The Fan : A Poem. Book I.
I sing that graceful toy, whose waving play,
With gentle gales relieves the sultry day.
Not the wide fan by Persian dames display'd,
Which o'er their beauty casts a grateful shade;
Nor that long known in China's artful land,
Which, while it cools the face, fatigues the hand;
Nor shall the muse in Asian climates rove,
To seek in Indostan some spicy grove,
Where stretch'd at ease the panting lady lies,
To shun the fervour of meridian skies,
While sweating slaves catch every breeze of air,
And with wide-spreading fans refresh the fair;
No busy gnats her pleasing dreams molest,
Inflame her cheek, or ravage o'er her breast,
But artificial zephyrs round her fly,
And mitigate the fever of the sky.
Nor shall Bermudas long the muse detain,
Whose fragrant forests bloom in Waller's strain,
Where breathing sweets from every field ascend,
And the wild woods with golden apples bend;
Yet let me in some odorous shade repose,
Whilst in my verse the fair Palmetto grows:
Like the tall pine it shoots its stately head,
From the broad top depending branches spread;
No knotty limbs the taper body bears,
Hung on each bough a single leaf appears,
Which shrivell'd in its infancy remains,
Like a clos'd fan, nor stretches wide its veins,
But as the seasons in their circle run,
Opes its ribb'd surface to the nearer sun;
Beneath this shade the weary peasant lies,
Plucks the broad leaf, and bids the breezes rise.
Stay, wandering muse, nor rove in foreign climes,
To thy own native shore confine thy rhymes.
Assist, ye Nine, your loftiest notes employ,
Say what celestial skill contriv'd the toy;
Say how this instrument of love began,
And in immortal strains display the fan.
Strephon had long confest his amorous pain,
Which gay Corinna rally'd with disdain;
Sometimes in broken words he sigh'd his care,
Look'd pale, and trembled when he view'd the fair;
With bolder freedoms now the youth advanc'd,
He dress'd, he laugh'd, he sung, he rhym'd, he danc'd:
Now call'd more powerful presents to his aid,
And, to seduce the mistress, brib'd the maid;
Smooth flattery in her softer hours apply'd,
The surest charm to bind the force of pride.
But still unmov'd remains the scornful dame,
Insults her captive, and derides his flame.
When Strephon saw his vows dispers'd in air,
He sought in solitude to lose his care:
Relief in solitude he sought in vain,
It serv'd, like music, but to feed his pain.
To Venus now the slighted boy complains,
And calls the goddess in these tender strains.
O potent queen, from Neptune's empire sprung,
Whose glorious birth admiring Nereids sung,
Who 'midst the fragrant plains of Cyprus rove,
Whose radiant presence gilds the Paphian grove,
And curling clouds of incense hide the skies;
O beauteous goddess, teach me how to move,
Inspire my tongue with eloquence of love,
If lost Adonis e'er thy bosom warm'd,
If e'er his eyes or godlike figure charm'd,
Think on those hours when first you felt the dart,
Think how you pin'd in absense of the swain:
By those uneasy minutes know my pain.
Even while Cydippe to Diana bows,
And at her shrine renews her virgin vows,
The lover, taught by thee, her pride o'ercame;
She reads his oaths, and feels an equal flame!
Oh, may my flame, like thine, Acontius prove,
May Venus dictate, and reward my love.
When crowds of suitors Atlanta try'd,
She wealth and beauty, wit and fame defy'd;
Each daring lover with advent'rous pace
Pursu'd his wishes in the dangerous race;
Like the swift hind, the bounding damsel flies,
Strains to the goal, the distanc'd lover dies.
Hippomenes, O Venus, was thy care,
You taught the swain to stay the flying fair,
Thy golden present caught the virgin's eyes,
She stoops; he rushes on, and gains the prize.
Say, Cyprian deity, what gift, what art,
Shall humble into love Corinna's heart,
If only some bright toy can charm her sight,
Teach me what present may suspend her flight.
Thus the desponding youth his flame declares.
The goddess with a nod his passion hears.
Far in Cytherea stands a spacious grove,
Sacred to Venus and the god of love;
Here the luxuriant myrtle rears her head,
Like the tall oak the fragrant branches spread;
Here nature all her sweets profusely pours,
And paints the enamell'd ground with various flowers;
Deep in the gloomy shade a grotto bends,
Wide thro' the craggy rock an arch extends,
The rugged stone is cloth'd with mantling vines,
And round the cave the creeping woodbine twines.
Here busy Cupids, with pernicious art,
Form the stiff bow, and forge the fatal dart;
All share the toil; while some the bellows ply,
Others with feathers teach the shafts to fly:
Some with joint force whirl round the stony wheel,
Where streams the sparkling fire from temper'd steel;
Some point their arrows with the nicest skill,
And with the warlike store their quivers fill.
A different toil another forge employs;
Here the loud hammer fashions female toys.
Hence is the fair with ornament supply'd,
Hence sprung the glittering implements of pride;
Each trinket that adorns the modern dame,
First to these little artists ow'd its frame.
Here an unfinish'd diamond-crosslet lay,
To which soft lovers adoration pay;
There was the pollish'd crystal bottle seen,
That with quick scents revives the modish spleen
Here the yet rude unjointed snuff-box lies,
Which serves the rally'd fop for smart replies;
There piles of paper rose in glided reams,
The future records of the lover's flames;
Here clouded canes 'midst heaps of toys are found,
And inlaid tweezer-cases strow the ground.
There stands the toilette, nursery of charms,
Completely furnish'd with bright beauty's arms;
The patch, the powder-box, pulville, perfumes,
Pins, paints, a flattering glass, and black-lead combs.
The toilsome hours in different labour slide,
Some work the file, and some the graver guide;
From the loud anvil the quick blow rebounds,
And their rais'd arms descend in tuneful sounds.
Thus when Semiramis, in ancient days,
Bade Babylon her mighty bulwarks raise;
A swarm of labourers different tasks attend:
Here pullies make the pond'rous oak ascend,
With echoing strokes the cragged quarry groans,
While there the chissel forms the shapeless stones;
The weighty mallet deals resounding blows,
Till the proud battlements her towers enclose.
Now Venus mounts her car, she shakes the reins,
And steers her turtles to Cythera's plains;
Straight to the grot with graceful step she goes,
Her loose ambrosial hair behind her flows:
The swelling bellows heave for breath no more,
All drop their silent hammers on the floor;
In deep suspense the mighty labour stands,
While thus the goddess spoke her mild commands.
Industrious Loves, your present toils forbear,
A more important task demands your care;
Long has the scheme employ'd my thoughtful mind,
By judgement ripen'd, and by time refin'd.
That glorious bird have ye not often seen
Who draws the car of the celestial queen?
Have ye not oft survey'd his varying dyes,
His tall all gilded o'er with Argus' eyes?
have ye not seen him in the sunny day
Unfurl his plumes, and all his pride display,
Then suddenly contract his dazzling train,
And with long-trailing feathers sweep the plain?
Learn from this hint, let this instruct your art;
Thin taper sticks must from one centre part:
Let these into the quadrant's form divide,
The spreading ribs with snowy paper bide;
Here shall the pencil bid its colours flow,
And make a miniature creation grow.
Let the machine in equal foldings close,
And now its plaited surface wide dispose.
So shall the fair her idle hand employ,
And grace each motion with the restless toy,
With various play bid grateful zephyrs rise,
While love in ev'ry grateful zephyr flies.
The master Cupid traces out the lines,
And with judicious hand the draught designs,
The expecting Loves with joy the model view,
And the joint labour eagerly pursue.
Some slit their arrows with the nicest art,
And into sticks convert the shiver'd dart;
The breathing bellows wake the sleeping sire,
Blow off the cinders and the sparks aspire;
Their arrow's point they soften in the flame,
And sounding hammers break its barbed frame:
Of this, the little pin they neatly mold,
From whence their arms the spreading sticks unfold;
In equal plaits they now the paper bend,
And at just distance the wide ribs extend,
Then on the frame they mount the limber skreen,
And finish instantly the new machine.
The goddess pleas'd, the curious work receive,
Remounts her chariot, and the grotto leaves;
With the light fan she moves the yielding air,
And gales, till then unknown, play round the fair.
Unhappy lovers, how will you withstand,
When these new arms shall grace your charmer's hand?
In ancient times, when maids in thought were pure,
When eyes were artless, and the look demure,
When the wide ruff the well-turn'd neck enclos'd,
And heaving breasts within the stays repos'd,
When the close hood conceal'd the modest ear,
Ere black lead-combs disown'd the virgin's hair;
Then in the muff unactive fingers lay,
Nor taught the fan in fickle forms to play.
How are the sex improv'd in amorous arts,
What new-found snares they bait for human hearts!
When kindling war the ravish'd globe ran o'er,
And flatten'd thirsty plains with human gore,
At first, the brandish'd arm the javelin threw,
Or sent wing'd arrows from the twanging yew;
In the bright air the dreadful fauchion shone,
Or whistling slings dismiss'd the uncertain stone.
Now men those less destructive arms despise,
Wide-wasted death from thundering cannon flies,
One hour with more battalions strows the plain,
Than were of yore in weekly battles slain.
So love with fatal airs the nymph supplies,
Her dress disposes, and directs her eyes.
The bosom now its panting beauty shows,
The experienc'd eye resistless glances throws;
Now vary'd patches wander o'er the face,
And strike each gazer with a borrow'd grace;
The fickle head-dress sinks and now aspires
A towery front of lace on branching wires.
The curling hair in tortur'd ringlets flows,
Or round the face in labour'd order grows.
How shall I soar, and on unweary'd wing
Trace varying habits upward to their spring!
What force of thought, what numbers can express,
The inconstant equipage of female dress?
How the strait stays the slender waist constrain,
How to adjust the manteau's sweeping train?
What fancy can the petticoat surround,
With the capacious hoop of whalebone bound?
But stay, presumptuous muse, nor boldy dare
The Toilette's sacred mysteries declare;
Let a just distance be to beauty paid;
None here must enter but the trusty maid.
Should you the wardrobe's magazine rehearse,
And glossy manteaus rustle in thy verse;
Should you the rich brocaded suit unfold,
Where rising flowers grow stiff with frosted gold,
The dazzled muse would from her subject stray,
And in a maze of passions lose her way.
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The Fan : A Poem. Book II.
Olympus' gates unfold: in heaven's high towers
Appear in council all the immortal powers;
Great Jove above the rest exalted sate,
And in his mind revolv'd succeeding fate,
His awful eye with ray superior shone,
The thunder-grasping eagle guards his throne
On silver clouds the great assembly laid,
The whole creation at one view survey'd.
But see, fair Venus comes in all her state;
The wanton Loves and Graces round her wait;
With her loose robe officious Zephyrs play,
And strow with odoriferous flowers the way.
In her right hand she waves the fluttering fan,
And thus in melting sounds her speech began.
Assembled powers, who fickle mortals guide,
Who o'er the sea, the skies and earth preside,
Ye fountains whence all human blessings flow,
Who pour your bounties on the world below;
Bacchus first rais'd and prun'd the climbing vine,
And taught the grape to stream with generous wine;
Industrious Ceres tam'd the savage ground,
And pregnant fields with golden harvest crown'd;
Flora with bloomy sweets enrich'd the year,
And fruitful autumn in Pomona's care.
I first taught woman to subdue mankind,
And all her native charms with dress refin'd,
Celestian synod, this machine survey,
That shades the face, or bids cool zephyrs play;
If conscious blushes on her cheek arise,
With this she veils them from her lover's eyes;
No levell'd glance betrays her amorous heart,
From the fan's ambush she directs the dart.
The royal sceptre shines in Juno's hand,
And twisted thunder speaks great Jove's command;
On Pallas' arm the Gorgon shield appears,
And Neptune's mighty grasp the trident bears;
Ceres is with the bending suckle seen,
And the strong bow points out the Cynthian queen;
Henceforth the waving fan my hand shall grace,
The waving fan supply the sceptre's place.
Who shall, ye powers, the forming pencil hold?
What story shall the wide machine unfold?
Let Loves and Graces lead the dance around,
With myrtle wreaths and flowery chaplet's crown'd,
Let Cupid's arrows strow the smiling plains
With unresisting nymphs, and amorous swains:
May glowing picture o'er the surface shine,
To melt slow virgins with the warm design.
Diana rose; with silver crescent crown'd,
And fixt her modest eyes upon the ground;
Then with becoming mien she rais'd her head,
And thus with graceful voice the virgin said.
Has woman then forgot all former wiles,
The watchful ogle, and delusive smiles?
Does man against her charms too powerful prove,
Or are the sex grown novices in love?
Why then these arms? or why should artful eyes,
From this slight ambush, conquer by surprise?
No guilty thought the spotless virgin knows,
And o'er her cheek no conscious crimson glows;
Since blushes then from shame alone arise,
Why should we veil them from her lover's eyes?
Let Cupid rather give up his command,
And trust his arrows in a female hand.
Have not the gods already cherish'd pride,
And woman with destructive arms supply'd?
Neptune on her bestows his choicest stores,
For her the chambers of the deep explores:
The gaping shell its pearly charge resigns,
And round her neck the lucid bracelet twines:
Plutus for her bids earth its wealth unfold,
Where the warm oar is ripen'd into gold:
Or where the ruby reddens in the soil,
Where the green emerald pays the searcher's toil.
Does not the diamond sparkle in her ear,
Glow on her hand, and tremble in her hair?
From the gay nymph the glancing lustre flies,
And imitates the lightning of her eyes.
But yet it Venus' wishes must succeed,
And this fantastic engine be decreed,
May some chaste story from the pencil flow,
To speak the virgin's joy, and Hymen's wo.
Here let the wretched Ariadne stand,
Seduc'd by Theseus to some desert land.
Her locks dishevell'd waving in the wind,
The crystal tears confess her tortur'd mind;
The perjur'd youth unfurls his treacherous sails,
And their white bosoms catch the swelling gales.
Be still, ye winds, she cries, stay, Theseus, stay:
But faithless Theseus hears no more than they.
All desperate, to some craggy cliff she flies,
And spreads a well-known signal in the skies;
His less'ning vessel ploughs the foamy main,
She sighs, she calls, she waves the sign in vain.
Paint Dido there amidst her last distress,
Pale cheeks and blood-shot eyes her grief express;
Deep in her breast the reeking sword is drown'd,
And gushing blood streams purple from the wound;
Her sister Anna hovering o'er her stands,
Accuses heaven with lifted eyes and hands,
Upbraids the Trojan with repeated cries,
And mixes curses with her broken sighs.
View this, ye maids; and then each swain believe;
They're Trojans all, and vow but to deceive.
