En.Citatepedia^®.ro

Her Right Name

As Nancy at her toilette sat,
Admiring this, and blaming that,
Tell me, she said, but tell me true,
The nymph who could your heart subdue.
What sort of charms does she possess?
Absolve me, fair one, I'll confess
With pleasure, I replied: Her hair,
In ringlets rather dark than fair,
Does down her ivory bosom roll,
And hiding half adorns the whole,
In her high forehead's fair half round
Love sits, in open triumph crown'd;
He, in the dimple of her chin,
In private state, by friends is seen.
Her eyes are neither black nor grey,
Nor fierce nor feeble is their ray;
Their dubious lustre seems to show
Something that speaks nor yes nor no.
Her lips no living bard, I weet,
May say how red, how round, how sweet:
Old Homer only could indite
Their vagrant grace and soft delight:
They stand recorded in his book,
When Helen smiled, and Hebe spoke -
The gypsy, turning to her glass,
Too plainly show'd she knew the face;
And which am I most like, she said,
Your Cloe or your Nut-brown Maid!

poem by Matthew Prior
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An Ode : While From Our Looks, Fair Nymph, You Guess

While from our looks, fair nymph, you guess
The secret passions of our mind;
My heavy eyes, you say, confess
A heart to love and grief inclined.

There needs, alas! but little art
To have this fatal secret found;
With the same ease you threw the dart,
'Tis certain you can show the wound.

How can I see you, and not love,
While you as opening cast are fair?
While cold as northern blasts you prove,
How can I love, and not despair?

The wretch in double fetters bound
Your potent mercy may release;
Soon, if my love but once were crown'd,
Fair prophetess, my grief would cease.

poem by Matthew Prior
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The Maid of the Sweet Brown Knowe

COME all ye lads and lassies and listen to me a while,
And I’ll sing for you a verse or two will cause you all to smile;
It’s all about a young man, and I’m going to tell you now,
How he lately came a-courting of the Maid of the Sweet Brown Knowe.

Said he, “My pretty fair maid, will you come along with me,
We’ll both go off together, and married we will be;
We’ll join our hands in wedlock bands, I’m speaking to you now,
And I’ll do my best endeavour for the Maid of the Sweet Brown Knowe.”

This fair and fickle young thing, she knew not what to say,
Her eyes did shine like silver bright and merrily did play;
She said, “Young man, your love subdue, for I am not ready now,
And I’ll spend another season at the foot of the Sweet Brown Knowe.

Said he, “My pretty fair maid, how can you say so,
Look down in yonder valley where my crops do gently grow,
Look down in yonder valley where my horses and my plough
Are at their daily labour for the Maid of the Sweet Brown Knowe.”

“If they’re at their daily labour, kind sir, it’s not for me,
For I’ve heard of your behaviour, I have, indeed,” she said;
“There is an Inn where you call in, I have heard the people say,
Where you rap and call and pay for all, and go home at the break of day.”

“If I rap and call and pay for all, the money is all my own,
And I’ll never spend your fortune, for I hear you have got none.
You thought you had my poor heart broke in talking with me now,
But I’ll leave you where I found you, at the foot of the Sweet Brown Knowe.”

poem by Anonymous English
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Alankar (Decor) -12

What Sort Is He, Bitter Or Sweet....

What sort is He, bitter or sweet to say
Pastime painter black and white, dark and bright
Alltime sadist by nature He His play
Pain or pleasure He seems be His pretext..

Ruing so dark a woman black she hued
Blighted a leaf as withers she shrivels
This day even ahead on stairs cultured
Accursed, a bad society she feels

And look, laughing pride yet another one
Glowing outside fair with conceit inside
This day that all wish for union one
Dispairs her fair skin dark on rungs down slide

Writhing in mind a worm hunting His sort
In vain blaming, praising, admits His sport

poem by Indira Renganathan
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Nancy of the Vale

The western sky was purpled o'er
With every pleasing ray;
And flocks reviving felt no more
The sultry heats of day;

When from an hazel's artless bower
Soft warbled Strephon's tongue;
He blest the scene, he blest the hour,
While Nancy's praise he sung.

'Let fops with fickle falsehood range
The paths of wanton love,
While weeping maids lament their change,
And sadden every grove:

'But endless blessings crown the day
I saw fair Esham's dale!
And every blessing find its way
To Nancy of the Vale.

