En.Citatepedia^®.ro

Hesiod: or, The Rise of Woman

What ancient times (those times we fancy wise)
Have left on long record of woman's rise,
What morals teach it, and what fables hide,
What author wrote it, how that author dy'd
All these I sing. In Greece they fram'd the tale
(In Greece 'twas thought a woman might be frail);
Ye modern beauties! where the Poet drew
His softest pencil, thin he dreamt of you;
And, warn'd by him, ye wanton pens beware
How Heaven's concern'd to vindicate the fair.
The case was Hesiod's; he the fable writ;
Some think with meaning, some with idle wit:
Perhaps 'tis either, as the ladies please;
I wave the contest, and commence the lays.
In days of yore (no matter what or when,
'Twas ere the low creation swarm'd with men)
That one Prometheus, sprung of heavenly birth,
(Our Author's song can witness) liv'd on earth:
He carv'd the turf to mould a manly frame,
And stole from Jove his animating flame.
The sly contrivance o'er Olympus ran,
When thus the Monarch of the Stars began.
O vers'd in arts! whose daring thoughts aspire,
To kindle clay with never-dying fire!
Enjoy thy glory past, that gift was thine;
The next thy creature meets, be fairly mine:
And such a gift, a vengence so design'd,
As suits the counsel of a God to find;
A pleasing bosom-cheat, a specious ill,
Which felt the curse, yet covets still to feel.
He said, and Vulcan straight the Sire commands,
To temper mortar with Etherial hands;
In such a shape to mould a rising fair;
As virgin goddesses are proud to wear;
To make her eyes with diamond-water shine,
And form her organs for a voice divine
'Twas thus the Sire ordain'd; the Power obey'd;
And work'd, and wonder'd at the work he made;
The fairest, softest, sweetest frame beneath,
Now made to seem, now more than seem to breathe.
As Vulcan ends, the cheerful Queen of Charms
Clasp'd the new-panting creature in her arms:
From that embrace a fine complexion spread,
Where mingled whiteness glow'd with softer red.
Then in a kiss she breath'd her various arts,
Of triffling prettily with wounded hearts;
A mind for love, but still a changing mind;
The lisp affected, and the glance design'd
The sweet confusing blush, the secret wink,
The gentle swimming walk, the courteous sink;
The stare for strangeness fit, for scorn the frown;
For decent yielding, looks declining down;
The practis'd languish, where well-feign'd desire
Would its own melting in a mutual fire;
Gay smiles to comfort; April showers to move;
And all the nature, all the art of love.
Gold scepter'd Juno next exalts the fair;
Her touch endows her with imperious air,
Self-valuing fancy, highly-crested pride,
Strong soverign will, and some desire to chide;
For which an eloquence, that aims to vex,
With native tropes of anger, arms the sex.
Minerva, skillful goddess, train'd the maid
To twirle the spindle by the twisting thread;
To fix the loom, instruct the reeds to part,
Cross the long weft, and close the web with art,
A useful gift; but what profuse expense,
What world of fashions, took its rise from hence!
Young Hermes next, a close contriving god,
Her brows encircled with his serpent rod;
Then plots and fair excuses fill'd her brain,
The views of breaking amorous vows for gain;
The price of favours; the designing arts
That aim at riches in contempt of hearts;
And, for a comfort in the marriage life,
The little pilfering temper of a wife.
Full on the fair his beams Apollo flung,
And fond persuasion tipp'd her easy tongue;
He gave her words, where oily flattery lays
The pleasing colours of the art of praise;,
And wit, to scandal equisitely prone
Which frets another's spleen to cure its own.
Those sacred Virgins1 whom the bards revere
Tun'd all her voice, and shed a sweetness there,
To make her sense with double charms abound,
Or make her lively nonsense please by sound.
To dress the maid, the decent Graces brought
A robe in all the dies of beauty wrought,
And plac'd their boxes o'er a rich brocade,
Where pictured Loves on every cover play'd;
Then spread those implements that Vulcan's art
Had frame'd to merit Cytherea's heart;
The wire to curl, the close indented comb
To call the locks, that lightly wander, home;
And chief, the mirror,where the ravish'd maid
Beholds and loves her own reflected shade.
Fair Flora lent her stores; the purpled Hours
Confin'd her tresses with a wreath of flowers;
Within the wreath arose a radiant crown;
A veil pellucid hung depending down;
Back roll'd her azure veil with surpent fold,
The pursled border deck'd the floor with gold.
Her robe (which closely by the girdle brac'd
Reveal'd the beauties of a slender waist)
Flow'd to the feet, to copy Venus' air,
When Venus' statues have a robe to wear.
The new-sprung creature, finish'd thus for harms,
Adjusts her habit, practices her charms,
With blushes glows, or shines with lively smiles,
Confirms her will, or recollects her wiles:
Then, conscious of her worth, with easy pace
Glides by the glass, and turning views her face.
A finer flax than what they wrought before,
Through Time's deep cave, the Sister Fates explore,
Then fix the loom, their fingers nimbly weave,
And thus their toil prophetic songs deceive.
Flow from the rock, my flax! and swiftly flow,
Pursue thy thread; the spindle runs below.
A creature fond and changing, fair and vain,
The creature woman, rises now to reign.
New beauty blooms, a beauty form'd to fly;
New love begins, a love produc'd to die;
New parts distress the troubled scenes of life,
The fondling mistress, and the ruling wife.
"Men born to labour, all with pains provide;
Women have time to sacrifice to pride:
They want the care of man, their want they know,
And dress to please with heart-alluring show;
The show prevailing, for the sway contend,
And make a servant where they meet a friend.
Thus in a thousand wax-erected forts
A loitering race the painful bee supports;
From sun to sun, from bank to bank he flies,
With honey loads his bag, with wax his thighs;
Fly where he will, at home the race remain,
Prune the silk dress, and murmuring eat the gain.
Yet here and there we grant a gentle bride,
Whose temper betters by the father's side;
Unlike the rest that double human care,
Fond to relieve, or resolute to share:
Happy the man whom thus his stars advance!
The curse is general, but the blessing chance.
Thus sung the Sisters, while the Gods admire
Their beauteous creature, made for man in ire;
The young Pandora she, whom all contend
To make too perfect not to gain her end:
Then bid the winds, that fly to breathe the spring
Return to bear her on a gentle wing;
With wafting airs the winds obsequious blow,
And land the shining vengeance safe below.
A golden coffer in her hand she bore,
The present treacherous, but the bearer more;
'Twas fraught with pangs; for Jove ordain'd above
That gold should aid, and pangs attend on love.
Her gay descent the man perceiv'd afar,
Wondering he ran to catch the falling star:
But so surpris'd, as none but he can tell,
Who lov'd so quickly, and who lov'd so well.
O'er all his veins the wandering passion burns,
He calls her Nymph, and every Nymph by turns.
Her form to lovely Venus he prefers;
Or swears that Venus' must be such as hers.
She, proud to rule, yet strangely fram'd to teaze,
Neglects his offers while her airs she plays,
Shoots scornful glances from the bended frown,
In brisk disorder trips it up and down;
Then hums a careless tune to lay the storm,
And sits, and blushes, smiles, and yields in form.
"Now take what Jove design'd," she softly cry'd,
"This box they portion, and myself the bride."
Fir'd with the prospect of the double charms,
He snatch'd the box, and bride, with eager arms.
Unhappy man! to whom so bright she shone,
The fatal gift, her tempting self, unknown!
The winds were silent, all the waves asleep,
And heaven was trac'd upon the flattering deep:
But, whilst he looks unmindful of a storm,
And thinks the water wears a stable form,
What dreadful din around his ears shall rise!
What frowns confuse his picture of the skies!
At first the creature man was fram'd alone,
Lord of himself, and all the world his own.
For him the Nymphs in green forsook the woods,
For him the Nymphs in blue forsook the floods;
In vain the Satyrs rage, the Tritons rave,
They bore him heroes in the secret cave.
No care destroy'd, no sick disorder prey'd,
No bending age his sprightly form decay'd,
No wars were known, no females heard to rage,
And, Poets tell us, 'twas a golden age.
When woman came, those ills the box confin'd
Burst furious out, and poison'd all the wind,
From point to point, from pole to pole they flew,
Spread as they went, and in the progress grew:
the Nymphs regretting left the mortal race,
And altering nature wore a sickly face:
New terms of folly rose, new states of care;
New plagues to suffer, and to please, the Fair!
The days of whining, and of wild intrigues,
Commenc'd, or finish'd with the breach of leagues;
The mean designs of well-dissembled love;
The sordid matches never join'd above:
Abroad the labour, and at home the noise,
(Man's double sufferings for domestic joys)
The curse of jealousy; expense and strife;
Divorce, the public brand of shameful life;
The rival's sword; the qualm that takes the fair;
Disdain for passion, passion in despair --
These, and a thousand yet unnam'd, we find;
Ah fear the thousand yet unnam'd behind!
Thus on Parnassus tuneful Hesiod sung,
The mountains echoed, and the valley rung,
The sacred goves a fix'd attention show,
The crystal Helicon forebore to flow,
The sky grew bright, and (if his verse be true)
The Muses came to give the laurel too.
But what avail'd the verdant prize of wit,
If Love swore vengeance for the tales he writ?
Ye Fair offended, hear your friend relate
What heavy judgment prov'd the writer's fate,
Though when it happen'd no relation clears,
'Tis thought in five, or five and twenty years.
Where, dark and silent, with a twisted shade
the neighbouring woods a native arbour made,
There oft a tender pair, for amorous play
Returing, toy'd the ravish'd hours away;
A Locrian youth, the gentle Troilus he,
A fair Milesian, kind Evanthe she:
But swelling nature in a fatal hour
Betray'd the secrets of the conscious bower;
240 The dire disgrace her brothers count their own,
And track her steps to make its author known.
It chanc'd one evening, 'twas the lover's day,
Conceal'd in brakes the jealous kindred lay;
When Hesiod, wandering, mus'd along the plain,
245 And fix'd his seat where love had fix'd the scene;
A strong suspicion straight possess their mind,
(For Poets ever were a gentle kind)
But when Evanthe near the passage stood,
Flung back a doubtful look, and shot the wood,
"Now take (at once they cry) thy due reward,"
And, urg'd with erring rage, assault the Bard.
His corpse the sea receiv'd. The dolphins bore
('Twas all the gods would do) the corpse to shore.
Methinks I view the dead with pitying eyes
And see the dreams of ancient wisdom rise;
I see the Muses round the body cry,
But hear a Cupid loudly laughing by;
He wheels his arrow with insulting hand,
And thus inscribes the moral on the sand.
"Here Hesiod lies: ye future Bards, beware
How far your moral tales incense the Fair.
Unlov'd, unloving, 'twas his fate to bleed;
Without his quiver, Cupid caus'd the deed:
He judg'd this turn of malice justly due,
And Hesiod dy'd for joys he never knew."