Here draw Oenone in the lonely grove,
Where Paris first betrayed her into love;
Let wither'd garlands hand on every bough,
Which the false youth wove for Oenone's brow,
The garlands lose their sweets, their pride is shed,
And like their odours all his vows are fled;
On her fair arm her pensive head she lays,
And Xanthus' waves with mournful look surveys;
That flood which witness'd his inconstant flame,
When thus he swore, and won the yielding dame:
'These streams shall sooner to their fountain move,
Than I forget my dear Oenone's love.'
Roll back, ye streams, back to your fountain run,
Paris is false, Oenone is undone.
Ah wretched maid! think how the moments flew,
Ere you the pangs of this curs'd passion knew,
When groves could please, and when you lov'd the plain,
Without the presence of your perjur'd swain.
Thus may the nymph, whene'er she spreads the fan,
In his true colours view perfidious man,
Pleas'd with her virgin state in forests rove,
And never trust the dangerous hopes of love.
The goddess ended. Merry Momus rose,
With smiles and grins he waggish glances throws,
Then with a noisy laugh forestalls his joke,
Mirth flashes from his eyes while thus he spoke.
Rather let heavenly deeds be painted there,
And by your own examples teach the fair.
Let chaste Diana on the piece be seen,
And the bright crescent own the Cythian queen:
On Latmos' top see young Endymion lies,
Feign'd sleep hath clos'd the bloomy lover's eyes,
See, to his soft embraces how she steals,
And on his lips her warm caresses seals:
No more her hand the glittering javelin holds,
But round his neck her eager arms she folds.
Why are our secrets by our blushes shown?
Virgins are virgins still - while 'tis unknown.
Here let her on some flowery bank be laid,
Where meeting beeches weave a grateful shade,
Her naked bosom wanton tresses grace,
And glowing expectation paints her face.
O'er her fair limbs a thin loose veil is spread,
Stand off, ye shepherds; fear Actaeon's head:
Let vigorous Pan the unguarded minute seize,
And in a shaggy goat the virgin please.
Why are our secrets by our blushes shown?
Virgins are virgins still - while 'tis unknown.
There with just warmth Aurora's passion trace,
Let spreading crimson stain her virgin face:
See Cephalus her wanton airs despise,
While she provokes him with desiring eyes:
To raise his passion she displays her charms,
His modest hand upon her bosom warms:
Nor looks, nor prayers, nor force his heart persuade,
But with disdain he quits the rosy maid.
Here let dissolving Leda grace the toy,
Warm her cheeks and heaving breasts reveal her joy;
Beneath the pressing swan she pants for air,
While with his fluttering wings he fans the fair.
There let all-conquering gold exert its power,
And soften Danae in a glittering shower.
Would you warn beauty not to cherish pride,
Nor vainly in the treacherous bloom confide,
On the machine the sage Minerva place,
With lineaments of wisdom mark her face;
See, where she lies near some transparent flood,
And with her pipe cheers the resounding wood:
Her image in the floating glass she spies,
Her bloated cheeks, worn lips, and shrivell'd eyes;
She breaks the guiltless pipe, and with disdain
Its shatter'd ruins flings upon the plain.
With the loud reed no more her cheek shall swell,
What, spoil her face! no: warbling strains, farewell.
Shall arts, shall sciences employ the fair?
Those trifles are beneath Minerva's care.
From Venus let her learn the married life,
And all the virtuous duties of a wife.
Here on a couch extend the Cyprian dame,
Let her eye sparkle with the growing flame
The god of war within her clinging arms,
Sinks on her lips, and kindles all her charms.
Paint limping Vulcan with a husband's care,
And let his brow the cuckold's honours wear;
Beneath the net the captive lovers place,
Their limbs entangled in a close embrace.
Let these amours adorn the new machine,
And female nature on the piece be seen;
So shall the fair, as long as fans shall last,
Learn from your bright examples to be chaste.
The Fan : A Poem. Book III.
Thus Mommus spoke. When sage Minerva rose,
From her sweet lips smooth elocution flows,
Her skilful hand an ivory pallet grac'd,
Where shining colours were in order plac'd.
As gods are bless'd with a superior skill,
And, swift as mortal thought, perform their will,
Straight she proposes, by her art divine,
To bid the paint express her great design.
The assembled powers consent. She now began,
And her creating pencil stain'd the fan.
O'er the fair field, trees spread, and rivers flow,
Towers rear their heads, and distant mountains grow;
Life seems to move within the glowing veins,
And in each face some lively passion reigns.
Thus have I seen woods, hills, and dales appear,
Flocks graze the plains, birds wing the silent air
In darken'd rooms, where light can only pass
Through the small circle of a convex glass;
On the white sheet the moving figures rise,
The forest waves, clouds float along the skies.
She various fables on the piece design'd,
That spoke the follies of the female kind.
The fate of pride in Niobe she drew;
Be wise, ye nymphs, that scornful vice subdue,
In a wide plain the imperious mother stood,
Whose distant bounds rose in a winding wood;
Upon her shoulders flows her mantling hair,
Pride marks her brow, and elevates her air:
A purple robe behind her sweeps the ground,
Whose spacious border golden flowers surround;
She made Latona's altars cease to flam,
And of due honours robb'd her sacred name,
To her own charms she bade fresh incense rise,
And adoration own her brighter eyes.
Seven daughters from her fruitful loins were born,
Seven graceful sons her nuptial bed adorn,
Who, from a mother's arrogant disdain,
Were by Latona's double offspring slain.
Here Phoebus his unerring arrow drew,
And from his rising steed her first-born threw,
His opening fingers drop the slacken'd rein,
And the pale corse falls headlong to the plain.
Beneath her pencil here two wrestlers bend,
See, to the grasp their swelling nerves distend,
Diana's arrow joins them face to face,
And death unites them in a strict embrace.
Another her flies trembling o'er the plain;
When heaven pursues we shun the stroke in vain.
This lifts his supplicating hands and eyes,
And midst his humble adoration dies.
As from his thigh this tears the barbed dart,
A surer weapon strikes this throbbing heart
While that to raise his wounded brother tries,
Death blasts his bloom, and locks his frozen eyes
The tender sisters bath'd in grief appear,
With sable garments and dishevell'd hair,
And o'er their grasping brothers weeping stood;
Some with their tresses stopp'd the gushing blood,
They strive to stay the fleeting life too late,
And in the pious action share their fate.
Now the proud dame o'ercome by trembling fear,
With her wide robe protects her only care;
To save her only care in vain she tries,
Close at her feet the latest victim dies.
Down her fair cheek the trickling sorrow flows,
Like dewy spangles on the blushing rose,
Fix'd in astonishment she weeping stood,
The plain all purple with her children's blood;
She stiffens with her woes: no more her hair
In easy ringlets wantons the air;
Motion forsakes her eyes, her veins are dried,
And beat not longer with the sanguine tide;
All life is fled, firm marble now she grows,
Which still in tears the mother's anguish shows.
Ye haughty fair, your painted fans display,
And the just fate of lofty pride survey;
Though lovers oft extol your beauty's pow'r,
And in celestial similies adore,
Though from your features Cupid borrows arms,
And goddesses confess inferior charms,
Do not, vain maid, the flattering tale believe,
Alike thy lovers and thy glass deceive.
Here lively colours Procris' passion tell,
Who to her jealous fears a victim fell.
Here kneels the trembling hunter o'er his wife,
Who rolls her sick'ning eyes, and gasps for life;
Her drooping head upon her shoulder lies,
And purple gore her snowy bosom dies.
What guilt, what horror on his face appears!
See, his red eye-lids seem to swell with tears,
With agony his wringing hands he stains,
And strong convulsions stretch his branching veins.
Learn hence, ye wives; bid vain suspicion cease,
Lose not in sulien discontent your peace.
For when fierce love to jealousy ferments,
A thousand doubts and fears the soul invents,
No more the days in pleasing converse flow,
And nights no more their soft endearments know.
There on the piece the Volscian Queen expir'd,
The love of spoils her female bosom fir'd;
Gay Chloreus' arms attract her longing eyes,
And for the painted plume and helm she sighs;
Fearless she follows, bent on gaudy prey,
Till an ill-fated dart obstructs her way;
Down drops the martial maid; the bloody ground,
Floats with a torrent from the purple wound.
The mournful nymphs her drooping head sustain,
And try to stop the gushing life in vain.
Thus the raw maid some tawdry coat surveys,
Where the fop's fancy in embroidery plays;
His snowy feather edg'd with crimson dies,
And his bright sword-knot lure her wandering eyes;
Fring'd gloves and gold brocade conspire to move,
Till the nymph falls a sacrifice to love.
Here young Narcissus o'er the fountains stood,
And view'd his image in the crystal flood;
The crystal flood reflects his lovely charms,
And the pleas'd image strives to meet his arms.
No nymph his unexperienc'd breast subdu'd,
Echo in vain the flying boy pursu'd,
Himself alone the foolish youth admires,
And with fond look the smiling shade desires:
O'er the smooth lake with fruitless tears he grieves,
His spreading fingers shoot in verdant leaves,
Through his pale veins green sap now gently flows,
And in a short-liv'd flower his beauty blows.
Let vain Narcissus warn each female breast,
That beauty's but a transient good at best.
Like flowers it withers with the advancing year,
And age, like winter, robs the blooming fair.
Oh Araminta, cease thy wonted pride,
Nor longer in thy faithless charms confide;
Even while the glass reflects thy sparkling eyes,
Their lustre and thy rosy colour flies!
Thus on the fan the breathing figures shine,
And all the powers applaud the wise design.
The Cyprian Queen the painted gift receives,
And with a grateful bow the synod leaves.
To the low world she bends her steepy way,
Where Strephon pass'd the solitary day;
She found him in a melancholy grove,
His down-cast eyes betray'd desponding love,
The wounded bark confess'd his slighted flame,
And every tree bore false Corinna's name;
In a cool shade he lay with folded arms,
Curses his fortune, and upbraids her charms,
When Venus to his wondering eyes appears,
And with these words relieves his amorous cares.
Rise, happy youth, this bright machine survey
Whose rattling sticks my busy fingers sway,
This present shall thy cruel charmer move,
And in her fickle bosom kindle love.
The fan shall flutter in all female hands,
And various fashions learn from various lands.
For this, shall elephants their ivory shed;
And polish'd sticks the waving engine spread:
His clouded mail the tortoise shall resign,
And round the rivet pearly circles shine.
On this shall Indians all their art employ,
And with bright colours stain the gaudy toy;
Their paint shall here in wildest fancies flow,
Their dress, their customs, their religion show
So shall the British fair their minds improve,
And on the fan to distant climates rove.
Here China's ladies shall their pride display,
And silver figures gild their loose array;
This boasts her little feet in winking eyes;
That tunes the fife, or tinkling cymbal plies:
Here cross-legg'd nobles in rich state shall dine,
There in bright mail distorted heroes shine.
The peeping fan in modern times shall rise,
Through which, unseen, the female ogle flies;
This shall in temples the sly maid conceal,
And shelter love beneath devotion's veil.
Gay France shall make the fan her artist's care,
And with the costly trinket arm the fair.
As learned orators that touch the heart,
With various action raise their soothing art,
Both head and hand affect the listening throng,
And humour each expression of the tongue.
So shall each passion by the fan be seen,
From noisy anger to the sullen spleen.
White Venus spoke, joy shone in Strephon's eyes,
Proud of the gift, he to Corinna flies.
But Cupid (who delights in amorous ill,
Wounds hearts, and leaves them to a woman's will)
With certain aim a golden arrow drew,
Which to Leander's panting bosom flew:
Leander lov'd; and to the sprightly dame
In gentle sighs reveal'd his growing flame
Sweet smiles Corinna to his sighs returns,
And for the fop in equal passion burns.
Lo, Strephon comes! and, with a suppliant bow,
Offers the present, and renews his vow.
When she the fate of Niobe beheld,
Why has my pride against my heart rebell'd?
She sighing cried: disdain forsook her breast,
And Strephon now was thought a worthy guest.
In Procris' bosom when she saw the dart;
She justly blames her own suspicious heart,
Imputes her discontent to jealous fear,
And knows her Strephon's constancy sincere.
When on Camilla's fate her eye she turns,
No more for show and equipage she burns;
She learns Leander's passion to despise,
And looks on merit with discerning eyes.
Narcissus' change to the vain virgin shows
Who trusts her beauty, trusts the fading rose.
Youth flies apace, with youth your beauty flies,
Love then, ye virgins, e'er the blossom dies.
Thus Pallas taught her, Strephon weds the dame,
And Hymen's torch diffus'd the brightest flame.
The Vigil Of Venus
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
The Spring, the new, the warb'ling Spring appears,
The youthful Season of reviving Years;
In Spring the Loves enkindle mutual Heats,
The feather'd Nation chuse their tuneful Mates,
The Trees grow fruitful with descending Rain
And drest in diff'ring Greens adorn the Plain.
She comes; to morrow Beauty's Empress roves
Thro' Walks that winding run within the Groves;
She twines the shooting Myrtle into Bow'rs,
And ties their meeting Tops with Wreaths of Flow'rs,
Then rais'd sublimely on her easy Throne
From Nature's pow'rful Dictates draws her own.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
'Twas on that Day which saw the teeming Flood
Swell round, impregnate with celestial Blood;
Wand'ring in Circles stood the finny Crew,
The midst was left a void Expanse of Blue,
There Parent Ocean work'd with heaving Throes,
And dropping wet the fair Dione rose.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
She paints the purple Year with vary'd show,
Tips the green Gem, and makes the Blossom glow.
She makes the turgid Buds receive the Breeze,
Expand to Leaves, and shade the naked Trees.
When gath'ring damps the misty Nights diffuse,
She sprinkles all the Morn with balmy Dews;
Bright trembling Pearls depend at ev'ry spray,
And kept from falling, seem to fall away.
A glossy Freshness hence the Rose receives,
And blushes sweet through all her silken Leaves;
(The Drops descending through the silent Night,
While Stars serenely roll their golden Light,)
Close 'till the Morn, her humid Veil she holds;
Then deckt with Virgin Pomp the Flow'r unfolds.
Soon will the Morning blush: Ye Maids! prepare,
In rosy Garlands bind your flowing Hair
'Tis Venus' Plant: The Blood fair Venus shed,
O'er the gay Beauty pour'd immortal Red;
From Love's soft Kiss a sweet Ambrosial Smell
Was taught for ever on the Leaves to dwell;
From Gemms, from Flames, from orient Rays of Light
The richest Lustre makes her Purple bright;
And she to morrow weds; the sporting Gale
Unties her Zone, she bursts the verdant Veil;
Thro' all her Sweets the rifling Lover flies,
And as he breaths, her glowing Fires arise.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
Now fair Dione to the Myrtle Grove
Sends the gay Nymphs, and sends her tender Love.
