Mogg Megone - Part III.
Ah! weary Priest! - with pale hands pressed
On thy throbbing brow of pain,
Baffled in thy life-long quest,
Overworn with toiling vain,
How ill thy troubled musings fit
The holy quiet of a breast
With the Dove of Peace at rest,
Sweetly brooding over it.
Thoughts are thine which have no part
With the meek and pure of heart,
Undisturbed by outward things,
Resting in the heavenly shade,
By the overspreading wings
Of the Blessed Spirit made.
Thoughts of strife and hate and wrong
Sweep thy heated brain along,
Fading hopes for whose success
It were sin to breathe a prayer; -
Schemes which Heaven may never bless, -
Fears which darken to despair.
Hoary priest! thy dream is done
Of a hundred red tribes won
To the pale of Holy Church;
And the heretic o'erthrown,
And his name no longer known,
And thy weary brethren turning,
Joyful from their years of mourning,
'Twixt the altar and the porch.
Hark! what sudden sound is heard
In the wood and in the sky,
Shriller than the scream of bird, -
Than the trumpet's clang more high!
Every wolf-cave of the hills, -
Forest arch and mountain gorge,
Rock and dell, and river verge, -
With an answering echo thrills.
Well does the Jesuit know that cry
Which summons the Norridgewock to die,
And tells that the foe of his flock is nigh.
He listens, and hears the rangers come,
With loud hurrah, and jar of drum,
And hurrying feet (for the chase is hot),
And the short, sharp sound of rifle shot,
And taunt and menace, - answered well
By the Indians' mocking cry and yell, -
The bark of dogs, - the squaw's mad scream, -
The dash of paddles along the stream, -
The whistle of shot as it cuts the leaves
Of the maples around the church's caves, -
And the gride of hatchets fiercely thrown,
On wigwam-log and tree and stone.
Black with the grim of paint and dust,
Spotted and streaked with human gore,
A grim and naked head is thrust
Within the chapel-door.
'Ha - Bomazeen! - In God's name say,
What mean these sounds of bloody fray?'
Silent, the Indian points his hand
To where across the echoing glen
Sweep Harmon's dreaded ranger-hand,
And Moulton with his men.
'Where are thy warriors, Bomazeen?
Where are De Rouville and Castine,
And where the braves of Sawga's queen?'
'Let my father find the winter snow
Which the sun drank up long moons ago!
Under the falls of Tacconock,
The wolves are eating the Norridgewock;
Castine with his wives lies closely hid
Like a fox in the woods of Pemaquid!
On Sawga's banks the man of war
Sits in his wigwam like a squaw, -
Squando has fled, and Mogg Megone,
Struck by the knife of Sagamore John,
Lies stiff and stark and cold as a stone.'
Fearfully over the Jesuit's face,
Of a thousand thoughts, trace after trace,
Like swift cloud-shadows, each other chase.
One instant, his fingers grasp his knife,
For a last vain struffle for cherished life, -
The next, he hurls the blade away,
And kneels at his altar's foot to pray;
Over his beads his fingers stray,
And he kisses the cross, and calls aloud
On the Virgin and her Son;
For terrible thoughts his memory crowd
Of evil seen and done, -
Of scalps brought home by his savage flock
From Casco and Sawga and Sagadahock
In the Church's service won.
No shrift the gloomy savage brooks,
As scowling on the priest he looks:
'Cowesass - cowesass - tawhich wessaseen?
Let my father look upon Bomazeen, -
My father's heart is the heart of a squaw,
But mine is so hard that it does not thaw;
Let my father ask his God to make
A dance and a feast for a great sagamore,
When he paddles across the western lake,
With his dogs and his squaws to the spirit's shore.
'Cowesass - cowesass - tawhich wessaseen?
Let my father die like Bomazeen!'
Through the chapel's narrow doors,
And through each window in the walls,
Bound the priest and warrior pours
The deadly shower of English balls.
Low on his cross the Jesuit falls;
While at his side the Norridgewock,
With failing breath, essays to mock
And menace yet the hated foe, -
Shakes his scalp-trophies to and fro
Exultingly before their eyes, -
Till, cleft and torn by shot and blow,
Defiant still, he dies.
'So fare all eaters of the frog!
Death to the Babylonish dog!
Down with the beast of Rome!'
With shouts like these, around the dead,
Unconscious on his bloody bed,
The rangers crowding come.
Brave men! the dead priest cannot hear
The unfeeling taunt, - the brutal jeer; -
Spurn - for he sees ye not - in wrath,
The symbol of your Saviour's death;
Tear from his death-grasp, in your zeal,
And trample, as a thing accursed,
The cross he cherished in the dust:
The dead man cannot feel!
Brutal alike in deed and word,
With callous heart and hand of strife,
How like a fiend may man be made,
Plying the foul and monstrous trade
Whose harvest-field is human life,
Whose sickle is the reeking sword!
Quenching, with reckless hand in blood,
Sparks kindled by the breath of God;
Urging the deathless soul, unshriven,
Of open guilt of secret sin,
Before the bar of that pure Heaven
The holy only enter in!
O, by the widow's sore distress,
The orphan's wailing wretchedness,
By Virtue struggling in the accursed
Embraces of polluting Lust,
By the fell discord of the Pit,
And the painted souls that people it,
And by the blessed peace which fills
The Paradise of God forever,
Resting on all its holy hills,
And flowing with its crystal river, -
Let Christian hands no longer bear
In triumph on his crimson car
The foul and idol god of war;
No more the purple wreaths prepare
To bind amid his snaky hair;
Nor Christian bards his glories tell,
Nor Christian tongues his praises swell.
Through the gun-smoke wreathing white,
Glimpses on the soldiers' sight
A thing of human shape I ween,
For a moment only seen,
With its loose hair backward streaming,
And its eyeballs madly gleaming,
Shrieking, like a soul in pain,
From the world of light and breath,
Hurrying to its place again,
Spectre-like it vanisheth!
Wretched girl! one eye alone
Notes the way which thou hast gone.
That great Eye, which slumbers never,
Watching o'er a lost world ever,
Tracks thee over vale and mountain,
By the gushing forest-fountain,
Plucking from the vine its fruit,
Searching for the ground-nut's root,
Peering in the she-wolf's den,
Wading through the marshy fen,
Where the sluggish water-snake
Basks beside the sunny brake,
Coiling in his slimy bed,
Smooth and cold against thy tread, -
Purposeless, thy mazy way
Threading through the lingering day.
And at night securely sleeping
Where the dogwood's dews are weeping!
Still, though the earth and man discard thee,
Doth thy Heavenly Father guard thee.
He who spared the guilty Cain,
Even when a brother's blood,
Crying in the ear of God,
Gave the earth its primal stain, -
He whose mercy ever liveth,
Who repenting guilt forgiveth,
And the broken heart receiveth, -
Wanderer of the wilderness,
Haunted, guilty, crazed, and wild,
He regardeth thy distress,
And careth for his sinful child!
*
'Tis springtime on the eastern hills!
Like torrents gush the summer rills;
Through winter's moss and dry dead leaves
The bladed grass revives and lives,
Pushes the mouldering waste away,
And glimpses to the April day.
In kindly shower and sunshine bud
The branches of the dull gray wood;
Out from its sunned and sheltered nooks
The blue eye of the violet looks;
The southwest wind is warmly blowing,
And odors from the springing grass,
The pine-tree and the sassafras,
Are with it on its errands going.
A band is marching through the wood
Where rolls the Kennebec his flood, -
The warriors of the wilderness,
Painted, and in their battle dress;
And with them one whose bearded cheek,
And white and wrinkled brow, bespeak
A wanderer from the shores of France.
A few long locks of scattering snow
Beneath a battered morion flow,
And from the rivets of the best
Which girds in steel his ample breast,
The slanted sunbeams glance.
In the harsh outlines of his face
Passion and sin have left their trace;
Yet, save worn brow and thin gray hair,
No signs of weary age are there.
His step is firm, his eye is keen,
Nor years in broil and battle spent,
Nor toil, nor wounds, no pain have bent
The lordly frame of old Castine.
No purpose now of strife and blood
Urges the hoary veteran on:
The fire of conquest and the mood
Of chivalry have gone.
A mournful task is his, - to lay
Within the earth the bones of those
Who perished in that fearful day,
When Norridgewock became the prey
Of all unsparing foes.
Sadly and still, dark thoughts between,
Of coming vengeance mused Castine,
Of the fallen chieftain Bomazeen,
Who bade for him the Norridgewocks
Dig up their buried tomahawks
For firm defence or swift attack;
And him whose friendship formed the tie
Which held the stern self-exile back
From lapsing into savagery;
Whose garb and tone and kindly glance
Recalled a younger, happier day,
And prompted memory's fond essay,
To bridge the mighty waste which lay
Between his wild home and that gray,
Tall chateau of his native France,
Whose chapel bell, with far-heard din,
Ushered his birth-hour gayly in,
And counted with its solemn toll
The masses for his father's soul.
Hark! from the foremost of the band
Suddenly bursts the Indian yell;
For now on the very spot they stand
Where the Norridgewock's fighting fell.
No wigwam smoke is curling there;
The very earth is scorched and bare:
And they pause and listen to catch a sound
Of breathing life, - but there comes not one,
Save the fox's bark and the rabbit's bound;
But here and there, on the blackened ground,
White bones are glistening in the sun.
And where the house of prayer arose,
And the holy hymn, at daylight's close,
And the aged priest stood p to bless
The children of the wilderness,
There is naught save ashes sodden and dank;
And the birchen boat of the Norridgewock,
Tethered to tree and stump and rock
Rotting along the river bank!
Blessed Mary! who is she
Leaning against that maple-tree?
The sun upon her face burns hot,
But the fixed eyelid moveth not;
The squirrel's chirp is shrill and clear
From the dry bough above her ear;
Dashing from rock and root its spray,
Close at her feet the river rushes;
The blackbird's wing against her brushes,
And sweetly through the hazel-bushes
The robin's mellow music gushes; -
God save her! will she sleep alway?
Castine hath bent him over the sleeper:
'Wake, daughter, - wake!' - but she stirs no limb:
The eye that looks on him is fixed and dim;
And the sleep she is sleeping shall be no deeper,
Until the angel's oath is said,
And the final blast of the trump goes forth
To the graves of the sea and the graves of earth.
Ruth Bonython Is Dead!
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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Mogg Megone - Part II.
'Tis morning over Norridgewock, -
On tree and wigwam, wave and rock.
Bathed in the autumnal sunshine, stirred
At intervals by breeze and bird,
And wearing all the hues which glow
In heaven's own pure and perfect bow,
That glorious picture of the air,
Which summer's light-robed angel forms
On the dark ground of fading storms,
With pencil dipped in sunbeams there, -
And, stretching out, on either hand,
O'er all that wide and unshorn land,
Till, weary of its gorgeousness,
The aching and the dazzled eye
Rests, gladdened, on the calm blue sky, -
Slumbers the mighty wilderness!
The oak, upon the windy hill,
Its dark green burthen upward heaves -
The hemlock broods above its rill,
Its cone-like foliage darker still,
Against the birch's graceful stem,
And the rough walnut-bough receives
The sun upon its crowded leaves,
Each colored like a topaz gem;
And the tall maple wears with them
The coronal, which autumn gives,
The brief, bright sign of ruin near,
The hectic of a dying year!
The hermit priest, who lingers now
On the Bald Mountain's shrubless brow,
The gray and thunder-smitten pile
Which marks afar the Desert Isle,
While gazing on the scene below,
May half forget the dreams of home,
That nightly with his slumbers come, -
The tranquil skies of sunny France,
The peasant's harvest song and dance,
The vines around the hillsides wreathing
The soft airs midst their clusters breathing,
The wings which dipped, the stars which shone
Within thy bosom, blue Garonne!
And round the Abbey's shadowed wall,
At morning spring and even-fall,
Sweet voices in the still air singing, -
The chant of many a holy hymn, -
The solemn bell of vespers ringing, -
And hallowed torchlight falling dim
On pictured saint and seraphim!
For here beneath him lies unrolled,
Bathed deep in morning's flood of gold,
A vision gorgeous as the dream
Of the beautified may seem,
When, as his Church's legends say,
Borne upward in ecstatic bliss,
The rapt enthusiast soars away
Unto a brighter world than this:
A mortal's glimpse beyond the pale, -
A moment's lifting of the veil!
Far eastward o'er the lovely bay,
Penobscot's clustered wigwams lay;
And gently from that Indian town
The verdant hillside slopes adown,
To where the sparkling waters play
Upon the yellow sands below;
And shooting round the winding shores
Of narrow capes, and isles which lie
Slumbering to ocean's lullaby, -
With birchen boat and glancing oars,
The red men to their fishing go;
While from their planting ground is borne
The treasure of the golden corn,
By laughing girls, whose dark eyes glow
Wild through the locks which o'er them flow.
The wrinkled squaw, whose toil is done,
Sits on her bear-skin in the sun,
Watching the huskers, with a smile
For each full ear which swells the pile;
And the old chief, who nevermore
May bend the bow or pull the oar,
Smokes gravely in his wigwam door,
Or slowly shapes, with axe of stone,
The arrow-head from flint and bone.
Beneath the westward turning eye
A thousand wooded islands lie, -
Gems of the waters! - with each hue
Of brightness set in ocean's blue.
Each bears aloft its tuft of trees
Touched by the pencil of the frost,
And, with the motion of each breeze,
A moment seen, - a moment lost, -
Changing and blent, confused and tossed,
The brighter with the darker crossed,
Their thousand tints of beauty glow
Down in the restless waves below,
And tremble in the sunny skies,
As if, from waving bough to bough,
Flitted the birds of paradise.
There sleep Placentia's group, - and there
Pere Breteaux marks the hour of prayer;
And there, beneath the sea-worn cliff,
On which the Father's hut is seen,
The Indian stays his rocking skiff,
And peers the hemlock-boughs between,
Half trembling, as he seeks to look
Upon the Jesuit's Cross and Book.
There, gloomily against the sky
The Dark Isles rear their summits high;
And Desert Rock, abrupt and bare,
Lifts its gray turrets in the air, -
Seen from afar, like some stronghold
Built by the ocean kings of old;
And, faint as smoke-wreath white and thin,
Swells in the north vast Katahdin:
And, wandering from its marshy feet,
The broad Penobscot comes to meet
And mingle with his own bright bay.
Slow sweep his dark and gathering floods,
Arched over by the ancient woods,
Which Time, in those dim solitudes,
Wielding the dull axe of Decay,
Alone hath ever shorn away.
