Related quotes: Grumble(Quatern) The Quatern is- stanzaic,...

Alankar(Decor) -103

Grumble(Quatern)

The Quatern is-
stanzaic, written in 4 quatrains.
syllabic, usually written in lines of 8 syllables.
rhymed at the poet's discretion.
Possible rhyme schemes are Axax xAxa axAx xaxA x being unrhymed
and the cap A being the refrain.
Or Aabb aAcc ddAa eeaA or any combination the poet chooses
as long as the refrain is in the proper position.
composed with a refrain that is repeated as
L1 of the first stanza
L2 of the second stanza
L3 of the third stanza
L4 of the fourth stanza

Grumble

Empty mind mine sounds only hush
Lonely bewildered in silence
I am to fill it with words lush
My musings are hunting for thoughts

Albeit heart yearns for poetry
Empty mind mine sounds only hush
I pat my brain quite brisk
So that floods of words lot in gush

Time does not seem to wait then rush
Brain is working fast-yet
Empty mind mine sounds only hush
Thought-hunt is busy running on

I don't like a random scribble
Perfect theme, proper words should push
That my poem is set right-still
Empty mind mine sounds only hush

poem by Indira Renganathan
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Related quotes

I'm no longer blind (Quatern poetry)

(A Quatern is a sixteen line French form composed of four quatrains. It is
similar to the Kyrielle and the Retourne. It has a refrain that is in a
different place in each quatrain. The first line of stanza one is the second
line of stanza two, third line of stanza three, and fouth line of stanza four.
A quatern has eight syllables per line. It does not have to be iambic or follow
a set rhyme scheme. line 1 line 2 line 3 line 4 line 5 line 6 (line 1) line 7
line 8 line 9 line 10 line 11 (line 1) line 12 line 13 line 14 line 15 line 16
(line 1)

Dear Lord, please have mercy on me,
You're always near my painful soul,
You are my focus and my goal,
In the falling rain I'm your tree.

Help me for I am a sinner.
Dear Lord, please have mercy on me.
'Cause I'm Your humble devotee,
Asking Christ to come for dinner.

Guard Thou with light this pain of mine.
I'm no longer blind I can see.
Dear Lord, please have mercy on me.
Your words through me will always shine.

Save me by Your grace, set me free.
Keep my way, truth and life in Christ.
And so I'll know that Thou exist.
Dear Lord, please have mercy on me.

poem by Marieta Maglas
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so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began

here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun

Author notes

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c

poem by Amera Andersen
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Alankar(Decor) -76

Bhaji-(Chain Verse)

Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.

2 Chain Verse can be stanzaic, most often written in any number of quatrains
but any stanza form will do, linked by repeating the last word of a stanza
as the first word of the next stanza.
The repetition of a word from one Verse or stanza to the next creates a chain-like link.
usually rhymed, linking rhyme as well as alternate rhyme.
often syllabic, alternating longer-shorter lines.
One example is alternating 8-7-8-7 syllables the other is alternating 6-5-6-5 syllables per line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----

Bhaji-(Chain Verse-6-5-6-5 syllables
With linking rhyme only)

I found a guava plant
Silent in a nook
Along my garden stroll
On a rainy day

Day was cool in showers
No wonder taste hyped
Picked some fresh guava leaves
Wishing for bhajis

Bhajis are many types
Of veggies and leaves
Can make tasty bhajis
Guava leaves too used

Used are gram and rice flours
With salt and chilli
Mixed in are leafy bits
And soda a dash

Dashing batter ready
When mixed with water
The center line Strung out
Dipped leaves get coated

Coated leaves then deep fried
Out from deep hot oil
Season's snack was ready
Why wait, munch said I

poem by Indira Renganathan
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Magic Locket

There's a wood nymph in my pocket
I keep her close to me
Around her neck a golden locket
For everyone to see
I know magic; and so does she
She stays close and watches me
I know magic
I know magic
The golden locket has a key

There's a wood nymph in my pocket
I only show a few
When the key goes in the sprocket
Just watch what it can do
I turn the key when it goes in
And then the room will start to spin
I turn the key
I turn the key
The magic starts and then I grin

There's a wood nymph in my pocket
She’ll never fly away
But she’s quick, just like a rocket
I saw her fly one day
The magic key will make me strong
I’ll rule the world, it won’t be long
The magic key
The magic key
So won’t you come and sing my song?

