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Tales Of A Wayside Inn : Part 2. The Student's Second Tale; The Baron of St. Castine

Baron Castine of St. Castine
Has left his château in the Pyrenees,
And sailed across the western seas.
When he went away from his fair demesne
The birds were building, the woods were green;
And now the winds of winter blow
Round the turrets of the old château,
The birds are silent and unseen,
The leaves lie dead in the ravine,
And the Pyrenees are white with snow.

His father, lonely, old, and gray,
Sits by the fireside day by day,
Thinking ever one thought of care;
Through the southern windows, narrow and tall,
The sun shines into the ancient hall,
And makes a glory round his hair.
The house-dog, stretched beneath his chair,
Groans in his sleep as if in pain,
Then wakes, and yawns, and sleeps again,
So silent is it everywhere,--
So silent you can hear the mouse
Run and rummage along the beams
Behind the wainscot of the wall;
And the old man rouses from his dreams,
And wanders restless through the house,
As if he heard strange voices call.

His footsteps echo along the floor
Of a distant passage, and pause awhile;
He is standing by an open door
Looking long, with a sad, sweet smile,
Into the room of his absent son.
There is the bed on which he lay,
There are the pictures bright and gay,
Horses and hounds and sun-lit seas;
There are his powder-flask and gun,
And his hunting-knives in shape of a fan;
The chair by the window where he sat,
With the clouded tiger-skin for a mat,
Looking out on the Pyrenees,
Looking out on Mount Marboré
And the Seven Valleys of Lavedan.
Ah me! he turns away and sighs;
There is a mist before his eyes.

At night whatever the weather be,
Wind or rain or starry heaven,
Just as the clock is striking seven,
Those who look from the windows see
The village Curate, with lantern and maid,
Come through the gateway from the park
And cross the courtyard damp and dark,--
A ring of light in a ring of shade.

And now at the old man's side he stands,
His voice is cheery, his heart expands,
He gossips pleasantly, by the blaze
Of the fire of fagots, about old days,
And Cardinal Mazarin and the Fronde,
And the Cardinal's nieces fair and fond,
And what they did, and what they said,
When they heard his Eminence was dead.

And after a pause the old man says,
His mind still coming back again
To the one sad thought that haunts his brain,
'Are there any tidings from over sea?
Ah, why has that wild boy gone from me?'
And the Curate answers, looking down,
Harmless and docile as a lamb,
'Young blood! young blood! It must so be!'
And draws from the pocket of his gown
A handkerchief like an oriflamb,
And wipes his spectacles, and they play
Their little game of lansquenet
In silence for an hour or so,
Till the clock at nine strikes loud and clear
From the village lying asleep below,
And across the courtyard, into the dark
Of the winding pathway in the park,
Curate and lantern disappear,
And darkness reigns in the old château .
The ship has come back from over sea,
She has been signalled from below,
And into the harbor of Bordeaux
She sails with her gallant company.
But among them is nowhere seen
The brave young Baron of St. Castine;
He hath tarried behind, I ween,
In the beautiful land of Acadie!

And the father paces to and fro
Through the chambers of the old château ,
Waiting, waiting to hear the hum
Of wheels on the road that runs below,
Of servants hurrying here and there,
The voice in the courtyard, the step on the stair,
Waiting for some one who doth not come!
But letters there are, which the old man reads
To the Curate, when he comes at night
Word by word, as an acolyte
Repeats his prayers and tells his beads;
Letters full of the rolling sea,
Full of a young man's joy to be
Abroad in the world, alone and free;
Full of adventures and wonderful scenes
Of hunting the deer through forests vast
In the royal grant of Pierre du Gast;
Of nights in the tents of the Tarratines;
Of Madocawando the Indian chief,
And his daughters, glorious as queens,
And beautiful beyond belief;
And so soft the tones of their native tongue,
The words are not spoken, they are sung!

And the Curate listens, and smiling says:
'Ah yes, dear friend! in our young days
We should have liked to hunt the deer
All day amid those forest scenes,
And to sleep in the tents of the Tarratines;
But now it is better sitting here
Within four walls, and without the fear
Of losing our hearts to Indian queens;
For man is fire and woman is tow,
And the Somebody comes and begins to blow.'
Then a gleam of distrust and vague surmise
Shines in the father's gentle eyes,
As fire-light on a window-pane
Glimmers and vanishes again;
But naught he answers; he only sighs,
And for a moment bows his head;
Then, as their custom is, they play
Their little game of lansquenet,
And another day is with the dead.

Another day, and many a day
And many a week and month depart,
When a fatal letter wings its way
Across the sea, like a bird of prey,
And strikes and tears the old man's heart.
Lo! the young Baron of St. Castine,
Swift as the wind is, and as wild,
Has married a dusky Tarratine,
Has married Madocawando's child!

The letter drops from the father's hand;
Though the sinews of his heart are wrung,
He utters no cry, he breathes no prayer,
No malediction falls from his tongue;
But his stately figure, erect and grand,
Bends and sinks like a column of sand
In the whirlwind of his great despair.
Dying, yes, dying! His latest breath
Of parley at the door of death
Is a blessing on his wayward son.
Lower and lower on his breast
Sinks his gray head; he is at rest;
No longer he waits for any one.

For many a year the old château
Lies tenantless and desolate;
Rank grasses in the courtyard grow,
About its gables caws the crow;
Only the porter at the gate
Is left to guard it, and to wait
The coming of the rightful heir;
No other life or sound is there;
No more the Curate comes at night,
No more is seen the unsteady light,
Threading the alleys of the park;
The windows of the hall are dark,
The chambers dreary, cold, and bare!

At length, at last, when the winter is past,
And birds are building, and woods are green,
With flying skirts is the Curate seen
Speeding along the woodland way,
Humming gayly, 'No day is so long
But it comes at last to vesper-song.'
He stops at the porter's lodge to say
That at last the Baron of St. Castine
Is coming home with his Indian queen,
Is coming without a week's delay;
And all the house must be swept and clean,
And all things set in good array!
And the solemn porter shakes his head;
And the answer he makes is: 'Lackaday!
We will see, as the blind man said!'

Alert since first the day began,
The cock upon the village church
Looks northward from his airy perch,
As if beyond the ken of man
To see the ships come sailing on,
And pass the isle of Oléron,
And pass the Tower of Cordouan.

In the church below is cold in clay
The heart that would have leaped for joy?
O tender heart of truth and trust!?
To see the coming of that day;
In the church below the lips are dust;
Dust are the hands, and dust the feet,
That would have been so swift to meet
The coming of that wayward boy.

At night the front of the old château
Is a blaze of light above and below;
There's a sound of wheels and hoofs in the street,
A cracking of whips, and scamper of feet,
Bells are ringing, and horns are blown,
And the Baron hath come again to his own.
The Curate is waiting in the hall,
Most eager and alive of all
To welcome the Baron and Baroness;
But his mind is full of vague distress,
For he hath read in Jesuit books
Of those children of the wilderness,
And now, good, simple man! he looks
To see a painted savage stride
Into the room, with shoulders bare,
And eagle feathers in her hair,
And around her a robe of panther's hide.

Instead, he beholds with secret shame
A form of beauty undefined,
A loveliness with out a name,
Not of degree, but more of kind;
Nor bold nor shy, nor short nor tall,
But a new mingling of them all.
Yes, beautiful beyond belief,
Transfigured and transfused, he sees
The lady of the Pyrenees,
The daughter of the Indian chief.
Beneath the shadow of her hair
The gold-bronze color of the skin
Seems lighted by a fire within,
As when a burst of sunlight shines
Beneath a sombre grove of pines,--
A dusky splendor in the air.
The two small hands, that now are pressed
In his, seem made to be caressed,
They lie so warm and soft and still,
Like birds half hidden in a nest,
Trustful, and innocent of ill.
And ah! he cannot believe his ears
When her melodious voice he hears
Speaking his native Gascon tongue;
The words she utters seem to be
Part of some poem of Goudouli,
They are not spoken, they are sung!
And the Baron smiles, and says, 'You see,
I told you but the simple truth;
Ah, you may trust the eyes of youth!'

Down in the village day by day
The people gossip in their way,
And stared to see the Baroness pass
On Sunday morning to early Mass;
And when she kneeleth down to pray,
They wonder, and whisper together, and say,
'Surely this is no heathen lass!'
And in course of time they learn to bless
The Baron and the Baroness.

And in course of time the Curate learns
A secret so dreadful, that by turns
He is ice and fire, he freezes and burns.
The Baron at confession hath said,
That though this woman be his wife,
He hath wed her as the Indians wed,
He hath bought her for a gun and a knife!
And the Curate replies: 'O profligate,
O Prodigal Son! return once more
To the open arms and the open door
Of the Church, or ever it be too late.
Thank God, thy father did not live
To see what he could not forgive;
On thee, so reckless and perverse,
He left his blessing, not his curse.
But the nearer the dawn the darker the night,
And by going wrong all things come right;
Things have been mended that were worse,
And the worse, the nearer they are to mend.
For the sake of the living and the dead,
Thou shalt be wed as Christians wed,
And all things come to a happy end.'

O sun, that followest the night,
In yon blue sky, serene and pure,
And pourest thine impartial light
Alike on mountain and on moor,
Pause for a moment in thy course,
And bless the bridegroom and the bride!

O Gave, that from thy hidden source
In yon mysterious mountain-side
Pursuest thy wandering way alone,
And leaping down its steps of stone,
Along the meadow-lands demure
Stealest away to the Adour,
Pause for a moment in thy course
To bless the bridegroom and the bride!

The choir is singing the matin song,
The doors of the church are opened wide,
The people crowd, and press, and throng
To see the bridegroom and the bride.
They enter and pass along the nave;
They stand upon the father's grave;
The bells are ringing soft and slow;
The living above and the dead below
Give their blessing on one and twain;
The warm wind blows from the hills of Spain,
The birds are building, the leaves are green,
And Baron Castine of St. Castine
Hath come at last to his own again.

poem by Henry Wadsworth Longfellow
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English Eclogues V - The Witch

NATHANIEL.
Father! here father! I have found a horse-shoe!
Faith it was just in time, for t'other night
I laid two straws across at Margery's door,
And afterwards I fear'd that she might do me
A mischief for't. There was the Miller's boy
Who set his dog at that black cat of hers,
I met him upon crutches, and he told me
'Twas all her evil eye.