And shall they venture? is it safe to go?
While Nymphs have Hearts, and Cupid wears a Bow?
Yes safely venture, 'tis his Mother's Will;
He walks unarm'd and undesigning ill,
His Torch extinct, his Quiver useless hung,
His Arrows idle, and his Bow unstrung.
And yet, ye Nymphs, beware, his Eyes have Charms,
And Love that's naked, still is Love in Arms.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
From Venus Bow'r to Delia's Lodge repairs
A Virgin Train compleat with modest Airs:
‘Chast Delia! grant our Suit! or shun the Wood,
‘Nor stain this sacred Lawn with savage Blood.
‘Venis, O Delia! if she cou'd persuade,
‘Wou'd ask thy Presence, might she ask a Maid.
Here chearful Quires for three auspicious Nights
With Songs prolong the pleasurable Rites:
Here Crouds in Measures lightly-decent rove;
Or seek by Pairs the Covert of the Grove,
Where meeting Greens for Arbours arch above,
And mingling Flowrets strow the Scenes of Love.
Here dancing Ceres shakes her golden Sheaves:
Here Bacchus revels, deckt with viny Leaves:
Here Wit's enchanting God in Lawrel crown'd
Wakes all the ravish'd Hours with silver Sound.
Ye Fields, ye Forests, own Dione's Reign,
And Delia, Huntress Delia, shun the Plain.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
Gay with the Bloom of all her opening Year,
The Queen at Hybla bids her Throne appear;
And there presides; and there the fav'rite Band
(Her smiling Graces) share the great Command.
Now beauteous Hybla! dress thy flow'ry Beds
With all the Pride the lavish Season sheds,
Now all thy Colours, all thy Fragrance yield,
And rival Enna's Aromatick Field.
To fill the Presence of the gentle Court
From ev'ry Quarter rural Nymphs resort,
From Woods, from Mountains, from their humble Vales,
From Waters curling with the wanton Gales.
Pleas'd with the joyful Train, the laughing Queen
In Circles seats them round the Bank of green;
And 'lovely Girls, (she whispers) guard your Hearts;
‘My Boy, tho' stript of Arms, abounds in Arts.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
Let tender Grass in shaded Allys spread,
Let early Flow'rs erect their painted Head.
To morrow's Glory be to morrow seen,
That Day, old Ether wedded Earth in green.
The Vernal Father bid the Spring appear,
In Clouds he coupled to produce the Year,
The Sap descending o'er her Bosom ran,
And all the various sorts of Soul began.
By Wheels unknown to Sight, by secret Veins
Distilling Life, the fruitful Goddess reigns,
Through all the lovely Realms of native Day,
Through all the circled Land, and circling Sea;
With fertil Seed she fill'd the pervious Earth,
And ever fix'd the mystick Ways of Birth.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
'Twas she the Parent, to the Latian Shore
Through various Dangers Troy's Remainder bore.
She won Lavinia for her warlike Son,
And winning her, the Latian Empire won.
She gave to Mars the Maid, whose honour'd Womb
Swell'd with the Founder of immortal Rome.
Decoy'd by Shows the Sabin Dames she led,
And taught our vig'rous Youth the Means to wed.
Hence sprung the Romans, hence the Race divine
Thro' which great Cæsar draws his Julian Line.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
In rural Seats the Soul of Pleasure reigns;
The Life of Beauty fills the rural Scenes;
Ev'n Love (if Fame the Truth of Love declare)
Drew first the breathings of a rural Air.
Some pleasing Meadow pregnant Beauty prest,
She laid her Infant on its flow'ry Breast,
From Nature's Sweets he sipp'd the fragrant Dew,
He smil'd, he kiss'd them, and by kissing grew.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
Now Bulls o'er Stalks of Broom extend their Sides,
Secure of Favours from their lowing Brides.
Now stately Rams their fleecy Consorts lead,
Who bleating follow thro' the wand'ring Shade.
And now the Goddess bids the Birds appear,
Raise all their Musick, and salute the Year:
Then deep the Swan begins, and deep the Song
Runs o'er the Water where he sails along;
While Philomela tunes a treble Strain,
And from the Poplar charms the list'ning Plain.
We fancy Love exprest at ev'ry Note,
It melts, it warbles, in her liquid Throat.
Of barb'rous Tereus she complains no more,
But sings for Pleasure as for Grief before.
And still her Graces rise, her Airs extend,
And all is Silence 'till the Syren end.
How long in coming is my lovely Spring?
And when shall I, and when the Swallow sing?
Sweet Philomela cease,—Or here I sit,
And silent lose my rapt'rous Hour of Wit:
'Tis gone, the Fit retires, the Flames decay,
My tuneful Phœbus flies averse away.
His own Amycle thus, as Stories run,
But once was silent, and that once undone.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
poem by Thomas Parnell
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Vertumnus and Pomona : Ovid's Metamorphoses, book 14 [v. 623-771]
The fair Pomona flourish'd in his reign;
Of all the Virgins of the sylvan train,
None taught the trees a nobler race to bear,
Or more improv'd the vegetable care.
To her the shady grove, the flow'ry field,
The streams and fountains, no delights could yield;
'Twas all her joy the ripening fruits to tend,
And see the boughs with happy burthens bend.
The hook she bore instead of Cynthia's spear,
To lop the growth of the luxuriant year,
To decent form the lawless shoots to bring,
And teach th' obedient branches where to spring.
Now the cleft rind inserted graffs receives,
And yields an offspring more than nature gives;
Now sliding streams the thirsty plants renew,
And feed their fibres with reviving dew.
These cares alone her virgin breast employ,
Averse from Venus and the nuptial joy.
Her private orchards, wall'd on ev'ry side,
To lawless sylvans all access deny'd.
How oft the Satyrs and the wanton Fawns,
Who haunt the forests, or frequent the lawns,
The God whose ensign scares the birds of prey,
And old Silenus, youthful in decay,
Employ'd their wiles, and unavailing care,
To pass the fences, and surprise the fair.
Like these, Vertumnus own'd his faithful flame,
Like these, rejected by the scornful dame.
To gain her sight a thousand forms he wears,
And first a reaper from the field appears,
Sweating he walks, while loads of golden grain
O'ercharge the shoulders of the seeming swain.
Oft o'er his back a crooked scythe is laid,
And wreathes of hay his sun-burnt temples shade:
Oft in his harden'd hand a goad he bears,
Like one who late unyok'd the sweating steers.
Sometimes his pruning-hook corrects the vines,
And the loose stragglers to their ranks confines.
Now gath'ring what the bounteous year allows,
He pulls ripe apples from the bending boughs.
A soldier now, he with his sword appears;
A fisher next, his trembling angle bears;
Each shape he varies, and each art he tries,
On her bright charms to feast his longing eyes.
A female form at last Vertumnus wears,
With all the marks of rev'rend age appears,
His temples thinly spread with silver hairs;
Propp'd on his staff, and stooping as he goes,
A painted mitre shades his furrow'd brows.
The God in this decrepit form array'd,
The gardens enter'd, and the fruit survey'd,
And 'Happy you!' (he thus address'd the maid)
'Whose charms as far all other nymphs out-shine,
'As other gardens are excell'd by thine!'
Then kiss'd the fair; (his kisses warmer grow
Than such as women on their sex bestow.)
Then plac'd beside her on the flow'ry ground,
Beheld the trees with autumn's bounty crown'd.
An Elm was near, to whose embraces led,
The curling vine her swelling clusters spread:
He view'd her twining branches with delight,
And prais'd the beauty of the pleasing sight.
'Yet this tall elm, but for his vine' (he said)
'Had stood neglected, and a barren shade;
And this fair vine, but that her arms surround
Her marry'd elm, had crept along the ground.
Ah beauteous maid, let this example move
Your mind, averse from all the joys of love.
Deign to be lov'd, and ev'ry heart subdue!
What nymph could e'er attract such crowds as you?
Not she whose beauty urg'd the Centaurs' arms,
Ulysses' Queen, nor Helen's fatal charms.
Ev'n now, when silent scorn is all they gain,
A thousand court you, tho' they court in vain,
A thousand sylvans, demigods, and gods,
That haunt our mountains and our Alban woods.
But if you'll prosper, mark what I advise,
Whom age, and long experience render wise,
And one whose tender care is far above
All that these lovers ever felt of love,
(Far more than e'er can by yourself be guess'd)
Fix on Vertumnus, and reject the rest.
For his firm faith I dare engage my own;
Scarce to himself, himself is better known.
To distant lands Vertumnus never roves;
Like you contented with his native groves;
Nor at first sight, like most, admires the fair;
For you he lives; and you alone shall share
His last affection, as his early care.
Besides, he's lovely far above the rest,
With youth immortal, and with beauty blest.
Add, that he varies ev'ry shape with ease,
And tries all forms that may Pomona please.
But what should most excite a mutual flame,
Your rural cares, and pleasures are the same:
To him your orchard's early fruits are due,
(A pleasing off'ring when 'tis made by you)
He values these; but yet (alas) complains,
That still the best and dearest gift remains.
Not the fair fruit that on yon' branches glows
With that ripe red th' autumnal sun bestows;
Nor tasteful herbs that in these gardens rise,
Which the kind soil with milky sap supplies;
You, only you, can move the God's desire:
Oh crown so constant and so pure a fire!
Let soft compassion touch your gentle mind;
Think, 'tis Vertumnus begs you to be kind!
So may no frost, when early buds appear,
Destroy the promise of the youthful year;
Nor winds, when first your florid orchard blows,
Shake the light blossoms from their blasted boughs!'
This when the various God had urg'd in vain,
He straight assum'd his native form again;
Such, and so bright an aspect now he bears,
As when thro' clouds th' emerging sun appears,
And thence exerting his refulgent ray,
Dispels the darkness, and reveals the day.
Force he prepar'd, but check'd the rash design;
For when, appearing in a form divine,
The Nymph surveys him, and beholds the grace
Of charming features, and a youthful face,
In her soft breast consenting passions move,
And the warm maid confess'd a mutual love.
poem by Alexander Pope
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The Judgment Of Paris
Where waving Pines the brows of Ida shade,
The swain young Paris half supinely laid,
Saw the loose Flocks thro' shrubs unnumber'd rove
And Piping call'd them to the gladded grove.
'Twas there he met the Message of the skies,
That he the Judge of Beauty deal the prize.
The Message known, one Love with anxious mind,
To make his Mother guard the time assign'd,
Drew forth her proud white Swans, and trac'd the pair
That wheel her Chariot in the purple air:
A golden Bow behind his shoulder bends,
A golden Quiver at his side depends,
Pointing to these he nods, with fearless State,
And bids her safely meet the grand Debate.
Another Love proceeds with anxious care
To make his Iv'ry sleek the shining hair,
Moves the loose Curls and bids the Forehead shew
In full Expansion all its native snow.
A third enclasps the many colour'd Cest
And rul'd by Fancy sets the silver Vest,
When to her Sons with intermingl'd sighs
The Goddess of the rosy lips applies.
'Tis now my darling boys a time to shew
The love you feel, the filial aids you owe:
Yet would we think that any dar'd to strive
For Charms, when Venus and her Loves alive?
Or should the prize of beauty be deni'd,
Has Beauty's Empress ought to boast beside?
And ting'd with Poison, pleasing while it harms,
My Darts I trusted to your infant arms;
If, when your hands have arch'd the golden Bow,
The World's great Ruler bending owns the blow,
Let no contending Form invade my due,
Tall Juno's Mein, nor Pallas Eyes of blew.
But grac'd with Triumph, to the Paphian shore,
Your Venus bears the Palms of Conquest o'er,
And joyful see my hundred Altars there
With costly Gums perfume the wanton air.
While thus the Cupids hear the Cyprian Dame,
The groves resounded where a Goddess came.
The warlike Pallas march'd with mighty stride,
Her Shield forgot, her Helmet laid aside.
Her Hair unbound, in curls and order flow'd,
And Peace, or something like, her Visage shew'd;
So with her eyes serene and hopeful haste,
The long stretch'd Allys of the Wood she trac'd.
But where the Woods a second Entrance found,
With Scepter'd Pomp, and Golden Glory crown'd
The stately Juno stalk'd, to reach the Seat,
And hear the Sentence in the last Debate,
And long, severely long resent the Grove;
In this, what boots it, she's the wife of Jove.
Arm'd with a Grace, at length, secure to win,
The lovely Venus smiling enters in;
All sweet and shining near the Youth she drew,
Her rosy Neck ambrosial odours threw;
The sacred Scents diffus'd among the leaves,
Ran down the Woods and fill'd their hoary Caves;
The Charms, so am'rous all, and each so great,
The conquer'd Judge no longer keeps his Seat;
Oppress'd with Light, he drops his weary'd eyes
And fears he should be thought to doubt the Prize.
poem by Thomas Parnell
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Dr. Parnel To Dr. Swift, On His Birth-day, November 30th, MDCCXIII
Urg'd by the warmth of Friendship's sacred flame,
But more by all the glories of thy fame;
By all those offsprings of thy learned mind,
In judgment solid, as in wit refin'd,
Resolv'd I sing: Tho' lab'ring up the way
To reach my theme, O Swift, accept my lay.
Rapt by the force of thought, and rais'd above,
Thro' Contemplation's airy fields I rove;
Where pow'rful Fancy purifies my eye,
And lights the beauties of a brighter sky;
Fresh paints the meadows, bids green shades ascend,
Clear rivers wind, and op'ning plains extend;
Then fills its landscape thro' the vary'd parts
With Virtues, Graces, Sciences, and Arts:
Superiour Forms, of more than mortal air,
More large than mortals, more serenely fair.
Of these two Chiefs, the guardians of thy name,
Conspire to raise thee to the point of fame.
Ye Future Times, I heard the silver sound!
I saw the Graces form a circle round!
Each, where she fix'd, attentive seem'd to root,
And all, but Eloquence herself, was mute.
High o'er the rest I see the Goddess rise,
Loose to the breeze her upper garment flies:
By turns, within her eyes the Passions burn,
And softer Passions languish in their turn:
Upon her tongue Persuasion, or Command;
And decent Action dwells upon her hand.
From out her breast ('twas there the treasure lay)
She drew thy labours to the blaze of day.
Then gaz'd, and read the charms she could inspire,
And taught the list'ning audience to admire,
How strong thy flight, how large thy grasp of thought,
How just thy schemes, how regularly wrought;
How sure you wound when Ironies deride,
Which must be seen, and feign to turn aside.
'Twas thus exploring she rejoic'd to see
Her brightest features drawn so near by thee:
Then here, she cries, let future ages dwell,
And learn to copy where they can't excel.