poem by Thomas Parnell
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The Vine & Oak, A Fable

A vine from noblest lineage sprung
And with the choicest clusters hung,
In purple rob'd, reclining lay,
And catch'd the noontide's fervid ray;
The num'rous plants that deck the field
Did all the palm of beauty yield;
Pronounc'd her fairest of their train
And hail'd her empress of the plain.
A neighb'ring oak whose spiry height
In low-hung clouds was hid from sight,
Who dar'd a thousand howling storms;
Conscious of worth, sublimely stood,
The pride and glory of the wood.

He saw her all defenseless lay
To each invading beast a prey,
And wish'd to clasp her in his arms
And bear her far away from harms.
'Twas love -- 'twas tenderness -- 'twas all
That men the tender passion call.

He urg'd his suit but urg'd in vain,
The vine regardless of his pain
Still flirted with each flippant green
With seeing pleas'd, & being seen;
And as the syren Flattery sang
Would o'er the strains ecstatic hang;
Enjoy'd the minutes as they rose
Nor fears her bosom discompose.

But now the boding clouds arise
And scowling darkness veils the skies;
Harsh thunders roar -- red lightnings gleam,
And rushing torrents close the scene.

The fawning, adulating crowd
Who late in thronged xx bow'd
Now left their goddess of a day
To the O'erwhelming flood a prey,
which swell'd a deluge poured around
& tore her helpless from the ground;
Her rifled foliage floated wide
And ruby nectar ting'd the tide.

With eager eyes and heart dismayed
She look'd but look'd in vain for aid.
"And are my lovers fled," she cry'd,
"Who at my feet this morning sigh'd,
"And swore my reign would never end
"While youth and beauty had a friend?
"I am unhappy who believ'd!
"And they detested who deceived!
"Curse on that whim call'd maiden pride
"Which made me shun the name of bride
"When yonder oak confessed his flame
"And woo'd me in fair honor's name.
"But now repentance comes too late
"And all forlorn, I meet my fate."

The oak who safely wav'd above
Look'd down once more with eyes of love
(Love higher wrought with pity join'd
True mark of an exalted mind,)
Declared her coldness could suspend
But not his gen'rous passion end.
Beg'd to renew his am'rous plea,
As warm for union now as he,
To his embraces quick she flew
And felt & gave sensations new.

Enrich'd & graced by the sweet prise
He lifts her tendrils to the skies;
Whilst she, protected and carest,
Sinks in his arms completely blest.

poem by Major Henry Livingston Jr.
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Vertumnus and Pomona : Ovid's Metamorphoses, book 14 [v. 623-771]

The fair Pomona flourish'd in his reign;
Of all the Virgins of the sylvan train,
None taught the trees a nobler race to bear,
Or more improv'd the vegetable care.
To her the shady grove, the flow'ry field,
The streams and fountains, no delights could yield;
'Twas all her joy the ripening fruits to tend,
And see the boughs with happy burthens bend.
The hook she bore instead of Cynthia's spear,
To lop the growth of the luxuriant year,
To decent form the lawless shoots to bring,
And teach th' obedient branches where to spring.
Now the cleft rind inserted graffs receives,
And yields an offspring more than nature gives;
Now sliding streams the thirsty plants renew,
And feed their fibres with reviving dew.
These cares alone her virgin breast employ,
Averse from Venus and the nuptial joy.
Her private orchards, wall'd on ev'ry side,
To lawless sylvans all access deny'd.
How oft the Satyrs and the wanton Fawns,
Who haunt the forests, or frequent the lawns,
The God whose ensign scares the birds of prey,
And old Silenus, youthful in decay,
Employ'd their wiles, and unavailing care,
To pass the fences, and surprise the fair.
Like these, Vertumnus own'd his faithful flame,
Like these, rejected by the scornful dame.
To gain her sight a thousand forms he wears,
And first a reaper from the field appears,
Sweating he walks, while loads of golden grain
O'ercharge the shoulders of the seeming swain.
Oft o'er his back a crooked scythe is laid,
And wreathes of hay his sun-burnt temples shade:
Oft in his harden'd hand a goad he bears,
Like one who late unyok'd the sweating steers.
Sometimes his pruning-hook corrects the vines,
And the loose stragglers to their ranks confines.
Now gath'ring what the bounteous year allows,
He pulls ripe apples from the bending boughs.
A soldier now, he with his sword appears;
A fisher next, his trembling angle bears;
Each shape he varies, and each art he tries,
On her bright charms to feast his longing eyes.
A female form at last Vertumnus wears,
With all the marks of rev'rend age appears,
His temples thinly spread with silver hairs;
Propp'd on his staff, and stooping as he goes,
A painted mitre shades his furrow'd brows.
The God in this decrepit form array'd,
The gardens enter'd, and the fruit survey'd,
And 'Happy you!' (he thus address'd the maid)
'Whose charms as far all other nymphs out-shine,
'As other gardens are excell'd by thine!'
Then kiss'd the fair; (his kisses warmer grow
Than such as women on their sex bestow.)
Then plac'd beside her on the flow'ry ground,
Beheld the trees with autumn's bounty crown'd.
An Elm was near, to whose embraces led,
The curling vine her swelling clusters spread:
He view'd her twining branches with delight,
And prais'd the beauty of the pleasing sight.
'Yet this tall elm, but for his vine' (he said)
'Had stood neglected, and a barren shade;
And this fair vine, but that her arms surround
Her marry'd elm, had crept along the ground.
Ah beauteous maid, let this example move
Your mind, averse from all the joys of love.
Deign to be lov'd, and ev'ry heart subdue!
What nymph could e'er attract such crowds as you?
Not she whose beauty urg'd the Centaurs' arms,
Ulysses' Queen, nor Helen's fatal charms.
Ev'n now, when silent scorn is all they gain,
A thousand court you, tho' they court in vain,
A thousand sylvans, demigods, and gods,
That haunt our mountains and our Alban woods.
But if you'll prosper, mark what I advise,
Whom age, and long experience render wise,
And one whose tender care is far above
All that these lovers ever felt of love,
(Far more than e'er can by yourself be guess'd)
Fix on Vertumnus, and reject the rest.
For his firm faith I dare engage my own;
Scarce to himself, himself is better known.
To distant lands Vertumnus never roves;
Like you contented with his native groves;
Nor at first sight, like most, admires the fair;
For you he lives; and you alone shall share
His last affection, as his early care.
Besides, he's lovely far above the rest,
With youth immortal, and with beauty blest.
Add, that he varies ev'ry shape with ease,
And tries all forms that may Pomona please.
But what should most excite a mutual flame,
Your rural cares, and pleasures are the same:
To him your orchard's early fruits are due,
(A pleasing off'ring when 'tis made by you)
He values these; but yet (alas) complains,
That still the best and dearest gift remains.
Not the fair fruit that on yon' branches glows
With that ripe red th' autumnal sun bestows;
Nor tasteful herbs that in these gardens rise,
Which the kind soil with milky sap supplies;
You, only you, can move the God's desire:
Oh crown so constant and so pure a fire!
Let soft compassion touch your gentle mind;
Think, 'tis Vertumnus begs you to be kind!
So may no frost, when early buds appear,
Destroy the promise of the youthful year;
Nor winds, when first your florid orchard blows,
Shake the light blossoms from their blasted boughs!'
This when the various God had urg'd in vain,
He straight assum'd his native form again;
Such, and so bright an aspect now he bears,
As when thro' clouds th' emerging sun appears,
And thence exerting his refulgent ray,
Dispels the darkness, and reveals the day.
Force he prepar'd, but check'd the rash design;
For when, appearing in a form divine,
The Nymph surveys him, and beholds the grace
Of charming features, and a youthful face,
In her soft breast consenting passions move,
And the warm maid confess'd a mutual love.

