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Wolverine

'Yes, sir, it's quite a story, though you won't believe it's true,
But such things happened often when I lived beyond the Soo.'
And the trapper tilted back his chair and filled his pipe anew.

'I ain't thought of it neither fer this many 'n many a day,
Although it used to haunt me in the years that's slid away,
The years I spent a-trappin' for the good old Hudson's Bay.

'Wild? You bet, 'twas wild then, an' few an' far between
The squatters' shacks, for whites was scarce as furs when things is green,
An' only reds an' 'Hudson's' men was all the folk I seen.

'No. Them old Indyans ain't so bad, not if you treat 'em square.
Why, I lived in amongst 'em all the winters I was there,
An' I never lost a copper, an' I never lost a hair.

'But I'd have lost my life the time that you've heard tell about;
I don't think I'd be settin' here, but dead beyond a doubt,
If that there Indyan 'Wolverine' jest hadn't helped me out.

''Twas freshet time, 'way back, as long as sixty-six or eight,
An' I was comin' to the Post that year a kind of late,
For beaver had been plentiful, and trappin' had been great.

'One day I had been settin' traps along a bit of wood,
An' night was catchin' up to me jest faster 'an it should,
When all at once I heard a sound that curdled up my blood.

'It was the howl of famished wolves-I didn't stop to think
But jest lit out across for home as quick as you could wink,
But when I reached the river's edge I brought up at the brink.

'That mornin' I had crossed the stream straight on a sheet of ice
An' now, God help me! There it was, churned up an' cracked to dice,
The flood went boiling past-I stood like one shut in a vice.

'No way ahead, no path aback, trapped like a rat ashore,
With naught but death to follow, and with naught but death afore;
The howl of hungry wolves aback-ahead, the torrent's roar.

'An' then-a voice, an Indyan voice, that called out clear and clean,
'Take Indyan's horse, I run like deer, wolf can't catch Wolverine.'
I says, 'Thank Heaven.' There stood the chief I'd nicknamed Wolverine.

'I leapt on that there horse, an' then jest like a coward fled,
An' left that Indyan standin' there alone, as good as dead,
With the wolves a-howlin' at his back, the swollen stream ahead.

'I don't know how them Indyans dodge from death the way they do,
You won't believe it, sir, but what I'm tellin' you is true,
But that there chap was 'round next day as sound as me or you.

'He came to get his horse, but not a cent he'd take from me.
Yes, sir, you're right, the Indyans now ain't like they used to be;
We've got 'em sharpened up a bit an'
now
they'll take a fee.

'No, sir, you're wrong, they ain't no 'dogs.' I'm not through tellin' yet;
You'll take that name right back again, or else jest out you get!
You'll take that name right back when you hear all this yarn, I bet.

'It happened that same autumn, when some Whites was comin' in,
I heard the old Red River carts a-kickin' up a din,
So I went over to their camp to see an English skin.

'They said, 'They'd had an awful scare from Injuns,' an' they swore
That savages had come around the very night before
A-brandishing their tomahawks an' painted up for war.

'But when their plucky Englishmen had put a bit of lead
Right through the heart of one of them, an' rolled him over, dead,
The other cowards said that they had come on peace instead.

''That they (the Whites) had lost some stores, from off their little pack,
An' that the Red they peppered dead had followed up their track,
Because he'd found the packages an' came
to give them back
.'

''Oh!' they said, 'they were quite sorry, but it wasn't like as if
They had killed a decent Whiteman by mistake or in a tiff,
It was only some old Injun dog that lay there stark an' stiff.'

'I said, 'You are the meanest dogs that ever yet I seen,'
Then I rolled the body over as it lay out on the green;
I peered into the face-My God! 'twas poor old Wolverine.'

poem by Emily Pauline Johnson
Submitted by Poetry Lover
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Reaping

You want to know what's the matter with me, do yer?
My! ain't men blinder'n moles?
It ain't nothin' new, be sure o' that.
Why, ef you'd had eyes you'd ha' seed
Me changin' under your very nose,
Each day a little diff'rent.
But you never see nothin', you don't.
Don't touch me, Jake,
Don't you dars't to touch me,
I ain't in no humour.
That's what's come over me;
Jest a change clear through.
You lay still, an' I'll tell yer,
I've had it on my mind to tell yer
Fer some time.
It's a strain livin' a lie from mornin' till night,
An' I'm goin' to put an end to it right now.
An' don't make any mistake about one thing,
When I married yer I loved yer.
Why, your voice 'ud make
Me go hot and cold all over,
An' your kisses most stopped my heart from beatin'.
Lord! I was a silly fool.
But that's the way 'twas.
Well, I married yer
An' thought Heav'n was comin'
To set on the door-step.
Heav'n didn't do no settin',
Though the first year warn't so bad.
The baby's fever threw you off some, I guess,
An' then I took her death real hard,
An' a mopey wife kind o' disgusts a man.
I ain't blamin' yer exactly.
But that's how 'twas.
Do lay quiet,
I know I'm slow, but it's harder to say 'n I thought.
There come a time when I got to be
More wife agin than mother.
The mother part was sort of a waste
When we didn't have no other child.
But you'd got used ter lots o' things,
An' you was all took up with the farm.
Many's the time I've laid awake
Watchin' the moon go clear through the elm-tree,
Out o' sight.
I'd foller yer around like a dog,
An' set in the chair you'd be'n settin' in,
Jest to feel its arms around me,
So long's I didn't have yours.
It preyed on me, I guess,
Longin' and longin'
While you was busy all day, and snorin' all night.
Yes, I know you're wide awake now,
But now ain't then,
An' I guess you'll think diff'rent
When I'm done.
Do you mind the day you went to Hadrock?
I didn't want to stay home for reasons,
But you said someone 'd have to be here
'Cause Elmer was comin' to see t' th' telephone.
An' you never see why I was so set on goin' with yer,
Our married life hadn't be'n any great shakes,
Still marriage is marriage, an' I was raised God-fearin'.
But, Lord, you didn't notice nothin',
An' Elmer hangin' around all Winter!
'Twas a lovely mornin'.
The apple-trees was jest elegant
With their blossoms all flared out,
An' there warn't a cloud in the sky.
You went, you wouldn't pay no 'tention to what I said,
An' I heard the Ford chuggin' for most a mile,
The air was so still.
Then Elmer come.
It's no use your frettin', Jake,
I'll tell you all about it.
I know what I'm doin',
An' what's worse, I know what I done.
Elmer fixed th' telephone in about two minits,
An' he didn't seem in no hurry to go,
An' I don't know as I wanted him to go either,
I was awful mad at your not takin' me with yer,
An' I was tired o' wishin' and wishin'
An' gittin' no comfort.
I guess it ain't necessary to tell yer all the things.
He stayed to dinner,
An' he helped me do the dishes,
An' he said a home was a fine thing,
An' I said dishes warn't a home
Nor yet the room they're in.
He said a lot o' things,
An' I fended him off at first,
But he got talkin' all around me,
Clost up to the things I'd be'n thinkin',
What's the use o' me goin' on, Jake,
You know.
He got all he wanted,
An' I give it to him,
An' what's more, I'm glad!
I ain't dead, anyway,
An' somebody thinks I'm somethin'.
Keep away, Jake,
You can kill me to-morrer if you want to,
But I'm goin' to have my say.
Funny thing! Guess I ain't made to hold a man.
Elmer ain't be'n here for mor'n two months.
I don't want to pretend nothin',
Mebbe if he'd be'n lately
I shouldn't have told yer.
I'll go away in the mornin', o' course.
What you want the light fer?
I don't look no diff'rent.
Ain't the moon bright enough
To look at a woman that's deceived yer by?
Don't, Jake, don't, you can't love me now!
It ain't a question of forgiveness.
Why! I'd be thinkin' o' Elmer ev'ry minute;
It ain't decent.
Oh, my God! It ain't decent any more either way!

poem by Amy Lowell
Submitted by Poetry Lover
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Marshall's Mate

You almost heard the surface bake, and saw the gum-leaves turn --
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak --
'Twould frighten Satan to his home -- not far from Dingo Creek.