''Twas from Avona's banks the maid
Diffused her lovely beams,
And every shining glance display'd
The Naiad of the streams.

'Soft as the wild-duck's tender young,
That float on Avon's tide;
Bright as the water-lily, sprung,
And glittering near its side

'Fresh as the bordering flowers her bloom,
Her eye all mild to view;
The little halcyon's azure plume
Was never half so blue.

'Her shape was like the reed so sleek,
So taper, strait, and fair;
Her dimpled smile, her blushing cheek,
How charming sweet they were!

'Far in the winding vale retired,
This peerless bud I found,
And shadowing rocks and woods conspired
To fence her beauties round.

'That Nature in so lone a dell
Should form a nymph so sweet!
Or Fortune to her secret cell
Conduct my wandering feet!

'Gay lordlings sought her for their bride,
But she would ne'er incline:
'Prove to your equals true,' she cried,
'As I will prove to mine.

''Tis Strephon, on the mountain's brow,
Has won my right good will;
To him I gave my plighted vow,
With him I'll climb the hill.'

'Struck with her charms and gentle truth,
I clasp'd the constant fair;
To her alone I gave my youth,
And vow my future care.

'And when this vow shall faithless prove,
Or I those charms forego;
The stream that saw our tender love,
That stream shall cease to flow.'

poem by William Shenstone
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Songs Set To Music: 28. Nelly.

Whilst others proclaim
This nymph or that swain,
Dearest Nelly the lovely I'll sing:
She shall grace every verse,
I'll her beauties rehearse,
Which lovers can't think an ill thing.

Her eyes shine as bright
As stars in the night;
Her complexion's divinely fair;
Her lips red as a cherry,
Would a hermit make merry,
And black as a coal is her hair.

Her breath, like a rose,
Its sweets does disclose,
Whenever you ravish a kiss
Like ivory inchas'd,
Her teeth are well placed;
And exquisite beauty she is.

Her plump breasts are white,
Delighting the sight,
There Cupid discovers her charms;
Oh! spare then the rest,
And think of the best;
'Tis heaven to die in her arms.

She's blooming as May,
Brisk, lively, and gay,
The Graces all round about her;
She's prudent and witty,
Sings wondrously pretty,
And there is no living without her.

poem by Matthew Prior
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Gypsy Woman

From nowhere through the caravan
Round the campfire light
Lovely woman in motion
With hair as dark as night
Her eyes were like that of a cat in the dark
That hypnotized me with love
She was a gypsy woman
She was a gypsy woman
She was a gypsy woman
She was a gypsy woman
She was a gypsy woman
She danced around and round
Guitars melody
From the fire her face was aglow
How she enchanted me
Id like to hold her near
And kiss her hair and whisper in her ear
I love you gypsy woman
I love you gypsy woman
I love you gypsy woman
I love you gypsy woman
All through the caravan
She was dancing with all the men
Waiting for the rising sun
Everyone was having fun
Hated to see her go
Knowing that shell never know
That I love her
That I love her
I love you gypsy woman
I love you gypsy woman
I love you gypsy woman
I love you gypsy woman
Whoever compared it to part monkey part man hit the nail on the head. it has that same kind of dark, mysterious sound. the vocals are soft and understated, somewhat reminiscent to those on if I should fall behind or pony boy. the song is sung with that nasally twang bruce has grown so fond of lately.

song performed by by Bruce Springsteen
Submitted by Lucian Velea
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Sympathy

(mark ashton, graham stansfield, david kaffinetti, stephen gould)
Now when you climb into your bed tonight
And when you lock and bolt the door
Just think about those out in the cold and dark
cause theres not enough love to go round
No theres not enough love to go round
And sympathy is what we need my friends
And sympathy is what we need
And sympathy is what we need my friends
cause theres not enough love to go round
No theres not enough love to go round
Now half the world hates the other half
And half the world has all the food
And half the world lies down and quietly starves
cause theres not enough love to go round
No theres not enough love to go round
No theres not enough love to go round
No theres not enough love to go round
And sympathy is what we need my friends
And sympathy is what we need
And sympathy is what we need my friends
cause theres not enough love to go round
No theres not enough love
No theres not enough love to go round

song performed by by Marillion
Submitted by Lucian Velea
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Mr. MacCall at Cleveland Hall

Mr. MacCall at Cleveland Hall,
Sunday evening-date to fix-
Fifteenth April, sixty-six,
Speech reported and redacted
By a fellow much distracted.

