Sunflower Lessons (Naani)

Seeking sunlight...
Each day is joyful bliss,
Floral beauty in yellow delight
Lessons in Hope, are these.


------- -------------
'Naani' is an Indian short form of poetry written by the Telugu Indians, and consists of four lines with a total of 20 to 25 syllables, any topic,
but united in content. It may or may not rhyme.

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Parenting (Naani Poetry Form)

Unskilled at first in a work
with great demands,
Moved to Love and Care
The children, the blessings of their life.


(Naani is an Indian Telugu poetry form on any topic, with 4 lines and 25 syllables)

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Misty Lives (Naani Form)

Songs are mere phantoms
Of truth that never was
Like fading mists they may become
Sad forgettable lives.


'Naani' is a poetry form of 20-25 syllables in four lines that may or may not rhyme.

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Pain (Cinquain)

Constant
Pouring rain breaks
A hard rock to pieces
Pain, like rain, when poured out daily
Breaks hearts.


------ ------------
'Cinquain' consists of five lines in 2-4-6-8-2 syllables arrangement,
poetic in form (imagery, metaphor, etc.) , may not rhyme or have rhythm, but consistent in content, texture, and flow.

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Red Pencil

Red Pencil
R ed pencil with magic flair
E nrichment while in school
D ancing red marks are everywhere
Red pencil; teachers’ tool
Red pencil marks, to make it right
I studied hard with all my might
Red pencil marks
Red pencil marks
I passed the test to my delight

P encil red is the teachers’ tool
E dified magic wand
N ebulous to the Golden Rule
C lassroom and teacher bond
I want to teach, want to be free
L ife as a teacher, that’s for me
I want to teach
I want to teach
Some day I’ll teach, Form Poetry

Red pencil, with magic flair
I studied hard in school
I’m now a teacher; answered prayer
Red pencil is my tool
I’m a teacher, I live my dream
Teaching poetry to the extreme
I’m a teacher
I’m a teacher
And my red pencil is supreme


Author Notes:

Acrostic Trijan Refrain

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
source: shadowpoetry.com

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The Prophet And The Poet: Parallelism In Biblical Poetry

Is one-third
of Biblical Old Testament
written in poetry?

Entire books Job Psalms Proverbs
the Song of Solomon Lamentations
except for short prose sections.

Large portions of Isaiah Jeremiah
the writings of Minor Prophets
adhere to poetic form and content.

Observe three main divisions
of an inspired Old Testament
the Law the Prophets the Writings

all contain prized poetry
in exultant larger amounts.
Why did God choose poetry?

Why do seven Old Testament books
Leviticus Ruth Ezra Nehemiah
Esther Haggai Malachi lack poetic lines?

Poetic elements
commonly found
in contemporary

poetry alliteration
assonance rhyme; are rare
in Hebrew Biblical poetry.

God promoted
an essential formal
characteristic

parallelism
the content
of one line

is repeated
contrasted
or advanced

by the content
of the next line
in sense rhythm

characterized
by thought
arrangement

not word
arrangement
or rhyme.

The three main types
of parallelism
in biblical poetry

are synonymous
antithetic
and synthetic.

What mysteries
are in each hidden
what secrets cloaked?


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Ten Little Indians

Ten little indian boys
The first little indian gave squaw pretty feather
(little indian boy)
The second little indian made her an indian dollar
(fighting over a squaw)
Well the third little indian gave her moccasin leather
(little indian boy)
The squaw didnt like em at all
The fourth little indian took her riding in his big canoe
(little indian boy)
The fifth little indian took her down the waterfall
(fighting over a squaw)
The sixth little indian taught the squaw how to woo-woo
(little indian boy)
But the squaw didnt like em at all
One little, two little, three little indians
(keep us humming were the ten little indians)
Four little, five little, six little indians
(keep us humming were the ten little indians)
Seven little, eight little, nine little indians
(keep us humming were the ten little indians)
Ten little indian boys
The seventh little indian took her over to his teepee
(little indian boy)
The eighth little indian tried to give her a love poem
(fighting over a squaw)
The ninth little indian said youre my kemosabe
(little indian boy)
The squaw didnt like em at all
The tenth little indian said it really didnt matter
(little indian boy)
He acted like himself and he didnt look at her
(fighting over a squaw)
The squaw didnt care if he never did a thing
(little indian boy)
Cause she loved the tenth indian boy
Loved the tenth indian boy
Loved the tenth indian boy
Loved the tenth indian boy

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Poetry...Poetry...

