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The Vigil Of Venus

Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

The Spring, the new, the warb'ling Spring appears,
The youthful Season of reviving Years;
In Spring the Loves enkindle mutual Heats,
The feather'd Nation chuse their tuneful Mates,
The Trees grow fruitful with descending Rain
And drest in diff'ring Greens adorn the Plain.
She comes; to morrow Beauty's Empress roves
Thro' Walks that winding run within the Groves;
She twines the shooting Myrtle into Bow'rs,
And ties their meeting Tops with Wreaths of Flow'rs,
Then rais'd sublimely on her easy Throne
From Nature's pow'rful Dictates draws her own.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

'Twas on that Day which saw the teeming Flood
Swell round, impregnate with celestial Blood;
Wand'ring in Circles stood the finny Crew,
The midst was left a void Expanse of Blue,
There Parent Ocean work'd with heaving Throes,
And dropping wet the fair Dione rose.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

She paints the purple Year with vary'd show,
Tips the green Gem, and makes the Blossom glow.
She makes the turgid Buds receive the Breeze,
Expand to Leaves, and shade the naked Trees.
When gath'ring damps the misty Nights diffuse,
She sprinkles all the Morn with balmy Dews;
Bright trembling Pearls depend at ev'ry spray,
And kept from falling, seem to fall away.
A glossy Freshness hence the Rose receives,
And blushes sweet through all her silken Leaves;
(The Drops descending through the silent Night,
While Stars serenely roll their golden Light,)
Close 'till the Morn, her humid Veil she holds;
Then deckt with Virgin Pomp the Flow'r unfolds.
Soon will the Morning blush: Ye Maids! prepare,
In rosy Garlands bind your flowing Hair
'Tis Venus' Plant: The Blood fair Venus shed,
O'er the gay Beauty pour'd immortal Red;
From Love's soft Kiss a sweet Ambrosial Smell
Was taught for ever on the Leaves to dwell;
From Gemms, from Flames, from orient Rays of Light
The richest Lustre makes her Purple bright;
And she to morrow weds; the sporting Gale
Unties her Zone, she bursts the verdant Veil;
Thro' all her Sweets the rifling Lover flies,
And as he breaths, her glowing Fires arise.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

Now fair Dione to the Myrtle Grove
Sends the gay Nymphs, and sends her tender Love.
And shall they venture? is it safe to go?
While Nymphs have Hearts, and Cupid wears a Bow?
Yes safely venture, 'tis his Mother's Will;
He walks unarm'd and undesigning ill,
His Torch extinct, his Quiver useless hung,
His Arrows idle, and his Bow unstrung.
And yet, ye Nymphs, beware, his Eyes have Charms,
And Love that's naked, still is Love in Arms.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

From Venus Bow'r to Delia's Lodge repairs
A Virgin Train compleat with modest Airs:
‘Chast Delia! grant our Suit! or shun the Wood,
‘Nor stain this sacred Lawn with savage Blood.
‘Venis, O Delia! if she cou'd persuade,
‘Wou'd ask thy Presence, might she ask a Maid.
Here chearful Quires for three auspicious Nights
With Songs prolong the pleasurable Rites:
Here Crouds in Measures lightly-decent rove;
Or seek by Pairs the Covert of the Grove,
Where meeting Greens for Arbours arch above,
And mingling Flowrets strow the Scenes of Love.
Here dancing Ceres shakes her golden Sheaves:
Here Bacchus revels, deckt with viny Leaves:
Here Wit's enchanting God in Lawrel crown'd
Wakes all the ravish'd Hours with silver Sound.
Ye Fields, ye Forests, own Dione's Reign,
And Delia, Huntress Delia, shun the Plain.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

Gay with the Bloom of all her opening Year,
The Queen at Hybla bids her Throne appear;
And there presides; and there the fav'rite Band
(Her smiling Graces) share the great Command.
Now beauteous Hybla! dress thy flow'ry Beds
With all the Pride the lavish Season sheds,
Now all thy Colours, all thy Fragrance yield,
And rival Enna's Aromatick Field.
To fill the Presence of the gentle Court
From ev'ry Quarter rural Nymphs resort,
From Woods, from Mountains, from their humble Vales,
From Waters curling with the wanton Gales.
Pleas'd with the joyful Train, the laughing Queen
In Circles seats them round the Bank of green;
And 'lovely Girls, (she whispers) guard your Hearts;
‘My Boy, tho' stript of Arms, abounds in Arts.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

Let tender Grass in shaded Allys spread,
Let early Flow'rs erect their painted Head.
To morrow's Glory be to morrow seen,
That Day, old Ether wedded Earth in green.
The Vernal Father bid the Spring appear,
In Clouds he coupled to produce the Year,
The Sap descending o'er her Bosom ran,
And all the various sorts of Soul began.
By Wheels unknown to Sight, by secret Veins
Distilling Life, the fruitful Goddess reigns,
Through all the lovely Realms of native Day,
Through all the circled Land, and circling Sea;
With fertil Seed she fill'd the pervious Earth,
And ever fix'd the mystick Ways of Birth.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

'Twas she the Parent, to the Latian Shore
Through various Dangers Troy's Remainder bore.
She won Lavinia for her warlike Son,
And winning her, the Latian Empire won.
She gave to Mars the Maid, whose honour'd Womb
Swell'd with the Founder of immortal Rome.
Decoy'd by Shows the Sabin Dames she led,
And taught our vig'rous Youth the Means to wed.
Hence sprung the Romans, hence the Race divine
Thro' which great Cæsar draws his Julian Line.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

In rural Seats the Soul of Pleasure reigns;
The Life of Beauty fills the rural Scenes;
Ev'n Love (if Fame the Truth of Love declare)
Drew first the breathings of a rural Air.
Some pleasing Meadow pregnant Beauty prest,
She laid her Infant on its flow'ry Breast,
From Nature's Sweets he sipp'd the fragrant Dew,
He smil'd, he kiss'd them, and by kissing grew.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

