Norembega
THE winding way the serpent takes
The mystic water took,
From where, to count its beaded lakes,
The forest sped its brook.
A narrow space 'twixt shore and shore,
For sun or stars to fall,
While evermore, behind, before,
Closed in the forest wall.
The dim wood hiding underneath
Wan flowers without a name;
Life tangled with decay and death,
League after league the same.
Unbroken over swamp and hill
The rounding shadow lay,
Save where the river cut at will
A pathway to the day.
Beside that track of air and light,
Weak as a child unweaned,
At shut of day a Christian knight
Upon his henchman leaned.
The embers of the sunset's fires
Along the clouds burned down;
'I see,' he said, 'the domes and spires
Of Norembega town.'
'Alack! the domes, O master mine,
Are golden clouds on high;
Yon spire is but the branchless pine
That cuts the evening sky.'
'Oh, hush and hark! What sounds are these
But chants and holy hymns?'
'Thou hear'st the breeze that stirs the trees
Though all their leafy limbs.'
'Is it a chapel bell that fills
The air with its low tone?'
'Thou hear'st the tinkle of the rills,
The insect's vesper drone.'
'The Christ be praised!--He sets for me
A blessed cross in sight!'
'Now, nay, 't is but yon blasted tree
With two gaunt arms outright!'
'Be it wind so sad or tree so stark,
It mattereth not, my knave;
Methinks to funeral hymns I hark,
The cross is for my grave!
'My life is sped; I shall not see
My home-set sails again;
The sweetest eyes of Normandie
Shall watch for me in vain.
'Yet onward still to ear and eye
The baffling marvel calls;
I fain would look before I die
On Norembega's walls.
'So, haply, it shall be thy part
At Christian feet to lay
The mystery of the desert's heart
My dead hand plucked away.
'Leave me an hour of rest; go thou
And look from yonder heights;
Perchance the valley even now
Is starred with city lights.'
The henchman climbed the nearest hill,
He saw nor tower nor town,
But, through the drear woods, lone and still,
The river rolling down.
He heard the stealthy feet of things
Whose shapes he could not see,
A flutter as of evil wings,
The fall of a dead tree.
The pines stood black against the moon,
A sword of fire beyond;
He heard the wolf howl, and the loon
Laugh from his reedy pond.
He turned him back: 'O master dear,
We are but men misled;
And thou hast sought a city here
To find a grave instead.'
'As God shall will! what matters where
A true man's cross may stand,
So Heaven be o'er it here as there
In pleasant Norman land?
'These woods, perchance, no secret hide
Of lordly tower and hall;
Yon river in its wanderings wide
Has washed no city wall;
'Yet mirrored in the sullen stream
The holy stars are given
Is Norembega, then, a dream
Whose waking is in Heaven?
'No builded wonder of these lands
My weary eyes shall see;
A city never made with hands
Alone awaiteth me--
''_Urbs Syon mystica_;' I see
Its mansions passing fair,
'/Condita caelo/;' let me be,
Dear Lord, a dweller there!'
Above the dying exile hung
The vision of the bard,
As faltered on his failing tongue
The song of good Bernard.
The henchman dug at dawn a grave
Beneath the hemlocks brown,
And to the desert's keeping gave
The lord of fief and town.
Years after, when the Sieur Champlain
Sailed up the unknown stream,
And Norembega proved again
A shadow and a dream,
He found the Norman's nameless grave
Within the hemlock's shade,
And, stretching wide its arms to save,
The sign that God had made,
The cross-boughed tree that marked the spot
And made it holy ground
He needs the earthly city not
Who hath the heavenly found.
poem by John Greenleaf Whittier

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Song from Aella
O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cole he lies in the grave below:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Sweet his tongue as the throstle's note,
Quick in dance as thought can be,
Deft his tabor, cudgel stout;
O he lies by the willow-tree!
My love is dead,
Gone to his death-bed
All under the willow-tree.
Hark! the raven flaps his wing
In the brier'd dell below;
Hark! the death-owl loud doth sing
To the nightmares, as they go:
My love is dead,
Gone to his death-bed
All under the willow-tree.
See! the white moon shines on high;
Whiter is my true-love's shroud:
Whiter than the morning sky,
Whiter than the evening cloud:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Here upon my true-love's grave
Shall the barren flowers be laid;
Not one holy saint to save
All the coldness of a maid:
My love is dead,
Gone to his death-bed
All under the willow-tree.
With my hands I'll dent the briers
Round his holy corse to gre:
Ouph and fairy, light your fires,
Here my body still shall be:
My love is dead,
Gone to his death-bed
All under the willow-tree.
Come, with acorn-cup and thorn,
Drain my heartès blood away;
Life and all its good I scorn,
Dance by night, or feast by day:
My love is dead,
Gone to his death-bed
All under the willow-tree.
poem by Thomas Chatterton

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The Knight of St. John
Ere down yon blue Carpathian hills
The sun shall sink again,
Farewell to life and all its ills,
Farewell to cell and chain!
These prison shades are dark and cold,
But, darker far than they,
The shadow of a sorrow old
Is on my heart alway.
For since the day when Warkworth wood
Closed o'er my steed, and I,
An alien from my name and blood,
A weed cast out to die,-
When, looking back in sunset light,
I saw her turret gleam,
And from its casement, far and white,
Her sign of farewell stream,
Like one who, from some desert shore,
Doth home's green isles descry,
And, vainly longing, gazes o'er
The waste of wave and sky;
So from the desert of my fate
I gaze across the past;
Forever on life's dial-plate
The shade is backward cast!
I've wandered wide from shore to shore,
I've knelt at many a shrine;
And bowed me to the rocky floor
Where Bethlehem's tapers shine;
And by the Holy Sepulchre
I've pledged my knightly sword
To Christ, His blessed Church, and her,
The Mother of our Lord.
Oh, vain the vow, and vain the strife!
How vain do all things seem!
My soul is in the past, and life
To-day is but a dream.
In vain the penance strange and long,
And hard for flesh to bear;
The prayer, the fasting, and the thong,
And sackcloth shirt of hair.
The eyes of memory will not sleep,
Its ears are open still;
And vigils with the past they keep
Against my feeble will.
And still the loves and joys of old
Do evermore uprise;
I see the flow of locks of gold,
The shine of loving eyes!
Ah me! upon another's breast
Those golden locks recline;
I see upon another rest
The glance that once was mine.
'O faithless priest! O perjured knight!'
I hear the Master cry;
'Shut out the vision from thy sight,
Let Earth and Nature die.
'The Church of God is now thy spouse,
And thou the bridegroom art;
Then let the burden of thy vows
Crush down thy human heart!'
In vain! This heart its grief must know,
Till life itself hath ceased,
And falls beneath the self-same blow
The lover and the priest!
O pitying Mother! souls of light,
And saints and martyrs old!
Pray for a weak and sinful knight,
A suffering man uphold.
Then let the Paynim work his will,
And death unbind my chain,
Ere down yon blue Carpathian hill
The sun shall fall again.
poem by John Greenleaf Whittier