FATHER.
'Tis rare good luck;
I would have gladly given a crown for one
If t'would have done as well. But where did'st find it?

NATHANIEL.
Down on the Common; I was going a-field
And neighbour Saunders pass'd me on his mare;
He had hardly said 'good day,' before I saw
The shoe drop off; 'twas just upon my tongue
To call him back,--it makes no difference, does it.
Because I know whose 'twas?

FATHER.
Why no, it can't.
The shoe's the same you know, and you 'did find' it.

NATHANIEL.
That mare of his has got a plaguey road
To travel, father, and if he should lame her,
For she is but tender-footed,--

FATHER.
Aye, indeed--
I should not like to see her limping back
Poor beast! but charity begins at home,
And Nat, there's our own horse in such a way
This morning!

NATHANIEL.
Why he ha'nt been rid again!
Last night I hung a pebble by the manger
With a hole thro', and every body says
That 'tis a special charm against the hags.

FATHER.
It could not be a proper natural hole then,
Or 'twas not a right pebble,--for I found him
Smoking with sweat, quaking in every limb,
And panting so! God knows where he had been
When we were all asleep, thro' bush and brake
Up-hill and down-hill all alike, full stretch
At such a deadly rate!--

NATHANIEL.
By land and water,
Over the sea perhaps!--I have heard tell
That 'tis some thousand miles, almost at the end
Of the world, where witches go to meet the Devil.
They used to ride on broomsticks, and to smear
Some ointment over them and then away
Out of the window! but 'tis worse than all
To worry the poor beasts so. Shame upon it
That in a Christian country they should let
Such creatures live!

FATHER.
And when there's such plain proof!
I did but threaten her because she robb'd
Our hedge, and the next night there came a wind
That made me shake to hear it in my bed!
How came it that that storm unroofed my barn,
And only mine in the parish? look at her
And that's enough; she has it in her face--
A pair of large dead eyes, rank in her head,
Just like a corpse, and purs'd with wrinkles round,
A nose and chin that scarce leave room between
For her lean fingers to squeeze in the snuff,
And when she speaks! I'd sooner hear a raven
Croak at my door! she sits there, nose and knees
Smoak-dried and shrivell'd over a starved fire,
With that black cat beside her, whose great eyes
Shine like old Beelzebub's, and to be sure
It must be one of his imps!--aye, nail it hard.

NATHANIEL.
I wish old Margery heard the hammer go!
She'd curse the music.

FATHER.
Here's the Curate coming,
He ought to rid the parish of such vermin;
In the old times they used to hunt them out
And hang them without mercy, but Lord bless us!
The world is grown so wicked!

CURATE.
Good day Farmer!
Nathaniel what art nailing to the threshold?

NATHANIEL.
A horse-shoe Sir, 'tis good to keep off witchcraft,
And we're afraid of Margery.

CURATE.
Poor old woman!
What can you fear from her?

FATHER.
What can we fear?
Who lamed the Miller's boy? who rais'd the wind
That blew my old barn's roof down? who d'ye think
Rides my poor horse a'nights? who mocks the hounds?
But let me catch her at that trick again,
And I've a silver bullet ready for her,
One that shall lame her, double how she will.

NATHANIEL.
What makes her sit there moping by herself,
With no soul near her but that great black cat?
And do but look at her!

CURATE.
Poor wretch! half blind
And crooked with her years, without a child
Or friend in her old age, 'tis hard indeed
To have her very miseries made her crimes!
I met her but last week in that hard frost
That made my young limbs ache, and when I ask'd
What brought her out in the snow, the poor old woman
Told me that she was forced to crawl abroad
And pick the hedges, just to keep herself
From perishing with cold, because no neighbour
Had pity on her age; and then she cried,
And said the children pelted her with snow-balls,
And wish'd that she were dead.

FATHER.
I wish she was!
She has plagued the parish long enough!

CURATE.
Shame farmer!
Is that the charity your bible teaches?

FATHER.
My bible does not teach me to love witches.
I know what's charity; who pays his tithes
And poor-rates readier?

CURATE.
Who can better do it?
You've been a prudent and industrious man,
And God has blest your labour.

FATHER.
Why, thank God Sir,
I've had no reason to complain of fortune.

CURATE.
Complain! why you are wealthy. All the parish
Look up to you.

FATHER.
Perhaps Sir, I could tell
Guinea for guinea with the warmest of them.

CURATE.
You can afford a little to the poor,
And then what's better still, you have the heart
To give from your abundance.

FATHER.
God forbid
I should want charity!

CURATE.
Oh! 'tis a comfort
To think at last of riches well employ'd!
I have been by a death-bed, and know the worth
Of a good deed at that most awful hour
When riches profit not.
Farmer, I'm going
To visit Margery. She is sick I hear--
Old, poor, and sick! a miserable lot,
And death will be a blessing. You might send her
Some little matter, something comfortable,
That she may go down easier to the grave
And bless you when she dies.

FATHER.
What! is she going!
Well God forgive her then! if she has dealt
In the black art. I'll tell my dame of it,
And she shall send her something.

CURATE.
So I'll say;
And take my thanks for her's. ['goes']

FATHER.
That's a good man
That Curate, Nat, of ours, to go and visit
The poor in sickness; but he don't believe
In witchcraft, and that is not like a christian.

NATHANIEL.
And so old Margery's dying!

FATHER.
But you know
She may recover; so drive t'other nail in!

poem by Robert Southey
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Lemnos Harbour

The island sleeps,-but it has no delight
For em, to whom that sleep has been unkind.
My thoughts are long of what seems long ago,
And long, too, are my dreams. I do not know
These trailing glories of the star-strewn night
Or the slow sough of the wind.

I hear the rattle of the moving car;
The children crying in the lighted street,
I walk along the same old asphalt way.
I see the church,-I hear the organ play.
I see the hills I wandered on afar,
And spots of rain at my feet.

I see the dust-strewn hedge,-the latched gate;
The gravelled path with roses either side;
The cedar tree,-my mother’s window pane.
I see the place where I sat long and late
By the trellis deep and wide.

The red Virginia crumbles at the wall.
The bed is bare where winter’s snow-drops grew.
I feel my dog come licking at my hand.
I pause awhile beside the door, I stand.
And hear the well-known footsteps softly fall
And the voices that I knew.

I slowly creep and peep beneath the blind.
-My father reads his book within his chair.
Some children play their game of dominoes.
My mother sits beside the fire and sews;
Her head is bowed. I know her eyes are kind
By the grey lines in her hair.

I tap the pane to see those tears unshed.
I see all turn, and watch them sadly stirred
By the sound, and peer to see my face without.
They see, and smile, I hear no welcome shout.
They sit and gaze as they that see the dead,
But no one says a word.

The island sleeps. May sleep come soon to me,
And lull these dreams within my shaken mind;
-These dreams that tell me I have seen the last
of those I left so,-loved so in the past.
* * *
I hear the murmur of the moving sea,
And the murmur of the wind.

poem by Leon Gellert
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Gone

Another hand is beckoning us,
Another call is given;
And glows once more with Angel-steps
The path which reaches Heaven.

Our young and gentle friend, whose smile
Made brighter summer hours,
Amid the frosts of autumn time
Has left us with the flowers.

No paling of the cheek of bloom
Forewarned us of decay;
No shadow from the Silent Land
Fell round our sister's way.

The light of her young life went down,
As sinks behind the hill
The glory of a setting star,
Clear, suddenly, and still.

As pure and sweet, her fair brow seemed
Eternal as the sky;
And like the brook's low song, her voice,--
A sound which could not die.

And half we deemed she needed not
The changing of her sphere,
To give to Heaven a Shining One,
Who walked an Angel here.

The blessing of her quiet life
Fell on us like the dew;
And good thoughts where her footsteps pressed
Like fairy blossoms grew.

Sweet promptings unto kindest deeds
Were in her very look;
We read her face, as one who reads
A true and holy book,

The measure of a blessed hymn,
To which our hearts could move;
The breathing of an inward psalm,
A canticle of love.

We miss her in the place of prayer,
And by the hearth-fire's light;
We pause beside her door to hear
Once more her sweet 'Good-night!'

There seems a shadow on the day,
Her smile no longer cheers;
A dimness on the stars of night,
Like eyes that look through tears.

Alone unto our Father's will
One thought hath reconciled;
That He whose love exceedeth ours
Hath taken home His child.

Fold her, O Father! in Thine arms,
And let her henceforth be
A messenger of love between
Our human hearts and Thee.

Still let her mild rebuking stand
Between us and the wrong,
And her dear memory serve to make
Our faith in Goodness strong.

And grant that she who, trembling, here
Distrusted all her powers,
May welcome to her holier home
The well-beloved of ours.

poem by John Greenleaf Whittier
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Come Home, Father!

'Tis The
SONG OF LITTLE MARY,
Standing at the bar-room door
While the shameful midnight revel
Rages wildly as before.

Father, dear father, come home with me now!
The clock in the steeple strikes one;
You said you were coming right home from the shop,
As soon as your day's work was done.
Our fire has gone out our house is all dark
And mother's been watching since tea, --
With poor brother Benny so sick in her arms,
And no one to help her but me. --
Come home! come home! come home! --
Please, father, dear father, come home. --

Hear the sweet voice of the child
Which the night winds repeat as they roam!
Oh who could resist this most plaintive of prayers?
"Please, father, dear father, come home."

Father, dear father, come home with me now!
The clock in the steeple strikes two;
The night has grown colder, and Benny is worse
But he has been calling for you.
Indeed he is worse Ma says he will die,
Perhaps before morning shall dawn; --
And this is the message she sent me to bring
"Come quickly, or he will be gone." --
Come home! come home! come home! --
Please, father, dear father, come home. --

Hear the sweet voice of the child
Which the night winds repeat as they roam!
Oh who could resist this most plaintive of prayers?
"Please, father, dear father, come home."