Author notes:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c

Meter: 8/6/8/6/8/8/4,4 refrain/8

poem by Amera Andersen
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Alankar(Decor) -79

Alankar(Decor) -58

Sail O'Soul Sail(Chain Verse)

Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.

3
Sail O'Soul Sail

Once boarded why you fear o' soul
Just be watching where sails your mind
Aspiring to horizon-goal
All set on a smooth float by wind

All set on a smooth float by wind
On gentle waves across your sea
As you sail assailed by your mind
How those desires hit your heart free

How those desires hit your heart free
As of a choice in heaven's trade
That your mind is on aiming spree
In illumed dreamings in fate's shade

In illumed dreamings in fate's shade
While your sail is mid way caught up
How your sea baits in storming grade
And shocked you struggle to catch up

And shocked you struggle to catch up
For not yours but your mind's misdeed
Helpless you are jailed in lockup
Your vessel too shattered indeed

Your vessel too shattered indeed
Such is your sea of greed and lust
Such is the fate of your sea's heed
Wind too is feeling difficult

Wind too is feeling difficult
Now that the sea somewhat calms still
Wind settles in silenced cool mute
Atlast your vessel too nihil

Atlast your vessel too nihil
And sea gone in presence of Nought
You are freed atlast to your will
To board the next the way you're caught

sea-life, wind-breath, vessel-body.

poem by Indira Renganathan
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Red Pencil

Red Pencil
R ed pencil with magic flair
E nrichment while in school
D ancing red marks are everywhere
Red pencil; teachers’ tool
Red pencil marks, to make it right
I studied hard with all my might
Red pencil marks
Red pencil marks
I passed the test to my delight

P encil red is the teachers’ tool
E dified magic wand
N ebulous to the Golden Rule
C lassroom and teacher bond
I want to teach, want to be free
L ife as a teacher, that’s for me
I want to teach
I want to teach
Some day I’ll teach, Form Poetry

Red pencil, with magic flair
I studied hard in school
I’m now a teacher; answered prayer
Red pencil is my tool
I’m a teacher, I live my dream
Teaching poetry to the extreme
I’m a teacher
I’m a teacher
And my red pencil is supreme

Author Notes:

Acrostic Trijan Refrain

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
source: shadowpoetry.com

poem by Amera Andersen
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(Better) Done Than Said

(better) done than said

the sounds between the lines
of the words i speak
reminds me of the lines
i spoke in thought and trials
and the lines
within the sounds of spoken word
touched mine heart
mine dreadlocks started skanking in joy
of the music in mine thought
but til done, i thought

next to mine were time and rhythm
for less than never it were missing
the sense to do than say
and mine legs kept me in transit
mine hands touched to pick a way
whence my eyes long seen
besides, talk were amass
done; far less
than which that caught mine
til done, i do and did
done than said

the inner mine person done me
a thought to catch mine power
and grab to proceed a synergy of our
own belief to mine self and stronger
than the sounds behind the lines
of the words i speak
but from the deep lines
of the metaphor, line by talk
with mine hands holding that thought
to keep it moving and done
long before said, as done

opn01112012/0849

poem: (better) done than said

'roots of mine tree' book no.12 of 2012
november 2012

ntema's unique poetry

poem by Onalethuso Petruss Ntema
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Alankar(Decor) -77

Here He Dwelleth(Chain Verse)

Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.

