The Ghost at the Second Bridge
You'd call the man a senseless fool,—
A blockhead or an ass,
Who’d dare to say he saw the ghost
Of Mount Victoria Pass;
But I believe the ghost is there,
For, if my eyes are right,
I saw it once upon a ne’er-
To-be-forgotten night.
’Twas in the year of eighty-nine—
The day was nearly gone,
The stars were shining, and the moon
Is mentioned further on;
I’d tramped as far as Hartley Vale,
Tho’ tired at the start,
But coming back I got a lift
In Johnny Jones’s cart.
’Twas winter on the mountains then—
The air was rather chill,
And so we stopped beside the inn
That stands below the hill.
A fire was burning in the bar,
And Johnny thought a glass
Would give the tired horse a spell
And help us up the Pass.
Then Jimmy Bent came riding up—
A tidy chap was Jim—
He shouted twice, and so of course
We had to shout for him.
And when at last we said good-night
He bet a vulgar quid
That we would see the “ghost in black”,
And sure enough we did.
And as we climbed the stony pinch
Below the Camel Bridge,
We talked about the “Girl in black”
Who haunts the Second Bridge.
We reached the fence that guards the cliff
And passed the corner post,
And Johnny like a senseless fool
Kept harping on the ghost.
“She’ll cross the moonlit road in haste
And vanish down the track;
Her long black hair hangs to her waist
And she is dressed in black;
Her face is white, a dull dead white—
Her eyes are opened wide—
She never looks to left or right,
Or turns to either side.”
I didn’t b’lieve in ghosts at all,
Tho’ I was rather young,
But still I wished with all my heart
That Jack would hold his tongue.
The time and place, as you will say,
(’Twas twelve o’clock almost)—
Were both historically fa-
Vourable for a ghost.
But have you seen the Second Bridge
Beneath the “Camel’s Back”?
It fills a gap that broke the ridge
When convicts made the track;
And o’er the right old Hartley Vale
In homely beauty lies,
And o’er the left the mighty walls
Of Mount Victoria rise.
And there’s a spot above the bridge,
Just where the track is steep,
From which poor Convict Govett rode
To christen Govett’s Leap;
And here a teamster killed his wife—
For those old days were rough—
And here a dozen others had
Been murdered, right enough.
The lonely moon was over all
And she was shining well,
At angles from the sandstone wall
The shifting moonbeams fell.
In short, the shifting moonbeams beamed,
The air was still as death,
Save when the listening silence seemed
To speak beneath its breath.
The tangled bushes were not stirred
Because there was no wind,
But now and then I thought I heard
A startling noise behind.
Then Johnny Jones began to quake;
His face was like the dead.
“Don’t look behind, for heaven’s sake!
The ghost is there!” he said.
He stared ahead—his eyes were fixed;
He whipped the horse like mad.
“You fool!” I cried, “you’re only mixed;
A drop too much you’ve had.
I’ll never see a ghost, I swear,
But I will find the cause.”
I turned to see if it was there,
And sure enough it was!
Its look appeared to plead for aid
(As far as I could see),
Its hands were on the tailboard laid,
Its eyes were fixed on me.
The face, it cannot be denied
Was white, a dull dead white,
The great black eyes were opened wide
And glistened in the light.
I stared at Jack; he stared ahead
And madly plied the lash.
To show I wasn’t scared, I said—
“Why, Jack, we’ve made a mash.”
I tried to laugh; ’twas vain to try.
The try was very lame;
And, tho’ I wouldn’t show it, I
Was frightened, all the same.
“She’s mashed,” said Jack, “I do not doubt,
But ’tis a lonely place;
And then you see it might turn out
A breach of promise case.”
He flogged the horse until it jibbed
And stood as one resigned,
And then he struck the road and ran
And left the cart behind.
Now, Jack and I since infancy
Had shared our joys and cares,
And so I was resolved that we
Should share each other’s scares.
We raced each other all the way
And never slept that night,
And when we told the tale next day
They said that we were—intoxicated.
poem by Henry Lawson
Submitted by Poetry Lover
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Talbragar
Jack Denver died on Talbragar when Christmas Eve began,
And there was sorrow round the place, for Denver was a man;
Jack Denver’s wife bowed down her head—her daughter’s grief was wild,
And big Ben Duggan by the bed stood sobbing like a child.
But big Ben Duggan saddled up, and galloped fast and far,
To raise the biggest funeral ever seen on Talbragar.
By station home
And shearing shed
Ben Duggan cried, “Jack Denver’s dead!
Roll up at Talbragar!”
He borrowed horses here and there, and rode all Christmas Eve,
And scarcely paused a moment’s time the mournful news to leave;
He rode by lonely huts and farms, until the day was done
And then he turned his horse’s head and made for Ross’s Run.
No Bushman in a single day had ridden half so far
Since Johnson brought the doctor to his wife at Talbragar.
By diggers’ camps
Ben Duggan sped—
At each he cried, “Jack Denver’s dead!
Roll up at Talbragar!”
