
Vertumnus and Pomona : Ovid's Metamorphoses, book 14 [v. 623-771]
The fair Pomona flourish'd in his reign;
Of all the Virgins of the sylvan train,
None taught the trees a nobler race to bear,
Or more improv'd the vegetable care.
To her the shady grove, the flow'ry field,
The streams and fountains, no delights could yield;
'Twas all her joy the ripening fruits to tend,
And see the boughs with happy burthens bend.
The hook she bore instead of Cynthia's spear,
To lop the growth of the luxuriant year,
To decent form the lawless shoots to bring,
And teach th' obedient branches where to spring.
Now the cleft rind inserted graffs receives,
And yields an offspring more than nature gives;
Now sliding streams the thirsty plants renew,
And feed their fibres with reviving dew.
These cares alone her virgin breast employ,
Averse from Venus and the nuptial joy.
Her private orchards, wall'd on ev'ry side,
To lawless sylvans all access deny'd.
How oft the Satyrs and the wanton Fawns,
Who haunt the forests, or frequent the lawns,
The God whose ensign scares the birds of prey,
And old Silenus, youthful in decay,
Employ'd their wiles, and unavailing care,
To pass the fences, and surprise the fair.
Like these, Vertumnus own'd his faithful flame,
Like these, rejected by the scornful dame.
To gain her sight a thousand forms he wears,
And first a reaper from the field appears,
Sweating he walks, while loads of golden grain
O'ercharge the shoulders of the seeming swain.
Oft o'er his back a crooked scythe is laid,
And wreathes of hay his sun-burnt temples shade:
Oft in his harden'd hand a goad he bears,
Like one who late unyok'd the sweating steers.
Sometimes his pruning-hook corrects the vines,
And the loose stragglers to their ranks confines.
Now gath'ring what the bounteous year allows,
He pulls ripe apples from the bending boughs.
A soldier now, he with his sword appears;
A fisher next, his trembling angle bears;
Each shape he varies, and each art he tries,
On her bright charms to feast his longing eyes.
A female form at last Vertumnus wears,
With all the marks of rev'rend age appears,
His temples thinly spread with silver hairs;
Propp'd on his staff, and stooping as he goes,
A painted mitre shades his furrow'd brows.
The God in this decrepit form array'd,
The gardens enter'd, and the fruit survey'd,
And 'Happy you!' (he thus address'd the maid)
'Whose charms as far all other nymphs out-shine,
'As other gardens are excell'd by thine!'
Then kiss'd the fair; (his kisses warmer grow
Than such as women on their sex bestow.)
Then plac'd beside her on the flow'ry ground,
Beheld the trees with autumn's bounty crown'd.
An Elm was near, to whose embraces led,
The curling vine her swelling clusters spread:
He view'd her twining branches with delight,
And prais'd the beauty of the pleasing sight.
'Yet this tall elm, but for his vine' (he said)
'Had stood neglected, and a barren shade;
And this fair vine, but that her arms surround
Her marry'd elm, had crept along the ground.
Ah beauteous maid, let this example move
Your mind, averse from all the joys of love.
Deign to be lov'd, and ev'ry heart subdue!
What nymph could e'er attract such crowds as you?
Not she whose beauty urg'd the Centaurs' arms,
Ulysses' Queen, nor Helen's fatal charms.
Ev'n now, when silent scorn is all they gain,
A thousand court you, tho' they court in vain,
A thousand sylvans, demigods, and gods,
That haunt our mountains and our Alban woods.
But if you'll prosper, mark what I advise,
Whom age, and long experience render wise,
And one whose tender care is far above
All that these lovers ever felt of love,
(Far more than e'er can by yourself be guess'd)
Fix on Vertumnus, and reject the rest.
For his firm faith I dare engage my own;
Scarce to himself, himself is better known.
To distant lands Vertumnus never roves;
Like you contented with his native groves;
Nor at first sight, like most, admires the fair;
For you he lives; and you alone shall share
His last affection, as his early care.
Besides, he's lovely far above the rest,
With youth immortal, and with beauty blest.
Add, that he varies ev'ry shape with ease,
And tries all forms that may Pomona please.
But what should most excite a mutual flame,
Your rural cares, and pleasures are the same:
To him your orchard's early fruits are due,
(A pleasing off'ring when 'tis made by you)
He values these; but yet (alas) complains,
That still the best and dearest gift remains.
Not the fair fruit that on yon' branches glows
With that ripe red th' autumnal sun bestows;
Nor tasteful herbs that in these gardens rise,
Which the kind soil with milky sap supplies;
You, only you, can move the God's desire:
Oh crown so constant and so pure a fire!
Let soft compassion touch your gentle mind;
Think, 'tis Vertumnus begs you to be kind!
So may no frost, when early buds appear,
Destroy the promise of the youthful year;
Nor winds, when first your florid orchard blows,
Shake the light blossoms from their blasted boughs!'
This when the various God had urg'd in vain,
He straight assum'd his native form again;
Such, and so bright an aspect now he bears,
As when thro' clouds th' emerging sun appears,
And thence exerting his refulgent ray,
Dispels the darkness, and reveals the day.
Force he prepar'd, but check'd the rash design;
For when, appearing in a form divine,
The Nymph surveys him, and beholds the grace
Of charming features, and a youthful face,
In her soft breast consenting passions move,
And the warm maid confess'd a mutual love.
poem by Alexander Pope

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The Fable of Dryope - Ovid's Metamorphoses Book 9, [v. 324-393]
She said, and for her lost Calanthis sighs,
When the fair Consort of her son replies.
'Since you a servant's ravish'd form bemoan,
And kindly sigh for sorrows not your own;
Let me (if tears and grief permit) relate
A nearer woe, a sister's stranger fate.
No Nymph of all OEchalia could compare
For beauteous form with Dryope the fair,
Her tender mother's only hope and pride,
(Myself the offspring of a second bride)
This Nymph compress'd by him who rules the day,
Whom Delphi and the Delian isle obey,
Andraemon lov'd; and, bless'd in all those charms
That pleas'd a God, succeeded to her arms.
'A lake there was, with shelving banks around,
Whose verdant summit fragrant myrtles crown'd.
These shades, unknowing of the fates, she sought,
And to the Naiads flow'ry garlands brought;
Her smiling babe (a pleasing charge) she prest
Within her arms, and nourish'd at her breast.
Not distant far, a wat'ry Lotos grows,
The spring was new, and all the verdant boughs
Adorn'd with blossoms promis'd fruits that vie
In glowing colours with the Tyrian dye:
Of these she cropp'd to please her infant son,
And I myself the same rash act had done:
But lo! I saw, (as near her side I stood)
The violated blossoms drop with blood;
Upon the tree I cast a frightful look;
The trembling tree with sudden horror shook.
Lotis the nymph (if rural tales be true)
As from Priapus' lawless lust she flew,
Forsook her form; and fixing here became
A flow'ry plant, which still preserves her name.
'This change unknown, astonish'd at the sight
My trembling sister strove to urge her flight,
And first the pardon of the nymphs implor'd,
And those offended sylvan powers ador'd:
But when she backward would have fled, she found
Her stiff'ning feet were rooted in the ground:
In vain to free her fasten'd feet she strove,
And as she struggles, only moves above;
She feels th' encroaching bark around her grow
By quick degrees, and cover all below:
Surpris'd at this, her trembling hand she heaves
To rend her hair, the shooting leaves are seen
To rise, and shade her with a sudden green.
The child Amphissus, to her bosom prest,
Perceiv'd a colder and a harder breast,
And found the springs, that ne'er till then deny'd
Their milky moisture, on a sudden dry'd.
I saw, unhappy! what I now relate,
And stood the helpless witness of thy fate,
Embrac'd thy boughs, thy rising bark delay'd,
There wish'd to grow, and mingle shade with shade.
'Behold Andraemon and th' unhappy sire
Appear, and for their Dryope enquire;
A springing tree for Dryope they find,
And print warm kisses on the panting rind.
Prostrate, with tears their kindred plant bedew,
And close embrace as to the roots they grew,
The face was all that now remain'd of thee,
No more a woman, nor yet quite a tree;
Thy branches hung with humid pearls appear,
From ev'ry leaf distils a trickling tear,
And straight a voice, while yet a voice remains,
Thus thro' the trembling boughs in sighs complains.
''If to the wretched any faith be giv'n,
I swear by all th' unpitying pow'rs of heav'n,
No wilful crime this heavy vengeance bred;
In mutual innocence our lives we led:
If this be false, let these new greens decay,
Let sounding axes lop my limbs away,
And crackling flames on all my honours prey.
But from my branching arms this infant bear,
Let some kind nurse supply a mother's care:
And to his mother let him oft be led,
Sport in her shades, and in her shades be fed;
Teach him, when first his infant voice shall frame
Imperfect words, and lisp his mother's name,
To hail this tree; and say with weeping eyes,
Within this plant my hapless parent lies:
And when in youth he seeks the shady woods,
Oh, let him fly the crystal lakes and floods,
Nor touch the fatal flow'rs; but, warn'd by me,
Believe a Goddess shrin'd in ev'ry tree.
My sire, my sister, and my spouse farewell!
If in your breasts or love, or pity dwell,
Protect your plant, nor let my branches feel
The browsing cattle or the piercing steel.
Farewell! and since I cannot bend to join
My lips to yours, advance at least to mine.
My son, thy mother's parting kiss receive,
While yet thy mother has a kiss to give.
I can no more; the creeping rind invades
My closing lips, and hides my head in shades:
Remove your hands, the bark shall soon suffice
Without their aid to seal these dying eyes.'
'She ceas'd at once to speak, and ceas'd to be;
And all the nymph was lost within the tree;
Yet latent life thro' her new branches reign'd,
And long the plant a human heat retain'd.'
poem by Alexander Pope