The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel --
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken queer --
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.

`Let Mitchell go to Bandicoot. You'll find him there,' said Mack.
`I'll start the chaps from Starving Steers, and take the dry-holes back.'
We tramped till dark, and tried to track the pack-horse on the sands,
And just at daylight Crowbar came with Milroy's station hands.
His cheeks were drawn, his face was white, but he was sober then --
In times of trouble, fire, and flood, 'twas Crowbar led the men.
`Spread out as widely as you can each side the track,' said he;
`The first to find him make a smoke that all the rest can see.'

We took the track and followed back where Crowbar followed fate,
We found a dead man in the scrub -- but 'twas not Crowbar's mate.
The station hands from Starving Steers were searching all the week --
But never news of Marshall's fate came back to Dingo Creek.
And no one, save the spirit of the sand-waste, fierce and lone,
Knew where Jack Marshall crawled to die -- but Crowbar might have known.

He'd scarcely closed his quiet eyes or drawn a sleeping breath --
They say that Crowbar slept no more until he slept in death.
A careless, roving scamp, that loved to laugh and drink and joke,
But no man saw him smile again (and no one saw him smoke),
And, when we spelled at night, he'd lie with eyes still open wide,
And watch the stars as if they'd point the place where Marshall died.

The search was made as searches are (and often made in vain),
And on the seventh day we saw a smoke across the plain;
We left the track and followed back -- 'twas Crowbar still that led,
And when his horse gave out at last he walked and ran ahead.
We reached the place and turned again -- dragged back and no man spoke --
It was a bush-fire in the scrubs that made the cursed smoke.
And when we gave it best at last, he said, `I'LL see it through,'
Although he knew we'd done as much as mortal men could do.
`I'll not -- I won't give up!' he said, his hand pressed to his brow;
`My God! the cursed flies and ants, they might be at him now.
I'll see it so in twenty years, 'twill haunt me all my life --
I could not face his sister, and I could not face his wife.
It's no use talking to me now -- I'm going back,' he said,
`I'm going back to find him, and I will -- alive or dead!'

. . . . .

He packed his horse with water and provisions for a week,
And then, at sunset, crossed the plain, away from Dingo Creek.
We watched him tramp beside the horse till we, as it grew late,
Could not tell which was Bonypart and which was Marshall's mate.
The dam went dry at Dingo Creek, and we were driven back,
And none dared face the Ninety Mile when Crowbar took the track.

They saw him at Dead Camel and along the Dry Hole Creeks --
There came a day when none had heard of Marshall's mate for weeks;
They'd seen him at No Sunday, he called at Starving Steers --
There came a time when none had heard of Marshall's mate for years.
They found old Bonypart at last, picked clean by hungry crows,
But no one knew how Crowbar died -- the soul of Marshall knows!

And now, way out on Dingo Creek, when winter days are late,
The bushmen talk of Crowbar's ghost `what's looking for his mate';
For let the fools indulge their mirth, and let the wise men doubt --
The soul of Crowbar and his mate have travelled further out.
Beyond the furthest two-rail fence, Colanne and Nevertire --
Beyond the furthest rabbit-proof, barbed wire and common wire --
Beyond the furthest `Gov'ment' tank, and past the furthest bore --
The Never-Never, No Man's Land, No More, and Nevermore --
Beyond the Land o' Break-o'-Day, and Sunset and the Dawn,
The soul of Marshall and the soul of Marshall's mate have gone
Unto that Loving, Laughing Land where life is fresh and clean --
Where the rivers flow all summer, and the grass is always green.

poem by Henry Lawson
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The Lone White Wolf: The Hunt

As the first day of the new moon creeps into the trees, no wolf among the pack gathers to see the light overcome the darkness to bring in the new day except the lone white wolf. This peculiar wolf is almost solid white except for the black along the length of his nose. It watches over the pack as they peacefully sleep, unaware of his eyes that could protect everything that was soon to come.

Today was the first day of the long hunt for the white wolf. He must bring down an animal that could feed the whole pack for several days, so he could become an official member of the pack, but more importantly, he must prove himself to be one with the pack instead of running alone.

The leader of the wolf pack slowly raises his head like a turtle to look around to see who’s awake. He sees all the wolves are still asleep in a tight circle except the outcast. The leader doesn’t understand why this wolf sleeps alone nor does he understand why the wolf was born white instead of gray. The white wolf stirs from his wakeful sleep. The eyes of the self-proclaimed leader stay on him before moving off to look into the distance searching for all the answers to his questions among the countless trees.

The leader of the wolf pack slowly gets up and walks to the lone wolf and nudges him to sound the morning howl. It was customary for the leader of the wolf pack to do this, but for reasons unknown to any wolf besides the leader, the wolf chose the outcast to sound the howl. The white wolf understands and gives a howl to stir the remaining wolves out of their deep slumber.

Once all the wolves are fully awake and able to comprehend what today is and what it means for the outcast, they realize it is the first day of the new moon. It is the first day of the long hunt. All of the wolves first look to the leader, then to the outcast, then back to the leader wondering who is going to give the special howl to begin the long hunt. No wolf willingly howled the beginning of the long hunt because if the howl was bad, the hunt would go badly, but if the howl was good, the hunt would go smoothly and the hunt would be short. The answer is soon apparent when the eyes of the leader look over the pack to see whose eyes would meet his. None but one pair kept his gaze.

The leader gave a sign, and the wolf began to prepare to give the special howl that would determine the outcome of the hunt. A wolf could not open its muzzle and give an ordinary howl since the hunt would also go badly. To give the special howl the wolf must pull back its hind legs and brace itself to make sure all legs are securely anchored to the ground so that the wolf, while giving the special howl would not slide backwards during the middle of it.

The lone wolf was ready mentally and physically to give the special howl. Once his feet were securely on the ground, the wolf began the howl. The lone white wolf put everything in his howl: the pain of being an outcast his entire life, the anger at his individuality, everything was put into that howl. Wolves stepped back with their fur standing on end; birds flew away squawking bloody murder. The others started yipping and snapping at nothing in particular remembering everything they’d ever felt. After the lone wolf was done, he realized the effect his special howl had on the wolves and he noticed the disarray and confusion that he had caused.

The leader is satisfied and gets the pack into order; it was time to begin the hunt. The wolves began running, their muscles rippling beneath their skin. Nothing could stop them. Their destination was a mile and a half down the road where the large game was located. Running freely among the wolf pack, the lone wolf didn’t feel like an outcast, but whenever he began to get too close, a shallow snip on the shoulder would shove him away to a safer distance.

The game was just ahead; it was time for the lone wolf to prove himself to the pack. The lone wolf went ahead of the pack and picked one of the biggest caribou he could find and slowly approached while the pack followed. The wolves lurched like a bullet from a gun onto the caribou with the white wolf clinging to the exposed flesh of the neck bringing it to the ground but not before it got one last kick in. The kill was successful; the caribou was dead. It was then that the white wolf noticed the bloody mess of the leader of the pack. The last kick of the now dead caribou landed on the skull of the leader, and he was dead instantly. The sight was a grizzly one with his skull caved in and blood gushing out of the wound.

The self-proclaimed leader was dead with no next-in-line to follow. Every wolf looked to the now dead leader, then to the outcast, then back to the dead leader, and then back to the outcast. The white wolf met the eyes of each wolf and got an unspoken request from each one. It was unanimous; the previous outcast of the pack became the leader. For the first time in history, a white wolf was chosen to lead and will lead the wolves to a prosperity the wolves have never known.