She spake. Applause attended on the close:
Then Poesy, her sister-art, arose;
Her fairer sister, born in deeper ease,
Not made so much for bus'ness, more to please.
Upon her cheek sits Beauty, ever young;
The Soul of Music warbles on her tongue;
Bright in her eyes a pleasing Ardour glows,
And from her heart the sweetest Temper flows:
A laurel-wreath adorns her curls of hair,
And binds their order to the dancing air:
She shakes the colours of her radiant wing,
And, from the Spheres, she takes a pitch to sing.
Thrice happy Genius his, whose Works have hit
The lucky point of bus'ness and of wit.
They seem like show'rs, which April months prepare
To call their flow'ry glories up to air:
The drops descending, take the painted bow,
And dress with sunshine, while for good they flow.
To me retiring oft, he finds relief
In slowly-wasting care, and biting grief:
From me retreating oft, he gives to view
What eases care and grief in others too.
Ye fondly grave, be wise enough to know,
'Life ne'er unbent were but a life of woe.'
Some full in stretch for greatness, some for gain,
On his own rack each puts himself to pain.
I'll gently steal you from your toils away,
Where balmy winds with scents ambrosial play;
Where, on the banks as crystal rivers flow,
They teach immortal amarants to grow:
Then, from the mild indulgence of the scene,
Restore your tempers strong for toils again.
She ceas'd: Soft music trembled in the wind,
And sweet delight diffus'd thro' ev'ry mind:
The little Smiles, which still the Goddess grace,
Sportive arose, and ran from face to face.
But chief (and in that place the Virtues bless)
A gentle band their eager joys express:
Here Friendship asks, and Love of Merit longs
To hear the Goddesses renew their songs;
Here great Benevolence to Man is pleas'd;
These own their Swift, and grateful hear him prais'd.
You gentle band, you well may bear your part,
You reign Superior Graces in his heart.
O swift! if fame be life, (as well we know
That Bards and Heroes have esteem'd it so)
Thou canst not wholly die; thy works will shine
To future times, and Life in Fame be thine.
poem by Thomas Parnell
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Sappho to Phaon (Ovid Heroid XV)
Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.
A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!
poem by Alexander Pope
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An Irregular Ode, After Sickness
-Melius, bunny venerit ipsa, canemus.
-Virg.
Imitation.
His wish'd-for presence will improve the song.
Too long a stranger to repose,
At length from Pain's abhorred couch I rose,
And wander'd forth alone,
To court once more the balmy breeze,
And catch the verdure of the trees,
Ere yet their charms were flown.
'Twas from a bank with pansies gay,
I hail'd once more the cheerful day,
The sun's forgotten beams
O Sun! how pleasing were thy rays,
Reflected from the polish'd face
Of yon refulgent streams!
Raised by the scene, my feeble tongue
Essay'd again the sweets of song:
And thus, in feeble strains and slow,
The loitering numbers 'gan to flow.
'Come, gentle Air! my languid limbs restore,
And bid me welcome from the Stygian shore;
For sure I heard the tender sighs,
I seem'd to join the plaintive cries,
Of hapless youths who through the myrtle grove
Bewail for ever their unfinish'd love;
To that unjoyous clime,
Torn from the sight of these ethereal skies;
Debarr'd the lustre of their Delia's eyes,
And banish'd in their prime.
'Come, gentle Air! and, while the thickets bloom,
Convey the jasmine's breath divine;
Convey the woodbine's rich perfume,
Nor spare the sweet-leaf'd eglantine
And mayst thou shun the rugged storm,
Till Health her wonted charms explain,
With Rural Pleasure in her train,
To greet me in her fairest form
While from this lofty mount I view
The Sons of earth, the vulgar crew,
Anxious for futile gains, beneath me stray,
And seek with erring step Contentment's obvious way.
'Come, gentle Air! and thou, celestial Muse!
Thy genial flame infuse,
Enough to lend a pensive bosom aid,
And gild Retirement's gloomy shade;
Enough to rear such rustic lays
As foes may slight, but partial friends will praise.'
The gentle Air allow'd my claim,
And, more to cheer my drooping frame,
She mixt the balm of opening flowers,
Such as the bee, with chemic powers,
From Hybla's fragrant hills inhales,
Or scents Sabea's blooming vales:
But, ah! the nymphs that heal the pensive mind,
By prescripts more refined,
Neglect their votary's anxious moan:
Oh! how should they relieve?-the Muses all were flown.
By flowery plain or woodland shades
I fondly sought the charming maids;
By woodland shades or flowery plain
I sought them, faithless maids! in vain;
When, lo! in happier hour,
I leave behind my native mead,
To range where Zeal and Friendship lead,
To visit Luxborough's honour'd bower.
Ah! foolish man! to seek the tuneful maids
On other plains, or near less verdant shades;
Scarce have my footsteps press'd the favour'd ground,
When sounds ethereal strike my ear;
At once celestial forms appear;
My fugitives are found!
The Muses here attune their lyres,
Ah! partial, with unwonted fires;
Here, hand in hand, with careless mien,
The sportive graces trip the green.
But whilst I wander'd o'er a scene so fair,
Too well at one survey I trace
How every Muse and every Grace
Had long employ'd their care.
Lurks not a stone enrich'd with lively stain,
Blooms not a flower amid the vernal store,
Falls not a plume on India's distant plain,
Glows not a shell on Adria's rocky shore,
But torn, methought, from native lands or seas,
From their arrangement gain fresh power to please.
And some had bent the wildering maze,
Bedeck'd with every shrub that blows,
And some entwined the willing sprays,
To shield th' illustrious dame's repose;
Others had graced the sprightly dome,
And taught the portrait where to glow;
Others arranged the curious tome,
Or, 'mid the decorated space,
Assign'd the laurell'd bust a place,
And given to learning all the pomp of show.
And now from every task withdrawn,
They met and frisk'd it o'er the lawn.
Ah! woe is me, said I,
And - -'s hilly circuit heard my cry:
Have I for this with labour strove,
And lavish'd all my little store,
To fence for you my shady grove,
And scollop every winding shore,
And fringe with every purple rose,
The sapphire stream that down my valley flows?
Ah! lovely treacherous maids!
To quit unseen my votive shades,
When pale Disease, and torturing Pain,
Had torn me from the breezy plain,
And to a restless couch confined,
Who ne'er your wonted tasks declined.
She needs not your officious aid
To swell the song, or plan the shade;
By genuine Fancy fired,
Her native genius guides her hand,
And while she marks the sage command,
More lovely scenes her skill shall raise,
Her lyre resound with nobler lays
Than ever you inspired.
Thus I my rage and grief display,
But vainly blame, and vainly mourn,
Nor will a Grace, or Muse, return
Till Luxborough lead the way.
poem by William Shenstone
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Cantata. Set By Mons. Galliard
Recit.
Beneath a verdant laurel's ample shade
His lyre to mournful numbers strung,
Horace, immortal bard supinely laid,
To Venus thus address'd the song;
Ten thousand little loves around,
Listening dwelt on every sound.
Ariet.
Potent Venus, bid thy son
Sound no more his dire alarms:
Youth on silent wings is flown;
Graver years come rolling on,
Spare my age unfit for arms:
Safe and humble let me rest,
From all amorous care released.
Potent Venus, bid thy son
Sound no more his dire alarms.
Recit.
Yet, Venus, why do I each morn prepare
The fragrant wreath for Cloe's hair?
Why, why do I all day lament and sigh,
Unless the beauteous maid be nigh?
And why all night pursue her in my dreams
Through flowery meads and crystal streams?
Recit.
Thus sung the bard, and thus the goddess spoke:
Submissive bow to Love's imperious yoke;
Every state and every age
Shall own my rule and fear my rage:
Compell'd by me, thy Muse shall prove
That all the world was born to love.
Ariet.
Bid thy destined lyre discover
Soft desire and gentle pain:
Often praise, and always love her;
Through her ear her heart obtain.
Verse shall please and sight shall move her,
Cupid does with Phoebus reign.
poem by Matthew Prior
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Eclogue the First Selim
SCENE, a Valley near Bagdat TIME, the Morning
`Ye Persian maids, attend your poet's lays,
And hear how shepherds pass their golden days:
Not all are blest, whom fortune's hand sustains
With wealth in courts, nor all that haunt the plains:
Well may your hearts believe the truths I tell;
'Tis virtue makes the bliss, where'er we dwell.'
Thus Selim sung, by sacred Truth inspired;
No praise the youth, but hers alone, desired.
Wise in himself, his meaning songs conveyed
Informing morals to the shepherd maid,
Or taught the swains that surest bliss to find,
What groves nor streams bestow, a virtuous mind.
When sweet and odorous, like an eastern bride,
The radiant morn resumed her orient pride,
When wanton gales along the valleys play,
Breathe on each flower, and bear their sweets away:
By Tigris' wandering waves he sat, and sung
This useful lesson for the fair and young.
`Ye Persian dames,' he said, `to you belong,
Well may they please, the morals of my song;
No fairer maids, I trust, than you are found,
Graced with soft arts, the peopled world around!
The morn that lights you to your loves supplies
Each gentler ray delicious to your eyes:
For you those flowers her fragrant hands bestow,
And yours the love that kings delight to know.
Yet think not these, all beauteous as they are,
The best kind blessings heaven can grant the fair!
Who trust alone in beauty's feeble ray,
Balsora's pearls have more of worth than they;
Drawn from the deep, they sparkle to the sight,
And all-unconscious shoot a lustrous light:
Such are the maids and such the charms they boast,
By sense unaided or to virtue lost.
Self-flattering sex! your hearts believe in vain
That love shall blind when once he fires the swain,
Or hope a lover by your faults to win,
As spots on ermine beautify the skin.
Who seeks secure to rule, be first her care
Each softer virtue that adorns the fair,
Each tender passion man delights to find,
The loved perfections of a female mind.
`Blest were the days when Wisdom held her reign,
And shepherds sought her on the silent plain;
With Truth she wedded in the secret grove,
The fair-eyed Truth, and daughters blessed their love.
`O haste, fair maids, ye Virtues, come away,
Sweet Peace and Plenty lead you on your way!
The balmy shrub for you shall love our shore,
By Ind excelled or Araby no more.
`Lost to our fields, for so the fates ordain,
The dear deserters shall return again.
O come thou, Modesty, as they decree,
The rose may then improve her blush by thee.
Here make thy court amidst our rural scene,
And shepherd-girls shall own thee for their queen.
With thee be Chastity, of all afraid,
Distrusting all, a wise suspicious maid,
But man the most -- not more the mountain doe
Holds the swift falcon for her deadly foe.
Cold is her breast, like flowers that drink the dew;
A silken veil conceals her from the view.
No wild desires amidst thy train be known,
But Faith, whose heart is fixed on one alone;
Desponding Meekness with her down-cast eyes,
And friendly Pity full of tender sighs;
And Love the last: by these your hearts approve,
These are the Virtues that must lead to love.'
Thus sung the swain, and eastern legends say
The maids of Bagdat verified the lay:
Dear to the plains, the Virtues came along,
The shepherds loved, and Selim blessed his song.
poem by William Taylor Collins
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The Speeches of Sloth and Virtue
[Upon the Plan of Xenophen's Judgment of Hercules]
SLOTH
Hither, dear Boy, direct thy wandring Eyes,
'Tis here the lovely Vale of Pleasure lies.
Debate no more -- to me thy self resign;
Her mossy Caves, her Groves, and all are mine.
For me the Goddess opes her various Pow'r,
Springs in a Tree, or blossoms in a Flow'r:
To please my Ear she breaths celestial Strains:
To please my Eye, with Lillies strews the Plains:
To form my Couch in mossy Beds she grows:
To gratify my Smell she blooms a Rose.
Oft' in some Nymph the Deity I find,
Where in one Form the various Sweets are join'd.
Yield but to me, -- a Choir of Nymphs shall rise,
And with the blooming Sight regale thy Eyes:
Their beauteous Cheeks a fairer Rose shall wear,
A brighter Lilly in their Necks appear:
Thou on their Breasts thy wearied Head recline,
Nor at the Swan's less pleasing Nest repine:
Whilst Philomel in each soft Voice complains,
And gently lulls thee with her dying Strains:
Whilst spicy Gums round each fair Bosom glow;
And in each Accent myrrhy Odours flow.
For thee with softest Art the Dome shall rise,
And spiring Turrets glitter thro' the Skies.
For thee the Robe shall glow with purple Rays;
The Side-board sparkle, and gilt Chariot blaze.
In brilliant Mines, be other Hands employ'd,
So the gay Product be by thine enjoy'd.
For thee the Poplar shall her Amber drain:
For thee in clouded Beauty spring the Cane.
To please thy Taste shall Gallia prune the Vine:
To swell thy Treasures India sink the Mine.
For thee each Nations nicer Stores shall grow,
And ev'ry Wind some lovely Tribute blow.
Learning shall ne'er molest thy tranquil Reign,
Nor Science puzzle thy inactive Brain:
Sometimes perhaps thy Fancy take her Wing
To grace a Fan, or celebrate a Ring:
Fix various Dyes to suit each varying Mien:
Prescribe where Patches shou'd in Crouds be seen:
Or sigh soft Strains along the vocal Grove,
And tell the Charms, the sweet Effects of Love!
Or if more specious Ease thy Care shou'd claim,
And thy Breast glow with faint Desire of Fame,
Some trivial Science shall thy Thoughts amuse;
And Learning's Name a solemn Sound diffuse.
To Thee all Nature's shelly Store I'll bring,
To thee the Sparklings on the Insect's Wing.
Pleasure in infant Forms shalt thou descry;
View, in an Ant, or hear her in a Fly;
When near thy Path, as oft as Spring appears,
The sportive Goddess buzzes round thy Ears:
Now in some Pebble's curious Vein is seen,
Or on some Leaf bestows unusual Green.
Then Sleep shall wrap thee in her downy Arms,
And round thy weary'd Head diffuse her Charms;
Lest growing Pride thy peaceful Schemes o'erthrow,
And Thought succeed, -- my most destructive Foe.
The watry Nymphs shall tune the tinkling Vales,
And gentle Zephyrs harmonize their Gales:
For thy repose instruct, with Rival Joy,
Their Streams to murmur, and their Winds to sigh.
Thus shalt thou spend the sweetly-flowing Day,
Till lost in Bliss thou breath thy Soul away:
How easy a Transition should'st thou find,
Were to thy Fate Annihilation join'd!
VIRTUE.
Fly, fly, fond Youth, the too indulgent Maid,
Nor err, by such fantastick Scenes betray'd.
Tho' in my Path the prickly Thorn be seen,
And the waste Turf produce a fainter Green;
Tho' no gay Rose, or purple Product shine,
The rugged Surface still conceals the Mine;
And each unsightly Object can supply
More lasting Pleasure, more substantial Joy.