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Spring - The First Pastoral ; or Damon
First in these fields I try the sylvan strains,
Nor blush to sport on Windsor's blissful plains:
Fair Thames, flow gently from thy sacred spring,
While on thy banks Sicilian Muses sing;
Let vernal airs tho' trembling osiers play,
And Albion's cliffs resound the rural lay.
You, that too wise for pride, too good for pow'r,
Enjoy the glory to be great no more,
And carrying with you all the world can boast,
To all the world illustriously are lost!
O let my Muse her slender reed inspire,
Till in your native shades you tune the lyre:
So when the Nightingale to rest removes,
The Thrush may chant to the forsaken groves,
But, charm'd to silence, listens while she sings,
And all th' aerial audience clap their wings.
Soon as the flocks shook off the nightly dews,
Two Swains, whom Love kept wakeful, and the Muse
Pour'd o'er the whitening vale their fleecy care,
Fresh as the morn, and as the season fair:
The dawn now blushing on the mountain's side,
Thus Daphnis spoke, and Strephon thus reply'd.
Daphnis.
Hear how the birds, on ev'ry bloomy spray,
With joyous musick wake the dawning day!
Why sit we mute when early linnets sing,
When warbling Philomel salutes the spring?
Why sit we sad when Phosphor shines so clear,
And lavish nature paints the purple Year?
Strephon.
Sing, then, and Damon shall attend the strain,
While yon' slow oxen turn the furrow'd Plain.
Here the bright crocus and blue vi'let glow;
Here western winds on breathing roses blow.
I'll stake yon' lamb, that near the fountain plays,
And from the brink his dancing shade surveys.
Daphnis.
And I this bowl, where wanton Ivy twines,
And swelling clusters bend the curling vines:
Four figures rising from the work appear,
The various seasons of the rolling year;
And what is that, which binds the radiant sky,
Where twelve fair Signs in beauteous order lie?
Damon.
Then sing by turns, by turns the Muses sing,
Now hawthorns blossom, now the daisies spring,
Now leaves the trees, and flow'rs adorn the ground,
Begin, the vales shall ev'ry note rebound.
Inspire me, Phoebus, in my Delia's praise
With Waller's strains, or Granville's moving lays!
A milk-white bull shall at your altars stand,
That threats a fight, and spurns the rising sand.
Daphnis.
O Love! for Sylvia let me gain the prize,
And make my tongue victorious as her eyes;
No lambs or sheep for victims I'll impart,
Thy victim, Love, shall be the shepherd's heart.
Strephon.
Me gentle Delia beckons from the plain,
Then hid in shades, eludes her eager swain;
But feigns a laugh, to see me search around,
And by that laugh the willing fair is found.
Daphnis.
The sprightly Sylvia trips along the green,
She runs, but hopes she does not run unseen;
While a kind glance at her pursuer flies,
How much at variance are her feet and eyes!
Strephon.
O'er golden sands let rich Pactolus flow,
And trees weep amber on the banks of Po;
Blest Thames's shores the brightest beauties yield,
Feed here my lambs, I'll seek no distant field.
Daphnis.
Celestial Venus haunts Idalia's groves;
Diana Cynthus, Ceres Hybla loves;
If Windsor-shades delight the matchless maid,
Cynthus and Hybla yield to Windsor-shade.
Strephon.
All nature mourns, the Skies relent in show'rs,
Hush'd are the birds, and clos'd the drooping flow'rs;
If Delia smile, the flow'rs begin to spring,
The skies to brighten, and the birds to sing.
Daphnis.
All nature laughs, the groves are fresh and fair,
The Sun's mild lustre warms the vital air;
If Sylvia smiles, new glories gild the shore,
And vanquish'd nature seems to charm no more.
Strephon.
In spring the fields, in autumn hills I love,
At morn the plains, at noon the shady grove,
But Delia always; absent from her sight,
Nor plains at morn, nor groves at noon delight.
Daphnis.
Sylvia's like autumn ripe, yet mild as May,
More bright than noon, yet fresh as early day;
Ev'n spring displeases, when she shines not here;
But blest with her, 'tis spring throughout the year.
Strephon.
Say, Daphnis, say, in what glad soil appears,
A wond'rous Tree that sacred Monarchs bears:
Tell me but this, and I'll disclaim the prize,
And give the conquest to thy Sylvia's eyes.
Daphnis.
Nay tell me first, in what more happy fields
The Thistle springs, to which the Lily yields:
And then a nobler prize I will resign;
For Sylvia, charming Sylvia, shall be thine.
Damon.
Cease to contend, for, Daphnis, I decree,
The bowl to Strephon, and the lamb to thee:
Blest Swains, whose Nymphs in ev'ry grace excel;
Blest Nymphs, whose Swains those graces sing so well!
Now rise, and haste to yonder woodbine bow'rs,
A soft retreat from sudden vernal show'rs,
The turf with rural dainties shall be crown'd,
While op'ning blooms diffuse their sweets around.
For see! the gath'ring flocks to shelter tend,
And from the Pleiads fruitful show'rs descend.
poem by Alexander Pope

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The Vigil Of Venus
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
The Spring, the new, the warb'ling Spring appears,
The youthful Season of reviving Years;
In Spring the Loves enkindle mutual Heats,
The feather'd Nation chuse their tuneful Mates,
The Trees grow fruitful with descending Rain
And drest in diff'ring Greens adorn the Plain.
She comes; to morrow Beauty's Empress roves
Thro' Walks that winding run within the Groves;
She twines the shooting Myrtle into Bow'rs,
And ties their meeting Tops with Wreaths of Flow'rs,
Then rais'd sublimely on her easy Throne
From Nature's pow'rful Dictates draws her own.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
'Twas on that Day which saw the teeming Flood
Swell round, impregnate with celestial Blood;
Wand'ring in Circles stood the finny Crew,
The midst was left a void Expanse of Blue,
There Parent Ocean work'd with heaving Throes,
And dropping wet the fair Dione rose.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
She paints the purple Year with vary'd show,
Tips the green Gem, and makes the Blossom glow.
She makes the turgid Buds receive the Breeze,
Expand to Leaves, and shade the naked Trees.
When gath'ring damps the misty Nights diffuse,
She sprinkles all the Morn with balmy Dews;
Bright trembling Pearls depend at ev'ry spray,
And kept from falling, seem to fall away.
A glossy Freshness hence the Rose receives,
And blushes sweet through all her silken Leaves;
(The Drops descending through the silent Night,
While Stars serenely roll their golden Light,)
Close 'till the Morn, her humid Veil she holds;
Then deckt with Virgin Pomp the Flow'r unfolds.
Soon will the Morning blush: Ye Maids! prepare,
In rosy Garlands bind your flowing Hair
'Tis Venus' Plant: The Blood fair Venus shed,
O'er the gay Beauty pour'd immortal Red;
From Love's soft Kiss a sweet Ambrosial Smell
Was taught for ever on the Leaves to dwell;
From Gemms, from Flames, from orient Rays of Light
The richest Lustre makes her Purple bright;
And she to morrow weds; the sporting Gale
Unties her Zone, she bursts the verdant Veil;
Thro' all her Sweets the rifling Lover flies,
And as he breaths, her glowing Fires arise.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
Now fair Dione to the Myrtle Grove
Sends the gay Nymphs, and sends her tender Love.
And shall they venture? is it safe to go?
While Nymphs have Hearts, and Cupid wears a Bow?
Yes safely venture, 'tis his Mother's Will;
He walks unarm'd and undesigning ill,
His Torch extinct, his Quiver useless hung,
His Arrows idle, and his Bow unstrung.
And yet, ye Nymphs, beware, his Eyes have Charms,
And Love that's naked, still is Love in Arms.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
From Venus Bow'r to Delia's Lodge repairs
A Virgin Train compleat with modest Airs:
‘Chast Delia! grant our Suit! or shun the Wood,
‘Nor stain this sacred Lawn with savage Blood.
‘Venis, O Delia! if she cou'd persuade,
‘Wou'd ask thy Presence, might she ask a Maid.
Here chearful Quires for three auspicious Nights
With Songs prolong the pleasurable Rites:
Here Crouds in Measures lightly-decent rove;
Or seek by Pairs the Covert of the Grove,
Where meeting Greens for Arbours arch above,
And mingling Flowrets strow the Scenes of Love.
Here dancing Ceres shakes her golden Sheaves:
Here Bacchus revels, deckt with viny Leaves:
Here Wit's enchanting God in Lawrel crown'd
Wakes all the ravish'd Hours with silver Sound.
Ye Fields, ye Forests, own Dione's Reign,
And Delia, Huntress Delia, shun the Plain.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
Gay with the Bloom of all her opening Year,
The Queen at Hybla bids her Throne appear;
And there presides; and there the fav'rite Band
(Her smiling Graces) share the great Command.
Now beauteous Hybla! dress thy flow'ry Beds
With all the Pride the lavish Season sheds,
Now all thy Colours, all thy Fragrance yield,
And rival Enna's Aromatick Field.
To fill the Presence of the gentle Court
From ev'ry Quarter rural Nymphs resort,
From Woods, from Mountains, from their humble Vales,
From Waters curling with the wanton Gales.
Pleas'd with the joyful Train, the laughing Queen
In Circles seats them round the Bank of green;
And 'lovely Girls, (she whispers) guard your Hearts;
‘My Boy, tho' stript of Arms, abounds in Arts.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
Let tender Grass in shaded Allys spread,
Let early Flow'rs erect their painted Head.
To morrow's Glory be to morrow seen,
That Day, old Ether wedded Earth in green.
The Vernal Father bid the Spring appear,
In Clouds he coupled to produce the Year,
The Sap descending o'er her Bosom ran,
And all the various sorts of Soul began.
By Wheels unknown to Sight, by secret Veins
Distilling Life, the fruitful Goddess reigns,
Through all the lovely Realms of native Day,
Through all the circled Land, and circling Sea;
With fertil Seed she fill'd the pervious Earth,
And ever fix'd the mystick Ways of Birth.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
'Twas she the Parent, to the Latian Shore
Through various Dangers Troy's Remainder bore.
She won Lavinia for her warlike Son,
And winning her, the Latian Empire won.
She gave to Mars the Maid, whose honour'd Womb
Swell'd with the Founder of immortal Rome.
Decoy'd by Shows the Sabin Dames she led,
And taught our vig'rous Youth the Means to wed.
Hence sprung the Romans, hence the Race divine
Thro' which great Cæsar draws his Julian Line.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
In rural Seats the Soul of Pleasure reigns;
The Life of Beauty fills the rural Scenes;
Ev'n Love (if Fame the Truth of Love declare)
Drew first the breathings of a rural Air.
Some pleasing Meadow pregnant Beauty prest,
She laid her Infant on its flow'ry Breast,
From Nature's Sweets he sipp'd the fragrant Dew,
He smil'd, he kiss'd them, and by kissing grew.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
Now Bulls o'er Stalks of Broom extend their Sides,
Secure of Favours from their lowing Brides.
Now stately Rams their fleecy Consorts lead,
Who bleating follow thro' the wand'ring Shade.
And now the Goddess bids the Birds appear,
Raise all their Musick, and salute the Year:
Then deep the Swan begins, and deep the Song
Runs o'er the Water where he sails along;
While Philomela tunes a treble Strain,
And from the Poplar charms the list'ning Plain.
We fancy Love exprest at ev'ry Note,
It melts, it warbles, in her liquid Throat.
Of barb'rous Tereus she complains no more,
But sings for Pleasure as for Grief before.
And still her Graces rise, her Airs extend,
And all is Silence 'till the Syren end.
How long in coming is my lovely Spring?
And when shall I, and when the Swallow sing?
Sweet Philomela cease,—Or here I sit,
And silent lose my rapt'rous Hour of Wit:
'Tis gone, the Fit retires, the Flames decay,
My tuneful Phœbus flies averse away.
His own Amycle thus, as Stories run,
But once was silent, and that once undone.
Let those love now, who never lov'd before,
Let those who always lov'd, now love the more.
poem by Thomas Parnell

