En.Citatepedia^®.ro

Off the Turnpike

Good ev'nin', Mis' Priest.
I jest stepped in to tell you Good-bye.
Yes, it's all over.
All my things is packed
An' every last one o' them boxes
Is on Bradley's team
Bein' hauled over to th' depot.
No, I ain't goin' back agin.
I'm stoppin' over to French's fer to-night,
And goin' down first train in th' mornin'.
Yes, it do seem kinder queer
Not to be goin' to see Cherry's Orchard no more,
But Land Sakes! When a change's comin',
Why, I al'ays say it can't come too quick.
Now, that's real kind o' you,
Your doughnuts is always so tasty.
Yes, I'm goin' to Chicago,
To my niece,
She's married to a fine man, hardware business,
An' doin' real well, she tells me.
Lizzie's be'n at me to go out ther for the longest while.
She ain't got no kith nor kin to Chicago, you know
She's rented me a real nice little flat,
Same house as hers,
An' I'm goin' to try that city livin' folks say's so pleasant.
Oh, yes, he was real generous,
Paid me a sight o' money fer the Orchard;
I told him 'twouldn't yield nothin' but stones,
But he ain't farmin' it.
Lor', no, Mis' Priest,
He's jest took it to set and look at the view.
Mebbe he wouldn't be so stuck on the view
Ef he'd seed it every mornin' and night for forty year
Same's as I have.
I dessay it's pretty enough,
But it's so pressed into me
I c'n see't with my eyes shut.
No. I ain't cold, Mis' Priest,
Don't shut th' door.
I'll be all right in a minit.
But I ain't a mite sorry to leave that view.
Well, mebbe 'tis queer to feel so,
An' mebbe 'taint.
My! But that tea's revivin'.
Old things ain't always pleasant things, Mis' Priest.
No, no, I don't cal'late on comin' back,
That's why I'd ruther be to Chicago,
Boston's too near.
It ain't cold, Mis' Priest,
It's jest my thoughts.
I ain't sick, only -
Mis' Priest, ef you've nothin' ter take yer time,
An' have a mind to listen,
Ther's somethin' I'd like ter speak about
I ain't never mentioned it,
But I'd like to tell yer 'fore I go.
Would you mind lowerin' them shades,
Fall twilight's awful grey,
An' that fire's real cosy with the shades drawed.
Well, I guess folks about here think I've be'n dret'ful onsociable.
You needn't say 'taint so, 'cause I know diff'rent.
An' what's more, it's true.
Well, the reason is I've be'n scared out o' my life.
Scared ev'ry minit o' th' time, fer eight year.
Eight mortal year 'tis, come next June.
'Twas on the eighteenth o' June,
Six months after I'd buried my husband,
That somethin' happened ter me.
Mebbe you'll mind that afore that
I was a cheery body.
Hiram was too,
Al'ays liked to ask a neighbor in,
An' ev'n when he died,
Barrin' low sperrits, I warn't averse to seein' nobody.
But that eighteenth o' June changed ev'rythin'.
I was doin' most o' th' farmwork myself,
With jest a hired boy, Clarence King, 'twas,
Comin' in fer an hour or two.
Well, that eighteenth o' June
I was goin' round,
Lockin' up and seein' to things 'fore I went to bed.
I was jest steppin' out t' th' barn,
Goin' round outside 'stead o' through the shed,
'Cause there was such a sight o' moonlight
Somehow or another I thought 'twould be pretty outdoors.
I got settled for pretty things that night, I guess.
I ain't stuck on 'em no more.
Well, them laylock bushes side o' th' house
Was real lovely.
Glitt'rin' and shakin' in the moonlight,
An' the smell o' them rose right up
An' most took my breath away.
The colour o' the spikes was all faded out,
They never keep their colour when the moon's on 'em,
But the smell fair 'toxicated me.
I was al'ays partial to a sweet scent,
An' I went close up t' th' bushes
So's to put my face right into a flower.
Mis' Priest, jest's I got breathin' in that laylock bloom
I saw, layin' right at my feet,
A man's hand!
It was as white's the side o' th' house,
And sparklin' like that lum'nous paint they put on gate-posts.
I screamed right out,
I couldn't help it,
An' I could hear my scream
Goin' over an' over
In that echo be'ind th' barn.
Hearin' it agin an' agin like that
Scared me so, I dar'sn't scream any more.
I jest stood ther,
And looked at that hand.
I thought the echo'd begin to hammer like my heart,
But it didn't.
There was only th' wind,
Sighin' through the laylock leaves,
An' slappin' 'em up agin the house.
Well, I guess I looked at that hand
Most ten minits,
An' it never moved,
Jest lay there white as white.
After a while I got to thinkin' that o' course
'Twas some drunken tramp over from Redfield.
That calmed me some,
An' I commenced to think I'd better git him out
From under them laylocks.
I planned to drag him in t' th' barn
An' lock him in ther till Clarence come in th' mornin'.
I got so mad thinkin' o' that all-fired brazen tramp
Asleep in my laylocks,
I jest stooped down and grabbed th' hand and give it an awful pull.
Then I bumped right down settin' on the ground.
Mis' Priest, ther warn't no body come with the hand.
No, it ain't cold, it's jest that I can't abear thinkin' of it,
Ev'n now.
I'll take a sip o' tea.
Thank you, Mis' Priest, that's better.
I'd ruther finish now I've begun.
Thank you, jest the same.
I dropped the hand's ef it'd be'n red hot
'Stead o' ice cold.
Fer a minit or two I jest laid on that grass
Pantin'.
Then I up and run to them laylocks
An' pulled 'em every which way.
True es I'm settin' here, Mis' Priest,
Ther warn't nothin' ther.
I peeked an' pryed all about 'em,
But ther warn't no man ther
Neither livin' nor dead.
But the hand was ther all right,
Upside down, the way I'd dropped it,
And glist'nin' fit to dazzle yer.
I don't know how I done it,
An' I don't know why I done it,
But I wanted to git that dret'ful hand out o' sight
I got in t' th' barn, somehow,
An' felt roun' till I got a spade.
I couldn't stop fer a lantern,
Besides, the moonlight was bright enough in all conscience.
Then I scooped that awful thing up in th' spade.
I had a sight o' trouble doin' it.
It slid off, and tipped over, and I couldn't bear
Ev'n to touch it with my foot to prop it,
But I done it somehow.
Then I carried it off be'ind the barn,
Clost to an old apple-tree
Where you couldn't see from the house,
An' I buried it,
Good an' deep.