I

Who lectures? No mere scorner;
Clear-brained, his heart is warm.

She sits at the nearest comer
Of I will not say what form.

II

The Conflict of Opinions
In the Present Day, saith Chair.

What muff in the British dominions
Could dispute that she is fair?

III

Mammon-worship is horrid,
Plutocracy is base.

Dark hair from a fine small forehead;
I catch but the still side face.

IV

We wallow in mere dimension,
The Big to us is Great.

If she stood at her utmost tension
She might pass four feet eight.

V

We lay on colour in splashes,
With a mop, or a broom for brush.

How dark are her long eyelashes!
How pure is her cheek's slight flush!

VI

But we have no perception
For form-the divinest-now.

Each curve there is perfection,
In nostril, chin, and brow.

VI

Our women are good kind creatures,
But they cannot dress at all.

Does her bonnet grace her features?
Clear blue with a black lace fall.

VIII

Low Church-very low-in the gutter;
High Church-as ven'son high.

O'er the flower of her face gleams the flutter
Of a smile like a butterfly.

IX

Herder, Wieland, Lessing;
Bossuet, Montalembert.

Fine names, but the name worth guessing
Is the name of the sweet girl there.

The individual; true man;
Individuality.

A man's but one half, some woman
The other half must be.

XI

Persistent valour the sternest,
With love's most gentle grace.

How grand is the eye fixed earnest
In the half-seen up-turned face!

XII

'How did you like the lecture?
Was it not beautiful?'

I should think she was! 'I conjecture
That your brains have been gathering wool!'

P. S.

The Chairman was a rare man;
At every telling point
He smiled at his post like a jolly host
Carving rich cuts from the joint;
Which the name he bore was Richard Moore
Whom Heaven with grace anoint!

That conflict of opinion
It had its counterpart
In conflict for dominion
Between my head and heart.

poem by James Thomson
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An Ode

WHAT boots it to be great?
To live in royal state
And feast with kings,
Since now all things
One doom await?
5
What boots it to be fair?
Sweet eyes and golden hair,
And youthful bloom,
Since in the tomb
All foulness there?
10
To live in royal state—
That is not to be great;
Sweet eyes and golden hair—
That is not to be fair.
What is it to be great?
15
Content with thine estate;
To serve thy God and King
In everything—
That is it to be great.
What is it to be fair?
20
Sweet modesty to wear;
To keep thine honour sure,
Thy bosom pure—
That is it to be fair.
Much boots it to be great,
25
Much boots it to be fair.

poem by Frederick George Scott
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Long Ago

I loved a maiden, long ago,
She held within her hand my fate;
And in the ruddy sunset glow
We lingered at the garden gate.

The splendor of the western skies
Lay in a halo on her hair.
I gazed with worship in her eyes,
And deemed her true and knew her fair.

'Good night,' I said, and turned away;
She held me with her subtle smile.
I saw her red lips whisper 'stay,'
And so I lingered yet awhile.

'I love you, love you, sweet!' I said,
She laughed, and whispered, 'I love you.'
I kissed her small mouth, ripe and red,
And knew her fair, and deemed her true.

'Twas very, very long ago,
And I was young, and so was she;
My faith as love was strong, for oh!
The maid was all the world to me.

But as the sunset died away
And left the heavens cold and blue,
So died my dream of love one day.
The maid was only fair,
not
true.

poem by Ella Wheeler Wilcox
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Over The Alley

Here in my office I sit and write
Hour on hour, and day on day,
With no one to speak to from morn till night,
Though I have a neighbour just over the way.
Across the alley that yawns between
A maiden sits sewing the whole day long;
A face more lovely is seldom seen
In hall or castle or country throng.

Her curling tresses are golden brown;
Her eyes, I think, are violet blue,
Though her long, thick lashes are always down,
Jealously hiding the orbs from view;
Her neck is slender, and round, and white,
And this way and that way her soft hair blows,
As there in the window from morn till night,
She sits in her beauty, and sings and sews.

