
Yea, one thing more than this,
We know that one thing is,
The splendour of a spirit without blame,
That not the labouring years
Blind-born, nor any fears,
Nor men nor any gods can tire or tame;
But purer power with fiery breath
Fills, and exalts above the gulfs of death.
Praised above men be thou,
Whose laurel-laden brow,
Made for the morning, droops not in the night;
Praised and beloved, that none
Of all thy great things done
Flies higher than thy most equal spirit’s flight;
Praised, that nor doubt nor hope could bend
Earth’s loftiest head, found upright to the end
poem by Algernon Charles Swinburne

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To Isadore
I. Beneath the vine-clad eaves,
Whose shadows fall before
Thy lowly cottage door--
Under the lilac's tremulous leaves--
Within thy snowy clasped hand
The purple flowers it bore.
Last eve in dreams, I saw thee stand,
Like queenly nymph from Fairy-land--
Enchantress of the flowery wand,
Most beauteous Isadore!
II. And when I bade the dream
Upon thy spirit flee,
Thy violet eyes to me
Upturned, did overflowing seem
With the deep, untold delight
Of Love's serenity;
Thy classic brow, like lilies white
And pale as the Imperial Night
Upon her throne, with stars bedight,
Enthralled my soul to thee!
III. Ah! ever I behold
Thy dreamy, passionate eyes,
Blue as the languid skies
Hung with the sunset's fringe of gold;
Now strangely clear thine image grows,
And olden memories
Are startled from their long repose
Like shadows on the silent snows
When suddenly the night-wind blows
Where quiet moonlight lies.
IV. Like music heard in dreams,
Like strains of harps unknown,
Of birds for ever flown,--
Audible as the voice of streams
That murmur in some leafy dell,
I hear thy gentlest tone,
And Silence cometh with her spell
Like that which on my tongue doth dwell,
When tremulous in dreams I tell
My love to thee alone!
V. In every valley heard,
Floating from tree to tree,
Less beautiful to me,
The music of the radiant bird,
Than artless accents such as thine
Whose echoes never flee!
Ah! how for thy sweet voice I pine:--
For uttered in thy tones benign
(Enchantress!) this rude name of mine
Doth seem a melody!
poem by Edgar Allan Poe

Submitted by Poetry Lover
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