That night he passed the humpies of the splitters on the ridge,
And roused the bullock-drivers camped at Belinfante’s Bridge;
And as he climbed the ridge again the moon shone on the rise;
The soft white moonbeams glistened in the tears that filled his eyes;
He dashed the rebel drops away—for blinding things they are—
But ’twas his best and truest friend who died on Talbragar.
At Blackman’s Run
Before the dawn,
Ben Duggan cried, “Jack Denver’s gone!
Roll up at Talbragar!”
At all the shanties round the place they‘d beard his horse’s tramp,
He took the track to Wilson’s Luck, and told the diggers’ camp;
But in the gorge by Deadman’s Gap the mountain shades were black,
And there a newly-fallen tree was lying on the track—
He saw too late, and then he heard the swift hoof ’s sudden jar,
And big Ben Duggan ne’er again rode home to Talbragar.
“The wretch is drunk,
And Denver’s dead—
A burning shame!” the people said
Next day at Talbragar.
For thirty miles round Talbragar the boys rolled up in strength,
And Denver had a funeral a good long mile in length;
Round Denver’s grave that Christmas day rough Bushmen’s eyes were dim—
The Western Bushmen knew the way to bury dead like him;
But some returning homeward found, by light of moon and star,
Ben Duggan dying in the rocks, ten miles from Talbragar.
They knelt around.
He raised his head
And faintly gasped, “Jack Denver’s dead,
Roll up at Talbragar!”
But one short hour before he died he woke and understood;
They told him, when he asked them, that the funeral was good;
And then there came into his eyes a sad and softened light.
He said. “Poor Denver’s wife and kids—you’ll see that they’re all right?”
And still the careless Bushmen tell by tent and shanty bar
How Duggan raised a funeral years back on Talbragar.
And far and wide
When Duggan died.
The bushmen of the western side
Rode in to Talbragar.
poem by Henry Lawson
Submitted by Poetry Lover
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Ben Duggan
Jack Denver died on Talbragar when Christmas Eve began,
And there was sorrow round the place, for Denver was a man;
Jack Denver's wife bowed down her head -- her daughter's grief was wild,
And big Ben Duggan by the bed stood sobbing like a child.
But big Ben Duggan saddled up, and galloped fast and far,
To raise the longest funeral ever seen on Talbragar.
By station home
And shearing shed
Ben Duggan cried, `Jack Denver's dead!
Roll up at Talbragar!'
He borrowed horses here and there, and rode all Christmas Eve,
And scarcely paused a moment's time the mournful news to leave;
He rode by lonely huts and farms, and when the day was done
He turned his panting horse's head and rode to Ross's Run.
No bushman in a single day had ridden half so far
Since Johnson brought the doctor to his wife at Talbragar.
By diggers' camps
Ben Duggan sped --
At each he cried, `Jack Denver's dead!
Roll up at Talbragar!'
That night he passed the humpies of the splitters on the ridge,
And roused the bullock-drivers camped at Belinfante's Bridge;
And as he climbed the ridge again the moon shone on the rise;
The soft white moonbeams glistened in the tears that filled his eyes;
He dashed the rebel drops away -- for blinding things they are --
But 'twas his best and truest friend who died on Talbragar.
At Blackman's Run
Before the dawn,
Ben Duggan cried, `Poor Denver's gone!
Roll up at Talbragar!'
At all the shanties round the place they'd heard his horse's tramp,
He took the track to Wilson's Luck, and told the diggers' camp;
But in the gorge by Deadman's Gap the mountain shades were black,
And there a newly-fallen tree was lying on the track --
He saw too late, and then he heard the swift hoof's sudden jar,
And big Ben Duggan ne'er again rode home to Talbragar.
`The wretch is drunk,
And Denver's dead --
A burning shame!' the people said
Next day at Talbragar.
For thirty miles round Talbragar the boys rolled up in strength,
And Denver had a funeral a good long mile in length;
Round Denver's grave that Christmas day rough bushmen's eyes were dim --
The western bushmen knew the way to bury dead like him;
But some returning homeward found, by light of moon and star,
Ben Duggan dying in the rocks, five miles from Talbragar.
They knelt around,
He raised his head
And faintly gasped, `Jack Denver's dead,
Roll up at Talbragar!'
But one short hour before he died he woke to understand,
They told him, when he asked them, that the funeral was `grand';
And then there came into his eyes a strange victorious light,
He smiled on them in triumph, and his great soul took its flight.
And still the careless bushmen tell by tent and shanty bar
How Duggan raised a funeral years back on Talbragar.
And far and wide
When Duggan died,
The bushmen of the western side
Rode in to Talbragar.
poem by Henry Lawson
Submitted by Poetry Lover
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Marshall's Mate
You almost heard the surface bake, and saw the gum-leaves turn --
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak --
'Twould frighten Satan to his home -- not far from Dingo Creek.
The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel --
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken queer --
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.
`Let Mitchell go to Bandicoot. You'll find him there,' said Mack.
`I'll start the chaps from Starving Steers, and take the dry-holes back.'
We tramped till dark, and tried to track the pack-horse on the sands,
And just at daylight Crowbar came with Milroy's station hands.