Here He Dwelleth (8-5-8-5 syllables
with linking and alternate rhymes
abab, cdcd, e.t.c)

'Woes have done intolerable
O'Lord please descend
Thee alone is responsible
This fate you to mend

Mend our lives o'divine mender
Our lives at your feet
Come o'lord ' pleaded man slender
Then spoke a voice sweet

Sweet from Nought, 'tell me o'my child
Which form you want me
Man or animal, mild or wild
Elements any? '

'Any form? ' man thought for a while
Knowing their foul tone
Chose not living beings hostile
But wished for stone

Stone, he carved hard created God
Thence forms more sculpted
Valorous with weapons to guard
Lighted life trusted

Trusted, God would sure come to bless
And that he be freed
Of slaying woes and killing stress
That way he waited

Waited lord too again asked man
From the Nought 'o' child
Tell, to what shall I hold on than
To conceal and hide'

'Hide not my Lord, here are my makes
Your choice my pleasure
Choose to be but in all my makes
Thee I shall treasure'

Treasured powers cloaked the idol
Thereon by prayers
Matins, litanies rose tidal
Joined all obeyers

Obeyers' way thus was one found
Gods and names many
Bathed with decor many profound
Bound He by any

poem by Indira Renganathan
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You ask me to leave (Pantoum poetry)

The “pantun” is a Malaysian poetic form that was introduced to the West by French novelist, essayist, and poet, Victor Hugo (1802-1885) , hence the French spelling, “pantoum.” Westerners have taken creative liberties with the Malaysian form, which tends to follow a standard rhyme form of ABAB, where multiple, rather than single subjects, are introduced. While pantoums can have unlimited stanzas, you might want to begin with a 3-stanza poem until you get the hang of it:
Stanza 1: Line 1/Line 2/Line 3/Line 4
Stanza 2: Line 5 (repeat of line 2 in stanza 1) /Line 6 (new line) /Line 7 (repeat of line 4 in stanza 1) /
Line 8 (new line)
Stanza 3/Last Stanza (This is the format for the last stanza regardless of how many preceding stanzas exist) : Line 9 (line 2 of the previous stanza) /Line 10 (line 3 of the first stanza) /Line 11 (line 4 of the previous stanza) /Line 12 (line 1 of the first stanza)

And you ask me to leave all behind
Now when our moment in time is done
Going nowhere with nothing in mind
'Cause you're my world and my special one

Now when our moment in time is done
I love you like there's no end in sight
'Cause you're my world and my special one
You're still on my mind all day and night.

I love you like there's no end in sight
You're inside me filling my soul's space
You're still on my mind all day and night.
I feel still cuddled in your embrace

You're inside me filling my soul's space
Going nowhere with nothing in mind
I feel still cuddled in your embrace
And you ask me to leave it all behind

poem by Marieta Maglas
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Impossiblity (Irenga)

Glorious sunset,
the western sky ablaze with shades of red.
Nature’s artistry
beyond a mans ability
to emulate or imitate.

Nature’s artistry
beyond any mans ability
to emulate or imitate.
Although they still try.
Perfection beyond their grasp.

Natures artistry
beyond any mans ability
to emulate or imitate.
But driven by some inner need
they are convinced they can succeed.

First stanza
5 syllables
10 syllables
5 syllables
8syllables.
8syllables

Second stanza
repeat last three lines of first stanza
then
5 syllables
8 syllables.

Third stanza
Repeat
Last three lines of first stanza
Then
8 syllables
syllables
Japanese style poetry
no obligation to rhyme.

(22/07/2007)

poem by Ivor Or Ivor.e Hogg
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Alankar(Decor) -67

Autumnal Sport(Equinox) -Kyrielle sonnet poem

a 14 line poem-3 quatrains and a couplet
syllabic,8 syllables per line.
rhyme scheme AabB ccbB ddbB AB or AbaB cbcB dbdB AB.
composed with a refrain in the last line of each stanza.
L1 is repeated as L13 and L4 is repeated as L8, L12 and L14.
composed with no prescribed pivot however those that I have read usually pivot between the 2nd and 3rd quatrains.