Not thus, within the woods which hide
The beauty of thy azure tide,
And with their falling timbers block
Thy broken currents, Kennebec!
Gazes the white man on the wreck
Of the down-trodden Norridgewock, -
In one lone village hemmed at length,
In battle shorn of half their strength,
Turned, like the panther in his lair,
With his fast-flowing life-blood wet,
For one last struggle of despair,
Wounded and faint, but tameless yet,
Unreaped, upon the planting lands,
The scant, neglected harvest stands:
No shout is there, - no dance, - no song:
The aspect of the very child
Scowls with a meaning sad and wild
Of bitterness and wrong.
The almost infant Norridgewock
Essays to lift the tomahawk;
And plucks his father's knife away,
To mimic, in his frightful play,
The scalping of an English foe:
Wreathes on his lip a horrid smile,
Burns, like a snake's, his small eye, while
Some bough or sapling meets his blow.
The fisher, as he drops his line,
Starts, when he sees the hazels quiver
Along the margin of the river,
Looks up and down the rippling tide,
And grasps the firelock at his side.
For Bomazeen from Tacconock
Has sent his runners to Norridgewock,
With tidings that Moulton and Harmon of York
Far up the river have come:
They have left their boats, - they have entered the wood,
And filled the depths of the solitude
With the sound of the ranger's drum.
On the brow of a hill, which slopes to meet
The flowing river, and bathe its feet, -
The bare-washed rock, and the drooping grass,
And the creeping vine, as the waters pass, -
A rude and unshapely chapel stands,
Built up in that wild by unskilled hands,
Yet the traveller knows it a place of prayer,
For the holy sign of the cross is there:
And should he chance at that place to be,
Of a Sabbath morn, or some hallowed day,
When prayers are made and masses are said,
Some for the living and some for the dead,
Well might that traveller start to see
The tall dark forms, that take their way
From the birch canoe, on the river-shore,
And the forest paths, to that chapel door;
And marvel to mark the naked knees
And the dusky foreheads bending there,
While, in coarse white vesture, over these
In blessing or in prayer,
Stretching abroad his thin pale hands,
Like a shrouded ghost, the Jesuit stands.
Two forms are now in that chapel dim,
The Jesuit, silent and sad and pale,
Anxiously heeding some fearful tale,
Which a stranger is telling him.
That stranger's garb is soiled and torn,
And wet with dew and loosely worn;
Her fair neglected hair falls down
O'er cheeks with wind and sunshine brown;
Yet still, in that disordered face,
The Jesuit's cautious eye can trace
Those elements of former grace
Which, half effaced, seem scarcely less,
Even now, than perfect loveliness.
With drooping head, and voice so low
That scarce it meets the Jesuit's ears, -
While through her clasped fingers flow,
From the heart's fountain, hot and slow,
Her penitential tears, -
She tells the story of the woe
And evil of her years.
'O father, bear with me; my heart
Is sick and death-like, and my brain
Seems girdled with a fiery chain,
Whose scorching links will never part,
And never cool again.
Bear with me while I speak, - but turn
Away that gentle eye, the while, -
The fires of guilt more fiercely burn
Beneath its holy smile;
For half I fancy I can see
My mother's sainted look in thee.
'My dear lost mother! sad and pale,
Mournfully sinking day by day,
And with a hold on life as frail
As frosted leaves, that, thin and gray,
Hang feebly on their parent spray,
And tremble in the gale;
Yet watching o'er my childishness
With patient fondness, - not the less
For all the agony which kept
Her blue eye wakeful, while I slept;
And checking every tear and groan
That haply might have waked my own,
And bearing still, without offence,
My idle words, and petulance;
Reproving with a tear, - and, while
The tooth of pain was keenly preying
Upon her very heart, repaying
My brief repentance with a smile.
'O, in her meek, forgiving eye
There was a brightness not of mirth,
A light whose clear intensity
Was borrowed not of earth.
Along her cheek a deepening red
Told where the feverish hectic fed;
And yet, each fatal token gave
To the mild beauty of her face
A newer and a dearer grace,
Unwarning of the grave.
'Twas like the hue which Autumn gives
To yonder changed and dying leaves,
Breathed over by his frosty breath;
Scarce can the gazer feel that this
Is but the spoiler's treacherous kiss,
The mocking-smile of Death!
'Sweet were the tales she used to tell
When summer's eve was dear to us,
And, fading from the darkening dell,
The glory of the sunset fell
On wooded Agamenticus, -
When, sitting by our cottage wall,
The murmur of the Saco's fall,
And the south-wind's expiring sighs,
Came, softly blending, on my ear,
With the low tones I loved to hear:
Tales of the pure, - the good, - the wise, -
The holy men and maids of old,
In the all-sacred pages told; -
Of Rachel, stooped at Haran's fountains,
Amid her father's thirsty flock,
Beautiful to her kinsman seeming
As the bright angels of his dreaming,
On Padan-aran's holy rock;
Of gentle Ruth, - and her who kept
Her awful vigil on the mountains,
By Israel's virgin daughters wept;
Of Miriam, with her maidens, singing
The song for grateful Israel meet,
While every crimson wave was bringing
The spoils of Egypt at her feet;
Of her, - Samaria's humble daughter,
Who paused to hear, beside her well,
Lessons of love and truth, which fell
Softly as Shiloh's flowing water;
And saw, beneath his pilgrim guise,
The Promised One, so long foretold
By holy seer and bard of old,
Revealed before her wondering eyes!
'Slowly she faded. Day by day
Her step grew weaker in our hall,
And fainter, at each even-fall,
He sad voice died away.
Yet on her thin, pale, lip, the while,
Sat Resignation's holy smile:
And even my father checked his tread,
And hushed his voice, beside her bed:
Beneath the calm and sad rebuke
Of her meek eye's imploring look,
The scowl of hate his brow forsook,
And in his stern and gloomy eye,
At times, a few unwonted tears
Wet the dark lashes, which for years
Hatred and pride had kept so dry.
'Calm as a child to slumber soothed,
As if an angel's hand had smoothed
The still, white features into rest,
Silent and cold, without a breath
To stir the drapery on her breast,
Pain, with its keen and poisoned fang,
The horror of the mortal pang,
The suffering look her brow had worn,
The fear, the strife, the anguish gone, -
She slept at last in death!
'O, tell me, father,
can
the dead
Walk on the earth, and look on us,
And lay upon the living's head
Their blessing or their curse?
For, O, last night she stood by me,
As I lay beneath the woodland tree!'
The Jesuit crosses himself in awe, -
'Jesu! what was it my daughter saw?'
'
She
came to me last night.
The dried leaves did not feel her tread;
She stood by me in the wan moonlight,
In the white robes of the dead!
Pale, and very mournfully
She bent her light form over me.
I heard no sound, I felt no breath
Breathe o'er me from that face of death:
Its blue eyes rested on my own,
Rayless and cold as eyes of stone;
Yet, in their fixed, unchanging gaze,
Something, which spoke of early days, -
A sadness in their quiet glare,
As if love's smile were frozen there, -
Came o'er me with an icy thrill;
O God! I feel its presence still!'
The Jesuit makes the holy sign, -
'How passed the vision, daughter mine?'
'All dimly in the wan moonshine,
As a wreath of mist will twist and twine
And scatter, and melt into the light, -
So scattering, - melting on my sight,
The pale, cold vision passed;
But those sad eyes were fixed on mine
Mournfully to the last.'
'God help thee, daughter, tell me why
That spirit passed before thine eye!'
'Father, I know not, save it be
That deeds of mine have summoned her
From the unbreathing sepulchre,
To leave her last rebuke with me.
Ah, woe for me! my mother died
Just at the moment when I stood
Close on the verge of womanhood,
A child in everything beside;
And when my wild heart needed most
Her gentle counsels, they were lost.
'My father lived a stormy life,
Of frequent change and daily strife;
And - God forgive him! - left his child
To feel, like him, a freedom wild;
To love the red man's dwelling-place.
The birch boat on his shaded floods,
The wild excitement of the chase
Sweeping the ancient woods,
The camp-fire, blazing on the shore
Of the still lakes, the clear stream where
The idle fisher sets his wear,
Or angles in the shade, far more
Than that restraining awe I felt
Beneath my gentle mother's care,
When nightly at her knee I knelt,
With childhood's simple prayer.
'There came a change. The wild, glad mood
Of unchecked freedom passed.
Amid the ancient solitude
Of unshorn grass and waving wood,
And waters glancing bright and fast,
A softened voice was in my ear,
Sweet as those lulling sounds and fine
The hunter lifts his head to hear,
Now far and faint, now full and near -
The mumur of the wind-swept pine.
A manly form was ever nigh,
A bold, free hunter, with an eye
Whose dark, keen glance had power to wake
Both fear and love, - to awe and charm
'Twas as the wizard rattlesnake,
Whose evil glances lure to harm -
Whose cold and small and glittering eye,
And brilliant coil, and changing dye,
Draw, step by step, the gazer near,
With drooping wing and cry of fear,
Yet powerless all to turn away,
A conscious, but a willing prey!
'Fear, doubt, thought, life itself, erelong
Merged in one feeling deep and strong.
Faded the world which I had known,
A poor vain shadow, cold and waste;
In the warm present bliss alone
Seemed I of actual life to taste.
Fond longings dimly understood,
The glow of passion's quickening blood,
And cherished fantasies which press
The young lip with a dream's caress, -
The heart's forecast and prophecy
Took form and life before my eye,
Seen in the glance which met my own,
Heard in the soft and pleading tone,
Felt in the arms around me cast,
And warm heart-pulses beating fast.
Ah! scarcely yet to God above
With deeper trust, with stronger love,
Has prayerful saint his meek heart lent,
Or cloistered nun at twilight bent,
Than I, before a human shrine,
With heart, and soul, and mind, and form,
Knelt madly to a fellow-worm.
'Full soon, upon that dream of sin,
An awful light came bursting in.
The shrine was cold at which I knelt,
The idol of that shrine was gone;
A humbled thing of shame and guilt,
Outcast, and spurned and lone,
Wrapt in the shadows of my crime,
With withering heart and burning brain,
And tears that fell like fiery rain,
I passed a fearful time.
'There came a voice - it checked the tear -
In heart and soul it wrought a change; -
My father's voice was in my ear;
It whispered of revenge!
A new and fiercer feeling swept
All lingering tenderness away;
And tiger passions, which had slept
In childhood's better day,
Unknown, unfelt, arose at length
In all their own demoniac strength.
'A youthful warrior of the wild,
By words deceived, by smiles beguiled,
Of crime the cheated instrument,
Upon our fatal errands went.
Through camp and town and wilderness
He tracked his victim; and, at last,
Just when the tide of hate had passed,
And milder thoughts came warm and fast,
Exulting, at my feet he cast
The bloody token of success.
'O God! with what an awful power
I saw the buried past uprise,
And gather, in a single hour,
Its ghost-like memories!
And then I felt - alas! too late -
That underneath the mask of hate,
That shame and guilt and wrong had thrown
O'er feelings which they might not own,
The heart's wild love had known no change;
And still that deep and hidden love,
With its first fondness, wept above
The victim of its own revenge!
There lay the fearful scalp, and there
The blood was on its pale brown hair!
I thought not of the victim's scorn,
I thought not of his baleful guile,
My deadly wrong, my outcast name,
The characters of sin and shame
On heart and forehead drawn;
I only saw that victim's smile, -
The still, green places where we met, -
The moonlit branches, dewy wet;
I only felt, I only heard
The greeting and the parting word, -
The smile, - the embrace, - the tone which made
An Eden of the forest shade.
'And oh, with what a loathing eye,
With what a deadly hate, and deep,
I saw that Indian murderer lie
Before me, in his drunken sleep!
What though for me the deed was done
And words of mine had sped him on!
Yet when he murmured, as he slept,
The horrors of that deed of blood,
The tide of utter madness swept
O'er brain and bosom, like a flood.
And, father, with this hand of mine -'
'Ha! what didst thou?' the Jesuit cries,
Shuddering, as smitten with sudden pain,
And shading, with one thin hand, his eyes,
With the other he makes the holy sign.
'- I smote him as I would a worm; -
With heart as steeled, with nerves as firm:
He never woke again!'
'Woman of sin and blood and shame,
Speak, - I would know that victim's name.'
'Father,' she gasped, 'a chieftain, known
As Saco's Sachem, - Mogg Megone!'
Pale priest! What proud and lofty dreams,
What keen desires, what cherished schemes,
What hopes, that time may not recall,
Are darkened by that chieftain's fall!
Was he not pledged, by cross and vow,
To lift the hatchet of his sire,
And, round his own, the Church's foe,
To light the avenging fire?
Who now the Tarrantine shall wake.
For thine and for the Church's sake?
Who summon to the scene
Of conquest and unsparing strife,
And vengeance dearer than his life,
The fiery-souled Castine?
Three backward steps the Jesuit takes, -
His long, thin frame as ague shakes;
And loathing hate is in his eye,
As from his lips these words of fear
Fall hoarsely on the maiden's ear, -
'The soul that sinneth shall surely die!'
She stands, as stands the stricken deer,
Checked midway in the fearful chase,
When bursts, upon his eye and ear,
The gaunt, gray robber, baying near,
Between him and his hiding-place;
While still behind, with yell and blow,
Sweeps, like a storm, the coming foe.
'Save me, O holy man!' - her cry
Fills all the void, as if a tongue,
Unseen, from rib and rafter hung,
Thrilling with mortal agony;
Her hands are clasping the Jesuit's knee,
And her eye looks fearfully into his own; -
'Off, woman of sin! - nay, touch not me
With those fingers of blood; - begone!'
With a gesture of horror, he spurns the form
That writhes at his feet like a trodden worm.
Ever thus the spirit must,
Guilty in the sight of Heaven,
With a keener woe be riven,
For its weak and sinful trust
In the strength of human dust
And its anguish thrill afresh
For each vain reliance given
To the failing arm of flesh.
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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Mogg Megone - Part I.
Who stands on that cliff, like a figure of stone,
Unmoving and tall in the light of the sky,
Where the spray of the cataract sparkles on high,
Lonely and sternly, save Mogg Megone?
Close to the verge of the rock is he,
While beneath him the Saco its work is doing,
Hurrying down to its grave, the sea,
And slow through the rock its pathway hewing!
Far down, through the mist of the falling river,
Which rises up like an incense ever,
The splintered points of the crags are seen,
With water howling and vexed between,
While the scooping whirl of the pool beneath
Seems an open throat, with its granite teeth!
But Mogg Megone never trembled yet
Wherever his eye or his foot was set.