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Nancy of the Vale
The western sky was purpled o'er
With every pleasing ray;
And flocks reviving felt no more
The sultry heats of day;
When from an hazel's artless bower
Soft warbled Strephon's tongue;
He blest the scene, he blest the hour,
While Nancy's praise he sung.
'Let fops with fickle falsehood range
The paths of wanton love,
While weeping maids lament their change,
And sadden every grove:
'But endless blessings crown the day
I saw fair Esham's dale!
And every blessing find its way
To Nancy of the Vale.
''Twas from Avona's banks the maid
Diffused her lovely beams,
And every shining glance display'd
The Naiad of the streams.
'Soft as the wild-duck's tender young,
That float on Avon's tide;
Bright as the water-lily, sprung,
And glittering near its side
'Fresh as the bordering flowers her bloom,
Her eye all mild to view;
The little halcyon's azure plume
Was never half so blue.
'Her shape was like the reed so sleek,
So taper, strait, and fair;
Her dimpled smile, her blushing cheek,
How charming sweet they were!
'Far in the winding vale retired,
This peerless bud I found,
And shadowing rocks and woods conspired
To fence her beauties round.
'That Nature in so lone a dell
Should form a nymph so sweet!
Or Fortune to her secret cell
Conduct my wandering feet!
'Gay lordlings sought her for their bride,
But she would ne'er incline:
'Prove to your equals true,' she cried,
'As I will prove to mine.
''Tis Strephon, on the mountain's brow,
Has won my right good will;
To him I gave my plighted vow,
With him I'll climb the hill.'
'Struck with her charms and gentle truth,
I clasp'd the constant fair;
To her alone I gave my youth,
And vow my future care.
'And when this vow shall faithless prove,
Or I those charms forego;
The stream that saw our tender love,
That stream shall cease to flow.'
poem by William Shenstone

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To the Fair Clarinda
Fair lovely Maid, or if that Title be
Too weak, too Feminine for Nobler thee,
Permit a Name that more Approaches Truth:
And let me call thee, Lovely Charming Youth.
This last will justifie my soft complaint,
While that may serve to lessen my constraint;
And without Blushes I the Youth persue,
When so much beauteous Woman is in view.
Against thy Charms we struggle but in vain
With thy deluding Form thou giv'st us pain,
While the bright Nymph betrays us to the Swain.
In pity to our Sex sure thou wer't sent,
That we might Love, and yet be Innocent:
For sure no Crime with thee we can commit;
Or if we shou'd - thy Form excuses it.
For who, that gathers fairest Flowers believes
A Snake lies hid beneath the Fragrant Leaves.
Though beauteous Wonder of a different kind,
Soft Cloris with the dear Alexis join'd;
When e'er the Manly part of thee, wou'd plead
Though tempts us with the Image of the Maid,
While we the noblest Passions do extend
The Love to Hermes, Aphrodite the Friend.v
poem by Aphra Behn

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The Fan : A Poem. Book III.
Thus Mommus spoke. When sage Minerva rose,
From her sweet lips smooth elocution flows,
Her skilful hand an ivory pallet grac'd,
Where shining colours were in order plac'd.
As gods are bless'd with a superior skill,
And, swift as mortal thought, perform their will,
Straight she proposes, by her art divine,
To bid the paint express her great design.
The assembled powers consent. She now began,
And her creating pencil stain'd the fan.
O'er the fair field, trees spread, and rivers flow,
Towers rear their heads, and distant mountains grow;
Life seems to move within the glowing veins,
And in each face some lively passion reigns.
Thus have I seen woods, hills, and dales appear,
Flocks graze the plains, birds wing the silent air
In darken'd rooms, where light can only pass
Through the small circle of a convex glass;
On the white sheet the moving figures rise,
The forest waves, clouds float along the skies.
She various fables on the piece design'd,
That spoke the follies of the female kind.
The fate of pride in Niobe she drew;
Be wise, ye nymphs, that scornful vice subdue,
In a wide plain the imperious mother stood,
Whose distant bounds rose in a winding wood;
Upon her shoulders flows her mantling hair,
Pride marks her brow, and elevates her air:
A purple robe behind her sweeps the ground,
Whose spacious border golden flowers surround;
She made Latona's altars cease to flam,
And of due honours robb'd her sacred name,
To her own charms she bade fresh incense rise,
And adoration own her brighter eyes.
Seven daughters from her fruitful loins were born,
Seven graceful sons her nuptial bed adorn,
Who, from a mother's arrogant disdain,
Were by Latona's double offspring slain.
Here Phoebus his unerring arrow drew,
And from his rising steed her first-born threw,
His opening fingers drop the slacken'd rein,
And the pale corse falls headlong to the plain.
Beneath her pencil here two wrestlers bend,
See, to the grasp their swelling nerves distend,
Diana's arrow joins them face to face,
And death unites them in a strict embrace.
Another her flies trembling o'er the plain;
When heaven pursues we shun the stroke in vain.
This lifts his supplicating hands and eyes,
And midst his humble adoration dies.
As from his thigh this tears the barbed dart,
A surer weapon strikes this throbbing heart
While that to raise his wounded brother tries,
Death blasts his bloom, and locks his frozen eyes
The tender sisters bath'd in grief appear,
With sable garments and dishevell'd hair,
And o'er their grasping brothers weeping stood;
Some with their tresses stopp'd the gushing blood,
They strive to stay the fleeting life too late,
And in the pious action share their fate.
Now the proud dame o'ercome by trembling fear,
With her wide robe protects her only care;
To save her only care in vain she tries,
Close at her feet the latest victim dies.
Down her fair cheek the trickling sorrow flows,
Like dewy spangles on the blushing rose,
Fix'd in astonishment she weeping stood,
The plain all purple with her children's blood;
She stiffens with her woes: no more her hair
In easy ringlets wantons the air;
Motion forsakes her eyes, her veins are dried,
And beat not longer with the sanguine tide;
All life is fled, firm marble now she grows,
Which still in tears the mother's anguish shows.
Ye haughty fair, your painted fans display,
And the just fate of lofty pride survey;
Though lovers oft extol your beauty's pow'r,
And in celestial similies adore,
Though from your features Cupid borrows arms,
And goddesses confess inferior charms,
Do not, vain maid, the flattering tale believe,
Alike thy lovers and thy glass deceive.
Here lively colours Procris' passion tell,
Who to her jealous fears a victim fell.
Here kneels the trembling hunter o'er his wife,
Who rolls her sick'ning eyes, and gasps for life;
Her drooping head upon her shoulder lies,
And purple gore her snowy bosom dies.
What guilt, what horror on his face appears!
See, his red eye-lids seem to swell with tears,
With agony his wringing hands he stains,
And strong convulsions stretch his branching veins.
Learn hence, ye wives; bid vain suspicion cease,
Lose not in sulien discontent your peace.
For when fierce love to jealousy ferments,
A thousand doubts and fears the soul invents,
No more the days in pleasing converse flow,
And nights no more their soft endearments know.
There on the piece the Volscian Queen expir'd,
The love of spoils her female bosom fir'd;
Gay Chloreus' arms attract her longing eyes,
And for the painted plume and helm she sighs;
Fearless she follows, bent on gaudy prey,
Till an ill-fated dart obstructs her way;
Down drops the martial maid; the bloody ground,
Floats with a torrent from the purple wound.
The mournful nymphs her drooping head sustain,
And try to stop the gushing life in vain.
Thus the raw maid some tawdry coat surveys,
Where the fop's fancy in embroidery plays;
His snowy feather edg'd with crimson dies,
And his bright sword-knot lure her wandering eyes;
Fring'd gloves and gold brocade conspire to move,
Till the nymph falls a sacrifice to love.
Here young Narcissus o'er the fountains stood,
And view'd his image in the crystal flood;
The crystal flood reflects his lovely charms,
And the pleas'd image strives to meet his arms.
No nymph his unexperienc'd breast subdu'd,
Echo in vain the flying boy pursu'd,
Himself alone the foolish youth admires,
And with fond look the smiling shade desires:
O'er the smooth lake with fruitless tears he grieves,
His spreading fingers shoot in verdant leaves,
Through his pale veins green sap now gently flows,
And in a short-liv'd flower his beauty blows.
Let vain Narcissus warn each female breast,
That beauty's but a transient good at best.
Like flowers it withers with the advancing year,
And age, like winter, robs the blooming fair.
Oh Araminta, cease thy wonted pride,
Nor longer in thy faithless charms confide;
Even while the glass reflects thy sparkling eyes,
Their lustre and thy rosy colour flies!
Thus on the fan the breathing figures shine,
And all the powers applaud the wise design.
The Cyprian Queen the painted gift receives,
And with a grateful bow the synod leaves.
To the low world she bends her steepy way,
Where Strephon pass'd the solitary day;
She found him in a melancholy grove,
His down-cast eyes betray'd desponding love,
The wounded bark confess'd his slighted flame,
And every tree bore false Corinna's name;
In a cool shade he lay with folded arms,
Curses his fortune, and upbraids her charms,
When Venus to his wondering eyes appears,
And with these words relieves his amorous cares.
Rise, happy youth, this bright machine survey
Whose rattling sticks my busy fingers sway,
This present shall thy cruel charmer move,
And in her fickle bosom kindle love.
The fan shall flutter in all female hands,
And various fashions learn from various lands.
For this, shall elephants their ivory shed;
And polish'd sticks the waving engine spread:
His clouded mail the tortoise shall resign,
And round the rivet pearly circles shine.
On this shall Indians all their art employ,
And with bright colours stain the gaudy toy;
Their paint shall here in wildest fancies flow,
Their dress, their customs, their religion show
So shall the British fair their minds improve,
And on the fan to distant climates rove.
Here China's ladies shall their pride display,
And silver figures gild their loose array;
This boasts her little feet in winking eyes;
That tunes the fife, or tinkling cymbal plies:
Here cross-legg'd nobles in rich state shall dine,
There in bright mail distorted heroes shine.
The peeping fan in modern times shall rise,
Through which, unseen, the female ogle flies;
This shall in temples the sly maid conceal,
And shelter love beneath devotion's veil.
Gay France shall make the fan her artist's care,
And with the costly trinket arm the fair.
As learned orators that touch the heart,
With various action raise their soothing art,
Both head and hand affect the listening throng,
And humour each expression of the tongue.
So shall each passion by the fan be seen,
From noisy anger to the sullen spleen.
White Venus spoke, joy shone in Strephon's eyes,
Proud of the gift, he to Corinna flies.
But Cupid (who delights in amorous ill,
Wounds hearts, and leaves them to a woman's will)
With certain aim a golden arrow drew,
Which to Leander's panting bosom flew:
Leander lov'd; and to the sprightly dame
In gentle sighs reveal'd his growing flame
Sweet smiles Corinna to his sighs returns,
And for the fop in equal passion burns.
Lo, Strephon comes! and, with a suppliant bow,
Offers the present, and renews his vow.
When she the fate of Niobe beheld,
Why has my pride against my heart rebell'd?
She sighing cried: disdain forsook her breast,
And Strephon now was thought a worthy guest.
In Procris' bosom when she saw the dart;
She justly blames her own suspicious heart,
Imputes her discontent to jealous fear,
And knows her Strephon's constancy sincere.
When on Camilla's fate her eye she turns,
No more for show and equipage she burns;
She learns Leander's passion to despise,
And looks on merit with discerning eyes.
Narcissus' change to the vain virgin shows
Who trusts her beauty, trusts the fading rose.
Youth flies apace, with youth your beauty flies,
Love then, ye virgins, e'er the blossom dies.
Thus Pallas taught her, Strephon weds the dame,
And Hymen's torch diffus'd the brightest flame.
A Poem For The Birth-Day Of The Right Honble The Lady Catharine Tufton
'Tis fit SERENA shou'd be sung.
High-born SERENA, Fair and Young,
Shou'd be of ev'ry Muse and Voice
The pleasing, and applauded Choice.
But as the Meanest of the Show
Do First in all Processions go:
So, let my Steps pursue that Swain
The humblest of th' inspired Train;
Whose well-meant Verse did just appear,
To lead on the preceding Year:
So let my Pen, the next in Fame,
Now wait on fair SERENA's Name;
The second Tribute gladly pay,
And hail this blest returning Day.
But let it not attempt to raise
Or rightly speak SERENA's Praise:
Since with more ease we might declare
How Great her Predecessors were;
How Great that more distinguish'd Peer,
To whom she owes her Being here;
In whom our Britain lets us see
What once they were, and still shou'd be;
As, when the earliest Race was drown'd,
Some Patterns, from amongst them found,
Were kept to shew succeeding Times
Their Excellence without their Crimes:
More easily we might express
What Vertues do her Mother dress;
What does her Form and Mind adorn,
Of whom th' engaging Nymph was born;
What Piety, what generous Love,
Does the enlarged Bosom move
Of Her, whose Fav'rite she appears,
Who more than as a Niece endears.
Such full Perfections obvious lie,
And strike, at first, a Poet's Eye.
Deep Lines of Honour all can hit,
Or mark out a superior Wit;
Consummate Goodness all can show,
And where such Graces shine below:
But the more tender Strokes to trace,
T' express the Promise of a Face,
When but the Dawnings of the Mind
We from the Air unripen'd find;
Which alt'ring, as new Moments rise,
The Pen or Pencil's Art defies;
When Flesh and Blood in Youth appears,
Polish'd like what our Marble wears;
Fresh as that Shade of op'ning Green,
Which first upon our Groves is seen;
Enliven'd by a harmless Fire,
And brighten'd by each gay Desire;
These nicer Touches wou'd demand
A Cowley's or a Waller's Hand,
T'explain, with undisputed Art,
What 'tis affects th'enlighten'd Heart,
When ev'ry darker Thought gives way,
Whilst blooming Beauty we survey;
To shew how All, that's soft and sweet,
Does in the fair SERENA meet;
To tell us, with a sure Presage,
The Charms of her maturer Age.
When Hothfeild shall (as heretofore {4}
From its far-sought and virtuous Store
It Families of great Renown
Did with illustrious Hymens crown)
When Hothfeild shall such Treasure know,
As fair SERENA to bestow:
Then shou'd some Muse of loftier Wing
The Triumphs of that Season sing;
Describe the Pains, the Hopes, the Fears
Of noble Youths, th'ambitious Cares
Of Fathers, the long-fram'd Design,
To add such Splendour to their Line,
Whilst all shall strive for such a Bride
So Educated, and Ally'd.
poem by Anne Kingsmill Finch