Autumnal Sport(Equinox)

His play has begun and he moves
Knowing of time to play her moves
They are apart in playing mood
Hide and seek in set somewhat good

Azure is hidden, the sun too
Hiding, the passing clouds to do
Clement earth is pleased in good mood
Hide and seek in set somewhat good

Their diction of laughing applause
Flora, fauna drizzle while toss
Them the guiding winds in sound mood
Hide and seek in set somewhat good

His play has begun and he moves
Hide and seek in set somewhat good

poem by Indira Renganathan
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Sensitive Selfless Scribe's Shorthand Script Successfully Shows Superb Syllabic Stanza Susurration

Kindly refer to Notes
-------
SENSITIVE SELFLESS SCRIBE'S SHORTHAND SCRIPT SUCCESSFULLY SHOWS SUPERB SYLLABIC STANZA SUSURRATION
Stanza stanza swift succeeding
seldom static, subtly speeding
serried series, saccharinic,
sentences scarce schizophrenic.

Sentences scarce schizophrenic,
salvos sparkle, sagenitic,
succulent succession seeding
stanza stanza swift succeeding.

Stanza stanza swift succeeding
serenade sauteed spoonfeeding
special scansion ‘S’ syllabic,
sentences scarce schizophrenic.

Sentences scarce schizophrenic
solo solves sound stream, strabismic
seeker sees successful screeding
stanza stanza swift succeeding.

Stanza stanza swift succeeding.
syntax sense spurns stale subbreeding
shedding sorrow syphilitic,
sentences scarce schizophrenic.

Sentences scarce schizophrenic,
salvoes sparkle sagenitic,
selfless scribe’s script seldom skeeding,
stanza stanza swift succeeding.

Stanza stanza swift succeeding
scatter satire chickenfeeding
subharmonic synchronistic
sentences scarce schizophrenic.

Sentences scarce schizophrenic,
sagely swirl substantives scenic
steadfastly serene crossbreeding
stanza stanza swift succeeding.

Stanza stanza swift succeeding,
sinless scintillating reading,
sotto voce suave systemic
sentences scarce schizophrenic.

Sentences scarce schizophrenic,
supercalifragilistic,
startle settled spirits' creeds in
stanza stanza swift succeeding.

Stanza stanza swift succeeding
smoothly slur, spin sans seaweeding,
scenario shows scientific
sentences scarce schizophrenic.

Sentences scarce schizophrenic
supercede stale soporific
stories sot. Spot skill still seeding
stanza stanza swift succeeding.

Author notes
Rotha Mór an tSaoil (The Wheel of Life)
Form Tammy Knott
Four quatrain stanzas of octasyllabic lines with two alternating refrain lines. The first and last line of the first stanza are repeated alternating in all subsequent stanzas. Refrain line two begins the final stanza and refrain line one ends the final stanza. The rhyme scheme is a/a/b/b format to follow through the whole poem.

Lines
Syllables and Refrains
1 x-x-x-x-x-x-x-a1
2 x-x-x-x-x-x-x-a
3 x-x-x-x-x-x-x-b
4 x-x-x-x-x-x-x-b2

1 x-x-x-x-x-x-x-b2
2 x-x-x-x-x-x-x-b
3x-x-x-x-x-x-x-a
4x-x-x-x-x -x-x-a1
-------------
vocabulary
scarce... in the sense of scarcely
saccharinic... sweet
sparkle sagenitic... sparkling like a rutile quartz such as tourmaline
strabismic... abnormal alignment of one or both eyes
spoonfeed... ▸ verb: teach without challenging the students ('This professor spoonfeeds his students')
▸ verb: feed with a spoon
subbreeding subbreed (n.) A race or strain differing in certain characters from the parent breed; an incipient i.e. imperfectly formed breed. metaphorically in this context poorly written

spin sans seaweeding,
Spin refers both to the form Wheel of Life, and also to the slant of information and its speed. Sans - without. Seaweeding metaphorically spreading seaweed tends to clog stanzas' ship of state_meant to speed towards final conclusion

subharmonic... frequency below the fundamental frequency of an oscillator in a ratio of 1 / x.
synchronistic... relation that exists when things occur at the same time

supersede verb: take the place or move into the position of n.b.
usage Supercede has occurred as a spelling variant of supersede since the 17th century, and it is common in current published writing.