Father, dear father, come home with me now!
The clock in the steeple strikes three;
The house is so lonely the hours are so long
For poor weeping mother and me.
Yes, we are alone poor Benny is dead,
And gone with the angels of light; --
And these were the very last words that he said
"I want to kiss Papa good night." --
Come home! come home! come home! --
Please, father, dear father, come home. --

Hear the sweet voice of the child
Which the night winds repeat as they roam!
Oh who could resist this most plaintive of prayers?
"Please, father, dear father, come home."

poem by Henry Clay Work
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Tales Of A Wayside Inn : Part 3. The Musician's Tale; The Mother's Ghost

Svend Dyring he rideth adown the glade;
I myself was young!
There he hath wooed him so winsome a maid;
Fair words gladden so many a heart.
Together were they for seven years,
And together children six were theirs.
Then came Death abroad through the land,
And blighted the beautiful lily-wand.
Svend Dyring he rideth adown the glade,
And again hath he wooed him another maid,
He hath wooed him a maid and brought home a bride,
But she was bitter and full of pride.
When she came driving into the yard,
There stood the six children weeping so hard.
There stood the small children with sorrowful heart;
From before her feet she thrust them apart.
She gave to them neither ale nor bread;
'Ye shall suffer hunger and hate,' she said.
She took from them their quilts of blue,
And said: 'Ye shall lie on the straw we strew.'
She took from them the great waxlight;
'Now ye shall lie in the dark at night.'
In the evening late they cried with cold;
The mother heard it under the mould.
The woman heard it the earth below:
'To my little children I must go.'
She standeth before the Lord of all:
'And may I go to my children small?'
She prayed him so long, and would not cease,
Until he bade her depart in peace.
'At cock-crow thou shalt return again;
Longer thou shalt not there remain!'
She girded up her sorrowful bones,
And rifted the walls and the marble stones.
As through the village she flitted by,
The watch-dogs howled aloud to the sky.
When she came to the castle gate,
There stood her eldest daughter in wait.
'Why standest thou here, dear daughter mine?
How fares it with brothers and sisters thine?'
'Never art thou mother of mine,
For my mother was both fair and fine.
'My mother was white, with cheeks of red,
But thou art pale, and like to the dead.'
'How should I be fair and fine?
I have been dead; pale cheeks are mine.
'How should I be white and red,
So long, so long have I been dead?'
When she came in at the chamber door,
There stood the small children weeping sore.
One she braided, another she brushed,
The third she lifted, the fourth she hushed.
The fifth she took on her lap and pressed,
As if she would suckle it at her breast.
Then to her eldest daughter said she,
'Do thou bid Svend Dyring come hither to me.'
Into the chamber when he came
She spake to him in anger and shame.
'I left behind me both ale and bread;
My children hunger and are not fed.
'I left behind me quilts of blue;
My children lie on the straw ye strew.
'I left behind me the great waxlight;
My children lie in the dark at night.
'If I come again unto your hall,
As cruel a fate shall you befall!
'Now crows the cock with feathers red;
Back to the earth must all the dead.
'Now crows the cock with feathers swart;
The gates of heaven fly wide apart.
'Now crows the cock with feathers white;
I can abide no longer to-night.'
Whenever they heard the watch-dogs wail,
They gave the children bread and ale.
Whenever they heard the watch-dogs bay,
They feared lest the dead were on their way.
Whenever they heard the watch-dogs bark;
I myself was young!
They feared the dead out there in the dark.
Fair words gladden so many a heart.

poem by Henry Wadsworth Longfellow
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The Spells Of Home

There blend the ties that strengthen
Our hearts in hours of grief,
The silver links that lengthen
Joy's visits when most brief.
BERNARD BARTON.

BY the soft green light in the woody glade,
On the banks of moss where thy childhood play'd;
By the household tree thro' which thine eye
First look'd in love to the summer-sky,
By the dewy gleam, by the very breath
Of the primrose tufts in the grass beneath,
Upon thy heart there is laid a spell,
Holy and precious oh! guard it well!

By the sleepy ripple of the stream,
Which hath lull'd thee into many a dream;
By the shiver of the ivy-leaves
To the wind of morn at thy casement-eaves,
By the bee's deep murmur in the limes,
By the music of the Sabbath-chimes,
By every sound of thy native shade,
Stronger and dearer the spell is made.

By the gathering round the winter hearth,
When twilight call'd unto household mirth;
By the fairy tale or the legend old
In that ring of happy faces told;
By the quiet hour when hearts unite
In the parting prayer and the kind 'Good-night;'
By the smiling eye and the loving tone,
Over thy life has the spell been thrown.

And bless that gift! it hath gentle might,
A guardian power and a guiding light.

It hath led the freeman forth to stand
In the mountain-battles of his land;
It hath brought the wanderer o'er the seas
To die on the hills of his own fresh breeze;
And back to the gates of his father's hall,
It hath led the weeping prodigal.

Yes! when thy heart in its pride would stray
From the pure first loves of its youth away;
When the sullying breath of the world would come
O'er the flowers it brought from its childhood's home;
Think thou again of the woody glade,
And the sound by the rustling ivy made,
Think of the tree at thy father's door,
And the kindly spell shall have power once more!

poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,
The moon flies face to face with me."
"Aye, look and say whatever you see,
Little brother."
(O Mother, Mary Mother,
What sight to-night, between Hell and Heaven?)

"Outside it's merry in the wind's wake,
Sister Helen;
In the shaken trees the chill stars shake."
"Hush, heard you a horse-tread as you spake,
Little brother?"
(O Mother, Mary Mother,
What sound to-night, between Hell and Heaven?)

"I hear a horse-tread, and I see,
Sister Helen,
Three horsemen that ride terribly."
"Little brother, whence come the three,
Little brother?"
(O Mother, Mary Mother,
Whence should they come, between Hell and Heaven?)

"They come by the hill-verge from Boyne Bar,
Sister Helen,
And one draws nigh, but two are afar."
"Look, look, do you know them who they are,
Little brother?"
(O Mother, Mary Mother,
Who should they be, between Hell and Heaven?)

"Oh, it's Keith of Eastholm rides so fast,
Sister Helen,
For I know the white mane on the blast."
"The hour has come, has come at last,
Little brother!"
(O Mother, Mary Mother,
Her hour at last, between Hell and Heaven!)

"He has made a sign and called Halloo!
Sister Helen,
And he says that he would speak with you."
"Oh tell him I fear the frozen dew,
Little brother."
(O Mother, Mary Mother,
Why laughs she thus, between Hell and Heaven?)

"The wind is loud, but I hear him cry,
Sister Helen,
That Keith of Ewern's like to die."
"And he and thou, and thou and I,
Little brother."
(O Mother, Mary Mother,
And they and we, between Hell and Heaven!)

"Three days ago, on his marriage-morn,
Sister Helen,
He sicken'd, and lies since then forlorn."
"For bridegroom's side is the bride a thorn,
Little brother?"
(O Mother, Mary Mother,
Cold bridal cheer, between Hell and Heaven!)

"Three days and nights he has lain abed,
Sister Helen,
And he prays in torment to be dead."
"The thing may chance, if he have pray'd,
Little brother!"
(O Mother, Mary Mother,
If he have pray'd, between Hell and Heaven!)

"But he has not ceas'd to cry to-day,
Sister Helen,
That you should take your curse away."
"My prayer was heard,--he need but pray,
Little brother!"
(O Mother, Mary Mother,
Shall God not hear, between Hell and Heaven?)

"But he says, till you take back your ban,
Sister Helen,
His soul would pass, yet never can."
"Nay then, shall I slay a living man,
Little brother?"
(O Mother, Mary Mother,
A living soul, between Hell and Heaven!)

"But he calls for ever on your name,
Sister Helen,
And says that he melts before a flame."
"My heart for his pleasure far'd the same,
Little brother."
(O Mother, Mary Mother,
Fire at the heart, between Hell and Heaven!)

"Here's Keith of Westholm riding fast,
Sister Helen,
For I know the white plume on the blast."
"The hour, the sweet hour I forecast,
Little brother!"
(O Mother, Mary Mother,
Is the hour sweet, between Hell and Heaven?)

"He stops to speak, and he stills his horse,
Sister Helen;
But his words are drown'd in the wind's course."
"Nay hear, nay hear, you must hear perforce,
Little brother!" .
(O Mother, Mary Mother,
What word now heard, between Hell and Heaven?)

"Oh he says that Keith of Ewern's cry,
Sister Helen,
Is ever to see you ere he die."
"In all that his soul sees, there am I
Little brother!"
(O Mother, Mary Mother,
The soul's one sight, between Hell and Heaven!)

"He sends a ring and a broken coin,
Sister Helen,
And bids you mind the banks of Boyne."
"What else he broke will he ever join,
Little brother?"
(O Mother, Mary Mother,
No, never join'd, between Hell and Heaven!)

"He yields you these and craves full fain,
Sister Helen,
You pardon him in his mortal pain."
"What else he took will he give again,
Little brother?"
(O Mother, Mary Mother,
Not twice to give, between Hell and Heaven!)

"He calls your name in an agony,
Sister Helen,
That even dead Love must weep to see."
"Hate, born of Love, is blind as he,
Little brother!"
(O Mother, Mary Mother,
Love turn'd to hate, between Hell and Heaven!)

"Oh it's Keith of Keith now that rides fast,
Sister Helen,
For I know the white hair on the blast."
"The short short hour will soon be past,
Little brother!"
(O Mother, Mary Mother,
Will soon be past, between Hell and Heaven!)

"He looks at me and he tries to speak,
Sister Helen,
But oh! his voice is sad and weak!"
"What here should the mighty Baron seek,
Little brother?"
(O Mother, Mary Mother,
Is this the end, between Hell and Heaven?)

"Oh his son still cries, if you forgive,
Sister Helen,
The body dies but the soul shall live."
"Fire shall forgive me as I forgive,
Little brother!"
(O Mother, Mary Mother,
As she forgives, between Hell and Heaven!)

"Oh he prays you, as his heart would rive,
Sister Helen,
To save his dear son's soul alive."
"Fire cannot slay it, it shall thrive,
Little brother!"
(O Mother, Mary Mother,
Alas, alas, between Hell and Heaven!)