poem by Alexander Pope
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Dr. Parnel To Dr. Swift, On His Birth-day, November 30th, MDCCXIII

Urg'd by the warmth of Friendship's sacred flame,
But more by all the glories of thy fame;
By all those offsprings of thy learned mind,
In judgment solid, as in wit refin'd,
Resolv'd I sing: Tho' lab'ring up the way
To reach my theme, O Swift, accept my lay.

Rapt by the force of thought, and rais'd above,
Thro' Contemplation's airy fields I rove;
Where pow'rful Fancy purifies my eye,
And lights the beauties of a brighter sky;
Fresh paints the meadows, bids green shades ascend,
Clear rivers wind, and op'ning plains extend;
Then fills its landscape thro' the vary'd parts
With Virtues, Graces, Sciences, and Arts:
Superiour Forms, of more than mortal air,
More large than mortals, more serenely fair.
Of these two Chiefs, the guardians of thy name,
Conspire to raise thee to the point of fame.
Ye Future Times, I heard the silver sound!
I saw the Graces form a circle round!
Each, where she fix'd, attentive seem'd to root,
And all, but Eloquence herself, was mute.

High o'er the rest I see the Goddess rise,
Loose to the breeze her upper garment flies:
By turns, within her eyes the Passions burn,
And softer Passions languish in their turn:
Upon her tongue Persuasion, or Command;
And decent Action dwells upon her hand.

From out her breast ('twas there the treasure lay)
She drew thy labours to the blaze of day.
Then gaz'd, and read the charms she could inspire,
And taught the list'ning audience to admire,
How strong thy flight, how large thy grasp of thought,
How just thy schemes, how regularly wrought;
How sure you wound when Ironies deride,
Which must be seen, and feign to turn aside.
'Twas thus exploring she rejoic'd to see
Her brightest features drawn so near by thee:
Then here, she cries, let future ages dwell,
And learn to copy where they can't excel.

She spake. Applause attended on the close:
Then Poesy, her sister-art, arose;
Her fairer sister, born in deeper ease,
Not made so much for bus'ness, more to please.
Upon her cheek sits Beauty, ever young;
The Soul of Music warbles on her tongue;
Bright in her eyes a pleasing Ardour glows,
And from her heart the sweetest Temper flows:
A laurel-wreath adorns her curls of hair,
And binds their order to the dancing air:
She shakes the colours of her radiant wing,
And, from the Spheres, she takes a pitch to sing.

Thrice happy Genius his, whose Works have hit
The lucky point of bus'ness and of wit.
They seem like show'rs, which April months prepare
To call their flow'ry glories up to air:
The drops descending, take the painted bow,
And dress with sunshine, while for good they flow.
To me retiring oft, he finds relief
In slowly-wasting care, and biting grief:
From me retreating oft, he gives to view
What eases care and grief in others too.
Ye fondly grave, be wise enough to know,
'Life ne'er unbent were but a life of woe.'
Some full in stretch for greatness, some for gain,
On his own rack each puts himself to pain.
I'll gently steal you from your toils away,
Where balmy winds with scents ambrosial play;
Where, on the banks as crystal rivers flow,
They teach immortal amarants to grow:
Then, from the mild indulgence of the scene,
Restore your tempers strong for toils again.

She ceas'd: Soft music trembled in the wind,
And sweet delight diffus'd thro' ev'ry mind:
The little Smiles, which still the Goddess grace,
Sportive arose, and ran from face to face.
But chief (and in that place the Virtues bless)
A gentle band their eager joys express:
Here Friendship asks, and Love of Merit longs
To hear the Goddesses renew their songs;
Here great Benevolence to Man is pleas'd;
These own their Swift, and grateful hear him prais'd.
You gentle band, you well may bear your part,
You reign Superior Graces in his heart.

O swift! if fame be life, (as well we know
That Bards and Heroes have esteem'd it so)
Thou canst not wholly die; thy works will shine
To future times, and Life in Fame be thine.

poem by Thomas Parnell
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Elegy XVI. He Suggests the Advantage of Birth To a Person of Merit

When genius, graced with lineal splendour, glows,
When title shines, with ambient virtues crown'd,
Like some fair almond's flowery pomp it shows,
The pride, the perfume, of the regions round.

Then learn, ye Fair! to soften splendour's ray;
Endure the swain, the youth of low degree;
Let meekness join'd its temperate beam display;
'Tis the mild verdure that endears the tree.

Pity the sandall'd swain, the shepherd's boy;
He sighs to brighten a neglected name;
Foe to the dull applause of vulgar joy,
He mourns his lot; he wishes, merits fame.

In vain to groves and pathless vales we fly;
Ambition there the bowery haunt invades;
Fame's awful rays fatigue the courtier's eye,
But gleam still lovely through the chequer'd shades.

Vainly, to guard from Love's unequal chain,
Has Fortune rear'd us in the rural grove;
Should --'s eyes illume the desert plain,
Even I may wonder, and even I must love.

Not unregarded sighs the lowly hind;
Though you contemn, the gods respect his vow;
Vindictive rage awaits the scornful mind,
And vengeance, too severe! the gods allow.

On Sarum's plain I met a wandering fair;
The look of sorrow, lovely still, she bore;
Loose flow'd the soft redundance of her hair,
And on her brow a flowery wreath she wore.

Oft stooping as she stray'd, she cull'd the pride
Of every plain; she pillaged every grove!
The fading chaplet daily she supplied,
And still her hand some various garland wove.

Erroneous Fancy shaped her wild attire:
From Bethlem's walls the poor lymphatic stray'd;
Seem'd with her air, her accent, to conspire,
When, as wild Fancy taught her, thus she said:

'Hear me, dear Youth! oh, bear an hapless maid,
Sprung from the scepter'd line of ancient kings!
Scorn'd by the world, I ask thy tender aid;
Thy gentle voice shall whisper kinder things.

'The world is frantic-fly the race profane-.
Nor I, nor you, shall its compassion move:
Come, friendly let us wander and complain;
And tell me, Shepherd! hast thou seen my love?

'My love is young-but other loves are young;
And other loves are fair, and so is mine;
An air divine discloses whence he sprung;
He is my love, who boasts that air divine.

'No vulgar Damon robs me of my rest;
Ianthe listens to no vulgar vow;
A prince, from gods descended, fires her breast;
A brilliant crown distinguishes his brow.

'What! shall I stain the glories of my race,
More clear, more lovely bright, than Hesper's beam?
The porcelain pure with vulgar dirt debase?
Or mix with puddle the pellucid stream?

'See through these veins the sapphire current shine!
'Twas Jove's own nectar gave th' ethereal hue:
Can base plebeian forms contend with mine,
Display the lovely white, or match the blue?

'The painter strove to trace its azure ray;
He changed his colours, and in vain he strove:
He frown'd-I, smiling, view'd the faint essay:
Poor youth! he little knew it flow'd from Jove.

'Pitying his toil, the wondrous truth I told,
How amorous Jove trepann'd a mortal fair;
How through the race the generous current roll'd,
And mocks the poet's art and painter's care.

'Yes, from the gods, from earliest Saturn, sprung
Our sacred race, through demi-gods convey'd,
And he, allied to Phœbus, ever young,
My godlike boy! must wed their duteous maid.

'Oft, when a mortal vow profanes my ear,
My sire's dread fury murmurs through the sky;
And should I yield-his instant rage appears;
He darts th' uplifted vengeance-and I die.