He is watchful: each form in the moonlight dim,
Of rock or of tree, is seen of him:
He listens; each sound from afar is caught,
The faintest shiver of leaf and limb:
But he sees not the waters, which foam and fret,
Whose moonlit spray has his moccasin wet, -
And the roar of their rushing, he bears it not.
The moonlight, through the open bough
Of the gnarl'd beech, whose naked root
Coils like a serpent at his foot,
Falls, checkered, on the Indian's brow.
His head is bare, save only where
Waves in the wind one lock of hair,
Reserved for him, whoe'er he be,
More mighty than Megone in strife,
When breast to breast and knee to knee,
Above the fallen warrior's life
Gleams, quick and keen, the scalping-knife.
Megone hath his knife and hatchet and gun,
And his gaudy and tasselled blanket on:
His knife hath a handle with gold inlaid,
And magic words on its polished blade, -
'Twas the gift of Castine to Mogg Megone,
For a scalp or twain from the Yengees torn:
His gun was the gift of the Tarrantine,
And Modocawando's wives had strung
The brass and the beads, which tinkle and shine
On the polished breach, and broad bright line
Of beaded wampum around it hung.
What seeks Megone? His foes are near, -
Grey Jocelyn's eye is never sleeping,
And the garrison lights are burning clear,
Where Phillips' men their watch are keeping.
Let him hie him away through the dank river fog,
Never rustling the boughs nor displacing the rocks,
For the eyes and the ears which are watching for Mogg
Are keener than those of the wolf or the fox.
He starts, - there's a rustle among the leaves:
Another, - the click of his gun in heard!
A footstep, - is it the step of Cleaves,
With Indian blood on his English sword?
Steals Harmon down from the sands of York,
With hand of iron and foot of cork?
Has Scamman, versed in Indian wile,
For vengeance left his vine-hung in isle?
Hark! at that whistle, soft and low,
How lights the eye of Mogg Megone!
A smile gleams o'er his dusky brow, -
'Boon welcome, Johnny Bonython!'
Out steps, with cautious foot and slow,
And quick, keen glances to and fro,
The hunted outlaw, Bonython!
A low, lean, swarthy man is he,
With blanket-garb and buskined knee,
And naught of English fashion on;
For he hates the race from whence he sprung,
And he couches his words in the Indian tongue.
'Hush, - let the Sachem's voice be weak;
The water-rat shall hear him speak, -
The owl shall whoop in the white man's ear,
That Mogg Megone, with his scalps, is here!'
He pauses, - dark, over cheek and brow,
A flush, as of shame, is stealing now:
'Sachem!' he says, 'let me have the land,
Which stretches away upon either hand,
As far about as my feet can stray
In the half of a gentle summer's day,
From the leaping brook to the Saco river, -
And the fair-hared girl, thou hast sought of me,
Shall sit in the Sachem's wigwam, and be
The wife of Mogg Megone forever.'
There's sudden light in the Indian's glance,
A moment's trace of powerful feeling,
Of love or triumph, or both perchance,
Over his proud, calm features stealing.
'The words of my father are very good;
He shall have the land, and water, and wood;
And he who harms the Sagamore John,
Shall feel the knife of Mogg Megone;
But the fawn of the Yengees shall sleep on my breast,
And the bird of the clearing shall sing in my nest.'
'But, father!' - and the Indian's hand
Falls gently on the white man's arm,
And with a smile as shrewdly bland
As the deep voice is slow and calm, -
'Where is my father's singing-bird, -
The sunny eye, and sunset hair?
I know I have my father's word,
And that his word is good and fair;
But will my father tell me where
Megone shall go and look for his bride? -
For he sees her not by her father's side.'
The dark, stern eye of Bonython
Flashes over the features of Mogg Megone,
In one of those glances which search within ;
But the stolid calm of the Indian alone
Remains where the trace of emotion has been.
'Does the Sachem doubt? Let him go with me,
And the eyes of the Sachem his bride shall see.'
Cautious and slow, with pauses oft,
And watchful eyes and whispers soft,
The twain are stealing through the wood,
Leaving the downward-rushing flood,
Whose deep and solemn roar behind
Grows fainter on the evening wind.
Hark! - is that the angry howl
Of the wolf, the hills among? -
Or the hooting of the owl,
On his leafy cradle swung? -
Quickly glancing, to and fro,
Listening to each sound they go
Round the columns of the pine,
Indistinct, in shadow, seeming
Like some old and pillared shrine;
With the soft and white moonshine,
Round the foliage-tracery shed
Of each column's branching head,
For its lamps of worship gleaming!
And the sounds awakened there,
In the pine-leaves fine and small,
Soft and sweetly musical,
By the fingers of the air,
For the anthem's dying fall
Lingering round some temple's wall!
Niche and cornice round and round
Wailing like the ghost of sound!
Is not Nature's worship thus,
Ceaseless ever, going on?
Hath it not a voice for us
In the thunder, or the tone
Of the leaf-harp faint and small,
Speaking to the unsealed ear
Words of blended love and fear,
Of the mighty Soul of all?
Naught had the twain of thoughts like these
As they wound along through the crowded trees,
Where never had rung the axeman's stroke
On the gnarled trunk of the rough-barked oak; -
Climbing the dead tree's mossy log,
Breaking the mesh of the bramble fine,
Turning aside the wild grapevine,
And lightly crossing the quaking bog
Whose surface shakes at the leap of the frog,
And out of whose pools the ghostly fog
Creeps into the chill moonshine!
Yet, even that Indian's ear had heard
The preaching of the Holy Word:
Sanchekantacket's isle of sand
Was once his father's hunting land,
Where zealous Hiacoomes stood, -
The wild apostle of the wood,
Shook from his soul the fear of harm,
And trampled on the Powwaw's charm;
Until the wizard's curses hung
Suspended on his palsying tongue,
And the fierce warrior, grim and tall,
Trembled before the forest Paul!
A cottage hidden in the wood, -
Red through its seams a light is glowing,
On rock and bough and tree-trunk rude,
A narrow lustre throwing.
'Who's there?' a clear, firm voice demands;
'Hold, Ruth, - 'tis I, the Sage more!'
Quick, at the summons, hasty hands
Unclose the bolted door;
And on the outlaw's daughter shine
The flashes of the kindled pine.
Tall and erect the maiden stands,
Like some young priestess of the wood,
The freeborn child of Solitude,
And bearing still the wild and rude,
Yet noble trace of Nature's hands.
Her dark brown cheek has caught its stain
More from the sunshine than the rain;
Yet, where her long fair hair is parting,
A pure white brow into light is starting;
And, where the folds of her blanket sever,
Are a neck and bosom as white as ever
The foam-wreaths rise on the leaping river.
But in the convulsive quiver and grip
Of the muscles around her bloodless lip,
There is something painful and sad to see;
And her eye has a glance more sternly wild
Than even that of a forest child
In its fearless and untamed freedom should be.
Yet, seldom in hall or court are seen
So queenly a form and so noble a mien,
As freely and smiling she welcomes them there, -
Her outlawed sire and Mogg Megone:
'Pray, father, how does thy hunting fare?
And, Sachem, say, - does Scamman wear,
In spite of thy promise, a scalp of his own?'
Hurried and light is the maiden's tone;
But a fearful meaning lurks within
Her glance, as it questions the eye of Megone, -
An awful meaning of guilt and sin! -
The Indian hath opened his blanket, and there
Hangs a human scalp by its long damp hair!
With hand upraised, with quick drawn breath,
She meets that ghastly sign of death.
In one long, glassy, spectral stare
The enlarging eye is fastened there,
As if that mesh of pale brown hair
Had power to change at sight alone,
Even as the fearful locks which wound
Medusa's fatal forehead round,
The gazer into stone.
With such a look Herodias read
The features of the bleeding head,
So looked the mad Moor on his dead,
Or the young Cenci as she stood,
O'er-dabbled with a father's blood!
Look! - feeling melts that frozen glance,
It moves that marble countenance,
As if at once within her strove
Pity with shame, and hate with love.
The Past recalls its joy and pain,
Old memories rise before her brain, -
The lips which love's embraces met,
The hand her tears of parting wet,
The voice whose pleading tones beguiled
The pleased ear of the forest-child, -
And tears she may no more repress
Reveal her lingering tenderness.
O, woman wronged can cherish hate
More deep and dark than manhood may;
But when the mockery of Fate
Hath left Revenge its chosen way,
And the fell curse, which years have nursed,
Full on the spoiler's head hath burst, -
When all her wrong, and shame, and pain,
Burns fiercely on his heart and brain, -
Still lingers something of the spell
Which bound her to the traitor's bosom, -
Still, midst the vengeful fires of hell,
Some flowers of old affection blossom.
John Bonython's eyebrows together are drawn
With a fierce expression of wrath and scorn, -
He hoarsely whispers, 'Ruth, beware!
Is this the time to be playing the fool, -
Crying over a paltry lock of hair,
Like a love-sick girl at school? -
Curse on it! - an Indian can see and hear:
Away, - and prepare our evening cheer!'
How keenly the Indian is watching now
Her tearful eye and her varying brow, -
With a serpent eye, which kindles and burns,
Like a fiery star in the upper air:
On sire and daughter his fierce glance turns: -
'Has my old white father a scalp to spare?
For his young one loves the pale brown hair
Of the scalp of an English dog far more
Than Mogg Megone, or his wigwam floor;
Go, - Mogg is wise: he will keep his land, -
And Sagamore John, when he feels with his hand,
Shall miss his scalp where it grew before.
The moment's gust of grief is gone, -
The lip is clenched, - the tears are still, -
God pity thee, Ruth Bonython!
With what a strength of will
Are nature's feelings in thy breast,
As with an iron hand, repressed!
And how, upon that nameless woe,
Quick as the pulse can come and go,
While shakes the unsteadfast knee, and yet
The bosom heaves, - the eye is wet, -
Has thy dark spirit power to stay
The heart's wild current on its way?
And whence that baleful strength of guile,
Which over that still working brow
And tearful eye and cheek can throw
The mockery of a smile?
Warned by her father's blackening frown,
With one strong effort crushing down
Grief, hate, remorse, she meets again
The savage murderer's sullen gaze,
And scarcely look or tone betrays
How the heart strives beneath its chain.
'Is the Sachem angry, - angry with Ruth,
Because she cries with an ache in her tooth,
Which would make a Sagamore jump and cry,
And look about with a woman's eye?
No, - Ruth will sit in the Sachem's door
And braid the mats for his wigwam floor,
And broil his fish and tender fawn,
And weave his wampum, and grind his corn, -
For she loves the brave and the wise, and none
Are braver and wiser than Mogg Megone!'
The Indian's brow is clear once more:
With grave, calm face, and half-shut eye,
He sits upon the wigwam floor,
And watches Ruth go by,
Intent upon her household care;
And ever and anon, the while,
Or on the maiden, or her fare,
Which smokes in grateful promise there,
Bestows his quiet smile.
Ah, Mogg Megone! - what dreams are thine,
But those which love's own fancies dress, -
The sum of Indian happiness! -
A wigwam, where the warm sunshine
Looks in among the groves of pine, -
A stream, where, round thy light canoe,
The trout and salmon dart in view,
And the fair girl, before thee now,
Or plying, in the dews of morn,
Her hoe amidst thy patch of corn,
Or offering up, at eve, to thee,
Thy birchen dish of hominy!
From the rude board of Bonython,
Venison and succotash have gone, -
For long these dwellers want of food.
But untasted of Ruth is the frugal cheer, -
With head averted, yet ready ear,
She stands by the side of her austere sire,
Feeding, at times, the unequal fire
With the yellow knots of the pitch-pine tree,
Whose flaring light, as they kindle, falls
On the cottage-roof, and its black log walls,
And over its inmates three.
From Sagamore Bonython's hunting flask
The fire-water burns at the lip of Megone:
'Will the Sachem hear what his father shall ask?
Will he make his mark, that it may be known,
On the speaking-leaf, that he gives the land,
From the Sachem's own, to his father's hand?'
The fire-water shines in the Indian's eyes,
As he rises, the white man's bidding to do:
'Wuttamuttata - weekan! Mogg is wise, -
For the water he drinks is strong and new, -
Mogg's heart is great! - will he shut his hand,
When his father asks for a little land?' -
With unsteady fingers, the Indian has drawn
On the parchment the shape of a hunter's bow,
'Boon water, - boon water, - Sagamore John!
Wuttamuttata, - weekan! our hearts will grow!'
He drinks yet deeper, - he mutters low, -
He reels on his bear-skin to and fro, -
His head falls down on his naked breast, -
He struggles, and sinks to a drunken rest.
'Humph - drunk as a beast!' - and Bonython's brow
Is darker than ever with evil thought -
'The fool has signed his warrant; but how
And when shall the deed be wrought?
Speak, Ruth! why, what the devil is there,
To fix thy gaze in that empty air? -
Speak, Ruth! by my soul, if I thought that tear,
Which shames thyself and our purpose here,
Were shed for that cursed and pale-faced dog,
Whose green scalp hangs from the belt of Mogg,
And whose beastly soul is in Satan's keeping, -
This - this!' - he dashes his hand upon
The rattling stock of his loaded gun, -
'Should send thee with him to do thy weeping!'
'Father!' - the eye of Bonython
Sinks at that low, sepulchral tone,
Hollow and deep, as it were spoken
By the unmoving tongue of death, -
Or from some statue's lips had broken, -
A sound without a breath!
'Father! - my life I value less
Than yonder fool his gaudy dress;
And how it ends it matters not,
By heart-break or by rifle-shot;
But spare awhile the scoff and threat, -
Our business is not finished yet.'
'True, true, my girl, - I only meant
To draw up again the bow unbent.
Harm thee, my Ruth! I only sought
To frighten off thy gloomy thought;
Come, - let's be friends!' He seeks to clasp
His daughter's cold, damp hand in his.
Ruth startles from her father's grasp,
As if each nerve and muscle felt,
Instinctively, the touch of guilt,
Through all their subtle sympathies.
He points her to the sleeping Mogg:
'What shall be done with yonder dog?
Scamman is dead, and revenge is thine, -
The deed is signed and the land is mine;
And this drunken fool is of use no more,
Save as thy hopeful bridegroom, and sooth,
'Twere Christian mercy to finish him, Ruth,
Now, while he lies like a beast on our floor, -
If not for thine, at least for his sake,
Rather than let the poor dog awake
To drain my flask, and claim as his bride
Such a forest devil to run by his side, -
Such a Wetuomanit as thou wouldst make!'