"He cries to you, kneeling in the road,
Sister Helen,
To go with him for the love of God!"
"The way is long to his son's abode,
Little brother."
(O Mother, Mary Mother,
The way is long, between Hell and Heaven!)

"A lady's here, by a dark steed brought,
Sister Helen,
So darkly clad, I saw her not."
"See her now or never see aught,
Little brother!"
(O Mother, Mary Mother,
What more to see, between Hell and Heaven?)

"Her hood falls back, and the moon shines fair,
Sister Helen,
On the Lady of Ewern's golden hair."
"Blest hour of my power and her despair,
Little brother!"
(O Mother, Mary Mother,
Hour blest and bann'd, between Hell and Heaven!)

"Pale, pale her cheeks, that in pride did glow,
Sister Helen,
'Neath the bridal-wreath three days ago."
"One morn for pride and three days for woe,
Little brother!"
(O Mother, Mary Mother,
Three days, three nights, between Hell and Heaven!)

"Her clasp'd hands stretch from her bending head,
Sister Helen;
With the loud wind's wail her sobs are wed."
"What wedding-strains hath her bridal-bed,
Little brother?"
(O Mother, Mary Mother,
What strain but death's, between Hell and Heaven?)

"She may not speak, she sinks in a swoon,
Sister Helen,--
She lifts her lips and gasps on the moon."
"Oh! might I but hear her soul's blithe tune,
Little brother!"
(O Mother, Mary Mother,
Her woe's dumb cry, between Hell and Heaven!)

"They've caught her to Westholm's saddle-bow,
Sister Helen,
And her moonlit hair gleams white in its flow."
"Let it turn whiter than winter snow,
Little brother!"
(O Mother, Mary Mother,
Woe-wither'd gold, between Hell and Heaven!)

"O Sister Helen, you heard the bell,
Sister Helen!
More loud than the vesper-chime it fell."
"No vesper-chime, but a dying knell,
Little brother!"
(O Mother, Mary Mother,
His dying knell, between Hell and Heaven!)

"Alas! but I fear the heavy sound,
Sister Helen;
Is it in the sky or in the ground?"
"Say, have they turn'd their horses round,
Little brother?"
(O Mother, Mary Mother,
What would she more, between Hell and Heaven?)

"They have rais'd the old man from his knee,
Sister Helen,
And they ride in silence hastily."
"More fast the naked soul doth flee,
Little brother!"
(O Mother, Mary Mother,
The naked soul, between Hell and Heaven!)

"Flank to flank are the three steeds gone,
Sister Helen,
But the lady's dark steed goes alone."
"And lonely her bridegroom's soul hath flown,
Little brother."
(O Mother, Mary Mother,
The lonely ghost, between Hell and Heaven!)

"Oh the wind is sad in the iron chill,
Sister Helen,
And weary sad they look by the hill."
"But he and I are sadder still,
Little brother!"
(O Mother, Mary Mother,
Most sad of all, between Hell and Heaven!)

"See, see, the wax has dropp'd from its place,
Sister Helen,
And the flames are winning up apace!"
"Yet here they burn but for a space,
Little brother! "
(O Mother, Mary Mother,
Here for a space, between Hell and Heaven!)

"Ah! what white thing at the door has cross'd,
Sister Helen?
Ah! what is this that sighs in the frost?"
"A soul that's lost as mine is lost,
Little brother!"
(O Mother, Mary Mother,
Lost, lost, all lost, between Hell and Heaven!)

poem by Dante Gabriel Rossetti
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The American Forest Girl

Wildly and mournfully the Indian drum
On the deep hush of moonlight forests broke;
'Sing us a death-song, for thine hour is come,
So the red warriors to their captive spoke.
Still, and amidst those dusky forms alone,
A youth, a fair-hair'd youth of England stood,
Like a king's son; tho' from his cheek had flown
The mantling crimson of the island-blood,
And his press'd lips look'd marble. Fiercely bright,
And high around him, blaz'd the fires of night,

Rocking beneath the cedars to and fro,
As the wind pass'd, and with a fitful glow
Lighting the victim's face: But who could tell
Of what within his secret heart befel,
Known but to heaven that hour? Perchance a thought
Of his far home then so intensely wrought,
That its full image, pictur'd to his eye
On the dark ground of mortal agony,
Rose clear as day! and he might see the band,
Of his young sisters wand'ring hand in hand,
Where the laburnums droop'd; or haply binding
The jasmine, up the door's low pillars winding;
Or, as day clos'd upon their gentle mirth,
Gathering with braided hair, around the hearth
Where sat their mother; and that mother's face
Its grave sweet smile yet wearing in the place
Where so it ever smiled!Perchance the prayer
Learn'd at her knee came back on his despair;

The blessing from her voice, the very tone
Of her 'Good-night' might breathe from boyhood gone!
He started and look'd up: thick cypress boughs
Full of strange sound, wav'd o'er him, darkly red
In the broad stormy firelight; savage brows,
With tall plumes crested and wild hues o'erspread,
Girt him like feverish phantoms; and pale stars
Look'd thro' the branches as thro' dungeon bars,
Shedding no hope. He knew, he felt his doom
Oh! what a tale to shadow with its gloom
That happy hall in England! Idle fear!
Would the winds tell it? Who might dream or hear
The secret of the forests? to the stake
They bound him; and that proud young soldier strove
His father's spirit in his breast to wake,
Trusting to die in silence! He, the love
Of many hearts! the fondly rear'd, the fair,
Gladdening all eyes to see! And fetter'd there.

He stood beside his death-pyre, and the brand
Flamed up to light it, in the chieftain's hand.
He thought upon his God. Hush! hark! a cry
Breaks on the stern and dread solemnity,
A step hath pierc'd the ring! Who dares intrude
On the dark hunters in their vengeful mood?
A girl a young slight girl a fawn-like child
Of green Savannas and the leafy wild,
Springing unmark'd till then, as some lone flower,
Happy because the sunshine is its dower;
Yet one that knew how early tears are shed,
For hers had mourn'd a playmate brother dead.

She had sat gazing on the victim long,
Until the pity of her soul grew strong;
And, by its passion's deep'ning fervour sway'd,
Ev'n to the stake she rush'd, and gently laid
His bright head on her bosom, and around
His form her slender arms to shield it wound
Like close liannes; then rais'd her glittering eye
And clear-toned voice that said, 'He shall not die!'

'He shall not die!' the gloomy forest thrill'd
To that sweet sound. A sudden wonder fell
On the fierce throng; and heart and hand were still'd,
Struck down, as by the whisper of a spell.
They gaz'd their dark souls bow'd before the maid,
She of the dancing step in wood and glade!
And, as her cheek flush'd thro' its olive hue,
As her black tresses to the night-wind flew,
Something o'ermaster'd them from that young mien–
Something of heaven, in silence felt and seen;
And seeming, to their child-like faith, a token
That the Great Spirit by her voice had spoken.

They loos'd the bonds that held their captive's breath;
From his pale lips they took the cup of death;
They quench'd the brand beneath the cypress tree;
'Away,' they cried, 'young stranger, thou art free!'

poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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The Eve of St. John

The baron of Smaylho'me rose with day,
He spurr'd his courser on,
Without stop or stay, down the rocky way,
That leads to Brotherstone.

He went not with the bold Buccleuch,
His banner broad to rear;
He went not 'gainst the English yew,
To lift the Scottish spear.

Yet his plate-jack was braced, and his helmet was laced,
And his vaunt-brace of proof he wore;
At his saddle-gerthe was a good steel sperthe,
Full ten pound weight and more.

The Baron return'd in three days' space,
And his looks were sad and sour;
And weary was his courser's pace,
As he reach'd his rocky tower.

He came not from where Ancram Moor
Ran red with English blood;
Where the Douglas true, and the bold Buccleuch,
'Gainst keen Lord Evers stood.

Yet was his helmet hack'd and hew'd,
His acton pierced and tore,
His axe and his dagger with blood inbrued,-
But it was not English gore.

He lighted at the Chapellage,
He held him close and still;
And he whistled thrice for his little foot-page,
His name was English Will.

'Come thou hither, my little foot-page,
Come hither to my knee;
Though thou art young, and tender of age,
I think thou art true to me.

'Come, tell me all that thou hast seen,
And look thou tell me true!
Since I from Smaylho'me tower have been,
What did thy lady do?'-

'My lady, each night, sought the lonely light,
That burns on the wild Watchfold;
For, from height to height, the beacons bright
Of the English foemen told.

'The bittern clamour'd from the moss,
The wind blew loud and shrill;
Yet the craggy pathway she did cross
To the eiry Beacon Hill.

'I watch'd her steps, and silent came
Where she sat her on a stone;-
No watchman stood by the dreary flame,
It burned all alone.

'The second night I kept her in sight,
Till to the fire she came,
And, by Mary's might! an Armed Knight
Stood by the lonely flame.

'And many a word that warlike lord
Did speak to my lady there:
But the rain fell fast, and loud blew the blast,
And I heard not what they were.

'The third night there the sky was fair,
And the mountain-blast was still,
As again I watch'd the secret pair,
On the lonesome Beacon Hill.

'And I heard her name the midnight hour,
And name this holy eve;
And say, 'Come this night to thy lady's bower;
Ask no bold Baron's leave.

'He lifts his spear with the bold Buccleuch;
His lady is all alone;
The door she'll undo, to her knight so true,
On the eve of good St. John.'-

''I cannot come; I must not come;
I dare not come to thee;
On the eve of St. John I must wander alone:
In thy bower I may not be.'-

''Now, out on thee, faint-hearted knight!
Thou shouldst not say me nay;
For the eve is sweet, and when lovers meet,
Is worth the whole summer's day.

''And I'll chain the blood-hound, and the warder shall not sound,
And rushes shall be strew'd on the stair;
So, by the black rood-stone, and by Holy St. John,
I conjure thee, my love, to be there!'-

''Though the blood-hound be mute, and the rush beneath my foot,
And the warder his bugle should not blow,
Yet there sleepeth a priest in the chamber to the east,
And my footstep he would know.'-

''O fear not the priest, who sleepeth to the east!
For to Dryburgh the way he has ta'en;
And there to say mass, till three days do pass,
For the soul of a knight that is slayne.'-

'He turn'd him around, and grimly he frown'd;
Then he laugh'd right scornfully-
'He who says the mass-rite for the soul of that knight,
May as well say mass for me:

''At the lone midnight hour, when bad spirits have power,
In thy chamber will I be.'-
With that he was gone, and my lady left alone,
And no more did I see.'