And I in my office chair, lounge and dream,
In an idle way, of a sweet 'might be, '
While the maid at her window sews her seam,
With never a glance or a thought for me.
Perhaps she is angry because I look
So long and so often across the way,
Over the top of my ledger-book;
But those stolen glances brighten the day.

And I am blameless of any wrong; -
She is the transgressor, by sitting there
And making my eyes turn oft and long
To a face so delicate, pure and fair.
Work is forgotten; the page lies clean,
Untouched by the pen, while hours go by.
Oh, maid of the pensive air and mien!
Give me one glance of your violet eye.

Drop your thimble or spool of thread
Down in the alley, I pray, my sweet,
Or the comb or ribbon from that fair head,
That I may follow with nimble feet;
For how can I tell you my heart has gone
Across the alley, and lingers there,
Till I know your name, my beautiful one?
How could I venture, and how could I dare?

Just one day longer I'll wait and dream,
And then, if you grant me no other way,
I shall write you a letter: 'Maid of the seam,
You have stolen my property; now give pay,
Beautiful robber and charming thief!
Give me one glance for the deed you've done.'
Thus shall I tell you my loss and grief,
Over the alley, my beautiful one.

poem by Ella Wheeler Wilcox
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The Poet’s Choice

I.

'Twas in youth, that hour of dreaming;
Round me, visions fair were beaming,
Golden fancies, brightly gleaming,
Such as start to birth
When the wandering restless mind,
Drunk with beauty, thinks to find
Creatures of a fairy kind
Realised on Earth!
II.

Then, for me, in every dell
Hamadryads seem'd to dwell
(They who die, as Poets tell,
Each with her own tree);
And sweet mermaids, low reclining,
Dim light through their grottos shining,
Green weeds round their soft limbs twinng,
Peopled the deep Sea.
III.

Then, when moon and stars were fair,
Nymph-like visions fill'd the air,
With blue wings and golden hair
Bending from the skies;
And each cave by echo haunted
In its depth of shadow granted,
Brightly, the Egeria wanted,
To my eager eyes.
IV.

But those glories pass'd away;
Earth seem'd left to dull decay,
And my heart in sadness lay,
Desolate, uncheer'd;
Like one wrapt in painful sleeping,
Pining, thirsting, waaking, weeping,
Watsh thro' Life's dark midnight keeping,
Till THY form appear'd!
V.

THEN my soul, whose erring measure
Knew not where to find true pleasure
Woke and seized the golden treasure
Of thy human love;
And, looking on thy radiant brow,
My lips in gladness breathed the vow
Which angels, not more fair than thou,
Have register'd above.
VI.

And now I take my quiet rest,
With my head upon thy breast,
I will make no fiurther quest
In Fancy's realms of light;
Fay, nor nymph, nor wingēd spirit,
Shall my store of love inherit;
More thy mortal charm doth merit
Than dream, however bright:
VII.

And my soul,-like some sweet bird
Whose song at summer eve is heard,
When the breeze, so lightly stirr'd,
Leaves the branch unbent,--
Sits and all-triumphant sings,
Folding up her brooding wings,
And gazing out on earthly things
With a calm content.

poem by Caroline Elizabeth Sarah Norton
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Sonnet 82: Nymph Of The Garden

Nymph of the garden where all beauties be,
Beauties which do in excellency pass
His who till death look'd in a wat'ry glass,
Or hers, whom naked the Trojan boy did see;

Sweet garden nymph, which keeps the cherry tree
Whose fruit doth far th'Hesperian taste surpass;
Most sweet-fair, most fair-sweet, do not alas,
From coming near those cherries banish me:

For though full of desire, empty of wit,
Admitted late by your best-graced Grace,
I caught at one of them a hungry bit,

Pardon that fault. Once more grant me the place
And I do swear e'en by the same delight,
I will but kiss, I never more will bite.

poem by Philip Sidney
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A Brown Study

LET them sing of their primrose and cowslip,
Their daffodil-gold-coloured hair,
Their bluebells, blue eyes, and white violets,
All the pale dreamy things they find fair;
Give me stir of brown leaves in the sunshine,
The whir of brown wings through the wheat,
The rush of brown hares through the clover,
And the light in brown eyes of my sweet!

Gold hair? Well, I never could love it,
Yet gold, I suppose, has its worth;
The head that I love is as dusky
As the breast of our mother, the earth;
With a gleam like the shine of wet seaweed,
Round pools that the tide has left clear,
And warm like the breast of a linnet,
And as brown, is the hair of my dear.