2009 October

poem by Matthew Bresette
Submitted by Poetry Lover
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Bein' Back Home

HOME agin, an' home to stay —
Yes, it's nice to be away.
Plenty things to do an' see,
But the old place seems to me
Jest about the proper thing.
Mebbe 'ts 'cause the mem'ries cling
Closer 'round yore place o' birth
'N ary other spot on earth.
W'y it's nice jest settin' here,
Lookin' out an' seein' clear,
'Thout no smoke, ner dust, ner haze
In these sweet October days.
What's as good as that there lane,
Kind o' browned from last night's rain?
'Pears like home has got the start
When the goal's a feller's heart.
What's as good as that there jay
Screechin' up'ards towards the gray
Skies? An' tell me, what's as fine
As that full-leafed pumpkin vine?
Tow'rin' buildin's — yes, they're good;
But in sight o' field and wood,
Then a feller understan's
'Bout the house not made with han's
Let the others rant an' roam
When they git away from home;
Jest gi' me my old settee
An' my pipe beneath a tree;
Sight o' medders green an' still,
Now and then a gentle hill.
Apple orchards, full o' fruit,
Nigh a cider press to boot —
That's the thing jest done up brown;
D'want to be too nigh to town;
Want to have the smells an' sights,
An' the dreams o' long still nights,
With the friends you used to know
In the keerless long ago.—
Same old cronies, same old folks,
Same old cider, same old jokes.
Say, it's nice a-gittin' back,
When yore pulse is growin' slack,
An' yore breath begins to wheeze
Like a fair-set valley breeze;
Kind o' nice to set aroun'
On the old familiar groun',
Knowin' that when Death does come,
That he'll find you right at home.

poem by Paul Laurence Dunbar
Submitted by Poetry Lover
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A'Yo Kato (feat. Magic & Val)

*cell phone rings*
DMX-yo
FRIEND-yo X we got sum bad news...katos dead man
DMX-what???
FRIEND-yeah katos dead man
DMX-YOU CANT BE SERIOUS MAN
[DMX]
Uh, this go out to my dog Kato
Rest in peace baby, it's a K thing
Dogs that I call my friends
Prayin for all my friends
Things I do for my friends
We miss you! Aiyyo Kato!
We started off, two dogs with the same goals (uh)
Nothin but two dogs walkin the same roads (uh)
Two different cultures, but had the same heart (yeah)
Enjoyed seeing the light, but lived in the dark
Dipped out and bumped heads in the parking lot (aight)
It was a quiet brother, didn't like to bark a lot
Came through wreck (uh), when he came, gained respect
So I gave respect (uh), we shared, the same respect
Two names to rep in our own circles (what)
Two brothers with good hearts
But if you start, two bothers that'll hurt you (yeah)
Know how that dirt do, hittin for quarters
Arf arf arf arf! Right back on orders
Guys tried to warn us, but sometimes we don't wanna see
When I first heard, I'm like, this can't be!
Y'all niggaz is buggin, got the wrong information or somethin
Please tell me that these niggaz is frontin! God, no
Dogs that I call my friends, prayin for all my friends
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Dogs that I call my friends, prayin for all my friends (We miss you Kato)
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Yo K, let me kick it with you for a minute
It was things left unsaid, dog, we wasn't finished
Never got to say thank you for being a friend
Dogs for life, and you, rolled til the end
Held dog down, didn't let a day go by
Every time dog came to the shy (what) - I was good
Trips out to fendis, with the scramblin squad
If I come back to Phoenix, like, damn it's hard
To accept the fact (uh) that you won't be comin back (uh)
But I hope he comin back (uh), cause I won't accept the fact (uh)
When you came to New York, you had to come to the crib
And vice versa (yeah), that's just how we did
Remote-control cars, what! We would race all day
It was adventure we would chase all day (yeah)
So I'm not gonna say goodbye, my nigga (uh-uh)
Instead I would rather (rather)
Focus on the time we spent together, dat's what matters (for real)
Dogs that I call my friends, prayin for all my friends
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Dogs that I call my friends, prayin for all my friends (We miss you Kato)
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
I need you save me a spot, nigga, next to you and the Lord (aight)
I don't know when I'm comin, but keep checkin the door (aight)
But while I'm here, knock on wood
I'll make sure your kids remember who their father was, and thou is good
(Aigh) Understood how real niggaz move, we don't talk
But you always gonna have family in New York, believe that (yeah)
And where you at, you can see that
We dogs for life and in death, and I mean that, vato
Dogs that I call my friends, prayin for all my friends
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Dogs that I call my friends, prayin for all my friends (We miss you Kato)
Things I do for my friends, we miss you! Aiyyo Kato! (We miss you Kato)
Yo, Where The Hood At is bangin right now man
That was your favorite joint, knahmean (We miss you Kato)
It's goin just like we thought it would baby
(We miss you Kato) Yeah (We miss you Kato)
[Val]
I'll always love you K

song performed by by DMX
Submitted by Lucian Velea
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Number 3 on the Docket

The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him. 'Twarn't me!
Somethin' got aholt o' me. I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I - I -
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say 'yes' and 'no'.
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it. I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)

poem by Amy Lowell
Submitted by Poetry Lover
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Back On The Track

Bad reputation, seems to be my style
I've been categorized as a little wild
The police took my photograph
A hunted boy runnin' from his past
Some even called me the devil's child
At seventeen, I was on my own
Had the clothes on my back, from a broken home
Slapped in the face 'til my daddy got straight
I knew it was time to run
(Chorus)
Now I'm back, back on the track again
I'm back, I'm holdin' my own, I'm leadin' the pack
I'm back, from a shattered home and a living hell
I'm back, back on the track
First indication, of trouble's up ahead
I saw the flashing blues, I saw the color red
A big commotion at the friendly store
Found a poor man robbed and a kid at the door
"Guilty as charged", or so the judge said
I was sent to school to try to learn a trade
But when the schoolboys laughed I became enraged
I prayed to god that's the last mistake I'd made
(Chorus)
Bad reputation freedom's my desire
I tried to clear my name, I came under fire
A bad situation was a way of life
With a cutthoat laywer given bad advice
The only hope I had was a proven liar
It was win or lose, out to clean the slate
It was some big news when I made the break
And I ran for years to avoid the state
Another chance I was forced to take
Now I'm back, back on the track again
I'm back, I'm holdin' my own, I'm leadin' the pack
I'm back, from a shattered home and a living hell
I'm back, back on the track again
I'm back, back on the track again
I'm back, I'm back on the track again

song performed by by 38 Special
Submitted by Lucian Velea
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looking Back An Overview Of A Life

Today, I turned forty three
So I look back or look ahead
Back to what I was or ahead to what I'll be
But not too far because then I'd be dead

I decided to look back then ttavel ahead
Exploring my most pivotal years
Remembering things people had said
Examining my deepest fears

Childhood, years of innocence and wonder
Everything to a child's eyes is new
Til one day, innocence is torn asunder
As surely as the sky will be blue

Teenage years, a sense of immortality
At such an age death is not even imagined
Doing everything with such youthful vitality
Not knowing the end is already predestined

Twenties and Thirties maturity is reached
And things just seem to fall into place
Your innocence, long since breached
Is remembered in the look on a child's face

In your Forties attaining middle age
Deciding that maturity looks good on you
Graying hair, against which you don't rage
You feel it's distinguished, how very true

poem by Harry J. Couchon Jr
Submitted by Poetry Lover
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Lost

Find out, care for them.
Fear the spawn, fear lies dead.
Believe you come with me.
You'll soon know, god destroys lives.
Call for, my future.
In the graves, souls find rest.
The search for lives fortune.
We find you, find your remains.
Find out, care for them.
Fear the spawn, fear lies dead.
You'll suffer here we go.
We're dead, the sights we're in for.
Why wage, tortured lives.
Through life's, burning sun.
Torture is, torn hearts.
Death for, death is for the opposed.
Set back, you face pain.
And fight, wolves pack run.
You face pain.
You face pain.
Your soul just lost time.
Lost time.
Why wage, tortured lives.
Through life's, burning sun.
Torture is, torn hearts.
Death for, death for opposed.
Set back, you face pain.
And fight, bad wolves run.
Death to, all this war of lies.
Watch out, your soul just lost time.
Your soul just lost time.
Lost time.
For those, butchered hearts.
Take the fears, squeeze fast.
Sign on to refuel.
The touch of your face, is sealed.

song performed by by Obituary
Submitted by Lucian Velea
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Dark Man