Then changed, I trow, was that bold Baron's brow,
From the dark to the blood-red high;
'Now, tell me the mien of the knight thou hast seen,
For, by Mary, he shall die!'-

'His arms shone full bright, in the beacon's red light;
His plume it was scarlet and blue;
On his shield was a hound, in a silver leash bound,
And his crest was a branch of the yew.'-

'Thou liest, thou liest, thou little foot-page,
Loud dost thou lie to me!
For that knight is cold, and low laid in the mould,
All under the Eildon-tree.'-

'Yet hear but my word, my noble lord!
For I heard her name his name;
And that lady bright, she called the knight
Sir Richard of Coldinghame.'-

The bold Baron's brow then changed, I trow,
From high blood-red to pale -
'The grave is deep and dark - and the corpse is stiff and stark-
So I may not trust thy tale.

'Where fair Tweed flows round holy Melrose,
And Eildon slopes to the plain,
Full three nights ago, by some secret foe,
That gay gallant was slain.

'The varying light deceived thy sight,
And the wild winds drown'd the name;
For the Dryburgh bells ring, and the white monks do sing,
For Sir Richard of Coldinghame!'

He pass'd the court-gate, and he oped the tower-gate,
And he mounted the narow stair,
To the bartizan-seat, where, with maids that on her wait,
He found his lady fair.

That lady sat in mournful mood;
Look'd over hill and vale;
Over Tweed's fair flod, and Mertoun's wood,
And all down Teviotdale.

'Now hail, now hail, thou lady bright!'-
'Now hail, thou Baron true!
What news, what news, from Ancram fight?
What news from the bold Buccleuch?'-

'The Ancram Moor is red with gore,
For many a southron fell;
And Buccleuch has charged us, evermore,
To watch our beacons well.'-

The lady blush'd red, but nothing she said:
Nor added the Baron a word:
Then she stepp'd down the stair to her chamber fair,
And so did her moody lord.

In sleep the lady mourn'd, and the Baron toss'd and turn'd,
And oft to himself he said,-
'The worms around him creep, and his bloody grave is deep…..
It cannot give up the dead!'-

It was near the ringing of matin-bell,
The night was wellnigh done,
When a heavy sleep on that Baron fell,
On the eve of good St. John.

The lady look'd through the chamber fair,
By the light of a dying flame;
And she was aware of a knight stood there-
Sir Richard of Coldinghame!

'Alas! away, away!' she cried,
'For the holy Virgin's sake!'-
'Lady, I know who sleeps by thy side;
But, lady, he will not awake.

'By Eildon-tree, for long nights three,
In bloody grave have I lain;
The mass and the death-prayer are said for me,
But, lady, they are said in vain.

'By the Baron's brand, near Tweed's fair strand,
Most foully slain, I fell;
And my restless sprite on the beacon's height,
For a space is doom'd to dwell.

'At our trysting-place, for a certain space,
I must wander to and fro;
But I had not had power to come to thy bower
Had'st thou not conjured me so.'-

Love master'd fear - her brow she cross'd;
'How, Richard, hast thou sped?
And art thou saved, or art thou lost?'-
The vision shook his head!

'Who spilleth life, shall forfeit life;
So bid thy lord believe;
That lawless love is guilt above,
This awful sign receive.'

He laid his left palm on an oaken beam;
His right upon her hand;
The lady shrunk, and fainting sunk,
For it scorch'd like a fiery brand.

The sable score, of fingers, four,
Remains on that board impress'd;
And for evermore that lady wore
A covering on her wrist.

There is a nun in Dryburgh bower,
Ne'er looks upon the sun;
There is a monk in Melrose tower,
He speaketh word to none.

That nun, who ne'er beholds the day,
That monk, who speaks to none-
That nun was Smaylho'me's Lady gay,
That monk the bold Baron.

poem by Sir Walter Scott
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The Sword Of The Tomb : A Northern Legend

'Voice of the gifted elder time!
Voice of the charm and the Runic rhyme!
Speak! from the shades and the depths disclose,
How Sigurd may vanquish his mortal foes;
Voice of the buried past!

'Voice of the grave! 'tis the mighty hour,
When night with her stars and dreams hath power,
And my step hath been soundless on the snows,
And the spell I have sung hath laid repose
On the billow and the blast.'

Then the torrents of the North,
And the forest pines were still,
While a hollow chant came forth
From the dark sepulchral hill.

'There shines no sun 'midst the hidden dead,
But where the day looks not the brave may tread;
There is heard no song, and no mead is pour'd,
But the warrior may come to the silent board
In the shadow of the night.

'There is laid a sword in thy father's tomb,
And its edge is fraught with thy foeman's doom;
But soft be thy step through the silence deep,
And move not the urn in the house of sleep,
For the viewless have fearful might!'

Then died the solemn lay,
As a trumpet's music dies,
By the night-wind borne away
Through the wild and stormy skies.

The fir-trees rock'd to the wailing blast,
As on through the forest the warrior pass'd,-
Through the forest of Odin, the dim and old,
The dark place of visions and legends, told
By the fires of Northern pine.

The fir-trees rock'd, and the frozen ground
Gave back to his footstep a hollow sound;
And it seem'd that the depths of those awful shades,
From the dreary gloom of their long arcades,
Gave warning, with voice and sign.

But the wind strange magic knows
To call wild shape and tone
From the grey wood's tossing boughs
When night is on her throne.

The pines clos'd o'er him with deeper gloom,
As he took the path to the monarch's tomb;
The pole-star shone, and the heavens were bright
With the arrowy streams of the northern light,
But his road through dimness lay!

He pass'd, in the heart of that ancient wood,
The dark shrine stain'd with the victim's blood:
Nor paus'd, till the rock where a vaulted bed
Had been hewn of old for the kingly dead,
Arose on his midnight way.

Then first a moment's chill
Went shuddering through his breast,
And the steel-clad man stood still
Before that place of rest.

But he cross'd at length, with a deep-drawn breath,
The threshold-floor of the hall of Death,
And look'd on the pale mysterious fire
Which gleam'd from the urn of his warrior-sire,
With a strange and solemn light.

Then darkly the words of the boding strain
Like an omen rose on his soul again,
-'Soft be thy step through the silence deep,
And move not the urn in the house of sleep,
For the viewless have fearful might!'

But the gleaming sword and shield
Of many a battle-day
Hung o'er that urn, reveal'd
By the tomb-fire's waveless ray.

With a faded wreath of oak-leaves bound,
They hung o'er the dust of the far-renown'd,
Whom the bright Valkyriur's warning voice
Had call'd to the banquet where gods rejoice,
And the rich mead flows in light.

With a beating heart his son drew near,
And still rang the verse in his thrilling ear,
-'Soft be thy step through the silence deep,
And move not the urn in the house of sleep,
For the viewless have fearful might!'

And many a Saga's rhyme,
And legend of the grave,
That shadowy scene and time
Call'd back, to daunt the brave.

But he rais'd his arm-and the flame grew dim,
And the sword in its light seem'd to wave and swim,
And his faltering hand could not grasp it well-
From the pale oak-wreath, with a clash it fell
Through the chamber of the dead!

The deep tomb rang with the heavy sound,
And the urn lay shiver'd in fragments round;
And a rush, as of tempests, quench'd the fire,
And the scatter'd dust of his warlike sire
Was strewn on the Champion's head.

One moment-and all was still
In the slumberer's ancient hall,
When the rock had ceas'd to thrill
With the mighty weapon's fall.

The stars were just fading, one by one,
The clouds were just ting'd by the early sun,
When there stream'd through the cavern a torch's flame,
And the brother of Sigurd the valiant came
To seek him in the tomb.

Stretch'd on his shield, like the steel-girt slain
By moonlight seen on the battle-plain,
In a speechless trance lay the warrior there,
But he wildly woke when the torch's glare
Burst on him through the gloom.

'The morning wind blows free,
And the hour of chase is near:
Come forth, come forth, with me!
What dost thou, Sigurd, here?'

'I have put out the holy sepulchral fire,
I have scatter'd the dust of my warrior-sire!
It burns on my head, and it weighs down my heart;
But the winds shall not wander without their part
To strew o'er the restless deep!

'In the mantle of death he was here with me now,-
There was wrath in his eye, there was gloom on his brow;
And his cold still glance on my spirit fell
With an icy ray and a withering spell-
Oh! chill is the house of sleep!'

'The morning wind blows free,
And the reddening sun shines clear;
Come forth come forth, with me!
It is dark and fearful here!'

'He is there, he is there, with his shadowy frown!
But gone from his head is the kingly crown,
The crown from his head, and the spear from his hand,-
They have chas'd him far from the glorious land
Where the feast of the gods is spread!

'He must go forth alone on his phantom steed;
He must ride o'er the grave-hills with stormy speed;
His place is no longer at Odin's board,
He is driven from Valhalla without his sword!
But the slayer shall avenge the dead!'

That sword its fame had won
By the fall of many a crest,
But its fiercest work was done
In the tomb on Sigurd's breast!

poem by Felicia Dorothea Hemans
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Lost In The Mist

THE thin white snow-streaks pencilling
That mountain's shoulder gray,
While in the west the pale green sky
Smiled back the dawning day,
Till from the misty east the sun
Was of a sudden born
Like a new soul in Paradise--
How long it seems since morn!

One little hour, O round red sun,
And thou and I shall come
Unto the golden gate of rest,
The open door of home:
One little hour, O weary sun,
Delay the threatened eve
Till my tired feet that pleasant door
Enter and never leave.

Ye rooks that fly in slender file
Into the thick'ning gloom,
Ye'll scarce have reached your grim gray tower
Ere I have reached my home;
Plover, that thrills the solitude
With such an eerie cry,
Seek you your nest ere night-fall comes,
As my heart's nest seek I.