I don't rec'lect nothin' more o' that night.
Clarence woke me up in th' mornin',
Hollerin' fer me to come down and set th' milk.
When he'd gone,
I stole roun' to the apple-tree
And seed the earth all new turned
Where I left it in my hurry.
I did a heap o' gardenin'
That mornin'.
I couldn't cut no big sods
Fear Clarence would notice and ask me what I wanted 'em fer,
So I got teeny bits o' turf here and ther,
And no one couldn't tell ther'd be'n any diggin'
When I got through.
They was awful days after that, Mis' Priest,
I used ter go every mornin' and poke about them bushes,
An' up and down the fence,
Ter find the body that hand come off of.
But I couldn't never find nothin'.
I'd lay awake nights
Hearin' them laylocks blowin' and whiskin'.
At last I had Clarence cut 'em down
An' make a big bonfire of 'em.
I told him the smell made me sick,
An' that warn't no lie,
I can't abear the smell on 'em now;
An' no wonder, es you say.
I fretted somethin' awful 'bout that hand
I wondered, could it be Hiram's,
But folks don't rob graveyards hereabouts.
Besides, Hiram's hands warn't that awful, starin' white.
I give up seein' people,
I was afeared I'd say somethin'.
You know what folks thought o' me
Better'n I do, I dessay,
But mebbe now you'll see I couldn't do nothin' diff'rent.
But I stuck it out,
I warn't goin' to be downed
By no loose hand, no matter how it come ther
But that ain't the worst, Mis' Priest,
Not by a long ways.
Two year ago, Mr. Densmore made me an offer for Cherry's Orchard.
Well, I'd got used to th' thought o' bein' sort o' blighted,
An' I warn't scared no more.
Lived down my fear, I guess.
I'd kinder got used to th' thought o' that awful night,
And I didn't mope much about it.
Only I never went out o' doors by moonlight;
That stuck.
Well, when Mr. Densmore's offer come,
I started thinkin' 'bout the place
An' all the things that had gone on ther.
Thinks I, I guess I'll go and see where I put the hand.
I was foolhardy with the long time that had gone by.
I know'd the place real well,
Fer I'd put it right in between two o' the apple roots.
I don't know what possessed me, Mis' Priest,
But I kinder wanted to know
That the hand had been flesh and bone, anyway.
It had sorter bothered me, thinkin' I might ha' imagined it.
I took a mornin' when the sun was real pleasant and warm;
I guessed I wouldn't jump for a few old bones.
But I did jump, somethin' wicked.
Ther warn't no bones!
Ther warn't nothin'!
Not ev'n the gold ring I'd minded bein' on the little finger.
I don't know ef ther ever was anythin'.
I've worried myself sick over it.
I be'n diggin' and diggin' day in and day out
Till Clarence ketched me at it.
Oh, I know'd real well what you all thought,
An' I ain't sayin' you're not right,
But I ain't goin' to end in no county 'sylum
If I c'n help it.
The shiv'rin' fits come on me sudden like.
I know 'em, don't you trouble.
I've fretted considerable about the 'sylum,
I guess I be'n frettin' all the time I ain't be'n diggin'.
But anyhow I can't dig to Chicago, can I?
Thank you, Mis' Priest,
I'm better now. I only dropped in in passin'.
I'll jest be steppin' along down to French's.
No, I won't be seein' nobody in the mornin',
It's a pretty early start.
Don't you stand ther, Mis' Priest,
The wind'll blow yer lamp out,
An' I c'n see easy, I got aholt o' the gate now.
I ain't a mite tired, thank you.
Good-night.

poem by Amy Lowell
Submitted by Poetry Lover
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Reaping

You want to know what's the matter with me, do yer?
My! ain't men blinder'n moles?
It ain't nothin' new, be sure o' that.
Why, ef you'd had eyes you'd ha' seed
Me changin' under your very nose,
Each day a little diff'rent.
But you never see nothin', you don't.
Don't touch me, Jake,
Don't you dars't to touch me,
I ain't in no humour.
That's what's come over me;
Jest a change clear through.
You lay still, an' I'll tell yer,
I've had it on my mind to tell yer
Fer some time.
It's a strain livin' a lie from mornin' till night,
An' I'm goin' to put an end to it right now.
An' don't make any mistake about one thing,
When I married yer I loved yer.
Why, your voice 'ud make
Me go hot and cold all over,
An' your kisses most stopped my heart from beatin'.
Lord! I was a silly fool.
But that's the way 'twas.
Well, I married yer
An' thought Heav'n was comin'
To set on the door-step.
Heav'n didn't do no settin',
Though the first year warn't so bad.
The baby's fever threw you off some, I guess,
An' then I took her death real hard,
An' a mopey wife kind o' disgusts a man.
I ain't blamin' yer exactly.
But that's how 'twas.
Do lay quiet,
I know I'm slow, but it's harder to say 'n I thought.
There come a time when I got to be
More wife agin than mother.
The mother part was sort of a waste
When we didn't have no other child.
But you'd got used ter lots o' things,
An' you was all took up with the farm.
Many's the time I've laid awake
Watchin' the moon go clear through the elm-tree,
Out o' sight.
I'd foller yer around like a dog,
An' set in the chair you'd be'n settin' in,
Jest to feel its arms around me,
So long's I didn't have yours.
It preyed on me, I guess,
Longin' and longin'
While you was busy all day, and snorin' all night.
Yes, I know you're wide awake now,
But now ain't then,
An' I guess you'll think diff'rent
When I'm done.
Do you mind the day you went to Hadrock?
I didn't want to stay home for reasons,
But you said someone 'd have to be here
'Cause Elmer was comin' to see t' th' telephone.
An' you never see why I was so set on goin' with yer,
Our married life hadn't be'n any great shakes,
Still marriage is marriage, an' I was raised God-fearin'.
But, Lord, you didn't notice nothin',
An' Elmer hangin' around all Winter!
'Twas a lovely mornin'.
The apple-trees was jest elegant
With their blossoms all flared out,
An' there warn't a cloud in the sky.
You went, you wouldn't pay no 'tention to what I said,
An' I heard the Ford chuggin' for most a mile,
The air was so still.
Then Elmer come.
It's no use your frettin', Jake,
I'll tell you all about it.
I know what I'm doin',
An' what's worse, I know what I done.
Elmer fixed th' telephone in about two minits,
An' he didn't seem in no hurry to go,
An' I don't know as I wanted him to go either,
I was awful mad at your not takin' me with yer,
An' I was tired o' wishin' and wishin'
An' gittin' no comfort.
I guess it ain't necessary to tell yer all the things.
He stayed to dinner,
An' he helped me do the dishes,
An' he said a home was a fine thing,
An' I said dishes warn't a home
Nor yet the room they're in.
He said a lot o' things,
An' I fended him off at first,
But he got talkin' all around me,
Clost up to the things I'd be'n thinkin',
What's the use o' me goin' on, Jake,
You know.
He got all he wanted,
An' I give it to him,
An' what's more, I'm glad!
I ain't dead, anyway,
An' somebody thinks I'm somethin'.
Keep away, Jake,
You can kill me to-morrer if you want to,
But I'm goin' to have my say.
Funny thing! Guess I ain't made to hold a man.
Elmer ain't be'n here for mor'n two months.
I don't want to pretend nothin',
Mebbe if he'd be'n lately
I shouldn't have told yer.
I'll go away in the mornin', o' course.
What you want the light fer?
I don't look no diff'rent.
Ain't the moon bright enough
To look at a woman that's deceived yer by?
Don't, Jake, don't, you can't love me now!
It ain't a question of forgiveness.
Why! I'd be thinkin' o' Elmer ev'ry minute;
It ain't decent.
Oh, my God! It ain't decent any more either way!

poem by Amy Lowell
Submitted by Poetry Lover
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Number 3 on the Docket

The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him. 'Twarn't me!
Somethin' got aholt o' me. I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I - I -
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say 'yes' and 'no'.
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it. I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)

poem by Amy Lowell
Submitted by Poetry Lover
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The Grocery