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The Emigrant
FAREWELL, ah, happy shades! ah, scenes belov'd,
Of infant sports and bright unclouded hours!
Where oft in childhood's happy days I rov'd,
Thro' forest-walks, and wild secluded bow'rs!
Far from your woods, and sweet romantic glades,
A wand'ring emigrant I'm doom'd to roam,
Yet oft will memory, ling'ring in your shades,
Recal the dear, regretted charms of home!
Her magic pencil oft shall fondly trace
The mournful pictures of departed joy;
To ev'ry image give a pensive grace,
Which time may soften—but can ne'er destroy.
Ah! scenes belov'd! again delightful spring
In vernal beauty decks your smiling vales;
With balmy odour scents the zephyr's wing,
And wafts from heav'n the soft Favonian gales.
With transport once, to hail her blest return,
I tun'd my artless reed, my numbers wild,
Then all was new in life's bewitching morn,
And hope—ah, fair enchantress! gaily smil'd.
Oh! then, what airy visions of delight,
Beguil'd my youthful heart in ev'ry grove;
Deluding fancy pictur'd to my sight
The fairy-land of happiness and love!
But now, for me in vain the flow'rs expand,
And leaves unfolding, dress the woods anew;
I go, a wanderer, to some distant land,
And bid my native hills—a last adieu!
Farewell the hermit-cell, the lov'd retreat,
The cottage mantled o'er with clustering vine;
Where mild content had found a tranquil seat,
And peace and calm domestic joys were mine.
Dear, lovely scenes! how oft, at dawn of day,
My pipe has wak'd your mountain-echoes sound;
How oft at evening's hour I lov'd to stray,
Beside the river's bank, with osiers crown'd.
Ye woodland-streams, ye peaceful, happy shades,
Oft on your charms will pensive memory dwell;
Ah, native vales! ah, sweet embow'ring glades,
Scenes of my early youth!—a last farewell!
poem by Felicia Dorothea Hemans

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The Garden
How vainly men themselves amaze
To win the Palm, the Oke, or Bayes;
And their uncessant Labours see
Crown'd from some single Herb or Tree,
Whose short and narrow verged Shade
Does prudently their Toyles upbraid;
While all Flow'rs and all Trees do close
To weave the Garlands of repose.
Fair quiet, have I found thee here,
And Innocence thy Sister dear!
Mistaken long, I sought you then
In busie Companies of Men.
Your sacred Plants, if here below,
Only among the Plants will grow.
Society is all but rude,
To this delicious Solitude.
No white nor red was ever seen
So am'rous as this lovely green.
Fond Lovers, cruel as their Flame,
Cut in these Trees their Mistress name.
Little, Alas, they know, or heed,
How far these Beauties Hers exceed!
Fair Trees! where s'eer you barkes I wound,
No Name shall but your own be found.
When we have run our Passions heat,
Love hither makes his best retreat.
The Gods, that mortal Beauty chase,
The Gods, that mortal Beauty chase,
Apollo hunted Daphne so,
Only that She might Laurel grow.
And Pan did after Syrinx speed,
Not as a Nymph, but for a Reed.
What wond'rous Life in this I lead!
Ripe Apples drop about my head;
The Luscious Clusters of the Vine
Upon my Mouth do crush their Wine;
The Nectaren, and curious Peach,
Into my hands themselves do reach;
Stumbling on Melons, as I pass,
Insnar'd with Flow'rs, I fall on Grass.
Mean while the Mind, from pleasure less,
Withdraws into its happiness:
The Mind, that Ocean where each kind
Does streight its own resemblance find;
Yet it creates, transcending these,
Far other Worlds, and other Seas;
Annihilating all that's made
To a green Thought in a green Shade.
Here at the Fountains sliding foot,
Or at some Fruit-tress mossy root,
Casting the Bodies Vest aside,
My Soul into the boughs does glide:
There like a Bird it sits, and sings,
Then whets, and combs its silver Wings;
And, till prepar'd for longer flight,
Waves in its Plumes the various Light.
Such was that happy Garden-state,
While Man there walk'd without a Mate:
After a Place so pure, and sweet,
What other Help could yet be meet!
But 'twas beyond a Mortal's share
To wander solitary there:
Two Paradises 'twere in one
To live in Paradise alone.
How well the skilful Gardner drew
Of flow'rs and herbes this Dial new;
Where from above the milder Sun
Does through a fragrant Zodiack run;
And, as it works, th' industrious Bee
Computes its time as well as we.
How could such sweet and wholsome Hours
Be reckon'd but with herbs and flow'rs!
poem by Andrew Marvell

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The Attribute of Venus
Yes; Fulvia is like Venus fair,
Has all her bloom, and shape, and air;
But still, to perfect every grace,
She wants-the smile upon her face.
The crown majestic Juno wore;
And Cynthia's brow the crescent bore;
An helmet mark'd Minerva's mien;
But smiles distinguish'd Beauty's queen.
Her train was form'd of Smiles and Loves;
Her chariot drawn by gentlest doves;
And from her zone, the nymph may find
'Tis Beauty's province to be kind.
Then smile, my Fair! and all, whose aim
Aspires to paint the Cyprian dame,
Or bid her breathe in living stone,
Shall take their forms from you alone.
poem by William Shenstone

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Sappho to Phaon (Ovid Heroid XV)
Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.
A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!
poem by Alexander Pope

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To a Young Lady, on Her Birthday
This tributary verse receive, my fair,
Warm with an ardent lover's fondest prayer,
May this returning day for ever find
Thy form more lovely, more adorn'd thy mind;
All pains, all cares, may favouring heaven remove,
All but the sweet solicitudes of love!
May powerful nature join with grateful art,
To point each glance, and force it to the heart!
O then! when conquer'd crowds confess thy sway,
When even proud wealth and prouder wit obey,
My fair, be mindful of the mighty trust,
Alas! 'tis hard for beauty to be just.
Those sovereign charms with strictest care employ;
Nor give the generous pain, the worthless joy;
With his own form acquaint the forward fool,
Shown in the mimic glass of ridicule:
Teach mimic censure her own faults to find,
No more let coquettes to themselves be blind,
So shall Belinda's charms improve mankind.
poem by Samuel Johnson