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Across The Pampas
Dost thou remember, oh, dost thou remember,
Here as we sit at home and take our rest,
How we went out one morning on a venture
In the West?
Hast thou forgotten, in these English hedgerows,
How the great Pampas rolled out like the sea?
Never a daisy in that mighty meadow!
Never a tree!
Full were our hearts upon that sunny morning;
Stout--handed and stout--hearted went we forth.
The warm wind in our faces breathed us fortune
From the North;
And high in heaven the sun stood for a token.
We had no other sign by which to steer.
No landmark is there in the Earth's great ocean,
For mariner.
Dost thou remember how, when night was falling,
There in the middle plain, as best we might,
We set our little tent up as a fortress
For the night?
Dost thou remember how, through the night watches,
We listened to the voices of the plain,
The owls and plovers and the bold bischachas,
Talking like men?
Drowsy we sat, and watched our horses feeding,
Dim through the night, while over the tent's mouth
The Cross was turning like a clock and reeling
In the South.
But, as the night grew out and we grew chilly,
Under our blankets safe we crept and warm,
Full of good heart and each with loaded pistols
Close to his arm;
And so dreamed pleasant dreams of far off faces,
And trees and fields which we had loved in youth,
All in a maze of present apprehension
Mingled uncouth;
And how we travelled on and ever onwards,
Still in the red path of the setting sun,
Until into the heart of a great woodland
We had come;
And there saw, round about our strange encampment,
Flocks of bright birds which flew and screamed at us,
Red cardinals and woodpeckers and parrots
Multitudinous;
And on the lake black--headed swans were sailing,
And in the morning to the water's brink
Flamingoes, like the rising sun, came wading
Down to drink.
Dost thou remember, oh, dost thou remember
How, in that fatal wood, the mancaròn
Found out a poisonous herb before his fellows,
And fed thereon;
And how we left him, and how Caesar sickened,
And how the sky grew dark and overcast,
And how two tragic days we rode on silent
In the blast;
And how the wind grew icy and more icy,
Until we could not feel our hands or feet,
As sick at heart we sought in vain a hiding
From the sleet;
Lighting at last on a deserted post--house,
Where we found shelter from the wind, but nought
Of entertainment for our souls or comfort
Of any sort;
And how in that wild pass brave Caesar dying
Stretched out his arm towards the promised land,
And saw as in a dream the white hills lying
Close at hand,--
For, ere the sun set, suddenly that evening,
The great plain opened out beneath our feet,
And, in a valley far below, lay gleaming,
With square and street,
And spire and dome and pinnacle, uprising
White on the bosom of a mountain slope,
To our amazement bodily the city
Of our hope.
Dost thou remember, oh, dost thou remember
How the bells rang as, sick and travel--worn,
A weary crew, we made our solemn entry
To the town?
Strangely, as phantoms out of the great desert,
We came into the city, and at last
Heard sound of Christian singing in the churches
As we passed:
And laid at length our weary limbs in rapture
Between the clean sheets of a Christian bed.
Oh! there are things I think we shall remember
When we are dead!
poem by Wilfrid Scawen Blunt

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Mentana
'Mother, I hear a word
In the air!'
Play on, play on, my son,
The word thou hast heard is some bright sweet bird
That singeth, why and where
Who knows?
As who knows why and whither
The little wind blows
That bloweth hither and thither
But hardly stirs thy hair,
Hardly stirs the gossamers
Or a film of thy golden hair.
'Oh Mother, Mother dear,
Bend down, bend down to me!
Ah Mother, what dost thou hear?'
Hush, hush, my son,
I hear a word in the air.
'Ah Mother, why is thy face so white?
Ah Mother, Mother, why
Are thine eyes alight?
Ah Mother, why is thy face so red?
Mother, Mother, the hair of thine head-'
Silence, boy, we are near them,
Silence, boy, the dead, the dead,
I hear them, I hear them, I hear them!
They come, they come, they are here, they are gone,
And they cried, with a single cry,
'Mentana!'
The word is said, the night is fled,
Ere we knew it dawn 'tis day,
The graves are wide, the dead are up and away,
On the racing winds they race
To call the living land.
Boy, I am again a wife!
Boy, I saw thy father's face!
Round him rode the self-same band,
That went round him that great day
To Glory's latest Altar-place-
Went around and fell around,
When the red-legged assassin on the hill
With conjurations bloody and base
Jabbered the slanting sunset to his will,
And by such pests did so incriminate
The air with murder, that, when, weary and late,
Upon the well-won field the conqueror stood
Masters of all the eye could see,
The star-cracked and berotted victory
Burst in each glorious hand
And tore the sacred limits of sweet life,
And sluiced the dear heart's blood.
Ah God! if such blood could sink into the ground!
Up, up, my son, up, up, my soldier-son!
On with thy white-cross cap, while I
Bind me around with tri-colour
And let us go.
Whither? Whither they have gone before!
Haste! The dead have fleeter feet than ours.
See, the answering vales already move!
What is that, that like a moving sea
Floods towards the citied lilies of the towers
That soon shall ring
'Mentana!'
Well done, well done,
Thy little sword and gun,
Thou shalt wave the sword while I will cry
'Mentana!'
See, as we run the hamlets run,
The little towns are waving in the sun,
'Mentana!'
Hark the bells thunder, hark the trumpets blow
'Mentana!'
The mountains hear, the mists divide,
Look, look, on high,
The great tops crowned with joy and pride
Clang to the clanging vales below,
'Mentana!'
A thousand clarions blaze from side to side
'Mentana!'
What, must we rest again the little feet?
Cub of the Lion is thy dam too fleet?
Yet thou hast proved thy kind,
For see the misty miles behind,
And lo, before us what was dim is clear.
The city-walls, the city-gate,
The towers, the towers
That from our mountain seemed like flowers,
But hence like Pedestals that wait
The Statue of our Italy divine.
That Italy who, tho' she hath been hewn
In pieces,-as when the demons hew
An angel, whose immortal substance true
To his Eternal Image is not slain,
But from a thòusand falchions rears again
Still undivided by division
His everlasting beauty, whole and one-
When sounds the trump whereat the nations rise
Shall lift her unseamed body to the skies
And in her flesh see (God)-
poem by Sydney Thompson Dobell

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Love-Laurel
Ah! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.
Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.
Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?
For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?
Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?
Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.
The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.
And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.
poem by Victor James Daley

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To Sydney
CITY, I never told you yet—
O little City, let me tell—
A secret woven of your wiles,
Dear City with the angel face,
And you will hear with frowning grace,
Or will you break in summer smiles?
This is the secret, little town,
Lying so lightly towards the sea;
City, my secret has no art,
Dear City with the golden door;
But oh, the whispers I would pour
Into your ears—into your heart!
You are my lover, little place,
Lying so sweetly all alone.
And yet I cannot, cannot tell
My secret, for the voice will break
That tries to tell of all the ache
Of this poor heart beneath your spell.
Dreaming, I tell you all my tale;
Tell how the tides that wash your feet
Sink through my heart and cut its cords.
Dreaming, I hold my arms, and drag
All, all into my heart—the flag
On the low hill turned harbourwards,
And all the curving little bays,
The hot, dust-ridden, narrow streets,
The languid turquoise of the sky,
The gardens flowing to the wave,
I drag them in. O City, save
The grave for me where I must lie.
Yet humbly I would try to build
Stone upon stone for this town’s sake;
Humbly would try for you to aid
Those whose wise love for you will rear
White monuments far off and near,
White, but unsoiled, undesecrate.
poem by Louise Mack

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Verses by Lady Geralda
Why, when I hear the stormy breath
Of the wild winter wind
Rushing o'er the mountain heath,
Does sadness fill my mind?
For long ago I loved to lie
Upon the pathless moor,
To hear the wild wind rushing by
With never ceasing roar;
Its sound was music then to me;
Its wild and lofty voice
Made by heart beat exultingly
And my whole soul rejoice.
But now, how different is the sound?
It takes another tone,
And howls along the barren ground
With melancholy moan.
Why does the warm light of the sun
No longer cheer my eyes?
And why is all the beauty gone
From rosy morning skies?
Beneath this lone and dreary hill
There is a lovely vale;
The purling of a crystal rill,
The sighing of the gale,
The sweet voice of the singing bird,
The wind among the trees,
Are ever in that valley heard;
While every passing breeze
Is loaded with the pleasant scent
Of wild and lovely flowers.
To yonder vales I often went
To pass my evening hours.
Last evening when I wandered there
To soothe my weary heart,
Why did the unexpected tear
From my sad eyelid start?
Why did the trees, the buds, the stream
Sing forth so joylessly?
And why did all the valley seem
So sadly changed to me?
I plucked a primrose young and pale
That grew beneath a tree
And then I hastened from the vale
Silent and thoughtfully.
Soon I was near my lofty home,
But when I cast my eye
Upon that flower so fair and lone
Why did I heave a sigh?
I thought of taking it again
To the valley where it grew.
But soon I spurned that thought as vain
And weak and childish too.
And then I cast that flower away
To die and wither there;
But when I found it dead today
Why did I shed a tear?
O why are things so changed to me?
What gave me joy before
Now fills my heart with misery,
And nature smiles no more.
And why are all the beauties gone
From this my native hill?
Alas! my heart is changed alone:
Nature is constant still.
For when the heart is free from care,
Whatever meets the eye
Is bright, and every sound we hear
Is full of melody.
The sweetest strain, the wildest wind,
The murmur of a stream,
To the sad and weary mind
Like doleful death knells seem.
Father! thou hast long been dead,
Mother! thou art gone,
Brother! thou art far away,
And I am left alone.
Long before my mother died
I was sad and lone,
And when she departed too
Every joy was flown.
But the world's before me now,
Why should I despair?
I will not spend my days in vain,
I will not linger here!
There is still a cherished hope
To cheer me on my way;
It is burning in my heart
With a feeble ray.
I will cheer the feeble spark
And raise it to a flame;
And it shall light me through the world,
And lead me on to fame.
I leave thee then, my childhood's home,
For all thy joys are gone;
I leave thee through the world to roam
In search of fair renown,
From such a hopeless home to part
Is happiness to me,
For nought can charm my weary heart
Except activity.
poem by Anne Brontë