I was in deep, profound sleep,
Suddenly, I heard a quick knock.
I got up and rubbed my eyes.
And oh! it was a great shock!
In thin darkness, I saw a horse-rider,
stood near my semi-dark door.
Who are you and whom do you come for?
'I came crossing the ocean's shore,
to take you there, to king's court.'
The thunderbolt voice replied, then.
Out of sheer fear, I reclined to go.
'I'm at my days end, nothing to gain-'
Told I but, no reply from his end came.
He turned back, and signaled to follow.
Mesmerized I leaving everything
rode on the horse, and bore the wallop.
How long the horse galloped,
I could not tell you all...
The night fell to days lap,
and at last the waning moon did fall.
I heard the sound of ocean's tide,
stopped the horse on its coast!
We, got down from the horse's back-
I saw his mouth's part most.
He was death, and none else,
the dark man took my hand...
A boat came, sailed us away from
the shore lagging behind dust and sand

poem by Nilakshi Das
Submitted by Poetry Lover
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The Old Bark Hut

In an old bark hut on a mountainside
In a spot that was lone and drear
A woman whose heart was aching sat
Watching from year to year.
A small boy, Jim, her only child,
Helped her to watch and wait,
But the time never came when they could go free,
Free from the bond of hate.
For McConnel was out on the mountainside
Living without a hope
And seeing nothing before him now
But death by a hangman’s rope.
Hated and chased by his fellow men,
To take him alive or dead,
An outlaw banned by the world was he
With five hundred pounds on his head.
A message had come that evening which said
“Now, Jim, you mustn’t wait,
If you want to save your father, or
By heaven, you’ll be too late.
“He’s out at Mackinnon’s Crossing, they say,
The track is rough, old man,
But if any here can do it—why
It’s you and old Darky can.”
And Jim knew well what the message meant,
As he brought his horse to the door!
While away through the gathering darkness came
The sound of the river’s roar.
But the brave little heart never faltered as
He stooped to kiss her good-bye
And said, “God bless you, Mother dear,
I’ll save Dad tonight or I’ll die.”
The old horse answered the touch of his hand
And galloped away from the door;
He seemed to know ‘twas a journey for life—
Well, he’d done such journey’s before.
Out from the firelight, and through the rails,
Out through the ghastly trees,
While all the time the warning roar
Of the river came back on the breeze;
Steadily down the mountainside
He rode, for his course was plain,
Though his heart was heavy, though not with fear,
But because of that brand of Cain.
The boy thinks over his mother’s last words:
“I’ll love him as long as I live!
He must have time for repentance on earth
But surely God will forgive.”
As he glanced back over his shoulder there
She stood by the light of the door
Trying to pierce the darkness in vain,
Thinking she’d see him no more.
Then as he looked she bowed her head
And slowly turned away,
And the boy knew that the noble wife
Had knelt by the bed to pray.
Mile after mile, hour after hour,
And then just ahead, shining and white,
Was the foam of Mackinnon’s Crossing—
What a jump for old Darky tonight!
And then Jim thinks of the long, lone years
And the hopes that are crushed and dead;
And a woman whose heart is as true as steel,
As rue as the day she was wed.
As she loved him then in the years gone by
When the future held promise in store,
So she loved him today when the future held
Naught but death by his country’s law.
Jim pressed his knees to the saddle flap
And tightened his hold on the rein;
They had jumped the river last summertime,
How he hoped they would do it again!
Then a voice rang out through the darkness there,
“Hold, now hold, stand still!
We know you, lad, it’s too late to run;
Hands up or we’ll shoot to kill!”
Then he knew that the police were around him,
In the darkness they moved to and fro;
For an instant he pulled on the bridle-rein,
But he’d promised his mother he’d go.
And he thought of the poor, sad woman alone,
Kneeling in prayer by the bed;
So he loosened the reins on old Darky’s neck
And rushed at the river ahead.
Then a volley rang out through the forest dark—
A fall in the roaring flood;
And the darkness hid from all human eyes
The form that was stained with blood.
The horse struggled hard, the waters rushed on;
He sank to rise no more.
But the boy fought the flood in silence, inch
By inch to the other shore.
Slowly and sadly, but bravely on,
Brushing away the tears;
He was leaving behind in the river’s flood
His friend and companion for years.
And all the time the blood trickled down,
O God! what a hot burning pain!
And he knew he was doing is duty clean
He would never come back again.
Staggering in through the yielding door
Into the cold dark room
Where his father lay, and the faint firelight
Showed through the ghostly gloom.
The bushranger sprang to his feet in alarm
And levelled the gun at his head
And his loud voice demanded, “Who are you?
Speak quick, or you are dead.”
And then a weak little voice made answer,
“It’s me; Mother sends you her love;
The police are back at the crossing now,
So clear out and meet Mother above.”
Then McConnel placed his gun by the wall
And knelt on the cold hard floor;
And somehow the tears came rushing down
As they never had before.
His arms went around the brave little lad,
He nursed his head on his breast;
He seemed to know that the end was nigh
And Jim would soon be at rest.
And the boy was speaking feebly at last,
“They shot me back at the creek,
And old Darky is dead and gone, Dad,
And oh, I’m so tired and weak.”
Then his voice fell away in a whisper soft,
So faint it could scarce be heard,
“Oh Dad,, clear out, they are coming fast;
Tell Mother, I kept my word.”
Quickly in silence the police gathered around,
They had captured the beast in his lair;
The outlaw sat with his boy in his arms,
He semed not to heed nor to care.
He was thinking now of the seed he had sown,
He was tasting its bitter fruit,
When the sergeant stepped to the door and said,
“McConnel, bail up or I’ll shoot.”
Then the sergeant placed a lamp by the door,
The rifles gleamed out in the light;
But the outlaw said, “Sergeant O’Drady,
Let’s have no more shooting tonight.
“You can take me now to the judgement seat
As God has taken this lad;
You’d die to take my life, you men—
He died to save his dad.
“I want you to help me dig his grave,
And perhaps you will say a prayer;
Then you can take me and hang me dead—
It’s my wife, or I wouldn’t care.
“Carefully now. . . Oh thank you, men,
Lay him as best you can;
The policeman is shown by his coat, of course;
But the tears—well, they show the man.”
Then the party went back to the old bark hut
As the sun was mounting the hill;
No smoke arose from the chimney cold
And all was silent and still.
The sergeant opened the creaky door,
And lifted his cap with a start,
…Ah, McConnel had broken the country’s laws
And broken a woman’s heart.

poem by Anonymous Oceania
Submitted by Poetry Lover
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Breaking The Charm

Caught Susanner whistlin'; well,
It's most nigh too good to tell.
'Twould 'a' b'en too good to see
Ef it had n't b'en fur me,
Comin' up so soft an' sly
That she didn' hear me nigh.
I was pokin' 'round that day,
An' ez I come down the way,
First her whistle strikes my ears,--
Then her gingham dress appears;
So with soft step up I slips.
Oh, them dewy, rosy lips!
Ripe ez cherries, red an' round,
Puckered up to make the sound.
She was lookin' in the spring,
Whistlin' to beat anything,--
'Kitty Dale' er 'In the Sweet.'
I was jest so mortal beat
That I can't quite ricoleck
What the toon was, but I 'speck
'T was some hymn er other, fur
Hymny things is jest like her.
Well she went on fur awhile
With her face all in a smile,
An' I never moved, but stood
Stiller 'n a piece o' wood--
Would n't wink ner would n't stir,
But a-gazin' right at her,
Tell she turns an' sees me--my!
Thought at first she 'd try to fly.
But she blushed an' stood her ground.
Then, a-slyly lookin' round,
She says: 'Did you hear me, Ben?'
'Whistlin' woman, crowin' hen,'
Says I, lookin' awful stern.
Then the red commenced to burn
In them cheeks o' hern. Why, la!
Reddest red you ever saw--
Pineys wa'n't a circumstance.
You 'd 'a' noticed in a glance
She was pow'rful shamed an' skeart;
But she looked so sweet an' peart,
That a idee struck my head;
So I up an' slowly said:
'Woman whistlin' brings shore harm,
Jest one thing 'll break the charm.'
'And what's that?' 'Oh, my!' says I,
'I don't like to tell you.' 'Why?'
Says Susanner. 'Well, you see
It would kinder fall on me.'
Course I knowed that she 'd insist,--
So I says: 'You must be kissed
By the man that heard you whistle;
Everybody says that this 'll
Break the charm and set you free
From the threat'nin' penalty.'
She was blushin' fit to kill,
But she answered, kinder still:
'I don't want to have no harm,
Please come, Ben, an' break the charm.'
Did I break that charm?--oh, well,
There's some things I must n't tell.
I remember, afterwhile,
Her a-sayin' with a smile:
'Oh, you quit,--you sassy dunce,
You jest caught me whistlin' _once_.'
Ev'ry sence that when I hear
Some one whistlin' kinder clear,
I most break my neck to see
Ef it 's Susy; but, dear me,
I jest find I 've b'en to chase
Some blamed boy about the place.
Dad 's b'en noticin' my way,
An' last night I heerd him say:
'We must send fur Dr. Glenn,
Mother; somethin 's wrong with Ben!'