Poetry...Poetry...
Poetry is in the beginning of new life,
Poetry is in the tears of a child,
Poetry is in the warmth of mother's kiss,
Poetry is in the child's bliss,
Poetry is in the hug of a father,
Poetry is in the love of a dear,
Poetry is in the happiness of affection,
Poetry is in the pain of separation,
Poetry is in someone's loss,
Poetry is in missing someone very close.

Poetry...Poetry...

Poetry is in the first rain,
Poetry is in the cultivation of first grain,
Poetry is in the first light of dawn,
Poetry is in the drops of dew o the grass of lawn,
Poetry is in the blowing of cool wind,
Poetry is in the beauty of green,
Poetry is in the twinkling star,
Poetry is in the aroma of a flower,
Poetry is in thunder and lightning,
Poetry is in the heat scorching.

Poetry...Poetry...

Poetry is something more sweeter than sweet,
Poetry is something more closer to heart beat,
Poetry is something more than the most beautiful creation,
Poetry is something more than the depth of an ocean,
Poetry is something more higher than the blue,
Poetry is something more true,
Poetry is something more enjoyable than wine,
Poetry is something more shiner than sunshine,
Poetry is something more pure than air,
Poetry is something which is present everywhere.

Poetry...Poetry...

Poet ry is not just rhyme,
Poetry is but the voice Divine,
Poetry is not just Poetry,
Poetry frames History,
After so many lines,
Poetry still remains undefined.

Poetry...Poetry...

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Transistors and Tubes

now women are like transistors
and men are just like tubes
and women can be like sisters
and men will act like boobs
men are simple, women complex
women see men as big red necks
men are simple
men are simple
men see women as sex objects

so now women are transistors
girls are multitasking
being smarter than the misters
thank you just for asking
women are true and love their man
loving him, as much as she can
women are true
women are true
it’s been this way since time began

here’s the reason, men are like tubes
they will forget her mind
talk to her heart but watch her boobs
thinking of her behind
men can’t devote their heart to one
they’ll run around and just have fun
men can’t devote
men can’t devote
I still love that son of a gun

Author notes

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 syllables of line five /c

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Impossiblity (Irenga)

Glorious sunset,
the western sky ablaze with shades of red.
Nature’s artistry
beyond a mans ability
to emulate or imitate.

Nature’s artistry
beyond any mans ability
to emulate or imitate.
Although they still try.
Perfection beyond their grasp.

Natures artistry
beyond any mans ability
to emulate or imitate.
But driven by some inner need
they are convinced they can succeed.

First stanza
5 syllables
10 syllables
5 syllables
8syllables.
8syllables

Second stanza
repeat last three lines of first stanza
then
5 syllables
8 syllables.

Third stanza
Repeat
Last three lines of first stanza
Then
8 syllables
syllables
Japanese style poetry
no obligation to rhyme.


(22/07/2007)

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We’re Indians First and Lastly!

We’re Indians firstly!
And that’s the way, we’re known all o’er the globe;
And that is what we tell the world around;
This is our primary identity.

We’re Indians firstly!
We may belong to any state by birth;
Then come our language, creed, community;
We’re Indians primarily!

We’re Indians firstly!
United are we by the tricolor;
The soil is one, though states be many;
We’re Indians basically!

We’re proud of our rich our Indian heritage;
Our thirst is quenched by rivers of India;
Our hunger is appeased by crops grown here;
We’re Indians first and ultimately!

Let none dare try to sow seeds of discord;
The Indian’s free to live in any state;
When asked, let always be our reply,
‘We’re Indians firstly!

God gave one sun and moon to all of us;
We live under the sky, our common roof;
We enjoy freedom got by same ‘Struggle’!
We’re Indians all, firstly!

We’re Indians firstly!
Our patriotism is Indianness;
Our pride’s in being born as Indians;
We’re Indians first and lastly!

All Indians are our brothers and sisters;
We love our fellowmen as our brethren;
Same blood of oneness flows within us all;
We’re Indians first, always, ultimately!