He laughs at his jest. Hush - what is there? -
The sleeping Indian is striving to rise,
With his knife in his hand, and glaring eyes! -
'Wagh! - Mogg will have the pale-face's hair,
For his knife is sharp, and his fingers can help
The hair to pull and the skin to peel, -
Let him cry like a woman and twist like an eel,
The great Captain Scamman must lose his scalp!
And Ruth, when she sees it, shall dance with Mogg.'
His eyes are fixed, - but his lips draw in, -
With a low, hoarse chuckle, and fiendish grin, -
And he sinks again, like a senseless log.
Ruth does not speak, - she does not stir;
But she gazes down on the murderer,
Whose broken and dreamful slumbers tell
Too much for her ear of that deed of hell.
She sees the knife, with its slaughter red,
And the dark fingers clenching the bearskin bed!
What thoughts of horror and madness whirl
Through the burning brain of that fallen girl!
John Bonython lifts his gun to his eye,
Its muzzle is close to the Indian's ear, -
But he drops it again. 'Some one may be nigh,
And I would not that even the wolves should hear.'
He draws his knife from its deer-skin belt, -
Its edge with his fingers is slowly felt; -
Kneeling down on one knee, by the Indian's side,
From his throat he opens the blanket wide;
And twice or thrice he feebly essays
A trembling hand with the knife to raise.
'I cannot,' - he mutters, - 'did he not save
My life from a cold and wintry grave,
When the storm came down from Agioochook,
And the north-wind howled, and the tree-tops shook, -
And I strove, in the drifts of the rushing snow,
Till my knees grew weak and I could not go,
And I felt the cold to my vitals creep,
And my heart's blood stiffen, and pulses sleep!
I cannot strike him - Ruth Bonython!
In the Devil's name, tell me - what's to be done?'
O, when the soul, once pure and high,
Is stricken down from Virtue's sky,
As, with the downcast star of morn,
Some gems of light are with it drawn, -
And, through its night of darkness, play
Some tokens of its primal day, -
Some lofty feelings linger still, -
The strength to dare, the nerve to meet
Whatever threatens with defeat
Its all-indomitable will! -
But lacks the mean of mind and heart,
Though eager for the gains of crime,
Oft, at his chosen place and time,
The strength to bear his evil part;
And, shielded by his very Vice,
Escapes from Crime by Cowardice.
Ruth starts erect, - with bloodshot eye,
And lips drawn tight across her teeth,
Showing their locked embrace beneath,
In the red firelight: - 'Mogg must die!
Give me the knife!' - The outlaw turns,
Shuddering in the heart and limb, away, -
But, fitfully there, the hearth-fire burns,
And he sees on the wall strange shadows play.
A lifted arm, a tremulous blade,
Are dimly pictured in light and shade,
Plunging down in the darkness. Hark, that cry
Again - and again - he sees it fall, -
That shadowy arm down the lighted wall!
He hears quick footsteps - a shape flits by -
The door on its rusted hinges creaks: -
'Ruth - daughter Ruth!' the outlaw shrieks.
But no sound comes back, - he is standing alone
By the mangled corse of Mogg Megone!
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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The Funeral Tree of the Sokokis. 1756
Around Sebago's lonely lake
There lingers not a breeze to break
The mirror which its waters make.
The solemn pines along its shore,
The firs which hang its gray rock o'er,
Are painted on its glassy floor.
The sun looks o'er, with hazy eye,
The snowy mountain-tops which lie
Piled coldly up against the sky.
Dazzling and white! Save where the bleak,
Wild winds have bared some splintering peak,
Or snow-slide left its dusky streak.
Yet green are Saco's banks below,
And belts of spruce and cedar show,
Dark fringing round those cones of snow.
The earth hath felt the breath of spring,
Though yet on her deliverer's wing
The lingering frosts of winter cling.
Fresh grasses fringe the meadow-brooks,
And mildly from its sunny nooks
The blue eye of the violet looks.
And odors from the springing grass,
The sweet birch and the sassafras,
Upon the scarce-felt breezes pass.
Her tokens of renewing care
Hath Nature scattered everywhere,
In bud and flower, and warmer air.
But in their hour of bitterness,
What reck the broken Sokokis,
Beside their slaughtered chief, of this?
The turf's red stain is yet undried,
Scarce have the death-shot echoes died
Along Sebago's wooded side;
And silent now the hunters stand,
Grouped darkly, where a swell of land
Slopes upward from the lake's white sand.
Fire and the axe have swept it bare,
Save one lone beech, unclosing there
Its light leaves in the vernal air.
With grave, cold looks, all sternly mute,
They break the damp turf at its foot,
And bare its coiled and twisted root.
They heave the stubborn trunk aside,
The firm roots from the earth divide, -
The rent beneath yawns dark and wide.
And there the fallen chief is laid
In tasselled garb of skins arrayed,
And girded with his wampum-braid.
The silver cross he loved is pressed
Beneath the heavy arms, which rest
Upon his scarred and naked breast.
'T is done : the roots are backward sent,
The beechen-tree stands up unbent,
The Indian's fitting monument!
When of that sleeper's broken race
Their green and pleasant dwelling place,
Which knew them once, retains no trace;
Oh, long may sunset's light be shed
As now upon that beech's head,
A green memorial of the dead!
There shall his fitting requiem be,
In northern winds, that, cold and free,
Howl nightly in that funeral tree.
To their wild wail the waves which break
Forever round that lonely lake
A solemn undertone shall make!
And who shall deem the spot unblest,
Where Nature's younger children rest,
Lulled on their sorrowing mother's breast?
Deem ye that mother loveth less
These bronzed forms of the wilderness
She foldeth in her long caress?
As sweet o'er them her wild-flowers blow,
As if with fairer hair and brow
The blue-eyed Saxon slept below.
What though the places of their rest
No priestly knee hath ever pressed, -
No funeral rite nor prayer hath blessed?
What though the bigot's ban be there,
And thoughts of wailing and despair,
And cursing in the place of prayer!
Yet Heaven hath angels watching round
The Indian's lowliest forest-mound, -
And they have made it holy ground.
There ceases man's frail judgment : all
His powerless bolts of cursing fall
Unheeded on that grassy pall.
O peeled and hunted and reviled,
Sleep on, dark tenant of the wild!
Great Nature owns her simple child!
And Nature's God, to whom alone
The secret of the heart is known, -
The hidden language traced thereon;
Who from its many cumberings
Of form and creed, and outward things,
To light the naked spirit brings;
Not with our partial eye shall scan,
Not with our pride and scorn shall ban,
The spirit of our brother man!
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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Pentucket
How sweetly on the wood-girt town
The mellow light of sunset shone!
Each small, bright lake, whose waters still
Mirror the forest and the hill,
Reflected from its waveless breast
The beauty of a cloudless west,
Glorious as if a glimpse were given
Within the western gates of heaven,
Left, by the spirit of the star
Of sunset's holy hour, ajar!
Beside the river's tranquil flood
The dark and low-walled dwellings stood,
Where many a rood of open land
Stretched up and down on either hand,
With corn-leaves waving freshly green
The thick and blackened stumps between.
Behind, unbroken, deep and dread,
The wild, untravelled forest spread,
Back to those mountains, white and cold,
Of which the Indian trapper told,
Upon whose summits never yet
Was mortal foot in safety set.
Quiet and calm without a fear,
Of danger darkly lurking near,
The weary laborer left his plough,
The milkmaid carolled by her cow;
From cottage door and household hearth
Rose songs of praise, or tones of mirth.
At length the murmur died away,
And silence on that village lay.
-So slept Pompeii, tower and hall,
Ere the quick earthquake swallowed all,
Undreaming of the fiery fate
Which made its dwellings desolate.
Hours passed away. By moonlight sped
The Merrimac along his bed.
Bathed in the pallid lustre, stood
Dark cottage-wall and rock and wood,
Silent, beneath that tranquil beam,
As the hushed grouping of a dream.
Yet on the still air crept a sound,
No bark of fox, nor rabbit's bound,
Nor stir of wings, nor waters flowing,
Nor leaves in midnight breezes blowing.
Was that the tread of many feet,
Which downward from the hillside beat?
What forms were those which darkly stood
Just on the margin of the wood?-
Charred tree-stumps in the moonlight dim,
Or paling rude, or leafless limb?
No,-through the trees fierce eyeballs glowed,
Dark human forms in moonshine showed,
Wild from their native wilderness,
With painted limbs and battle-dress.
A yell the dead might wake to hear
Swelled on the night air, far and clear;
Then smote the Indian tomahawk
On crashing door and shattering lock;
Then rang the rifle-shot, and then
The shrill death-scream of stricken men,-
Sank the red axe in woman's brain,
And childhood's cry arose in vain.
Bursting through roof and window came,
Red, fast, and fierce, the kindled flame,
And blended fire and moonlight glared
On still dead men and scalp-knives bared.
The morning sun looked brightly through
The river willows, wet with dew.
No sound of combat filled the air,
No shout was heard, nor gunshot there;
Yet still the thick and sullen smoke
From smouldering ruins slowly broke;
And on the greensward many a stain,
And, here and there, the mangled slain,
Told how that midnight bolt had sped
Pentucket, on thy fated head.
Even now the villager can tell
Where Rolfe beside his hearthstone fell,
Still show the door of wasting oak,
Through which the fatal death-shot broke,
And point the curious stranger where
De Rouville's corse lay grim and bare;
Whose hideous head, in death still feared,
Bore not a trace of hair or beard;
And still, within the churchyard ground,
Heaves darkly up the ancient mound,
Whose grass-grown surface overlies
The victims of that sacrifice.
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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Funeral Tree of the Sokokis
Around Sebago's lonely lake
There lingers not a breeze to break
The mirror which its waters make.
The solemn pines along its shore,
The firs which hang its gray rocks o'er,
Are painted on its glassy floor.
The sun looks o'er, with hazy eye,
The snowy mountain-tops which lie
Piled coldly up against the sky.
Dazzling and white! save where the bleak,
Wild winds have bared some splintering peak,
Or snow-slide left its dusky streak.
Yet green are Saco's banks below,
And belts of spruce and cedar show,
Dark fringing round those cones of snow.
The earth hath felt the breath of spring,
Though yet on her deliverer's wing
The lingering frosts of winter cling.
Fresh grasses fringe the meadow-brooks,
And mildly from its sunny nooks
The blue eye of the violet looks.
And odors from the springing grass,
The sweet birch and the sassafras,
Upon the scarce-felt breezes pass.
Her tokens of renewing care
Hath Nature scattered everywhere,
In bud and flower, and warmer air.
But in their hour of bitterness,
What reek the broken Sokokis,
Beside their slaughtered chief, of this?
The turf's red stain is yet undried,
Scarce have the death-shot echoes died
Along Sebago's wooded side;
And silent now the hunters stand,
Grouped darkly, where a swell of land
Slopes upward from the lake's white sand.
Fire and the axe have swept it bare,
Save one lone beech, unclosing there
Its light leaves in the vernal air.
With grave, cold looks, all sternly mute,
They break the damp turf at its foot,
And bare its coiled and twisted root.
They heave the stubborn trunk aside,
The firm roots from the earth divide,--
The rent beneath yawns dark and wide.
And there the fallen chief is laid,
In tasselled garb of skins arrayed,
And girded with his wampum-braid.
The silver cross he loved is pressed
Beneath the heavy arms, which rest
Upon his scarred and naked breast.
'T is done: the roots are backward sent,
The beechen-tree stands up unbent,
The Indian's fitting monument!
When of that sleeper's broken race
Their green and pleasant dwelling-place,
Which knew them once, retains no trace;
Oh, long may sunset's light be shed
As now upon that beech's head,
A green memorial of the dead!
There shall his fitting requiem be,
In northern winds, that, cold and free,
Howl nightly in that funeral tree.
To their wild wail the waves which break
Forever round that lonely lake
A solemn undertone shall make!
And who shall deem the spot unblest,
Where Nature's younger children rest,
Lulled on their sorrowing mother's breast?
Deem ye that mother loveth less
These bronzed forms of the wilderness
She foldeth in her long caress?
As sweet o'er them her wild-flowers blow,
As if with fairer hair and brow
The blue-eyed Saxon slept below.
What though the places of their rest
No priestly knee hath ever pressed,--
No funeral rite nor prayer hath blessed?
What though the bigot's ban be there,
And thoughts of wailing and despair,
And cursing in the place of prayer.
Yet Heaven hath angels watching round
The Indian's lowliest forest-mound,--
And they have made it holy ground.
There ceases man's frail judgment; all
His powerless bolts of cursing fall
Unheeded on that grassy pall.
O peeled and hunted and reviled,
Sleep on, dark tenant of the wild!
Great Nature owns her simple child!
And Nature's God, to whom alone
The secret of the heart is known,--
The hidden language traced thereon;
Who from its many cumberings
Of form and creed, and outward things,
To light the naked spirit brings;
Not with our partial eye shall scan,
Not with our pride and scorn shall ban,
The spirit of our brother man!
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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Haunting The Chapel
The holy cross
Symbol of life
Anticipate the lives of Christians born
Speak of death
The words of hate
Anticipate the rules among the dead
Hell has seen
Priests condemned
To bring forth the lord of the cross
Strike twelve
Raise the dead
The chapel comes under attack
The ghosts of dead
Torment the priest
Their altar will soon be destroyed
Heaven's mass
Turning black
The church will belong to the dead
Blackened magic
And thus we're lost
Lucifer will supreme
The crystal ball
Children of faith
Their lasting eternal scream
Those who never make the people scream
Have no task for all of time
Satan's form of soldiers stand in lust
Destruction charged upon the cross
Attacking there's seven ways to go
Tormenting the priest
song performed by by Slayer from Haunting The Chapel
Submitted by Lucian Velea
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The Knight of St. John
Ere down yon blue Carpathian hills
The sun shall sink again,
Farewell to life and all its ills,
Farewell to cell and chain!
These prison shades are dark and cold,
But, darker far than they,
The shadow of a sorrow old
Is on my heart alway.
For since the day when Warkworth wood
Closed o'er my steed, and I,
An alien from my name and blood,
A weed cast out to die,-
When, looking back in sunset light,
I saw her turret gleam,
And from its casement, far and white,
Her sign of farewell stream,
Like one who, from some desert shore,
Doth home's green isles descry,
And, vainly longing, gazes o'er
The waste of wave and sky;
So from the desert of my fate
I gaze across the past;
Forever on life's dial-plate
The shade is backward cast!
I've wandered wide from shore to shore,
I've knelt at many a shrine;
And bowed me to the rocky floor
Where Bethlehem's tapers shine;
And by the Holy Sepulchre
I've pledged my knightly sword
To Christ, His blessed Church, and her,
The Mother of our Lord.
Oh, vain the vow, and vain the strife!