Now Bulls o'er Stalks of Broom extend their Sides,
Secure of Favours from their lowing Brides.
Now stately Rams their fleecy Consorts lead,
Who bleating follow thro' the wand'ring Shade.
And now the Goddess bids the Birds appear,
Raise all their Musick, and salute the Year:
Then deep the Swan begins, and deep the Song
Runs o'er the Water where he sails along;
While Philomela tunes a treble Strain,
And from the Poplar charms the list'ning Plain.
We fancy Love exprest at ev'ry Note,
It melts, it warbles, in her liquid Throat.
Of barb'rous Tereus she complains no more,
But sings for Pleasure as for Grief before.
And still her Graces rise, her Airs extend,
And all is Silence 'till the Syren end.

How long in coming is my lovely Spring?
And when shall I, and when the Swallow sing?
Sweet Philomela cease,—Or here I sit,
And silent lose my rapt'rous Hour of Wit:
'Tis gone, the Fit retires, the Flames decay,
My tuneful Phœbus flies averse away.
His own Amycle thus, as Stories run,
But once was silent, and that once undone.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.

poem by Thomas Parnell
Submitted by Poetry Lover
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Spring - The First Pastoral ; or Damon

First in these fields I try the sylvan strains,
Nor blush to sport on Windsor's blissful plains:
Fair Thames, flow gently from thy sacred spring,
While on thy banks Sicilian Muses sing;
Let vernal airs tho' trembling osiers play,
And Albion's cliffs resound the rural lay.
You, that too wise for pride, too good for pow'r,
Enjoy the glory to be great no more,
And carrying with you all the world can boast,
To all the world illustriously are lost!
O let my Muse her slender reed inspire,
Till in your native shades you tune the lyre:
So when the Nightingale to rest removes,
The Thrush may chant to the forsaken groves,
But, charm'd to silence, listens while she sings,
And all th' aerial audience clap their wings.
Soon as the flocks shook off the nightly dews,
Two Swains, whom Love kept wakeful, and the Muse
Pour'd o'er the whitening vale their fleecy care,
Fresh as the morn, and as the season fair:
The dawn now blushing on the mountain's side,
Thus Daphnis spoke, and Strephon thus reply'd.

Daphnis.
Hear how the birds, on ev'ry bloomy spray,
With joyous musick wake the dawning day!
Why sit we mute when early linnets sing,
When warbling Philomel salutes the spring?
Why sit we sad when Phosphor shines so clear,
And lavish nature paints the purple Year?

Strephon.
Sing, then, and Damon shall attend the strain,
While yon' slow oxen turn the furrow'd Plain.
Here the bright crocus and blue vi'let glow;
Here western winds on breathing roses blow.
I'll stake yon' lamb, that near the fountain plays,
And from the brink his dancing shade surveys.

Daphnis.
And I this bowl, where wanton Ivy twines,
And swelling clusters bend the curling vines:
Four figures rising from the work appear,
The various seasons of the rolling year;
And what is that, which binds the radiant sky,
Where twelve fair Signs in beauteous order lie?

Damon.
Then sing by turns, by turns the Muses sing,
Now hawthorns blossom, now the daisies spring,
Now leaves the trees, and flow'rs adorn the ground,
Begin, the vales shall ev'ry note rebound.
Inspire me, Phoebus, in my Delia's praise
With Waller's strains, or Granville's moving lays!
A milk-white bull shall at your altars stand,
That threats a fight, and spurns the rising sand.

Daphnis.
O Love! for Sylvia let me gain the prize,
And make my tongue victorious as her eyes;
No lambs or sheep for victims I'll impart,
Thy victim, Love, shall be the shepherd's heart.

Strephon.
Me gentle Delia beckons from the plain,
Then hid in shades, eludes her eager swain;
But feigns a laugh, to see me search around,
And by that laugh the willing fair is found.

Daphnis.
The sprightly Sylvia trips along the green,
She runs, but hopes she does not run unseen;
While a kind glance at her pursuer flies,
How much at variance are her feet and eyes!

Strephon.
O'er golden sands let rich Pactolus flow,
And trees weep amber on the banks of Po;
Blest Thames's shores the brightest beauties yield,
Feed here my lambs, I'll seek no distant field.

Daphnis.
Celestial Venus haunts Idalia's groves;
Diana Cynthus, Ceres Hybla loves;
If Windsor-shades delight the matchless maid,
Cynthus and Hybla yield to Windsor-shade.

Strephon.
All nature mourns, the Skies relent in show'rs,
Hush'd are the birds, and clos'd the drooping flow'rs;
If Delia smile, the flow'rs begin to spring,
The skies to brighten, and the birds to sing.

Daphnis.
All nature laughs, the groves are fresh and fair,
The Sun's mild lustre warms the vital air;
If Sylvia smiles, new glories gild the shore,
And vanquish'd nature seems to charm no more.

Strephon.
In spring the fields, in autumn hills I love,
At morn the plains, at noon the shady grove,
But Delia always; absent from her sight,
Nor plains at morn, nor groves at noon delight.

Daphnis.
Sylvia's like autumn ripe, yet mild as May,
More bright than noon, yet fresh as early day;
Ev'n spring displeases, when she shines not here;
But blest with her, 'tis spring throughout the year.

Strephon.
Say, Daphnis, say, in what glad soil appears,
A wond'rous Tree that sacred Monarchs bears:
Tell me but this, and I'll disclaim the prize,
And give the conquest to thy Sylvia's eyes.

Daphnis.
Nay tell me first, in what more happy fields
The Thistle springs, to which the Lily yields:
And then a nobler prize I will resign;
For Sylvia, charming Sylvia, shall be thine.