poem by Paul Laurence Dunbar
Submitted by Poetry Lover
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The Ghost at the Second Bridge

You'd call the man a senseless fool,—
A blockhead or an ass,
Who’d dare to say he saw the ghost
Of Mount Victoria Pass;
But I believe the ghost is there,
For, if my eyes are right,
I saw it once upon a ne’er-
To-be-forgotten night.
’Twas in the year of eighty-nine—
The day was nearly gone,
The stars were shining, and the moon
Is mentioned further on;
I’d tramped as far as Hartley Vale,
Tho’ tired at the start,
But coming back I got a lift
In Johnny Jones’s cart.

’Twas winter on the mountains then—
The air was rather chill,
And so we stopped beside the inn
That stands below the hill.
A fire was burning in the bar,
And Johnny thought a glass
Would give the tired horse a spell
And help us up the Pass.

Then Jimmy Bent came riding up—
A tidy chap was Jim—
He shouted twice, and so of course
We had to shout for him.
And when at last we said good-night
He bet a vulgar quid
That we would see the “ghost in black”,
And sure enough we did.

And as we climbed the stony pinch
Below the Camel Bridge,
We talked about the “Girl in black”
Who haunts the Second Bridge.
We reached the fence that guards the cliff
And passed the corner post,
And Johnny like a senseless fool
Kept harping on the ghost.

“She’ll cross the moonlit road in haste
And vanish down the track;
Her long black hair hangs to her waist
And she is dressed in black;
Her face is white, a dull dead white—
Her eyes are opened wide—
She never looks to left or right,
Or turns to either side.”

I didn’t b’lieve in ghosts at all,
Tho’ I was rather young,
But still I wished with all my heart
That Jack would hold his tongue.
The time and place, as you will say,
(’Twas twelve o’clock almost)—
Were both historically fa-
Vourable for a ghost.

But have you seen the Second Bridge
Beneath the “Camel’s Back”?
It fills a gap that broke the ridge
When convicts made the track;
And o’er the right old Hartley Vale
In homely beauty lies,
And o’er the left the mighty walls
Of Mount Victoria rise.

And there’s a spot above the bridge,
Just where the track is steep,
From which poor Convict Govett rode
To christen Govett’s Leap;
And here a teamster killed his wife—
For those old days were rough—
And here a dozen others had
Been murdered, right enough.

The lonely moon was over all
And she was shining well,
At angles from the sandstone wall
The shifting moonbeams fell.
In short, the shifting moonbeams beamed,
The air was still as death,
Save when the listening silence seemed
To speak beneath its breath.

The tangled bushes were not stirred
Because there was no wind,
But now and then I thought I heard
A startling noise behind.
Then Johnny Jones began to quake;
His face was like the dead.
“Don’t look behind, for heaven’s sake!
The ghost is there!” he said.

He stared ahead—his eyes were fixed;
He whipped the horse like mad.
“You fool!” I cried, “you’re only mixed;
A drop too much you’ve had.
I’ll never see a ghost, I swear,
But I will find the cause.”
I turned to see if it was there,
And sure enough it was!

Its look appeared to plead for aid
(As far as I could see),
Its hands were on the tailboard laid,
Its eyes were fixed on me.
The face, it cannot be denied
Was white, a dull dead white,
The great black eyes were opened wide
And glistened in the light.

I stared at Jack; he stared ahead
And madly plied the lash.
To show I wasn’t scared, I said—
“Why, Jack, we’ve made a mash.”
I tried to laugh; ’twas vain to try.
The try was very lame;
And, tho’ I wouldn’t show it, I
Was frightened, all the same.

“She’s mashed,” said Jack, “I do not doubt,
But ’tis a lonely place;
And then you see it might turn out
A breach of promise case.”
He flogged the horse until it jibbed
And stood as one resigned,
And then he struck the road and ran
And left the cart behind.

Now, Jack and I since infancy
Had shared our joys and cares,
And so I was resolved that we
Should share each other’s scares.
We raced each other all the way
And never slept that night,
And when we told the tale next day
They said that we were—intoxicated.

poem by Henry Lawson
Submitted by Poetry Lover
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The Dukite Snake

Well, mate, you’ve asked about a fellow
You met to-day, in a black-and-yellow
Chain-gang suit, with a peddler’s pack,
Or with some such burden, strapped to his back.
Did you meet him square? No, passed you by?
Well, if you had, and had looked in his eye,
You’d have felt for your irons then and there;
For the light in his eye is a madman’s glare.
Ay, mad, poor fellow! I know him well,
And if you’re not sleepy just yet, I’ll tell
His story,—a strange one as ever you heard
Or read; but I’ll vouch for it, every word.

You just wait a minute, mate: I must see
How that damper’s doing, and make some tea.
You smoke? That’s good; for there’s plenty of weed
In that wallaby skin. Does your horse feed
In the hobbles? Well, he’s got good feed here,
And my own old bush mare won’t interfere.
Done with that meat? Throw it there to the dogs,
And fling on a couple of banksia logs.

And now for the story. That man who goes
Through the bush with the pack and the convict’s clothes
Has been mad for years; but he does no harm,
And our lonely settlers feel no alarm
When they see or meet him. Poor Dave Sloane
Was a settler once, and a friend of my own.
Some eight years back, in the spring of the year,
Dave came from Scotland, and settled here.
A splendid young fellow he was just then,
And one of the bravest and truest men
That I ever met: he was kind as a woman
To all who needed a friend, and no man—
Not even a convict—met with his scorn,
For David Sloane was a gentleman born.
Ay, friend, a gentleman, though it sounds queer:
There’s plenty of blue blood flowing out here,
And some younger sons of your “upper ten”
Can be met with here, first-rate bushmen.
Why, friend, I—Bah! curse that dog! you see
This talking so much has affected me.

Well, Sloane came here with an axe and a gun;
He bought four miles of a sandal-wood run.
This bush at that time was a lonesome place,
So lonesome the sight of a white man’s face
Was a blessing, unless it came at night,
And peered in your hut, with the cunning fright
Of a runaway convict; and even they
Were welcome, for talk’s sake, while they could stay.
Dave lived with me here for a while, and learned
The tricks of the bush,—how the snare was laid
In the wallaby track, how traps were made,
How ’possums and kangaroo rats were killed,
And when that was learned, I helped him to build
From mahogany slabs a good bush hut,
And showed him how sandal-wood logs were cut.
I lived up there with him days and days,
For I loved the lad for his honest ways.
I had only one fault to find: at first
Dave worked too hard; for a lad who was nursed,
As he was, in idleness, it was strange
How he cleared that sandal-wood off his range.
From the morning light till the light expired
He was always working, he never tired;
Till at length I began to think his will
Was too much settled on wealth, and still
When I looked at the lad’s brown face, and eye
Clear open, my heart gave such thought the lie.
But one day—for he read my mind—he laid
His hand on my shoulder: “Don’t be afraid,”
Said he, “that I’m seeking alone for pelf.
I work hard, friend; but ’tis not for myself.”

And he told me then, in his quiet tone,
Of a girl in Scotland, who was his own,—
His wife,—’twas for her: ’twas all he could say,
And his clear eye brimmed as he turned away.
After that he told me the simple tale:
They had married for love, and she was to sail
For Australia when he wrote home and told
The oft-watched-for story of finding gold.