How vain do all things seem!
My soul is in the past, and life
To-day is but a dream.
In vain the penance strange and long,
And hard for flesh to bear;
The prayer, the fasting, and the thong,
And sackcloth shirt of hair.
The eyes of memory will not sleep,
Its ears are open still;
And vigils with the past they keep
Against my feeble will.
And still the loves and joys of old
Do evermore uprise;
I see the flow of locks of gold,
The shine of loving eyes!
Ah me! upon another's breast
Those golden locks recline;
I see upon another rest
The glance that once was mine.
'O faithless priest! O perjured knight!'
I hear the Master cry;
'Shut out the vision from thy sight,
Let Earth and Nature die.
'The Church of God is now thy spouse,
And thou the bridegroom art;
Then let the burden of thy vows
Crush down thy human heart!'
In vain! This heart its grief must know,
Till life itself hath ceased,
And falls beneath the self-same blow
The lover and the priest!
O pitying Mother! souls of light,
And saints and martyrs old!
Pray for a weak and sinful knight,
A suffering man uphold.
Then let the Paynim work his will,
And death unbind my chain,
Ere down yon blue Carpathian hill
The sun shall fall again.
poem by John Greenleaf Whittier
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The Lady Of Provence
'Courage was cast about her like a dress
Of solemn comeliness,
A gathered mind and an untroubled face
Did give her dangers grace.' ~ Donne.
The war-note of the Saracen
Was on the winds of France;
It had stilled the harp of the Troubadour,
And the clash of the tourney's lance.
The sounds of the sea, and the sounds of the night,
And the hollow echoes of charge and flight,
Were around Clotilde, as she knelt to pray
In a chapel where the mighty lay,
On the old Provencal shore;
Many a Chatillon beneath,
Unstirred by the ringing trumpet's breath,
His shroud of armour wore.
And the glimpses of moonlight that went and came
Through the clouds, like bursts of a dying flame,
Gave quivering life to the slumber pale
Of stern forms crouched in their marble mail,
At rest on the tombs of the knightly race,
The silent throngs of that burial-place.
They were imaged there with helm and spear,
As leaders in many a bold career -
And haughty their stillness looked and high,
Like a sleep whose dreams were of victory.
But meekly the voice of the lady rose
Through the trophies of their proud repose;
Meekly, yet fervantly, calling down aid,
Under their banners of battle she prayed;
With her pale fair brow, and her eyes of love,
Upraised to the Virgin's portrayed above,
And her hair flung back, till it swept the grave
Of a Chatillon with its gleamy wave.
And her fragile frame, at every blast,
That full of the savage war-horn passed,
Trembling, as trembles a bird's quick heart,
When it vainly strives from its cage to part -
So knelt she in her woe;
A weeper alone with the tearless dead -
Oh! they reck not of tears o'er their quiet shed,
Or the dust that stirred below!
Hark! a swift step! she hath caught its tone,
Through the dash of the sea, through the wild wind's moan
Is her lord returned with his conquering bands?
No! a breathless vassal before her stands!
- 'Hast thou been on the field? - Art thou come from the host?'
- 'from the slaughter, lady! - All, all is lost!
Our banners are taken, our knights laid low,
Our spearmen chased by the Paynim foe;
And thy lord,' his voice took a sadder sound-
'Thy lord - he is not on the bloody ground!
There are those who tell that the leader's plume
Was seen on the flight through the gathering gloom.'
- A change o'er her mien and her spirit passed;
She ruled the heart which had beat so fast,
She dashed the tears from her kindling eye,
With a glance, as of sudden royalty:
The proud blood sprang in a fiery flow,
Quick o'er bosom, and cheek, and brow,
And her young voice rose till the peasant shook
At the thrilling tone and the falcon-look:
- 'dost thou stand by the tombs of the glorious dead,
And fear not to say that their son hath fled?
Away! he is lying by lance and shield, -
Point me the path to his battle-field!'
The shadows of the forest
Are about the lady now;
She is hurrying through the midnight on,
Beneath the dark pine-bough.
There's a murmur of omens in every leaf,
There's a wail in the stream like the dirge of a chief;
The branches that rock to the tempest strife
Are groaning like things of troubled life;
The wind from the battle seems rushing by
With a funeral-march through the gloomy sky
The pathway is rugged, and wild, and long,
But her fame in the daring of love is strong,
And her soul as on swelling seas upborne,
And girded all fearful things to scorn.
And fearful things were around her spread,
When she reached the field of the warrior dead.
There lay the noble, the valiant, low -
Ay! but
one
word speaks of deeper woe;
There lay the
loved
- on each fallen head
Mothers' vain blessings and tears had shed;
Sisters were watching in many a home
For the fettered footstep, no more to come;
Names in the prayer of that night were spoken,
Whose claim unto kindred prayer was broken;
And the fire was heaped, and the bright wine poured
For those, now needing nor hearth nor board;
Only a requiem, a shroud, a knell,
And oh! ye beloved of women, farewell!
Silently, with lips compressed,
Pale hands clasped above her breast,
Stately brow of anguish high,
Deathlike cheek, but dauntless eye;
Silently, o'er that red plain,
Moved the lady 'midst the slain.
Sometimes it seemed as a charging cry,
Or the ringing tramp of a steed, came nigh;
Sometimes a blast of the Paynim horn,
Sudden and shrill from the mountain's borne;
And her maidens trembled; - but on
her
ear
No meaning fell with those sounds of fear;
They had less of mastery to shake her now,
Than the quivering, erewhile, of an aspen-bough.
She searched into many an unclosed eye,
That looked, without soul, to the starry sky;
She bowed down o'er many a shattered breast,
She lifted up helmet and cloven crest -
Not there, not there he lay!
'Lead where the most hath been dared and done,
Where the heart of the battle hath bled, - lead on!'
And the vassal took the way.
He turned to a dark and lonely tree
That waved o'er a fountain red;
Oh! swiftest
there
had the currents free
From noble veins been shed.
Thickest there the spear-heads gleamed,
And the scattered plumage streamed,
And the broken shields were tossed,
And the shivered lances crossed,
And the mail-clad sleepers round
Made the harvest of that ground.
He was there! the leader amidst his band
Where the faithful had made their last vain stand;
He was there! but affection's glance alone
The darkly-changed in that hour had known;
With the falchion yet in his cold hand grasped,
And a banner of France to his bosom clasped,
And the form that of conflict bore fearful trace,
And the face - oh! speak not of that dead face!
As it lay to answer love's look no more,
Yet never so proudly loved before!
She quelled in her soul the deep floods of woe,
The time was not yet for their waves to flow:
She felt the full presence, the might of death,
Yet there came no sob with her struggling breath,
And a proud smile shone o'er her pale despair,
As she turned to his follower - 'Your lord is there!
Look on him! know him by scarf and crest! -
Bear him away with his sires to rest!'
Another day, another night,
And the sailor on the deep
Hears the low chant of a funeral rite
From the lordly chapel sweep.
It comes with a broken and muffled tone,
As if that rite were in terror done:
Yet the song 'midst the seas hath a thrilling power,
And he knows 'tis a chieftain's burial hour.
Hurriedly, in fear and woe,
Through the aisle the mourners go;
With a hushed and stealthy tread,
Bearing on the noble dead;
Sheathed in armour of the field -
Only his wan face revealed,
Whence the still and solemn gleam
Doth a strange sad contrast seem
To the anxious eyes of that pale band,
With torches wavering in every hand,
For they dread each moment the shout of war,
And the burst of the Moslem scimitar.
There is no plumed head o'er the bier to bend,
No brother of battle, no princely friend:
No sound comes back like the sounds of yore,
Unto sweeping swords from the marble floor;
By the red fountain the valiant lie,
The flower of Provencal chivalry;
But
one
free step, and one lofty heart,
Bear through that scene to the last their part.
She hath led the death-train of the brave
To the verge of his own ancestral grave;
She hath held o'er her spirit long rigid sway,
But the struggling passion must now have way;
In the cheek, half seen through her mourning veil,
By turns does the swift blood flush and fail;
The pride on the lip is lingering still,
But it shakes as a flame to the blast might thrill;
Anguish and triumph are met at strife,
Rending the cords of her frail young life;
And she sinks at last on her warrior's bier,
Lifting her voice, as if death might hear.
'I have won thy fame from the breath of wrong,
My soul hath risen for thy glory strong!
Now call me hence, by thy side to be,
The world thou leavest has no place for me.
The light goes with thee, the joy, the worth-
Faithful and tender! Oh! call me forth!
Give me my home on thy noble heart, -
Well have we loved, let us both depart!' -
And pale on the breast of the dead she lay,
The living cheek to the cheek of clay;
The
living
cheek! - Oh! it was not vain,
That strife of the spirit to rend its chain;
She is there at rest in her place of pride,
In death how queen-like - a glorious bride!
Joy for the freed one! - she might not stay
When the crown had fallen from her life away;
She might not linger - a weary thing,
A dove with no home for its broken wing,
Thrown on the harshness of alien skies,
That know not its own land's melodies,
From the long heart-withering early gone;
She hath lived - she hath loved - her task is done!
poem by Felicia Dorothea Hemans
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The Step Mother
Well I recall my Father's wife,
The day he brought her home.
His children looked for years of strife,
And troubles sure to come --
Ungraciously we welcomed her,
A thing to scorn and blame;
And swore we never would confer
On her, a Mother's name
I see her yet -- a girl in years,
With eyes so blue and mild;
She greeted us with smiles and tears,
How sweetly too she smiled --
She bent to kiss my sullen brow,
With woman's gentle grace;
And laid her tiny hand of snow
On my averted face --
"Henry -- is this your son? She said --
"Dear boy -- he now is mine --
What not one kiss? --" I shook my head,
"I am no son of thine! --"
She sighed -- and from her dimpled cheek
The rosy colour fled;
She turned away and did not speak,
My thoughts were with the dead --
There leaped from out my Father's eyes
A jet of swarthy fire;
That flashed on me in fierce surprise --
I fled before his ire
I heard her gentle voice entreat --
"Forgiveness for her sake" --
Which added swiftness to my feet,
A sad and strange mistake --
A year had scarcely rolled away
When by that hated bride;
I loved to linger half the day,
In very joy and pride;
Her voice was music to mine ear,
So soft its accent fell;
"Dear Mother now" -- and oh, how dear
No words of mine can tell --
She was so gentle, fair and kind,
So pure in soul and free from art;
That woman with her noble mind,
Subdued my rebel heart --
I just had learned to know her worth,
My Father's second choice to bless;
When God removed her from the earth,
And plunged us all in deep distress --
Hot fever smote with burning blight
Stretchd on a restless bed of pain;
I moaning lay from morn till night
With aching limbs and throbbing brain --
Four weary weeks beside my bed,
She sat within a darkened room;
Untiring held my aching head,
Nor heeded silence -- cold and gloom --
And when my courage quite gave way,
And fainter grew my struggling breath;
She taught my stricken soul to pray
And calmly meet approaching death --
"Fear not God's angel, sent by Him,
The weary spirit to release;
Before the mortal eyes grow dim,
Floats down the white winged dove of peace" --
There came a change -- but fingers small,
No longer smoothed my matted hair;
She sprang not to my feeble call,
Nor helped to lift me to my chair --
And I arose as from the dead,
A life for her dear life was given;
The angel who had watched my bed
Had vanished into Heaven! --
poem by Susanna Strickland Moodie
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Hymns From The French Of Lamartine
I.
'Encore un hymne, O ma lyre
Un hymn pour le Seigneur,
Un hymne dans mon delire,
Un hymne dans mon bonheur.'
One hymn more, O my lyre!
Praise to the God above,
Of joy and life and love,
Sweeping its strings of fire!
Oh, who the speed of bird and wind
And sunbeam's glance will lend to me,
That, soaring upward, I may find
My resting-place and home in Thee?
Thou, whom my soul, midst doubt and gloom,
Adoreth with a fervent flame,--
Mysterious spirit! unto whom
Pertain nor sign nor name!
Swiftly my lyre's soft murmurs go,
Up from the cold and joyless earth,
Back to the God who bade them flow,
Whose moving spirit sent them forth.
But as for me, O God! for me,
The lowly creature of Thy will,
Lingering and sad, I sigh to Thee,
An earth-bound pilgrim still!
Was not my spirit born to shine
Where yonder stars and suns are glowing?
To breathe with them the light divine
From God's own holy altar flowing?
To be, indeed, whate'er the soul
In dreams hath thirsted for so long,--
A portion of heaven's glorious whole
Of loveliness and song?
Oh, watchers of the stars at night,
Who breathe their fire, as we the air,--
Suns, thunders, stars, and rays of light,
Oh, say, is He, the Eternal, there?
Bend there around His awful throne
The seraph's glance, the angel's knee?
Or are thy inmost depths His own,
O wild and mighty sea?
Thoughts of my soul, how swift ye go!
Swift as the eagle's glance of fire,
Or arrows from the archer's bow,
To the far aim of your desire!
Thought after thought, ye thronging rise,
Like spring-doves from the startled wood,
Bearing like them your sacrifice
Of music unto God!
And shall these thoughts of joy and love
Come back again no more to me?
Returning like the patriarch's dove
Wing-weary from the eternal sea,
To bear within my longing arms
The promise-bough of kindlier skies,
Plucked from the green, immortal palms
Which shadow Paradise?
All-moving spirit! freely forth
At Thy command the strong wind goes
Its errand to the passive earth,
Nor art can stay, nor strength oppose,
Until it folds its weary wing
Once more within the hand divine;
So, weary from its wandering,
My spirit turns to Thine!
Child of the sea, the mountain stream,
From its dark caverns, hurries on,
Ceaseless, by night and morning's beam,
By evening's star and noontide's sun,
Until at last it sinks to rest,
O'erwearied, in the waiting sea,
And moans upon its mother's breast,--
So turns my soul to Thee!
O Thou who bidst the torrent flow,
Who lendest wings unto the wind,--
Mover of all things! where art Thou?
Oh, whither shall I go to find
The secret of Thy resting-place?
Is there no holy wing for me,
That, soaring, I may search the space
Of highest heaven for Thee?
Oh, would I were as free to rise
As leaves on autumn's whirlwind borne,--
The arrowy light of sunset skies,
Or sound, or ray, or star of morn,
Which melts in heaven at twilight's close,
Or aught which soars unchecked and free
Through earth and heaven; that I might lose
Myself in finding Thee!
II.
LE CRI DE L'AME.
'Quand le souffle divin qui flotte sur le monde.'