'Hullo, Alice!'
'Hullo, Leon!'
'Say, Alice, gi' me a couple
O' them two for five cigars,
Will yer?'
'Where's your nickel?'
'My! Ain't you close!
Can't trust a feller, can yer.'
'Trust you! Why
What you owe this store
Would set you up in business.
I can't think why Father 'lows it.'
'Yer Father's a sight more neighbourly
Than you be. That's a fact.
Besides, he knows I got a vote.'
'A vote! Oh, yes, you got a vote!
A lot o' good the Senate'll be to Father
When all his bank account
Has run away in credits.
There's your cigars,
If you can relish smokin'
With all you owe us standin'.'
'I dunno as that makes 'em taste any diff'rent.
You ain't fair to me, Alice, 'deed you ain't.
I work when anythin's doin'.
I'll get a carpenterin' job next Summer sure.
Cleve was tellin' me to-day he'd take me on come Spring.'
'Come Spring, and this December!
I've no patience with you, Leon,
Shilly-shallyin' the way you do.
Here, lift over them crates o' oranges
I wanter fix 'em in the winder.'
'It riles yer, don't it, me not havin' work.
You pepper up about it somethin' good.
You pick an' pick, and that don't help a mite.
Say, Alice, do come in out o' that winder.
Th' oranges c'n wait,
An' I don't like talkin' to yer back.'
'Don't you! Well, you'd better make the best o' what
you can git.
Maybe you won't have my back to talk to soon.
They look good in pyramids with the 'lectric light on 'em,
Don't they?
Now hand me them bananas
An' I'll string 'em right acrost.'
'What do yer mean
'Bout me not havin' you to talk to?
Are yer springin' somethin' on me?'
'I don't know 'bout springin'
When I'm tellin' you right out.
I'm goin' away, that's all.'
'Where? Why?
What yer mean - goin' away?'
'I've took a place
Down to Boston, in a candy store
For the holidays.'
'Good Land, Alice,
What in the Heavens fer!'
'To earn some money,
And to git away from here, I guess.'
'Ain't yer Father got enough?
Don't he give yer proper pocket-money?'
'He'd have a plenty, if you folks paid him.'
'He's rich I tell yer.
I never figured he'd be close with you.'
'Oh, he ain't. Not close.
That ain't why.
But I must git away from here.
I must! I must!'
'You got a lot o' reason in yer
To-night.
How long d' you cal'late
You'll be gone?'
'Maybe for always.'
'What ails yer, Alice?
Talkin' wild like that.
Ain't you an' me goin' to be married
Some day.'
'Some day! Some day!
I guess the sun'll never rise on some day.'
'So that's the trouble.
Same old story.
'Cause I ain't got the cash to settle right now.
You know I love yer,
An' I'll marry yer as soon
As I c'n raise the money.'
'You've said that any time these five year,
But you don't do nothin'.'
'Wot could I do?
Ther ain't no work here Winters.
Not fer a carpenter, ther ain't.'
'I guess you warn't born a carpenter.
Ther's ice-cuttin' a plenty.'
'I got a dret'ful tender throat;
Dr. Smiles he told me
I mustn't resk ice-cuttin'.'
'Why haven't you gone to Boston,
And hunted up a job?'
'Have yer forgot the time I went expressin'
In the American office, down ther?'
'And come back two weeks later!
No, I ain't.'
'You didn't want I should git hurted,
Did yer?
I'm a sight too light fer all that liftin' work.
My back was commencin' to strain, as 'twas.
Ef I was like yer brother now,
I'd ha' be'n down to the city long ago.
But I'm too clumsy fer a dancer.
I ain't got Arthur's luck.'
'Do you call it luck to be a disgrace to your folks,
And git locked up in jail!'
'Oh, come now, Alice,
`Disgrace' is a mite strong.
Why, the jail was a joke.
Art's all right.'
'All right!
All right to dance, and smirk, and lie
For a livin',
And then in the end
Lead a silly girl to give you
What warn't hers to give
By pretendin' you'd marry her -
And she a pupil.'
'He'd ha' married her right enough,
Her folks was millionaires.'
'Yes, he'd ha' married her!
Thank God, they saved her that.'
'Art's a fine feller.
I wish I had his luck.
Swellin' round in Hart, Schaffner & Marx fancy suits,
And eatin' in rest'rants.
But somebody's got to stick to the old place,
Else Foxfield'd have to shut up shop,
Hey, Alice?'
'You admire him!
You admire Arthur!
You'd be like him only you can't dance.
Oh, Shame! Shame!
And I've been like that silly girl.
Fooled with your promises,
And I give you all I had.
I knew it, oh, I knew it,
But I wanted to git away 'fore I proved it.
You've shamed me through and through.
Why couldn't you hold your tongue,
And spared me seein' you
As you really are.'
'What the Devil's the row?
I only said Art was lucky.
What you spitfirin' at me fer?
Ferget it, Alice.
We've had good times, ain't we?
I'll see Cleve 'bout that job agin to-morrer,
And we'll be married 'fore hayin' time.'
'It's like you to remind me o' hayin' time.
I've good cause to love it, ain't I?
Many's the night I've hid my face in the dark
To shut out thinkin'!'
'Why, that ain't nothin'.
You ain't be'n half so kind to me
As lots o' fellers' girls.
Gi' me a kiss, Dear,
And let's make up.'
'Make up!
You poor fool.
Do you suppose I care a ten cent piece
For you now.
You've killed yourself for me.
Done it out o' your own mouth.
You've took away my home,
I hate the sight o' the place.
You're all over it,
Every stick an' stone means you,
An' I hate 'em all.'
'Alice, I say,
Don't go on like that.
I can't marry yer
Boardin' in one room,
But I'll see Cleve to-morrer,
I'll make him --'
'Oh, you fool!
You terrible fool!'
'Alice, don't go yit,
Wait a minit,
I'll see Cleve --'
'You terrible fool!'
'Alice, don't go.
Alice --' (Door slams)

poem by Amy Lowell
Submitted by Poetry Lover
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A Confidence

UNCLE JOHN, he makes me tired;
Thinks 'at he's jest so all-fired
Smart, 'at he kin pick up, so,
Ever'thing he wants to know.
Tried to ketch me up last night,
But you bet I wouldn't bite.
I jest kep' the smoothes' face,
But I led him sich a chase,
Couldn't corner me, you bet —
I skipped all the traps he set.
Makin' out he wan'ed to know
Who was this an' that girl's beau;
So's he'd find out, don't you see,
Who was goin' 'long with me.
But I answers jest ez sly,
An' I never winks my eye,
Tell he hollers with a whirl,
'Look here, ain't you got a girl?'
Y' ought 'o seen me spread my eyes,
Like he'd took me by surprise,
An' I said, 'Oh, Uncle John,
Never thought o' havin' one.'
An' somehow that seemed to tickle
Him an' he shelled out a nickel.
Then you ought to seen me leave
Jest a-laffin' in my sleeve.
Fool him — well, I guess I did;
He ain't on to this here kid.
Got a girl! well, I guess yes,
Got a dozen more or less,
But I got one reely one,
Not no foolin' ner no fun;
Fur I'm sweet on her, you see,
An' I ruther guess 'at she
Must be kinder sweet on me,
So we're keepin' company.
Honest Injun! this is true,
Ever' word I'm tellin' you!
But you won't be sich a scab
Ez to run aroun' an' blab.
Mebbe 't ain't the way with you,
But you know some fellers do.
Spoils a girl to let her know
'At you talk about her so.
Don't you know her? her name's Liz,
Nicest girl in town she is.
Purty? oh, git out, you gilly —
Liz 'ud purt 'nigh knock you silly.
Y' ought 'o see her when she's dressed
All up in her Sunday best,
All the fellers nudgin' me,
An' a-whisperin', gemunee!
Betcher life 'at I feel proud
When she passes by the crowd.
'T's kinder nice to be a-goin'
With a girl 'at makes some showin' —
One you know 'at hain't no snide,
Makes you feel so satisfied.
An' I'll tell you she's a trump,
Never even seen her jump
Like some silly girls 'ud do,
When I'd hide and holier 'Boo!'
She'd jest laff an' say 'Git out!
What you hollerin' about?'
When some girls 'ud have a fit
That 'un don't git skeered a bit,
Never makes a bit o' row
When she sees a worm er cow.
Them kind's few an' far between;
Bravest girl I ever seen.
Tell you 'nuther thing she'll do,
Mebbe you won't think it's true,
But if she's jest got a dime
She 'll go halvers ever' time.
Ah, you goose, you needn't laff;
That's the kinder girl to have.
If you knowed her like I do,
Guess you'd kinder like her too.
Tell you somep'n' if you'll swear
You won't tell it anywhere.
Oh, you got to cross yer heart
Earnest, truly, 'fore I start.
Well, one day I kissed her cheek;
Gee, but I felt cheap an' weak,
'Cause at first she kinder flared,
'N', gracious goodness! I was scared.
But I needn't been, fer la!
Why, she never told her ma.
That's what I call grit, don't you?
Sich a girl's worth stickin' to.