‘Jai Hind! Jai Bharat! Jai bharatiya! Jai bharatvaasi!

Copyright by Dr John Celes 6-2-2010

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Pacific Trash Vortex (Triple Tetractys)

The rules for writing a tetractys are as follows:
Line 1 is one syllable syllable
Segment of speech usually consisting of a vowel with or without accompanying
consonant sounds (e.g., a, I, out, too, cap, snap, check) . A syllabic consonant,
like the final n sound in button and widen, also constitutes a syllable.
line 2 is two syllables; line 3 is three syllables; line 4 is four syllables;
and line 5, is ten syllables.
The fourth and fifth lines may rhyme or rime, the most prominent of the
literary artifices used in versification. Although it was used in ancient East
Asian poetry, rhyme was practically unknown to the ancient Greeks and Romans.
But this is not mandatory.

Waste
Sea green
Wavering
In slimy traps
In woozy circles
Gushing at the deep water horizon


Melody still rooting in bluesy rock
Gloppy red icing
Crooked letters
Violet
Colored
Dream


Fish
Yellow
Flimsy boats
Lanky white man
Muzzy from the work
Cloudy indigo sky hanging round all.

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Ode To Happiness

Ode to happiness
Joy cometh in the morning.
May only peace reign.

All our hope comes from above.
Wars shall truly cease,
When that which is perfect comes.

Rejoicing always
We shall overcome sin’s grasp,
When Heaven arrives!

The Earth will sing a new song.
Every knee shall then bend down!


A Choka Poem goes like this:
1st 3 lines = 5,7,5 syllables
2nd 3 lines = 7,5,7 syllables
Ending 2 lines = 7 syllables each

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Why Do We Need Rules For Poetry?

Why do we need rules for poetry?
Let's make a Haiku with ten lines and one hundred syllables.
Let's make a limerick with ten lines, and not rhyme it.
Let's just do whatever the hell we want to do.
After all it's yourself that you want to express,
Do whatever the hell you want to.
You don't have to listen to anyone.
You don't have to follow rules.
After all you say it's acceptable now.
This is modern poetry,
I am not governed by archaic rules, put forth,
By men and women thousands of miles away,
Or in some foreign country.
I am me, I will do as I wish, and no rules apply to me.
Why do we need rules for poetry?
Beats me.

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My Preference

Modern proponents of free form.
Do not accept that poetry
has certain rules and must conform.
Or it becomes mere anarchy.

Anything goes just will not do.
It’s either poetry or prose.
One must give credit where it’s due
They both have merit I suppose.

Prose poetry cannot exist.
An oxymoron obviously
but modern writers will insist
that what they write is poetry.

They aren’t content to call it prose
well written and quite beautiful.
Care taken with the words they chose
describing something wonderful.

Although so many writers try.
There’s very few achieve their aim.
They do not stop to wonder why
But simply write more of the same.

Make no attempt to learn the rules
Meter and rhyme a mystery
they lack the simple basic tools
You need for writing poetry.

A poem is a message to
transmit your ideas and your thoughts.
So other folks can share them too.
If you can write them as you ought.

Simplicity and clarity
are prerequisites for our art.
The finest kinds of poetry
are written from the poets heart.

Mere strings of words in random lines
are neither prose nor poetry.
Each of us knows what he defines
as being his idea of poesy.

I rest my case I make no plea
I merely state my preference.
Applicable only to me
I do not wish to cause offence.

6-Jan-08

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Bussokusekiku Japanese form

Bussokusekiku

6 lines
5 syllable, line one
7 syllables line two
5 syllables line three
7 syllables in the last three lines

Orientally
inspired I write poetry.
Exercise my brain
Look at things differently

If I can do it so can you

White chrysanthemum.
Signifying purity
One single blossom.
Typically Japanese
in its simplicity
Needs no explanation.

Savage warrior
who composes poetry.
Shows his softer side.
He must be a samurai.
A well trained brave fighting man
Writes beautifully of love.