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From The First Act Of The Aminta Of Tasso
Daphne's Answer to Sylvia, declaring she
should esteem all as Enemies,
who should talk to her of LOVE.
THEN, to the snowy Ewe, in thy esteem,
The Father of the Flock a Foe must seem,
The faithful Turtles to their yielding Mates.
The cheerful Spring, which Love and Joy creates,
That reconciles the World by soft Desires,
And tender Thoughts in ev'ry Breast inspires,
To you a hateful Season must appear,
Whilst Love prevails, and all are Lovers here.
Observe the gentle Murmurs of that Dove,
And see, how billing she confirms her Love!
For this, the Nightingale displays her Throat,
And Love, Love, Love, is all her Ev'ning Note.
The very Tygers have their tender Hours,
And prouder Lyons bow beneath Love's Pow'rs.
Thou, prouder yet than that imperious Beast,
Alone deny'st him Shelter in thy Breast.
But why should I the Creatures only name
That Sense partake, as Owners of this Flame?
Love farther goes, nor stops his Course at these:
The Plants he moves, and gently bends the Trees.
See how those Willows mix their am'rous Boughs;
And, how that Vine clasps her supporting Spouse!
The silver Firr dotes on the stately Pine;
By Love those Elms, by Love those Beeches join.
But view that Oak; behold his rugged Side:
Yet that rough Bark the melting Flame do's hide.
All, by their trembling Leaves, in Sighs declare
And tell their Passions to the gath'ring Air.
Which, had but Love o'er Thee the least Command,
Thou, by their Motions, too might'st understand.
AMINTOR, being ask'd by THIRSIS
Who is the Object of his Love?
speaks as follows.
Amint. THIRSIS! to Thee I mean that Name to show,
Which, only yet our Groves, and Fountains know:
That, when my Death shall through the Plains be told,
Thou with the wretched Cause may'st that unfold
To every-one, who shall my Story find
Carv'd by thy Hand, in some fair Beeches rind;
Beneath whose Shade the bleeding Body lay:
That, when by chance she shall be led that way,
O'er my sad Grave the haughty Nymph may go,
And the proud Triumph of her Beauty shew
To all the Swains, to Strangers as they pass;
And yet at length she may (but Oh! alas!
I fear, too high my flatt'ring Hopes do soar)
Yet she at length may my sad Fate deplore;
May weep me Dead, may o'er my Tomb recline,
And sighing, wish were he alive and Mine!
But mark me to the End–
Thir. Go on; for well I do thy Speech attend,
Perhaps to better Ends, than yet thou know'st.
Amint. Being now a Child, or but a Youth at most,
When scarce to reach the blushing Fruit I knew,
Which on the lowest bending Branches grew;
Still with the dearest, sweetest, kindest Maid
Young as myself, at childish Sports I play'd.
The Fairest, sure, of all that Lovely Kind,
Who spread their golden Tresses to the Wind;
Cydippe's Daughter, and Montano's Heir,
Whose Flocks and Herds so num'rous do appear;
The beauteous Sylvia; She, 'tis She I love,
Warmth of all Hearts, and Pride of ev'ry Grove.
With Her I liv'd, no Turtles e'er so fond.
Our Houses met, but more our Souls were join'd.
Together Nets for Fish, and Fowl we laid;
Together through the spacious Forest stray'd;
Pursu'd with equal Speed the flying Deer,
And of the Spoils there no Divisions were.
But whilst I from the Beasts their Freedom won,
Alas! I know not how, my Own was gone.
By unperceiv'd Degrees the Fire encreas'd,
Which fill'd, at last, each corner of my Breast;
As from a Root, tho' scarce discern'd so small,
A Plant may rise, that grows amazing tall.
From Sylvia's Presence now I could not move,
And from her Eyes took in full Draughts of Love,
Which sweetly thro' my ravish'd Mind distill'd;
Yet in the end such Bitterness wou'd yield,
That oft I sigh'd, ere yet I knew the cause,
And was a Lover, ere I dream'd I was.
But Oh! at last, too well my State I knew;
And now, will shew thee how this Passion grew.
Then listen, while the pleasing Tale I tell.
THIRSIS persuades AMINTOR not to despair upon the
redictions of Mopsus discov'ring him to be an Impostor.
Thirsis. Why dost thou still give way to such Despair!
Amintor. Too just, alas! the weighty Causes are.
Mopsus, wise Mopsus, who in Art excels,
And of all Plants the secret Vertue tells,
Knows, with what healing Gifts our Springs abound,
And of each Bird explains the mystick Sound;
'Twas He, ev'n He! my wretched Fate foretold.
Thir. Dost thou this Speech then of that Mopsus hold,
Who, whilst his Smiles attract the easy View,
Drops flatt'ring Words, soft as the falling Dew;
Whose outward Form all friendly still appears,
Tho' Fraud and Daggers in his Thoughts he wears,
And the unwary Labours to surprize
With Looks affected, and with riddling Lyes.
If He it is, that bids thy Love despair,
I hope the happier End of all thy Care.
So far from Truth his vain Predictions fall.
Amint. If ought thou know'st, that may my Hopes recall,
Conceal it not; for great I've heard his Fame,
And fear'd his Words–
Thir. –When hither first I came,
And in these Shades the false Imposter met,
Like Thee I priz'd, and thought his Judgment great;
On all his study'd Speeches still rely'd,
Nor fear'd to err, whilst led by such a Guide:
When on a Day, that Bus'ness and Delight
My Steps did to the Neighb'ring Town invite,
Which stands upon that rising Mountain's side,
And from our Plains this River do's divide,
He check'd me thus–Be warn'd in time, My Son,
And that new World of painted Mischiefs shun,
Whose gay Inhabitants thou shalt behold
Plum'd like our Birds, and sparkling all in Gold;
Courtiers, that will thy rustick Garb despise,
And mock thy Plainness with disdainful Eyes.
But above all, that Structure see thou fly,
Where hoarded Vanities and Witchcrafts lie;
To shun that Path be thy peculiar Care.
I ask, what of that Place the Dangers are:
To which he soon replies, there shalt thou meet
Of soft Enchantresses th' Enchantments sweet,
Who subt'ly will thy solid Sense bereave,
And a false Gloss to ev'ry Object give.
Brass to thy Sight as polish'd Gold shall seem,
And Glass thou as the Diamond shalt esteem.
Huge Heaps of Silver to thee shall appear,
Which if approach'd, will prove but shining Air.
The very Walls by Magick Art are wrought,
And Repitition to all Speakers taught:
Not such, as from our Ecchoes we obtain,
Which only our last Words return again;
But Speech for Speech entirely there they give,
And often add, beyond what they receive.
There downy Couches to false Rest invite,
The Lawn is charm'd, that faintly bars the Light.
No gilded Seat, no iv'ry Board is there,
But what thou may'st for some Delusion fear:
Whilst, farther to abuse thy wond'ring Eyes,
Strange antick Shapes before them shall arise;
Fantastick Fiends, that will about thee flock,
And all they see, with Imitation mock.
Nor are these Ills the worst. Thyself may'st be
Transform'd into a Flame, a Stream, a Tree;
A Tear, congeal'd by Art, thou may'st remain,
'Till by a burning Sigh dissolv'd again.
Thus spake the Wretch; but cou'd not shake my Mind.
My way I take, and soon the City find,
Where above all that lofty Fabrick stands,
Which, with one View, the Town and Plains commands.
Here was I stopt, for who cou'd quit the Ground,
That heard such Musick from those Roofs resound!
Musick! beyond th' enticing Syrene's Note;
Musick! beyond the Swan's expiring Throat;
Beyond the softest Voice, that charms the Grove,
And equal'd only by the Spheres above.
My Ear I thought too narrow for the Art,
Nor fast enough convey'd it to my Heart:
When in the Entrance of the Gate I saw
A Man Majestick, and commanding Awe;
Yet temper'd with a Carriage, so refin'd
That undetermin'd was my doubtful Mind,
Whether for Love, or War, that Form was most design'd.
With such a Brow, as did at once declare
A gentle Nature, and a Wit severe;
To view that Palace me he ask'd to go,
Tho' Royal He, and I Obscure and Low.
But the Delights my Senses there did meet,
No rural Tongue, no Swain can e'er repeat.
Celestial Goddesses, or Nymphs as Fair,
In unveil'd Beauties, to all Eyes appear
Sprinkl'd with Gold, as glorious to the View,
As young Aurora, deck'd with pearly Dew;
Bright Rays dispensing, as along they pass'd,
And with new Light the shining Palace grac'd.
Phoebus was there by all the Muses met,
And at his Feet was our Elpino set.
Ev'n humble Me their Harmony inspir'd,
My Breast expanded, and my Spirits fir'd.
Rude Past'ral now, no longer I rehearse,
But Heroes crown with my exalted Verse.
Of Arms I sung, of bold advent'rous Wars;
And tho' brought back by my too envious Stars,
Yet kept my Voice and Reed those lofty Strains,
And sent loud Musick through the wond'ring Plains:
Which Mopsus hearing, secretly malign'd,
And now to ruin Both at once design'd.
Which by his Sorceries he soon brought to pass;
And suddenly so clogg'd, and hoarse I was,
That all our Shepherds, at the Change amaz'd,
Believ'd, I on some Ev'ning-Wolf had gaz'd:
When He it was, my luckless Path had crost,
By whose dire Look, my Skill awhile was lost.
This have I told, to raise thy Hopes again,
And render, by distrust, his Malice vain.
From the AMINTA of TASSO.
THO' we, of small Proportion see
And slight the armed Golden Bee;
Yet if her Sting behind she leaves,
No Ease th' envenom'd Flesh receives.
Love, less to Sight than is this Fly,
In a soft Curl conceal'd can lie;
Under an Eyelid's lovely Shade,
Can form a dreadful Ambuscade;
Can the most subtil Sight beguile
Hid in the Dimples of a Smile.
But if from thence a Dart he throw,
How sure, how mortal is the Blow!
How helpless all the Pow'r of Art
To bind, or to restore the Heart!
From the AMINTA of TASSO.
Part of the Description of the Golden Age.
THEN, by some Fountains flow'ry side
The Loves unarm'd, did still abide.
Then, the loos'd Quiver careless hung,
The Torch extinct, the Bow unstrung.
Then, by the Nymphs no Charms were worn,
But such as with the Nymphs were born.
The Shepherd cou'd not, then, complain,
Nor told his am'rous Tale in vain.
No Veil the Beauteous Face did hide,
Nor harmless Freedom was deny'd.
Then, Innocence and Virtue reign'd
Pure, unaffected, unconstrain'd.
Love was their Pleasure, and their Praise,
The soft Employment of their Days.
poem by Anne Kingsmill Finch