'Have you not heard unwonted thunders roll?
Have you not seen more horrid lightnings glare?
'Twas then a vulgar love ensnared my soul;
'Twas then-I hardly 'scaped the fatal snare.

''Twas then a peasant pour'd his amorous vow,
All as I listen'd to his vulgar strain;-
Yet such his beauty-would my birth allow,
Dear were the youth, and blissful were the plain.

'But, oh, I faint! why wastes my vernal bloom,
In fruitless searches ever doom'd to rove?
My nightly dreams the toilsome path resume,
And I shall die-before I find my love.

'When last I slept, methought my ravish'd eye
On distant heaths his radiant form survey'd;
Though night's thick clouds encompass'd all the sky,
The gems that bound his brow dispell'd the shade.

'O how this bosom kindled at the sight!
Led by their beams I urged the pleasing chase,
Till, on a sudden, these withheld their light-
All, all things envy the sublime embrace.

'But now no more-Behind the distant grove
Wanders my destined youth, and chides my stay:
See, see! he grasps the steel-Forbear, my Love-
Ianthe comes; thy princess hastes away.'

Scornful she spoke, and, heedless of reply,
The lovely maniac bounded o'er the plain,
The piteous victim of an angry sky!
Ah me! the victim of her proud disdain.

poem by William Shenstone
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Nancy of the Vale

The western sky was purpled o'er
With every pleasing ray;
And flocks reviving felt no more
The sultry heats of day;

When from an hazel's artless bower
Soft warbled Strephon's tongue;
He blest the scene, he blest the hour,
While Nancy's praise he sung.

'Let fops with fickle falsehood range
The paths of wanton love,
While weeping maids lament their change,
And sadden every grove:

'But endless blessings crown the day
I saw fair Esham's dale!
And every blessing find its way
To Nancy of the Vale.

''Twas from Avona's banks the maid
Diffused her lovely beams,
And every shining glance display'd
The Naiad of the streams.

'Soft as the wild-duck's tender young,
That float on Avon's tide;
Bright as the water-lily, sprung,
And glittering near its side

'Fresh as the bordering flowers her bloom,
Her eye all mild to view;
The little halcyon's azure plume
Was never half so blue.

'Her shape was like the reed so sleek,
So taper, strait, and fair;
Her dimpled smile, her blushing cheek,
How charming sweet they were!

'Far in the winding vale retired,
This peerless bud I found,
And shadowing rocks and woods conspired
To fence her beauties round.

'That Nature in so lone a dell
Should form a nymph so sweet!
Or Fortune to her secret cell
Conduct my wandering feet!

'Gay lordlings sought her for their bride,
But she would ne'er incline:
'Prove to your equals true,' she cried,
'As I will prove to mine.

''Tis Strephon, on the mountain's brow,
Has won my right good will;
To him I gave my plighted vow,
With him I'll climb the hill.'

'Struck with her charms and gentle truth,
I clasp'd the constant fair;
To her alone I gave my youth,
And vow my future care.

'And when this vow shall faithless prove,
Or I those charms forego;
The stream that saw our tender love,
That stream shall cease to flow.'

poem by William Shenstone
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The Youth By The Brook

Beside the brook the boy reclined
And wove his flowery wreath,
And to the waves the wreath consigned--
The waves that danced beneath.
"So fleet mine hours," he sighed, "away
Like waves that restless flow:
And so my flowers of youth decay
Like those that float below."

"Ask not why I, alone on earth,
Am sad in life's young time;
To all the rest are hope and mirth
When spring renews its prime.
Alas! the music Nature makes,
In thousand songs of gladness--
While charming all around me, wakes
My heavy heart to sadness."

"Ah! vain to me the joys that break
From spring, voluptuous are;
For only one 't is mine to seek--
The near, yet ever far!
I stretch my arms, that shadow-shape
In fond embrace to hold;
Still doth the shade the clasp escape--
The heart is unconsoled!"

"Come forth, fair friend, come forth below,
And leave thy lofty hall,
The fairest flowers the spring can know
In thy dear lap shall fall!
Clear glides the brook in silver rolled,
Sweet carols fill the air;
The meanest hut hath space to hold
A happy loving pair!"

poem by Friedrich Schiller
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The Fan : A Poem. Book III.

Thus Mommus spoke. When sage Minerva rose,
From her sweet lips smooth elocution flows,
Her skilful hand an ivory pallet grac'd,
Where shining colours were in order plac'd.
As gods are bless'd with a superior skill,
And, swift as mortal thought, perform their will,
Straight she proposes, by her art divine,
To bid the paint express her great design.
The assembled powers consent. She now began,
And her creating pencil stain'd the fan.

O'er the fair field, trees spread, and rivers flow,
Towers rear their heads, and distant mountains grow;
Life seems to move within the glowing veins,
And in each face some lively passion reigns.
Thus have I seen woods, hills, and dales appear,
Flocks graze the plains, birds wing the silent air
In darken'd rooms, where light can only pass
Through the small circle of a convex glass;
On the white sheet the moving figures rise,
The forest waves, clouds float along the skies.

She various fables on the piece design'd,
That spoke the follies of the female kind.

The fate of pride in Niobe she drew;
Be wise, ye nymphs, that scornful vice subdue,
In a wide plain the imperious mother stood,
Whose distant bounds rose in a winding wood;
Upon her shoulders flows her mantling hair,
Pride marks her brow, and elevates her air:
A purple robe behind her sweeps the ground,
Whose spacious border golden flowers surround;
She made Latona's altars cease to flam,
And of due honours robb'd her sacred name,
To her own charms she bade fresh incense rise,
And adoration own her brighter eyes.
Seven daughters from her fruitful loins were born,
Seven graceful sons her nuptial bed adorn,
Who, from a mother's arrogant disdain,
Were by Latona's double offspring slain.
Here Phoebus his unerring arrow drew,
And from his rising steed her first-born threw,
His opening fingers drop the slacken'd rein,
And the pale corse falls headlong to the plain.
Beneath her pencil here two wrestlers bend,
See, to the grasp their swelling nerves distend,
Diana's arrow joins them face to face,
And death unites them in a strict embrace.
Another her flies trembling o'er the plain;
When heaven pursues we shun the stroke in vain.
This lifts his supplicating hands and eyes,
And midst his humble adoration dies.
As from his thigh this tears the barbed dart,
A surer weapon strikes this throbbing heart
While that to raise his wounded brother tries,
Death blasts his bloom, and locks his frozen eyes
The tender sisters bath'd in grief appear,
With sable garments and dishevell'd hair,
And o'er their grasping brothers weeping stood;
Some with their tresses stopp'd the gushing blood,
They strive to stay the fleeting life too late,
And in the pious action share their fate.
Now the proud dame o'ercome by trembling fear,
With her wide robe protects her only care;
To save her only care in vain she tries,
Close at her feet the latest victim dies.
Down her fair cheek the trickling sorrow flows,
Like dewy spangles on the blushing rose,
Fix'd in astonishment she weeping stood,
The plain all purple with her children's blood;
She stiffens with her woes: no more her hair
In easy ringlets wantons the air;
Motion forsakes her eyes, her veins are dried,
And beat not longer with the sanguine tide;
All life is fled, firm marble now she grows,
Which still in tears the mother's anguish shows.

Ye haughty fair, your painted fans display,
And the just fate of lofty pride survey;
Though lovers oft extol your beauty's pow'r,
And in celestial similies adore,
Though from your features Cupid borrows arms,
And goddesses confess inferior charms,
Do not, vain maid, the flattering tale believe,
Alike thy lovers and thy glass deceive.

Here lively colours Procris' passion tell,
Who to her jealous fears a victim fell.
Here kneels the trembling hunter o'er his wife,
Who rolls her sick'ning eyes, and gasps for life;
Her drooping head upon her shoulder lies,
And purple gore her snowy bosom dies.
What guilt, what horror on his face appears!
See, his red eye-lids seem to swell with tears,
With agony his wringing hands he stains,
And strong convulsions stretch his branching veins.

Learn hence, ye wives; bid vain suspicion cease,
Lose not in sulien discontent your peace.
For when fierce love to jealousy ferments,
A thousand doubts and fears the soul invents,
No more the days in pleasing converse flow,
And nights no more their soft endearments know.

There on the piece the Volscian Queen expir'd,
The love of spoils her female bosom fir'd;
Gay Chloreus' arms attract her longing eyes,
And for the painted plume and helm she sighs;
Fearless she follows, bent on gaudy prey,
Till an ill-fated dart obstructs her way;
Down drops the martial maid; the bloody ground,
Floats with a torrent from the purple wound.
The mournful nymphs her drooping head sustain,
And try to stop the gushing life in vain.