poem by Paul Laurence Dunbar
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An Easy Goin' Feller

Ther' ain't no use in all this strife,
An' hurryin', pell-mell, right thro' life.
I don't believe in goin' too fast
To see what kind o' road you've passed.
It ain't no mortal kind o' good,
'N' I would n't hurry ef I could.
I like to jest go joggin' 'long,
To limber up my soul with song;
To stop awhile 'n' chat the men,
'N' drink some cider now an' then.
Do' want no boss a-standin' by
To see me work; I allus try
To do my dooty right straight up,
An' earn what fills my plate an' cup.
An' ez fur boss, I'll be my own,
I like to jest be let alone,
To plough my strip an' tend my bees,
An' do jest like I doggoned please.
My head's all right, an' my heart's meller,
But I'm a easy-goin' feller.

poem by Paul Laurence Dunbar
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The Knight of the Grail

Lully, lully; lully, lulley;
The fawcon hath born my mak away.

He bare hym vp, he bare hym down;
He bare hym into an orchard brown.

In that orchard ther was an hall,
That was hangid with purpill and pall.

And in that hall ther was a bede;
Hit was hangid with gold so rede.

And yn that bed ther lythe a knyght,
His wowndes bledyng day and nyght.

By that bedes side ther kneleth a may,
And she wepeth both nyght and day.

And by that beddes side ther stondith a ston,
'Corpus Christi' wretyn theron.

poem by Anonymous Olde English
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Marthy Ellen

They's nothin' in the name to strike
A feller more'n common like!
'Taint liable to git no praise
Ner nothin' like it nowadays;
An' yit that name o' her'n is jest
As purty as the purtiest--
And more 'n that, I'm here to say
I'll live a-thinkin' thataway
And die far Marthy Ellen!

It may be I was prejudust
In favor of it from the fust--
'Cause I kin ricollect jest how
We met, and hear her mother now
A-callin' of her down the road--
And, aggervatin' little toad!--
I see her now, jes' sort o' half-
Way disapp'inted, turn and laugh
And mock her--'Marthy Ellen!'

Our people never had no fuss,
And yit they never tuck to us;
We neighbered back and foreds some;
Until they see she liked to come
To our house--and me and her
Were jest together ever'whur
And all the time--and when they'd see
That I liked her and she liked me,
They'd holler 'Marthy Ellen!'

When we growed up, and they shet down
On me and her a-runnin' roun'
Together, and her father said
He'd never leave her nary red,
So he'p him, ef she married me,
And so on--and her mother she
Jest agged the gyrl, and said she 'lowed
She'd ruther see her in her shroud,
I _writ_ to Marthy Ellen--

That is, I kindo' tuck my pen
In hand, and stated whur and when
The undersigned would be that night,
With two good hosses saddled right
Far lively travelin' in case
Her folks 'ud like to jine the race.
She sent the same note back, and writ
'The rose is red!' right under it--
'Your 'n allus, Marthy Ellen.'

That's all, I reckon--Nothin' more
To tell but what you've heerd afore--
The same old story, sweeter though
Far all the trouble, don't you know.
Old-fashioned name! and yit it's jest
As purty as the purtiest;
And more 'n that, I'm here to say
I'll live a-thinking thataway,
And die far Marthy Ellen!

poem by James Whitcomb Riley
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The Rivals

'TWAS three an' thirty year ago,
I When I was ruther young, you know,
I had my last an' only fight
About a gal one summer night.
'Twas me an' Zekel Johnson; Zeke
'N' me 'd be'n spattin' 'bout a week,
Each of us tryin' his best to show
That he was Liza Jones's beau.
We couldn't neither prove the thing,
Fur she was fur too sharp to fling
One over fur the other one
An' by so doin' stop the fun
That we chaps didn't have the sense
To see she got at our expense,
But that's the way a feller does,
Fur boys is fools an' allus was.
An' when they's females in the game
I reckon men's about the same.
Well, Zeke an' me went on that way
An' fussed an' quarrelled day by day;
While Liza, mindin' not the fuss,
Jest kep' a-goin' with both of us,
Tell we pore chaps, that's Zeke an' me,
Was jest plum mad with jealousy.
Well, fur a time we kep' our places,
An' only showed by frownin' faces
An' looks 'at well our meanin' boded
How full o' fight we both was loaded.
At last it come, the thing broke out,
An' this is how it come about.
One night ('t was fair, you'll all agree)
I got Eliza's company,
An' leavin' Zekel in the lurch,
Went trottin' off with her to church.
An' jest as we had took our seat
(Eliza lookin' fair an' sweet),
Why, I jest couldn't help but grin
When Zekel come a-bouncin' in
As furious as the law allows.
He'd jest be'n up to Liza's house,
To find her gone, then come to church
To have this end put to his search.
I guess I laffed that meetin' through,
An' not a mortal word I knew
Of what the preacher preached er read
Er what the choir sung er said.
Fur every time I'd turn my head
I couldn't skeercely help but see
'At Zekel had his eye on me.
An' he 'ud sort o' turn an' twist
An' grind his teeth an' shake his fist.
I laughed, fur la! the hull church seen us,
An' knowed that suthin' was between us.
Well, meetin' out, we started hum,
I sorter feelin' what would come.
We'd jest got out, when up stepped Zeke,
An' said, 'Scuse me, I'd like to speak
To you a minute.' 'Cert,' said I —
A-nudgin' Liza on the sly
An' laughin' in my sleeve with glee,
I asked her, please, to pardon me.
We walked away a step er two,
Jest to git out o' Liza's view,
An' then Zeke said, 'I want to know
Ef you think you're Eliza's beau,
An' 'at I'm goin' to let her go
Hum with sich a chap as you?'
An' I said bold, 'You bet I do.'
Then Zekel, sneerin', said 'at he
Didn't want to hender me.
But then he 'lowed the gal was his
An' 'at he guessed he knowed his biz,
An' wasn't feared o' all my kin
With all my friends an' chums throwed in.
Some other things he mentioned there
That no born man could no ways bear
Er think o' ca'mly tryin' to stan'
Ef Zeke had be'n the bigges' man
In town, an' not the leanest runt
'At time an' labor ever stunt.
An' so I let my fist go 'bim,'
I thought I'd mos' nigh finished him.
But Zekel didn't take it so.
He jest ducked down an' dodged my blow
An' then come back at me so hard,
I guess I must 'a' hurt the yard,
Er spilet the grass plot where I fell,
An' sakes alive it hurt me; well,
It wouldn't be'n so bad, you see,
But he jest kep' a-hittin' me.
An' I hit back an' kicked an' pawed,
But 't seemed 'twas mostly air I clawed,
While Zekel used his science well
A-makin' every motion tell.
He punched an' hit, why, goodness lands,
Seemed like he had a dozen hands.
Well, afterwhile they stopped the fuss,
An' some one kindly parted us.
All beat an' cuffed an' clawed an' scratched,
An' needin' both our faces patched,
Each started hum a different way;
An' what o' Liza, do you say,
Why, Liza — little humbug — dern her,
Why, she'd gone home with Hiram Turner.

poem by Paul Laurence Dunbar
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Bein' Back Home