O light, light heart and heavy feet,
Patience a little while!
Keep the warm love-light in these eyes,
And on these lips the smile:
Out-speed the mist, the gathering mist
That follows o'er the moor!--
The darker grows the world without
The brighter seems that door.
O door, so close yet so far off;
O mist that nears and nears!
What, shall I faint in sight of home?
Blinded--but not with tears--
'T is but the mist, the cruel mist,
Which chills this heart of mine:
These eyes, too weak to see that light--
It has not ceased to shine.

A little further, further yet:
The white mist crawls and crawls;
It hems me around, it shuts me in
Its great sepulchral walls:
No earth--no sky--no path--no light--
A silence like the tomb:
O me, it is too soon to die--
And I was going home!

A little further, further yet:
My limbs are young,--my heart--
O heart, it is not only life
That feels it hard to part:
Poor lips, slow freezing into calm,
Numbed hands that helpless fall,
And, a mile off, warm lips, fond hands,
Waiting to welcome all!

I see the pictures in the room,
The figures moving round,
The very flicker of the fire
Upon the patterned ground:
O that I were the shepherd-dog
That guards their happy door!
Or even the silly household cat
That basks upon the floor!

O that I sat one minute's space
Where I have sat so long!
O that I heard one little word
Sweeter than angel's song!
A pause--and then the table fills,
The harmless mirth brims o'er;
While I--O can it be God's will?--
I die, outside the door.

My body fails--my desperate soul
Struggles before it go:
The bleak air's full of voices wild,
But not the voice I know;
Dim shapes come wandering through the dark:
With mocking, curious stares,
Faces long strange peer glimmering by--
But not one face of theirs.

Lost, lost, and such a little way
From that dear sheltering door!
Lost, lost, out of the loving arms
Left empty evermore!
His will be done. O, gate of heaven,
Fairer than earthly door,
Receive me! Everlasting arms,
Enfold me evermore!

And so, farewell * * * * *
What is this touch
Upon my closing eyes?
My name too, that I thought to hear
Next time in Paradise?
Warm arms--close lips--O, saved, saved, saved!
Across the deathly moor
Sought, found--and yonder through the night
Shineth the blessed door.

poem by Dinah Maria Mulock Craik
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Hermaphroditus

I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.

II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.

III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?

IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?

Au Musée du Louvre, Mars 1863.

poem by Algernon Charles Swinburne
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Robert Buchanan

’T WAS the body of Judas Iscariot
Lay in the Field of Blood;
’T was the soul of Judas Iscariot
Beside the body stood.

Black was the earth by night
And black was the sky;
Black, black were the broken clouds,
Tho’ the red Moon went by.

’T was the body of Judas Iscariot
Strangled and dead lay there;
’T was the soul of Judas Iscariot
Look’d on it in despair.

The breath of the World came and went
Like a sick man’s in rest;
Drop by drop on the World’s eyes
The dews fell cool and blest.

Then the soul of Judas Iscariot
Did make a gentle moan—
“I will bury underneath the ground
My flesh and blood and bone.

“I will bury deep beneath the soil,
Lest mortals look thereon,
And when the wolf and raven come
The body will be gone!

“The stones of the field are sharp as steel,
And hard and bold, God wot;
And I must bear my body hence
Until I find a spot!”

’T was the soul of Judas Iscariot
So grim, and gaunt, and gray,
Rais’d the body of Judas Iscariot,
And carried it away.

And as he bare it from the field
Its touch was cold as ice,
And the ivory teeth within the jaw
Rattled aloud, like dice.

As the soul of Judas Iscariot
Carried its load with pain,
The Eye of Heaven, like a lanthorn’s eye,
Open’d and shut again.

Half he walk’d, and half he seem’d
Lifted on the cold wind;
He did not turn, for chilly hands
Were pushing from behind.

The first place that he came unto
It was the open wold,
And underneath were prickly whins,
And a wind that blew so cold.

The next place that he came unto
It was a stagnant pool,
And when he threw the body in
It floated light as wool.

He drew the body on his back,
And it was dripping chill,
And the next place that he came unto
Was a Cross upon a hill.

A Cross upon the windy hill,
And a Cross on either side,
Three skeletons that swing thereon,
Who had been crucified.

And on the middle crossbar sat
A white Dove slumbering;
Dim it sat in the dim light,
With its head beneath its wing.

And underneath the middle Cross
A grave yawn’d wide and vast,
But the soul of Judas Iscariot
Shiver’d, and glided past.

The fourth place that he came unto
It was the Brig of Dread,
And the great torrents rushing down
Were deep, and swift, and red.

He dar’d not fling the body in
For fear of faces dim,
And arms were wav’d in the wild water
To thrust it back to him.

’T was the soul of Judas Iscariot
Turn’d from the Brig of Dread,
And the dreadful foam of the wild water
Had splash’d the body red.

For days and nights he wander’d on
Upon an open plain,
And the days went by like blinding mist,
And the nights like rushing rain.

For days and nights he wander’d on,
All thro’ the Wood of Woe;
And the nights went by like moaning wind,
And the days like drifting snow.

’T was the soul of Judas Iscariot
Came with a weary face—
Alone, alone, and all alone,
Alone in a lonely place!

He wander’d east, he wander’d west,
And heard no human sound;
For months and years, in grief and tears,
He wander’d round and round.

For months and years, in grief and tears,
He walk’d the silent night;
Then the soul of Judas Iscariot
Perceiv’d a far-off light.

A far-off light across the waste,
As dim as dim might be,
That came and went like a lighthouse gleam
On a black night at sea.

’T was the soul of Judas Iscariot
Crawl’d to the distant gleam;
And the rain came down, and the rain was blown
Against him with a scream.

For days and nights he wander’d on,
Push’d on by hands behind;
And the days went by like black, black rain,
And the nights like rushing wind.

’T was the soul of Judas Iscariot,
Strange, and sad, and tall,
Stood all alone at dead of night
Before a lighted hall.

And the wold was white with snow,
And his footmarks black and damp,
And the ghost of the silver Moon arose,
Holding her yellow lamp.

And the icicles were on the eaves,
And the walls were deep with white,
And the shadows of the guests within
Pass’d on the window light.

The shadows of the wedding guests
Did strangely come and go,
And the body of Judas Iscariot
Lay stretch’d along the snow.

The body of Judas Iscariot
Lay stretch’d along the snow;
’T was the soul of Judas Iscariot
Ran swiftly to and fro.

To and fro, and up and down,
He ran so swiftly there,
As round and round the frozen Pole
Glideth the lean white bear.

’T was the Bridegroom sat at the tablehead,
And the lights burn’d bright and clear—
“Oh, who is that,” the Bridegroom said,
“Whose weary feet I hear?”

’T was one look’d from the lighted hall,
And answer’d soft and slow,
“It is a wolf runs up and down
With a black track in the snow.”

The Bridegroom in his robe of white
Sat at the tablehead—
“Oh, who is that who moans without?”
The blessed Bridegroom said.

’T was one look’d from the lighted hall,
And answer’d fierce and low,
“’T is the soul of Judas Iscariot
Gliding to and fro.”

’T was the soul of Judas Iscariot
Did hush itself and stand,
And saw the Bridegroom at the door
With a light in his hand.

The Bridegroom stood in the open door,
And he was clad in white,
And far within the Lord’s Supper
Was spread so long and bright.

The Bridegroom shaded his eyes and look’d,
And his face was bright to see—
“What dost thou here at the Lord’s Supper
With thy body’s sins?” said he.

’T was the soul of Judas Iscariot
Stood black, and sad, and bare—
“I have wander’d many nights and days;
There is no light elsewhere.”

’T was the wedding guests cried out within,
And their eyes were fierce and bright—
“Scourge the soul of Judas Iscariot
Away into the night!”

The Bridegroom stood in the open door,
And he wav’d hands still and slow,
And the third time that he wav’d his hands
The air was thick with snow.

And of every flake of falling snow,
Before it touch’d the ground,
There came a dove, and a thousand doves
Made sweet sound.

’T was the body of Judas Iscariot
Floated away full fleet,
And the wings of the doves that bare it off
Were like its winding-sheet.

’T was the Bridegroom stood at the open door,
And beckon’d, smiling sweet;
’T was the soul of Judas Iscariot
Stole in, and fell at his feet.

“The Holy Supper is spread within,
And the many candles shine,
And I have waited long for thee
Before I pour’d the wine!”

The supper wine is pour’d at last,
The lights burn bright and fair,
Iscariot washes the Bridegroom’s feet,
And dries them with his hair.

poem by William Cosmo Monkhouse
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The Pilgrims

Who is your lady of love, O ye that pass
Singing? and is it for sorrow of that which was
That ye sing sadly, or dream of what shall be?
For gladly at once and sadly it seems ye sing.
--Our lady of love by you is unbeholden;
For hands she hath none, nor eyes, nor lips, nor golden
Treasure of hair, nor face nor form; but we
That love, we know her more fair than anything.
--Is she a queen, having great gifts to give?
--Yea, these; that whoso hath seen her shall not live
Except he serve her sorrowing, with strange pain,
Travail and bloodshedding and bitterer tears;
And when she bids die he shall surely die.
And he shall leave all things under the sky
And go forth naked under sun and rain
And work and wait and watch out all his years.

--Hath she on earth no place of habitation?
--Age to age calling, nation answering nation,
Cries out, Where is she? and there is none to say;
For if she be not in the spirit of men,
For if in the inward soul she hath no place,
In vain they cry unto her, seeking her face,
In vain their mouths make much of her; for they
Cry with vain tongues, till the heart lives again.

--O ye that follow, and have ye no repentance?
For on your brows is written a mortal sentence,
An hieroglyph of sorrow, a fiery sign,
That in your lives ye shall not pause or rest,
Nor have the sure sweet common love, nor keep
Friends and safe days, nor joy of life nor sleep.
--These have we not, who have one thing, the divine
Face and clear eyes of faith and fruitful breast.

--And ye shall die before your thrones be won.
--Yea, and the changed world and the liberal sun
Shall move and shine without us, and we lie
Dead; but if she too move on earth and live,
But if the old world with all the old irons rent
Laugh and give thanks, shall we be not content?
Nay, we shall rather live, we shall not die,
Life being so little and death so good to give.