Damon.
Cease to contend, for, Daphnis, I decree,
The bowl to Strephon, and the lamb to thee:
Blest Swains, whose Nymphs in ev'ry grace excel;
Blest Nymphs, whose Swains those graces sing so well!
Now rise, and haste to yonder woodbine bow'rs,
A soft retreat from sudden vernal show'rs,
The turf with rural dainties shall be crown'd,
While op'ning blooms diffuse their sweets around.
For see! the gath'ring flocks to shelter tend,
And from the Pleiads fruitful show'rs descend.

poem by Alexander Pope
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Winter - The Fourth Pastoral, or Daphne

Lycidas.
Thyrsis, the music of that murm'ring spring,
Is not so mournful as the strains you sing.
Nor rivers winding thro' the vales below,
So sweetly warble, or so smoothly flow.
Now sleeping flocks on their soft fleeces lie,
The moon, serene in glory, mounts the sky,
Wile silent birds forget their tuneful lays,
Oh sing of Daphne's fate, and Daphne's praise!

Thyrsis.
Behold the groves that shine with silver frost,
Their beauty wither'd, and their verdure lost.
Here shall I try the sweet Alexis' strain,
That call'd the list'ning Dryads to the plain?
Thames heard the numbers as he flow'd along,
And bade his willows learn the moving song.

Lycidas.
So may kind rains their vital moisture yield,
And swell the future harvest of the field.
Begin; this charge the dying Daphne gave,
And said; 'Ye shepherds, sing around my grave!
Sing, while beside the shaded tomb I mourn,
And with fresh bays her rural shrine adorn.'

Thyrsis.
Ye gentle Muses, leave your crystal spring,
Let Nymphs and Sylvans cypress garlands bring;
Ye weeping Loves, the stream with myrtles hide,
And break your vows, as when Adonis died;
And with your golden darts, now useless grown,
Inscribe a verse on this relenting stone:
'Let nature change, let heav'n and earth deplore,
Fair Daphne's dead, and love is now no more!'
'Tis done, and nature's various charms decay,
See gloomy clouds obscure the cheerful day!
Now hung with pearls the dropping trees appear,
Their faded honours scatter'd on her bier.
See, where on earth the flow'ry glories lie,
With her they flourish'd, and with her they die.
Ah what avail the beauties nature wore?
Fair Daphne's dead, and beauty is no more!
For her the flocks refuse their verdant food,
Nor thirsty heifers seek the gliding flood.
The silver swans her hapless fate bemoan,
In notes more sad than when they sing their own;
In hollow caves sweet Echo silent lies,
Silent, or only to her name replies;
Her name with pleasure once she taught the shore,
Now Daphne's dead, and pleasure is no more!
No grateful dews descend from ev'ning skies,
Nor morning odours from the flow'rs arise;
No rich perfumes refresh the fruitful field,
Nor fragrant herbs their native incense yield.
The balmy Zephyrs, silent since her death,
Lament the ceasing of a sweeter breath;
Th' industrious bees neglect their golden store;
Fair Daphne's dead, and sweetness is no more!
No more the mounting larks, while Daphne sings,
Shall list'ning in mid air suspend their wings;
No more the birds shall imitate her lays,
Or hush'd with wonder, hearken from the sprays;
No more the streams their murmur shall forbear,
A sweeter music than their own to hear,
But tell the reeds, and tell the vocal shore,
Fair Daphne's dead, and music is no more!
Her fate is whisper'd by the gentle breeze,
And told in sighs to all the trembling trees;
The trembling trees, in ev'ry plain and wood,
Her fate remurmur to the silver flood;
The silver flood, so lately calm, appears
Swell'd with new passion, and o'erflows with tears;
The winds and trees and floods her death deplore,
Daphne, our grief! our glory now no more!
But see! where Daphne wond'ring mounts on high
Above the clouds, above the starry sky!
Eternal beauties grace the shining scene,
Fields ever fresh, and groves for ever green!
There while you rest in Amaranthine bow'rs,
Or from those meads select unfading flow'rs,
Behold us kindly, who your name implore,
Daphne, our Goddess, and our grief no more!

Lycidas.
How all things listen, while thy Muse complains!
Such silence waits on Philomela's strains,
In some still ev'ning, when the whisp'ring breeze
Pants on the leaves, and dies upon the trees.
To thee, bright goddess, oft a lamb shall bleed,
If teeming ewes increase my fleecy breed.
While plants their shade, or flow'rs their odours give,
Thy name, thy honour, and thy praise shall live!

Thyrsis.
But see, Orion sheds unwholesome dews,
Arise, the pines a noxious shade diffuse;
Sharp Boreas blows, and Nature feels decay,
Time conquers all, and we must Time obey.
Adieu, ye vales, ye mountains, streams and groves,
Adieu, ye shepherd's rural lays and loves;
Adieu, my flocks, farewell ye sylvan crew,
Daphne, farewell, and all the world adieu!

poem by Alexander Pope
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Summer

See what delights in sylvan scenes appear!
Descending Gods have found Elysium here.
In woods bright Venus with Adonis stray'd,
And chaste Diana haunts the forest shade.
Come lovely nymph, and bless the silent hours,
When swains from shearing seek their nightly bow'rs;
When weary reapers quit the sultry field,
And crown'd with corn, their thanks to Ceres yield.
This harmless grove no lurking viper hides,
But in my breast the serpent Love abides.
Here bees from blossoms sip the rosy dew,
But your Alexis knows no sweets but you.
Oh deign to visit our forsaken seats,
The mossy fountains, and the green retreats!
Where-e'er you walk, cool gales shall fan the glade,
Trees, where you sit, shall crowd into a shade,
Where-e'er you tread, the blushing flow'rs shall rise,
And all things flourish where you turn your eyes.
Oh! How I long with you to pass my days,
Invoke the muses, and resound your praise;
Your praise the birds shall chant in ev'ry grove,
And winds shall waft it to the pow'rs above.
But wou'd you sing, and rival Orpheus' strain,
The wond'ring forests soon shou'd dance again,
The moving mountains hear the pow'rful call,
And headlong streams hang list'ning in their fall!
But see, the shepherds shun the noon-day heat,
The lowing herds to murm'ring brooks retreat,
To closer shades the panting flocks remove,
Ye Gods! And is there no relief for Love?
But soon the sun with milder rays descends
To the cool ocean, where his journey ends;
On me Love's fiercer flames for ever prey,
By night he scorches, as he burns by day.