But shou'd those airy glittr'ing Toys allure,
Yet whence cou'd Sloth the mighty Boon procure?
Or whence receive, or how those Gifts bestow,
Which I alone possess -- her greatest Foe?
I from old Ocean rob the treasur'd Store,
And hidden Gems thro' ev'ry Realm explore:
'Twas I the rugged Brilliant first reveal'd,
By tenfold Strata in the Earth conceal'd:
'Tis I the shapeless Surface still refine,
And teach the rugged Brilliant how to shine.
Where blooms the Rose, where spires the shapely Tree,
Where smiles the Grape, without fair Industry?
But grant we Sloth the Scene herself has drawn,
The mossy Grotto, and the flow'ry Lawn:
Let Frankincense with ev'ry Wind exhale,
And Philomela breath in ev'ry Gale:
Let Brilliants sparkle, (dear Machines of Pride!)
And from the Poplar flow the Amber Tide:
Let gay Pomona, quitting all around,
For choicest Fruits select the hallow'd Ground;
To tread the favour'd Soil shou'd Virtue cease,
Nor mossy Grotts, nor flow'ry Lawns cou'd please:
Nor ought Pomona's luscious Gifts avail:
The Sound harmonious; or the spicy Gale.
See'st thou those Rocks in dreadful Pomp arise,
And barren Cliffs that sweep the vaulted Skies?
Those Fields whence Phoebus all their Moisture drains,
And, too profusely kind, disrobes the Plains?
When I vouchsafe to tread the lonely Soil,
Those Rocks seem lovely, and those Desarts smile;
Oft' on those pathless Wilds as I appear,
(With Converse sweet his lonely Steps to chear)
Those Cliffs the Exile has with Pleasure view'd,
And call'd that Desart, ``Blissful Solitude!
Known by its airy Height and tow'ring Spires,
Behind that Scene Fame's lofty Dome retires.
Steep the Ascent by which to Fame we rise,
Yet equal to the Labour is the Prize:
From thence you gain an earthly Crown;
From thence -- you reach the Skies.
Far, far below the downy Throne is seen
That lulls to Rest Ignavia's softer Queen:
Thence to Fame's Turrets oft' She lifts her Eyes,
Desirous still, still impotent to rise.
Oft', when resolv'd to gain those shining Tow'rs,
The pensive Queen the dire Ascent explores;
Comes onward, wafted by the gummy Trees,
Some Sylvan Musick, or some scented Breeze;
She turns her Head; her own gay Realm she spies,
And all the airy Resolution dies.
Thus still in vain these gilded Visions please
The Wretch of Glory, whilst the Slave of Ease;
Doom'd ever in ignoble State to pine,
Boast her own Scenes, and languish after mine.
poem by William Shenstone
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Friendship and Love
A DIALOGUE: Addressed to a young Lady.
Friendship:
In vain thy lawless Fires contend with mine,
Tho' Crouds unnumber'd fall before thy Shrine;
Let Youths, who ne'er aspir'd to noble Fame,
And the soft Virgin, kindle at thy Flame,
Thee, Son of Indolence and Vice, I scorn,
By Reason nourish'd, and of Virtue born.
Love:
Vain is that boasted Reason 'gainst my Dart,
I pierce the Sage's, as the vulgar Heart,
All Ages, Sexes, the soft Torment share,
The hoary Patriot, and the blooming Fair.
To narrow Limits is thy Sway confin'd,
To some few Breasts, I triumph o'er Mankind.
Friendship:
From grov'ling Sources, ever springs thy Pow'r,
Still varying Fancy, and frail Beauty's Flow'r:
Then with its Cause the short liv'd Ardour flies,
A flash of Passion that but gleams and dies.
Mine upon Virtue rais'd, still lives the same,
In gen'rous Hearts a constant equal Flame.
Love:
Love is not always that degen'rate thing,
I too from Virtue, as from Beauty spring.
Thou to the same dull Circle ever true,
Know'st but one Form all Tempers to subdue
Wide is my Empire, manyfold my Arts,
And various are the Plumes that wing my Darts.
Here a Fair face allures desiring Eyes,
There Modesty and Sense enslave the Wise.
Thus whilst each Pow'r with equal Warmth contends,
The Clouds divide, an heavenly Form descends,
Wings o'er his Shoulders mantling wav'd, behind
His snowy Garments floated in the wind;
A Wreath of mingled Flow'rs adorned his Head,
Immortal Flow'rs by Mold Ætherial fed,
Graceful he mov'd in Youth and Beauty's pride,
His Cheeks Aurora's op'ning Blushes dy'd,
A flaming Torch he bore, approaching now,
Fair Hymen Guardian of the nuptial Vow,
They knew and paus'd, He first the Silence broke,
Celestial Musick warbled as he spoke.
Cease, rival Pow'rs, with Rage unjust to glow,
Ye both to Men the noblest Gifts bestow.
Howe'er by Folly or by Vice abus'd,
Blessings are turn'd to Curses when misus'd.
Mine be the Praise the Gifts of both to blend.
And to the virtuous Lover join the Friend.
Thus shall Life glide away in mutual Joys,
Sweets that ne'er tire, and Rapture that ne'er cloys.
So blest an Union, Anna mayst thou prove,
A constant Friendship, in a tender Love.
poem by Mark Akenside
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Spring - The First Pastoral ; or Damon
First in these fields I try the sylvan strains,
Nor blush to sport on Windsor's blissful plains:
Fair Thames, flow gently from thy sacred spring,
While on thy banks Sicilian Muses sing;
Let vernal airs tho' trembling osiers play,
And Albion's cliffs resound the rural lay.
You, that too wise for pride, too good for pow'r,
Enjoy the glory to be great no more,
And carrying with you all the world can boast,
To all the world illustriously are lost!
O let my Muse her slender reed inspire,
Till in your native shades you tune the lyre:
So when the Nightingale to rest removes,
The Thrush may chant to the forsaken groves,
But, charm'd to silence, listens while she sings,
And all th' aerial audience clap their wings.
Soon as the flocks shook off the nightly dews,
Two Swains, whom Love kept wakeful, and the Muse
Pour'd o'er the whitening vale their fleecy care,
Fresh as the morn, and as the season fair:
The dawn now blushing on the mountain's side,
Thus Daphnis spoke, and Strephon thus reply'd.
Daphnis.
Hear how the birds, on ev'ry bloomy spray,
With joyous musick wake the dawning day!
Why sit we mute when early linnets sing,
When warbling Philomel salutes the spring?
Why sit we sad when Phosphor shines so clear,
And lavish nature paints the purple Year?
Strephon.
Sing, then, and Damon shall attend the strain,
While yon' slow oxen turn the furrow'd Plain.
Here the bright crocus and blue vi'let glow;
Here western winds on breathing roses blow.
I'll stake yon' lamb, that near the fountain plays,
And from the brink his dancing shade surveys.
Daphnis.
And I this bowl, where wanton Ivy twines,
And swelling clusters bend the curling vines:
Four figures rising from the work appear,
The various seasons of the rolling year;
And what is that, which binds the radiant sky,
Where twelve fair Signs in beauteous order lie?
Damon.
Then sing by turns, by turns the Muses sing,
Now hawthorns blossom, now the daisies spring,
Now leaves the trees, and flow'rs adorn the ground,
Begin, the vales shall ev'ry note rebound.
Inspire me, Phoebus, in my Delia's praise
With Waller's strains, or Granville's moving lays!
A milk-white bull shall at your altars stand,
That threats a fight, and spurns the rising sand.
Daphnis.
O Love! for Sylvia let me gain the prize,
And make my tongue victorious as her eyes;
No lambs or sheep for victims I'll impart,
Thy victim, Love, shall be the shepherd's heart.
Strephon.
Me gentle Delia beckons from the plain,
Then hid in shades, eludes her eager swain;
But feigns a laugh, to see me search around,
And by that laugh the willing fair is found.
Daphnis.
The sprightly Sylvia trips along the green,
She runs, but hopes she does not run unseen;
While a kind glance at her pursuer flies,
How much at variance are her feet and eyes!
Strephon.
O'er golden sands let rich Pactolus flow,
And trees weep amber on the banks of Po;
Blest Thames's shores the brightest beauties yield,
Feed here my lambs, I'll seek no distant field.
Daphnis.
Celestial Venus haunts Idalia's groves;
Diana Cynthus, Ceres Hybla loves;
If Windsor-shades delight the matchless maid,
Cynthus and Hybla yield to Windsor-shade.
Strephon.
All nature mourns, the Skies relent in show'rs,
Hush'd are the birds, and clos'd the drooping flow'rs;
If Delia smile, the flow'rs begin to spring,
The skies to brighten, and the birds to sing.
Daphnis.
All nature laughs, the groves are fresh and fair,
The Sun's mild lustre warms the vital air;
If Sylvia smiles, new glories gild the shore,
And vanquish'd nature seems to charm no more.
Strephon.
In spring the fields, in autumn hills I love,
At morn the plains, at noon the shady grove,
But Delia always; absent from her sight,
Nor plains at morn, nor groves at noon delight.
Daphnis.
Sylvia's like autumn ripe, yet mild as May,
More bright than noon, yet fresh as early day;
Ev'n spring displeases, when she shines not here;
But blest with her, 'tis spring throughout the year.
Strephon.
Say, Daphnis, say, in what glad soil appears,
A wond'rous Tree that sacred Monarchs bears:
Tell me but this, and I'll disclaim the prize,
And give the conquest to thy Sylvia's eyes.
Daphnis.
Nay tell me first, in what more happy fields
The Thistle springs, to which the Lily yields:
And then a nobler prize I will resign;
For Sylvia, charming Sylvia, shall be thine.
Damon.
Cease to contend, for, Daphnis, I decree,
The bowl to Strephon, and the lamb to thee:
Blest Swains, whose Nymphs in ev'ry grace excel;
Blest Nymphs, whose Swains those graces sing so well!
Now rise, and haste to yonder woodbine bow'rs,
A soft retreat from sudden vernal show'rs,
The turf with rural dainties shall be crown'd,
While op'ning blooms diffuse their sweets around.
For see! the gath'ring flocks to shelter tend,
And from the Pleiads fruitful show'rs descend.
poem by Alexander Pope
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To Maecenas
MAECENAS, you, beneath the myrtle shade,
Read o'er what poets sung, and shepherds play'd.
What felt those poets but you feel the same?
Does not your soul possess the sacred flame?
Their noble strains your equal genius shares
In softer language, and diviner airs.
While Homer paints, lo! circumfus'd in air,
Celestial Gods in mortal forms appear;
Swift as they move hear each recess rebound,
Heav'n quakes, earth trembles, and the shores resound.
Great Sire of verse, before my mortal eyes,
The lightnings blaze across the vaulted skies,
And, as the thunder shakes the heav'nly plains,
A deep felt horror thrills through all my veins.
When gentler strains demand thy graceful song,
The length'ning line moves languishing along.
When great Patroclus courts Achilles' aid,
The grateful tribute of my tears is paid;
Prone on the shore he feels the pangs of love,
And stern Pelides tend'rest passions move.
Great Maro's strain in heav'nly numbers flows,
The Nine inspire, and all the bosom glows.
O could I rival thine and Virgil's page,
Or claim the Muses with the Mantuan Sage;
Soon the same beauties should my mind adorn,
And the same ardors in my soul should burn:
Then should my song in bolder notes arise,
And all my numbers pleasingly surprise;
But here I sit, and mourn a grov'ling mind,
That fain would mount, and ride upon the wind.
Not you, my friend, these plaintive strains become,
Not you, whose bosom is the Muses home;
When they from tow'ring Helicon retire,
They fan in you the bright immortal fire,
But I less happy, cannot raise the song,
The fault'ring music dies upon my tongue.
The happier Terence* all the choir inspir'd,
His soul replenish'd, and his bosom fir'd;
But say, ye Muses, why this partial grace,
To one alone of Afric's sable race;
From age to age transmitting thus his name
With the finest glory in the rolls of fame?
Thy virtues, great Maecenas! shall be sung
In praise of him, from whom those virtues sprung:
While blooming wreaths around thy temples spread,
I'll snatch a laurel from thine honour'd head,
While you indulgent smile upon the deed.
*He was an African by birth.
As long as Thames in streams majestic flows,
Or Naiads in their oozy beds repose
While Phoebus reigns above the starry train
While bright Aurora purples o'er the main,
So long, great Sir, the muse thy praise shall sing,
So long thy praise shal' make Parnassus ring:
Then grant, Maecenas, thy paternal rays,
Hear me propitious, and defend my lays.
poem by Phillis Wheatley
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Rural Sports: A Georgic - Canto II.
Now, sporting muse, draw in the flowing reins,
Leave the clear streams a while for sunny plains.
Should you the various arms and toils rehearse,
And all the fisherman adorn thy verse;
Should you the wide-encircling net display,
And in its spacious arch enclose the sea,
Then haul the plunging load upon the land,
And with the soale and turbot hide the sand;
It would extend the growing theme too long,
And tire the reader with the watery song.
Let the keen hunter from the chase refrain,
Nor render all the ploughman's labour vain,
When Ceres pours out plenty from her horn,
And clothes the fields with golden ears of corn.
New, now, ye reapers to your task repair,
Haste, save the product of the bounteous year.
To the wide-gathering hook long furrows yield,
And rising sheaves extend through all the field.
Yet if for silvan sport thy bosom glow,
Let thy feet greyhound urge his dying foe.
With what delight the rapid course I view!
How does my eye the circling race pursue!
He snaps deceitful air with empty jaws,
The subtle hare darts swift beneath his paws;
She flies, he stretches, now with nimble bound.
Eager he presses on, but overshoots his ground;
She turns, he winds, and soon regains the way,
Then tears with goary mouth the screaming prey.
What various sport does rural life afford!
What unbought dainties heap the wholesome board!
Nor less the spaniel, skilful to betray,
Rewards the fowler with the feather'd prey.
Soon as the lab'ring horse with swelling veins,
Hath safely hous'd the farmer's doubtful gains,
To sweet repast the unwary partridge flies,
With joy amid the scatter'd harvest lies;
Wandering in plenty, danger he forgets,
Nor dreads the slavery of entangling nets.
The subtile dog scowrs with sagacious nose
Along the field, and snuffs each breeze that blows,
Against the wind he takes his prudent way,
While the strong gale directs him to the prey;
Now the warm scent assures the covey near,
He treads with caution, and he points with fear
Then (lest some centry fowl the fraud descry,
And bid his fellows from the danger fly)
Close to the ground in expectation lies,
Till in the snare the fluttering covey rise.