Thus the raw maid some tawdry coat surveys,
Where the fop's fancy in embroidery plays;
His snowy feather edg'd with crimson dies,
And his bright sword-knot lure her wandering eyes;
Fring'd gloves and gold brocade conspire to move,
Till the nymph falls a sacrifice to love.

Here young Narcissus o'er the fountains stood,
And view'd his image in the crystal flood;
The crystal flood reflects his lovely charms,
And the pleas'd image strives to meet his arms.
No nymph his unexperienc'd breast subdu'd,
Echo in vain the flying boy pursu'd,
Himself alone the foolish youth admires,
And with fond look the smiling shade desires:
O'er the smooth lake with fruitless tears he grieves,
His spreading fingers shoot in verdant leaves,
Through his pale veins green sap now gently flows,
And in a short-liv'd flower his beauty blows.

Let vain Narcissus warn each female breast,
That beauty's but a transient good at best.
Like flowers it withers with the advancing year,
And age, like winter, robs the blooming fair.
Oh Araminta, cease thy wonted pride,
Nor longer in thy faithless charms confide;
Even while the glass reflects thy sparkling eyes,
Their lustre and thy rosy colour flies!

Thus on the fan the breathing figures shine,
And all the powers applaud the wise design.

The Cyprian Queen the painted gift receives,
And with a grateful bow the synod leaves.
To the low world she bends her steepy way,
Where Strephon pass'd the solitary day;
She found him in a melancholy grove,
His down-cast eyes betray'd desponding love,
The wounded bark confess'd his slighted flame,
And every tree bore false Corinna's name;
In a cool shade he lay with folded arms,
Curses his fortune, and upbraids her charms,
When Venus to his wondering eyes appears,
And with these words relieves his amorous cares.

Rise, happy youth, this bright machine survey
Whose rattling sticks my busy fingers sway,
This present shall thy cruel charmer move,
And in her fickle bosom kindle love.

The fan shall flutter in all female hands,
And various fashions learn from various lands.
For this, shall elephants their ivory shed;
And polish'd sticks the waving engine spread:
His clouded mail the tortoise shall resign,
And round the rivet pearly circles shine.
On this shall Indians all their art employ,
And with bright colours stain the gaudy toy;
Their paint shall here in wildest fancies flow,
Their dress, their customs, their religion show
So shall the British fair their minds improve,
And on the fan to distant climates rove.
Here China's ladies shall their pride display,
And silver figures gild their loose array;
This boasts her little feet in winking eyes;
That tunes the fife, or tinkling cymbal plies:
Here cross-legg'd nobles in rich state shall dine,
There in bright mail distorted heroes shine.
The peeping fan in modern times shall rise,
Through which, unseen, the female ogle flies;
This shall in temples the sly maid conceal,
And shelter love beneath devotion's veil.
Gay France shall make the fan her artist's care,
And with the costly trinket arm the fair.
As learned orators that touch the heart,
With various action raise their soothing art,
Both head and hand affect the listening throng,
And humour each expression of the tongue.
So shall each passion by the fan be seen,
From noisy anger to the sullen spleen.

White Venus spoke, joy shone in Strephon's eyes,
Proud of the gift, he to Corinna flies.
But Cupid (who delights in amorous ill,
Wounds hearts, and leaves them to a woman's will)
With certain aim a golden arrow drew,
Which to Leander's panting bosom flew:
Leander lov'd; and to the sprightly dame
In gentle sighs reveal'd his growing flame
Sweet smiles Corinna to his sighs returns,
And for the fop in equal passion burns.

Lo, Strephon comes! and, with a suppliant bow,
Offers the present, and renews his vow.

When she the fate of Niobe beheld,
Why has my pride against my heart rebell'd?
She sighing cried: disdain forsook her breast,
And Strephon now was thought a worthy guest.

In Procris' bosom when she saw the dart;
She justly blames her own suspicious heart,
Imputes her discontent to jealous fear,
And knows her Strephon's constancy sincere.

When on Camilla's fate her eye she turns,
No more for show and equipage she burns;
She learns Leander's passion to despise,
And looks on merit with discerning eyes.

Narcissus' change to the vain virgin shows
Who trusts her beauty, trusts the fading rose.
Youth flies apace, with youth your beauty flies,
Love then, ye virgins, e'er the blossom dies.

Thus Pallas taught her, Strephon weds the dame,
And Hymen's torch diffus'd the brightest flame.

poem by John Gay
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Hymn 73

The church's beauty in the eyes of Christ.

SS 4:1-11.

Kind is the speech of Christ our Lord,
Affection sounds in every word:
Lo! thou art fair, my love," he cries,
"Not the young doves have sweeter eyes."

["Sweet are thy lips, thy pleasing voice
Salutes mine ear with secret joys;
No spice so much delights the smell,
Nor milk nor honey tastes so well.]

"Thou art all fair, my bride, to me,
I will behold no spot in thee."
What mighty wonders love performs,
And puts a comeliness on worms!

Defiled and loathsome as we are,
He makes us white, and calls us fair;
Adorns us with that heav'nly dress,
His graces and his righteousness.

"My sister and my spouse," he cries,
"Bound to my heart by various ties,
Thy powerful love my heart detains
In strong delight and pleasing chains."

He calls me from the leopard's den,
From this wild world of beasts and men,
To Zion, where his glories are;
Not Lebanon is half so fair.

Nor dens of prey, nor flowery plains,
Nor earthly joys, nor earthly pains,
Shall hold my feet or force my stay,
When Christ invites my soul away.

poem by Isaac Watts
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Kingdom of Love

In the dawn of the day when the sea and the earth
Reflected the sunrise above,
I set forth with a heart full of courage and mirth
To seek for the Kingdom of Love.
I asked of a Poet I met on the way
Which cross-road would lead me aright.
And he said: "Follow me, and not long you shall see
Its glittering turrets of light."

And soon in the distance a city shone fair,
"Look yonder," he said; "how it gleams!"
But alas! for the hopes that were doomed to despair,
It was only the "Kingdom of Dreams."
Then the next man I asked was a gay Cavalier,
And he said: "Follow me, follow me;"
And with laughter and song we went speeding along
By the shores of Life's beautiful sea.

Then we came to a valley more tropical far
Than the wonderful vale of Cashmere,
And I saw from a bower a face like a flower
Smile out on the gay Cavalier.
And he said: "We have come to humanity's goal:
Here love and delight are intense."
But alas and alas! for the hopes of my soul
It was only the "Kingdom of Sense."

As I journeyed more slowly I met on the road
A coach with retainers behind.
And they said: "Follow me, for our Lady's abode
Belongs in that realm, you will find."
'Twas a grand dame of fashion, a newly made bride,
I followed, encouraged and bold;
But my hopes died away like the last gleams of day,
For we came to the "Kingdom of Gold."

At the door of a cottage I asked a fair maid.
"I have heard of that realm," she replied;
"But my feet never roam from the "Kingdom of Home,"
So I know not the way," and she sighed.
I looked on the cottage; how restful it seemed!
And the maid was as fair as a dove.
Great light glorified my soul as I cried:
"Why home is the 'Kingdom of Love!'"

poem by Ella Wheeler Wilcox
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Lois House

Air -- "Saphrona's Farewell"

Come all ye young people of every degree,
Come give your attention one moment to me;
It's of a young couple I now will relate,
And of their misfortunes and of their sad fate.

One was a young damsel, both blooming and fair,
The other a young man, his beauty was rare;
He loved this lady as he loved his own life --
If God had not called her he would made her his wife.

He courted her a long time in triumph and glee,
But little did he think that she would soon leave,
Leave him in sorrow, forsaken, alone,
To mourn her departure, for she was going home:

Going home to her Father, that dwelleth on high,
Who gave her her life and who caused her to die,
And leave her true lover, one whom she could trust,
To moulder her fair form a while in the dust.

Lois House and Joy Morris were their names, I believe,
They loved each other dearly and never deceived,
But God he did part them, one which he laid low,
The other He left with his heart full of woe.

Joy laid her dying head on his bosom once more,
Pressed her to his heart as he had oft done before,
Saying, "Dear Lois, are you going to leave me?"
"Yes, Joy, I can no longer stay here with thee! "

"Oh! Joy, can't you give me up, dearest," said she;
"If you will say yes, love, I can leave in peace;
In heaven, love, I will be waiting for thee --
Be true to our Savior -- you'll soon follow me."

"If I must say yes, love, for you to leave me --
God will do better by you, Lois, than me;
Oh! it's hard for me, dearest, hard to say yes,
It leaves me alone, love, in sad woefulness."

"I want your picture, Joy, placed in my cold hand,
And let it be buried with me in the ground;
It's all I can carry with me to the grave --
Grant it to me, love, it's all that I crave."

They called for her father and mother most dear,
She kissed them and bade them farewell thro' their tears;
They called for her brother and sisters again,
To kiss their sister while life still remain.