poem by Alexander Pope
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Forsaking My Love

I hate you
I wish to tear you away from me
This tumor that clings to my chest
The thing that makes me ache
That haunts my dreams
And tears at my desires
You have brought me only pain
My untamed heart
That beast that gnaws at my soul
That pitifully whines
Bringing my mind into unwanted pain
Yet how can I blame you
How can I chastise you when I listen intently to your pleas
Why should I punish you for what my eyes feed upon
How can I blame my eyes for falling upon her
She who brings light to the eternal darkness of my soul
She whose eyes bring me to subjection
Whose smile leaves me in awe
How can I blame you when my ears are met with her laughter
How they submerge into her song
How they quiver at her voice
Why should I punish you for inclining my soul
Tempting it with the one sense that has been forsaken by her
How could I look over the thought of the brushing of lips
The touching of hands
The binding of the soul, mind, and body
O you wretched heart
What am I to do with this constant companion
How could I tear you away
When she is the cause of my agony
Or rather
It is the lack of her which brings me sorrow
It is the need for her that leaves my heart in pain
Yet she is not mine
She was never mine
She will never be mine
O my poor heart
How can I make you see reason
When all you do is show me the truth

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poem by Michael Silver
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Anacreontick II

When Spring came on with fresh Delight,
To cheer the Soul, and charm the Sight,
While easy Breezes, softer Rain,
And warmer Suns salute the Plain;
'Twas then, in yonder Piny Grove,
That Nature went to meet with Love.

Green was her Robe, and green her Wreath,
Where-e'er she trod, 'twas green beneath;
Where-e'er she turn'd, the Pulses beat
With new recruits of Genial Heat;
And in her Train the Birds appear,
To match for all the coming Year.

Rais'd on a Bank, where Daizys grew,
And Vi'lets intermix'd a Blew,
She finds the Boy she went to find;
A thousand Pleasures wait behind,
Aside, a thousand Arrows lye,
But all unfeather'd wait to fly.

When they met, the Dame and Boy,
Dancing Graces, idle Joy,
Wanton Smiles, and airy Play,
Conspir'd to make the Scene be gay;
Love pair'd the Birds through all the Grove,
And Nature bid them sing to Love,
Sitting, hopping, flutt'ring, sing,
And pay their Tribute from the Wing,
To fledge the Shafts that idly lye,
And yet unfeather'd wait to fly.

'Tis thus, when Spring renews the Blood,
They meet in ev'ry trembling Wood,
And thrice they make the Plumes agree,
And ev'ry Dart they mount with three,
And ev'ry Dart can boast a Kind,
Which suits each proper turn of Mind.

From the tow'ring Eagle's Plume
The Gen'rous Hearts accept their Doom;
Shot by the Peacock's painted Eye
The vain and airy Lovers dye:
For careful Dames and frugal Men,
The Shafts are speckled by the Hen.
The Pyes and Parrots deck the Darts,
When Prattling wins the panting Hearts:
When from the Voice the Passions spring,
The warbling Finch affords a Wing:
Together, by the Sparrow stung,
Down fall the wanton and the young:
And fledg'd by Geese the Weapons fly,
When others love they know not why.

All this (as late I chanc'd to rove)
I learn'd in yonder waving Grove.
And see, says Love, (who call'd me near)
How much I deal with Nature here,
How both support a proper Part,
She gives the Feather, I the Dart:
Then cease for Souls averse to sigh,
If Nature cross ye, so do I;
My Weapon there unfeather'd flies,
And shakes and shuffles through the Skies.
But if the mutual Charms I find
By which she links you, Mind to Mind,
They wing my Shafts, I poize the Darts,
And strike from both, through both your Hearts.

poem by Thomas Parnell
Submitted by Poetry Lover
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Her...

I can never get my mind off her,
I wonder if she'd mind if i'd,
make her my own,
and never let her go,
hug her tight,
treat her right,
act all polite,
take her on a date,
make sure i'm never late,
kiss her on her lips,
talk about our kids,
Make her feel like princess,
living in a castle,
hope that is not too much hassle,
But i am so blessed,
hope i can be the best,
hold you tight,
have your BR3A$t,
on my chest,
pass the test,
NOW YOUR MINE!

sorry for word spamming: (

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poem by Jordan Moore
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Ode To Cheerfulness

LOVELY nymph! with eye serene,
Dimpled smile and frolic mien;
Come, with airy step advancing,
Come, with blooming Hebe dancing;
O'er the meads I see thee straying—
Youth and sport around thee playing—
Gay content, thy sister fair,
Twines a garland round thy hair.
Thine the lip of roseate dye;
Thine the pleasure-sparkling eye;
Thine the cheek that softly glows,
Brighter than the blushing rose!

Guide me to thy fav'rite bow'rs,
To deck thy rural shrine with flow'rs.
In thy lowly, sylvan cell,
Peace and virtue love to dwell;
Ever let me own thy sway,
Still to thee my tribute pay.

When Zephyr waves his balmy wing,
To kiss the sweets of May;
When the soft melodies of spring
Resound from ev'ry spray;
With thee, sweet maid! I'll rove along,
And tread the morning dews;
To hear the wood-lark's early song,
To court the laughing muse.