Soon as the blushing light begins to spread
And glancing Phoebus gilds the mountain's head,
His early flight the ill-fated partridge takes,
And quits the friendly shelter of the brakes:
Or when the sun casts a declining ray,
And drives his chariot down the western way,
Let your obsequious ranger search around,
Where yellow stubble withers on the ground:
Nor will the roving spy direct in vain,
But numerous coveys gratify thy pain.
When the meridian sun contracts the shade,
And frisking heifers seek the cooling shade;
Or when the country floats with sudden rains,
Or driving mists deface the moist'ned plains;
In vain his toils the unskilful fowler tries,
While in thick woods the feeding partridge lies.
Nor must the sporting verse the gun forbear,
But what's the fowler's be the muse's care.
See how the well-taught pointer leads the way:
The scent grows warm; he stops; he springs the prey;
The fluttering coveys from the stubble rise,
And on swift wing divide the sounding skies;
The scattering lead pursues the certain sight,
And death in thunder overtakes their flight.
Cool breathes the morning air, and winter's hand
Spreads wide her hoary mantle o'er the land;
Now to the copse thy lesser spaniel take,
Teach him to range the ditch and force the brake;
Now closest coverts can protect the game:
Hark! the dog opens; take thy certain aim;
The woodcock flutters; how he wavering flies!
The wood resounds: he wheels, he drops, he dies.
The towering hawk let future poets sing,
Who terror bears upon his soaring wing:
Let them on high the frighted hern survey,
And lofty numbers paint their airy fray,
Nor shall the mounting lark the muse detain,
That greets the morning with his early strain;
When, 'midst his song, the twinkling glass betrays;
While from each angle flash the glancing rays,
And in the sun the transient colours blaze,
Bride lures the little warbler from the skies:
The light-enamour'd bird deluded dies.
But still the chase, a pleasing task, remains;
The hound must open in these rural strains.
Soon as Aurora drives away the night,
And edges eastern clouds with rosy light,
The healthy huntsman, with the cheerful horn,
Summons the dogs, and greets the dappled morn;
The jocund thunder wakes the enliven'd hounds,
They rouse from sleep, and answer sounds for sounds.
Wide through the furzy field their rout they take,
Their bleeding bosoms force the thorny brake:
The dying game their smoking nostrils trace,
No bounding hedge obstructs their eager pace;
The distant mountains echo from afar,
And hanging woods resound the flying war:
The tuneful noise the sprightly courser hears,
Paws the green turf, and pricks his trembling ears
The slacken'd rein now gives him all his speed,
Back flies the rapid ground beneath the steed:
Hills, dales, and forests far behind remain,
While the warm scent draws on the deep mouth'd train.
Where shall the trembling hare a shelter find?
Hark! death advances in each gust of wind!
New stratagems and doubling wiles she tries,
Now circling turns, and now at large she flies;
Till spent at last, she pants, and heaves for breath
Then lays her down, and waits devouring death.
But stay, advent'rous muse, hast thou the force
To wind the twisted horn, to guide the horse?
To keep thy seat unmov'd hast thou the skill
O'er the high gate, and down the headlong hill
Canst thou the stag's laborious chase direct,
Or the strong fox through all his arts detect,
The theme demands a more experienc'd lay;
Ye mighty hunters, spare this weak essay.
Oh happy plains, remote from war's alarms,
And all the ravages of hostile arms!
And happy shepherds, who, secure from fear,
On open downs preserve your fleecy care!
Whose spacious barns groan with increasing store,
And whirling flails disjoint the cracking floor:
No barbarous soldier, bent on cruel spoil,
Spreads desolation o'er your fertile soil;
No trampling steed lays waste the ripen'd grain,
Nor crackling fires devour the promis'd gain:
No flaming beacons cast their blaze afar,
The dreadful signal of invasive war;
No trumpet's clangor wounds the mother's ear,
And calls the lover from his swooning fair.
What happiness the rural maid attends,
In cheerful labour while each day she spends!
She gratefully receives what heaven has sent,
And, rich in poverty, enjoys content:
(Such happiness, and such unblemish'd fame
Ne'er glad the bosom of the courtly dame)
She never feels the spleen's imagin'd pains,
Nor melancholy stagnates in her veins;
She never loses life in thoughtless ease,
Nor on the velvet couch invites disease;
Her home-spun dress in simple neatness lies
And for no glaring equipage she sighs:
Her reputation, which is all her boast,
In a malicious visit ne'er was lost:
No midnight masquerade her beauty wears,
And health, not paint, the fading bloom repairs.
If love's soft passion warms her happy swain;
An equal passion in her bosom reign,
No home-bred jars her quiet state control,
Nor watchful jealousy torments her soul;
With secret joy she sees her little race
Hang on her breast, and her small cottage grace
The fleecy ball their little fingers cull,
Or from the spindle draw the length'ning wool:
Thus flow her hours with constant peace of mind,
Till age the latest thread of life unwind.
Ye happy fields, unknown to noise and strife,
The kind rewarders of industrious life,
Ye shady woods, where once I used to rove;
Alike indulgent to the muse and love;
Ye murmuring streams that in meanders roll,
The sweet composers of the pensive soul,
Farewell - The city calls me from your bowers;
Farewell amusing thoughts and peaceful hours.
Thoughts On The Works Of Providence
A R I S E, my soul, on wings enraptur'd, rise
To praise the monarch of the earth and skies,
Whose goodness and benificence appear
As round its centre moves the rolling year,
Or when the morning glows with rosy charms,
Or the sun slumbers in the ocean's arms:
Of light divine be a rich portion lent
To guide my soul, and favour my intend.
Celestial muse, my arduous flight sustain
And raise my mind to a seraphic strain!
Ador'd for ever be the God unseen,
Which round the sun revolves this vast machine,
Though to his eye its mass a point appears:
Ador'd the God that whirls surrounding spheres,
Which first ordain'd that mighty Sol should reign
The peerless monarch of th' ethereal train:
Of miles twice forty millions is his height,
And yet his radiance dazzles mortal sight
So far beneath--from him th' extended earth
Vigour derives, and ev'ry flow'ry birth:
Vast through her orb she moves with easy grace
Around her Phoebus in unbounded space;
True to her course th' impetuous storm derides,
Triumphant o'er the winds, and surging tides.
Almighty, in these wond'rous works of thine,
What Pow'r, what Wisdom, and what Goodness shine!
And are thy wonders, Lord, by men explor'd,
And yet creating glory unador'd!
Creation smiles in various beauty gay,
While day to night, and night succeeds to day:
That Wisdom, which attends Jehovah's ways,
Shines most conspicuous in the solar rays:
Without them, destitute of heat and light,
This world would be the reign of endless night:
In their excess how would our race complain,
Abhorring life! how hate its length'ned chain!
From air adust what num'rous ills would rise?
What dire contagion taint the burning skies?
What pestilential vapours, fraught with death,
Would rise, and overspread the lands beneath?
Hail, smiling morn, that from the orient main
Ascending dost adorn the heav'nly plain!
So rich, so various are thy beauteous dies,
That spread through all the circuit of the skies,
That, full of thee, my soul in rapture soars,
And thy great God, the cause of all adores.
O'er beings infinite his love extends,
His Wisdom rules them, and his Pow'r defends.
When tasks diurnal tire the human frame,
The spirits faint, and dim the vital flame,
Then too that ever active bounty shines,
Which not infinity of space confines.
The sable veil, that Night in silence draws,
Conceals effects, but shows th' Almighty Cause,
Night seals in sleep the wide creation fair,
And all is peaceful but the brow of care.
Again, gay Phoebus, as the day before,
Wakes ev'ry eye, but what shall wake no more;
Again the face of nature is renew'd,
Which still appears harmonious, fair, and good.
May grateful strains salute the smiling morn,
Before its beams the eastern hills adorn!
Shall day to day, and night to night conspire
To show the goodness of the Almighty Sire?
This mental voice shall man regardless hear,
And never, never raise the filial pray'r?
To-day, O hearken, nor your folly mourn
For time mispent, that never will return.
But see the sons of vegetation rise,
And spread their leafy banners to the skies.
All-wise Almighty Providence we trace
In trees, and plants, and all the flow'ry race;
As clear as in the nobler frame of man,
All lovely copies of the Maker's plan.
The pow'r the same that forms a ray of light,
That call d creation from eternal night.
"Let there be light," he said: from his profound
Old Chaos heard, and trembled at the sound:
Swift as the word, inspir'd by pow'r divine,
Behold the light around its Maker shine,
The first fair product of th' omnific God,
And now through all his works diffus'd abroad.
As reason's pow'rs by day our God disclose,
So we may trace him in the night's repose:
Say what is sleep? and dreams how passing strange!
When action ceases, and ideas range
Licentious and unbounded o'er the plains,
Where Fancy's queen in giddy triumph reigns.
Hear in soft strains the dreaming lover sigh
To a kind fair, or rave in jealousy;
On pleasure now, and now on vengeance bent,
The lab'ring passions struggle for a vent.
What pow'r, O man! thy reason then restores,
So long suspended in nocturnal hours?
What secret hand returns the mental train,
And gives improv'd thine active pow'rs again?
From thee, O man, what gratitude should rise!
And, when from balmy sleep thou op'st thine eyes,
Let thy first thoughts be praises to the skies.
How merciful our God who thus imparts
O'erflowing tides of joy to human hearts,
When wants and woes might be our righteous lot,
Our God forgetting, by our God forgot!
Among the mental pow'rs a question rose,
"What most the image of th' Eternal shows?"
When thus to Reason (so let Fancy rove)
Her great companion spoke immortal Love.
"Say, mighty pow'r, how long shall strife prevail,
"And with its murmurs load the whisp'ring gale?
"Refer the cause to Recollection's shrine,
"Who loud proclaims my origin divine,
"The cause whence heav'n and earth began to be,
"And is not man immortaliz'd by me?
"Reason let this most causeless strife subside."
Thus Love pronounc'd, and Reason thus reply'd.
"Thy birth, coelestial queen! 'tis mine to own,
"In thee resplendent is the Godhead shown;
"Thy words persuade, my soul enraptur'd feels
"Resistless beauty which thy smile reveals."
Ardent she spoke, and, kindling at her charms,
She clasp'd the blooming goddess in her arms.
Infinite Love where'er we turn our eyes
Appears: this ev'ry creature's wants supplies;
This most is heard in Nature's constant voice,
This makes the morn, and this the eve rejoice;
This bids the fost'ring rains and dews descend
To nourish all, to serve one gen'ral end,
The good of man: yet man ungrateful pays
But little homage, and but little praise.
To him, whose works arry'd with mercy shine,
What songs should rise, how constant, how divine!
poem by Phillis Wheatley
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Niobe In Distress For Her Children Slain By Apollo, From Ovid's Metamorphoses, Book VI. And From A View Of The Painting Of Mr. Richard Wilson
Apollo's wrath to man the dreadful spring
Of ills innum'rous, tuneful goddess, sing!
Thou who did'st first th' ideal pencil give,
And taught'st the painter in his works to live,
Inspire with glowing energy of thought,
What Wilson painted, and what Ovid wrote.
Muse! lend thy aid, nor let me sue in vain,
Tho' last and meanest of the rhyming train!
O guide my pen in lofty strains to show
The Phrygian queen, all beautiful in woe.
'Twas where Maeonia spreads her wide domain
Niobe dwelt, and held her potent reign:
See in her hand the regal sceptre shine,
The wealthy heir of Tantalus divine,
He most distinguish'd by Dodonean Jove,
To approach the tables of the gods above:
Her grandsire Atlas, who with mighty pains
Th' ethereal axis on his neck sustains:
Her other grandsire on the throne on high
Rolls the loud-pealing thunder thro' the sky.
Her spouse, Amphion, who from Jove too springs,
Divinely taught to sweep the sounding strings.
Seven sprightly sons the royal bed adorn,
Seven daughters beauteous as the op'ning morn,
As when Aurora fills the ravish'd sight,
And decks the orient realms with rosy light
From their bright eyes the living splendors play,
Nor can beholders bear the flashing ray.
Wherever, Niobe, thou turn'st thine eyes,
New beauties kindle, and new joys arise!
But thou had'st far the happier mother prov'd,
If this fair offspring had been less belov'd:
What if their charms exceed Aurora's teint.
No words could tell them, and no pencil paint,
Thy love too vehement hastens to destroy
Each blooming maid, and each celestial boy.
Now Manto comes, endu'd with mighty skill,
The past to explore, the future to reveal.
Thro' Thebes' wide streets Tiresia's daughter came,
Divine Latona's mandate to proclaim:
The Theban maids to hear the orders ran,
When thus Maeonia's prophetess began:
'Go, Thebans! great Latona's will obey,
'And pious tribute at her altars pay:
'With rights divine, the goddess be implor'd,
'Nor be her sacred offspring unador'd.'
Thus Manto spoke. The Theban maids obey,
And pious tribute to the goddess pay.
The rich perfumes ascend in waving spires,
And altars blaze with consecrated fires;
The fair assembly moves with graceful air,
And leaves of laurel bind the flowing hair.
Niobe comes with all her royal race,
With charms unnumber'd, and superior grace:
Her Phrygian garments of delightful hue,
Inwove with gold, refulgent to the view,
Beyond description beautiful she moves
Like heav'nly Venus, 'midst her smiles and loves:
She views around the supplicating train,
And shakes her graceful head with stern disdain,
Proudly she turns around her lofty eyes,
And thus reviles celestial deities:
'What madness drives the Theban ladies fair
'To give their incense to surrounding air?
'Say why this new sprung deity preferr'd?
'Why vainly fancy your petitions heard?
'Or say why Caeus offspring is obey'd,
'While to my goddesship no tribute's paid?
'For me no altars blaze with living fires,
'No bullock bleeds, no frankincense transpires,
'Tho' Cadmus' palace, not unknown to fame,
'And Phrygian nations all revere my name.
'Where'er I turn my eyes vast wealth I find,
'Lo! here an empress with a goddess join'd.
'What, shall a Titaness be deify'd,
'To whom the spacious earth a couch deny'd!
'Nor heav'n, nor earth, nor sea receiv'd your queen,
'Till pitying Delos took the wand'rer in.
'Round me what a large progeny is spread!
'No frowns of fortune has my soul to dread.
'What if indignant she decrease my train
'More than Latona's number will remain;
'Then hence, ye Theban dames, hence haste away,
'Nor longer off'rings to Latona pay;
'Regard the orders of Amphion's spouse,
'And take the leaves of laurel from your brows.'
Niobe spoke. The Theban maids obey'd,
Their brows unbound, and left the rights unpaid.
The angry goddess heard, then silence broke
On Cynthus' summit, and indignant spoke;
'Phoebus! behold, thy mother in disgrace,
'Who to no goddess yields the prior place
'Except to Juno's self, who reigns above,
'The spouse and sister of the thund'ring Jove.