In a year he wrote, and his news was good:
He had bought some cattle and sold his wood.
He said, “Darling, I’ve only a hut,—but come.”
Friend, a husband’s heart is a true wife’s home;
And he knew she’d come. Then he turned his hand
To make neat the house, and prepare the land
For his crops and vines; and he made that place
Put on such a smiling and homelike face,
That when she came, and he showed her round
His sandal-wood and his crops in the ground,
And spoke of the future, they cried for joy,
The husband’s arm clasping his wife and boy.

Well, friend, if a little of heaven’s best bliss
Ever comes from the upper world to this,
It came into that manly bushman’s life,
And circled him round with the arms of his wife.
God bless that bright memory! Even to me,
A rough, lonely man, did she seem to be,
While living, an angel of God’s pure love,
And now I could pray to her face above.
And David he loved her as only a man
With a heart as large as was his heart can.
I wondered how they could have lived apart,
For he was her idol, and she his heart.

Friend, there isn’t much more of the tale to tell:
I was talking of angels awhile since. Well,
Now I’ll change to a devil,—ay, to a devil!
You needn’t start: if a spirit of evil
Ever came to this world its hate to slake
One mankind, it came as a Dukite Snake.

Like? Like the pictures you’ve seen of Sin,
A long red snake,—as if what was within
Was fire that gleamed through his glistening skin.
And his eyes!—if you could go down to hell
And come back to your fellows here and tell
What the fire was like, you could find no thing,
Here below on the earth, or up in the sky,
To compare it to but a Dukite’s eye!

Now, mark you, these Dukites don’t go alone:
There’s another near when you see but one;
And beware you of killing that one you see
Without finding the other; for you may be
More than twenty miles from the spot that night,
When camped, but you’re tracked by the lone Dukite,
That will follow your trail like Death or Fate,
And kill you as sure as you killed its mate!

Well, poor Dave Sloane had his young wife here
Three months,—’twas just this time of the year.
He had teamed some sandal-wood to the Vasse,
And was homeward bound, when he saw in the grass
A long red snake: he had never been told
Of the Dukite’s ways,—he jumped to the road,
And smashed its flat head with the bullock-goad!

He was proud of the red skin, so he tied
Its tail to the cart, and the snake’s blood dyed
The bush on the path he followed that night.

He was early home, and the dead Dukite
Was flung at the door to be skinned next day.
At sunrise next morning he started away
To hunt up his cattle. A three hours’ ride
Brought him back: he gazed on his home with pride
And joy in his heart; he jumped from his horse
And entered—to look on his young wife’s corse,
And his dead child clutching his mother’s clothes
As in fright; and there, as he gazed, arose
From her breast, where ’twas resting, the gleaming head
Of the terrible Dukite, as if it said,
“I’ve had vengeance, my foe: you took all I had.”

And so had the snake—David Sloane was mad!
I rode to his hut just by chance that night,
And there on the threshold the clear moonlight
Showed the two snakes dead. I pushed in the door
With an awful feeling of coming woe:
The dead was stretched on the moonlit floor,
The man held the hand of his wife,—his pride,
His poor life’s treasure,—and crouched by her side.
O God! I sank with the weight of the blow.

I touched and called him: he heeded me not,
So I dug her grave in a quiet spot,
And lifted them both,—her boy on her breast,—
And laid them down in the shade to rest.
Then I tried to take my poor friend away,
But he cried so woefully, “Let me stay
Till she comes again!” that I had no heart
To try to persuade him then to part
From all that was left to him here,—her grave;
So I stayed by his side that night, and, save
One heart-cutting cry, he uttered no sound,—
O God! that wail—like the wail of a hound!

’Tis six long years since I heard that cry,
But ’twill ring in my ears till the day I die.
Since that fearful night no one has heard
Poor David Sloane utter sound or word.
You have seen to-day how he always goes:
He’s been given that suit of convict’s clothes
By some prison officer. On his back
You noticed a load like a peddler’s pack?
Well, that’s what he lives for: when reason went,
Still memory lived, for the days are spent
In searching for Dukites; and year by year
That bundle of skins is growing. ’Tis clear
That the Lord out of evil some good still takes;
For he’s clearing this bush of the Dukite snakes.

poem by John Boyle O'Reilly
Submitted by Poetry Lover
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Snow wolves

I can hear the wolves
Howl in the distance
The howl is suddenly
Dampened by the falling snow
In a clearing
I see the wolves howl
Perched on the slanted rock
They cry to the moon
The moon cries back
It cries with agony
It cries because of death
Death witnessed beneath it's glow
The wolves turn and howl
The snow doesn't let up
But blows harder
Through blind panic
i run
I hear the wolves howl
Only it isn't in the distance

poem by Eric Ripley
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Off the Turnpike

Good ev'nin', Mis' Priest.
I jest stepped in to tell you Good-bye.
Yes, it's all over.
All my things is packed
An' every last one o' them boxes
Is on Bradley's team
Bein' hauled over to th' depot.
No, I ain't goin' back agin.
I'm stoppin' over to French's fer to-night,
And goin' down first train in th' mornin'.
Yes, it do seem kinder queer
Not to be goin' to see Cherry's Orchard no more,
But Land Sakes! When a change's comin',
Why, I al'ays say it can't come too quick.
Now, that's real kind o' you,
Your doughnuts is always so tasty.
Yes, I'm goin' to Chicago,
To my niece,
She's married to a fine man, hardware business,
An' doin' real well, she tells me.
Lizzie's be'n at me to go out ther for the longest while.
She ain't got no kith nor kin to Chicago, you know
She's rented me a real nice little flat,
Same house as hers,
An' I'm goin' to try that city livin' folks say's so pleasant.
Oh, yes, he was real generous,
Paid me a sight o' money fer the Orchard;
I told him 'twouldn't yield nothin' but stones,
But he ain't farmin' it.
Lor', no, Mis' Priest,
He's jest took it to set and look at the view.
Mebbe he wouldn't be so stuck on the view
Ef he'd seed it every mornin' and night for forty year
Same's as I have.
I dessay it's pretty enough,
But it's so pressed into me
I c'n see't with my eyes shut.
No. I ain't cold, Mis' Priest,
Don't shut th' door.
I'll be all right in a minit.
But I ain't a mite sorry to leave that view.
Well, mebbe 'tis queer to feel so,
An' mebbe 'taint.
My! But that tea's revivin'.
Old things ain't always pleasant things, Mis' Priest.
No, no, I don't cal'late on comin' back,
That's why I'd ruther be to Chicago,
Boston's too near.
It ain't cold, Mis' Priest,
It's jest my thoughts.
I ain't sick, only -
Mis' Priest, ef you've nothin' ter take yer time,
An' have a mind to listen,
Ther's somethin' I'd like ter speak about
I ain't never mentioned it,
But I'd like to tell yer 'fore I go.
Would you mind lowerin' them shades,
Fall twilight's awful grey,
An' that fire's real cosy with the shades drawed.
Well, I guess folks about here think I've be'n dret'ful onsociable.
You needn't say 'taint so, 'cause I know diff'rent.
An' what's more, it's true.
Well, the reason is I've be'n scared out o' my life.
Scared ev'ry minit o' th' time, fer eight year.
Eight mortal year 'tis, come next June.
'Twas on the eighteenth o' June,
Six months after I'd buried my husband,
That somethin' happened ter me.
Mebbe you'll mind that afore that
I was a cheery body.
Hiram was too,
Al'ays liked to ask a neighbor in,
An' ev'n when he died,
Barrin' low sperrits, I warn't averse to seein' nobody.
But that eighteenth o' June changed ev'rythin'.
I was doin' most o' th' farmwork myself,
With jest a hired boy, Clarence King, 'twas,
Comin' in fer an hour or two.
Well, that eighteenth o' June
I was goin' round,
Lockin' up and seein' to things 'fore I went to bed.
I was jest steppin' out t' th' barn,
Goin' round outside 'stead o' through the shed,
'Cause there was such a sight o' moonlight
Somehow or another I thought 'twould be pretty outdoors.
I got settled for pretty things that night, I guess.
I ain't stuck on 'em no more.
Well, them laylock bushes side o' th' house
Was real lovely.
Glitt'rin' and shakin' in the moonlight,
An' the smell o' them rose right up
An' most took my breath away.
The colour o' the spikes was all faded out,
They never keep their colour when the moon's on 'em,
But the smell fair 'toxicated me.
I was al'ays partial to a sweet scent,
An' I went close up t' th' bushes
So's to put my face right into a flower.
Mis' Priest, jest's I got breathin' in that laylock bloom
I saw, layin' right at my feet,
A man's hand!
It was as white's the side o' th' house,
And sparklin' like that lum'nous paint they put on gate-posts.
I screamed right out,
I couldn't help it,
An' I could hear my scream
Goin' over an' over
In that echo be'ind th' barn.
Hearin' it agin an' agin like that
Scared me so, I dar'sn't scream any more.
I jest stood ther,
And looked at that hand.
I thought the echo'd begin to hammer like my heart,
But it didn't.
There was only th' wind,
Sighin' through the laylock leaves,
An' slappin' 'em up agin the house.
Well, I guess I looked at that hand
Most ten minits,
An' it never moved,
Jest lay there white as white.
After a while I got to thinkin' that o' course
'Twas some drunken tramp over from Redfield.
That calmed me some,
An' I commenced to think I'd better git him out
From under them laylocks.
I planned to drag him in t' th' barn
An' lock him in ther till Clarence come in th' mornin'.
I got so mad thinkin' o' that all-fired brazen tramp
Asleep in my laylocks,
I jest stooped down and grabbed th' hand and give it an awful pull.
Then I bumped right down settin' on the ground.
Mis' Priest, ther warn't no body come with the hand.
No, it ain't cold, it's jest that I can't abear thinkin' of it,
Ev'n now.
I'll take a sip o' tea.
Thank you, Mis' Priest, that's better.
I'd ruther finish now I've begun.
Thank you, jest the same.
I dropped the hand's ef it'd be'n red hot
'Stead o' ice cold.
Fer a minit or two I jest laid on that grass
Pantin'.
Then I up and run to them laylocks
An' pulled 'em every which way.
True es I'm settin' here, Mis' Priest,
Ther warn't nothin' ther.
I peeked an' pryed all about 'em,
But ther warn't no man ther
Neither livin' nor dead.
But the hand was ther all right,
Upside down, the way I'd dropped it,
And glist'nin' fit to dazzle yer.
I don't know how I done it,
An' I don't know why I done it,
But I wanted to git that dret'ful hand out o' sight
I got in t' th' barn, somehow,
An' felt roun' till I got a spade.
I couldn't stop fer a lantern,
Besides, the moonlight was bright enough in all conscience.
Then I scooped that awful thing up in th' spade.
I had a sight o' trouble doin' it.
It slid off, and tipped over, and I couldn't bear
Ev'n to touch it with my foot to prop it,
But I done it somehow.
Then I carried it off be'ind the barn,
Clost to an old apple-tree
Where you couldn't see from the house,
An' I buried it,
Good an' deep.