With thee I'll rove, when summer pours
Her treasures o'er the land;
When fair Pomona sheds her stores,
With kind, luxuriant hand;—

When Autumn, bearing golden sheaves,
Delights the happy swain;
And softly paints the fading leaves,
And crowns the fertile plain.

And e'en in winter's hoary reign
I'll wake my festive lays;
Thy look shall prompt th' enliv'ning strain,
And 'brighten at the blaze!'

I court thee in the vernal hours
Of life's enchanting morn;
Thy hand shall strew my path with flow'rs
And steal away the thorn:

But when the dawn of youth is fled,
The spring of life so fair;
Ah! wilt thou then benignly shed
Thy placid beams around my head,
And steal my thoughts from care?

Yes! gentle pow'r, thy heav'nly ray
Shall cheer my morning bright;
And e'en in life's declining day,
Shall gild the dark and thorny way,
With mild, celestial light!

poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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The Judgment Of Paris

Where waving Pines the brows of Ida shade,
The swain young Paris half supinely laid,
Saw the loose Flocks thro' shrubs unnumber'd rove
And Piping call'd them to the gladded grove.
'Twas there he met the Message of the skies,
That he the Judge of Beauty deal the prize.

The Message known, one Love with anxious mind,
To make his Mother guard the time assign'd,
Drew forth her proud white Swans, and trac'd the pair
That wheel her Chariot in the purple air:
A golden Bow behind his shoulder bends,
A golden Quiver at his side depends,
Pointing to these he nods, with fearless State,
And bids her safely meet the grand Debate.
Another Love proceeds with anxious care
To make his Iv'ry sleek the shining hair,
Moves the loose Curls and bids the Forehead shew
In full Expansion all its native snow.
A third enclasps the many colour'd Cest
And rul'd by Fancy sets the silver Vest,
When to her Sons with intermingl'd sighs
The Goddess of the rosy lips applies.

'Tis now my darling boys a time to shew
The love you feel, the filial aids you owe:
Yet would we think that any dar'd to strive
For Charms, when Venus and her Loves alive?
Or should the prize of beauty be deni'd,
Has Beauty's Empress ought to boast beside?
And ting'd with Poison, pleasing while it harms,
My Darts I trusted to your infant arms;
If, when your hands have arch'd the golden Bow,
The World's great Ruler bending owns the blow,
Let no contending Form invade my due,
Tall Juno's Mein, nor Pallas Eyes of blew.
But grac'd with Triumph, to the Paphian shore,
Your Venus bears the Palms of Conquest o'er,
And joyful see my hundred Altars there
With costly Gums perfume the wanton air.

While thus the Cupids hear the Cyprian Dame,
The groves resounded where a Goddess came.
The warlike Pallas march'd with mighty stride,
Her Shield forgot, her Helmet laid aside.
Her Hair unbound, in curls and order flow'd,
And Peace, or something like, her Visage shew'd;
So with her eyes serene and hopeful haste,
The long stretch'd Allys of the Wood she trac'd.
But where the Woods a second Entrance found,
With Scepter'd Pomp, and Golden Glory crown'd
The stately Juno stalk'd, to reach the Seat,
And hear the Sentence in the last Debate,
And long, severely long resent the Grove;
In this, what boots it, she's the wife of Jove.

Arm'd with a Grace, at length, secure to win,
The lovely Venus smiling enters in;
All sweet and shining near the Youth she drew,
Her rosy Neck ambrosial odours threw;
The sacred Scents diffus'd among the leaves,
Ran down the Woods and fill'd their hoary Caves;
The Charms, so am'rous all, and each so great,
The conquer'd Judge no longer keeps his Seat;
Oppress'd with Light, he drops his weary'd eyes
And fears he should be thought to doubt the Prize.

poem by Thomas Parnell
Submitted by Poetry Lover
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Eclogue the Third Abra

SCENE, a forest TIME, the Evening

In Georgia's land, where Tefflis' towers are seen,
In distant view along the level green,
While evening dews enrich the glittering glade,
And the tall forests cast a longer shade,
Amidst the maids of Zagen's peaceful grove,
Emyra sung the pleasing cares of love.
Of Abra first began the tender strain,
Who led her youth with flocks upon the plain.
At morn she came those willing flocks to lead,
Where lilies rear them in the watery mead;

From early dawn the livelong hours she told,
Till late at silent ev'n she penned the fold.
Deep in the grove beneath the secret shade,
A various wreath of odorous flowers she made.
Gay-motleyed pinks and sweet jonquils she chose,
The violet-blue that on the moss-bank grows;
All-sweet to sense, the flaunting rose was there;
The finished chaplet well-adorned her hair.
Great Abbas chanced that fated morn to stray,
By love conducted from the chase away;

Among the vocal vales he heard her song,
And sought the vales and echoing groves among.
At length he found and wooed the rural maid:
She knew the monarch, and with fear obeyed.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
The royal lover bore her from the plain,
Yet still her crook and bleating flock remain:
Oft as she went, she backward turned her view,
And bade that crook and bleating flock adieu.

Fair happy maid! to other scenes remove,
To richer scenes of golden power and love!
Go leave the simple pipe and shepherd's strain,
With love delight thee, and with Abbas reign.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
Yet midst the blaze of courts she fixed her love
On the cool fountain or the shady grove;
Still with the shepherd's innocence her mind
To the sweet vale and flowery mead inclined,

And oft as spring renewed the plains with flowers,
Breathed his soft gales and led the fragrant hours,
With sure return she sought the sylvan scene,
The breezy mountains and the forests green.
Her maids around her moved, a duteous band!
Each bore a crook all-rural in her hand.
Some simple lay of flocks and herds they sung;
With joy the mountain and the forest rung.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
And oft the royal lover left the care
And thorns of state, attendant on the fair:
Oft to the shades and low-roofed cots retired,
Or sought the vale where first his heart was fired;
A russet mantle, like a swain, he wore,
And thought of crowns and busy courts no more.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
Blest was the life that royal Abbas led:
Sweet was his love and innocent his bed.