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Elegy XVI. He Suggests the Advantage of Birth To a Person of Merit
When genius, graced with lineal splendour, glows,
When title shines, with ambient virtues crown'd,
Like some fair almond's flowery pomp it shows,
The pride, the perfume, of the regions round.
Then learn, ye Fair! to soften splendour's ray;
Endure the swain, the youth of low degree;
Let meekness join'd its temperate beam display;
'Tis the mild verdure that endears the tree.
Pity the sandall'd swain, the shepherd's boy;
He sighs to brighten a neglected name;
Foe to the dull applause of vulgar joy,
He mourns his lot; he wishes, merits fame.
In vain to groves and pathless vales we fly;
Ambition there the bowery haunt invades;
Fame's awful rays fatigue the courtier's eye,
But gleam still lovely through the chequer'd shades.
Vainly, to guard from Love's unequal chain,
Has Fortune rear'd us in the rural grove;
Should --'s eyes illume the desert plain,
Even I may wonder, and even I must love.
Not unregarded sighs the lowly hind;
Though you contemn, the gods respect his vow;
Vindictive rage awaits the scornful mind,
And vengeance, too severe! the gods allow.
On Sarum's plain I met a wandering fair;
The look of sorrow, lovely still, she bore;
Loose flow'd the soft redundance of her hair,
And on her brow a flowery wreath she wore.
Oft stooping as she stray'd, she cull'd the pride
Of every plain; she pillaged every grove!
The fading chaplet daily she supplied,
And still her hand some various garland wove.
Erroneous Fancy shaped her wild attire:
From Bethlem's walls the poor lymphatic stray'd;
Seem'd with her air, her accent, to conspire,
When, as wild Fancy taught her, thus she said:
'Hear me, dear Youth! oh, bear an hapless maid,
Sprung from the scepter'd line of ancient kings!
Scorn'd by the world, I ask thy tender aid;
Thy gentle voice shall whisper kinder things.
'The world is frantic-fly the race profane-.
Nor I, nor you, shall its compassion move:
Come, friendly let us wander and complain;
And tell me, Shepherd! hast thou seen my love?
'My love is young-but other loves are young;
And other loves are fair, and so is mine;
An air divine discloses whence he sprung;
He is my love, who boasts that air divine.
'No vulgar Damon robs me of my rest;
Ianthe listens to no vulgar vow;
A prince, from gods descended, fires her breast;
A brilliant crown distinguishes his brow.
'What! shall I stain the glories of my race,
More clear, more lovely bright, than Hesper's beam?
The porcelain pure with vulgar dirt debase?
Or mix with puddle the pellucid stream?
'See through these veins the sapphire current shine!
'Twas Jove's own nectar gave th' ethereal hue:
Can base plebeian forms contend with mine,
Display the lovely white, or match the blue?
'The painter strove to trace its azure ray;
He changed his colours, and in vain he strove:
He frown'd-I, smiling, view'd the faint essay:
Poor youth! he little knew it flow'd from Jove.
'Pitying his toil, the wondrous truth I told,
How amorous Jove trepann'd a mortal fair;
How through the race the generous current roll'd,
And mocks the poet's art and painter's care.
'Yes, from the gods, from earliest Saturn, sprung
Our sacred race, through demi-gods convey'd,
And he, allied to Phœbus, ever young,
My godlike boy! must wed their duteous maid.
'Oft, when a mortal vow profanes my ear,
My sire's dread fury murmurs through the sky;
And should I yield-his instant rage appears;
He darts th' uplifted vengeance-and I die.
'Have you not heard unwonted thunders roll?
Have you not seen more horrid lightnings glare?
'Twas then a vulgar love ensnared my soul;
'Twas then-I hardly 'scaped the fatal snare.
''Twas then a peasant pour'd his amorous vow,
All as I listen'd to his vulgar strain;-
Yet such his beauty-would my birth allow,
Dear were the youth, and blissful were the plain.
'But, oh, I faint! why wastes my vernal bloom,
In fruitless searches ever doom'd to rove?
My nightly dreams the toilsome path resume,
And I shall die-before I find my love.
'When last I slept, methought my ravish'd eye
On distant heaths his radiant form survey'd;
Though night's thick clouds encompass'd all the sky,
The gems that bound his brow dispell'd the shade.
'O how this bosom kindled at the sight!
Led by their beams I urged the pleasing chase,
Till, on a sudden, these withheld their light-
All, all things envy the sublime embrace.
'But now no more-Behind the distant grove
Wanders my destined youth, and chides my stay:
See, see! he grasps the steel-Forbear, my Love-
Ianthe comes; thy princess hastes away.'
Scornful she spoke, and, heedless of reply,
The lovely maniac bounded o'er the plain,
The piteous victim of an angry sky!
Ah me! the victim of her proud disdain.
poem by William Shenstone

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Ode To Cheerfulness
LOVELY nymph! with eye serene,
Dimpled smile and frolic mien;
Come, with airy step advancing,
Come, with blooming Hebe dancing;
O'er the meads I see thee straying—
Youth and sport around thee playing—
Gay content, thy sister fair,
Twines a garland round thy hair.
Thine the lip of roseate dye;
Thine the pleasure-sparkling eye;
Thine the cheek that softly glows,
Brighter than the blushing rose!
Guide me to thy fav'rite bow'rs,
To deck thy rural shrine with flow'rs.
In thy lowly, sylvan cell,
Peace and virtue love to dwell;
Ever let me own thy sway,
Still to thee my tribute pay.
When Zephyr waves his balmy wing,
To kiss the sweets of May;
When the soft melodies of spring
Resound from ev'ry spray;
With thee, sweet maid! I'll rove along,
And tread the morning dews;
To hear the wood-lark's early song,
To court the laughing muse.
With thee I'll rove, when summer pours
Her treasures o'er the land;
When fair Pomona sheds her stores,
With kind, luxuriant hand;—
When Autumn, bearing golden sheaves,
Delights the happy swain;
And softly paints the fading leaves,
And crowns the fertile plain.
And e'en in winter's hoary reign
I'll wake my festive lays;
Thy look shall prompt th' enliv'ning strain,
And 'brighten at the blaze!'
I court thee in the vernal hours
Of life's enchanting morn;
Thy hand shall strew my path with flow'rs
And steal away the thorn:
But when the dawn of youth is fled,
The spring of life so fair;
Ah! wilt thou then benignly shed
Thy placid beams around my head,
And steal my thoughts from care?
Yes! gentle pow'r, thy heav'nly ray
Shall cheer my morning bright;
And e'en in life's declining day,
Shall gild the dark and thorny way,
With mild, celestial light!
poem by Felicia Dorothea Hemans

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To A Young Lady
In vain, fair Maid, you ask in vain,
My pen should try th' advent'rous strain,
And following truth's unalter'd law,
Attempt your character to draw.
I own indeed, that generous mind
That weeps the woes of human kind,
That heart by friendship's charms inspired,
That soul with sprightly fancy fired,
The air of life, the vivid eye,
The flowing wit, the keen reply--
To paint these beauties as they shine,
Might ask a nobler pen than mine.
Yet what sure strokes can draw the Fair,
Who vary, like the fleeting air,
Like willows bending to the force,
Where'er the gales direct their course,
Opposed to no misfortune's power,
And changing with the changing hour.
Now gaily sporting on the plain,
They charm the grove with pleasing strain;
Anon disturb'd, they know not why,
The sad tear trembles in their eye:
Led through vain life's uncertain dance,
The dupes of whim, the slaves of chance.
From me, not famed for much goodnature,
Expect not compliment, but satire;
To draw your picture quite unable,
Instead of fact accept a Fable.
One morn, in Æsop's noisy time,
When all things talk'd, and talk'd in rhyme,
A cloud exhaled by vernal beams
Rose curling o'er the glassy streams.
The dawn her orient blushes spread,
And tinged its lucid skirts with red,
Wide waved its folds with glitt'ring dies,
And gaily streak'd the eastern skies;
Beneath, illumed with rising day,
The sea's broad mirror floating lay.
Pleased, o'er the wave it hung in air,
Survey'd its glittering glories there,
And fancied, dress'd in gorgeous show,
Itself the brightest thing below:
For clouds could raise the vaunting strain,
And not the fair alone were vain.
Yet well it knew, howe'er array'd,
That beauty, e'en in clouds, might fade,
That nothing sure its charms could boast
Above the loveliest earthly toast;
And so, like them, in early dawn
Resolved its picture should be drawn,
That when old age with length'ning day
Should brush the vivid rose away,
The world should from the portrait own
Beyond all clouds how bright it shone.
Hard by, a painter raised his stage,
Far famed, the Copley[1] of his age.
So just a form his colours drew,
Each eye the perfect semblance knew;
Yet still on every blooming face
He pour'd the pencil's flowing grace;
Each critic praised the artist rare,
Who drew so like, and yet so fair.
To him, high floating in the sky
Th' elated Cloud advanced t' apply.
The painter soon his colours brought,
The Cloud then sat, the artist wrought;
Survey'd her form, with flatt'ring strictures,
Just as when ladies sit for pictures,
Declared "whatever art can do,
My utmost skill shall try for you:
But sure those strong and golden dies
Dipp'd in the radiance of the skies,
Those folds of gay celestial dress,
No mortal colours can express.
Not spread triumphal o'er the plain,
The rainbow boasts so fair a train,
Nor e'en the morning sun so bright,
Who robes his face in heav'nly light.
To view that form of angel make,
Again Ixion would mistake,[2]
And justly deem so fair a prize,
The sovereign Mistress of the skies,"
He said, and drew a mazy line,
With crimson touch his pencils shine,
The mingling colours sweetly fade,
And justly temper light and shade.
He look'd; the swelling Cloud on high
With wider circuit spread the sky,
Stretch'd to the sun an ampler train,
And pour'd new glories on the main.
As quick, effacing every ground,
His pencil swept the canvas round,
And o'er its field, with magic art,
Call'd forth new forms in every part.
But now the sun, with rising ray,
Advanced with speed his early way;
Each colour takes a differing die,
The orange glows, the purples fly.
The artist views the alter'd sight,
And varies with the varying light;
In vain! a sudden gust arose,
New folds ascend, new shades disclose,
And sailing on with swifter pace,
The Cloud displays another face.
In vain the painter, vex'd at heart,
Tried all the wonders of his art;
In vain he begg'd, her form to grace,
One moment she would keep her place:
For, "changing thus with every gale,
Now gay with light, with gloom now pale,
Now high in air with gorgeous train,
Now settling on the darken'd main,
With looks more various than the moon;
A French coquette were drawn as soon."
He spoke; again the air was mild,
The Cloud with opening radiance smiled;
With canvas new his art he tries,
Anew he joins the glitt'ring dies;
Th' admiring Cloud with pride beheld
Her image deck the pictured field,
And colours half-complete adorn
The splendor of the painted morn.
When lo, the stormy winds arise,
Deep gloom invests the changing skies;
The sounding tempest shakes the plain,
And lifts in billowy surge the main.
The Cloud's gay dies in darkness fade,
Its folds condense in thicker shade,
And borne by rushing blasts, its form
With lowering vapour joins the storm.
poem by John Trumbull