Submitted by Veronica Serbanoiu
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At Dawn and Dusk
At Dawn and Dusk
Love-Laurel
IN MEMORY OF HENRY KENDALL
AH! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,
Nor low dirge over thy low-lying head
The winds of morning make.
Down through the clay there comes no sound of these;
Down in the grave there is no sign of Summer,
Nor any knowledge of the soft-eyed Spring;
But Death sits there, with outspread ebon wing,
Closing with dust the mouth of each new-comer
To that mute land, where never sound of seas
Is heard, and no birds sing.
Now thou hast found the end of all thy days
Hast thou found any heart a vigil keeping
For thee among the dead—some heart that heard
Thy singing when thou wert a brown, sweet bird
Gray Æons gone, in some old forest sleeping
Beneath the seas long since? in Death’s dim ways
Has thy heart any word?
For surely those in whom the deathless spark
Of song is kindled, sang from the beginning
If life were always? But the old desires—
Do they exist when sad-eyed Hope expires?
How live the dead? what crowns have they for winning?
Have they, to warm them in the dreamless dark,
For sun earth’s central fires?
Are the dead dead indeed whom we call dead?
Has God no life but this of ours for giving?—
When that they took thee by each well-known place,
Stark in thy coffin with a cold white face,
What thought, O Brother, hadst thou of the living?
What of the sun that round thee glory shed?
What of the fair day’s grace?
Is thy new life made up of memories
Or dreams that lull the dead, bright visions bringing
Of Spring above! Are thy days short or long?
Thou who wert master of our singing throng
Mayhap in death thou hast not lost thy singing,
But chauntst unheard, beside the moaning sea,
A solitary song.
The chance spade turns up skulls. God help the dead
And thee whose singing days have all passed over—
Thee, whom the gold-haired Spring shall seek in vain
When at the glad year’s doors she stands again,
Remembering the song-garlands thou hast wove her
In years gone by: but all these years have fled
With all their joy and pain.
. . . . .
My soul laughed out to hear my heart speak so,
And sprang forth skyward, as an eagle, hoping
To look upon thy soul with living eyes,
Until it came to where our dim life dies,
And dead suns darkly for a grave are groping
Through cycles of immeasurable woe,
Stone-blind in the blind skies.
The stars walk shuddering on that awful verge
From which my soul, with swift and fearless motion,
Clove the black depths, and sought for God and thee;
But God dwells where nor stars nor suns there be—
No shore there is to His Eternal Ocean;
A thousand systems are a fringe of surge
On that great starless sea.
And thou wert not. So that, with weary plumes,
My soul through the great void its way came winging
To earth again. “What hope for him who sings
Is there?” it sighed. “Death ends all sweetest things.”
When lo! there came a swell of mighty singing,
Flooding all space, and swift athwart the glooms
A flash of sudden wings.
. . . . .
Dreamer of dreams, thy songs and dreams are done.
Down where thou sleepest in earth’s secret bosom
There is no sorrow and no joy for thee,
Who canst not see what stars at eve there be,
Nor evermore at morn the green dawn blossom
Into the golden king-flower of the sun
Across the golden sea.
But haply there shall come in days to be
One who shall hear his own heart beating faster,
Plucking a rose sprung from thy heart beneath,
And from his soul, as sword from out its sheath,
Song shall leap forth where now, O silent master,
On thy lone grave beside the sounding sea,
I lay this laurel-wreath.
poem by Victor James Daley

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Mary's Tryst
Young Mary stole along the vale,
To keep her tryst with Ulnor's lord;
A warrior clad in coat of mail
Stood darkling by the brawling ford.
'O let me pass; O let me pass,
Dark falls the night on hill and lea;
Flies, flies the bright day swift and fast,
From lordly bower and greenwood tree.
The small birds twitter as they fly
To dewy bough and leaf-hid nest;
Dark fold the black clouds on the sky,
And maiden terrors throng my breast!'
'And thou shalt pass, thou bonnie maid,
If thou wilt only tell to me--
Why hiest thou forth in lonesome shade;
Where may thy wish'd-for bourne be?'
'O let me by, O let me by,
My granddam dwells by Ulnor's shore;
She strains for me her failing eye--
Beside her lowly ivied door.'
'I rode by Ulnor's shore at dawn,
I saw no ancient dame and cot;
I saw but startl'd doe and fawn--
Thy bourne thou yet hast told me not.'
'O let me pass--my father lies
Long-stretch'd in coffin and in shroud,--
Where Ulnor's turrets climb the skies,
Where Ulnor's battlements are proud!'
'I rode by Ulnor's walls at noon;
I heard no bell for passing sprite;
And saw no henchman straik'd for tomb;
Thou hast not told thy bourne aright.'
'O let me pass--a monk doth dwell
In lowly hut by Ulnor's shrine;
I seek the holy friar's cell,
That he may shrive this soul of mine.'
'I rode by Ulnor's shrine this day,
I saw no hut--no friar's cowl;
I heard no holy hermit pray--
I heard but hooting of the owl!'
'O let me pass--time flies apace--
And since thou wilt not let me be;
I tryst with chief of Ulnor's race,
Beneath the spreading hawthorn tree!'
'I rode beside the bonnie thorn,
When this day's sun was sinking low;
I saw a damsel like the morn,
I saw a knight with hound and bow;
The chief was chief of Ulnor's name,
The maid was of a high degree;
I saw him kiss the lovely dame,
I saw him bend the suitor's knee!
'I saw the fond glance of his eye
To her red cheek red roses bring;
Between them, as my steed flew by,
I saw them break a golden ring.'
'O wouldst thou know, thou curious knight,
Where Mary's bourne to-night will be?
Since thou has seen such traitor sight,
Beneath the blooming hawthorn tree.'
Fair shone the yellow of her locks,
Her cheek and bosom's drifted snow;
She leap'd adown the sharp grey rocks,
She sought the sullen pool below.
The knight his iron vizard rais'd,
He caught young Mary to his heart;
She lifted up her head and gaz'd--
She drew her yellow locks apart.
* * * * *
The roses touch'd her lovely face;
The lilies white did faint and flee;
The knight was chief of Ulnor's race,--
His only true love still was she!
poem by Isabella Valancy Crawford

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Lord Robert
Tall and young and light of tongue,
Gallantly riding by wood and lea,
He was ware of a maiden fair
And turned and whispered, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)
Day by day she walks that way
Never hoping by wood or lea
To be ware of the stranger gay
Who turned and whispered, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?
Chance for chance he rides that way,
And again by wood or by lea
He was ware of the maiden fair,
And again he whispered, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)
Chance for chance that way rode he,
And again where he was ware,
Debonnair to that maiden fair
He turned and said, 'You remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)
Chance for chance on a summer-day,
Meeting her still by wood and lea,
He leaped gay from his gallant grey
And said, 'I see you remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)
Chance for chance when they hap'd to meet
He pressed on her lip, he breathed in her ear,
Dear dear words and kisses sweet,
Words and kisses too sweet, too dear.
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet,
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)
When the morn enchants the east,
When the south is dazed with noon,
When the eve weeps to the west,
When the night beguiles the moon,
The maid moon that sat so lowly,
Sat so lowly with bended head,
Sat so lowly and rose so slowly,
Rose so slowly and walked so lowly,
Ever, ever with bended head,
Till the black, black hour of the starless sky,
The black, black hour and the dark, dark bed,
And live maids weep as they turn in their sleep,
Weep in their sleep and know not why,
And the white owls shriek and the dead men croon.
Now all ye gentlemen, grand and gay,
When you meet a maid by wood or lea,
Sir Knight, I pray, ride on thy way,
Nor turn and whisper, 'Remember me.'
Lest you drink no wine so strong or fine
But out of the cup, like a shell of the sea,
Thou shalt learn how slaves from their wormy graves
Can do that bidding, 'Remember me.'
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)
Lest never in hall when the knights stand tall
And the goblets flash and the ladies shine,
And thou risest up the king of them all,
To drink to wassail and woman and wine,
Risest up with thy jewelled cup,
But out of the cup, like the sea in a shell,
A voice thou hast known by hill and wood,
A voice, a voice thou hast known too well!
And the cold wine boils on the lip like blood,
And the blood streams cold to the heart like wine,
Cold and hot to the heart like wine.
(Oh Lord Robert, Lord Robert, Lord Robert,
Oh Lord Robert, 'tis I, 'tis I;
Under their feet where the cross-roads meet
Dost thou think I can lie and lie,
Lord Robert, Lord Robert, Lord Robert?)
poem by Sydney Thompson Dobell