'Niobe, sprung from Tantalus, inspires
'Each Theban bosom with rebellious fires;
'No reason her imperious temper quells,
'But all her father in her tongue rebels;
'Wrap her own sons for her blaspheming breath,
'Apollo! wrap them in the shades of death.'
Latona ceas'd, and ardent thus replies
The God, whose glory decks th' expanded skies.
'Cease thy complaints, mine be the task assign'd
'To punish pride, and scourge the rebel mind.'
This Phoebe join'd.--They wing their instant flight;
Thebes trembled as th' immortal pow'rs alight.
With clouds incompass'd glorious Phoebus stands;
The feather'd vengeance quiv'ring in his hands.
Near Cadmus' walls a plain extended lay,
Where Thebes' young princes pass'd in sport the day:
There the bold coursers bounded o'er the plains,
While their great masters held the golden reins.
Ismenus first the racing pastime led,
And rul'd the fury of his flying steed.
'Ah me,' he sudden cries, with shrieking breath,
While in his breast he feels the shaft of death;
He drops the bridle on his courser's mane,
Before his eyes in shadows swims the plain,
He, the first-born of great Amphion's bed,
Was struck the first, first mingled with the dead.
Then didst thou, Sipylus, the language hear
Of fate portentous whistling in the air:
As when th' impending storm the sailor sees
He spreads his canvas to the fav'ring breeze,
So to thine horse thou gav'st the golden reins,
Gav'st him to rush impetuous o'er the plains:
But ah! a fatal shaft from Phoebus' hand
Smites thro' thy neck, and sinks thee on the sand.
Two other brothers were at wrestling found,
And in their pastime claspt each other round:
A shaft that instant from Apollo's hand
Transfixt them both, and stretcht them on the sand:
Together they their cruel fate bemoan'd,
Together languish'd, and together groan'd:
Together too th' unbodied spirits fled,
And sought the gloomy mansions of the dead.
Alphenor saw, and trembling at the view,
Beat his torn breast, that chang'd its snowy hue.
He flies to raise them in a kind embrace;
A brother's fondness triumphs in his face:
Alphenor fails in this fraternal deed,
A dart dispatch'd him (so the fates decreed:)
Soon as the arrow left the deadly wound,
His issuing entrails smoak'd upon the ground.
What woes on blooming Damasichon wait!
His sighs portend his near impending fate.
Just where the well-made leg begins to be,
And the soft sinews form the supple knee,
The youth sore wounded by the Delian god
Attempts t' extract the crime-avenging rod,
But, whilst he strives the will of fate t' avert,
Divine Apollo sends a second dart;
Swift thro' his throat the feather'd mischief flies,
Bereft of sense, he drops his head, and dies.
Young Ilioneus, the last, directs his pray'r,
And cries, 'My life, ye gods celestial! spare.'
Apollo heard, and pity touch'd his heart,
But ah! too late, for he had sent the dart:
Thou too, O Ilioneus, art doom'd to fall,
The fates refuse that arrow to recal.
On the swift wings of ever flying Fame
To Cadmus' palace soon the tidings came:
Niobe heard, and with indignant eyes
She thus express'd her anger and surprise:
'Why is such privilege to them allow'd?
'Why thus insulted by the Delian god?
'Dwells there such mischief in the pow'rs above?
'Why sleeps the vengeance of immortal Jove?'
For now Amphion too, with grief oppress'd,
Had plung'd the deadly dagger in his breast.
Niobe now, less haughty than before,
With lofty head directs her steps no more
She, who late told her pedigree divine,
And drove the Thebans from Latona's shrine,
How strangely chang'd!--yet beautiful in woe,
She weeps, nor weeps unpity'd by the foe.
On each pale corse the wretched mother spread
Lay overwhelm'd with grief, and kiss'd her dead,
Then rais'd her arms, and thus, in accents slow,
'Be sated cruel Goddess! with my woe;
'If I've offended, let these streaming eyes,
'And let this sev'nfold funeral suffice:
'Ah! take this wretched life you deign'd to save,
'With them I too am carried to the grave.
'Rejoice triumphant, my victorious foe,
'But show the cause from whence your triumphs flow?
'Tho' I unhappy mourn these children slain,
'Yet greater numbers to my lot remain.'
She ceas'd, the bow string twang'd with awful sound,
Which struck with terror all th' assembly round,
Except the queen, who stood unmov'd alone,
By her distresses more presumptuous grown.
Near the pale corses stood their sisters fair
In sable vestures and dishevell'd hair;
One, while she draws the fatal shaft away,
Faints, falls, and sickens at the light of day.
To sooth her mother, lo! another flies,
And blames the fury of inclement skies,
And, while her words a filial pity show,
Struck dumb--indignant seeks the shades below.
Now from the fatal place another flies,
Falls in her flight, and languishes, and dies.
Another on her sister drops in death;
A fifth in trembling terrors yields her breath;
While the sixth seeks some gloomy cave in vain,
Struck with the rest, and mingled with the slain.
One only daughter lives, and she the least;
The queen close clasp'd the daughter to her breast:
'Ye heav'nly pow'rs, ah spare me one,' she cry'd,
'Ah! spare me one,' the vocal hills reply'd:
In vain she begs, the Fates her suit deny,
In her embrace she sees her daughter die.
* 'The queen of all her family bereft,
'Without or husband, son, or daughter left,
'Grew stupid at the shock. The passing air
'Made no impression on her stiff'ning hair.
* This Verse to the End is the Work of another Hand.
'The blood forsook her face: amidst the flood
'Pour'd from her cheeks, quite fix'd her eye-balls
'stood.
'Her tongue, her palate both obdurate grew,
'Her curdled veins no longer motion knew;
'The use of neck, and arms, and feet was gone,
'And ev'n her bowels hard'ned into stone:
'A marble statue now the queen appears,
'But from the marble steal the silent tears.'
poem by Phillis Wheatley
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Hesiod: or, The Rise of Woman
What ancient times (those times we fancy wise)
Have left on long record of woman's rise,
What morals teach it, and what fables hide,
What author wrote it, how that author dy'd
All these I sing. In Greece they fram'd the tale
(In Greece 'twas thought a woman might be frail);
Ye modern beauties! where the Poet drew
His softest pencil, thin he dreamt of you;
And, warn'd by him, ye wanton pens beware
How Heaven's concern'd to vindicate the fair.
The case was Hesiod's; he the fable writ;
Some think with meaning, some with idle wit:
Perhaps 'tis either, as the ladies please;
I wave the contest, and commence the lays.
In days of yore (no matter what or when,
'Twas ere the low creation swarm'd with men)
That one Prometheus, sprung of heavenly birth,
(Our Author's song can witness) liv'd on earth:
He carv'd the turf to mould a manly frame,
And stole from Jove his animating flame.
The sly contrivance o'er Olympus ran,
When thus the Monarch of the Stars began.
O vers'd in arts! whose daring thoughts aspire,
To kindle clay with never-dying fire!
Enjoy thy glory past, that gift was thine;
The next thy creature meets, be fairly mine:
And such a gift, a vengence so design'd,
As suits the counsel of a God to find;
A pleasing bosom-cheat, a specious ill,
Which felt the curse, yet covets still to feel.
He said, and Vulcan straight the Sire commands,
To temper mortar with Etherial hands;
In such a shape to mould a rising fair;
As virgin goddesses are proud to wear;
To make her eyes with diamond-water shine,
And form her organs for a voice divine
'Twas thus the Sire ordain'd; the Power obey'd;
And work'd, and wonder'd at the work he made;
The fairest, softest, sweetest frame beneath,
Now made to seem, now more than seem to breathe.
As Vulcan ends, the cheerful Queen of Charms
Clasp'd the new-panting creature in her arms:
From that embrace a fine complexion spread,
Where mingled whiteness glow'd with softer red.
Then in a kiss she breath'd her various arts,
Of triffling prettily with wounded hearts;
A mind for love, but still a changing mind;
The lisp affected, and the glance design'd
The sweet confusing blush, the secret wink,
The gentle swimming walk, the courteous sink;
The stare for strangeness fit, for scorn the frown;
For decent yielding, looks declining down;
The practis'd languish, where well-feign'd desire
Would its own melting in a mutual fire;
Gay smiles to comfort; April showers to move;
And all the nature, all the art of love.
Gold scepter'd Juno next exalts the fair;
Her touch endows her with imperious air,
Self-valuing fancy, highly-crested pride,
Strong soverign will, and some desire to chide;
For which an eloquence, that aims to vex,
With native tropes of anger, arms the sex.
Minerva, skillful goddess, train'd the maid
To twirle the spindle by the twisting thread;
To fix the loom, instruct the reeds to part,
Cross the long weft, and close the web with art,
A useful gift; but what profuse expense,
What world of fashions, took its rise from hence!
Young Hermes next, a close contriving god,
Her brows encircled with his serpent rod;
Then plots and fair excuses fill'd her brain,
The views of breaking amorous vows for gain;
The price of favours; the designing arts
That aim at riches in contempt of hearts;
And, for a comfort in the marriage life,
The little pilfering temper of a wife.
Full on the fair his beams Apollo flung,
And fond persuasion tipp'd her easy tongue;
He gave her words, where oily flattery lays
The pleasing colours of the art of praise;,
And wit, to scandal equisitely prone
Which frets another's spleen to cure its own.
Those sacred Virgins1 whom the bards revere
Tun'd all her voice, and shed a sweetness there,
To make her sense with double charms abound,
Or make her lively nonsense please by sound.
To dress the maid, the decent Graces brought
A robe in all the dies of beauty wrought,
And plac'd their boxes o'er a rich brocade,
Where pictured Loves on every cover play'd;
Then spread those implements that Vulcan's art
Had frame'd to merit Cytherea's heart;
The wire to curl, the close indented comb
To call the locks, that lightly wander, home;
And chief, the mirror,where the ravish'd maid
Beholds and loves her own reflected shade.
Fair Flora lent her stores; the purpled Hours
Confin'd her tresses with a wreath of flowers;
Within the wreath arose a radiant crown;
A veil pellucid hung depending down;
Back roll'd her azure veil with surpent fold,
The pursled border deck'd the floor with gold.
Her robe (which closely by the girdle brac'd
Reveal'd the beauties of a slender waist)
Flow'd to the feet, to copy Venus' air,
When Venus' statues have a robe to wear.
The new-sprung creature, finish'd thus for harms,
Adjusts her habit, practices her charms,
With blushes glows, or shines with lively smiles,
Confirms her will, or recollects her wiles:
Then, conscious of her worth, with easy pace
Glides by the glass, and turning views her face.
A finer flax than what they wrought before,
Through Time's deep cave, the Sister Fates explore,
Then fix the loom, their fingers nimbly weave,
And thus their toil prophetic songs deceive.
Flow from the rock, my flax! and swiftly flow,
Pursue thy thread; the spindle runs below.
A creature fond and changing, fair and vain,
The creature woman, rises now to reign.
New beauty blooms, a beauty form'd to fly;
New love begins, a love produc'd to die;
New parts distress the troubled scenes of life,
The fondling mistress, and the ruling wife.
"Men born to labour, all with pains provide;
Women have time to sacrifice to pride:
They want the care of man, their want they know,
And dress to please with heart-alluring show;
The show prevailing, for the sway contend,
And make a servant where they meet a friend.
Thus in a thousand wax-erected forts
A loitering race the painful bee supports;
From sun to sun, from bank to bank he flies,
With honey loads his bag, with wax his thighs;
Fly where he will, at home the race remain,
Prune the silk dress, and murmuring eat the gain.
Yet here and there we grant a gentle bride,
Whose temper betters by the father's side;
Unlike the rest that double human care,
Fond to relieve, or resolute to share:
Happy the man whom thus his stars advance!
The curse is general, but the blessing chance.
Thus sung the Sisters, while the Gods admire
Their beauteous creature, made for man in ire;
The young Pandora she, whom all contend
To make too perfect not to gain her end:
Then bid the winds, that fly to breathe the spring
Return to bear her on a gentle wing;
With wafting airs the winds obsequious blow,
And land the shining vengeance safe below.
A golden coffer in her hand she bore,
The present treacherous, but the bearer more;
'Twas fraught with pangs; for Jove ordain'd above
That gold should aid, and pangs attend on love.
Her gay descent the man perceiv'd afar,
Wondering he ran to catch the falling star:
But so surpris'd, as none but he can tell,
Who lov'd so quickly, and who lov'd so well.
O'er all his veins the wandering passion burns,
He calls her Nymph, and every Nymph by turns.
Her form to lovely Venus he prefers;
Or swears that Venus' must be such as hers.
She, proud to rule, yet strangely fram'd to teaze,
Neglects his offers while her airs she plays,
Shoots scornful glances from the bended frown,
In brisk disorder trips it up and down;
Then hums a careless tune to lay the storm,
And sits, and blushes, smiles, and yields in form.
"Now take what Jove design'd," she softly cry'd,
"This box they portion, and myself the bride."
Fir'd with the prospect of the double charms,
He snatch'd the box, and bride, with eager arms.
Unhappy man! to whom so bright she shone,
The fatal gift, her tempting self, unknown!
The winds were silent, all the waves asleep,
And heaven was trac'd upon the flattering deep:
But, whilst he looks unmindful of a storm,
And thinks the water wears a stable form,
What dreadful din around his ears shall rise!
What frowns confuse his picture of the skies!
At first the creature man was fram'd alone,
Lord of himself, and all the world his own.
For him the Nymphs in green forsook the woods,
For him the Nymphs in blue forsook the floods;
In vain the Satyrs rage, the Tritons rave,
They bore him heroes in the secret cave.
No care destroy'd, no sick disorder prey'd,
No bending age his sprightly form decay'd,
No wars were known, no females heard to rage,
And, Poets tell us, 'twas a golden age.
When woman came, those ills the box confin'd
Burst furious out, and poison'd all the wind,
From point to point, from pole to pole they flew,
Spread as they went, and in the progress grew:
the Nymphs regretting left the mortal race,
And altering nature wore a sickly face:
New terms of folly rose, new states of care;
New plagues to suffer, and to please, the Fair!
The days of whining, and of wild intrigues,
Commenc'd, or finish'd with the breach of leagues;
The mean designs of well-dissembled love;
The sordid matches never join'd above:
Abroad the labour, and at home the noise,
(Man's double sufferings for domestic joys)
The curse of jealousy; expense and strife;
Divorce, the public brand of shameful life;
The rival's sword; the qualm that takes the fair;
Disdain for passion, passion in despair --
These, and a thousand yet unnam'd, we find;
Ah fear the thousand yet unnam'd behind!