His cheeks were drawn, his face was white, but he was sober then --
In times of trouble, fire, and flood, 'twas Crowbar led the men.
`Spread out as widely as you can each side the track,' said he;
`The first to find him make a smoke that all the rest can see.'
We took the track and followed back where Crowbar followed fate,
We found a dead man in the scrub -- but 'twas not Crowbar's mate.
The station hands from Starving Steers were searching all the week --
But never news of Marshall's fate came back to Dingo Creek.
And no one, save the spirit of the sand-waste, fierce and lone,
Knew where Jack Marshall crawled to die -- but Crowbar might have known.
He'd scarcely closed his quiet eyes or drawn a sleeping breath --
They say that Crowbar slept no more until he slept in death.
A careless, roving scamp, that loved to laugh and drink and joke,
But no man saw him smile again (and no one saw him smoke),
And, when we spelled at night, he'd lie with eyes still open wide,
And watch the stars as if they'd point the place where Marshall died.
The search was made as searches are (and often made in vain),
And on the seventh day we saw a smoke across the plain;
We left the track and followed back -- 'twas Crowbar still that led,
And when his horse gave out at last he walked and ran ahead.
We reached the place and turned again -- dragged back and no man spoke --
It was a bush-fire in the scrubs that made the cursed smoke.
And when we gave it best at last, he said, `I'LL see it through,'
Although he knew we'd done as much as mortal men could do.
`I'll not -- I won't give up!' he said, his hand pressed to his brow;
`My God! the cursed flies and ants, they might be at him now.
I'll see it so in twenty years, 'twill haunt me all my life --
I could not face his sister, and I could not face his wife.
It's no use talking to me now -- I'm going back,' he said,
`I'm going back to find him, and I will -- alive or dead!'
. . . . .
He packed his horse with water and provisions for a week,
And then, at sunset, crossed the plain, away from Dingo Creek.
We watched him tramp beside the horse till we, as it grew late,
Could not tell which was Bonypart and which was Marshall's mate.
The dam went dry at Dingo Creek, and we were driven back,
And none dared face the Ninety Mile when Crowbar took the track.
They saw him at Dead Camel and along the Dry Hole Creeks --
There came a day when none had heard of Marshall's mate for weeks;
They'd seen him at No Sunday, he called at Starving Steers --
There came a time when none had heard of Marshall's mate for years.
They found old Bonypart at last, picked clean by hungry crows,
But no one knew how Crowbar died -- the soul of Marshall knows!
And now, way out on Dingo Creek, when winter days are late,
The bushmen talk of Crowbar's ghost `what's looking for his mate';
For let the fools indulge their mirth, and let the wise men doubt --
The soul of Crowbar and his mate have travelled further out.
Beyond the furthest two-rail fence, Colanne and Nevertire --
Beyond the furthest rabbit-proof, barbed wire and common wire --
Beyond the furthest `Gov'ment' tank, and past the furthest bore --
The Never-Never, No Man's Land, No More, and Nevermore --
Beyond the Land o' Break-o'-Day, and Sunset and the Dawn,
The soul of Marshall and the soul of Marshall's mate have gone
Unto that Loving, Laughing Land where life is fresh and clean --
Where the rivers flow all summer, and the grass is always green.
poem by Henry Lawson
Submitted by Poetry Lover
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A Girl Called Johnny
I remember johnny - hey!
Johnny come lately
I remember her shoes like a ballerina
A girl called johnny who
Changed her name when she
Discovered her choice was to
Change or to be changed
I remember a girl called johnny
Black as hell and white as a ghost
Dont talk about life or death
She said Ive had enough of both
A girl called johnny who was not scared
Theyd have torn her to pieces but
Who would dare?
I remember a girl called johnny
The train came to town, boy she got on it
With no looking back, with not a word
If she said goodbye, well I never heard
But the noise goes on
The noise, the jazz
And the truth is in somebody elses hands
And the house that a girl called johnny built
Is now just ashes and sand
song performed by by Waterboys
Submitted by Lucian Velea
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View From A Bridge
Written by ricky & marty wilde
View from a bridge, cant take anymore
View from a bridge, cant take anymore
I guess it all began about a year ago
Like a cheap love magazine
You know the kind you read about
And have to laugh
At the pages in between
Now I cant believe that fool inside is me
cos I just cant face the world
Ive grown to see
View from a bridge, cant take anymore
View from a bridge, cant take anymore
I saw you kissing her
I saw you making her
In the soft sheets in between
But when you turned around
I saw your eyes were fire
And you crashed out all my dreams
And like a fool I just stood there
And let it go
I should have fought right back
And let my feelings show
View from a bridge, cant take anymore
View from a bridge, cant take anymore
You sure as hell knew how
To make a fool out of me
Well you cut me down
For the things you want
And now its killing me
Ill lay it on the line now
Youre running out of time now
But then a voice said jump
And I just let go
And Im floating out in space
But then I feel your arms
And I turn around
To a ghost without a face
And I just dont know
Whats fact or fantasy
cos when I look below the bridge
I see its me
song performed by by Kim Wilde
Submitted by Lucian Velea
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Ghosts
There are ghosts in the room.