When the breath divine is flowing,
Zephyr-like o'er all things going,
And, as the touch of viewless fingers,
Softly on my soul it lingers,
Open to a breath the lightest,
Conscious of a touch the slightest,--
As some calm, still lake, whereon
Sinks the snowy-bosomed swan,
And the glistening water-rings
Circle round her moving wings
When my upward gaze is turning
Where the stars of heaven are burning
Through the deep and dark abyss,
Flowers of midnight's wilderness,
Blowing with the evening's breath
Sweetly in their Maker's path
When the breaking day is flushing
All the east, and light is gushing
Upward through the horizon's haze,
Sheaf-like, with its thousand rays,
Spreading, until all above
Overflows with joy and love,
And below, on earth's green bosom,
All is changed to light and blossom:
When my waking fancies over
Forms of brightness flit and hover
Holy as the seraphs are,
Who by Zion's fountains wear
On their foreheads, white and broad,
'Holiness unto the Lord!'
When, inspired with rapture high,
It would seem a single sigh
Could a world of love create;
That my life could know no date,
And my eager thoughts could fill
Heaven and Earth, o'erflowing still!
Then, O Father! Thou alone,
From the shadow of Thy throne,
To the sighing of my breast
And its rapture answerest.
All my thoughts, which, upward winging,
Bathe where Thy own light is springing,--
All my yearnings to be free
Are at echoes answering Thee!
Seldom upon lips of mine,
Father! rests that name of Thine;
Deep within my inmost breast,
In the secret place of mind,
Like an awful presence shrined,
Doth the dread idea rest
Hushed and holy dwells it there,
Prompter of the silent prayer,
Lifting up my spirit's eye
And its faint, but earnest cry,
From its dark and cold abode,
Unto Thee, my Guide and God!
poem by John Greenleaf Whittier
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Lucy Hooper
They tell me, Lucy, thou art dead,
That all of thee we loved and cherished
Has with thy summer roses perished;
And left, as its young beauty fled,
An ashen memory in its stead,
The twilight of a parted day
Whose fading light is cold and vain,
The heart's faint echo of a strain
Of low, sweet music passed away.
That true and loving heart, that gift
Of a mind, earnest, clear, profound,
Bestowing, with a glad unthrift,
Its sunny light on all around,
Affinities which only could
Cleave to the pure, the true, and good;
And sympathies which found no rest,
Save with the loveliest and best.
Of them--of thee--remains there naught
But sorrow in the mourner's breast?
A shadow in the land of thought?
No! Even my weak and trembling faith
Can lift for thee the veil which doubt
And human fear have drawn about
The all-awaiting scene of death.
Even as thou wast I see thee still;
And, save the absence of all ill
And pain and weariness, which here
Summoned the sigh or wrung the tear,
The same as when, two summers back,
Beside our childhood's Merrimac,
I saw thy dark eye wander o'er
Stream, sunny upland, rocky shore,
And heard thy low, soft voice alone
Midst lapse of waters, and the tone
Of pine-leaves by the west-wind blown,
There's not a charm of soul or brow,
Of all we knew and loved in thee,
But lives in holier beauty now,
Baptized in immortality!
Not mine the sad and freezing dream
Of souls that, with their earthly mould,
Cast off the loves and joys of old,
Unbodied, like a pale moonbeam,
As pure, as passionless, and cold;
Nor mine the hope of Indra's son,
Of slumbering in oblivion's rest,
Life's myriads blending into one,
In blank annihilation blest;
Dust-atoms of the infinite,
Sparks scattered from the central light,
And winning back through mortal pain
Their old unconsciousness again.
No! I have friends in Spirit Land,
Not shadows in a shadowy band,
Not others, but themselves are they.
And still I think of them the same
As when the Master's summons came;
Their change,--the holy morn-light breaking
Upon the dream-worn sleeper, waking,--
A change from twilight into day.
They 've laid thee midst the household graves,
Where father, brother, sister lie;
Below thee sweep the dark blue waves,
Above thee bends the summer sky.
Thy own loved church in sadness read
Her solemn ritual o'er thy head,
And blessed and hallowed with her prayer
The turf laid lightly o'er thee there.
That church, whose rites and liturgy,
Sublime and old, were truth to thee,
Undoubted to thy bosom taken,
As symbols of a faith unshaken.
Even I, of simpler views, could feel
The beauty of thy trust and zeal;
And, owning not thy creed, could see
How deep a truth it seemed to thee,
And how thy fervent heart had thrown
O'er all, a coloring of its own,
And kindled up, intense and warm,
A life in every rite and form,
As. when on Chebar's banks of old,
The Hebrew's gorgeous vision rolled,
A spirit filled the vast machine,
A life, 'within the wheels' was seen.
Farewell! A little time, and we
Who knew thee well, and loved thee here,
One after one shall follow thee
As pilgrims through the gate of fear,
Which opens on eternity.
Yet shall we cherish not the less
All that is left our hearts meanwhile;
The memory of thy loveliness
Shall round our weary pathway smile,
Like moonlight when the sun has set,
A sweet and tender radiance yet.
Thoughts of thy clear-eyed sense of duty,
Thy generous scorn of all things wrong,
The truth, the strength, the graceful beauty
Which blended in thy song.
All lovely things, by thee beloved,
Shall whisper to our hearts of thee;
These green hills, where thy childhood roved,
Yon river winding to the sea,
The sunset light of autumn eves
Reflecting on the deep, still floods,
Cloud, crimson sky, and trembling leaves
Of rainbow-tinted woods,
These, in our view, shall henceforth take
A tenderer meaning for thy sake;
And all thou lovedst of earth and sky,
Seem sacred to thy memory.
poem by John Greenleaf Whittier
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The Familist's Hymn
Father! to Thy suffering poor
Strength and grace and faith impart,
And with Thy own love restore
Comfort to the broken heart!
Oh, the failing ones confirm
With a holier strength of zeal!
Give Thou not the feeble worm
Helpless to the spoiler's heel!
Father! for Thy holy sake
We are spoiled and hunted thus;
Joyful, for Thy truth we take
Bonds and burthens unto us
Poor, and weak, and robbed of all,
Weary with our daily task,
That Thy truth may never fall
Through our weakness, Lord, we ask.
Round our fired and wasted homes
Flits the forest-bird unscared,
And at noon the wild beast comes
Where our frugal meal was shared;
For the song of praises there
Shrieks the crow the livelong day;
For the sound of evening prayer
Howls the evil beast of prey!
Sweet the songs we loved to sing
Underneath Thy holy sky;
Words and tones that used to bring
Tears of joy in every eye;
Dear the wrestling hours of prayer,
When we gathered knee to knee,
Blameless youth and hoary hair,
Bowed, O God, alone to Thee.
As Thine early children, Lord,
Shared their wealth and daily bread,
Even so, with one accord,
We, in love, each other fed.
Not with us the miser's hoard,
Not with us his grasping hand;
Equal round a common board,
Drew our meek and brother band!
Safe our quiet Eden lay
When the war-whoop stirred the land
And the Indian turned away
From our home his bloody hand.
Well that forest-ranger saw,
That the burthen and the curse
Of the white man's cruel law
Rested also upon us.
Torn apart, and driven forth
To our toiling hard and long,
Father! from the dust of earth
Lift we still our grateful song!
Grateful, that in bonds we share
In Thy love which maketh free;
Joyful, that the wrongs we bear,
Draw us nearer, Lord, to Thee!
Grateful! that where'er we toil,-
By Wachuset's wooded side,
On Nantucket's sea-worn isle,
Or by wild Neponset's tide,-
Still, in spirit, we are near,
And our evening hymns, which rise
Separate and discordant here,
Meet and mingle in the skies!
Let the scoffer scorn and mock,
Let the proud and evil priest
Rob the needy of his flock,
For his wine-cup and his feast,-
Redden not Thy bolts in store
Through the blackness of Thy skies?
For the sighing of the poor
Wilt Thou not, at length, arise?
Worn and wasted, oh! how long
Shall thy trodden poor complain?
In Thy name they bear the wrong,
In Thy cause the bonds of pain!
Melt oppression's heart of steel,
Let the haughty priesthood see,
And their blinded followers feel,
That in us they mock at Thee!
In Thy time, O Lord of hosts,
Stretch abroad that hand to save
Which of old, on Egypt's coasts,
Smote apart the Red Sea's wave
Lead us from this evil land,
From the spoiler set us free,
And once more our gathered band,
Heart to heart, shall worship Thee!
poem by John Greenleaf Whittier
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The Feud
I hear a cry from the Sansard cave,
O mother, will no one hearken?
A cry of the lost, will no one save?
A cry of the dead, though the oceans rave,
And the scream of a gull as he wheels o'er a grave,
While the shadows darken and darken.'
'Oh, hush thee, child, for the night is wet,
And the cloud-caves split asunder,
With lightning in a jagged fret,
Like the gleam of a salmon in the net,
When the rocks are rich in the red sunset,
And the stream rolls down in thunder.'
'Mother, O mother, a pain at my heart,
A pang like the pang of dying.'
'Oh, hush thee, child, for the wild birds dart
Up and down, and close and part,
Wheeling round where the black cliffs start,
And the foam at their feet is flying.'
'O mother, a strife like the black clouds'
And a peace that cometh after.'
'Hush, child, for peace is the end of life,
And the heart of a maiden finds peace as a wife,
But the sky and the cliffs and the ocean are rife
With the storm and thunder's laughter.'
'Come in, my sons, come in and rest,
For the shadows darken and darken,
And your sister is pale as the white swan's breast,
And her eyes are fixed and her lips are pressed
In the death of a name ye might have guessed,
Had ye twain been here to hearken.'
'Hush, mother, a corpse lies on the sand,
And the spray is round it driven,
It lies on its face, and one white hand
Points through the mist on the belt of strand
To where the cliffs of Sansard stand,
And the ocean's strength is riven.'
'Was it God, my sons, who laid him there?
Or the sea that left him sleeping?'
'Nay, mother, our dirks where his heart was bare,
As swift as the rain through the teeth of the air;
And the foam-fingers play in the Saxon's hair,
While the tides are round him creeping.'
'Oh, curses on you, hand and head,
Like the rains in this wild weather
The guilt of blood is swift and dread,
Your sister's face is cold and dead,
Ye may not part whom God would wed
And love hath knit together.'
poem by Frederick George Scott
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Norembega
THE winding way the serpent takes
The mystic water took,
From where, to count its beaded lakes,
The forest sped its brook.
A narrow space 'twixt shore and shore,
For sun or stars to fall,
While evermore, behind, before,
Closed in the forest wall.
The dim wood hiding underneath
Wan flowers without a name;
Life tangled with decay and death,
League after league the same.
Unbroken over swamp and hill
The rounding shadow lay,
Save where the river cut at will
A pathway to the day.
Beside that track of air and light,
Weak as a child unweaned,
At shut of day a Christian knight
Upon his henchman leaned.
The embers of the sunset's fires
Along the clouds burned down;
'I see,' he said, 'the domes and spires
Of Norembega town.'
'Alack! the domes, O master mine,
Are golden clouds on high;
Yon spire is but the branchless pine
That cuts the evening sky.'
'Oh, hush and hark! What sounds are these
But chants and holy hymns?'
'Thou hear'st the breeze that stirs the trees
Though all their leafy limbs.'
'Is it a chapel bell that fills
The air with its low tone?'
'Thou hear'st the tinkle of the rills,
The insect's vesper drone.'
'The Christ be praised!--He sets for me
A blessed cross in sight!'
'Now, nay, 't is but yon blasted tree
With two gaunt arms outright!'
'Be it wind so sad or tree so stark,
It mattereth not, my knave;
Methinks to funeral hymns I hark,
The cross is for my grave!
'My life is sped; I shall not see
My home-set sails again;
The sweetest eyes of Normandie
Shall watch for me in vain.
'Yet onward still to ear and eye
The baffling marvel calls;
I fain would look before I die
On Norembega's walls.
'So, haply, it shall be thy part
At Christian feet to lay
The mystery of the desert's heart
My dead hand plucked away.
'Leave me an hour of rest; go thou
And look from yonder heights;
Perchance the valley even now
Is starred with city lights.'
The henchman climbed the nearest hill,
He saw nor tower nor town,
But, through the drear woods, lone and still,
The river rolling down.
He heard the stealthy feet of things
Whose shapes he could not see,
A flutter as of evil wings,
The fall of a dead tree.
The pines stood black against the moon,
A sword of fire beyond;
He heard the wolf howl, and the loon
Laugh from his reedy pond.
He turned him back: 'O master dear,
We are but men misled;
And thou hast sought a city here
To find a grave instead.'
'As God shall will! what matters where
A true man's cross may stand,
So Heaven be o'er it here as there
In pleasant Norman land?
'These woods, perchance, no secret hide
Of lordly tower and hall;
Yon river in its wanderings wide
Has washed no city wall;
'Yet mirrored in the sullen stream
The holy stars are given
Is Norembega, then, a dream
Whose waking is in Heaven?
'No builded wonder of these lands
My weary eyes shall see;
A city never made with hands
Alone awaiteth me--
''_Urbs Syon mystica_;' I see
Its mansions passing fair,
'/Condita caelo/;' let me be,
Dear Lord, a dweller there!'
Above the dying exile hung
The vision of the bard,
As faltered on his failing tongue
The song of good Bernard.
The henchman dug at dawn a grave
Beneath the hemlocks brown,
And to the desert's keeping gave
The lord of fief and town.
Years after, when the Sieur Champlain
Sailed up the unknown stream,
And Norembega proved again
A shadow and a dream,
He found the Norman's nameless grave
Within the hemlock's shade,
And, stretching wide its arms to save,
The sign that God had made,
The cross-boughed tree that marked the spot
And made it holy ground
He needs the earthly city not
Who hath the heavenly found.
poem by John Greenleaf Whittier
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Indian Woman's Death-Song
Non, je ne puis vivre avec un coeur brisé® Il faut que je retrouve la joie, et que je m'unisse aux esprits libres de l'air.
Bride of Messina
,
Madame De Stael
Let not my child be a girl, for very sad is the life of a woman.
The Prairie.
DOWN a broad river of the western wilds,
Piercing thick forest glooms, a light canoe
Swept with the current: fearful was the speed
Of the frail bark, as by a tempest's wing
Borne leaf-like on to where the mist of spray
Rose with the cataract's thunder. Yet within,
Proudly, and dauntlessly, and all alone,
Save that a babe lay sleeping at her breast,
A woman stood. Upon her Indian brow
Sat a strange gladness, and her dark hair wav'd
As if triumphantly. She press'd her child,
In its bright slumber, to her beating heart,
And lifted her sweet voice that rose awhile
Above the sound of waters, high and clear,
Wafting a wild proud strain, her Song of Death.