--And these men shall forget you.--Yea, but we
Shall be a part of the earth and the ancient sea,
And heaven-high air august, and awful fire,
And all things good; and no man's heart shall beat
But somewhat in it of our blood once shed
Shall quiver and quicken, as now in us the dead
Blood of men slain and the old same life's desire
Plants in their fiery footprints our fresh feet.

--But ye that might be clothed with all things pleasant,
Ye are foolish that put off the fair soft present,
That clothe yourselves with the cold future air;
When mother and father and tender sister and brother
And the old live love that was shall be as ye,
Dust, and no fruit of loving life shall be.
--She shall be yet who is more than all these were,
Than sister or wife or father unto us or mother.

--Is this worth life, is this, to win for wages?
Lo, the dead mouths of the awful grey-grown ages,
The venerable, in the past that is their prison,
In the outer darkness, in the unopening grave,
Laugh, knowing how many as ye now say have said,
How many, and all are fallen, are fallen and dead:
Shall ye dead rise, and these dead have not risen?
--Not we but she, who is tender and swift to save.

--Are ye not weary and faint not by the way,
Seeing night by night devoured of day by day,
Seeing hour by hour consumed in sleepless fire?
Sleepless: and ye too, when shall ye too sleep?
--We are weary in heart and head, in hands and feet,
And surely more than all things sleep were sweet,
Than all things save the inexorable desire
Which whoso knoweth shall neither faint nor weep.

--Is this so sweet that one were fain to follow?
Is this so sure where all men's hopes are hollow.
Even this your dream, that by much tribulation
Ye shall make whole flawed hearts, and bowed necks straight?
--Nay, though our life were blind, our death were fruitless,
Not therefore were the whole world's high hope rootless;
But man to man, nation would turn to nation,
And the old life live, and the old great world be great.

--Pass on then and pass by us and let us be,
For what light think ye after life to see?
And if the world fare better will ye know?
And if man triumph who shall seek you and say?
--Enough of light is this for one life's span,
That all men born are mortal, but not man:
And we men bring death lives by night to sow,
That man may reap and eat and live by day.

poem by Algernon Charles Swinburne
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The Suliote Mother

She stood upon the loftiest peak,
Amidst the clear blue sky,
A bitter smile was on her cheek,
And a dark flash in her eye.

'Dost thou see then, boy?-through the dusky pines
Dost thou see where the foeman's armour shines?
Hast thou caught the gleam of the conqueror's crest?
My babe, that I cradled on my breast!
Wouldst thou spring from thy mother's arms with joy?
-That sight hath cost thee a father, boy!'

For in the rocky strait beneath,
Lay Suliote sire and son;
They had heap'd high the piles of death
Before the pass was won.

'They have cross'd the torrent, and on they come!
Woe for the mountain hearth and home!
There, where the hunter laid by his spear,
There, where the lyre hath been sweet to hear,
There, where I sang thee, fair babe! to sleep,
Nought but the blood-stain our trace shall keep!'

And now the horn's loud blast was heard,
And now the cymbal's clang,
Till ev'n the upper air was stirr'd,
As cliff and hollow rang.

'Hark! they bring music, my joyous child!
What saith the trumpet to Suli's wild!
Doth it light thine eye with so quick a fire,
As if at a glance of thine armed sire?
-Still!-be thou still!-there are brave men low-
Thou wouldst not smile couldst thou seem him now!'

But nearer came the clash of steel,
And louder swell'd the horn,
And farther yet the tambour's peal
Through the dark pass was borne.

'Hear'st thou the sound of their savage mirth?
-Boy! thou wert free when I gave thee birth,
Free, and how cherish'd, my warrior's son!
He too hath bless'd thee, as I have done!
Aye, and unchain'd must his lov'd ones be-
-Freedom, young Suliote! for thee and me!'

And from the arrowy peak she sprung,
And fast the fair child bore,
A veil upon the wind was flung,
A cry-and all was o'er!

poem by Felicia Dorothea Hemans
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The New Wife and the Old

Dark the halls, and cold the feast,
Gone the bridemaids, gone the priest.
All is over, all is done,
Twain of yesterday are one!
Blooming girl and manhood gray,
Autumn in the arms of May!

Hushed within and hushed without,
Dancing feet and wrestlers' shout;
Dies the bonfire on the hill;
All is dark and all is still,
Save the starlight, save the breeze
Moaning through the graveyard trees,
And the great sea-waves below,
Pulse of the midnight beating slow.

From the brief dream of a bride
She hath wakened, at his side.
With half-uttered shriek and start,-
Feels she not his beating heart?
And the pressure of his arm,
And his breathing near and warm?

Lightly from the bridal bed
Springs that fair dishevelled head,
And a feeling, new, intense,
Half of shame, half innocence,
Maiden fear and wonder speaks
Through her lips and changing cheeks.

From the oaken mantel glowing,
Faintest light the lamp is throwing
On the mirror's antique mould,
High-backed chair, and wainscot old,
And, through faded curtains stealing,
His dark sleeping face revealing.

Listless lies the strong man there,
Silver-streaked his careless hair;
Lips of love have left no trace
On that hard and haughty face;
And that forehead's knitted thought
Love's soft hand hath not unwrought.

'Yet,' she sighs, 'he loves me well,
More than these calm lips will tell.
Stooping to my lowly state,
He hath made me rich and great,
And I bless him, though he be
Hard and stern to all save me!'

While she speaketh, falls the light
O'er her fingers small and white;
Gold and gem, and costly ring
Back the timid lustre fling,-
Love's selectest gifts, and rare,
His proud hand had fastened there.

Gratefully she marks the glow
From those tapering lines of snow;
Fondly o'er the sleeper bending
His black hair with golden blending,
In her soft and light caress,
Cheek and lip together press.

Ha!-that start of horror! why
That wild stare and wilder cry,
Full of terror, full of pain?
Is there madness in her brain?
Hark! that gasping, hoarse and low,
'Spare me,-spare me,-let me go!'

God have mercy!-icy cold
Spectral hands her own enfold,
Drawing silently from them
Love's fair gifts of gold and gem.
'Waken! save me!' still as death
At her side he slumbereth.

Ring and bracelet all are gone,
And that ice-cold hand withdrawn;
But she hears a murmur low,
Full of sweetness, full of woe,
Half a sigh and half a moan
'Fear not! give the dead her own!'

Ah!-the dead wife's voice she knows!
That cold hand whose pressure froze,
Once in warmest life had borne
Gem and band her own hath worn.
'Wake thee! wake thee!' Lo, his eyes
Open with a dull surprise.

In his arms the strong man folds her,
Closer to his breast he holds her;
Trembling limbs his own are meeting,
And he feels her heart's quick beating
'Nay, my dearest, why this fear?'
'Hush!' she saith, 'the dead is here!'

'Nay, a dream,-an idle dream.'
But before the lamp's pale gleam
Tremblingly her hand she raises.
There no more the diamond blazes,
Clasp of pearl, or ring of gold,-
'Ah!' she sighs, 'her hand was cold!'

Broken words of cheer he saith,
But his dark lip quivereth,
And as o'er the past he thinketh,
From his young wife's arms he shrinketh;
Can those soft arms round him lie,
Underneath his dead wife's eye?

She her fair young head can rest
Soothed and childlike on his breast,
And in trustful innocence
Draw new strength and courage thence;
He, the proud man, feels within
But the cowardice of sin!

She can murmur in her thought
Simple prayers her mother taught,
And His blessed angels call,
Whose great love is over all;
He, alone, in prayerless pride,
Meets the dark Past at her side!

One, who living shrank with dread
From his look, or word, or tread,
Unto whom her early grave
Was as freedom to the slave,
Moves him at this midnight hour,
With the dead's unconscious power!

Ah, the dead, the unforgot!
From their solemn homes of thought,
Where the cypress shadows blend
Darkly over foe and friend,
Or in love or sad rebuke,
Back upon the living look.

And the tenderest ones and weakest,
Who their wrongs have borne the meekest,
Lifting from those dark, still places,
Sweet and sad-remembered faces,
O'er the guilty hearts behind
An unwitting triumph find.

poem by John Greenleaf Whittier
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The Bird's Release

Go forth, for she is gone!
With the golden light of her wavy hair,
She is gone to the fields of the viewless air;
She hath left her dwelling lone!

Her voice hath pass'd away!
It hath pass'd away like a summer breeze,
When it leaves the hills for the far blue seas,
Where we may not trace its way.

Go forth, and like her be free!
With thy radiant wing, and thy glancing eye,
Thou hast all the range of the sunny sky,
And what is our grief to thee?

Is it aught ev'n to her we mourn?
Doth she look on the tears by her kindred shed?
Doth she rest with the flowers o'er her gentle head,
Or float on the light wind borne?

We know not-but she is gone!
Her step from the dance, her voice from the song,
And the smile of her eye from the festal throng;-
-She hath left her dwelling lone!

When the waves at sunset shine,
We may hear thy voice, amidst thousands more,
In the scented woods of our glowing shore,
But we shall not know 'tis thine!

Ev'n so with the lov'd one flown!
Her smile in the starlight may wander by,
Her breath may be near in the wind's low sigh,
Around us-but all unknown.

Go forth, we have loos'd thy chain!
We may deck thy cage with the richest flowers,
Which the bright day rears in our eastern bowers,
But thou wilt not be lur'd again.

Ev'n thus may the summer pour
All fragrant things on the land's green breast,
And the glorious earth like a bride be dress'd,
But it wins her back no more!

poem by Felicia Dorothea Hemans
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A Woman's Mood

I THINK to-night I could bear it all,
Even the arrow that cleft the core,—
Could I wait again for your swift footfall,
And your sunny face coming in at the door.
With the old frank look and the gay young smile,
And the ring of the words you used to say;
I could almost deem the pain worth while,
To greet you again in the olden way!
But you stand without in the dark and cold,
And I may not open the long closed door,
Nor call thro’ the night, with the love of old,—
“Come into the warmth, as in nights of yore!”
I kneel alone in the red fire-glow,
And hear the wings of the wind sweep by;
You are out afar in the night, I know,
And the sough of the wind is like a cry.