"One kiss from you, Joy," she whispered so low,
That no one in the room heard her, you know;
She gasped for her breath once or twice more,
When lo! her spirit left her, and Lois is no more.

They placed her fair form in the coffin so cold,
And placed there Joy's picture as they had been told;
They bore her to her grave, all were in sad gloom,
And gently laid her down to rest in her tomb.

poem by Julia A Moore
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The Disappointment

One day the Amorous Lysander,
By an impatient Passion sway'd,
Surpris'd fair Chris, that lov'd Maid,
Who could defend herself no longer.
All things did with his Love conspire;
The gilded Planet of the Day,
In his gay Chariot drawn by Fire,
Was now descending to the Sea,
And left no Light to guide the World,
But what from Claris Brighter Eyes was hurld.

In a lone Thicket made for Love,
Silent as yielding Maids Consent,
She with a Charming Languishment,
Permits his Force, yet gently strove ;
Her Hands his Bosom softly meet.
But not to put him back design'd.
Rather to draw 'em on inclin'd:
Whilst he lay trembling at her Feet,
Resistance 'tis in vain to show ;
She wants the pow'r to say — Ah ! what d'ye do ?

Her Bright Eyes sweet, and yet severe,
Where Love and Shame confus'dly strive,
Fresh Vigor to Lysander give;
And breathing faintly in his Ear,
She cry'd — Cease, Cease — your vain Desire,
Or I'll call out — What would you do ?
My Dearer Honour ev'n to You
I canfwt, must not give — Retire,
Or take this Life, whose chiefest part
I gave you with the Conquest of my Heart.

But he as much unus'd to Fear,
As he was capable of Love,
The blessed minutes to improve.
Kisses her Mouth, her Neck, her Hair;
Each Touch her new Desire Alarms,
His burning trembling Hand he prest
Upon her swelling Snowy Brest,
While she lay panting in his Arms.
All her unguarded Beauties lie
The Spoils and Trophies of the Enemy.

And now without Respect or Fear,
He seeks the Object of his Vows,
(His Love no Modesty allows)
His swift degrees advancing — where
His daring Hand that Altar seiz'd.
Where Gods of Love do Sacrifice:
That Awful Throne, the Paradice
Where Rage is calm'd, and Anger pleas'd;
That Fountain where Delight still flows,
And gives the Universal World Repose.

Her Balmy Lips incountring his,
Their Bodies, as their Souls, are joyn'd;
Where both in Transports Unconfin'd
Extend themselves upon the Moss.
Claris half dead and breathless lay;
Her soft Eyes cast a Humid Light,
Such as divides the Day and Night;
Or falling Stars, whose Fires decay:
And now no signs of Life she shows,
But what in short-breath'd Sighs returns & goes.

He saw how at her Length she lay;
He saw her rising Bosom bare;
Her loose thin Robes, through which appear
A Shape design'd for Love and Play;
Abandon'd by her Pride and Shame,
She does her softest joys dispence,
Off'ring her Virgin-Innocence
A Victim to Loves Sacred Flame;
While the o'er-Ravish'd Shepherd lies
Unable to perform the Sacrifice.

Ready to taste a thousand Joys,
The too transported hapless Swain
Found the vast Pleasure turn'd to Pain;
Pleasure which too much Love destroys:
The willing Garments by he laid,
And Heaven all open'd to his view,
Mad to possess, himself he threw
On the Defenceless Lovely Maid.
But Oh what envying God conspires
To snatch his Power, yet leaves him the Desire.

Nature's Support, (without whose Aid
She can no Humane Being give)
It self now wants the Art to live;
Faintness its slack'ned Nerves invade:
In vain th'enraged Youth essay'd
To call its fleeting Vigor back,
No motion 'twill from Motion take;
Excess of Love his Love betray'd:
In vain he toils, in vain Commands;
The insensible fell weeping in his Hand.

In this so Amorous Cruel Strife,
Where Love and Fate were too severe,
The poor Lysander in dispair
Renounc'd his Reason with his Life:
Now all the brisk and active Fire
That should the Nobler parts inflame,
Serv'd to increase his Rage and Shame,
And left no .spark for New Desire:
Not all her Naked Charms cou'd move
Or calm that Rage that had debauch'd his Love.

Claris returning from the Trance
Which Love and soft Desire had bred,
Her timerous Hand she gently laid
(Or guided by Design or Chance)
Upon that Famous Friapas,
That Potent God, as Poets feign;
But never did young Shepherdess,
Gath'ring of Fern upon the Plain,
More nimbly draw her Fingers back,
Finding beneath the verdant Leaves a Snake.

Than Claris her fair Hand withdrew,
Finding that God of her Desires
Disarm'd of all his Awful Fires,
And Cold as Flow'rs bath'd in the Morning Dew.
Who can the Nymph's Confusion guess?
The Blood forsook the hinder Place,
And strew'd with Blushes all her Face,
Which both Disdain and Shame exprest:
And from Lysatider's Arms she fled,
Leaving him fainting on the Gloomy Bed.

Like Lightning through the Grove she hies.
Or Daphne from the Delphick God,
No Print upon the grassey Road
She leaves, t'instruct Pursuing Eyes.
The Wind that wanton'd in her Hair,
And with her Ruffled Garments plaid,
Discover'd in the Flying Maid
All that the God e'er made, if Fair.
So Ve7iiis, when her Love was slain,
With Fear and Haste flew o'er the Fatal Plain.

The Nymphs resentment none but I
Can well Imagine or Condole:
But none can guess Lysander's Soul,
But those who sway'd his Destiny.
His silent Griefts swell up to Storms,
And not one God his Fury spares;
He curs'd his Birth, his Fate, his Stars;
But more the Shepherdess's Charms,
Whose soft bewitching Influence
Had Damn'd him to the Hell of Impotence.

poem by Aphra Behn from National Ballad and Song (1897)
Submitted by Veronica Serbanoiu
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Balleta

I AM young and fain to sing
In this happy tide of spring
Of love and many a gentle thing,
I wander through green meadows dight
With blossoms gold and red and white;
Rose by the thorn and lily fair,
Both one and all I do compare
With him who, worshipping my charms,
For aye would fold me in his arms
As one unto his service sworn.
Then, when I find a flower that seems
Like to the object of my dreams,
I gather it and kiss it there,
I flatter it in accents fair,
My heart outpour, my soul stoop down,
Then weave it in a fragrant crown
Among my flaxen locks to wear.
The rapture nature's floweret gay
Awakes in me doth last alway,
As if I tarried face to face
With him whose true love is my grace;
Thoughts which its fragrancy inspires
I cannot frame to my desires,
My sighs their pilgrimage do trace.
My sights are neither harsh nor sad
As other women's are, but glad
And tender; in so fond a wise
They seek my love that he replies
By coming hither, and so gives
Delight to her who in him lives
Yet almost wept: "Come, for hope dies."

poem by Giovanni Boccaccio
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We are Seven

--------A Simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?

I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.

She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
--Her beauty made me glad.

"Sisters and brothers, little Maid,
How many may you be?"
"How many? Seven in all," she said
And wondering looked at me.

"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.

"Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother."

"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven!--I pray you tell,
Sweet Maid, how this may be."

Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree."

"You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five."

"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.

"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.

"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.

"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.

"So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.

"And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side."

"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little Maid's reply,
"O Master! we are seven."

"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven!"

poem by William Wordsworth
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The Beauteous Flower - Son Of The Imprisioned Count

COUNT.

I KNOW a flower of beauty rare,

Ah, how I hold it dear!
To seek it I would fain repair,

Were I not prison'd here.
My sorrow sore oppresses me,
For when I was at liberty,

I had it close beside me.

Though from this castle's walls so steep

I cast mine eyes around,
And gaze oft from the lofty keep,

The flower can not be found.
Whoe'er would bring it to my sight,
Whether a vassal he, or knight,

My dearest friend I'd deem him.

THE ROSE.

I blossom fair,--thy tale of woes

I hear from 'neath thy grate.
Thou doubtless meanest me, the rose.

Poor knight of high estate!
Thou hast in truth a lofty mind;
The queen of flowers is then enshrin'd,

I doubt not, in thy bosom.

COUNT.

Thy red, in dress of green array'd,

As worth all praise I hold;
And so thou'rt treasured by each maid

Like precious stones or gold.
Thy wreath adorns the fairest face
But still thou'rt not the flower whose grace

I honour here in silence.

THE LILY.

The rose is wont with pride to swell,

And ever seeks to rise;
But gentle sweethearts love full well

The lily's charms to prize,
The heart that fills a bosom true,
That is, like me, unsullied too,

My merit values duly.

COUNT.