As I sit here alone, from the dark corners there
They come out of the gloom,
And they stand at my side and they lean on my chair.
There's the ghost of a Hope
That lighted my days with a fanciful glow.
In her hand is the rope
That strangled her life out. Hope was slain long ago.
But her ghost comes to-night,
With its skeleton face and expressionless eyes,
And it stands in the light,
And mocks me, and jeers me with sobs and with sighs.
There's the ghost of a Joy,
A frail, fragile thing, and I prized it too much,
And the hands that destroy
Clasped it close, and it died at the withering touch.
There's the ghost of a Love,
Born with joy, reared with hope, died in pain and unrest,
But he towers above
All the others... this ghost: yet a ghost at the best.
I am weary, and fain
Would forget all these dead: but the gibbering host
Make my struggle in vain,
In each shadowy corner there lurketh a ghost.
poem by Ella Wheeler Wilcox
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Vew From A Bridge
A. View from a bridge, can't take anymore.
View from a bridge, can't take anymore. [End of A.]
I guess it all began a year ago, like a cheap love magazine.
You know the kind you read about, and had to laugh at the pages in between.
Now I can't believe that? fool inside me,
cos' I just can't face the world I've grown to see.
[Repeat A.]
I saw you kissing her.
I saw you making her.
In the soft sheets in between.
But when you turned around I saw your eyes were fire,
and you crashed out all my dreams.
And like a fool I just stood there and let it go.
I should have fought right back and let my feelings show.
[Repeat A.]
You sure as hell know how to make a fool of me.
Well you cut me down for the things you want, and now it's killing me.
[Deep dark voice]
I'll lay it on the line now.
You're running out of time now.
[Kim]
But then a voice said jump and I just let go and I'm floating out in space.
But then I feel your arms and I turn around to a ghost without a face.
And I just don't know what's fact or fantasy,
'coz when I look below the bridge I see it's me.
[Repeat A several times.]
[Fade to die
song performed by by Kim Wilde
Submitted by Lucian Velea
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She's Got The Jack
She gave me the Queen
She gave me the King
She was wheelin' and dealin'
Just doin' her thing
She was holdin' a pair
But I had to try
Her Deuce was wild
But my Ace was high
But how was I to know
That she'd been dealt with before
Said she'd never had a Full House
But I should have known
From the tattoo on her left leg
And the garter on her right
She'd have the card to bring me down
If she played it right
She's got the jack, she's got the jack
She's got the jack, she's got the jack
She's got the jack, she's got the jack
She's got the jack, she's got the jack
She's got the jack, jack, jack, jack, jack, jack, jack
She's got the jack
Poker face was her name
Poker face was her nature
Poker straight was her game
If she knew she could get you
She played 'em fast
And she played 'em hard
She could close her eyes
And feel every card
But how was I to know
That she'd been shuffled before
Said she'd never had a Royal Flush
But I should have known
That all the cards were comin'
From the bottom of the pack
And if I'd known what she was dealin' out
I'd have dealt it back
She's got the jack, she's got the jack
She's got the jack, and who knows what else?
She's got the jack, yeah, yeah
She's got the jack, she's got the jack
She's got the jack, she's got the jack
She's got the jack, jack, jack, jack, jack, jack, jack
She's got the jack
She's got the jack, she's got the jack,
Ooh, It was a bad deal, (Jack)
She gave me the (Jack), hey
She's got the (Jack), she's got the (Jack)
She's got the (Jack), ooh can't you tell
She's got the (Jack, jack, jack, jack, jack, jack, jack, jack)
(She's got the jack, she's got the Jack)
She's got the jack, she's got the Jack
She's got the jack, you never know!
She's got the jack, she's got the jack
She's got the jack
She's got the jack, and it hurts!
(She's got the jack)
She's got the jack, jack, jack, jack, jack, jack, jack
She's got the jack
Aaaaaah!
Oooooh!
Thank you, thank you, thank you people, thank you, thank you
I'm glad you like the show, yes, thank you very much folks.
Goodnight and God bless
song performed by by AC-DC
Submitted by Lucian Velea
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Youth Revisited
Can this be the old town of wheat-teams and saddle-hacks,
Of Ted Toll's smithy, with the anvil ringing clear,
Of stacks in the station yard, and stockmen, and farming hands,
Of bow-legged bound'ry riders coming in for beer
This strange, new, brisk town of sweet-shops and petrol pumps
Petrol pumps with motor cars dashing up and down?
Yet there stands the old church, the bluestone baker's shop,
And the queer, shrunken houses of my old home town.
What has become of him - Little Johnny Parkinson?
Little Johnny Parkinson out upon a bust
The long red beard of him, the red-rimmed eyes of him;
Red from the harvest field and winnower dust.
Five foot two of him - Little Johnny Parkinson,
Driving in his wheat team, down the dusty street;
Red beard, red eyes, red bandana neckerchief
Little Johnny Parkinson, who took his whiskey neat.
What has become of him - Big Jack Herringford?
Big Jack Herringford, champion of the stacks,
Where the lumpers, laboring, climbed the crazy wooden ways
One, two, three hundred pounds upon their backs.