HOME agin, an' home to stay —
Yes, it's nice to be away.
Plenty things to do an' see,
But the old place seems to me
Jest about the proper thing.
Mebbe 'ts 'cause the mem'ries cling
Closer 'round yore place o' birth
'N ary other spot on earth.
W'y it's nice jest settin' here,
Lookin' out an' seein' clear,
'Thout no smoke, ner dust, ner haze
In these sweet October days.
What's as good as that there lane,
Kind o' browned from last night's rain?
'Pears like home has got the start
When the goal's a feller's heart.
What's as good as that there jay
Screechin' up'ards towards the gray
Skies? An' tell me, what's as fine
As that full-leafed pumpkin vine?
Tow'rin' buildin's — yes, they're good;
But in sight o' field and wood,
Then a feller understan's
'Bout the house not made with han's
Let the others rant an' roam
When they git away from home;
Jest gi' me my old settee
An' my pipe beneath a tree;
Sight o' medders green an' still,
Now and then a gentle hill.
Apple orchards, full o' fruit,
Nigh a cider press to boot —
That's the thing jest done up brown;
D'want to be too nigh to town;
Want to have the smells an' sights,
An' the dreams o' long still nights,
With the friends you used to know
In the keerless long ago.—
Same old cronies, same old folks,
Same old cider, same old jokes.
Say, it's nice a-gittin' back,
When yore pulse is growin' slack,
An' yore breath begins to wheeze
Like a fair-set valley breeze;
Kind o' nice to set aroun'
On the old familiar groun',
Knowin' that when Death does come,
That he'll find you right at home.

poem by Paul Laurence Dunbar
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Our Two Opinions

Us two wuz boys when we fell out,--
Nigh to the age uv my youngest now;
Don't rec'lect what't wuz about,
Some small deeff'rence, I'll allow.
Lived next neighbors twenty years,
A-hatin' each other, me 'nd Jim,--
He havin' his opinyin uv me,
'Nd I havin' my opinyin uv him.

Grew up together 'nd would n't speak,
Courted sisters, 'nd marr'd 'em, too;
Tended same meetin'-house oncet a week,
A-hatin' each other through 'nd through!
But when Abe Linkern asked the West
F'r soldiers, we answered,--me 'nd Jim,--
He havin' his opinyin uv me,
'Nd I havin' my opinyin uv him.

But down in Tennessee one night
Ther' wuz sound uv firin' fur away,
'Nd the sergeant allowed ther' 'd be a fight
With the Johnnie Rebs some time nex' day;
'Nd as I wuz thinkin' uv Lizzie 'nd home
Jim stood afore me, long 'nd slim,--
He havin' his opinyin uv me,
'Nd I havin' my opinyin uv him.

Seemed like we knew there wuz goin' to be
Serious trouble f'r me 'nd him;
Us two shuck hands, did Jim 'nd me,
But never a word from me or Jim!
He went his way 'nd I went mine,
'Nd into the battle's roar went we,--
I havin' my opinyin uv Jim,
'Nd he havin' his opinyin uv me.

Jim never come back from the war again,
But I ha' n't forgot that last, last night
When, waitin' f'r orders, us two men
Made up 'nd shuck hands, afore the fight.
'Nd, after it all, it's soothin' to know
That here I be 'nd yonder's Jim,--
He havin' his opinyin uv me,
'Nd I havin' my opinyin uv him.

poem by Eugene Field
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Mylo Jones's Wife

'Mylo Jones's wife' was all
I heerd, mighty near, last Fall--
Visitun relations down
T'other side of Morgantown!
Mylo Jones's wife she does
This and that, and 'those' and 'thus'!--
Can't 'bide babies in her sight--
Ner no childern, day and night,
Whoopin' round the premises--
NER NO NOTHIN' ELSE, I guess!

Mylo Jones's wife she 'lows
She's the boss of her own house!--
Mylo--consequences is--
Stays whare things seem SOME like HIS,--
Uses, mostly, with the stock--
Coaxin' 'Old Kate' not to balk,
Ner kick hoss-flies' branes out, ner
Act, I s'pose, so much like HER!
Yit the wimmern-folks tells you
She's PERFECTION.--Yes they do!

Mylo's wife she says she's found
Home hain't home with MEN-FOLKS round
When they's work like HERN to do-
Picklin' pears and BUTCHERN, too,
And a-rendern lard, and then
Cookin' fer a pack of men
To come trackin' up the flore
SHE'S scrubbed TEL she'll scrub no MORE!--
Yit she'd keep things clean ef they
Made her scrub tel Jedgmunt Day!

Mylo Jones's wife she sews
Carpet-rags and patches clothes
Jest year IN and OUT!--and yit
Whare's the livin' use of it?
She asts Mylo that.--And he
Gits back whare he'd ruther be,
With his team;--jest PLOWS--and don't
Never sware--like some folks won't!
Think ef HE'D CUT LOOSE, I gum!
'D he'p his heavenly chances some!

Mylo's wife don't see no use,
Ner no reason ner excuse
Fer his pore relations to
Hang round like they allus do!
Thare 'bout onc't a year--and SHE--
She jest GA'NTS 'em, folks tells me,
On spiced pears!--Pass Mylo one,
He says 'No, he don't chuse none!'
Workin'men like Mylo they
'D ort to have MEAT ev'ry day!

Dad-burn Mylo Jones's wife!
Ruther rake a blame caseknife
'Crost my wizzen than to see
Sich a womern rulin' ME!--
Ruther take and turn in and
Raise a fool mule-colt by hand'
MYLO, though--od-rot the man!--
Jest keeps ca'm--like some folks CAN--
And 'lows sich as her, I s'pose,
Is MAN'S HE'PMEET'--Mercy knows!

poem by James Whitcomb Riley
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Diamond In My Crown

(Emmylouy HarrisPaul Kennerley)
As each long day rolls by and falls behind me
In the lonely night there's a peacefulness I've found
Tho' I'm weary even then
When I rise to start again
Ther'll be a diamond, a diamond in my crown
I have wasted all that life has laid before me
I have watched as all the green fields turn to brown
But I shall not disavow
All these ties that bind me now
Ther'll be a diamond, a diamond in my crown
Shinning down some day I know
Brighter than all their streets of gold
When the burdens that I carry I will lay down
And the sorrows I have known
I'll see them all be overthrown
Ther'll be a diamond, a diamond in my crown
Through the passing of the years I will grow stronger
Just as sure as this old world keeps spinning 'round
Then the closer I will be
To my sweetest victory
Ther'll be a diamond, a diamond in my crown

song performed by by Emmylou Harris
Submitted by Lucian Velea
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Thar's More In the Man Than Thar Is In The Land

I knowed a man, which he lived in Jones,
Which Jones is a county of red hills and stones,
And he lived pretty much by gittin' of loans,
And his mules was nuthin' but skin and bones,
And his hogs was flat as his corn-bread pones,
And he had 'bout a thousand acres o' land.

This man -- which his name it was also Jones --
He swore that he'd leave them old red hills and stones,
Fur he couldn't make nuthin' but yallerish cotton,
And little o' THAT, and his fences was rotten,
And what little corn he had, HIT was boughten
And dinged ef a livin' was in the land.

And the longer he swore the madder he got,
And he riz and he walked to the stable lot,
And he hollered to Tom to come thar and hitch
Fur to emigrate somewhar whar land was rich,
And to quit raisin' cock-burrs, thistles and sich,
And a wastin' ther time on the cussed land.

So him and Tom they hitched up the mules,
Pertestin' that folks was mighty big fools
That 'ud stay in Georgy ther lifetime out,
Jest scratchin' a livin' when all of 'em mought
Git places in Texas whar cotton would sprout
By the time you could plant it in the land.

And he driv by a house whar a man named Brown
Was a livin', not fur from the edge o' town,
And he bantered Brown fur to buy his place,
And said that bein' as money was skace,
And bein' as sheriffs was hard to face,
Two dollars an acre would git the land.