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The Speeches of Sloth and Virtue
[Upon the Plan of Xenophen's Judgment of Hercules]
SLOTH
Hither, dear Boy, direct thy wandring Eyes,
'Tis here the lovely Vale of Pleasure lies.
Debate no more -- to me thy self resign;
Her mossy Caves, her Groves, and all are mine.
For me the Goddess opes her various Pow'r,
Springs in a Tree, or blossoms in a Flow'r:
To please my Ear she breaths celestial Strains:
To please my Eye, with Lillies strews the Plains:
To form my Couch in mossy Beds she grows:
To gratify my Smell she blooms a Rose.
Oft' in some Nymph the Deity I find,
Where in one Form the various Sweets are join'd.
Yield but to me, -- a Choir of Nymphs shall rise,
And with the blooming Sight regale thy Eyes:
Their beauteous Cheeks a fairer Rose shall wear,
A brighter Lilly in their Necks appear:
Thou on their Breasts thy wearied Head recline,
Nor at the Swan's less pleasing Nest repine:
Whilst Philomel in each soft Voice complains,
And gently lulls thee with her dying Strains:
Whilst spicy Gums round each fair Bosom glow;
And in each Accent myrrhy Odours flow.
For thee with softest Art the Dome shall rise,
And spiring Turrets glitter thro' the Skies.
For thee the Robe shall glow with purple Rays;
The Side-board sparkle, and gilt Chariot blaze.
In brilliant Mines, be other Hands employ'd,
So the gay Product be by thine enjoy'd.
For thee the Poplar shall her Amber drain:
For thee in clouded Beauty spring the Cane.
To please thy Taste shall Gallia prune the Vine:
To swell thy Treasures India sink the Mine.
For thee each Nations nicer Stores shall grow,
And ev'ry Wind some lovely Tribute blow.
Learning shall ne'er molest thy tranquil Reign,
Nor Science puzzle thy inactive Brain:
Sometimes perhaps thy Fancy take her Wing
To grace a Fan, or celebrate a Ring:
Fix various Dyes to suit each varying Mien:
Prescribe where Patches shou'd in Crouds be seen:
Or sigh soft Strains along the vocal Grove,
And tell the Charms, the sweet Effects of Love!
Or if more specious Ease thy Care shou'd claim,
And thy Breast glow with faint Desire of Fame,
Some trivial Science shall thy Thoughts amuse;
And Learning's Name a solemn Sound diffuse.
To Thee all Nature's shelly Store I'll bring,
To thee the Sparklings on the Insect's Wing.
Pleasure in infant Forms shalt thou descry;
View, in an Ant, or hear her in a Fly;
When near thy Path, as oft as Spring appears,
The sportive Goddess buzzes round thy Ears:
Now in some Pebble's curious Vein is seen,
Or on some Leaf bestows unusual Green.
Then Sleep shall wrap thee in her downy Arms,
And round thy weary'd Head diffuse her Charms;
Lest growing Pride thy peaceful Schemes o'erthrow,
And Thought succeed, -- my most destructive Foe.
The watry Nymphs shall tune the tinkling Vales,
And gentle Zephyrs harmonize their Gales:
For thy repose instruct, with Rival Joy,
Their Streams to murmur, and their Winds to sigh.
Thus shalt thou spend the sweetly-flowing Day,
Till lost in Bliss thou breath thy Soul away:
How easy a Transition should'st thou find,
Were to thy Fate Annihilation join'd!
VIRTUE.
Fly, fly, fond Youth, the too indulgent Maid,
Nor err, by such fantastick Scenes betray'd.
Tho' in my Path the prickly Thorn be seen,
And the waste Turf produce a fainter Green;
Tho' no gay Rose, or purple Product shine,
The rugged Surface still conceals the Mine;
And each unsightly Object can supply
More lasting Pleasure, more substantial Joy.
But shou'd those airy glittr'ing Toys allure,
Yet whence cou'd Sloth the mighty Boon procure?
Or whence receive, or how those Gifts bestow,
Which I alone possess -- her greatest Foe?
I from old Ocean rob the treasur'd Store,
And hidden Gems thro' ev'ry Realm explore:
'Twas I the rugged Brilliant first reveal'd,
By tenfold Strata in the Earth conceal'd:
'Tis I the shapeless Surface still refine,
And teach the rugged Brilliant how to shine.
Where blooms the Rose, where spires the shapely Tree,
Where smiles the Grape, without fair Industry?
But grant we Sloth the Scene herself has drawn,
The mossy Grotto, and the flow'ry Lawn:
Let Frankincense with ev'ry Wind exhale,
And Philomela breath in ev'ry Gale:
Let Brilliants sparkle, (dear Machines of Pride!)
And from the Poplar flow the Amber Tide:
Let gay Pomona, quitting all around,
For choicest Fruits select the hallow'd Ground;
To tread the favour'd Soil shou'd Virtue cease,
Nor mossy Grotts, nor flow'ry Lawns cou'd please:
Nor ought Pomona's luscious Gifts avail:
The Sound harmonious; or the spicy Gale.
See'st thou those Rocks in dreadful Pomp arise,
And barren Cliffs that sweep the vaulted Skies?
Those Fields whence Phoebus all their Moisture drains,
And, too profusely kind, disrobes the Plains?
When I vouchsafe to tread the lonely Soil,
Those Rocks seem lovely, and those Desarts smile;
Oft' on those pathless Wilds as I appear,
(With Converse sweet his lonely Steps to chear)
Those Cliffs the Exile has with Pleasure view'd,
And call'd that Desart, ``Blissful Solitude!
Known by its airy Height and tow'ring Spires,
Behind that Scene Fame's lofty Dome retires.
Steep the Ascent by which to Fame we rise,
Yet equal to the Labour is the Prize:
From thence you gain an earthly Crown;
From thence -- you reach the Skies.
Far, far below the downy Throne is seen
That lulls to Rest Ignavia's softer Queen:
Thence to Fame's Turrets oft' She lifts her Eyes,
Desirous still, still impotent to rise.
Oft', when resolv'd to gain those shining Tow'rs,
The pensive Queen the dire Ascent explores;
Comes onward, wafted by the gummy Trees,
Some Sylvan Musick, or some scented Breeze;
She turns her Head; her own gay Realm she spies,
And all the airy Resolution dies.
Thus still in vain these gilded Visions please
The Wretch of Glory, whilst the Slave of Ease;
Doom'd ever in ignoble State to pine,
Boast her own Scenes, and languish after mine.
poem by William Shenstone

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Winter - The Fourth Pastoral, or Daphne
Lycidas.
Thyrsis, the music of that murm'ring spring,
Is not so mournful as the strains you sing.
Nor rivers winding thro' the vales below,
So sweetly warble, or so smoothly flow.
Now sleeping flocks on their soft fleeces lie,
The moon, serene in glory, mounts the sky,
Wile silent birds forget their tuneful lays,
Oh sing of Daphne's fate, and Daphne's praise!
Thyrsis.
Behold the groves that shine with silver frost,
Their beauty wither'd, and their verdure lost.
Here shall I try the sweet Alexis' strain,
That call'd the list'ning Dryads to the plain?
Thames heard the numbers as he flow'd along,
And bade his willows learn the moving song.
Lycidas.
So may kind rains their vital moisture yield,
And swell the future harvest of the field.
Begin; this charge the dying Daphne gave,
And said; 'Ye shepherds, sing around my grave!
Sing, while beside the shaded tomb I mourn,
And with fresh bays her rural shrine adorn.'
Thyrsis.
Ye gentle Muses, leave your crystal spring,
Let Nymphs and Sylvans cypress garlands bring;
Ye weeping Loves, the stream with myrtles hide,
And break your vows, as when Adonis died;
And with your golden darts, now useless grown,
Inscribe a verse on this relenting stone:
'Let nature change, let heav'n and earth deplore,
Fair Daphne's dead, and love is now no more!'
'Tis done, and nature's various charms decay,
See gloomy clouds obscure the cheerful day!
Now hung with pearls the dropping trees appear,
Their faded honours scatter'd on her bier.
See, where on earth the flow'ry glories lie,
With her they flourish'd, and with her they die.
Ah what avail the beauties nature wore?
Fair Daphne's dead, and beauty is no more!
For her the flocks refuse their verdant food,
Nor thirsty heifers seek the gliding flood.
The silver swans her hapless fate bemoan,
In notes more sad than when they sing their own;
In hollow caves sweet Echo silent lies,
Silent, or only to her name replies;
Her name with pleasure once she taught the shore,
Now Daphne's dead, and pleasure is no more!
No grateful dews descend from ev'ning skies,
Nor morning odours from the flow'rs arise;
No rich perfumes refresh the fruitful field,
Nor fragrant herbs their native incense yield.
The balmy Zephyrs, silent since her death,
Lament the ceasing of a sweeter breath;
Th' industrious bees neglect their golden store;
Fair Daphne's dead, and sweetness is no more!
No more the mounting larks, while Daphne sings,
Shall list'ning in mid air suspend their wings;
No more the birds shall imitate her lays,
Or hush'd with wonder, hearken from the sprays;
No more the streams their murmur shall forbear,
A sweeter music than their own to hear,
But tell the reeds, and tell the vocal shore,
Fair Daphne's dead, and music is no more!
Her fate is whisper'd by the gentle breeze,
And told in sighs to all the trembling trees;
The trembling trees, in ev'ry plain and wood,
Her fate remurmur to the silver flood;
The silver flood, so lately calm, appears
Swell'd with new passion, and o'erflows with tears;
The winds and trees and floods her death deplore,
Daphne, our grief! our glory now no more!
But see! where Daphne wond'ring mounts on high
Above the clouds, above the starry sky!
Eternal beauties grace the shining scene,
Fields ever fresh, and groves for ever green!
There while you rest in Amaranthine bow'rs,
Or from those meads select unfading flow'rs,
Behold us kindly, who your name implore,
Daphne, our Goddess, and our grief no more!
Lycidas.
How all things listen, while thy Muse complains!
Such silence waits on Philomela's strains,
In some still ev'ning, when the whisp'ring breeze
Pants on the leaves, and dies upon the trees.
To thee, bright goddess, oft a lamb shall bleed,
If teeming ewes increase my fleecy breed.
While plants their shade, or flow'rs their odours give,
Thy name, thy honour, and thy praise shall live!
Thyrsis.
But see, Orion sheds unwholesome dews,
Arise, the pines a noxious shade diffuse;
Sharp Boreas blows, and Nature feels decay,
Time conquers all, and we must Time obey.
Adieu, ye vales, ye mountains, streams and groves,
Adieu, ye shepherd's rural lays and loves;
Adieu, my flocks, farewell ye sylvan crew,
Daphne, farewell, and all the world adieu!
poem by Alexander Pope