28/10/2009
http: // blog.myspace.com/poeticpiers

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I'm An Indian Too

Like the Seminole, Navajo, Kickapoo
Like those Indians
I'm an Indian too
A Sioux
A Sioux
Just like Battle Axe, Hatchet Face, Eagle Nose
Like those Indians
I'm an Indian too
A Sioux
A Sioux
Some Indian summer's day
Without a sound
I may hide away
With Big Chief Hole-in-the-Ground
And I'll have totem poles, tomahawks, pipes of peace
Which will go to prove
I'm an Indian too
A Sioux
A Sioux
With my chief in his teepee
We'll raise an Indian family
And I'll be busy night and day
Looking like a flour sack
With two papooses on my back
And three papooses on the way
Like the Chippewa, Iroquois, Omaha
Like those Indians
I'm an Indian too
A Sioux
A Sioux
Just like Rising Moon, Falling Pants, Running Nose
Like those Indians
I'm an Indian too
A Sioux
A Sioux
Some Indian summer's day
Without a care
I may run away
With Big Chief Son-of-a-Bear
And I'll wear moccasins, wampum beads, feather hats
Which will go to prove
I'm an Indian too
A Sioux
A Sioux

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I Try to Deliver Those Lines

I try,
But sometimes deny...
Any attempt to do poetry justice.

I try,
To deliver those lines...
With exquisite meter and rhyme.
And with a subject that produces content.
Keeping within a topic that is well defined.

But there are times,
I am not seeking correctness when I express.
My mind isn't calibrated for premeditated stress...
To toil away in a standardize acceptance.
That is as difficult for me,
As knowing the difference between cheap and fine wine.

However...
If treated with a glass of champagne.
Everything I bring into creative focus,
Will take upon a poetic justice as I sip and uncover...
Justification for it.

I can then write about life and why birds fly.
Boots I perceived worn by the bees...
Since they do work in the thickets of pollen,
To get that honey whipped.
Or I could sit back and imagine mowing snow in the Winter.
As I observe someone bar-b-cue in a fur coat joking.

I try!
Especially when I write,
To do poetry justice.
But like Poe few would know...
If my best creations were enhanced by alcohol,
And I had been wasted.
Or if a sip of champagne is all it takes,
For me to awaken with a banging hangover.

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Magic Locket

There's a wood nymph in my pocket
I keep her close to me
Around her neck a golden locket
For everyone to see
I know magic; and so does she
She stays close and watches me
I know magic
I know magic
The golden locket has a key

There's a wood nymph in my pocket
I only show a few
When the key goes in the sprocket
Just watch what it can do
I turn the key when it goes in
And then the room will start to spin
I turn the key
I turn the key
The magic starts and then I grin

There's a wood nymph in my pocket
She’ll never fly away
But she’s quick, just like a rocket
I saw her fly one day
The magic key will make me strong
I’ll rule the world, it won’t be long
The magic key
The magic key
So won’t you come and sing my song?


Author notes:

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c

Meter: 8/6/8/6/8/8/4,4 refrain/8

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Indian Nations

There is something that I can not see
Why the UNITED STATES has broken
So many AMERICAN INDIAN treaties?
We should put our heads down in shame
For the AMERICAN INDIANS are
Not the ones to blame.
They have been fighting so long for their rights
And have made the ultimate sacrifice.
They have given their lives for this nation
And still do not see their salvation.
All other ethnic groups have
become free from oppression
And their Indian rights have been
left to the u.s. discretion.
Why are they still classified as wards
Of the government, and their lives
Are still below the poverty line?
Isn’t this the biggest sign!
That they are still discriminated against.
They live in one room houses and shacks
And the government has turned their backs.
No running water and no electricity.
Is this the way it’s got to be?
A family of four or more
Sleeping on a dirty floor.
They were once known as the Indian nations
Now it’s total devastation.
People all over the world have heard
How the west was won
That it was with the almighty gun.
They just hear the one sided story
Of how Custer rode to glory.
But not the sufferings that they
Put the Indians through
And all they had to endure.
And suffer the humiliation of defeat
And dropp down and scrounge for meat.

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Poetry Has Its Own Music

POETRY HAS ITS OWN MUSIC

Poetry has its own music-
A mind empty of it
Wonders where it is.

Poetry has a rhythm of its own
Without that rhythm
Dead words dead lines dead pages.

Seeking the rhythm the music of poetry
Flat lines come
And the poem is a parody
Of true poetry.

How many flat and false poems
Have I written
In order
To help me try
To come alive?

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