They closed at a dollar and fifty cents,
And Jones he bought him a waggin and tents,
And loaded his corn, and his wimmin, and truck,
And moved to Texas, which it tuck
His entire pile, with the best of luck,
To git thar and git him a little land.

But Brown moved out on the old Jones' farm,
And he rolled up his breeches and bared his arm,
And he picked all the rocks from off'n the groun',
And he rooted it up and he plowed it down,
Then he sowed his corn and his wheat in the land.

Five years glid by, and Brown, one day
(Which he'd got so fat that he wouldn't weigh),
Was a settin' down, sorter lazily,
To the bulliest dinner you ever see,
When one o' the children jumped on his knee
And says, 'Yan's Jones, which you bought his land.'

And thar was Jones, standin' out at the fence,
And he hadn't no waggin, nor mules, nor tents,
Fur he had left Texas afoot and cum
To Georgy to see if he couldn't git sum
Employment, and he was a lookin' as hum-
Ble as ef he had never owned any land.

But Brown he axed him in, and he sot
Him down to his vittles smokin' hot,
And when he had filled hisself and the floor
Brown looked at him sharp and riz and swore
That, 'whether men's land was rich or poor
Thar was more in the MAN than thar was in the LAND.'

poem by Sidney Lanier
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Farmer Whipple--Bachelor

It's a mystery to see me--a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more--
A-lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!

I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife--
Kindo' 'crawfish' from the Present to the Springtime of my life!

I was brought up in the country: Of a family of five--
Three brothers and a sister--I'm the only one alive,--
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.

The sweetest little thing she was, with rosy cheeks, and fat--
We was little chunks o' shavers then about as high as that!
But someway we sort a' SUITED-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair

Than WE was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!--
W'y, even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!

I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on ME now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up--and workin', with a mighty smilin'
face.--

Fer SOMEPIN' ELSE was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,--
'Some day I'd maybe marry, and a BROTHER'S love was one
Thing--a LOVER'S was another!' was the way the notion run!

I remember onc't in harvest, when the 'cradle-in' ' was done,
(When the harvest of my summers mounted up to twenty-one),
I was ridin' home with Mary at the closin' o' the day--
A-chawin' straws and thinkin', in a lover's lazy way!

And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well--when she turned and KISSED ME, WITH HER ARMS AROUND
ME--LAW!
I'd a bigger load o' Heaven than I had a load o' straw!

I don't p'tend to learnin', but I'll tell you what's a fac',
They's a mighty truthful sayin' somers in a' almanac--
Er SOMERS--'bout 'puore happiness'--perhaps some folks'll laugh
At the idy--'only lastin' jest two seconds and a half.'--

But it's jest as true as preachin'!--fer that was a SISTER'S
kiss,
And a sister's lovin' confidence a-tellin' to me this:--
'SHE was happy, BEIN' PROMISED TO THE SON O' FARMER BROWN.'--
And my feelin's struck a pardnership with sunset and went down!

I don't know HOW I acted, and I don't know WHAT I said,--
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kind o'glimmered before me in the road,
And the lines fell from my fingers--And that was all I knowed--

Fer--well, I don't know HOW long--They's a dim rememberence
Of a sound o' snortin' horses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' 'Murder!' and a-runnin' up to where

_I_ was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a-whirlin' roun'!
And I tried to raise and meet her, but I couldn't, with a vague
Sort o' notion comin' to me that I had a broken leg.

Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left ME worth livin' fer below,
When the girl I loved was married to another, don't you know!

And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married--Railly must 'a' been my MIND
Was kind o' out o' kilter!--fer I hated Brown, you see,
Worse'n PIZEN--and the feller whittled crutches out fer ME--

And done a thousand little ac's o' kindness and respec'--
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.

Then I went to work in airnest--I had nothin' much in view
But to drownd out rickollections--and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.

Then I'd think how little MONEY was, compared to happiness--
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm payin' half the taxes in the county, mighty near!

Well!--A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land--
'The feller that had owned it,' it went ahead to state,
'Had jest deceased, insolvent, leavin' chance to speculate,'--

And then it closed by sayin' that I'd 'better come and see.'--
I'd never been West, anyhow--a'most too wild fer ME,
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakend when I come to look around.

So I bids good-by to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again--
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd 'a' went along with me!

Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last:
And that night, at the tavern, I dreamp' I was a train
O' cars, and SKEERED at somepin', runnin' down a country lane!

Well, in the morning airly--after huntin' up the man--
The lawyer who was wantin' to swap the piece o' land--
We started fer the country; and I ast the history
Of the farm--its former owner--and so forth, etcetery!

And--well--it was interESTin'--I su'prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!--
But his su'prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the
door!--

IT WAS MARY: . . . They's a feelin' a-hidin' down in here--
Of course I can't explain it, ner ever make it clear.--
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o'nervous when I think about it yit!

I BOUGHT that farm, and DEEDED it, afore I left the town
With 'title clear to mansions in the skies,' to Mary Brown!
And fu'thermore, I took her and the CHILDERN--fer you see,
They'd never seed their Grandma--and I fetched 'em home with me.

So NOW you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more
Is a-lookin' glad and smilin'!--And I've jest come into town
To git a pair o' license fer to MARRY Mary Brown.

poem by James Whitcomb Riley
Submitted by Poetry Lover
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The Tree-Toad

''Scurious-like,' said the tree-toad,
'I've twittered far rain all day;
And I got up soon,
And I hollered till noon--
But the sun, hit blazed away,
Till I jest clumb down in a crawfish-hole,
Weary at heart, and sick at soul!

'Dozed away far an hour,
And I tackled the thing agin;
And I sung, and sung,
Till I knowed my lung
Was jest about give in;
And then, thinks I, ef hit don't rain now.
There're nothin' in singin', anyhow!

'Once in awhile some
Would come a drivin' past;
And he'd hear my cry,
And stop and sigh--
Till I jest laid back, at last,
And I hollered rain till I thought my th'oat
Would bust right open at ever' note!

'But _I fetched_ her! O _I fetched_ her!--
'Cause a little while ago,
As I kindo' set,
With one eye shet,
And a-singin' soft and low,
A voice drapped down on my fevered brain,
Sayin',--' Ef you'll jest hush I'll rain!''

poem by James Whitcomb Riley
Submitted by Poetry Lover
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The Ballad Of Frankie Lee And Judas Priest