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The Soul's Quest
PART I
IN the land that is neither night nor day,
Where the mists sleep over the forests grey,
A sad, sad spirit wandered away.
The woods are still—no brooks, no wind,
No fair green meadows can she find;
5
But a low red light in the sky behind.
Far over the plain, to the spirit's sight,
The city's towers are black as night,
Against the edge of the low red light.
This side the city in darkness lies,
10
But westward, at the glowering skies,
It glares with a thousand fiery eyes.
The road is long, the hedgerows bare,
There's the chill of death in the silent air,
And a glimmer of darkness everywhere.
15
'O sad, sad spirit, what thy quest,
With those flowing locks and that shadowy vest? '
The spirit answers, 'I seek for rest.'
'Where seekest rest, when the air is cold
On the long, dim road, and the clock hath tolled
20
The muffled hours form the belfry old?
'Where seekest rest through the twilight grey
Of the mists that sleep on the woods alway? '—
'I seek to-morrow or yesterday! '
Her face is pale, her feet are bare,
25
Her sad dark eyes, wide open, stare
At the glimmering darkness everywhere.
To those cheeks no rose hath summer brought,
But on their pallor time hath wrought
The troubled lines of an after-thought.
30
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
And thus, all silent, seeks she rest.
Her tread is light on the cold, hard road;
For the tread may be light, yet heavy the load
35
Of grief at the heart and thoughts that goad.
She plucks a leaf from the roadway side,
And under its shade two violets hide—
As if from her cold touch, they hide.
She twines the violets in her hair;
40
They have no scent—she does not care,
For the glimmer of darkness is everywhere.
And on through the dim of the twilight grey,
While the pale sky gloweth far away,
She seeks to-morrow or yesterday.
45
PART II
'O Abbess, Abbess, the air is chill!
I heard the chaunting over the hill,
Like an angel's voice when the soul is still.
'O, Abbess, open wide thy gate!
Out on the cold, dim road I wait,
50
A spirit lone and desolate.
'Take thou these hands and these weary feet,
Cold as a corpse in its winding-sheet,
For the song of the nuns was so strange and sweet.
'Here with the sisters let me dwell,
55
Under these walls, in the loneliest cell,
Waiting the sound of the matin bell.
'Cut off these locks of flowing hair,
Cover with weeds this bosom bare,
For the glimmer of darkness is everywhere.
60
'Ask not my name, nor whence my way,
For the mist sleeps over the wood alway,
And I seek to-morrow or yesterday.'
She's passed beneath the chapel door;
The nuns are kneeling on the floor,
65
But a low wind moaneth evermore.
Sweeter and sweeter the sisters sing,
Till high in the roof the echoes ring,
For they know that God is listening.
'Ave Maria, hear our cry,
70
As the shadows roll across the sky,
For those that live and those that die!
'Ave Maria, Virgin blest,
Help the sin-stained and distrest,
Give the weary-hearted rest!
75
'Ave Maria, who didst bear
Jesus in this world of care,
Grant us all thy bliss to share! '
Sweeter and sweeter the sisters sing,
From arch to arch the echoes ring,
80
For they know that God is listening.
Out of the north the oceans roll,
Washing the lands from pole to pole:
No rest—no rest for the old world's soul.
The after-glow of suns that set
85
O'er fields with morning dew once wet,
Where all life's flowering roadways met,
Long shadows of our joys has sent,
Sloping adown the way we went
Towards darkness where our feet are bent.
90
Is it the moan of the evening wind?
Or the voice of the ocean in the mind,
While the pale red light looms up behind?
Is it moan of wind, or convent bell,
Or cry of the ocean? I cannot tell;
95
But a voice in her heart has locked the spell.
She does not hear the organ's swell;
In vain she strives her beads to tell,
For a voice in her heart has locked the spell.
She broods among the tangled fears,
100
The undergrowth of perished years,
That darken round the lake of tears.
Silent and dank, they fringe the brim
Of waters motionless and dim,
Unmoved by wings of Seraphim.
105
No lights on the altar the spirit sees,
The cloistered aisles are but leafless trees,
And the music, the sigh of the evening breeze.
No matin or vesper bell for her;
The leafless branches never stir
110
In the pale, pale light of the days that were.
No matin or vesper hymn or prayer
Can shut those eyes' wide-open stare
At the glimmering darkness everywhere.
The sweetest singing dies away;
115
No note of birds for those who stray
In the land that is neither night nor day.
PART III
In the shadowy light of the silent land,
With the tall gaunt hedges on either hand,
On the long, dim road doth the spirit stand.
120
Under the hedges the air is chill,
And the mists sleep over the forest still,
And are folded like wings on the sides of the hill.
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
125
Her feet are worn with seeking rest.
To her cheeks no rose hath summer brought,
While on their pallor time hath wrought
The troubled lines of an after-thought.
But sweet is the gaze of those sad dark eyes,
130
And sweet their look of mute surprise,
As something in the road she spies.
Spurned under foot, o'ergrown with moss,
Counted of foolish men but loss,
On the cold, hard road lies Jesus' cross.
135
In the dim twilight as she stood,
She saw the marks of Jesus' Blood,
Then stooped and kissed the Holy Rood.
There are sounds of joy from the years gone by,
There's a pale red light in the forward sky,
140
And a star looks down through the mist on high.
Hush! for the light falls clear from that star,
Hush! for the day-dawn kindles afar,
Hush! for the gate of the sky is ajar.
What is the voice of the boundless sea
145
As it clasps the lands excitedly?
Not the voice of the dead, but of what shall be—
Of what shall be when the world shall cease,
And oceans die in the reign of peace,
When God grants pardon and release.
150
O sweetest taste of Jesus' Blood!
Joy bursts upon her like a flood;
The spirit kisseth Holy Rood.
A low wind moaneth evermore,
The nuns still kneel upon the floor,
155
But Jesus trod this way before.
She lifts the sacred emblem up:
This was His drink, His bitter cup;
And all His loved with Him must sup.
Beneath its arms she bows her head,
160
Those arms so rudely fashionèd,
Which Jesus made His dying bed.
She bends beneath the cross's weight,
But now no longer desolate,
She stands before the convent gate.
165
Sweeter and sweeter the sisters sing,
From arch and roof the echoes ring,
While God above is listening.
'Ave Maria, Virgin blest,
Help the sin-stained and distrust,
170
Grant the weary-hearted rest! '
The altar-lights are shining fair,
And Jesus' cross is standing there;
The darkness brightens everywhere.
In silent bliss the spirit kneels,
175
For mortal utterance half conceals
The deepest joy the bosom feels.
She bears her burden day by day;
It wakens her at morning grey,
And calms her at eve's setting ray.
180
She bears it through the length of years;
The rough wood drives away her fears,
The blood-stains check all earthly tears.
Through daily round of deed and psalm,
She moves in silent strength and calm,
185
The cross her solace and her balm.
She bears it round from door to door,
And lonely hearts that ached before,
Find joy and peace for evermore.
So in the present, people say,
190
Of holy deed and prayer alway,
She finds to-morrow and yesterday.
poem by Frederick George Scott