In truth, I hope myself unstain'd,

And free from grievous crime;
Yet I am here a prisoner chain'd,

And pass in grief my time,
To me thou art an image sure
Of many a maiden, mild and pure,

And yet I know a dearer.

THE PINK.

That must be me, the pink, who scent

The warder's garden here;
Or wherefore is he so intent

My charms with care to rear?
My petals stand in beauteous ring,
Sweet incense all around I fling,

And boast a thousand colours.

COUNT.

The pink in truth we should not slight,

It is the gardener's pride
It now must stand exposed to light,

Now in the shade abide.
Yet what can make the Count's heart glow
Is no mere pomp of outward show;

It is a silent flower.

THE VIOLET.

Here stand I, modestly half hid,

And fain would silence keep;
Yet since to speak I now am bid,

I'll break my silence deep.
If, worthy Knight, I am that flower,
It grieves me that I have not power

To breathe forth all my sweetness.

COUNT.

The violet's charms I prize indeed,

So modest 'tis, and fair,
And smells so sweet; yet more I need

To ease my heavy care.
The truth I'll whisper in thine ear:
Upon these rocky heights so drear,

I cannot find the loved one.

The truest maiden 'neath the sky

Roams near the stream below,
And breathes forth many a gentle sigh,

Till I from hence can go.
And when she plucks a flow'ret blue,
And says "Forget-me-not!"--I, too,

Though far away, can feel it.

Ay, distance only swells love's might,

When fondly love a pair;
Though prison'd in the dungeon's night,

In life I linger there
And when my heart is breaking nigh,
"Forget-me-not!" is all I cry,

And straightway life returneth.

poem by Johann Wolfgang von Goethe
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Song II

Shall I, wasting in despair,
Die, because a woman's fair?
Or make pale my cheeks with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flow'ry meads in May;
If she be not so to me,
What care I how fair she be.

Should my heart be grieved or pined
'Cause I see a woman kind?
Or a well-disposèd nature
Joinèd with a lovely creature?
Be she meeker, kinder than
Turtle-dove or pelican:
If she be not so to me,
What care I how kind she be.

Shall a woman's virtues move
Me to perish for her love?
Or, her well-deserving known,
Make me quite forget mine own?
Be she with that goodness blest
Which may gain her name of best
If she be not such to me,
What care I how good she be.

'Cause her fortune seems too high,
Shall I play the fool and die?
Those that bear a noble mind,
Where they want or riches find,
Think what with them they would do
That without them dare to woo.
And unless that mind I see,
What care I though great she be.

Great, or good, or kind, or fair,
I will ne'er the more despair;
If she love me, this believe,
I will die ere she shall grieve.
If she slight me, when I woo,
I can scorn, and let her go.
For, if she be not for me,
What care I for whom she be.

poem by George Wither
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Sappho to Phaon (Ovid Heroid XV)

Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.

A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!

poem by Alexander Pope
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The Kingdom of Love

In the dawn of the day, when the sea and the earth
Reflected the sunrise above,
I set forth, with a heart full of courage and mirth,
To seek for the Kingdom of Love.
I asked of a Poet I met on the way,
Which cross-road would lead me aright,
And he said: "Follow me, and ere long you will see
Its glistening turrets of Light."

And soon in the distance a city shone fair;
"Look yonder," he said, "there it gleams!"
But alas! for the hopes that were doomed to despair,
It was only the Kingdom of Dreams.
Then the next man I asked was a gay cavalier,
And he said: "Follow me, follow me."
And with laughter and song we went speeding along
By the shores of life's beautiful sea,

Till we came to a valley more tropical far
Than the wonderful Vale of Cashmere,
And I saw from a bower a face like a flower
Smile out on the gay cavalier,
And he said: "We have come to humanity's goal---
Here love and delight are intense."
But alas! and alas! for the hope of my soul---
It was only the Kingdom of Sense.

As I journeyed more slowly, I met on the road
A coach with retainers behind,
And they said: "Follow us, for our lady's abode
Belongs in the realm you would find."
'Twas a grand dame of fashion, a newly-wed bride;
I followed, encouraged and bold.
But my hope died away, like the last gleams of day,
For we came to the Kingdom of Gold.

At the door of a cottage I asked a fair maid.
"I have heard of that Realm," she replied,
"But my feet never roam from the Kingdom of Home,
So I know not the way," and she sighed.
I looked on the cottage, how restful it seemed!
And the maid was as fair as a dove.
Great light glorified my soul as I cried,
"Why, home is the Kingdom of Love!"

poem by Ella Wheeler Wilcox
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Again Endorsing the Lady

Horace: Book II, Elegy 2

"Liber eram et vacuo meditabar vivere lecto--"

I was free. I thought that I had entered
Love's Antarctic Zone.
"A truce to sentiment," I said. "My nights
shall be my own."
But Love had double-crossed me. How can
Beauty be so fair?
The grace of her, the face of her--and oh,
her yellow hair!

And oh, the wondrous walk of her! So doth
a goddess glide.
Jove's sister--ay, or Pallas--hath no statelier
a stride.
Fair as Iscomache herself, the Lapithanian
maid;
Or Brimo where at Mercury's side her virgin
form she laid.

Surrender now, ye goddesses whom erst the
shepherd spied!
Upon the heights of Ida lay your vestitures
aside!
And though she reach the countless years of
the Cumæan Sibyl,
May never, never Age at those delightful
features nibble!

poem by Franklin P. Adams
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The Fortune-Teller, a Gypsy Tale

LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!

KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!

STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.

STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!

Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!

KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,
Was now, poor Maiden, taught!
And STEPHEN rul'd with boundless sway,
The rustic tyrant of his day.

LUBIN had giv'n inconstant KATE,
Ten pounds , to buy her wedding geer:
And now, 'tis said, tho' somewhat late,
He thought his bargain rather dear.
For, Lo ! The day before the pair
Had fix'd, the marriage chain to wear,
A GYPSY gang, a wand'ring set,
In a lone wood young LUBIN met.
All round him press with canting tale,
And, in a jargon, well design'd
To cheat the unsuspecting mind,
His list'ning ears assail.

Some promis'd riches; others swore
He should, by women, be ador'd;
And never sad, and never poor--
Live like a Squire, or Lord;--
Do what he pleas'd, and ne'er be brought
To shame,--for what he did, or thought;
Seduce mens wives and daughters fair,
Spend wealth, while others toil'd in vain,
And scoff at honesty, and swear,--
And scoff, and trick, and swear again!

ONE roguish Girl, with sparkling eyes,
To win the handsome LUBIN tries;
She smil'd, and by her speaking glance,
Enthrall'd him in a wond'ring trance;
He thought her lovelier far than KATE,
And wish'd that she had been his mate;
For when the FANCY is on wing,
VARIETY'S a dangerous thing:
And PASSIONS, when they learn to stray
Will seldom seldom keep the beaten way.

The gypsy-girl, with speaking eyes,
Observ'd her pupil's fond surprize,
She begg'd that he her hand would cross,
With Sixpence; and that He should know
His future scene of gain and loss,
His weal and woe.--

LUBIN complies. And straight he hears
That he had many long, long years;
That he a maid inconstant, loves,
Who, to another slyly roves.
That a dark man his bane will be--
"And poison his domestic hours;
"While a fair woman, treach'rously--
"Will dress his brow--with thorns and flow'rs!"
It happen'd, to confirm his care--
STEPHEN was dark ,--and KATE was fair!
Nay more that "home his bride would bring
"A little, alien, prattling thing
"In just six moons!" Poor LUBIN hears
All that confirms his jealous fears;
Perplex'd and frantic, what to do
The cheated Lover scarcely knew.
He flies to KATE, and straight he tells
The wonder that in magic dwells!
Speaks of the Fortune-telling crew,
And how all things the Vagrants knew;
KATE hears: and soon determines, she
Will know her future destiny.

Swift to the wood she hies, tho' late
To read the tablet of her Fate.
The Moon its crystal beam scarce shew'd
Upon the darkly shadow'd road;
The hedge-row was the feasting-place
Where, round a little blazing wood,
The wand'ring, dingy, gabbling race,
Crowded in merry mood.

And now she loiter'd near the scene.
Now peep'd the hazle copse between;
Fearful that LUBIN might be near
The story of her Fate to hear.--
She saw the feasting circle gay
By the stol'n faggot's yellow light;
She heard them, as in sportive play,
They chear'd the sullen gloom of night.
Nor was sly KATE by all unseen
Peeping, the hazle copse between.

And now across the thicket side
A tatter'd, skulking youth she spied;
He beckon'd her along, and soon,
Hid safely from the prying moon,
His hand with silver, thrice she crosses--
"Tell me," said she, "my gains and losses?"