by Bob Dylan
Well, Frankie Lee and Judas Priest,
They were the best of friends.
So when Frankie Lee needed money one day,
Judas quickly pulled out a roll of tens
And placed them on a footstool
Just above the plotted plain,
Sayin', "Take your pick, Frankie Boy,
My loss will be your gain."
Well, Frankie Lee, he sat right down
And put his fingers to his chin,
But with the cold eyes of Judas on him,
His head began to spin.
"Would ya please not stare at me like that," he said,
"It's just my foolish pride,
But sometimes a man must be alone
And this is no place to hide."
Well, Judas, he just winked and said,
"All right, I'll leave you here,
But you'd better hurry up and choose
Which of those bills you want,
Before they all disappear."
"I'm gonna start my pickin' right now,
Just tell me where you'll be."
Judas pointed down the road
And said, "Eternity!"
"Eternity?" said Frankie Lee,
With a voice as cold as ice.
"That's right," said Judas Priest, "Eternity,
Though you might call it 'Paradise.'"
"I don't call it anything,"
Said Frankie Lee with a smile.
"All right," said Judas Priest,
"I'll see you after a while."
Well, Frankie Lee, he sat back down,
Feelin' low and mean,
When just then a passing stranger
Burst upon the scene,
Saying, "Are you Frankie Lee, the gambler,
Whose father is deceased?
Well, if you are,
There's a fellow callin' you down the road
And they say his name is Priest."
"Oh, yes, he is my friend,"
Said Frankie Lee in fright,
"I do recall him very well,
In fact, he just left my sight."
"Yes, that's the one," said the stranger,
As quiet as a mouse,
"Well, my message is, he's down the road,
Stranded in a house."
Well, Frankie Lee, he panicked,
He dropped ev'rything and ran
Until he came up to the spot
Where Judas Priest did stand.
"What kind of house is this," he said,
"Where I have come to roam?"
"It's not a house," said Judas Priest,
"It's not a house . . . it's a home."
Well, Frankie Lee, he trembled,
He soon lost all control
Over ev'rything which he had made
While the mission bells did toll.
He just stood there staring
At that big house as bright as any sun,
With four and twenty windows
And a woman's face in ev'ry one.
Well, up the stairs ran Frankie Lee
With a soulful, bounding leap,
And, foaming at the mouth,
He began to make his midnight creep.
For sixteen nights and days he raved,
But on the seventeenth he burst
Into the arms of Judas Priest,
Which is where he died of thirst.
No one tried to say a thing
When they took him out in jest,
Except, of course, the little neighbor boy
Who carried him to rest.
And he just walked along, alone,
With his guilt so well concealed,
And muttered underneath his breath,
"Nothing is revealed."
Well, the moral of the story,
The moral of this song,
Is simply that one should never be
Where one does not belong.
So when you see your neighbor carryin' somethin',
Help him with his load,
And don't go mistaking Paradise
For that home across the road.

song performed by by Bob Dylan
Submitted by Lucian Velea
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The Faltering Knight

It knocks me can in, this ere game uv life,
A bloke gets born, grows up, looks round fer fun,
Dreams dilly dreams, then wakes to find a wife
An' fambly round 'im - all 'is young days done.
An', gazin' back, sees in 'is youth a man
Scarce reckernised. It fair knocks in me can!

Ther's me. I never seemed to mark no change
As I mooched on through life frum year to year;
An' yet, at times it seems to me dead strange
That me, uv old, is me, 'oo's sittin' 'ere.
Per'aps it ain't. 'E was a crook young coot,
While I'm a sturdy farmer, growin' froot.

But, all the same, 'e wouldn't back an' fill,
An' argue with 'imself, an' 'esitate,
Once 'e 'ad seen the way. 'E'd find the will
To go an' do the thing 'e 'ad to, straight.
That's 'ow I was; an' now-Ar, strike a light!
Life gits so mixed I can't git nothin' right.

But wot's the use? A bloke 'as got to own,
When once 'e 'as responsibility,
Ther's certin games is better left alone
Wot might be done if 'e was only free.
Ther's certin things - Oh, wot's the flamin' good?
A 'usband alwiz gits misun'erstood!

It's no use hintin'. If yeh want it straight,
Me an' me wife ain't seenin' eye to eye:
All ain't been peace an' 'armony uv late,
An' clouds is comin' up in our clear sky.
I ain't to blame, an' yet, no more's Doreen.
It's jist 'ard Fate 'as shoved 'is oar between.

All marrid blokes will understand me well.
I ain't addressin' no remarks to those
'0o've learnt but 'arf uv life. The things I tell
Is fer the ears uv fellermen that knows:
Them symperthetic 'usbands 'oo 'ave 'eard
The fog-'orn soundin' in the wifely word.

Fer when stern jooty grips a 'usband's 'eart
(That's me) an' eggs 'im on to start a scene
That's like to tear two 'appy lives apart,
In spite uv all 'er carin' (That's Doreen)
Why, there you 'ave a story that would make
A bonzer movie - with a bit uv fake.

But 'ere's the plot. When my pal, Ginger Mick,
Chucked in 'is alley in this war we won,
'E left things tangled; fer 'e went too quick
Fer makin' last requests uv anyone.
'E jist sez to the world, when last 'e spoke,
'Look after Rose!' . . . 'E was a trustful bloke.

Rose lives in Spadgers Lane. She lived, them days,
Fer Mick's returnin'. When 'e never came,
If she lost 'old, an' took to careless ways,
Well, I ain't sayin' she was much to blame.
An' I don't worry, till I 'ear she's took,
Or thinks uv takin' on to ways that's crook.

Although I'm vegetatin' on a farm,
I gets a city whisper now an' then.
An' when I 'ear she's like to come to 'arm
Amongst a push uv naughty spieler men,
I gets the wind up. This is all I see:
Mick was my cobber; so it's up to me.

That's all I see, quite clear, with my two eyes.
But marrid blokes will understand once more,
When I remarks that marrid blokes is wise
'Oo 'ave the sense to take a squint through four.
Four eyes is needed in reviewin' plans -
Their vision's broader than a single man's.

But when them four eyes sees two ways at once
Gets crossed - Ar, well, ther's things in marrid life
For which a hint's enough fer any dunce.
Ther's certin things between a man an' wife
That can't be quite - But take this fer a fack:
Don't start things uv a mornin'. It ain't tack.

That was me first bad break. I should 'ave seen
The supper things washed up, an' 'elped a bit,
An' then 'ave broke it gently to Doreen,
Promiscus, like I jist 'ad thought uv it.
But I done worse. I blurts wot I'd to say
Upon the mornin' uv a washin' day!

There's gumption fer yeh. eight years I been hitched
Eight years uv trainin', an' I fall down flat!
Like some poor, love-sick softy 'oo gets switched
Fer tellin' 'sweetie' 'e don't like 'er 'at,
When she's jist come frum 'avin' rows no end
About it's trimmin' with 'er dearest friend.

I owns me ta'tic's crook. But, all the same,
Ther' weren't no need fer certin things she said.
Wantin' to do good acts don't call fer blame,
Even on tackless 'usban's, eight years wed.
A bloke 'oo jist suggests a 'armless plan
Don't need remindin' 'e's a marrid man.

'Struth! Don't I know it? Can I well ferget
While I still 'ave two 'ealthy ears to 'ark?
Not that she torks an' mags a lot; but yet
Ther's somethin' in 'er choice uv a remark
That gets there, worse than yappin' all day long,
An' makes me pure intentions look dead wrong.

It seems it ain't right fer a marrid bloke
To rescue maids. I starts to answer back;
But got took up before I 'ardly spoke,
An' innercent designs is painted black.
I calls attention to the knights uv old;
But tin knights an' romance iist leaves 'er cold.

I read 'er meanin' plain in 'er cool eye.
Aw, strike! I ain't admirin' Rose!… Wot?… Me!
But when 'er look sez 'Rats!' where's the reply
A man can give, an' keep 'is dignity?
It can't be done. When they git on that lay,
Wise coves adjourns the meet, an' fades away.

That's wot I done. I gits out uv the 'ouse
All dignified. An', jist to show 'er 'ow
Reel unconcerned I am, I starts to rouse
Me neighbour, Wally Free, about 'is cow
Wot's got in to me cabbages, an' et
Close on a row uv 'em. I'll shoot 'er yet!

(A batchelor 'e is, this Wally Free
A soljer bloke that come this way last year
An' took the little farm nex' door to me.)
When I gets mad, 'e grins frum ear to ear,
An' sez, 'Cool orf,' 'e sez. 'It's plain your wool
'As been pulled 'ard this mornin'.' 'E's a fool!

If 'e don't mend that fence . . . Ar, wot's the good?
I lets 'im go, an' sneaks be'ind the shed,
An' sits there broodin' on a pile uv wood…
Ther's certin things she might 'ave left unsaid.
Ther' wasn't nothin' fer to make 'er go
An' dig up chance remarks uv years ago.