From the edge of the cliff we look downwards
On the shore, and the bay, and the town,
And brown is the short turf we lean on,
The fishing-boats' sails are all brown:
The sky may be blue--that's the background,--
But the picture itself, to be fair,
However it's shaded and varied,
Should be brown as the dress that you wear.

A lark bursts to sudden sweet singing--
That tuft of brown grass is his home--
And now, a brown speck, he is rising
Against the clear windy sky-dome;
And he sings--how I know? Love instructs me
To know all his notes, what they mean--
That it isn't the colour I care for,
But yourself, oh, my gipsy, my queen!

Ah! the lark knows my heart--I his language;
It's my heart he sings out to the skies;
It is you that I love, and what matter
The colour of hair or of eyes?
No doubt I should love you as dearly
Were your hair like an apricot's down,
And your eyes like the grey of the morning;
But I'm glad, all the same, that they're brown.

poem by Edith Nesbit
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The Ass

I woke and rose and slipt away
To the heathery hills in the morning grey.

In a field where the dew lay cold and deep
I met an ass, new-roused from sleep.

I stroked his nose and I tickled his ears,
And spoke soft words to quiet his fears.

His eyes stared into the eyes of me
And he kissed my hands of his courtesy.

“O big, brown brother out of the waste,
How do thistles for breakfast taste?

“And do you rejoice in the dawn divine
With a heart that is glad no less than mine?

“For, brother, the depth of your gentle eyes
Is strange and mystic as the skies:

“What are the thoughts that grope behind,
Down in the mist of a donkey mind?

“Can it be true, as the wise men tell,
That you are a mask of God as well,

“And, as in us, so in you no less
Speaks the eternal Loveliness,

“And words of the lips that all things know
Among the thoughts of a donkey go?

“However it be, O four-foot brother,
Fair to-day is the earth, our mother.

“God send you peace and delight thereof,
And all green meat of the waste you love,

“And guard you well from violent men
Who’d put you back in the shafts again.”

But the ass had far too wise a head
To answer one of the things I said,

So he twitched his fair ears up and down
And turned to nuzzle his shoulder brown.

poem by Clive Staples Lewis
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A Discouraging Model

Just the airiest, fairiest slip of a thing,
With a Gainsborough hat, like a butterfly's wing,
Tilted up at one side with the jauntiest air,
And a knot of red roses sown in under there
Where the shadows are lost in her hair.

Then a cameo face, carven in on a ground
Of that shadowy hair where the roses are wound;
And the gleam of a smile, O as fair and as faint
And as sweet as the master of old used to paint
Round the lips of their favorite saint!

And that lace at her throat-- and fluttering hands
Snowing there, with a grace that no art understands,
The flakes of their touches-- first fluttering at
The bow-- then the roses-- the hair and then that
Little tilt of the Gainsborough hat.

Ah, what artist on earth with a model like this,
Holding not on his palette the tint of a kiss,
Nor a pigment to hint of the hue of her hair
Nor the gold of her smile-- O what artist could dare
To expect a result half so fair?

poem by James Whitcomb Riley
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Lord Thomas and Fair Annet

Lord Thomas and fair Annet
Sat all day on a hill
When night was come and sun was set
They had not talked their fill.

Lord Thomas said a word in haste
And Annet took it ill;
I winna wed a dowerless maid
Against my parents' will

You're come of the rich, Thomas,
And I'm come of the poor
I'm o'er low to be your bride
And I winna be your whore

O fair Annet, O fair Annet
This night you've said me no
But long or ever this day month
I'll make your heart right woe

Come riddle my riddle dear mother, he said
Come riddle it all in one
Whether I will take fair Annet
Or bring the brown girl home

The nut-brown maid has gold and gear
Fair Annet she has none
And the little beauty fair Annet has
O it will soon be gone

Sheep will die in cots, mother
And oxen die in byre
And what's this world's wealth to me
An I get not my heart's desire

Where will I get a pretty little boy
That'll run my errands soon
That will run to fair Annet's bower
And bid her to my wedding

She mauna put on the black, the black
Nor yet the dowie brown
But the scarlet so red, and the kerchief so white
And her bonny locks hanging down