Big Jack Herringford, soft-hearted Hercules,
Went to the West land and won a fortune there.
Was the gold a bension to Big Jack Herringford?
Does anybody know, or does anybody care?
What has become of him - Black Tom Boliver?
Black Tom, Dude Tom, of the shearing shed
The bold, black eyes of him, the well-oiled curls of him,
The cabbage-tree hat well back upon his head.
What has become of them, all the men I used to know?
Only one I recognise of all men there;
But one has a smile for me - schoolmate Jimmy Tomlinson
Laughing Jimmy Tomlinson, with snow-white hair.
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Blackjack Davey
1. black jack davey come a-riden on back,
A-whistlin loud and merry.
Made the woods around him ring,
And he charmed the heart of a lady,
Charmed the heart of a lady.
2. how old are you, my pretty little miss,
How old are you, my honey
She answered to him with a lovin smile
Ill be sixteen come sunday,
Be sixteen come sunday.
3. come and go with me, my pretty little miss,
Come and go with me, my honey,
Take you where the grass grows green,
You never will want for money
You never will want for money
4. pull off, pull off them high-heeled shoes
All made of spanish leather.
Get behind me on my horse
And well ride off together,
Well both go off together.
5. well, she pulled off them high-heeled shoes
Made of spanish leather.
Got behind him on his horse
And they rode off together.
They rode off together.
6. at night the boss came home
Inquiring about this lady.
The servant spoke before she thought,
Shes been with black jack dave,
Rode off with black jack davey.
7. well, saddle for me my coal black stud,
Hes speedier than the gray.
I rode all day and Ill ride all night,
And Ill overtake my lady.
Ill bring back my lady.
8. well, he rode all night till the broad daylight,
Till he came to a river ragin,
And there he spied his darlin bride
In the arms of black jack davey.
Wrapped up with black jack davey.
9. pull off, pull off them long blue gloves
All made of the finest leather.
Give to me your lily-white hand
And well both go home together.
Well both go home together.
10. well, she pulled off them long blue gloves
All made of the finest leather.
Gave to him her lily-white hand
And said good-bye forever.
Bid farewell forever.
11. would you forsake your house and home,
Would you forsake your baby?
Would you forsake your husband, too,
To go with black jack davey.
Rode off with black jack davey?
12. well, Ill forsake my house and home,
And Ill forsake my baby.
Ill forsake my husband, too,
For the love of black jack davey.
Ride off with black jack davey.
13. last night I slept in a feather bed
Between my husband and baby.
Tonight I lay on the river banks
In the arms of black jack davey,
Love my black jack davey.
song performed by by Bob Dylan
Submitted by Lucian Velea
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Ghost Behind My Eyes
There is person living in my head
She comes to visit every night in bed
I fight the demon, but it just wont fall
The voices in my dungeon starting to call
The spiders dancing on the wall
Suicide of love we could have had it all
And it is you, you are the ghost behind my eyes
The ghost that tells me lies
The princess of the dark has made my mind home
My haunted head and her wont leave me alone
She dances on my heart with fire in my soul
I hate that feeling when Im loosing control
The spiders dancing on the wall
Suicide of love we could have had it all
And it is you, you are the ghost behind my eyes
The ghost that tells me lies
I wish to God that I could sleep
Again, oh peace again
And wake up from this nightmare
Free again
Free again, oh me again
There is a woman in my head
She comes to visit every night in bed
The spiders dancing on the wall
Suicide of love we could have had it all
And it is you, you are the ghost behind my eyes
You, you are the ghost behind my eyes
You, you are the ghost behind my eyes
Behind my eyes
The ghost behind my eyes
song performed by by Ozzy Osbourne
Submitted by Lucian Velea
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Jack U Off
If ure looking for somewhere to go
Thought Id take u to a movie show
Sittin in the back and Ill jack u off
I cant give u everything u want
But I can take u to a restaurant
If ure not hungry
Ill jack u off
If your man aint no good
Come on over to my neighborhood
We can jump in the sack and Ill jack u off
If ure tired of the masturbater
Little girl, we can go on a date
And if u like, Ill jack u off
Ill jack u off, jack u off
Ill jack u off, jack u off
Ill jack u off
I only do it for a worthy cause
Viriginity or menopause
Ull have an instant heart attack if I jack u off
If u really really want to be a star
We gotta do it in your mommas car
Naked in a cadillac, Ill jack u off
If we cant find no place to go
Girl, Ill take u to a movie show, we can sit in the back
And Ill jack u off
Ill jack u off, jack u off
Ill jack u off, jack u off
Ill jack u off, yeah
Yeah, yeah, Ill jack u off
Alright say, well put some funk on here
Ill jack u off
If u aint chicken baby, come here
If ure good Ill even let u steer
As a matter of fact, u can jack me off
Yeah, thats right
Ill jack u off, yeah
Ill jack u off
song performed by by Prince
Submitted by Lucian Velea
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Since Then
I met Jack Ellis in town to-day --
Jack Ellis -- my old mate, Jack --
Ten years ago, from the Castlereagh,
We carried our swags together away
To the Never-Again, Out Back.