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Easter Eve
At length the worst is o'er, and Thou art laid
Deep in Thy darksome bed;
All still and cold beneath yon dreary stone
Thy sacred form is gone;
Around those lips where power and mercy hung,
The dews of deaths have clung;
The dull earth o'er Thee, and Thy foes around,
Thou sleep'st a silent corse, in funeral fetters wound.
Sleep'st Thou indeed? or is Thy spirit fled,
At large among the dead?
Whether in Eden bowers Thy welcome voice
Wake Abraham to rejoice,
Or in some drearier scene Thine eye controls
The thronging band of souls;
That, as Thy blood won earth, Thine agony
Might set the shadowy realm from sin and sorrow free.
Where'er Thou roam'st, one happy soul, we know,
Seen at Thy side in woe,
Waits on Thy triumphs--even as all the blest
With him and Thee shall rest.
Each on his cross; by Thee we hang a while,
Watching Thy patient smile,
Till we have learned to say, "'Tis justly done,
Only in glory, LORD, Thy sinful servant own."
Soon wilt Thou take us to Thy tranquil bower
To rest one little hour,
Till Thine elect are numbered, and the grave
Call Thee to come and save:
Then on Thy bosom borne shall we descend
Again with earth to blend,
Earth all refined with bright supernal fires,
Tinctured with holy blood, and winged with pure desires.
Meanwhile with every son and saint of Thine
Along the glorious line,
Sitting by turns beneath Thy sacred feet
We'll hold communion sweet,
Know them by look and voice, and thank them all
For helping us in thrall,
For words of hope, and bright examples given
To show through moonless skies that there is light in Heaven.
O come that day, when in this restless heart
Earth shall resign her part,
When in the grave with Thee my limbs shall rest,
My soul with Thee be blest!
But stay, presumptuous--CHRIST with Thee abides
In the rock's dreary sides:
He from this stone will wring Celestial dew
If but this prisoner's heart he faithful found and true.
When tears are spent, and then art left alone
With ghosts of blessings gone,
Think thou art taken from the cross, and laid
In JESUS' burial shade;
Take Moses' rod, the rod of prayer, and call
Out of the rocky wall
The fount of holy blood; and lift on high
Thy grovelling soul that feels so desolate and dry.
Prisoner of Hope thou art--look up and sing
In hope of promised spring.
As in the pit his father's darling lay
Beside the desert way,
And knew not how, but knew his GOD would save
E'en from that living grave,
So, buried with our LORD, we'll chose our eyes
To the decaying world, till Angels bid us rise.
poem by John Keble

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A Sea Dream
We saw the slow tides go and come,
The curving surf-lines lightly drawn,
The gray rocks touched with tender bloom
Beneath the fresh-blown rose of dawn.
We saw in richer sunsets lost
The sombre pomp of showery noons;
And signalled spectral sails that crossed
The weird, low light of rising moons.
On stormy eves from cliff and head
We saw the white spray tossed and spurned;
While over all, in gold and red,
Its face of fire the lighthouse turned.
The rail-car brought its daily crowds,
Half curious, half indifferent,
Like passing sails or floating clouds,
We saw them as they came and went.
But, one calm morning, as we lay
And watched the mirage-lifted wall
Of coast, across the dreamy bay,
And heard afar the curlew call,
And nearer voices, wild or tame,
Of airy flock and childish throng,
Up from the water's edge there came
Faint snatches of familiar song.
Careless we heard the singer's choice
Of old and common airs; at last
The tender pathos of his voice
In one low chanson held us fast.
A song that mingled joy and pain,
And memories old and sadly sweet;
While, timing to its minor strain,
The waves in lapsing cadence beat.
. . . . .
The waves are glad in breeze and sun;
The rocks are fringed with foam;
I walk once more a haunted shore,
A stranger, yet at home,
A land of dreams I roam.
Is this the wind, the soft sea wind
That stirred thy locks of brown?
Are these the rocks whose mosses knew
The trail of thy light gown,
Where boy and girl sat down?
I see the gray fort's broken wall,
The boats that rock below;
And, out at sea, the passing sails
We saw so long ago
Rose-red in morning's glow.
The freshness of the early time
On every breeze is blown;
As glad the sea, as blue the sky,--
The change is ours alone;
The saddest is my own.
A stranger now, a world-worn man,
Is he who bears my name;
But thou, methinks, whose mortal life
Immortal youth became,
Art evermore the same.
Thou art not here, thou art not there,
Thy place I cannot see;
I only know that where thou art
The blessed angels be,
And heaven is glad for thee.
Forgive me if the evil years
Have left on me their sign;
Wash out, O soul so beautiful,
The many stains of mine
In tears of love divine!
I could not look on thee and live,
If thou wert by my side;
The vision of a shining one,
The white and heavenly bride,
Is well to me denied.
But turn to me thy dear girl-face
Without the angel's crown,
The wedded roses of thy lips,
Thy loose hair rippling down
In waves of golden brown.
Look forth once more through space and time,
And let thy sweet shade fall
In tenderest grace of soul and form
On memory's frescoed wall,
A shadow, and yet all!
Draw near, more near, forever dear!
Where'er I rest or roam,
Or in the city's crowded streets,
Or by the blown sea foam,
The thought of thee is home!
. . . . .
At breakfast hour the singer read
The city news, with comment wise,
Like one who felt the pulse of trade
Beneath his finger fall and rise.
His look, his air, his curt speech, told
The man of action, not of books,
To whom the corners made in gold
And stocks were more than seaside nooks.
Of life beneath the life confessed
His song had hinted unawares;
Of flowers in traffic's ledgers pressed,
Of human hearts in bulls and bears.
But eyes in vain were turned to watch
That face so hard and shrewd and strong;
And ears in vain grew sharp to catch
The meaning of that morning song.
In vain some sweet-voiced querist sought
To sound him, leaving as she came;
Her baited album only caught
A common, unromantic name.
No word betrayed the mystery fine,
That trembled on the singer's tongue;
He came and went, and left no sign
Behind him save the song he sung.
poem by John Greenleaf Whittier