Soporific adjective: sleep inducing
adjective: inducing mental lethargy

poem by Jonathan Robin
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Squashing force (Diminished hexaverse poetry)

(A poem containing stanzas of 5 lines, then 4 lines, then 3 lines, then 2 lines, ending with one word. The syllables in each stanza correspond to the number of lines, i.e.5 in each line in the first stanza,4 in the second stanza and so on. This form may contain more than five stanzas.)

Caught in illusion
Left in agony
Being badly hurt
Victim of terror
With contorted face

Depredated
Walls closing in
Screams of anguish
Desperate howls

Squashing force
Frozen tears
Twisting thoughts

Nightmares
Bleeding

Death

poem by Marieta Maglas
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Put a Sock In It

Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Put a sock in it,
Maybe this will rush a hush.
Today there is just too much stuff.
And people are getting fed up!

Many getting sick of the pickiness started.
And when it gets sticky they can not stop.
Instigating agitation with annoyance.
Dropping all they've got to tie a mind in knots.

Can't you see them strike poses and begin to 'cheese'.
Then plop on their knees,
To make their pleas.
These same folks cry about bad luck.
With claims their butts are stuck in ruts.

Put a sock in it,
Maybe this will rush a hush.
Folks have had enough,
And fed up!

Folks have had enough.
Folks have had enough.
Folks have had enough.
And fed up!

poem by Lawrence S. Pertillar
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Alankar(Decor) -75

Hail To Thee Shanmukha -(Chain Verse)

Chain Verse is composed in one of three ways:

1 Chain Verse is composed
with the last word or syllable of one line repeated
in the beginning of the next line.

3 Chain Verse can be written
with the last line of the stanza repeated
as the first line of the next stanza.
----

1

Hail To Thee Shanmukha

Eyes open still blind
Blindly desiring transience
Transiently fallen into nescience
Nescient mind footing on
Onwith the five senses gowned
Gowned into a devilkin.

Devilkin of slighted senses
Senselessy tones down the man
Maneuvering to vicious listen, sight and taste
Tasting venomous touch and puff
Puffed up with sins.oh, lo!
Low in a chasm of sickly fear.

Fear-stricken, panic and punished
Punishment in murk dreadful
Fully the man, off his sixth sense
Sensible now does he cry heart out
Outburst much felt is heard
Heard by Thee Shanmukha, saviour of senses.

Senses six embodied Shanmukha, by Thou heads
Headed off this man by himself misled
Leader Thee! kindly reclaim his virtue
virtuously as Thee did Arunagiri
Girishwar, gyre, gyre.Erase evil; implant good
Good-heartedly invoke human senses.

Senses alive be them in Thy bliss
Blissfully be them in Thy elation
Elated are we at Thy sight
Sightful six faces, twelve hands
Hands full of boons all time conferring
Conferred are we to extole Thy presence

'Presenting one face wisdom, the second dispassion
Passionately the third strength, the fourth wealth
Wealthily the fifth powers divine
Devout balance the sixth to our minds'
Mind-blowing, Thee riding the peacock envisioned
Visual so spectacular, a twelve-handed Saviour!
Saviour, Shanmukha! hail to Thee! praises!

poem by Indira Renganathan
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To The One Who Says She Is Reading My Poem

let us have a compromise,
after reading the first stanza
from my magic lines
i will give you
youth, and on the second stanza
i will hand you
beauty
on the third stanza i will promise
you fortune
on the fourth perhaps
intelligence
and on the fifth perhaps
fame,

i have this magic wand
given by fairy godmother
the one used
for Cinderilla and Snow white
and Rapunzel

and Shrek, and so on and so forth,
tonight then you must read my poem,

but don't you be disappointed,
it has only one word.