But times have altered since those old days,
And the times have changed the men.
Ah, well! there's little to blame or praise --
Jack Ellis and I have tramped long ways
On different tracks since then.
His hat was battered, his coat was green,
The toes of his boots were through,
But the pride was his! It was I felt mean --
I wished that my collar was not so clean,
Nor the clothes I wore so new.
He saw me first, and he knew 'twas I --
The holiday swell he met.
Why have we no faith in each other? Ah, why? --
He made as though he would pass me by,
For he thought that I might forget.
He ought to have known me better than that,
By the tracks we tramped far out --
The sweltering scrub and the blazing flat,
When the heat came down through each old felt hat
In the hell-born western drought.
The cheques we made and the shanty sprees,
The camps in the great blind scrub,
The long wet tramps when the plains were seas,
And the oracles worked in days like these
For rum and tobacco and grub.
Could I forget how we struck `the same
Old tale' in the nearer West,
When the first great test of our friendship came --
But -- well, there's little to praise or blame
If our mateship stood the test.
`Heads!' he laughed (but his face was stern) --
`Tails!' and a friendly oath;
We loved her fair, we had much to learn --
And each was stabbed to the heart in turn
By the girl who -- loved us both.
Or the last day lost on the lignum plain,
When I staggered, half-blind, half-dead,
With a burning throat and a tortured brain;
And the tank when we came to the track again
Was seventeen miles ahead.
Then life seemed finished -- then death began
As down in the dust I sank,
But he stuck to his mate as a bushman can,
Till I heard him saying, `Bear up, old man!'
In the shade by the mulga tank.
. . . . .
He took my hand in a distant way
(I thought how we parted last),
And we seemed like men who have nought to say
And who meet -- `Good-day', and who part -- `Good-day',
Who never have shared the past.
I asked him in for a drink with me --
Jack Ellis -- my old mate, Jack --
But his manner no longer was careless and free,
He followed, but not with the grin that he
Wore always in days Out Back.
I tried to live in the past once more --
Or the present and past combine,
But the days between I could not ignore --
I couldn't help notice the clothes he wore,
And he couldn't but notice mine.
He placed his glass on the polished bar,
And he wouldn't fill up again;
For he is prouder than most men are --
Jack Ellis and I have tramped too far
On different tracks since then.
He said that he had a mate to meet,
And `I'll see you again,' said he,
Then he hurried away through the crowded street
And the rattle of buses and scrape of feet
Seemed suddenly loud to me.
And I almost wished that the time were come
When less will be left to Fate --
When boys will start on the track from home
With equal chances, and no old chum
Have more or less than his mate.
poem by Henry Lawson
Submitted by Poetry Lover
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(Waiting For) The Ghost Train
A straw headed woman, and a barrel chested man,
A pocket full of posies with a hat brim full of sand,
Ooh - waiting for the train that never comes,
A dog chasing the tumbleweeds, across the sandy floor,
That drift along the platform, through the ticket office door,
Ooh - waiting for the train that never comes,
Ooh - waiting for the train that never comes,
But don't tell me there's nothing coming, you don't fool me,
I hear the ghost train rumbling along the tracks - set them free,
And I hear them,
It's black and white don't try to hide,
It's black and white don't try to hide,
The station master's writing with a piece of orange chalk,
A hundred cancellations, still no one wants to walk,
Keep the hungry children from the skeletons in the back,
Paid to keep an eye out for the gipsy caravan,
Ooh - waiting for the train that never comes,
Ooh - waiting for the train that never comes,
I hear the ghost train rumbling along the tracks - set them free,
And I hear them,
It's black and white don't try to hide,
It's black and white don't try to hide,
It's black and white don't try to hide,
It's black and white don't try to hide,
It's black and white (don't try),
It's black and white (don't try),
It's black and white don't try to hide,
It's black and white don't try to hide,
And I hear them,
It's black and white don't try to hide,
It's black and white don't try to hide
song performed by by Madness
Submitted by Lucian Velea
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The Ghost Train
A straw headed woman, and a barrel chested man,
A pocket full of posies with a hat brim full of sand,
Ooh - waiting for the train that never comes,
A dog chasing the tumbleweeds, across the sandy floor,
That drift along the platform, through the ticket office door,
Ooh - waiting for the train that never comes,
Ooh - waiting for the train that never comes,
But don't tell me there's nothing coming, you don't fool me,
I hear the ghost train rumbling along the tracks - set them free,
And i hear them,
It's black and white don't try to hide,
It's black and white don't try to hide,
The station master's writing with a piece of orange chalk,
A hundred cancellations, still no one wants to walk,
Keep the hungry children from the skeletons in the back,
Paid to keep an eye out for the gipsy caravan,
Ooh - waiting for the train that never comes,
Ooh - waiting for the train that never comes,
I hear the ghost train rumbling along the tracks - set them free,
And i hear them,
It's black and white don't try to hide,
It's black and white don't try to hide,
It's black and white don't try to hide,
It's black and white don't try to hide,
It's black and white (don't try),
It's black and white (don't try),
It's black and white don't try to hide,
It's black and white don't try to hide,
And i hear them,
It's black and white don't try to hide,
It's black and white don't try to hide...
song performed by by Madness
Submitted by Lucian Velea
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The Road to Hogan's Gap
Now look, you see, it’s this way like,
You cross the broken bridge
And run the crick down till you strike
The second right-hand ridge.