"You gain a fool ," the youth replies,
"You lose a lover too."
The false one blushes deep, and sighs,
For well the truth she knew!
"You gave to STEPHEN, vows; nay more
"You gave him favors rare:
"And LUBIN is condemn'd to share
"What many others shar'd before!
"A false, capricious, guilty heart,
"Made up of folly, vice, and art,
"Which only takes a wedded mate
"To brand with shame, an husband's fate."

"Hush! hush!" cried KATE, for Heav'n's sake be
"As secret as the grave--
"For LUBIN means to marry me--
"And if you will not me betray,
"I for your silence well will pay;
"Five pounds this moment you shall have."--
"I will have TEN!" the gypsy cries--
"The fearful, trembling girl complies.

But, what was her dismay, to find
That LUBIN was the gypsy bold;
The cunning, fortune-telling hind
Who had the artful story told--
Who thus, was cur'd of jealous pain,--
"And got his TEN POUNDS back again!

Thus, Fortune pays the LOVER bold!
But, gentle Maids, should Fate
Have any secret yet untold,--
Remember, simple KATE!

poem by Mary Darby Robinson
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A Poem: To The Memory of Mrs. Oldfield

Oldfield's no more!-And can the Muse forbear,
O'er Oldfield's Grave to shed a grateful Tear?
Shall she, the Glory of the British Stage,
Pride of her Sex, and Wonder of the Age;
Shall she, who living charm'd th'admiring Throng,
Die undistinguish'd, and not claim a Song?
No. Feeble as it is, I'll boldly raise
My willing Voice to celebrate her Praise,
And with her Name immortalize my Lays.

Had but my Muse her Art to touch the Soul,
Charm ev'ry Sense, and ev'ry Pow'r controul.
I'd paint her as she was-the Form divine,
Where ev'ry lovely Grace united shine;
A Mein, majestick as the Wife of Jove,
An Air, as winning as the Queen of Love;
In every Feature rival Charms should rise,
And Cupid hold his Empire in her Eyes.

O! she was more than Numbers can express,
Creation's Darling in her fairest Dress.
A Form so charming, with such Beauties fraught,
As might have nigh excus'd the Want of Thought;
And yet a Mind with such Perfections stock'd,
As made the Beauties of her Form o'er look'd.
A Soul with ev'ry Elegance refin'd,
By Nature, and the Converse of Mankind,
Wit, which could strike assuming Folly dead;
And Sense-which temper'd every thing she said;
Judgment, which ev'ry little Fault could spy;
But Candor, which would pass a Thousand by.
That native Force-that Energy of Mind,
Which left the toiling Pedant far behind.
Such finish'd Breeding, so polite a Taste,
Her Fancy always for the Fashion past:
So sweetly serious, so discreetly gay,
None went unpleas'd, or unimprov'd away.
And yet so negligent she seem'd of Fame,
As if she thought Applause beneath her Aim.
Disdaining Flattery, she was still sincere;
Warm to approve, and modestly severe.
Whilst every social Virtue fir'd her Breast,
To help the Needy, succour the Distrest,
A Friend to all in Misery she stood.
And her chief Pride was plac'd in doing Good.

But say, ye Few, ye happy Few, who e'er
Enjoy'd the private Friendship of the Fair;
Who saw the Charmer in a nearer Light,
All open, free, and unreserv'dly bright;
Who felt the Raptures which her Smiles bestow'd,
And prov'd the Joys which from her Converse flow'd:
Oh speak her friendly, affable, and mild,
Brave, generous, firm, by no false Shows beguil'd.
With ev'ry Art and Talent form'd to please,
The Scholars Learning, and the Ladies Ease;
The Gay, the Grave, the Florid and Serene,
Mix'd in her Soul, and sparkling in her Mein.

Thrice happy Churchill! who her Love could gain,
For whom so many Thousands sigh'd in vain;
Whose wondrous Charms made every one her Slave
Dear to the Wise, the Witty, and the Brave.
And justly did she judge to place her Name
With thine, the greatest in the Books of Fame.
Thus join'd, Advantages to each accrue,
Renown to her, Beauty and Wit to you.
Renown should ever on the Fair One wait,
And Beauty be the Portion of the Great,
From such a Pair we well may hope to see
Another Malbro', Charles, appear in thee.

But now, my Muse, the arduous Task engage,
And show the Charming Figure on the Stage,
Describe her Look, her Action, Voice and Mein,
The gay Coquette, soft Maid, or haughty Queen,
So bright she shone in every different Part,
She gain'd despotick Empire o'er the Heart,
Knew how each various Motion to controul,
Sooth every Passion, and subdue the Soul:
As she, or gay, or sorrowful apears,
She claims our Mirth, or triumphs in our Tears:
Whilst from her Eyes delusive Sorrows flow,
Our Breasts are touch'd with undissembled Woe;
Or if Ambition calls her forth to Arms,
The Thirst of Glory every Bosom warms;
No Souls so senseless but what felt her Flame,
Nor Breast so savage but her Art could tame.
Ev'n the Pert Templer, and the City Prig,
Who come to Plays to show their Wit-or Wig.
The snarling Critick, and the sneering Beau,
Who neither Sense of Worth, or Manners know,
Aw'd by her Looks their Brutish Din forbear,
And for a while a little Human are,
So Orpheus charm'd the Savages of old,
And all Hell's Furies with his Harp controul'd.

Painters may sketch the Image of a Face,
And Sculptors Form and Attitude express;
Poets the Graces of the Mind relate,
And Hist'ry tells the Actions of the Great.
Still each wants something to compleat the Whole,
The Poet wants a Form, the Painter Soul.
But Oldfield all the Heroine display'd,
Show'd how she look'd, she mov'd, she wept, she pray'd
And was herself the Character she play'd,
When Cleopatra's Form she chose to wear,
We saw the Monarch's Mien, the Beauty's Air;
Charm'd with the Sight, her Cause we strait approve,
And like her Lover, gave up all for Love;
Antony's Fate, instead of Cæsar's, chuse,
And wish for her, we had a World-to lose.
But when a more familiar Part did please,
Letitia's Artifice, or Townley's Ease
Each Beauty in the finest Light she plac'd,
Improv'd each Charm, and every Action grac'd.
Nay, so enchanting was her lovely Frame,
She spoilt, against her Will, the Poet's Aim;
Making those Follies which we should despise,
When seen in her, seem Virtues in our Eyes.
So, when with Cytherea's Girdle bound,
The homeliest Hag, a shining Fair is found.

But now the gay delightful Scene is o'er,
And that sweet Form must glad the World no more;
Relentless Death has stop'd the tuneful Tongue,
And clos'd those Eyes, for all but Death too strong;
Blasted that Face where every Beauty bloom'd,
And to eternal Rest the graceful Mover doom'd.

Calm and serene she met the fatal Hour,
Smil'd at Death's Terrors, and contemn'd its Power.
Sustain'd unmov'd the cruel Scourge of Pain.
Whilst blund'ring Doctors try'd their Art in vain;
(Those lawful Executioners, whose Skill
Is shown not when they cure-but when they kill.)
She only griev'd to see her Churchill grieve,
And for his Sake alone desir'd to live?
Her long-imprison'd Soul rejoyc'd to see
The wish'd-for Moment come to set it free;
Then bravely strugling leapt its Bounds of Day,
And to the Place from whence it came, impetuous wing'd its Way.

Thus subterranean Fire in Ætna pent,
Which long in vain has labour'd for a Vent,
(When once some weaker Part begins to yield
Its long resisted Enemy the Field)
Grows more enrag'd, with double Fury plays,
And once got Air, it mounts into a Blaze.

O'ercharg'd with Sorrow at the Thought-the Muse
Drooping-no more her airy Flight pursues;
With Oldfield all her flattering Hopes are fled,
In her the Muses dearest Friend is dead:
For lo! the sinking Stage attends her Fall,
Whilst Opera, Farce, and Trick prevail o'er all,
Wilks, Nature's Master, soon, by Years opprest,
And tir'd with Bus'ness, must retire to Rest;
And Cibber, baulk'd by the ungrateful Town,
Will lay th'unprofitable Burthen down,
Mourn then ye Muses, all your Sorrows vent;
Your Shafts are useless, and your Bows unbent.
Now weep, ye Forrests; droop, ye shady Bowers;
Be dry, ye Fountains; sicken all ye Flowers;
The Night of universal Ign'rance comes,
In Darkness e'ry pleasing Scene entombs;
With Oldfield the last Glympse of Light is fled,
Wit, Nature, Sense, with her their Exits made:
The Goddess Dulness lifts her cloudy Head,
And smiles to see her dark Dominions spread,
Chaos o'er all his Leaden Scepter rears,
And not one Beam throughout the Gloom appears.

Finis

poem by Richard Savage
Submitted by Poetry Lover
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