She has called her maries to her bower
To lay gold in her hair
Where'er you put a plait before
See you lay ten times more

When Annet was in her saddle set
She flamed against the fire
The girdle around her middle small
Was worth an earl's hire

The horse fair Annet rode upon
He bounded like the wind
With silver he was shod before
With burning gold behind

And when she came into the kirk
She shimmered like the sun
The belt that was about her waist
Was all with pearls bedone

Is this your bride, Lord Thomas ? she said
I think she's wondrous brown
You might have had as fair a bride
As e'er the sun shined on

Despise her not fair Annet, he said
Despise her not now unto me
For better I love thy little finger
Than all her whole body

Then out and spoke the nut-brown bride
And she spoke out of spite
O where got you that rose-water
That washed your face so white ?

O I did get the rose-water
Where you will ne'er get none
For I did get that rose-water
Into my mother's womb

The bride she drew a long bodkin
From out her gay headgear
And struck fair Annet to the heart
A deep wound and a sair

O art thou blind Lord Thomas, she said
Or do you not well see
O do you not see my own heart's blood
Run trinkling down my knee ?

He drew his dagger that was so sharp
That was so sharp and meet
And drove it into the nut-brown bride
That fell dead at his feet

O dig my grave, Lord Thomas he said
Dig it both wide and deep
And lay fair Annet by my side
And the brown girl at my feet

poem by Anonymous Olde English
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The Measure of Beauty

Give Beauty all her right,
She's not to one form tied;
Each shape yields fair delight,
Where her perfections bide:
Helen, I grant, might pleasing be,
And Ros'mond was as sweet as she.

Some the quick eye commends,
Some swelling lips and red;
Pale looks have many friends,
Through sacred sweetness bred:
Meadows have flowers that pleasure move,
Though roses are the flowers of love.

Free beauty is not bound
To one unmoved clime;
She visits every ground
And favours every time.
Let the old loves with mine compare,
My sovereign is as sweet as fair.

poem by Thomas Campion
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Such, Such Is He Who Pleaseth Me

FLY, dearest, fly! He is not nigh!

He who found thee one fair morn in Spring

In the wood where thou thy flight didst wing.
Fly, dearest, fly! He is not nigh!
Never rests the foot of evil spy.

Hark! flutes' sweet strains and love's refrains

Reach the loved one, borne there by the wind,

In the soft heart open doors they find.
Hark! flutes' sweet strains and love's refrains,
Hark!--yet blissful love their echo pains.

Erect his head, and firm his tread,

Raven hair around his smooth brow strays,

On his cheeks a Spring eternal plays.
Erect his head, and firm his tread,
And by grace his ev'ry step is led.

Happy his breast, with pureness bless'd,

And the dark eyes 'neath his eyebrows placed,

With full many a beauteous line are graced.
Happy his breast, with pureness bless'd,
Soon as seen, thy love must be confess'd.

His mouth is red--its power I dread,

On his lips morn's fragrant incense lies,

Round his lips the cooling Zephyr sighs.
His mouth is red--its power I dread,
With one glance from him, all sorrow's fled.

His blood is true, his heart bold too,

In his soft arms, strength, protection, dwells

And his face with noble pity swells.
His blood is true, his heart bold too,
Blest the one whom those dear arms may woo!

poem by Johann Wolfgang von Goethe
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Cupid's Promise - Paraphrased

Soft Cupid, wanton, amorous boy,
The other day, moved with my lyre,
In flattering accents spoke his joy,
And uttered thus his fond desire.

Oh! raise thy voice, one song I ask,
Touch then th' harmonious string;
To Thyrsis easy is the task,
Who can so sweetly play and sing.

Two kisses from my mother dear,
Thyrsis, thy due reward shall be;
None, none like Beauty's queen is fair;
Paris has vouch'd this truth for me.

I straight reply'd, thou know'st alone,
That brightest Cloe rules my breast,
I'll sing thee two instead of one
If thou'lt be kind and make me blest.

One kiss from Cloe's lips, no more
I crave. He promised me success;
I play'd with all my skill and power,
My glowing passion to express.

But, oh! my Cloe, beauteous maid,
Wilt thou the wish'd reward bestow?
Wilt thou make good what Love has said,
And by thy grant his power show?

poem by Matthew Prior
Submitted by Poetry Lover
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