I don't rec'lect nothin' more o' that night.
Clarence woke me up in th' mornin',
Hollerin' fer me to come down and set th' milk.
When he'd gone,
I stole roun' to the apple-tree
And seed the earth all new turned
Where I left it in my hurry.
I did a heap o' gardenin'
That mornin'.
I couldn't cut no big sods
Fear Clarence would notice and ask me what I wanted 'em fer,
So I got teeny bits o' turf here and ther,
And no one couldn't tell ther'd be'n any diggin'
When I got through.
They was awful days after that, Mis' Priest,
I used ter go every mornin' and poke about them bushes,
An' up and down the fence,
Ter find the body that hand come off of.
But I couldn't never find nothin'.
I'd lay awake nights
Hearin' them laylocks blowin' and whiskin'.
At last I had Clarence cut 'em down
An' make a big bonfire of 'em.
I told him the smell made me sick,
An' that warn't no lie,
I can't abear the smell on 'em now;
An' no wonder, es you say.
I fretted somethin' awful 'bout that hand
I wondered, could it be Hiram's,
But folks don't rob graveyards hereabouts.
Besides, Hiram's hands warn't that awful, starin' white.
I give up seein' people,
I was afeared I'd say somethin'.
You know what folks thought o' me
Better'n I do, I dessay,
But mebbe now you'll see I couldn't do nothin' diff'rent.
But I stuck it out,
I warn't goin' to be downed
By no loose hand, no matter how it come ther
But that ain't the worst, Mis' Priest,
Not by a long ways.
Two year ago, Mr. Densmore made me an offer for Cherry's Orchard.
Well, I'd got used to th' thought o' bein' sort o' blighted,
An' I warn't scared no more.
Lived down my fear, I guess.
I'd kinder got used to th' thought o' that awful night,
And I didn't mope much about it.
Only I never went out o' doors by moonlight;
That stuck.
Well, when Mr. Densmore's offer come,
I started thinkin' 'bout the place
An' all the things that had gone on ther.
Thinks I, I guess I'll go and see where I put the hand.
I was foolhardy with the long time that had gone by.
I know'd the place real well,
Fer I'd put it right in between two o' the apple roots.
I don't know what possessed me, Mis' Priest,
But I kinder wanted to know
That the hand had been flesh and bone, anyway.
It had sorter bothered me, thinkin' I might ha' imagined it.
I took a mornin' when the sun was real pleasant and warm;
I guessed I wouldn't jump for a few old bones.
But I did jump, somethin' wicked.
Ther warn't no bones!
Ther warn't nothin'!
Not ev'n the gold ring I'd minded bein' on the little finger.
I don't know ef ther ever was anythin'.
I've worried myself sick over it.
I be'n diggin' and diggin' day in and day out
Till Clarence ketched me at it.
Oh, I know'd real well what you all thought,
An' I ain't sayin' you're not right,
But I ain't goin' to end in no county 'sylum
If I c'n help it.
The shiv'rin' fits come on me sudden like.
I know 'em, don't you trouble.
I've fretted considerable about the 'sylum,
I guess I be'n frettin' all the time I ain't be'n diggin'.
But anyhow I can't dig to Chicago, can I?
Thank you, Mis' Priest,
I'm better now. I only dropped in in passin'.
I'll jest be steppin' along down to French's.
No, I won't be seein' nobody in the mornin',
It's a pretty early start.
Don't you stand ther, Mis' Priest,
The wind'll blow yer lamp out,
An' I c'n see easy, I got aholt o' the gate now.
I ain't a mite tired, thank you.
Good-night.

poem by Amy Lowell
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When to sing a song

Walls at gray-scale hath me inside
Life ahead heard, never I sensed
A bird no doubt in humanly pride
Of reasons, aye reasons' nonsense

Of mine voice so ill, undeniably shaky
never spoke thus called crazy
I to earth a victim, a patsy
Walls over walls my escape to beauty

Hath I no other thoughts but escape
my knife I plunged quickly to climb
yet as much closer to top's no safe
The beating inside to my body; rhyme

On border tall I merely balance
my view to color was still
I sing a song, I caught a glance
an eagle strikes to kill

A second, mine foot step aback in fright
There I nearly touch the light
All to black, I lost mine sight
I fell down to mine great height

Broken my dreams, consumed all the hope
mine world dims, lost all mine rope
mine goals are now nightmare
Scared I am much to go there

All left to me was to stare
I fired a flare to catch an eye
Dismayed naught I; some do care
yet none but mere words and lie

I sang a song to gather help
yet came a fierce predator cat
I shriek in fear, to save myself
heard I not howl but wings of bat

The fear never fade, bats were black
his bare squeaks brought him aback
I again sang a song in gloom;
'This world to me is no room...'

'twas years and a year ago
I was left in solitude
Never knew where to go
no things I knew I should

Gray were walls since birth of time
me and fate I guess should rhyme
I now in gray for walls are too long
engulf the life and sing a song

Down I was to earth in dearth
walls break down on itself
up I go in joy and irk
was it fate or destiny's help?