The track is hard to see in parts,
But still it’s pretty clear;
There’s been two Injin hawkers’ carts
Along that road this year.
Well, run that right-hand ridge along—
It ain’t, to say, too steep—
There’s two fresh tracks might put you wrong
Where blokes went out with sheep.
But keep the crick upon your right,
And follow pretty straight
Along the spur, until you sight
A wire and sapling gate.
Well, that’s where Hogan’s old grey mare
Fell off and broke her back;
You’ll see her carcase layin’ there,
Jist down below the track.
And then you drop two mile, or three,
It’s pretty steep and blind;
You want to go and fall a tree
And tie it on behind.
And then you pass a broken cart
Below a granite bluff;
And that is where you strike the part
They reckon pretty rough.
But by the time you’ve got that far
It’s either cure or kill,
So turn your horses round the spur
And face ’em up the hill.
For look, if you should miss the slope
And get below the track,
You haven’t got the whitest hope
Of ever gettin’ back.
An’ half way up you’ll see the hide
Of Hogan’s brindled bull;
Well, mind and keep the right-hand side,
The left’s too steep a pull.
And both the banks is full of cracks;
An’ just about at dark
You’ll see the last year’s bullock tracks
Where Hogan drew the bark.
The marks is old and pretty faint—
And grown with scrub and such;
Of course the track to Hogan’s ain’t
A road that’s travelled much.
But turn and run the tracks along
For half a mile or more,
And then, of course, you can’t go wrong—
You’re right at Hogan’s door.
When first you come to Hogan’s gate
He mightn’t show, perhaps;
He’s pretty sure to plant and wait
To see it ain’t the traps.
I wouldn’t call it good enough
To let your horses out;
There’s some that’s pretty extra rough
Is livin’ round about.
It’s likely if your horses did
Get feedin’ near the track,
It’s goin’ to cost at least a quid
Or more to get them back.
So, if you find they’re off the place,
It’s up to you to go
And flash a quid in Hogan’s face—
He’ll know the blokes that know.
But listen—if you’re feelin’ dry,
Just see there’s no one near,
And go and wink the other eye
And ask for ginger beer.
The blokes come in from near and far
To sample Hogan’s pop;
They reckon once they breast the bar
They stay there till they drop.
On Sundays you can see them spread
Like flies around the tap.
It’s like that song “The Livin’ Dead”
Up there at Hogan’s Gap.
They like to make it pretty strong
Whenever there’s a charnce;
So when a stranger comes along
They always holds a dance.
There’s recitations, songs, and fights—
A willin’ lot you’ll meet.
There’s one long bloke up there recites,
I tell you—he’s a treat.
They’re lively blokes all right up there,
It’s never dull a day.
I’d go meself if I could spare
The time to get away.
. . . . .
The stranger turned his horses quick.
He didn’t cross the bridge;
He didn’t go along the crick
To strike the second ridge;
He didn’t make the trip, because
He wasn’t feeling fit.
His business up at Hogan’s was
To serve him with a writ.
He reckoned if he faced the pull
And climbed the rocky stair,
The next to come might find his hide
A land-mark on the mountain side,
Along with Hogan’s brindled bull
And Hogan’s old grey mare!
poem by Andrew Barton Paterson
Submitted by Poetry Lover
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Crazy Jane And Jack The Journeyman
I know, although when looks meet
I tremble to the bone,
The more I leave the door unlatched
The sooner love is gone,
For love is but a skein unwound
Between the dark and dawn.
A lonely ghost the ghost is
That to God shall come;
I - love's skein upon the ground,
My body in the tomb -
Shall leap into the light lost
In my mother's womb.
But were I left to lie alone
In an empty bed,
The skein so bound us ghost to ghost
When he turned his head
passing on the road that night,
Mine must walk when dead.
poem by William Butler Yeats
Submitted by Poetry Lover
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The ghost Bereft
THE poor ghost came through the wind and rain
And passed down the old dear road again.
Thin cowered the hedges, the tall trees swayed
Like little children that shrank afraid.
The wind was wild and the night was late
When the poor ghost came to the garden gate;
Dank were the flower-beds, heavy and wet,
The weeds stood up where the rose was set.
The wind was angry, the rain beat sore
When the poor ghost came to its own house-door.
'And shall I find her a-weeping still
To think how alone I lie and chill?
'Or shall I find her happy and warm
With her dear head laid on a new love's arm?
'Or shall I find she has learned to pine
For another's love, and not for mine?
'Whatever chance, I have this to my store,
She is mine, my own, for evermore!'
So the poor ghost came through the wind and rain
Till it reached the square bright window pane.
'Oh! what is here in the room so bright?
Roses and love, and a hid delight?
'What lurks in the silence that fills the room?
A cypress wreath from a dead man's tomb?