What if in wealth the noble maid excel;
The simple shepherd girl can love as well.
Let those who rule on Persia's jewelled throne,
Be famed for love and gentlest love alone:
Or wreathe, like Abbas, full of fair renown,
The lover's myrtle with the warrior's crown.
Oh happy days! the maids around her say,
Oh haste, profuse of blessings, haste away!

Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.

poem by William Taylor Collins
Submitted by Poetry Lover
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The Flowers

Ye offspring of the morning sun,
Ye flowers that deck the smiling plain,
Your lives, in joy and bliss begun,
In Nature's love unchanged remain.
With hues of bright and godlike splendor
Sweet Flora graced your forms so tender,
And clothed ye in a garb of light;
Spring's lovely children weep forever,
For living souls she gave ye never,
And ye must dwell in endless night?

The nightingale and lark still sing
In your tranced ears the bliss of love;
The toying sylphs, on airy wing,
Around your fragrant bosoms rove,
Of yore, Dione's daughter [6] twining
In garlands sweet your cup-so shining,
A pillow formed where love might rest!
Spring's gentle children, mourn forever,
The joys of love she gave ye never,
Ne'er let ye know that feeling blest!

But when ye're gathered by my hand,
A token of my love to be,
Now that her mother's harsh command
From Nanny's [7] sight has banished me--
E'en from that passing touch ye borrow
Those heralds mute of pleasing sorrow,
Life, language, hearts and souls divine;
And to your silent leaves 'tis given,
By Him who mightiest is in heaven,
His glorious Godhead to enshrine.

poem by Friedrich Schiller
Submitted by Poetry Lover
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All I Need Is........

All i need is the food that i eat and to love you,
All i need is the room that i sleep in and to love you,
All i need is the air that i breath and to love you,
All i need is the water that i bath and to love you,
All i need is the fish that i eat and to love you,
All i need is the letter that i am writing and to love you,
All i need is the meat that i eat and to love you,
All i need is the tea that i drink and to love you,
All i need is the river that i swim in and to love you,
All i need is the seed that i plant and to love you,
All i need is the bed that i use and to love you,
All i need is the water that flows beside me and to love,
All i need is the bed of roses and to love you,
All i need is the garden of love and to love you,
All i need is your valley of love and to love,
All i need is the kiss of your lips and to love you,
All i need is the peace around you and to love you,
All i need is the care that is around you and to love you,
All i need is the muse of your love and to love you,
All i need is the rainbow up high in the sky and to love you,
All i need is the deep blue sea and to love you,
All i need is a well laid bed and to love you,
All i need is a lovely boat and to love you,
All i need is the romance of your body and to love you,
All i need is the nakedness of your body and to love,
All i need is the sweet blues of your love and to love you,
All i need is the sweet songs from the birds and to love you,
For life is all about the true love around us.

poem by Edward Kofi Louis
Submitted by Poetry Lover
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Vertumnus and Pomona : Ovid's Metamorphoses, book 14 [v. 623-771]

The fair Pomona flourish'd in his reign;
Of all the Virgins of the sylvan train,
None taught the trees a nobler race to bear,
Or more improv'd the vegetable care.
To her the shady grove, the flow'ry field,
The streams and fountains, no delights could yield;
'Twas all her joy the ripening fruits to tend,
And see the boughs with happy burthens bend.
The hook she bore instead of Cynthia's spear,
To lop the growth of the luxuriant year,
To decent form the lawless shoots to bring,
And teach th' obedient branches where to spring.
Now the cleft rind inserted graffs receives,
And yields an offspring more than nature gives;
Now sliding streams the thirsty plants renew,
And feed their fibres with reviving dew.
These cares alone her virgin breast employ,
Averse from Venus and the nuptial joy.
Her private orchards, wall'd on ev'ry side,
To lawless sylvans all access deny'd.
How oft the Satyrs and the wanton Fawns,
Who haunt the forests, or frequent the lawns,
The God whose ensign scares the birds of prey,
And old Silenus, youthful in decay,
Employ'd their wiles, and unavailing care,
To pass the fences, and surprise the fair.
Like these, Vertumnus own'd his faithful flame,
Like these, rejected by the scornful dame.
To gain her sight a thousand forms he wears,
And first a reaper from the field appears,
Sweating he walks, while loads of golden grain
O'ercharge the shoulders of the seeming swain.
Oft o'er his back a crooked scythe is laid,
And wreathes of hay his sun-burnt temples shade:
Oft in his harden'd hand a goad he bears,
Like one who late unyok'd the sweating steers.
Sometimes his pruning-hook corrects the vines,
And the loose stragglers to their ranks confines.
Now gath'ring what the bounteous year allows,
He pulls ripe apples from the bending boughs.
A soldier now, he with his sword appears;
A fisher next, his trembling angle bears;
Each shape he varies, and each art he tries,
On her bright charms to feast his longing eyes.
A female form at last Vertumnus wears,
With all the marks of rev'rend age appears,
His temples thinly spread with silver hairs;
Propp'd on his staff, and stooping as he goes,
A painted mitre shades his furrow'd brows.
The God in this decrepit form array'd,
The gardens enter'd, and the fruit survey'd,
And 'Happy you!' (he thus address'd the maid)
'Whose charms as far all other nymphs out-shine,
'As other gardens are excell'd by thine!'
Then kiss'd the fair; (his kisses warmer grow
Than such as women on their sex bestow.)
Then plac'd beside her on the flow'ry ground,
Beheld the trees with autumn's bounty crown'd.
An Elm was near, to whose embraces led,
The curling vine her swelling clusters spread:
He view'd her twining branches with delight,
And prais'd the beauty of the pleasing sight.
'Yet this tall elm, but for his vine' (he said)
'Had stood neglected, and a barren shade;
And this fair vine, but that her arms surround
Her marry'd elm, had crept along the ground.
Ah beauteous maid, let this example move
Your mind, averse from all the joys of love.
Deign to be lov'd, and ev'ry heart subdue!
What nymph could e'er attract such crowds as you?
Not she whose beauty urg'd the Centaurs' arms,
Ulysses' Queen, nor Helen's fatal charms.
Ev'n now, when silent scorn is all they gain,
A thousand court you, tho' they court in vain,
A thousand sylvans, demigods, and gods,
That haunt our mountains and our Alban woods.
But if you'll prosper, mark what I advise,
Whom age, and long experience render wise,
And one whose tender care is far above
All that these lovers ever felt of love,
(Far more than e'er can by yourself be guess'd)
Fix on Vertumnus, and reject the rest.
For his firm faith I dare engage my own;
Scarce to himself, himself is better known.
To distant lands Vertumnus never roves;
Like you contented with his native groves;
Nor at first sight, like most, admires the fair;
For you he lives; and you alone shall share
His last affection, as his early care.
Besides, he's lovely far above the rest,
With youth immortal, and with beauty blest.
Add, that he varies ev'ry shape with ease,
And tries all forms that may Pomona please.
But what should most excite a mutual flame,
Your rural cares, and pleasures are the same:
To him your orchard's early fruits are due,
(A pleasing off'ring when 'tis made by you)
He values these; but yet (alas) complains,
That still the best and dearest gift remains.
Not the fair fruit that on yon' branches glows
With that ripe red th' autumnal sun bestows;
Nor tasteful herbs that in these gardens rise,
Which the kind soil with milky sap supplies;
You, only you, can move the God's desire:
Oh crown so constant and so pure a fire!
Let soft compassion touch your gentle mind;
Think, 'tis Vertumnus begs you to be kind!
So may no frost, when early buds appear,
Destroy the promise of the youthful year;
Nor winds, when first your florid orchard blows,
Shake the light blossoms from their blasted boughs!'
This when the various God had urg'd in vain,
He straight assum'd his native form again;
Such, and so bright an aspect now he bears,
As when thro' clouds th' emerging sun appears,
And thence exerting his refulgent ray,
Dispels the darkness, and reveals the day.
Force he prepar'd, but check'd the rash design;
For when, appearing in a form divine,
The Nymph surveys him, and beholds the grace
Of charming features, and a youthful face,
In her soft breast consenting passions move,
And the warm maid confess'd a mutual love.