There I saw how ephemeral walls are
Our world ain't gray but the other way
Those songs aren't sung to be a star
but to tell the world of mine heart's say

To go against the current of life
will never be a better choice
To strike, attack, or plunge your knife
wouldn't help them hear your voice

poem by Ellirie Aviles
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Being Dead

They came to her to tell her that she was dead-
passed away in her sleep.

But, ' she retorted, this must be a dream

and cannot be so-
I'm not dead-perhaps still asleep.'

'No', they said, 'dead and nothing to be done;
acceptance not denial is what is requiews here.'

She felt her arms and said 'See I am alive, still here.'

'Illusion.' they said The dead always try to keep the illusion of life
because that is all they know

life is gone from you now, the book is closed.

'This is absurd; ' she said 'let me out of here.
I am alive, not dead and gone'

'There is nothing to stop you leaving they said, ' he said 'you can always leave life you understand is but a tree with death as it final branch.

She got up and walked to what looked like a door paused opening it gingerly blinded by a briight white, so she shut it again turning to face again to her interlocutors.

'What is going on where am I? ' she said.

They ignored her whispering among themselves finally facing her, one of them saying;

'We can give special dispensation and perhaps...'

She interrupted him, 'Special dispensation, what is that? '

'Well' he said 'you can go, leave here if you like, but only for three days and if…'

If, if what.' she said.

'in those two days you can walk among the living but they will not be able to see or hear you
and if you can some how communicate with them,
make your self feel alive to them
and they want you to come back,
then you can perhaps go back, go back among the living,

That will be permanent until you die again,
understanding, of course, that in time
we all die.'

Convince them? How can I do that if they cannot hear or see me?

'Well you can go among them, ' one of them explained
'and even though they will not be able to hear or see you,
your spirit will be present and that will be the trigger among them
signaling their desire for your return,
then that might make your return possible.'

'Not see or hear me, ' she said 'but how then will I be able to convince them I am alive? This makes no sense.'

'Oh yes it does. You have to get them to conjure you in their memory, wish you were still alive, remember you fondly,
wish you were still with them after all this time.'

'All this time? ', she said.

How long have I been dead? '

'Well now they said 'it has been over five years now.'

'Five years! ' she said incredulously.

'Yes five years.' he said.

'I know people forget, even loved ones can forget
you after five years, and they go on with their lives.'

'Yes, our point exactly, ' he said, 'then you are not only dead but not remembered, and being not remembered is true death'

Do you want to go, go back
understanding that if you fail,
your death will then be death true final test? '

She paused thinking how hurtful it would be
if she could not get anyone to conjure her memory..

'What happens' she said 'if I succeed and some one remembers me and wants me back? '

'That is the point someone can remember you yourself may not want to come back. That part is important.'

'And, ' he said 'you may not want to go back. If you do go back there might be loved ones who have moved on with their lives.'
.

'What about my husband, has he moved on? ' she said?

They did not answer.

'We can tell you nothing. These things you will have to find out for yourself.

Some, ' he said 'find out and want to come back here. Each is different-take your time.
She stood thinking about what to do.

To be continued

poem by Lonnie Hicks
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Vagabond

Dunno a heap about the what an' why,
Can't say's I ever knowed.
Heaven to me's a fair blue stretch of sky,
Earth's jest a dusty road.

Dunno the names o' things, nor what they are,
Can't say's I ever will.
Dunno about God - he's jest the noddin' star
Atop the windy hill.

Dunno about Life - it's jest a tramp alone,
From wakin'-time to doss.
Dunno about Death - it's jest a quiet stone
All over-grey wi' moss.

An' why I live, an' why the old world spins,
Are things I never knowed.
My mark's the gypsy fires, the lonely inns,
An' jest the dusty road.

poem by John Masefield (1902)
Submitted by anonym
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English Eclogues II - The Grandmother's Tale

JANE.
Harry! I'm tired of playing. We'll draw round
The fire, and Grandmamma perhaps will tell us
One of her stories.

HARRY.
Aye--dear Grandmamma!
A pretty story! something dismal now;
A bloody murder.

JANE.
Or about a ghost.

GRANDMOTHER.
Nay, nay, I should but frighten you. You know
The other night when I was telling you
About the light in the church-yard, how you trembled
Because the screech-owl hooted at the window,
And would not go to bed.

JANE.
Why Grandmamma
You said yourself you did not like to hear him.
Pray now! we wo'nt be frightened.

GRANDMOTHER.
Well, well, children!
But you've heard all my stories. Let me see,--
Did I never tell you how the smuggler murdered
The woman down at Pill?

HARRY.
No--never! never!

GRANDMOTHER.
Not how he cut her head off in the stable?

HARRY.
Oh--now! do tell us that!

GRANDMOTHER.
You must have heard
Your Mother, children! often tell of her.
She used to weed in the garden here, and worm
Your uncle's dogs, and serve the house with coal;
And glad enough she was in winter time
To drive her asses here! it was cold work
To follow the slow beasts thro' sleet and snow,
And here she found a comfortable meal
And a brave fire to thaw her, for poor Moll
Was always welcome.

HARRY.
Oh--'twas blear-eyed Moll
The collier woman,--a great ugly woman,
I've heard of her.

GRANDMOTHER.
Ugly enough poor soul!
At ten yards distance you could hardly tell
If it were man or woman, for her voice
Was rough as our old mastiff's, and she wore
A man's old coat and hat,--and then her face!
There was a merry story told of her,
How when the press-gang came to take her husband
As they were both in bed, she heard them coming,
Drest John up in her night-cap, and herself
Put on his clothes and went before the Captain.

JANE.
And so they prest a woman!

GRANDMOTHER.
'Twas a trick
She dearly loved to tell, and all the country
Soon knew the jest, for she was used to travel
For miles around. All weathers and all hours
She crossed the hill, as hardy as her beasts,
Bearing the wind and rain and winter frosts,
And if she did not reach her home at night
She laid her down in the stable with her asses
And slept as sound as they did.

HARRY.
With her asses!

GRANDMOTHER.
Yes, and she loved her beasts. For tho' poor wretch
She was a terrible reprobate and swore
Like any trooper, she was always good
To the dumb creatures, never loaded them
Beyond their strength, and rather I believe
Would stint herself than let the poor beasts want,
Because, she said, they could not ask for food.
I never saw her stick fall heavier on them
Than just with its own weight. She little thought
This tender-heartedness would be her death!
There was a fellow who had oftentimes,
As if he took delight in cruelty.
Ill-used her Asses. He was one who lived
By smuggling, and, for she had often met him
Crossing the down at night, she threatened him,
If he tormented them again, to inform
Of his unlawful ways. Well--so it was--
'Twas what they both were born to, he provoked her,
She laid an information, and one morn
They found her in the stable, her throat cut
From ear to ear,'till the head only hung
Just by a bit of skin.

JANE.
Oh dear! oh dear!

HARRY.
I hope they hung the man!

GRANDMOTHER.
They took him up;
There was no proof, no one had seen the deed,
And he was set at liberty. But God
Whoss eye beholdeth all things, he had seen
The murder, and the murderer knew that God
Was witness to his crime. He fled the place,
But nowhere could he fly the avenging hand
Of heaven, but nowhere could the murderer rest,
A guilty conscience haunted him, by day,
By night, in company, in solitude,
Restless and wretched, did he bear upon him
The weight of blood; her cries were in his ears,
Her stifled groans as when he knelt upon her
Always he heard; always he saw her stand
Before his eyes; even in the dead of night
Distinctly seen as tho' in the broad sun,
She stood beside the murderer's bed and yawn'd
Her ghastly wound; till life itself became
A punishment at last he could not bear,
And he confess'd it all, and gave himself
To death, so terrible, he said, it was
To have a guilty conscience!

HARRY.
Was he hung then?

GRANDMOTHER.
Hung and anatomized. Poor wretched man,
Your uncles went to see him on his trial,
He was so pale, so thin, so hollow-eyed,
And such a horror in his meagre face,
They said he look'd like one who never slept.
He begg'd the prayers of all who saw his end
And met his death with fears that well might warn
From guilt, tho' not without a hope in Christ.

poem by Robert Southey
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