Fool.

poem by Ric S. Bastasa
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Walking With The Lover...

walking with the Lover...
i see empty fields plowed,
come alive with crops abundant.
empty factory buildings filled
with the ghosts of hard working lives.
empty houses lit up,
and the sounds of families.
empty hands given cups and bowls,
empty hearts held close!
empty words given meaning,
empty promises fulfilled.
walking with the Lover...
touching the plenty of empty!

poem by Eric Cockrell
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A Journey Of A Poet

A journey begins with
A thought in our mind
Words are chosen and formed.

Lines of poem
Well Written with meanings
With words of emotions and expressions

A poet starts with
An inspiration of mind,
An aspiration in soul mind

With reflection
On our life experience
We start to
Compose some
Wonderful poetry

Expressing our innermost thoughts
With deep contemplation
To put them in poetry words

A journey begins when
A poet takes his imagination
To a place where
No one ever dream or imagine before.

A poet's journey ends by
Writing another lovely poem
And deep reflection

A poet remains
As a poet
When he or she
Continue to
Write and Share
lovely poems with the world.

poem by Lawrence Hiung
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Sins of Commission Higgledy-Piggledy José Barroso

Higgledy-piggledy
José Barroso so
stuffy starch collarly
stiff upper lip,

said 'for the life of me
no proto Irano
plutonium energy
setting up ship! '

robi03_1936_robi03_0000 robi03_1936_DACTYL_0000

Metrical Variation in the Double Dactyl Stanza
http: //www.barefootmuse.com/archives/issue7/hodge.htm< /a>

The double dactyl stanza, created in the 1960s by Paul Pascal and Anthony Hecht,1 required that the first line be nonsense syllables [e.g. 'Higgledy-piggledy, ' hence the form's alternative name], that the second be a proper name [Emily Dickinson, Theodore Roosevelt, etc.], that one line, usually the sixth, consist of a single didactylic word, and that the catalectic (shortened) fourth and eighth lines rhyme. Such verses were discrete comments on the person named. Adapting the stanza to longer narratives in rendering Shakespeare and nursery rhymes and tales into dactyls, can be fun

Richard III - Off with his Head!

Richard III (in which 'Off with his head! ' serves as a refrain) :

Tewksbury witnessed his
slaughter of Edward, whose
widow thereafter he
took to his bed.

Anyone faulting such
insensitivity
should have known better; 'twas
off with his head.

He had his brother and
then his two nephews all
killed in the Tower, or
so it is said.

Hastings and Stanley, who
ideologically
balked at his crowning, heard
'Off with his head! '

poem by Jonathan Robin
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To My Youngest Son

I wish I could write a finest piece
A poem that will rise and be the best
The one will endure in time like a total bliss
So happiness is mine when I come to rest

But unluckily I don’t have the finest words
And to the brightest idea my brain couldn’t work
So this would be forever a simple dream
My strongest foe I could never ever win

In that poem I would like to say
That a sweetest smile on your face
Causes so much joy in my life
Just like a sun glimpsing through a cloud
Brings sunshine to a flower bud

And in the next stanza I will state
That really I love your little hands
‘Cause they wipe away my tears and fears
Just like a summer breeze to an old tree
Blows away its driest leaves

And before my poem ends
I will tell the world about your tiny voice
How it soothes my sorrows and pain
Just like an abundant rain
Quenches even the desert soil

And in my last stanza I will convey
That your tender kisses on my cheek
Reminds me the fulfillment of my dream
Just like this poem I would like to end
Even this is not so fine, its thought is what I meant

poem by Rose de Ramar
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En.Citatepedia^®.ro

Alankar(Decor) -103

Related quotes

I'm no longer blind (Quatern poetry)

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Alankar(Decor) -76

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