Me problem's this: Either I 'urts Doreen,
By doin' things with which she don't agree,
Or lets Rose slide, an' treats me cobber mean
Ole Ginger Mick, 'oo 'ad no friend but me.
I ain't a ringtail; but, by gum, it's tough.
I loves me wife too much to treat 'er rough.

If I was single . . . 'Struth! 'Oo wants to be?
Fool batchelors can larf their silly larf,
An' kid theirselves they got a pull on me.
I'm out uv sorts, that's all; an' more than 'arf
Inclined to give some coot a crack, right now
Fer pref'rince, some insultin' single cow!

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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The Ballad Of Frankie Lee & Judas Priest

Well, frankie lee and judas priest,
They were the best of friends.
So when frankie lee needed money one day,
Judas quickly pulled out a roll of tens
And placed them on a footstool
Just above the plotted plain,
Sayin, take your pick, frankie boy,
My loss will be your gain.
Well, frankie lee, he sat right down
And put his fingers to his chin,
But with the cold eyes of judas on him,
His head began to spin.
Would ya please not stare at me like that, he said,
Its just my foolish pride,
But sometimes a man must be alone
And this is no place to hide.
Well, judas, he just winked and said,
All right, Ill leave you here,
But youd better hurry up and choose
Which of those bills you want,
Before they all disappear.
Im gonna start my pickin right now,
Just tell me where youll be.
Judas pointed down the road
And said, eternity!
Eternity? said frankie lee,
With a voice as cold as ice.
Thats right, said judas priest, eternity,
Though you might call it paradise.
I dont call it anything,
Said frankie lee with a smile.
All right, said judas priest,
Ill see you after a while.
Well, frankie lee, he sat back down,
Feelin low and mean,
When just then a passing stranger
Burst upon the scene,
Saying, are you frankie lee, the gambler,
Whose father is deceased?
Well, if you are,
Theres a fellow callin you down the road
And they say his name is priest.
Oh, yes, he is my friend,
Said frankie lee in fright,
I do recall him very well,
In fact, he just left my sight.
Yes, thats the one, said the stranger,
As quiet as a mouse,
Well, my message is, hes down the road,
Stranded in a house.
Well, frankie lee, he panicked,
He dropped evrything and ran
Until he came up to the spot
Where judas priest did stand.
What kind of house is this, he said,
Where I have come to roam?
Its not a house, said judas priest,
Its not a house . . . its a home.
Well, frankie lee, he trembled,
He soon lost all control
Over evrything which he had made
While the mission bells did toll.
He just stood there staring
At that big house as bright as any sun,
With four and twenty windows
And a womans face in evry one.
Well, up the stairs ran frankie lee
With a soulful, bounding leap,
And, foaming at the mouth,
He began to make his midnight creep.
For sixteen nights and days he raved,
But on the seventeenth he burst
Into the arms of judas priest,
Which is where he died of thirst.
No one tried to say a thing
When they took him out in jest,
Except, of course, the little neighbor boy
Who carried him to rest.
And he just walked along, alone,
With his guilt so well concealed,
And muttered underneath his breath,
Nothing is revealed.
Well, the moral of the story,
The moral of this song,
Is simply that one should never be
Where one does not belong.
So when you see your neighbor carryin somethin,
Help him with his load,
And dont go mistaking paradise
For that home across the road.

song performed by by Bob Dylan
Submitted by Lucian Velea
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Nine from Eight

I was drivin' my two-mule waggin,
With a lot o' truck for sale,
Towards Macon, to git some baggin'
(Which my cotton was ready to bale),
And I come to a place on the side o' the pike
Whar a peert little winter branch jest had throw'd
The sand in a kind of a sand-bar like,
And I seed, a leetle ways up the road,
A man squattin' down, like a big bull-toad,
On the ground, a-figgerin' thar in the sand
With his finger, and motionin' with his hand,
And he looked like Ellick Garry.
And as I driv up, I heerd him bleat
To hisself, like a lamb: 'Hauh? nine from eight
Leaves nuthin' -- and none to carry?'

And Ellick's bull-cart was standin'
A cross-wise of the way,
And the little bull was a-expandin',
Hisself on a wisp of hay.
But Ellick he sat with his head bent down,
A-studyin' and musin' powerfully,
And his forrud was creased with a turrible frown,
And he was a-wurken' appearently
A 'rethmetic sum that wouldn't gee,
Fur he kep' on figgerin' away in the sand
With his finger, and motionin' with his hand,
And I seed it WAS Ellick Garry.
And agin I heard him softly bleat
To hisself, like a lamb: 'Hauh? nine from eight
Leaves nuthin' -- and none to carry!'

I woa'd my mules mighty easy
(Ellick's back was towards the road
And the wind hit was sorter breezy)
And I got down off'n my load,
And I crep' up close to Ellick's back,
And I heerd him a-talkin' softly, thus:
'Them figgers is got me under the hack.
I caint see how to git out'n the muss,
Except to jest nat'ally fail and bus'!
My crap-leen calls for nine hundred and more.
My counts o' sales is eight hundred and four,
Of cotton for Ellick Garry.
Thar's eight, ought, four, jest like on a slate:
Here's nine and two oughts -- Hauh? nine from eight
Leaves nuthin' -- and none to carry.

'Them crap-leens, oh, them crap-leens!
I giv one to Pardman and Sharks.
Hit gobbled me up like snap-beans
In a patch full o' old fiel'-larks.
But I thought I could fool the crap-leen nice,
And I hauled my cotton to Jammel and Cones.
But shuh! 'fore I even had settled my price
They tuck affidavy without no bones
And levelled upon me fur all ther loans
To the 'mount of sum nine hundred dollars or more,
And sold me out clean for eight hundred and four,
As sure as I'm Ellick Garry!
And thar it is down all squar and straight,
But I can't make it gee, fur nine from eight
Leaves nuthin' -- and none to carry.'

Then I says 'Hello, here, Garry!
However you star' and frown
Thare's somethin' fur YOU to carry,
Fur you've worked it upside down!'
Then he riz and walked to his little bull-cart,
And made like he neither had seen nor heerd
Nor knowed that I knowed of his raskilly part,
And he tried to look as if HE wa'nt feared,
And gathered his lines like he never keered,
And he driv down the road 'bout a quarter or so,
And then looked around, and I hollered 'Hello,
Look here, Mister Ellick Garry!
You may git up soon and lie down late,
But you'll always find that nine from eight
Leaves nuthin' -- and none to carry.'

poem by Sidney Lanier
Submitted by Poetry Lover
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Where The Sidewalk Ends

Written by John Mellencamp
Oh talk to me
Pretty girl in the corner
Tryin' out your sex appeal
Oh no, it won't bother me
If you talk about your TV Jims
And their overkill
You can be ...
You can roll out of you seats
I know what I want, baby
But you know exactly what I need
Oh run with me
I'll show you what life is like across the street
Oh take me
If you want to you can take me seriously
I just wanna throw you one
Time around the block
I know those small minded people
And I know that you won't talk, not much
Don't put me on
When all it really depends
On how you see yourself
Where the sidewalk ends
Well ther goes James Richard Riley
Screamin' his redundent lines
He's such a time waster
What's his he thinks is mine
But none of this for me or you
I got something for you better here
I got loads of dreams, everything is deep
I got laws, I got power, I got you
And that's all that matters
Hey you, they think you're crazy
But I knew that the first time
That you laid down
They know it's just your behavior
Well it's hard to be a lady
When you paint your face just like a clown
There's somethin' goin' on here
I don't need to hear from you
I got twenty five rings and a joker's ring
.... been real to you
Yeah they say I caught you
Where the sidewalk ends
But there ain't nobody buyin' nothin'
Where the sidewalk ends

song performed by by John Mellencamp
Submitted by Lucian Velea
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