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The Eve of St. John
The baron of Smaylho'me rose with day,
He spurr'd his courser on,
Without stop or stay, down the rocky way,
That leads to Brotherstone.
He went not with the bold Buccleuch,
His banner broad to rear;
He went not 'gainst the English yew,
To lift the Scottish spear.
Yet his plate-jack was braced, and his helmet was laced,
And his vaunt-brace of proof he wore;
At his saddle-gerthe was a good steel sperthe,
Full ten pound weight and more.
The Baron return'd in three days' space,
And his looks were sad and sour;
And weary was his courser's pace,
As he reach'd his rocky tower.
He came not from where Ancram Moor
Ran red with English blood;
Where the Douglas true, and the bold Buccleuch,
'Gainst keen Lord Evers stood.
Yet was his helmet hack'd and hew'd,
His acton pierced and tore,
His axe and his dagger with blood inbrued,-
But it was not English gore.
He lighted at the Chapellage,
He held him close and still;
And he whistled thrice for his little foot-page,
His name was English Will.
'Come thou hither, my little foot-page,
Come hither to my knee;
Though thou art young, and tender of age,
I think thou art true to me.
'Come, tell me all that thou hast seen,
And look thou tell me true!
Since I from Smaylho'me tower have been,
What did thy lady do?'-
'My lady, each night, sought the lonely light,
That burns on the wild Watchfold;
For, from height to height, the beacons bright
Of the English foemen told.
'The bittern clamour'd from the moss,
The wind blew loud and shrill;
Yet the craggy pathway she did cross
To the eiry Beacon Hill.
'I watch'd her steps, and silent came
Where she sat her on a stone;-
No watchman stood by the dreary flame,
It burned all alone.
'The second night I kept her in sight,
Till to the fire she came,
And, by Mary's might! an Armed Knight
Stood by the lonely flame.
'And many a word that warlike lord
Did speak to my lady there:
But the rain fell fast, and loud blew the blast,
And I heard not what they were.
'The third night there the sky was fair,
And the mountain-blast was still,
As again I watch'd the secret pair,
On the lonesome Beacon Hill.
'And I heard her name the midnight hour,
And name this holy eve;
And say, 'Come this night to thy lady's bower;
Ask no bold Baron's leave.
'He lifts his spear with the bold Buccleuch;
His lady is all alone;
The door she'll undo, to her knight so true,
On the eve of good St. John.'-
''I cannot come; I must not come;
I dare not come to thee;
On the eve of St. John I must wander alone:
In thy bower I may not be.'-
''Now, out on thee, faint-hearted knight!
Thou shouldst not say me nay;
For the eve is sweet, and when lovers meet,
Is worth the whole summer's day.
''And I'll chain the blood-hound, and the warder shall not sound,
And rushes shall be strew'd on the stair;
So, by the black rood-stone, and by Holy St. John,
I conjure thee, my love, to be there!'-
''Though the blood-hound be mute, and the rush beneath my foot,
And the warder his bugle should not blow,
Yet there sleepeth a priest in the chamber to the east,
And my footstep he would know.'-
''O fear not the priest, who sleepeth to the east!
For to Dryburgh the way he has ta'en;
And there to say mass, till three days do pass,
For the soul of a knight that is slayne.'-
'He turn'd him around, and grimly he frown'd;
Then he laugh'd right scornfully-
'He who says the mass-rite for the soul of that knight,
May as well say mass for me:
''At the lone midnight hour, when bad spirits have power,
In thy chamber will I be.'-
With that he was gone, and my lady left alone,
And no more did I see.'
Then changed, I trow, was that bold Baron's brow,
From the dark to the blood-red high;
'Now, tell me the mien of the knight thou hast seen,
For, by Mary, he shall die!'-
'His arms shone full bright, in the beacon's red light;
His plume it was scarlet and blue;
On his shield was a hound, in a silver leash bound,
And his crest was a branch of the yew.'-
'Thou liest, thou liest, thou little foot-page,
Loud dost thou lie to me!
For that knight is cold, and low laid in the mould,
All under the Eildon-tree.'-
'Yet hear but my word, my noble lord!
For I heard her name his name;
And that lady bright, she called the knight
Sir Richard of Coldinghame.'-
The bold Baron's brow then changed, I trow,
From high blood-red to pale -
'The grave is deep and dark - and the corpse is stiff and stark-
So I may not trust thy tale.
'Where fair Tweed flows round holy Melrose,
And Eildon slopes to the plain,
Full three nights ago, by some secret foe,
That gay gallant was slain.
'The varying light deceived thy sight,
And the wild winds drown'd the name;
For the Dryburgh bells ring, and the white monks do sing,
For Sir Richard of Coldinghame!'
He pass'd the court-gate, and he oped the tower-gate,
And he mounted the narow stair,
To the bartizan-seat, where, with maids that on her wait,
He found his lady fair.
That lady sat in mournful mood;
Look'd over hill and vale;
Over Tweed's fair flod, and Mertoun's wood,
And all down Teviotdale.
'Now hail, now hail, thou lady bright!'-
'Now hail, thou Baron true!
What news, what news, from Ancram fight?
What news from the bold Buccleuch?'-
'The Ancram Moor is red with gore,
For many a southron fell;
And Buccleuch has charged us, evermore,
To watch our beacons well.'-
The lady blush'd red, but nothing she said:
Nor added the Baron a word:
Then she stepp'd down the stair to her chamber fair,
And so did her moody lord.
In sleep the lady mourn'd, and the Baron toss'd and turn'd,
And oft to himself he said,-
'The worms around him creep, and his bloody grave is deep…..
It cannot give up the dead!'-
It was near the ringing of matin-bell,
The night was wellnigh done,
When a heavy sleep on that Baron fell,
On the eve of good St. John.
The lady look'd through the chamber fair,
By the light of a dying flame;
And she was aware of a knight stood there-
Sir Richard of Coldinghame!
'Alas! away, away!' she cried,
'For the holy Virgin's sake!'-
'Lady, I know who sleeps by thy side;
But, lady, he will not awake.
'By Eildon-tree, for long nights three,
In bloody grave have I lain;
The mass and the death-prayer are said for me,
But, lady, they are said in vain.
'By the Baron's brand, near Tweed's fair strand,
Most foully slain, I fell;
And my restless sprite on the beacon's height,
For a space is doom'd to dwell.
'At our trysting-place, for a certain space,
I must wander to and fro;
But I had not had power to come to thy bower
Had'st thou not conjured me so.'-
Love master'd fear - her brow she cross'd;
'How, Richard, hast thou sped?
And art thou saved, or art thou lost?'-
The vision shook his head!
'Who spilleth life, shall forfeit life;
So bid thy lord believe;
That lawless love is guilt above,
This awful sign receive.'
He laid his left palm on an oaken beam;
His right upon her hand;
The lady shrunk, and fainting sunk,
For it scorch'd like a fiery brand.
The sable score, of fingers, four,
Remains on that board impress'd;
And for evermore that lady wore
A covering on her wrist.
There is a nun in Dryburgh bower,
Ne'er looks upon the sun;
There is a monk in Melrose tower,
He speaketh word to none.
That nun, who ne'er beholds the day,
That monk, who speaks to none-
That nun was Smaylho'me's Lady gay,
That monk the bold Baron.
poem by Sir Walter Scott

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Our Lady's Well
Fount of the woods! thou art hid no more,
From Heaven's clear eye, as in time of yore!
For the roof hath sunk from thy mossy walls,
And the sun's free glance on thy slumber falls;
And the dim tree-shadows across thee pass,
As the boughs are sway'd o'er thy silvery glass;
And the reddening leaves to thy breast are blown,
When the autumn wind hath a stormy tone;
And thy bubbles rise to the flashing rain-
Bright Fount! thou art nature's own again!
Fount of the vale! thou art sought no more
By the pilgrim's foot, as in time of yore,
When he came from afar, his beads to tell,
And to chant his hymn at Our Lady's Well.
There is heard no Ave through thy bowers,
Thou art gleaming lone 'midst thy water-flowers!
But the herd may drink from thy gushing wave,
And there may the reaper his forehead lave,
And the woodman seeks thee not in vain-
-Bright Fount! thou art nature's own again!
Fount of the Virgin's ruin'd shrine!
A voice that speaks of the past is thine!
It mingles the tone of a thoughtful sigh,
With the notes that ring through the laughing sky;
'Midst the mirthful song of the summer-bird,
And the sound of the breeze, it will yet be heard!
-Why is it that thus we may gaze on thee,
To the brilliant sunshine sparkling free?
-'Tis that all on earth is of Time's domain-
He hath made thee nature's own again!
Fount of the chapel with ages grey!
Thou art springing freshly amidst decay!
Thy rites are closed, and thy cross lies low,
And the changeful hours breathe o'er thee now!
Yet if at thine altar one holy thought
In man's deep spirit of old hath wrought;
If peace to the mourner hath here been given,
Or prayer, from a chasten'd heart, to Heaven,
Be the spot still hallow'd while Time shall reign,
Who hath made thee nature's own again!
poem by Felicia Dorothea Hemans