'What sleeps? What wakes? And oh! can it be
Her heart that is breaking--and not for me?'
Then the poor ghost looked through the window pane,
Though all the glass was wrinkled with rain.
'Oh, there is light, at the feet and head
Twelve tall tapers about the bed.
'Oh, there are flowers, white flowers and rare,
But not the garland a bride may wear.
'Jasmine white and a white white rose,
But its scent is gone where the lost dream goes.
'Straight lilies laid on the strait white bier--
But the room is empty--she is not here!
'Her body lies here, deserted, cold;
And the body that loved it creeps in the mould.
'Was there ever an hour when my Love, set free,
Would not have hastened and come to me?
'Can the soul that loved mine long ago
Be hence and away, and I not know?
'Oh, then God's judgment is on me sore,
For I have lost her for evermore!'
And the poor ghost fared through the wind and rain
To its own appointed place again.
But up in Heaven, where memories cease
Because the blessed have won to peace,
One pale saint shivered, and closer wound
The shining raiment that wrapped her round.
'Oh, fair is Heaven, and glad am I,
Yet I fain would remember the days gone by.
'The past is veiled, and I may not know,
But I think there was sorrow, long ago;
'The sun of Heaven is warm and bright,
But I think there is rain on the earth to-night.
'O Christ, because of Thine own sore pain
Help all poor souls in the wind and rain.'
poem by Edith Nesbit
Submitted by Poetry Lover
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Lovers
The two men in the road were taken aback.
The lovers came out shading their eyes from the sun,
And never was white so white, or black so black,
As her cheeks and hair. `There are more things than one
A man might turn into a wood for, Jack,'
Said George; Jack whispered: `He has not got a gun.
It's a bit too much of a good thing, I say.
They are going the other road, look. And see her run.'
She ran. - 'What a thing it is, this picking may!'
poem by Edward Thomas
Submitted by Poetry Lover
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Rio Grande
Now this was what Macpherson told
While waiting in the stand;
A reckless rider, over-bold,
The only man with hands to hold
The rushing Rio Grande.
He said, “This day I bid good-bye
To bit and bridle rein,
To ditches deep and fences high,
For I have dreamed a dream, and I
Shall never ride again.
“I dreamt last night I rode this race
That I today must ride,
And cantering down to take my place
I saw full many an old friend’s face
Come stealing to my side.
“Dead men on horses long since dead,
They clustered on the track;
The champions of the days long fled,
They moved around with noiseless tread—
Bay, chestnut, brown, and black.
“And one man on a big grey steed
Rode up and waved his hand;
Said he, ‘We help a friend in need,
And we have come to give a lead
To you and Rio Grande.
“‘For you must give the field the slip;
So never draw the rein,
But keep him moving with the whip,
And, if he falter, set your lip
And rouse him up again.
“‘But when you reach the big stone wall
Put down your bridle-hand
And let him sail-he cannot fall,
But don’t you interfere at all;
You trust old Rio Grande.’
“We started, and in front we showed,
The big horse running free:
Right fearlessly and game he strode,
And by my side those dead men rode
Whom no one else could see.
“As silently as flies a bird,
They rode on either hand;
At every fence I plainly heard
The phantom leader give the word,
‘Make room for Rio Grande!’
“I spurred him on to get the lead,
n I chanced full many a fall;
But swifter still each phantom steed
Kept with me, and at racing speed
We reached the big stone wall.
“And there the phantoms on each side
Drew in and blocked his leap;
‘Make room! make room!’ I loudly cried,
But right in front they seemed to ride—
I cursed them in my sleep.
“He never flinched, he faced it game,
He struck it with his chest,
And every stone burst out in flame—
And Rio Grande and I became
Phantoms among the rest.
“And then I woke, and for a space
All nerveless did I seem;
For I have ridden many a race
But never one at such a pace
As in that fearful dream.
“And I am sure as man can be
That out upon the track
Those phantoms that men cannot see
Are waiting now to ride with me;
And I shall not come back.
“For I must ride the dead men’s race,
And follow their command;
’Twere worse than death, the foul disgrace
If I should fear to take my place
Today on Rio Grande.”
He mounted, and a jest he threw,
With never sign of gloom;
But all who heard the story knew
That Jack Macpherson, brave and true,
Was going to his doom.
They started, and the big black steed
Came flashing past the stand;
All single-handed in the lead
He strode along at racing speed,
The mighty Rio Grande.
But on his ribs the whalebone stung—
A madness, sure, it seemed—
And soon it rose on every tongue
That Jack Macpherson rode among
The creatures he had dreamed.
He looked to left, and looked to right,
As though men rode beside;
And Rio Grande, with foam-flecks white,
Raced at his jumps in headlong flight
And cleared them in his stride.
But when they reached the big stone wall,
Down went the bridle-hand,
And loud we heard Macpherson call
“Make room, or half the field will fall!
Make room for Rio Grande!”
“He’s down! he’s down!” And horse and man
Lay quiet side by side!
No need the pallid face to scan,
We knew with Rio Grande he ran
The race the dead men ride.
poem by Andrew Barton Paterson
Submitted by Poetry Lover
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