poem by Alexander Pope
Submitted by Poetry Lover
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Is Love

Love is like the bloom of a flower
Opening up after a spring shower
Showing the world of its beauty known
And also knowing it's sad to be alone.

Love is like the sky above
Where the stars are hung and flies the dove
The masterpiece created by GOD for us
To show to us all in this world there is love.

Love is like the ocean deep and blue
Always present and always true
As deep as the oceans or the seas might be
There is the wanting for all to believe.

Love is like the wind that has blown
We feel it upon us, but it's never shown
We hear it we sense it we know it's there
It is love, so with another we try to share.

Love is like a flower's bloom
Opening never to late or ever to soon
But opening up in the midst of love and spring
And hoping one day that it will bring forth a ring.

poem by Randy McClave
Submitted by Poetry Lover
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The Indian Lover. Morning Song.

O'ER flowery fields of waving maize,
The breeze of morning lightly plays;
Arise, my Zumia! let us rove,
The cool and fragrant citron grove!
Fair nature spreads her lavish bloom,
And bids her zephyrs waft perfume;
She breathes ambrosial odours rare;
With cassia-fragrance fills the air,
And calls thee forth her sweets to share,
My lovely maid!
We'll mark each aromatic flower,
Expanding to the radiant hour;
We'll seek the scented orange-bower,
Or tam'rind shade;

Now, ere the fervid hours of day,
Arise, my Zumia! haste away!
Hark! from yonder palmy grove,
Swells the choral song of love!
There, on every weeping spray,
Warblers tune the melting lay:
Morning's roseate hues are spreading
Balmy essence, flowers are shedding;
Nature smiles, in green array,
My Zumia rise! no more delay!

Now glitt'ring in the lucid rays,
The humming-bird his wing displays
Floats on the sun-beam and the gale,
From spicy wood, to myrtle-vale;
Flutters on light, ethereal plume,
In tints of orient beauty drest;
Steals honey from the glowing bloom,
And weaves the fairy-nest.

I'll climb each tall, aspiring tree,
To seek nectareous fruits for thee;
I'll cull the blossoms op'ning fair,
In blushing wreaths to bind thy hair:
For thee the streams in murmurs flow;
For thee the buds empurpling glow;
For thee the balmy zephyrs play;
Arise, my Zumia! haste away!

poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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Synergy of Love

'Were you honed from poetry? '
I asked your saddened smile.
For it seems to tell a longing tale -
One of words in oratory
That speaks in languid metaphors
From lips of mind in deep despair
And solitude from inner wars
That over time has rendered life so frail.

'Were you carved from doleful prose? '
I sought to ask your gaze,
For a pain lies deep within your eyes -
One of barren territory
Where no fair heart could ever drift
And hope to venture back content
With grateful memories in a gift -
A land of your affectional demise.

'Do I hear a mournful hum? '
I wondered of your cry,
For it sings a song of deep lament -
One of quiet soliloquy
Recited on deserted strands
To waves that have no sense of song
And only wish to fight the sands -
A chant that cites emotional descent.

Do you know your face portrays
The colours of your soul?
It tells me at a single glance
Of how you burned your furnace whole
To stay the fire in our romance.