Thus on Parnassus tuneful Hesiod sung,
The mountains echoed, and the valley rung,
The sacred goves a fix'd attention show,
The crystal Helicon forebore to flow,
The sky grew bright, and (if his verse be true)
The Muses came to give the laurel too.
But what avail'd the verdant prize of wit,
If Love swore vengeance for the tales he writ?
Ye Fair offended, hear your friend relate
What heavy judgment prov'd the writer's fate,
Though when it happen'd no relation clears,
'Tis thought in five, or five and twenty years.
Where, dark and silent, with a twisted shade
the neighbouring woods a native arbour made,
There oft a tender pair, for amorous play
Returing, toy'd the ravish'd hours away;
A Locrian youth, the gentle Troilus he,
A fair Milesian, kind Evanthe she:
But swelling nature in a fatal hour
Betray'd the secrets of the conscious bower;
240 The dire disgrace her brothers count their own,
And track her steps to make its author known.
It chanc'd one evening, 'twas the lover's day,
Conceal'd in brakes the jealous kindred lay;
When Hesiod, wandering, mus'd along the plain,
245 And fix'd his seat where love had fix'd the scene;
A strong suspicion straight possess their mind,
(For Poets ever were a gentle kind)
But when Evanthe near the passage stood,
Flung back a doubtful look, and shot the wood,
"Now take (at once they cry) thy due reward,"
And, urg'd with erring rage, assault the Bard.
His corpse the sea receiv'd. The dolphins bore
('Twas all the gods would do) the corpse to shore.
Methinks I view the dead with pitying eyes
And see the dreams of ancient wisdom rise;
I see the Muses round the body cry,
But hear a Cupid loudly laughing by;
He wheels his arrow with insulting hand,
And thus inscribes the moral on the sand.
"Here Hesiod lies: ye future Bards, beware
How far your moral tales incense the Fair.
Unlov'd, unloving, 'twas his fate to bleed;
Without his quiver, Cupid caus'd the deed:
He judg'd this turn of malice justly due,
And Hesiod dy'd for joys he never knew."
poem by Thomas Parnell
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The Origin Of Flattery
WHEN Jove, in anger to the sons of the earth,
Bid artful Vulcan give Pandora birth,
And sent the fatal gift which spread below
O'er all the wretched race contagious woe,
Unhappy man, by vice and folly tost,
Found in the storms of life his quiet lost,
While Envy, Avarice, and Ambition, hurl'd
Discord and death around the warring world;
Then the blest peasant left his fields and fold,
And barter'd love and peace for power and gold;
Left his calm cottage and his native plain,
In search of wealth to tempt the faithless main;
Or, braving danger, in the battle stood,
And bathed his savage hands in human blood;
No longer then, his woodland walks among,
The shepherd lad his genuine passion sung,
Or sought at early morn his soul's delight,
Or graved her name upon the bark at night;
To deck her flowing hair no more he wove
The simple wreath, or with ambitious love
Bound his own brow with myrtle or with bay,
But broke his pipe, or threw his crook away.
The nymphs forsaken, other pleasures sought;
Then first for gold their venal hearts were bought,
And nature's blush to sickly art gave place,
And affectation seized the seat of grace:
No more simplicity by sense refined,
Or generous sentiment, possess'd the mind:
No more they felt each other's joy and woe,
And Cupid fled, and hid his useless bow.
But with deep grief propitious Venus pined,
To see the ills which threaten'd womankind;
Ills that she knew her empire would disarm,
And rob her subjects of their sweetest charm;
Good humour's potent influence destroy,
And change for lowering frowns the smile of joy,
Then deeply sighing at the mournful view,
She tried at length what heavenly art could do
To bring back Pleasure to her pensive train,
And vindicate the glories of her reign.
A thousand little loves attend the task,
And bear from Mars's head his radiant casque,
The fair enchantress on its silver bound
Weaved with soft spells her magic cestus round,
Then shaking from her hair ambrosial dew,
Infused fair hope, and expectation new,
And stifled wishes, and persuasive sighs,
And fond belief, and 'eloquence of eyes,
And falt'ring accents, which explain so well
What studied speeches vainly try to tell;
And more pathetic silence, which imparts
Infectious tenderness to feeling hearts;
Soft tones of pity; fascinating smiles;
And Maia's son assisted her with wiles,
And brought gay dreams, fantastic visions brought,
And waved his wand o'er the seducing draught.
Then Zephyr came: to him the goddess cried,
'Go fetch from Flora all her flowery pride
To fill my charm, each scented bud that blows,
And bind my myrtles with her thornless rose;
Then speed thy flight to Gallia's smiling plain,
Where rolls the Loire, the Garonne, and the Seine;
Dip in their waters thy celestial wing,
And the soft dew to fill my chalice bring;
But chiefly tell thy Flora, that to me
She send a bouquet of her fleurs de lys;
That poignant spirit will complete my spell.'
--'Tis done: the lovely sorceress says 'tis well.
And now Apollo lends a ray of fire,
The caldron bubbles, and the flames aspire;
The watchful Graces round the circle dance,
With arms entwined to mark the work's advance;
And with full quiver sportive Cupid came,
Temp'ring his favourite arrows in the flame.
Then Venus speaks, the wavering flames retire,
And Zephyr's breath extinguishes the fire.
At length the goddess in the helmet's round
A sweet and subtile spirit duly found,
More soft than oil, than ether more refined,
Of power to cure the woes of womankind,
And call'd it Flattery:--balm of female life,
It charms alike the widow, maid, and wife;
Clears the sad brow of virgins in despair,
And smooths the cruel traces left by care;
Bids palsied age with youthful spirit glow,
And hangs May's garlands on December's snow.
Delicious essence! howsoe'er applied,
By what rude nature is thy charm denied?
Some form seducing still thy whisper wears,
Stern Wisdom turns to thee her willing ears,
And Prudery listens and forgets her fears.
The rustic nymph whom rigid aunts restrain,
Condemn'd to dress, and practise airs in vain,
At thy first summons finds her bosom swell,
And bids her crabbed gouvernantes farewell;
While, fired by thee with spirit not her own,
She grows a toast, and rises into ton .
The faded beauty who, with secret pain,
Sees younger charms usurp her envied reign,
By thee assisted, can with smiles behold
The record where her conquests are enroll'd;
And dwelling yet on scenes by memory nursed,
When George the Second reign'd, or George the First;
She sees the shades of ancient beaux arise,
Who swear her eyes exceeded modern eyes,
When poets sung for her, and lovers bled,
And giddy fashion follow'd as she led.
Departed modes appear in long array,
The flowers and flounces of her happier day;
Again her locks the decent fillets bind,
The waving lappet flutters in the wind.
And then comparing with a proud disdain
The more fantastic tastes that now obtain,
She deems ungraceful, trifling and absurd,
The gayer world that moves round George the Third.
Nor thy soft influence will the train refuse,
Who court in distant shades the modest Muse,
Though in a form more pure and more refined,
Thy soothing spirit meets the letter'd mind.
Not death itself thine empire can destroy;
Tow'rds thee, even then, we turn the languid eye;
Still trust in thee to bid our memory bloom,
And scatter roses round the silent tomb.
poem by Charlotte Smith
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A Poem: To The Memory of Mrs. Oldfield
Oldfield's no more!-And can the Muse forbear,
O'er Oldfield's Grave to shed a grateful Tear?
Shall she, the Glory of the British Stage,
Pride of her Sex, and Wonder of the Age;
Shall she, who living charm'd th'admiring Throng,
Die undistinguish'd, and not claim a Song?
No. Feeble as it is, I'll boldly raise
My willing Voice to celebrate her Praise,
And with her Name immortalize my Lays.
Had but my Muse her Art to touch the Soul,
Charm ev'ry Sense, and ev'ry Pow'r controul.
I'd paint her as she was-the Form divine,
Where ev'ry lovely Grace united shine;
A Mein, majestick as the Wife of Jove,
An Air, as winning as the Queen of Love;
In every Feature rival Charms should rise,
And Cupid hold his Empire in her Eyes.
O! she was more than Numbers can express,
Creation's Darling in her fairest Dress.
A Form so charming, with such Beauties fraught,
As might have nigh excus'd the Want of Thought;
And yet a Mind with such Perfections stock'd,
As made the Beauties of her Form o'er look'd.
A Soul with ev'ry Elegance refin'd,
By Nature, and the Converse of Mankind,
Wit, which could strike assuming Folly dead;
And Sense-which temper'd every thing she said;
Judgment, which ev'ry little Fault could spy;
But Candor, which would pass a Thousand by.
That native Force-that Energy of Mind,
Which left the toiling Pedant far behind.
Such finish'd Breeding, so polite a Taste,
Her Fancy always for the Fashion past:
So sweetly serious, so discreetly gay,
None went unpleas'd, or unimprov'd away.
And yet so negligent she seem'd of Fame,
As if she thought Applause beneath her Aim.
Disdaining Flattery, she was still sincere;
Warm to approve, and modestly severe.
Whilst every social Virtue fir'd her Breast,
To help the Needy, succour the Distrest,
A Friend to all in Misery she stood.
And her chief Pride was plac'd in doing Good.
But say, ye Few, ye happy Few, who e'er
Enjoy'd the private Friendship of the Fair;
Who saw the Charmer in a nearer Light,
All open, free, and unreserv'dly bright;
Who felt the Raptures which her Smiles bestow'd,
And prov'd the Joys which from her Converse flow'd:
Oh speak her friendly, affable, and mild,
Brave, generous, firm, by no false Shows beguil'd.
With ev'ry Art and Talent form'd to please,
The Scholars Learning, and the Ladies Ease;
The Gay, the Grave, the Florid and Serene,
Mix'd in her Soul, and sparkling in her Mein.
Thrice happy Churchill! who her Love could gain,
For whom so many Thousands sigh'd in vain;
Whose wondrous Charms made every one her Slave
Dear to the Wise, the Witty, and the Brave.
And justly did she judge to place her Name
With thine, the greatest in the Books of Fame.
Thus join'd, Advantages to each accrue,
Renown to her, Beauty and Wit to you.
Renown should ever on the Fair One wait,
And Beauty be the Portion of the Great,
From such a Pair we well may hope to see
Another Malbro', Charles, appear in thee.
But now, my Muse, the arduous Task engage,
And show the Charming Figure on the Stage,
Describe her Look, her Action, Voice and Mein,
The gay Coquette, soft Maid, or haughty Queen,
So bright she shone in every different Part,
She gain'd despotick Empire o'er the Heart,
Knew how each various Motion to controul,
Sooth every Passion, and subdue the Soul:
As she, or gay, or sorrowful apears,
She claims our Mirth, or triumphs in our Tears:
Whilst from her Eyes delusive Sorrows flow,
Our Breasts are touch'd with undissembled Woe;
Or if Ambition calls her forth to Arms,
The Thirst of Glory every Bosom warms;
No Souls so senseless but what felt her Flame,
Nor Breast so savage but her Art could tame.
Ev'n the Pert Templer, and the City Prig,
Who come to Plays to show their Wit-or Wig.
The snarling Critick, and the sneering Beau,
Who neither Sense of Worth, or Manners know,
Aw'd by her Looks their Brutish Din forbear,
And for a while a little Human are,
So Orpheus charm'd the Savages of old,
And all Hell's Furies with his Harp controul'd.
Painters may sketch the Image of a Face,
And Sculptors Form and Attitude express;
Poets the Graces of the Mind relate,
And Hist'ry tells the Actions of the Great.
Still each wants something to compleat the Whole,
The Poet wants a Form, the Painter Soul.
But Oldfield all the Heroine display'd,
Show'd how she look'd, she mov'd, she wept, she pray'd
And was herself the Character she play'd,
When Cleopatra's Form she chose to wear,
We saw the Monarch's Mien, the Beauty's Air;
Charm'd with the Sight, her Cause we strait approve,
And like her Lover, gave up all for Love;
Antony's Fate, instead of Cæsar's, chuse,
And wish for her, we had a World-to lose.
But when a more familiar Part did please,
Letitia's Artifice, or Townley's Ease
Each Beauty in the finest Light she plac'd,
Improv'd each Charm, and every Action grac'd.
Nay, so enchanting was her lovely Frame,
She spoilt, against her Will, the Poet's Aim;
Making those Follies which we should despise,
When seen in her, seem Virtues in our Eyes.
So, when with Cytherea's Girdle bound,
The homeliest Hag, a shining Fair is found.
But now the gay delightful Scene is o'er,
And that sweet Form must glad the World no more;
Relentless Death has stop'd the tuneful Tongue,
And clos'd those Eyes, for all but Death too strong;
Blasted that Face where every Beauty bloom'd,
And to eternal Rest the graceful Mover doom'd.
Calm and serene she met the fatal Hour,
Smil'd at Death's Terrors, and contemn'd its Power.
Sustain'd unmov'd the cruel Scourge of Pain.
Whilst blund'ring Doctors try'd their Art in vain;
(Those lawful Executioners, whose Skill
Is shown not when they cure-but when they kill.)
She only griev'd to see her Churchill grieve,
And for his Sake alone desir'd to live?
Her long-imprison'd Soul rejoyc'd to see
The wish'd-for Moment come to set it free;
Then bravely strugling leapt its Bounds of Day,
And to the Place from whence it came, impetuous wing'd its Way.
Thus subterranean Fire in Ætna pent,
Which long in vain has labour'd for a Vent,
(When once some weaker Part begins to yield
Its long resisted Enemy the Field)
Grows more enrag'd, with double Fury plays,
And once got Air, it mounts into a Blaze.
O'ercharg'd with Sorrow at the Thought-the Muse
Drooping-no more her airy Flight pursues;
With Oldfield all her flattering Hopes are fled,
In her the Muses dearest Friend is dead:
For lo! the sinking Stage attends her Fall,
Whilst Opera, Farce, and Trick prevail o'er all,
Wilks, Nature's Master, soon, by Years opprest,
And tir'd with Bus'ness, must retire to Rest;
And Cibber, baulk'd by the ungrateful Town,
Will lay th'unprofitable Burthen down,
Mourn then ye Muses, all your Sorrows vent;
Your Shafts are useless, and your Bows unbent.
Now weep, ye Forrests; droop, ye shady Bowers;
Be dry, ye Fountains; sicken all ye Flowers;
The Night of universal Ign'rance comes,
In Darkness e'ry pleasing Scene entombs;
With Oldfield the last Glympse of Light is fled,
Wit, Nature, Sense, with her their Exits made:
The Goddess Dulness lifts her cloudy Head,
And smiles to see her dark Dominions spread,
Chaos o'er all his Leaden Scepter rears,
And not one Beam throughout the Gloom appears.
Finis
poem by Richard Savage
Submitted by Poetry Lover
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