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Bacchus: Or, The Vines Of Lesbos
As Bacchus ranging at his leisure,
(Io Bacchus! king of pleasure)
Charm'd the wide world with drink and dances,
And all his thousand airy fancies;
Alas! he quite forgot the while
His fav'rite vines in Lesbos isle.
The God returning ere they died,
Ah! see my jolly Fawns, he cried,
The leaves but hardly born are red,
And the bare arms for pity spread;
The beasts afford a rich manure,
Fly, my boys, and bring the cure,
Up the mountains, down the vales;
Thro' the woods, and o'er the dales;
For this, if full the clusters grow,
Your bowls shall doubly overflow.
So chear'd, with more officious haste
They bring the dung of ev'ry beast,
The loads they wheel, the roots they bare,
They lay the rich manure with care,
While oft he calls to labour hard,
And names as oft the red reward.
The plants revive, new leaves appear,
The thick'ning clusters load the year;
The season swiftly purple grew,
The grapes hung dangling deep with blue.
A vineyard ripe a day serene
Now calls them all to work again;
The Fawns thro' ev'ry furrow shoot
To load their flaskets with the fruit;
And now the vintage early trod,
The wines invite the jovial God.
Strow the roses, raise the song,
See the master comes along!
Lusty Revel join'd with Laughter,
Whim and Frolic follow after.
The Fawns beside the vatts remain
To shew the work, and reap the gain.
All around, and all around
They sit to riot on the ground,
A vessel stands amidst the ring,
And here they laugh, and there they sing;
Or rise a jolly jolly band,
And dance about it hand in hand;
Dance about, and shout amain,
Then sit to laugh and sing again.
But, as an antient author sung,
The vine manur'd with ev'ry dung,
From ev'ry creature strangely drew,
A tang of brutal nature too;
'Twas hence in drinking on the lawns
New turns of humour seiz'd the Fawns.
Here one was crying out, by Jove!
Another, fight me in the grove;
This wounds a friend, and that the trees;
The Lion's temper reign'd in these.
Another grins and leaps about,
And keeps a merry world of rout,
And talks impertinently free;
And twenty talk the same as he:
Chatt'ring, airy, idle, kind:
These take the Monkey-turn of mind.
Here one who saw the nymphs that stood
To peep upon them from the wood,
Steals off, to try if any maid
Be lagging late beneath the shade;
While loose discourse another raises
In naked Nature's plainest phrases;
And ev'ry glass he drinks enjoys
With change of nonsense, lust and noise;
Mad and careless, hot and vain,
Such as these the Goat retain.
Another drinks and casts it up,
And drinks and wants another cup,
Solemn, silent, and sedate,
Ever long and ever late,
Full of meats and full of wine;
This takes his temper from the swine.
Here some who hardly seem to breathe,
Drink and hang the jaw beneath,
Gaping, tender, apt to weep;
Their natures alter'd by the sheep.
'Twas thus one autumn all the crew
(If what the Poets sing be true)
While Bacchus made the merry feast
Inclin'd to one or other beast;
And since 'tis said for many a mile
He spread the vines of Lesbos isle.
poem by Thomas Parnell

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The Fan : A Poem. Book II.
Olympus' gates unfold: in heaven's high towers
Appear in council all the immortal powers;
Great Jove above the rest exalted sate,
And in his mind revolv'd succeeding fate,
His awful eye with ray superior shone,
The thunder-grasping eagle guards his throne
On silver clouds the great assembly laid,
The whole creation at one view survey'd.
But see, fair Venus comes in all her state;
The wanton Loves and Graces round her wait;
With her loose robe officious Zephyrs play,
And strow with odoriferous flowers the way.
In her right hand she waves the fluttering fan,
And thus in melting sounds her speech began.
Assembled powers, who fickle mortals guide,
Who o'er the sea, the skies and earth preside,
Ye fountains whence all human blessings flow,
Who pour your bounties on the world below;
Bacchus first rais'd and prun'd the climbing vine,
And taught the grape to stream with generous wine;
Industrious Ceres tam'd the savage ground,
And pregnant fields with golden harvest crown'd;
Flora with bloomy sweets enrich'd the year,
And fruitful autumn in Pomona's care.
I first taught woman to subdue mankind,
And all her native charms with dress refin'd,
Celestian synod, this machine survey,
That shades the face, or bids cool zephyrs play;
If conscious blushes on her cheek arise,
With this she veils them from her lover's eyes;
No levell'd glance betrays her amorous heart,
From the fan's ambush she directs the dart.
The royal sceptre shines in Juno's hand,
And twisted thunder speaks great Jove's command;
On Pallas' arm the Gorgon shield appears,
And Neptune's mighty grasp the trident bears;
Ceres is with the bending suckle seen,
And the strong bow points out the Cynthian queen;
Henceforth the waving fan my hand shall grace,
The waving fan supply the sceptre's place.
Who shall, ye powers, the forming pencil hold?
What story shall the wide machine unfold?
Let Loves and Graces lead the dance around,
With myrtle wreaths and flowery chaplet's crown'd,
Let Cupid's arrows strow the smiling plains
With unresisting nymphs, and amorous swains:
May glowing picture o'er the surface shine,
To melt slow virgins with the warm design.
Diana rose; with silver crescent crown'd,
And fixt her modest eyes upon the ground;
Then with becoming mien she rais'd her head,
And thus with graceful voice the virgin said.
Has woman then forgot all former wiles,
The watchful ogle, and delusive smiles?
Does man against her charms too powerful prove,
Or are the sex grown novices in love?
Why then these arms? or why should artful eyes,
From this slight ambush, conquer by surprise?
No guilty thought the spotless virgin knows,
And o'er her cheek no conscious crimson glows;
Since blushes then from shame alone arise,
Why should we veil them from her lover's eyes?
Let Cupid rather give up his command,
And trust his arrows in a female hand.
Have not the gods already cherish'd pride,
And woman with destructive arms supply'd?
Neptune on her bestows his choicest stores,
For her the chambers of the deep explores:
The gaping shell its pearly charge resigns,
And round her neck the lucid bracelet twines:
Plutus for her bids earth its wealth unfold,
Where the warm oar is ripen'd into gold:
Or where the ruby reddens in the soil,
Where the green emerald pays the searcher's toil.
Does not the diamond sparkle in her ear,
Glow on her hand, and tremble in her hair?
From the gay nymph the glancing lustre flies,
And imitates the lightning of her eyes.
But yet it Venus' wishes must succeed,
And this fantastic engine be decreed,
May some chaste story from the pencil flow,
To speak the virgin's joy, and Hymen's wo.
Here let the wretched Ariadne stand,
Seduc'd by Theseus to some desert land.
Her locks dishevell'd waving in the wind,
The crystal tears confess her tortur'd mind;
The perjur'd youth unfurls his treacherous sails,
And their white bosoms catch the swelling gales.
Be still, ye winds, she cries, stay, Theseus, stay:
But faithless Theseus hears no more than they.
All desperate, to some craggy cliff she flies,
And spreads a well-known signal in the skies;
His less'ning vessel ploughs the foamy main,
She sighs, she calls, she waves the sign in vain.
Paint Dido there amidst her last distress,
Pale cheeks and blood-shot eyes her grief express;
Deep in her breast the reeking sword is drown'd,
And gushing blood streams purple from the wound;
Her sister Anna hovering o'er her stands,
Accuses heaven with lifted eyes and hands,
Upbraids the Trojan with repeated cries,
And mixes curses with her broken sighs.
View this, ye maids; and then each swain believe;
They're Trojans all, and vow but to deceive.
Here draw Oenone in the lonely grove,
Where Paris first betrayed her into love;
Let wither'd garlands hand on every bough,
Which the false youth wove for Oenone's brow,
The garlands lose their sweets, their pride is shed,
And like their odours all his vows are fled;
On her fair arm her pensive head she lays,
And Xanthus' waves with mournful look surveys;
That flood which witness'd his inconstant flame,
When thus he swore, and won the yielding dame:
'These streams shall sooner to their fountain move,
Than I forget my dear Oenone's love.'
Roll back, ye streams, back to your fountain run,
Paris is false, Oenone is undone.
Ah wretched maid! think how the moments flew,
Ere you the pangs of this curs'd passion knew,
When groves could please, and when you lov'd the plain,
Without the presence of your perjur'd swain.
Thus may the nymph, whene'er she spreads the fan,
In his true colours view perfidious man,
Pleas'd with her virgin state in forests rove,
And never trust the dangerous hopes of love.
The goddess ended. Merry Momus rose,
With smiles and grins he waggish glances throws,
Then with a noisy laugh forestalls his joke,
Mirth flashes from his eyes while thus he spoke.
Rather let heavenly deeds be painted there,
And by your own examples teach the fair.
Let chaste Diana on the piece be seen,
And the bright crescent own the Cythian queen:
On Latmos' top see young Endymion lies,
Feign'd sleep hath clos'd the bloomy lover's eyes,
See, to his soft embraces how she steals,
And on his lips her warm caresses seals:
No more her hand the glittering javelin holds,
But round his neck her eager arms she folds.
Why are our secrets by our blushes shown?
Virgins are virgins still - while 'tis unknown.
Here let her on some flowery bank be laid,
Where meeting beeches weave a grateful shade,
Her naked bosom wanton tresses grace,
And glowing expectation paints her face.
O'er her fair limbs a thin loose veil is spread,
Stand off, ye shepherds; fear Actaeon's head:
Let vigorous Pan the unguarded minute seize,
And in a shaggy goat the virgin please.
Why are our secrets by our blushes shown?
Virgins are virgins still - while 'tis unknown.
There with just warmth Aurora's passion trace,
Let spreading crimson stain her virgin face:
See Cephalus her wanton airs despise,
While she provokes him with desiring eyes:
To raise his passion she displays her charms,
His modest hand upon her bosom warms:
Nor looks, nor prayers, nor force his heart persuade,
But with disdain he quits the rosy maid.
Here let dissolving Leda grace the toy,
Warm her cheeks and heaving breasts reveal her joy;
Beneath the pressing swan she pants for air,
While with his fluttering wings he fans the fair.
There let all-conquering gold exert its power,
And soften Danae in a glittering shower.
Would you warn beauty not to cherish pride,
Nor vainly in the treacherous bloom confide,
On the machine the sage Minerva place,
With lineaments of wisdom mark her face;
See, where she lies near some transparent flood,
And with her pipe cheers the resounding wood:
Her image in the floating glass she spies,
Her bloated cheeks, worn lips, and shrivell'd eyes;
She breaks the guiltless pipe, and with disdain
Its shatter'd ruins flings upon the plain.
With the loud reed no more her cheek shall swell,
What, spoil her face! no: warbling strains, farewell.
Shall arts, shall sciences employ the fair?
Those trifles are beneath Minerva's care.
From Venus let her learn the married life,
And all the virtuous duties of a wife.
Here on a couch extend the Cyprian dame,
Let her eye sparkle with the growing flame
The god of war within her clinging arms,
Sinks on her lips, and kindles all her charms.
Paint limping Vulcan with a husband's care,
And let his brow the cuckold's honours wear;
Beneath the net the captive lovers place,
Their limbs entangled in a close embrace.
Let these amours adorn the new machine,
And female nature on the piece be seen;
So shall the fair, as long as fans shall last,
Learn from your bright examples to be chaste.