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The Princes' Quest - Part the First
There was a time, it passeth me to say
How long ago, but sure 'twas many a day
Before the world had gotten her such store
Of foolish wisdom as she hath,-before
She fell to waxing gray with weight of years
And knowledge, bitter knowledge, bought with tears,-
When it did seem as if the feet of time
Moved to the music of a golden rhyme,
And never one false thread might woven be
Athwart that web of worldwide melody.
'Twas then there lived a certain queen and king,
Unvext of wars or other evil thing,
Within a spacious palace builded high,
Whence they might see their chiefest city lie
About them, and half hear from their tall towers
Its populous murmur through the daylight hours,
And see beyond its walls the pleasant plain.
One child they had, these blissful royal twain:
Of whom 'tis told-so more than fair was he-
There lurked at whiles a something shadowy
Deep down within the fairness of his face;
As 'twere a hint of some not-earthly grace,
Making the royal stripling rather seem
The very dreaming offspring of a dream
Than human child of human ancestry:
And something strange-fantastical was he,
I doubt not. Howsoever he upgrew,
And after certain years to manhood drew
Nigh, so that all about his father's court,
Seeing his graciousness of princely port,
Rejoiced thereat; and many maidens' eyes
Look'd pleased upon his beauty, and the sighs
Of many told I know not what sweet tales.
So, like to some fair ship with sunlit sails,
Glided his youth amid a stormless sea,
Till once by night there came mysteriously
A fateful wind, and o'er an unknown deep
Bore him perforce. It chanced that while in sleep
He lay, there came to him a strange dim dream.
'Twas like as he did float adown a stream,
In a lone boat that had nor sail nor oar
Yet seemed as it would glide for evermore,
Deep in the bosom of a sultry land
Fair with all fairness. Upon either hand
Were hills green-browed and mist-engarlanded,
And all about their feet were woods bespread,
Hoarding the cool and leafy silentness
In many an unsunned hollow and hid recess.
Nought of unbeauteous might be there espied;
But in the heart of the deep woods and wide,
And in the heart of all, was Mystery-
A something more than outer eye might see,
A something more than ever ear might hear.
The very birds that came and sang anear
Did seem to syllable some faery tongue,
And, singing much, to hold yet more unsung.
And heard at whiles, with hollow wandering tone,
Far off, as by some aery huntsmen blown,
Faint-echoing horns, among the mountains wound,
Made all the live air tremulous with sound.
So hour by hour (thus ran the Prince's dream)
Glided the boat along the broadening stream;
Till, being widowed of the sun her lord,
The purblind day went groping evenward:
Whereafter Sleep compelled to his mild yoke
The bubbling clear souls of the feathered folk,
Sealing the vital fountains of their song.
Howbeit the Prince went onward all night long
And never shade of languor came on him,
Nor any weariness his eyes made dim.
And so in season due he heard the breath
Of the brief winds that wake ere darkness' death
Sigh through the woods and all the valley wide:
The rushes by the water answering sighed:
Sighed all the river from its reedy throat.
And like a wingèd creature went the boat,
Over the errant water wandering free,
As some lone seabird over a lone sea.
And Morn pale-haired with watery wide eyes
Look'd up. And starting with a swift surprise,
Sprang to his feet the Prince, and forward leant,
His gaze on something right before him bent
That like a towered and templed city showed,
Afar off, dim with very light, and glowed
As burnished seas at sundawn when the waves
Make amber lightnings all in dim-roof'd caves
That fling mock-thunder back. Long leagues away,
Down by the river's green right bank it lay,
Set like a jewel in the golden morn:
But ever as the Prince was onward borne,
Nearer and nearer danced the dizzy fires
Of domes innumerable and sun-tipt spires
And many a sky-acquainted pinnacle,
Splendid beyond what mortal tongue may tell;
And ere the middle heat of day was spent,
He saw, by nearness thrice-magnificent,
Hardly a furlong's space before him lie
The City, sloping to the stream thereby.
And therewithal the boat of its own will
Close to the shore began to glide, until,
All of a sudden passing nigh to where
The glistering white feet of a marble stair
Ran to the rippled brink, the Prince outsprang
Upon the gleamy steps, and wellnigh sang
For joy, to be once more upon his feet,
Amid the green grass and the flowers sweet.
So on he paced along the river-marge,
And saw full many a fair and stately barge,
Adorned with strange device and imagery,
At anchor in the quiet waters lie.
And presently he came unto a gate
Of massy gold, that shone with splendid state
Of mystic hieroglyphs, and storied frieze
All overwrought with carven phantasies.
And in the shadow of the golden gate,
One in the habit of a porter sate,
And on the Prince with wondering eye looked he,
And greeted him with reverent courtesy,
Saying, 'Fair sir, thou art of mortal race,
The first hath ever journeyed to this place,-
For well I know thou art a stranger here,
As by the garb thou wearest doth appear;
And if thy raiment do belie thee not,
Thou should'st be some king's son. And well I wot,
If that be true was prophesied of yore,
A wondrous fortune is for thee in store;
For though I be not read in Doomful Writ,
Oft have I heard the wise expounding it,
And, of a truth, the fatal rolls declare
That the first mortal who shall hither fare
Shall surely have our Maiden-Queen to wife,
And while the world lives shall they twain have life.
'
Hereat, be sure, the wonder-stricken youth,
Holden in doubt if this were lies or truth,
Was tongue-tied with amaze, and sore perplext,
Unknowing what strange thing might chance him next,
And ere he found fit words to make reply,
The porter bade a youth who stood hard by
Conduct the princely stranger, as was meet,
Through the great golden gate into the street,
And thence o'er all the city, wheresoe'er
Was aught to show of wonderful or fair.
With that the Prince, beside his willing guide,
Went straightway through the gate, and stood inside
The wall, that, builded of a rare white stone,
Clasp'd all the city like a silver zone.
And thence down many a shining street they passed,
Each one appearing goodlier than the last,
Cool with the presence of innumerous trees
And fountains playing before palaces.
And whichsoever way the Prince might look,
Another marvel, and another, took
His wildered eyes with very wonderment.
And holding talk together as they went,
The Prince besought his guide to tell him why
Of all the many folk that passed them by
There was not one that had the looks of eld,
Or yet of life's mid-years; for they beheld
Only young men and maidens everywhere,
Nor ever saw they one that was not fair.
Whereat the stripling: 'Master, thou hast seen,
Belike, the river that doth flow between
Flowers and grasses at the city's feet?'
And when the Prince had rendered answer meet,
'Then,' said the other, 'know that whosoe'er
Drinks of the water thou beheldest there
(It matters not how many are his years)
Thenceforward from that moment he appears
Like as he was in youthly days, before
His passèd summers told beyond a score:
And so the people of this land possess
Unto all time their youth and comeliness.'
Scarce had his mouth made answer when there rose
Somewhat of tumult, ruffling the repose
Of the wide splendid street; and lifting up
His eyes, the Prince beheld a glittering troop
Of horsemen, each upon a beauteous steed,
Toward them coming at a gentle speed.
And as the cavalcade came on apace,
A sudden pleasure lit the stripling's face
Who bore him company and was his guide;
And 'Lo, thou shalt behold our queen,' he cried,-
'Even the fairest of the many fair;
With whom was never maiden might compare
For very loveliness!' While yet he spake,
On all the air a silver sound 'gan break
Of jubilant and many-tongued acclaim,
And in a shining car the bright queen came,
And looking forth upon the multitude
Her eyes beheld the stranger where he stood,
And round about him was the loyal stir:
And all his soul went out in love to her.
But even while her gaze met his, behold,
The city and its marvels manifold
Seemed suddenly removed far off, and placed
Somewhere in Twilight; and withal a waste
Of sudden waters lay like time between;
And over all that space he heard the queen
Calling unto him from her chariot;
And then came darkness. And the Dream was not.
poem by William Watson

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Srahmandazi
Deep embowered beside the forest river,
Where the flame of sunset only falls,
Lapped in silence lies the House of Dying,
House of them to whom the twilight calls.
There within when day was near to ending,
By her lord a woman young and strong,
By his chief a songman old and stricken
Watched together till the hour of song.
'O my songman, now the bow is broken,
Now the arrows one by one are sped,
Sing to me the song of Srahmandazi,
Srahmandazi, home of all the dead.'
Then the songman, flinging wide his songnet,
On the last token laid his master's hand,
While he sang the song of Srahmandazi,
None but dying men can understand.
'Yonder sun that fierce and fiery-hearted
Marches down the sky to vanish soon,
At the self-same hour in Srahmandazi
Rises pallid like the rainy moon.
'There he sees the heroes by their river,
Where the great fish daily upward swim;
Yet they are but shadows hunting shadows,
Phantom fish in waters drear and dim.
'There he sees the kings among their headmen,
Women weaving, children playing games;
Yet they are but shadows ruling shadows,
Phantom folk with dim forgotten names.
'Bid farewell to all that most thou lovest,
Tell thy heart thy living life is done;
All the days and deeds of Srahmandazi
Are not worth an hour of yonder sun.
Dreamily the chief from out the songnet
Drew his hand and touched the woman's head:
'Know they not, then, love in Srahmandazi?
Has a king no bride among the dead?'
Then the songman answered, 'O my master,
Love they know, but none may learn it there;
Only souls that reach that land together
Keep their troth and find the twilight fair.
'Thou art still a king, and at thy passing
By thy latest word must all abide:
If thou willest, here am I, thy songman;
If thou lovest, here is she, thy bride.'
Hushed and dreamy lay the House of Dying,
Dreamily the sunlight upward failed,
Dreamily the chief on eyes that loved him
Looked with eyes the coming twilight veiled.
Then he cried, 'My songman, I am passing;
Let her live, her life is but begun;
All the days and nights of Srahmandazi
Are not worth an hour of yonder sun.'
Yet, when there within the House of Dying
The last silence held the sunset air,
Not alone he came to Srahmandazi,
Not alone she found the twilight fair:
While the songman, far beneath the forest
Sang of Srahmandazi all night through,
'Lovely be thy name, O Land of shadows,
Land of meeting, Land of all the true!'
poem by Sir Henry Newbolt