Roll swiftly to the Spirit's land, thou mighty stream and free!
Father of ancient waters, 5 roll! and bear our lives with thee!
The weary bird that storms have toss'd would seek the sunshine's calm,
And the deer that hath the arrow's hurt flies to the woods of balm.
Roll on! my warrior's eye hath look'd upon another's face,
And mine hath faded from his soul, as fades a moonbeam's trace;
My shadow comes not o'er his path, my whisper to his dream,
He flings away the broken reed roll swifter yet, thou stream!
The voice that spoke of other days is hush'd within his breast,
But mine its lonely music haunts, and will not let me rest;
It sings a low and mournful song of gladness that is gone,
I cannot live without that light. Father of waves! roll on!
Will he not miss the bounding step that met him from the chase?
The heart of love that made his home an ever sunny place?
The hand that spread the hunter's board, and deck'd his couch of yore?
He will not! roll, dark foaming stream, on to the better shore!
Some blessed fount amidst the woods of that bright land must flow,
Whose waters from my soul may lave the memory of this wo;
Some gentle wind must whisper there, whose breath may waft away
The burden of the heavy night, the sadness of the day.
And thou, my babe! tho' born, like me, for woman's weary lot,
Smile! to that wasting of the heart, my own! I leave thee not;
Too bright a thing art thou to pine in aching love away,
Thy mother bears thee far, young Fawn! from sorrow and decay.
She bears thee to the glorious bowers where none are heard to weep,
And where th' unkind one hath no power again to trouble sleep;
And where the soul shall find its youth, as wakening from a dream,
One moment, and that realm is ours. On, on, dark rolling stream!
poem by Felicia Dorothea Hemans
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At Thurgarton Church
To the memory of my father
At Thurgarton Church the sun
burns the winter clouds over
the gaunt Danish stone
and thatched reeds that cover
the barest chapel I know.
I could compare it with
the Norse longboats that bore
burning the body forth
in honour from the shore
of great fjords long ago.
The sky is red and cold
overhead, and three small
sturdy trees keep a hold
on the world and the stone wall
that encloses the dead below.
I enter and find I stand
in a great barn, bleak and bare.
Like ice the winter ghosts and
the white walls gleam and flare
and flame as the sun drops low.
And I see, then, that slowly
the December day has gone.
I stand in the silence, not wholly
believing I am alone.
Somehow I cannot go.
Then a small wind rose, and the trees
began to crackle and stir
and I watched the moon by degrees
ascend in the window till her
light cut a wing in the shadow.
I thought: the House of the Dead.
The dead moon inherits it.
And I seem in a sense to have died
as I rise from where I sit
and out into darkness go.
I know as I leave I shall pass
where Thurgarton’s dead lie
at those old stones in the grass
under the cold moon’s eye.
I see the old bones glow.
No, they do not sleep here
in the long holy night of
the serene soul, but keep here
a dark tenancy and the right of
rising up to go.
Here the owl and soul shriek with
the voice of the dead as they turn
on the polar spit and burn
without hope and seek with
out hope the holy home below.
Yet to them the mole and
mouse bring a wreath and a breath
of the flowering leaves of the soul, and
it is from the Tree of Death
the leaves of life grow.
The rain, the sometime summer
rain on a memory of roses
will fall lightly and come a-
mong them as it erases
summers so long ago.
And the voices of those
once so much loved will flitter
over the nettled rows
of graves, and the holly tree twitter
like friends they used to know.
And not far away the
icy and paralysed stream
has found it also, that day the
flesh became glass and a dream
with no where to go.
Haunting the December
fields their bitter lives
entreat us to remember
the lost spirit that grieves
over these fields like a scarecrow.
That grieves over all it ever
did and all, all not
done, that grieves over
its crosspurposed lot:
to know and not to know.
The masterless dog sits
outside the church door
with dereliction haunting its
heart that hankers for
the hand that loved it so.
Not in a small grave
outside the stone wall
will the love that it gave
ever be returned, not for all
time or tracks in the snow.
More mourned the death of the dog
than our bones ever shall
receive from the hand of god
this bone again, or all
that high hand could bestow.
As I stand by the porch
I believe that no one has heard
here in Thurgarton Church
a single veritable word
save the unspoken No.
The godfathered negative
that responds to our mistaken
incredulous and heartbroken
desire above all to live
as though things were not so.
Desire to live as though the
two-footed clay stood up
proud never to know the
tempests that rage in the cup
under a rainbow.
Desire above all to live
as though the soul was stone,
believing we cannot give
or love since we are alone
and always will be so.
That heartbroken desire
to live as though no light
ever set the seas on fire
and no sun burned at night
or Mercy walked to and fro.
The proud flesh cries: I am not
caught up in the great cloud
of my unknowing. But that
proud flesh had endowed
us with the cloud we know.
To this the unspoken No
of the dead god responds
and then the whirlwinds blow
over all the things and beyond
and the dead mop and mow.
And there in the livid dust
and bones of death we search
until we find as we must
outside Thurgarton Church
only wild grasses blow.
I hear the old bone in me cry
and the dying spirit call:
I have forfeited all
and once and for all must die
and this is all that I know.
For now in a wild way we
know that justice is served
and that we die in the clay we
dread, desired, and deserved,
awaiting no Judgement Day.
poem by George Barker
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A Prayer For The King's Majesty
22nd January, 1901.
THE Queen is dead. God save the King,
In this his hour of grief,
When sorrow gathers memories in a sheaf
To lay them on his shoulders as he stands
Inheriting her glories and her lands--
First gain of his at which his Mother's voice
Has not been first to bless and to rejoice--
A man, set lonely between gain and loss.
(O words of love the heart remembereth,
O mighty loss outweighing every gain!)
A Son whose kingdom Death's arm lies across,
A King whose Mother lies alone with Death
Wrapped in the folds of white implacable sleep.
O God, who seest the tears Thy children weep,
O God, who countest each sad heart-beat, see
How our King needs the grace we ask of Thee!
Thou knowest how little and how vain a thing
Is Empire, when the heart is sick with pain--
God, save the King!
The Queen is dead. The splendour of her days,
The sorrow of them both alike merge now
In the new aureole that lights her brow.
The clamour of her people's voice in praise
Must hush itself to the still voice that prays
In the holy chamber of Death. Tread softly here,
A mighty Queen lies dead.
Her people's heart wears black,
The black bells toll unceasing in their ear,
And on the gold sun's track
The great world round
Like a black ring the voice of mourning goes,
Till even our ancient foes
With eyes downbent, and brotherly bared head,
Keep mourning watch with us. This is the hour
When Love lends all his power
To speed grief's arrows from the bow of Death,
When sighs are idle breath,
When tears are fountains vain.
She will not wake again,
Not now, not here.
O great and good and infinitely dear,
O Mother of your people, sleep is sweet,
No more Life's thorny ways will wound your feet.
O Mother dear, sleep sound!
When you shall wake,
Your brows freed from the crown that made them ache
So many a time, and wear the heavenly crown,
Then, then you will look down
On us who love you, and, remembering,
The love of earth will breathe with us our prayer,
Our prayer prayed here, joined to your prayer prayed there:
Who knows what radiant answer it may bring?
'God save the King!'
The Queen is dead. God save the King!
From all ill thought and deed,
From heartless service and from selfish sway,
From treason, and the vain imagining
Of evil counsellors, and the noisome breed
Of flatterers who eat the soul away,
God save the King!
From loss and pain and tears
Such as her many years
Brought her; from battle and strife,
And the inmost hurt of life,
The wounds that no crown can heal,
No ermine robes conceal,
God save the King!
God, by our memories of his Mother's face,
By the love that makes our heart her dwelling-place,
Grant to our sorrow this desired grace:
God save the King!
* * * * * * * * *
The Queen is dead. God save the King.
This is no hour when joy has leave to sing;
Only, amid our tears, we are bold to pray,
More boldly, in that we pray sorrowing,
In this most sorrowful day.
God, who wast of a mortal Mother born,
Who driest the tears with which Thy children mourn,
God, save the King!
Look down on him whose crown is wet with tears
In which its splendour fades and disappears--
His tears, our tears, tears out of all her lands.
The Queen is dead.
God! strengthen the King's hands!
God, save the King!
poem by Edith Nesbit
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Worship
The Pagan's myths through marble lips are spoken,
And ghosts of old Beliefs still flit and moan
Round fane and altar overthrown and broken,
O'er tree-grown barrow and gray ring of stone.
Blind Faith had martyrs in those old high places,
The Syrian hill grove and the Druid's wood,
With mother's offering, to the Fiend's embraces,
Bone of their bone, and blood of their own blood.
Red altars, kindling through that night of error,
Smoked with warm blood beneath the cruel eye
Of lawless Power and sanguinary Terror,
Throned on the circle of a pitiless sky;
Beneath whose baleful shadow, overcasting
All heaven above, and blighting earth below,
The scourge grew red, the lip grew pale with fasting,
And man's oblation was his fear and woe!
Then through great temples swelled the dismal moaning
Of dirge-like music and sepulchral prayer;
Pale wizard priests, o'er occult symbols droning,
Swung their white censers in the burdened air
As if the pomp of rituals, and the savor
Of gums and spices could the Unseen One please;
As if His ear could bend, with childish favor,
To the poor flattery of the organ keys!
Feet red from war-fields trod the church aisles holy,
With trembling reverence: and the oppressor there,
Kneeling before his priest, abased and lowly,
Crushed human hearts beneath his knee of prayer.
Not such the service the benignant Father
Requireth at His earthly children's hands
Not the poor offering of vain rites, but rather
The simple duty man from man demands.
For Earth He asks it: the full joy of heaven
Knoweth no change of waning or increase;
The great heart of the Infinite beats even,
Untroubled flows the river of His peace.
He asks no taper lights, on high surrounding
The priestly altar and the saintly grave,
No dolorous chant nor organ music sounding,
Nor incense clouding tip the twilight nave.
For he whom Jesus loved hath truly spoken
The holier worship which he deigns to bless
Restores the lost, and binds the spirit broken,
And feeds the widow and the fatherless!
Types of our human weakness and our sorrow!
Who lives unhaunted by his loved ones dead?
Who, with vain longing, seeketh not to borrow
From stranger eyes the home lights which have fled?
O brother man! fold to thy heart thy brother;
Where pity dwells, the peace of God is there;
To worship rightly is to love each other,
Each smile a hymn, each kindly deed a prayer.
Follow with reverent steps the great example
Of Him whose holy work was 'doing good;'
So shall the wide earth seem our Father's temple,
Each loving life a psalm of gratitude.
Then shall all shackles fall; the stormy clangor
Of wild war music o'er the earth shall cease;
Love shall tread out the baleful fire of anger,
And in its ashes plant the tree of peace!
poem by John Greenleaf Whittier
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Toussaint L’Ouverture
'T WAS night. The tranquil moonlight smile
With which Heaven dreams of Earth, shed down
Its beauty on the Indian isle, —
On broad green field and white-walled town;
And inland waste of rock and wood,
In searching sunshine, wild and rude,
Rose, mellowed through the silver gleam,
Soft as the landscape of a dream.
All motionless and dewy wet,
Tree, vine, and flower in shadow met:
The myrtle with its snowy bloom,
Crossing the nightshade's solemn gloom, —
The white cecropia's silver rind
Relieved by deeper green behind,
The orange with its fruit of gold,
The lithe paullinia's verdant fold,
The passion-flower, with symbol holy,
Twining its tendrils long and lowly,
The rhexias dark, and cassia tall,
And proudly rising over all,
The kingly palm's imperial stem,.
Crowned with its leafy diadem,
Star-like, beneath whose sombre shade,
The fiery-winged cucullo played!
How lovely was thine aspect, then,
Fair island of the Western Sea!
Lavish of beauty, even whe
Thy brutes were happier than thy men,
For they, at least, were free!
Regardless of thy glorious clime,
Unmindful of thy soil of flowers,
The toiling negro sighed, that Time
No faster sped his hours.
For, by the dewy moonlight still,
He fed the weary-turning mill,
Or bent him in the chill morass,
To pluck the long and tangled grass,
And hear above his scar-worn back
The heavy slave-whip's frequent crack:
While in his heart one evil thought
In solitary madness wrought,
One baleful fire surviving still
The quenching of the immortal mind,
One sterner passion of his kind,
Which even fetters could not kill,
The savage hope, to deal, erelong,
A vengeance bitterer than his wrong!
Hark to that cry! long, loud, and shrill,
From field and forest, rock and hill,
Thrilling and horrible it rang,
Around, beneath, above;
The wild beast from his cavern sprang,
The wild bird from her grove!
Nor fear, nor joy, nor agony
Were mingled in that midnight cry;
But like the lion's growl of wrath,
When falls that hunter in his path
Whose barbed arrow, deeply set,
Is rankling in his bosom yet,
It told of hate, full, deep, and strong,
Of vengeance kindling out of wrong;
It was as if the crimes of years —
The unrequited toil, the tears,
The shame and hate, which liken well
Earth's garden to the nether hell—
Had found in nature's self a tongue,
On which the gathered horror hung;
As if from cliff, and stream, and glen
Burst on the startled ears of men
That voice which rises unto God,
Solemn and stern, —the cry of blood!
It ceased, and all was still once more,
Save ocean chafing on his shore,
The sighing of the wind between
The broad banana's leaves of green,
Or bough by restless plumage shook,
Or murmuring voice of mountain brook.
Brief was the silence. Once again
Pealed to the skies that frantic yell,
Glowed on the heavens a fiery stain,
And flashes rose and fell;
And painted on the blood-red sky,
Dark, naked arms were tossed on high;
And, round the white man's lordly hall,
Trod, fierce and free, the brute he made;
And those who crept along the wall,
And answered to his lightest call
With more than spaniel dread,
The creatures of his lawless beck,
Were trampling on his very neck!
And on the night-air, wild and clear,
Rose woman's shriek of more than fear;
For bloodied arms were round her thrown,
Aan dark cheeks pressed against her own!
Then, injured Afric! for the shame
Of thy own daughters, vengeance came
Full on the scornful hearts of those,
Who mocked thee in thy nameless woes,
And to thy hapless children gave
One choice,—pollution or the grave!
Where then was he whose fiery zeal
Had taught the trampled heart to feel,
Until despair itself grew strong,
And vengeance fed its torch from wrong?
Now, when the thunderbolt is speeding;
Now, when oppression's heart is bleeding;
Now, when the latent curse of Time
Is raining down in fire and blood,
That curse which, through long years of crime,
Has gathered, drop by drop, its flood, —
Why strikes he not, the foremost one,
Where murder's sternest deeds are done?