And see the prismic hues they bore!
I cherished all I ever saw:
Mauve of mystic; browns of rustic;
Reddened tones to match your blush;
Marine of passion, spending out your being,
Leaving you for ashen embers, fleeing
The dying light in hush of night.
And how you lay there empty.

So let me help re-grow the flowers
Once erect in fiery showers!
For now I've seen what love can do
When torn asunder - oh my catastrophic blunder!

But we must realise -
Our flaming want is meant to be!
We are the ocean and the sea;
The earth and moon; the sturdy tree:
All that makes the 'You and Me.'
And this is why I ache.
I wish to start again with thee,
In close and gripping
Synergy of love.

Copyright Mark R Slaughter 2009

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poem by Mark R Slaughter
Submitted by Poetry Lover
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Do You Love Me

You really like my limousine
You like the way the wheels roll
You like my seven inch leather heels
And goin to all of the shows, but
Do you love me, do you love me
Do you love me, really love me
You like the credit cards and private planes
Money can really take you far
You like the hotels and fancy clothes
And the sound of electric guitars, but
Do you love me, do you love me
Do you love me, I mean like do you
Really love me
You really like rock n roll
All of the fame and the masquerade
You like the concerts and studios
And all the money, honey, that I make, but
Do you love me, do you love me
Do you love me, really love me
Your backstage pass and black sunglasses
Make you look just like a queen
Even the fans, they know your face
From all of the magazines, but
Do you love me (do you love me)
Do you love me (do you love me)
Do you love me (do you love me)
Really love me (really love me)
I wanna know
Do you love me (do you love me)
Do you love me (do you love me)
Do you love me (do you love me)
I mean like do you
Really love me (really love me)
I wanna know
Do you love me (do you love me)
Do you love me (do you love me)
Do you love me (do you love me)
I mean like do you
Really love me (really love me)
I want you to (do you love me, do you love me)
I need you to (do you love me, do you love me)
And you know Im so tired of everybody sayin it
And you know, (do you love me, do you love me)
I just gotta know if you really really really, really love me
(do you love me, do you love me)
So come on, do you love me (do you love me)
I need you to
Do you love me (do you love me) I want you to
Do you love me (do you love me) I need you
Really love me (do you love me)
I wanna know
Do you love me (do you love me) do you, do you
Do you love me (do you love me)
I just got to have some love (do you love me, do you love me)
I just got to have some love (do you love me)
I just got to have some love, love, love, love, love

song performed by by Kiss
Submitted by Lucian Velea
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A New-Year’s Burden

ALONG the grass sweet airs are blown
Our way this day in Spring.
Of all the songs that we have known
Now which one shall we sing?
Not that, my love, ah no!—
Not this, my love? why, so!—
Yet both were ours, but hours will come and go.
The grove is all a pale frail mist,
The new year sucks the sun.
Of all the kisses that we kissed
Now which shall be the one?
Not that my love, ah no!—
Not this, my love?—heigh-ho
For all the sweets that all the winds can blow!
The branches cross above our eyes,
The skies are in a net:
And what's the thing beneath the skies
We two would most forget?
Not birth, my love, no, no,—
Not death, my love, no, no,—
The love once ours, but ours long hours ago.

poem by Dante Gabriel Rossetti
Submitted by Poetry Lover
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I love you more.

I love you more than Winter snow
I love you more than early Spring
I love you more than Summer's glow
I love you more than anything

I love you more than Autumn leaves
I love you more than Birds on high
I love you more than Christmas carols
I love you more than Years gone by

I love you more than the Bluest sky
I love you more than falling Rain
I love you more with every Day
I love you more than I can Say

I love you more than Josh's looks
I love you more than reading Books
I love you more than 'Seve's swing'
I love you more than anything

18th July 2009

poem by Peter K Mullins
Submitted by Poetry Lover
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The Emigrant

FAREWELL, ah, happy shades! ah, scenes belov'd,
Of infant sports and bright unclouded hours!
Where oft in childhood's happy days I rov'd,
Thro' forest-walks, and wild secluded bow'rs!

Far from your woods, and sweet romantic glades,
A wand'ring emigrant I'm doom'd to roam,
Yet oft will memory, ling'ring in your shades,
Recal the dear, regretted charms of home!

Her magic pencil oft shall fondly trace
The mournful pictures of departed joy;
To ev'ry image give a pensive grace,
Which time may soften—but can ne'er destroy.

Ah! scenes belov'd! again delightful spring
In vernal beauty decks your smiling vales;
With balmy odour scents the zephyr's wing,
And wafts from heav'n the soft Favonian gales.

With transport once, to hail her blest return,
I tun'd my artless reed, my numbers wild,
Then all was new in life's bewitching morn,
And hope—ah, fair enchantress! gaily smil'd.

Oh! then, what airy visions of delight,
Beguil'd my youthful heart in ev'ry grove;
Deluding fancy pictur'd to my sight
The fairy-land of happiness and love!

But now, for me in vain the flow'rs expand,
And leaves unfolding, dress the woods anew;
I go, a wanderer, to some distant land,
And bid my native hills—a last adieu!

Farewell the hermit-cell, the lov'd retreat,
The cottage mantled o'er with clustering vine;
Where mild content had found a tranquil seat,
And peace and calm domestic joys were mine.

Dear, lovely scenes! how oft, at dawn of day,
My pipe has wak'd your mountain-echoes sound;
How oft at evening's hour I lov'd to stray,
Beside the river's bank, with osiers crown'd.

Ye woodland-streams, ye peaceful, happy shades,
Oft on your charms will pensive memory dwell;
Ah, native vales! ah, sweet embow'ring glades,
Scenes of my early youth!—a last farewell!

poem by Felicia Dorothea Hemans
Submitted by Poetry Lover
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Sappho to Phaon (Ovid Heroid XV)

Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.

A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!

poem by Alexander Pope
Submitted by Poetry Lover
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