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The Truce of Piscataqua
Raze these long blocks of brick and stone,
These huge mill-monsters overgrown;
Blot out the humbler piles as well,
Where, moved like living shuttles, dwell
The weaving genii of the bell;
Tear from the wild Cocheco's track
The dams that hold its torrents back;
And let the loud-rejoicing fall
Plunge, roaring, down its rocky wall;
And let the Indian's paddle play
On the unbridged Piscataqua!
Wide over hill and valley spread
Once more the forest, dusk and dread,
With here and there a clearing cut
From the walled shadows round it shut;
Each with its farm-house builded rude,
By English yeoman squared and hewed,
And the grim, flankered block-house bound
With bristling palisades around.
So, haply shall before thine eyes
The dusty veil of centuries rise,
The old, strange scenery overlay
The tamer pictures of to-day,
While, like the actors in a play,
Pass in their ancient guise along
The figures of my border song
What time beside Cocheco's flood
The white man and the red man stood,
With words of peace and brotherhood;
When passed the sacred calumet
From lip to lip with fire-draught wet,
And, puffed in scorn, the peace-pipe's smoke
Through the gray beard of Waldron broke,
And Squando's voice, in suppliant plea
For mercy, struck the haughty key
Of one who held, in any fate,
His native pride inviolate!
'Let your ears be opened wide!
He who speaks has never lied.
Waldron of Piscataqua,
Hear what Squando has to say!
'Squando shuts his eyes and sees,
Far off, Saco's hemlock-trees.
In his wigwam, still as stone,
Sits a woman all alone,
'Wampum beads and birchen strands
Dropping from her careless hands,
Listening ever for the fleet
Patter of a dead child's feet!
'When the moon a year ago
Told the flowers the time to blow,
In that lonely wigwam smiled
Menewee, our little child.
'Ere that moon grew thin and old,
He was lying still and cold;
Sent before us, weak and small,
When the Master did not call!
'On his little grave I lay;
Three times went and came the day,
Thrice above me blazed the noon,
Thrice upon me wept the moon.
'In the third night-watch I heard,
Far and low, a spirit-bird;
Very mournful, very wild,
Sang the totem of my child.
''Menewee, poor Menewee,
Walks a path he cannot see
Let the white man's wigwam light
With its blaze his steps aright.
''All-uncalled, he dares not show
Empty hands to Manito
Better gifts he cannot bear
Than the scalps his slayers wear.'
'All the while the totem sang,
Lightning blazed and thunder rang;
And a black cloud, reaching high,
Pulled the white moon from the sky.
'I, the medicine-man, whose ear
All that spirits bear can hear,-
I, whose eyes are wide to see
All the things that are to be,-
'Well I knew the dreadful signs
In the whispers of the pines,
In the river roaring loud,
In the mutter of the cloud.
'At the breaking of the day,
From the grave I passed away;
Flowers bloomed round me, birds sang glad,
But my heart was hot and mad.
'There is rust on Squando's knife,
From the warm, red springs of life;
On the funeral hemlock-trees
Many a scalp the totem sees.
'Blood for blood! But evermore
Squando's heart is sad and sore;
And his poor squaw waits at home
For the feet that never come!
'Waldron of Cocheco, hear!
Squando speaks, who laughs at fear;
Take the captives he has ta'en;
Let the land have peace again!'
As the words died on his tongue,
Wide apart his warriors swung;
Parted, at the sign he gave,
Right and left, like Egypt's wave.
And, like Israel passing free
Through the prophet-charmed sea,
Captive mother, wife, and child
Through the dusky terror filed.
One alone, a little maid,
Middleway her steps delayed,
Glancing, with quick, troubled sight,
Round about from red to white.
Then his hand the Indian laid
On the little maiden's head,
Lightly from her forehead fair
Smoothing back her yellow hair.
'Gift or favor ask I none;
What I have is all my own
Never yet the birds have sung,
Squando hath a beggar's tongue.'
'Yet for her who waits at home,
For the dead who cannot come,
Let the little Gold-hair be
In the place of Menewee!
'Mishanock, my little star!
Come to Saco's pines afar;
Where the sad one waits at home,
Wequashim, my moonlight, come!'
'What!' quoth Waldron, 'leave a child
Christian-born to heathens wild?
As God lives, from Satan's hand
I will pluck her as a brand!'
'Hear me, white man!' Squando cried;
'Let the little one decide.
Wequashim, my moonlight, say,
Wilt thou go with me, or stay?'
Slowly, sadly, half afraid,
Half regretfully, the maid
Owned the ties of blood and race,-
Turned from Squando's pleading face.
Not a word the Indian spoke,
But his wampum chain he broke,
And the beaded wonder hung
On that neck so fair and young.
Silence-shod, as phantoms seem
In the marches of a dream,
Single-filed, the grim array
Through the pine-trees wound away.
Doubting, trembling, sore amazed,
Through her tears the young child gazed.
'God preserve her!' Waldron said;
'Satan hath bewitched the maid!'
Years went and came. At close of day
Singing came a child from play,
Tossing from her loose-locked head
Gold in sunshine, brown in shade.
Pride was in the mother's look,
But her head she gravely shook,
And with lips that fondly smiled
Feigned to chide her truant child.
Unabashed, the maid began
'Up and down the brook I ran,
Where, beneath the bank so steep,
Lie the spotted trout asleep.
''Chip!' went squirrel on the wall,
After me I heard him call,
And the cat-bird on the tree
Tried his best to mimic me.
'Where the hemlocks grew so dark
That I stopped to look and hark,
On a log, with feather-hat,
By the path, an Indian sat.
'Then I cried, and ran away;
But he called, and bade me stay;
And his voice was good and mild
As my mother's to her child.
'And he took my wampum chain,
Looked and looked it o'er again;
Gave me berries, and, beside,
On my neck a plaything tied.'
Straight the mother stooped to see
What the Indian's gift might be.
On the braid of wampum hung,
Lo! a cross of silver swung.
Well she knew its graven sign,
Squando's bird and totem pine;
And, a mirage of the brain,
Flowed her childhood back again.
Flashed the roof the sunshine through,
Into space the walls outgrew;
On the Indian's wigwam-mat,
Blossom-crowned, again she sat.
Cool she felt the west-wind blow,
In her ear the pines sang low,
And, like links from out a chain,
Dropped the years of care and pain.
From the outward toil and din,
From the griefs that gnaw within,
To the freedom of the woods
Called the birds, and winds, and floods.
Well, O painful minister!
Watch thy flock, but blame not her,
If her ear grew sharp to hear
All their voices whispering near.
Blame her not, as to her soul
All the desert's glamour stole,
That a tear for childhood's loss
Dropped upon the Indian's cross.
When, that night, the Book was read,
And she bowed her widowed head,
And a prayer for each loved name
Rose like incense from a flame,
With a hope the creeds forbid
In her pitying bosom hid,
To the listening ear of Heaven
Lo! the Indian's name was given.
poem by John Greenleaf Whittier

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The Ballad of God-Makers
A bird flew out at the break of day
From the nest where it had curled,
And ere the eve the bird had set
Fear on the kings of the world.
The first tree it lit upon
Was green with leaves unshed;
The second tree it lit upon
Was red with apples red;
The third tree it lit upon
Was barren and was brown,
Save for a dead man nailed thereon
On a hill above a town.
That right the kings of the earth were gay
And filled the cup and can;
Last night the kings of the earth were chill
For dread of a naked man.
'If he speak two more words,' they said,
'The slave is more than the free;
If he speak three more words,' they said,
'The stars are under the sea.'
Said the King of the East to the King of the West,
I wot his frown was set,
'Lo; let us slay him and make him as dung,
It is well that the world forget.'
Said the King of the West to the King of the East,
I wot his smile was dread,
'Nay, let us slay him and make him a god,
It is well that our god be dead.'
They set the young man on a hill,
They nailed him to a rod;
And there in darkness and in blood
They made themselves a god.
And the mightiest word was left unsaid,
And the world had never a mark,
And the strongest man of the sons of men
Went dumb into the dark.
Then hymns and harps of praise they brought,
Incense and gold and myrrh,
And they thronged above the seraphim,
The poor dead carpenter.
'Thou art the prince of all,' they sang,
'Ocean and earth and air.'
Then the bird flew on to the cruel cross,
And hid in the dead man's hair.
'Thou art the sun of the world,' they cried,
'Speak if our prayers be heard.'
And the brown bird stirred in the dead man's hair,
And it seemed that the dead man stirred.
Then a shriek went up like the world's last cry
From all nations under heaven,
And a master fell before a slave
And begged to be forgiven.
They cowered, for dread in his wakened eyes
The ancient wrath to see;
And the bird flew out of the dead Christ's hair,
And lit on a lemon-tree.
poem by G.K. Chesterton from The Wild Knight and Other Poems (1900)

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Holy City
Holy City
We arrived here yesterday
Holy city
We sat foot here yesterday
Holy city
We felt in love with you already
Holy city
Is the city where our God was born
Holy city
Here we saw where God died in the cross with Pontius pilate
And risen from his death
Holy City
Today we end up in the Sea of Galilee
It is so good to breathe the fresh air from the Sea of Galilee
This sea is amazing
Holy city
This is a journey we will never forget in our lives
Holy city
Has been an interesting point in our lives
Holy city
Was a discovery of our roots
poem by Aldo Kraas

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