You are out afar—and I wait within,
A grave-eyed woman whose pulse is slow;
The flames round the red coals softly spin,
And the lonely room’s in a rosy glow.
The firelight falls on your vacant chair,
And the soft brown rug where you used to stand;
Dear, never again shall I see you there,
Nor lift my head for your seeking hand.

Yet sometimes still, and in spite of all,
I wistful look at the fastened door,
And wait again for the swift footfall,
And the gay young voice as in hours of yore.
It still seems strange to be here alone,
With the rising sob of the wind without;
The sound takes a deep, insisting tone,
Where the trees are swinging their arms about.

Its moaning reaches the sheltered room,
And thrills my heart with a sense of pain;
I walk to the window, and pierce the gloom,
With a yearning look that is all in vain.
You are out in a night of depths that hold
No promise of dawning for you and me,
And only a ghost from the life of old
Has come from the world of memory!

You are out evermore! God wills it so!
But ah! my spirit is yearning yet!
As I kneel alone by the red fire-glow,
My eyes grow dim with the old regret.
O when shall the aching throb grow still,
The warm love-life turn cold at the core!
Must I be watching, against my will,
For your banished face in the opening door?

It may be, dear, when the sequel’s told
Of the story, read to its bitter close;
When the inner meanings of life unfold,
And the under-side of our being shows—
It may be then, in that truer light,
When all our knowledge has larger grown,
I may understand why you stray to-night,
And I am left, with the past, alone.

poem by Jenning Carmichael
Submitted by Poetry Lover
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The Soul's Quest

PART I

IN the land that is neither night nor day,
Where the mists sleep over the forests grey,
A sad, sad spirit wandered away.
The woods are still—no brooks, no wind,
No fair green meadows can she find;
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But a low red light in the sky behind.
Far over the plain, to the spirit's sight,
The city's towers are black as night,
Against the edge of the low red light.

This side the city in darkness lies,
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But westward, at the glowering skies,
It glares with a thousand fiery eyes.
The road is long, the hedgerows bare,
There's the chill of death in the silent air,
And a glimmer of darkness everywhere.
15

'O sad, sad spirit, what thy quest,
With those flowing locks and that shadowy vest? '
The spirit answers, 'I seek for rest.'
'Where seekest rest, when the air is cold
On the long, dim road, and the clock hath tolled
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The muffled hours form the belfry old?
'Where seekest rest through the twilight grey
Of the mists that sleep on the woods alway? '—
'I seek to-morrow or yesterday! '

Her face is pale, her feet are bare,
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Her sad dark eyes, wide open, stare
At the glimmering darkness everywhere.
To those cheeks no rose hath summer brought,
But on their pallor time hath wrought
The troubled lines of an after-thought.
30

Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
And thus, all silent, seeks she rest.
Her tread is light on the cold, hard road;
For the tread may be light, yet heavy the load
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Of grief at the heart and thoughts that goad.
She plucks a leaf from the roadway side,
And under its shade two violets hide—
As if from her cold touch, they hide.

She twines the violets in her hair;
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They have no scent—she does not care,
For the glimmer of darkness is everywhere.
And on through the dim of the twilight grey,
While the pale sky gloweth far away,
She seeks to-morrow or yesterday.
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PART II

'O Abbess, Abbess, the air is chill!
I heard the chaunting over the hill,
Like an angel's voice when the soul is still.
'O, Abbess, open wide thy gate!
Out on the cold, dim road I wait,
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A spirit lone and desolate.
'Take thou these hands and these weary feet,
Cold as a corpse in its winding-sheet,
For the song of the nuns was so strange and sweet.

'Here with the sisters let me dwell,
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Under these walls, in the loneliest cell,
Waiting the sound of the matin bell.
'Cut off these locks of flowing hair,
Cover with weeds this bosom bare,
For the glimmer of darkness is everywhere.
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'Ask not my name, nor whence my way,
For the mist sleeps over the wood alway,
And I seek to-morrow or yesterday.'
She's passed beneath the chapel door;
The nuns are kneeling on the floor,
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But a low wind moaneth evermore.
Sweeter and sweeter the sisters sing,
Till high in the roof the echoes ring,
For they know that God is listening.

'Ave Maria, hear our cry,
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As the shadows roll across the sky,
For those that live and those that die!
'Ave Maria, Virgin blest,
Help the sin-stained and distrest,
Give the weary-hearted rest!
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'Ave Maria, who didst bear
Jesus in this world of care,
Grant us all thy bliss to share! '
Sweeter and sweeter the sisters sing,
From arch to arch the echoes ring,
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For they know that God is listening.
Out of the north the oceans roll,
Washing the lands from pole to pole:
No rest—no rest for the old world's soul.

The after-glow of suns that set
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O'er fields with morning dew once wet,
Where all life's flowering roadways met,
Long shadows of our joys has sent,
Sloping adown the way we went
Towards darkness where our feet are bent.
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Is it the moan of the evening wind?
Or the voice of the ocean in the mind,
While the pale red light looms up behind?
Is it moan of wind, or convent bell,
Or cry of the ocean? I cannot tell;
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But a voice in her heart has locked the spell.
She does not hear the organ's swell;
In vain she strives her beads to tell,
For a voice in her heart has locked the spell.

She broods among the tangled fears,
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The undergrowth of perished years,
That darken round the lake of tears.
Silent and dank, they fringe the brim
Of waters motionless and dim,
Unmoved by wings of Seraphim.
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No lights on the altar the spirit sees,
The cloistered aisles are but leafless trees,
And the music, the sigh of the evening breeze.
No matin or vesper bell for her;
The leafless branches never stir
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In the pale, pale light of the days that were.
No matin or vesper hymn or prayer
Can shut those eyes' wide-open stare
At the glimmering darkness everywhere.

The sweetest singing dies away;
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No note of birds for those who stray
In the land that is neither night nor day.

PART III

In the shadowy light of the silent land,
With the tall gaunt hedges on either hand,
On the long, dim road doth the spirit stand.
120

Under the hedges the air is chill,
And the mists sleep over the forest still,
And are folded like wings on the sides of the hill.
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
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Her feet are worn with seeking rest.
To her cheeks no rose hath summer brought,
While on their pallor time hath wrought
The troubled lines of an after-thought.

But sweet is the gaze of those sad dark eyes,
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And sweet their look of mute surprise,
As something in the road she spies.
Spurned under foot, o'ergrown with moss,
Counted of foolish men but loss,
On the cold, hard road lies Jesus' cross.
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In the dim twilight as she stood,
She saw the marks of Jesus' Blood,
Then stooped and kissed the Holy Rood.
There are sounds of joy from the years gone by,
There's a pale red light in the forward sky,
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And a star looks down through the mist on high.
Hush! for the light falls clear from that star,
Hush! for the day-dawn kindles afar,
Hush! for the gate of the sky is ajar.

What is the voice of the boundless sea
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As it clasps the lands excitedly?
Not the voice of the dead, but of what shall be—
Of what shall be when the world shall cease,
And oceans die in the reign of peace,
When God grants pardon and release.
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O sweetest taste of Jesus' Blood!
Joy bursts upon her like a flood;
The spirit kisseth Holy Rood.
A low wind moaneth evermore,
The nuns still kneel upon the floor,
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But Jesus trod this way before.
She lifts the sacred emblem up:
This was His drink, His bitter cup;
And all His loved with Him must sup.

Beneath its arms she bows her head,
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Those arms so rudely fashionèd,
Which Jesus made His dying bed.
She bends beneath the cross's weight,
But now no longer desolate,
She stands before the convent gate.
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Sweeter and sweeter the sisters sing,
From arch and roof the echoes ring,
While God above is listening.
'Ave Maria, Virgin blest,
Help the sin-stained and distrust,
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Grant the weary-hearted rest! '
The altar-lights are shining fair,
And Jesus' cross is standing there;
The darkness brightens everywhere.

In silent bliss the spirit kneels,
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For mortal utterance half conceals
The deepest joy the bosom feels.
She bears her burden day by day;
It wakens her at morning grey,
And calms her at eve's setting ray.
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She bears it through the length of years;
The rough wood drives away her fears,
The blood-stains check all earthly tears.
Through daily round of deed and psalm,
She moves in silent strength and calm,
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The cross her solace and her balm.
She bears it round from door to door,
And lonely hearts that ached before,
Find joy and peace for evermore.

So in the present, people say,
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Of holy deed and prayer alway,
She finds to-morrow and yesterday.

poem by Frederick George Scott
Submitted by Poetry Lover
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The Four Children

A Ballad of Good Intentions

Four children played by an old oak tree,
Big John and James and little Benjie,
And, threading a chain of daisies fine,
On the leaf-brown sward knelt Geraldine.
Quoth John, 'I'll ride on the gipsies' road,
For narrow space and a small abode
Would break this vagrant heart in me,
And the world is wide and good to see.'
'I'll stay,' said James, 'for my father's sake
From his ageing hand his toil to take,
So he have at last his heart's desire
To sit at ease by the glowing fire.'
'I shall not work,' said little Benjie,
'Nor roam the world that is fair to see;
But here I'll stay in the green beech wood,
By my mother's side and I'll just be good.'

Linking her chain sweet Geraldine said,
'Big John or James I will surely wed;
I soon must choose which shall best please me,
I care not at all for little Benjie.'

The oak grows brown and the oak grows green
The owl and thrush on her branch have been;
For fifty winters a snood of snow
She wears all white till the spring winds blow.
For fifty autumns a robe of red
She wears till the wet west wind has fled,
But ne'er from dawn till the dusk of day
Hath she heard the sound of a child at play.
Big John grows old and all full of care,
He works till night in his oaken chair;
His feet have led him not long nor late,
No more than a league from his father's gate.
Where yew trees wave and their dark leaves shed
Young James lies cold in his four-foot bed,
O soft did his father lay him down,
And over him drew the earth so brown

In a far-off land on a lonely height
Geraldine weeps full many a night,
And prays all day 'neath a gallows tree
Where hangs the corpse of little Benjie.

poem by Dora Sigerson Shorter
Submitted by Poetry Lover
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