He stood the aged palms beneath,
That shadowed o'er his humble door,
Listening, with half-suspended breath,
To the wild sounds of fear and death,
Toussaint L'Ouverture!
What marvel that his heart beat high!
The blow for freedom had been given,
And blood had answered to the cry
Which Earth sent up to Heaven!
What marvel that a fierce delight
Smiled grimly o'er his brow of night,
As groan and shout and bursting flame
Told where the midnight tempest came,
With blood and fire along its van,
And death behind! he was a Man!
Yes, dark-souled chieftain! if the light
Of mild Religion's heavenly ray
Unveiled not to thy mental sight
The lowlier and the purer way,
In which the Holy Sufferer trod,
Meekly amidst the sons of crime;
That calm reliance upon God
For justice in His own good time;
That gentleness to which belongs
Forgiveness for its many wrongs,
Even as the primal martyr, kneeling
For mercy on the evil-dealing;
Let not the favored white man name
Thy stern appeal, with words of blame.
Has he not, with the light of heaven
Broadly around him, made the same?
Yea, on his thousand war-fields striven,
And gloried in his ghastly shame?
Kneeling amidst his brother's blood,
To offer mockery unto God,
As if the High and Holy One
Could smile on deeds of murder done!
As if a human sacrifice
Were purer in His holy eyes,
Though offered up by Christian hands,
Than the foul rites of Pagan lands!
. . . . . . . .
Sternly, amidst his household band,
His carbine grasped within his hand,
The white man stood, prepared and still,
Waiting the shock of maddened men,
Unchained, and fierce as tigers, when
The horn winds through their caverned hill.
And one was weeping in his sight,
The sweetest flower of all the isle,
The bride who seemed but yesternight
Love's fair embodied smile.
And, clinging to her trembling knee,
Looked up the form of infancy,
With tearful glance in either face
The secret of its fear to trace.
'Ha! stand or die!' The white man's eye
His steady musket gleamed along,
As a tall Negro hastened nigh,
With fearless step and strong.
'What, ho, Toussaint!' A moment more,
His shadow crossed the lighted floor.
'Away!' he shouted; 'fly with me,
The white man's bark is on the sea;
Her sails must catch the seaward wind,
For sudden vengeance sweeps behind.
Our brethren from their graves have spoken,
The yoke is spurned, the chain is broken;
On all the hills our fires are glowing,
Through all the vales red blood is flowing!
No more the mocking White shall rest
His foot upon the Negro's breast;
No more, at morn or eve, shall drip
The warm blood from the driver's whip:
Yet, though Tonssaint has vengeance sworn
For all the wrongs his race have borne,
Though for each drop of Negro blood
The white man's veins shall pour a flood;
Not all alone the sense of ill
Around his heart is lingering still,
Nor deeper can the white man feel
The generous warmth of grateful zeal.
Friends of the Negro! fly with me,
The path is open to the sea:
Away, for life!' He spoke, and pressed
The young child to his manly breast,
As, headlong, through the cracking cane,
Down swept the dark insurgent train,
Drunken and grim, with shout and yell
Howled through the dark, like sounds from hell.
Far out, in peace, the white man's sail
Swayed free before the sunrise gale.
Cloud-like that island hung afar,
Along the bright horizon's verge,
O'er which the curse of servile war
Rolled its red torrent, surge on surge;
And he, the Negro champion, where
In the fierce tumult struggled he?
Go trace him by the fiery glare
Of dwellings in the midnight air,
The yells of triumph and despair,
The streams that crimson to the sea!
Sleep calmly in thy dungeon-tomb,
Beneath Besançon's alien sky,
Dark Haytien! for the time shall come,
Yea, even now is nigh,
When, everywhere, thy name shall be
Redeemed from color's infamy;
And men shall learn to speak of thee
As one of earth's great spirits, born
In servitude, and nursed in scorn,
Casting aside the weary weight
And fetters of its low estate,
In that strong majesty of soul
Which knows no color, tongue, or clime,
Which still hath spurned the base control
Of tyrants through all time!
Far other hands than mine may wreathe
The laurel round thy brow of death,
And speak thy praise, as one whose word
A thousand fiery spirits stirred,
Who crushed his foeman as a worm,1
Whose step on human hearts fell firm:
Be mine the better task to find
A tribute for thy lofty mind,
Amidst whose gloomy vengeance shone
Some milder virtues all thine own,
Some gleams of feeling pure and warm,
Like sunshine on a sky of storm,
Proofs that the Negro's heart retains
Some nobleness amid its chains, —
That kindness to the wronged is never
Without its excellent reward,
Holy to human-kind and ever
Acceptable to God.
poem by John Greenleaf Whittier
Submitted by Poetry Lover
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Tales Of A Wayside Inn : Part 2. The Student's Second Tale; The Baron of St. Castine
Baron Castine of St. Castine
Has left his château in the Pyrenees,
And sailed across the western seas.
When he went away from his fair demesne
The birds were building, the woods were green;
And now the winds of winter blow
Round the turrets of the old château,
The birds are silent and unseen,
The leaves lie dead in the ravine,
And the Pyrenees are white with snow.
His father, lonely, old, and gray,
Sits by the fireside day by day,
Thinking ever one thought of care;
Through the southern windows, narrow and tall,
The sun shines into the ancient hall,
And makes a glory round his hair.
The house-dog, stretched beneath his chair,
Groans in his sleep as if in pain,
Then wakes, and yawns, and sleeps again,
So silent is it everywhere,--
So silent you can hear the mouse
Run and rummage along the beams
Behind the wainscot of the wall;
And the old man rouses from his dreams,
And wanders restless through the house,
As if he heard strange voices call.
His footsteps echo along the floor
Of a distant passage, and pause awhile;
He is standing by an open door
Looking long, with a sad, sweet smile,
Into the room of his absent son.
There is the bed on which he lay,
There are the pictures bright and gay,
Horses and hounds and sun-lit seas;
There are his powder-flask and gun,
And his hunting-knives in shape of a fan;
The chair by the window where he sat,
With the clouded tiger-skin for a mat,
Looking out on the Pyrenees,
Looking out on Mount Marboré
And the Seven Valleys of Lavedan.
Ah me! he turns away and sighs;
There is a mist before his eyes.
At night whatever the weather be,
Wind or rain or starry heaven,
Just as the clock is striking seven,
Those who look from the windows see
The village Curate, with lantern and maid,
Come through the gateway from the park
And cross the courtyard damp and dark,--
A ring of light in a ring of shade.
And now at the old man's side he stands,
His voice is cheery, his heart expands,
He gossips pleasantly, by the blaze
Of the fire of fagots, about old days,
And Cardinal Mazarin and the Fronde,
And the Cardinal's nieces fair and fond,
And what they did, and what they said,
When they heard his Eminence was dead.
And after a pause the old man says,
His mind still coming back again
To the one sad thought that haunts his brain,
'Are there any tidings from over sea?
Ah, why has that wild boy gone from me?'
And the Curate answers, looking down,
Harmless and docile as a lamb,
'Young blood! young blood! It must so be!'
And draws from the pocket of his gown
A handkerchief like an oriflamb,
And wipes his spectacles, and they play
Their little game of lansquenet
In silence for an hour or so,
Till the clock at nine strikes loud and clear
From the village lying asleep below,
And across the courtyard, into the dark
Of the winding pathway in the park,
Curate and lantern disappear,
And darkness reigns in the old château .
The ship has come back from over sea,
She has been signalled from below,
And into the harbor of Bordeaux
She sails with her gallant company.
But among them is nowhere seen
The brave young Baron of St. Castine;
He hath tarried behind, I ween,
In the beautiful land of Acadie!
And the father paces to and fro
Through the chambers of the old château ,
Waiting, waiting to hear the hum
Of wheels on the road that runs below,
Of servants hurrying here and there,
The voice in the courtyard, the step on the stair,
Waiting for some one who doth not come!
But letters there are, which the old man reads
To the Curate, when he comes at night
Word by word, as an acolyte
Repeats his prayers and tells his beads;
Letters full of the rolling sea,
Full of a young man's joy to be
Abroad in the world, alone and free;
Full of adventures and wonderful scenes
Of hunting the deer through forests vast
In the royal grant of Pierre du Gast;
Of nights in the tents of the Tarratines;
Of Madocawando the Indian chief,
And his daughters, glorious as queens,
And beautiful beyond belief;
And so soft the tones of their native tongue,
The words are not spoken, they are sung!
And the Curate listens, and smiling says:
'Ah yes, dear friend! in our young days
We should have liked to hunt the deer
All day amid those forest scenes,
And to sleep in the tents of the Tarratines;
But now it is better sitting here
Within four walls, and without the fear
Of losing our hearts to Indian queens;
For man is fire and woman is tow,
And the Somebody comes and begins to blow.'
Then a gleam of distrust and vague surmise
Shines in the father's gentle eyes,
As fire-light on a window-pane
Glimmers and vanishes again;
But naught he answers; he only sighs,
And for a moment bows his head;
Then, as their custom is, they play
Their little game of lansquenet,
And another day is with the dead.
Another day, and many a day
And many a week and month depart,
When a fatal letter wings its way
Across the sea, like a bird of prey,
And strikes and tears the old man's heart.
Lo! the young Baron of St. Castine,
Swift as the wind is, and as wild,
Has married a dusky Tarratine,
Has married Madocawando's child!
The letter drops from the father's hand;
Though the sinews of his heart are wrung,
He utters no cry, he breathes no prayer,
No malediction falls from his tongue;
But his stately figure, erect and grand,
Bends and sinks like a column of sand
In the whirlwind of his great despair.
Dying, yes, dying! His latest breath
Of parley at the door of death
Is a blessing on his wayward son.
Lower and lower on his breast
Sinks his gray head; he is at rest;
No longer he waits for any one.
For many a year the old château
Lies tenantless and desolate;
Rank grasses in the courtyard grow,
About its gables caws the crow;
Only the porter at the gate
Is left to guard it, and to wait
The coming of the rightful heir;
No other life or sound is there;
No more the Curate comes at night,
No more is seen the unsteady light,
Threading the alleys of the park;
The windows of the hall are dark,
The chambers dreary, cold, and bare!
At length, at last, when the winter is past,
And birds are building, and woods are green,
With flying skirts is the Curate seen
Speeding along the woodland way,
Humming gayly, 'No day is so long
But it comes at last to vesper-song.'
He stops at the porter's lodge to say
That at last the Baron of St. Castine
Is coming home with his Indian queen,
Is coming without a week's delay;
And all the house must be swept and clean,
And all things set in good array!
And the solemn porter shakes his head;
And the answer he makes is: 'Lackaday!
We will see, as the blind man said!'
Alert since first the day began,
The cock upon the village church
Looks northward from his airy perch,
As if beyond the ken of man
To see the ships come sailing on,
And pass the isle of Oléron,
And pass the Tower of Cordouan.
In the church below is cold in clay
The heart that would have leaped for joy?
O tender heart of truth and trust!?
To see the coming of that day;
In the church below the lips are dust;
Dust are the hands, and dust the feet,
That would have been so swift to meet
The coming of that wayward boy.
At night the front of the old château
Is a blaze of light above and below;
There's a sound of wheels and hoofs in the street,
A cracking of whips, and scamper of feet,
Bells are ringing, and horns are blown,
And the Baron hath come again to his own.
The Curate is waiting in the hall,
Most eager and alive of all
To welcome the Baron and Baroness;
But his mind is full of vague distress,
For he hath read in Jesuit books
Of those children of the wilderness,
And now, good, simple man! he looks
To see a painted savage stride
Into the room, with shoulders bare,
And eagle feathers in her hair,
And around her a robe of panther's hide.
Instead, he beholds with secret shame
A form of beauty undefined,
A loveliness with out a name,
Not of degree, but more of kind;
Nor bold nor shy, nor short nor tall,
But a new mingling of them all.
Yes, beautiful beyond belief,
Transfigured and transfused, he sees
The lady of the Pyrenees,
The daughter of the Indian chief.
Beneath the shadow of her hair
The gold-bronze color of the skin
Seems lighted by a fire within,
As when a burst of sunlight shines
Beneath a sombre grove of pines,--
A dusky splendor in the air.
The two small hands, that now are pressed
In his, seem made to be caressed,
They lie so warm and soft and still,
Like birds half hidden in a nest,
Trustful, and innocent of ill.
And ah! he cannot believe his ears
When her melodious voice he hears
Speaking his native Gascon tongue;
The words she utters seem to be
Part of some poem of Goudouli,
They are not spoken, they are sung!
And the Baron smiles, and says, 'You see,
I told you but the simple truth;
Ah, you may trust the eyes of youth!'
Down in the village day by day
The people gossip in their way,
And stared to see the Baroness pass
On Sunday morning to early Mass;
And when she kneeleth down to pray,
They wonder, and whisper together, and say,
'Surely this is no heathen lass!'
And in course of time they learn to bless
The Baron and the Baroness.
And in course of time the Curate learns
A secret so dreadful, that by turns
He is ice and fire, he freezes and burns.
The Baron at confession hath said,
That though this woman be his wife,
He hath wed her as the Indians wed,
He hath bought her for a gun and a knife!
And the Curate replies: 'O profligate,
O Prodigal Son! return once more
To the open arms and the open door
Of the Church, or ever it be too late.
Thank God, thy father did not live
To see what he could not forgive;
On thee, so reckless and perverse,
He left his blessing, not his curse.
But the nearer the dawn the darker the night,
And by going wrong all things come right;
Things have been mended that were worse,
And the worse, the nearer they are to mend.
For the sake of the living and the dead,
Thou shalt be wed as Christians wed,
And all things come to a happy end.'
O sun, that followest the night,
In yon blue sky, serene and pure,
And pourest thine impartial light
Alike on mountain and on moor,
Pause for a moment in thy course,
And bless the bridegroom and the bride!
O Gave, that from thy hidden source
In yon mysterious mountain-side
Pursuest thy wandering way alone,
And leaping down its steps of stone,
Along the meadow-lands demure
Stealest away to the Adour,
Pause for a moment in thy course
To bless the bridegroom and the bride!
The choir is singing the matin song,
The doors of the church are opened wide,
The people crowd, and press, and throng
To see the bridegroom and the bride.
They enter and pass along the nave;
They stand upon the father's grave;
The bells are ringing soft and slow;
The living above and the dead below
Give their blessing on one and twain;
The warm wind blows from the hills of Spain,
The birds are building, the leaves are green,
And Baron Castine of St. Castine
Hath come at last to his own again.
poem by Henry Wadsworth Longfellow
Submitted by Poetry Lover
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