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The Dukite Snake

Well, mate, you’ve asked about a fellow
You met to-day, in a black-and-yellow
Chain-gang suit, with a peddler’s pack,
Or with some such burden, strapped to his back.
Did you meet him square? No, passed you by?
Well, if you had, and had looked in his eye,
You’d have felt for your irons then and there;
For the light in his eye is a madman’s glare.
Ay, mad, poor fellow! I know him well,
And if you’re not sleepy just yet, I’ll tell
His story,—a strange one as ever you heard
Or read; but I’ll vouch for it, every word.

You just wait a minute, mate: I must see
How that damper’s doing, and make some tea.
You smoke? That’s good; for there’s plenty of weed
In that wallaby skin. Does your horse feed
In the hobbles? Well, he’s got good feed here,
And my own old bush mare won’t interfere.
Done with that meat? Throw it there to the dogs,
And fling on a couple of banksia logs.

And now for the story. That man who goes
Through the bush with the pack and the convict’s clothes
Has been mad for years; but he does no harm,
And our lonely settlers feel no alarm
When they see or meet him. Poor Dave Sloane
Was a settler once, and a friend of my own.
Some eight years back, in the spring of the year,
Dave came from Scotland, and settled here.
A splendid young fellow he was just then,
And one of the bravest and truest men
That I ever met: he was kind as a woman
To all who needed a friend, and no man—
Not even a convict—met with his scorn,
For David Sloane was a gentleman born.
Ay, friend, a gentleman, though it sounds queer:
There’s plenty of blue blood flowing out here,
And some younger sons of your “upper ten”
Can be met with here, first-rate bushmen.
Why, friend, I—Bah! curse that dog! you see
This talking so much has affected me.

Well, Sloane came here with an axe and a gun;
He bought four miles of a sandal-wood run.
This bush at that time was a lonesome place,
So lonesome the sight of a white man’s face
Was a blessing, unless it came at night,
And peered in your hut, with the cunning fright
Of a runaway convict; and even they
Were welcome, for talk’s sake, while they could stay.
Dave lived with me here for a while, and learned
The tricks of the bush,—how the snare was laid
In the wallaby track, how traps were made,
How ’possums and kangaroo rats were killed,
And when that was learned, I helped him to build
From mahogany slabs a good bush hut,
And showed him how sandal-wood logs were cut.
I lived up there with him days and days,
For I loved the lad for his honest ways.
I had only one fault to find: at first
Dave worked too hard; for a lad who was nursed,
As he was, in idleness, it was strange
How he cleared that sandal-wood off his range.
From the morning light till the light expired
He was always working, he never tired;
Till at length I began to think his will
Was too much settled on wealth, and still
When I looked at the lad’s brown face, and eye
Clear open, my heart gave such thought the lie.
But one day—for he read my mind—he laid
His hand on my shoulder: “Don’t be afraid,”
Said he, “that I’m seeking alone for pelf.
I work hard, friend; but ’tis not for myself.”

And he told me then, in his quiet tone,
Of a girl in Scotland, who was his own,—
His wife,—’twas for her: ’twas all he could say,
And his clear eye brimmed as he turned away.
After that he told me the simple tale:
They had married for love, and she was to sail
For Australia when he wrote home and told
The oft-watched-for story of finding gold.

In a year he wrote, and his news was good:
He had bought some cattle and sold his wood.
He said, “Darling, I’ve only a hut,—but come.”
Friend, a husband’s heart is a true wife’s home;
And he knew she’d come. Then he turned his hand
To make neat the house, and prepare the land
For his crops and vines; and he made that place
Put on such a smiling and homelike face,
That when she came, and he showed her round
His sandal-wood and his crops in the ground,
And spoke of the future, they cried for joy,
The husband’s arm clasping his wife and boy.

Well, friend, if a little of heaven’s best bliss
Ever comes from the upper world to this,
It came into that manly bushman’s life,
And circled him round with the arms of his wife.
God bless that bright memory! Even to me,
A rough, lonely man, did she seem to be,
While living, an angel of God’s pure love,
And now I could pray to her face above.
And David he loved her as only a man
With a heart as large as was his heart can.
I wondered how they could have lived apart,
For he was her idol, and she his heart.

Friend, there isn’t much more of the tale to tell:
I was talking of angels awhile since. Well,
Now I’ll change to a devil,—ay, to a devil!
You needn’t start: if a spirit of evil
Ever came to this world its hate to slake
One mankind, it came as a Dukite Snake.

Like? Like the pictures you’ve seen of Sin,
A long red snake,—as if what was within
Was fire that gleamed through his glistening skin.
And his eyes!—if you could go down to hell
And come back to your fellows here and tell
What the fire was like, you could find no thing,
Here below on the earth, or up in the sky,
To compare it to but a Dukite’s eye!

Now, mark you, these Dukites don’t go alone:
There’s another near when you see but one;
And beware you of killing that one you see
Without finding the other; for you may be
More than twenty miles from the spot that night,
When camped, but you’re tracked by the lone Dukite,
That will follow your trail like Death or Fate,
And kill you as sure as you killed its mate!

Well, poor Dave Sloane had his young wife here
Three months,—’twas just this time of the year.
He had teamed some sandal-wood to the Vasse,
And was homeward bound, when he saw in the grass
A long red snake: he had never been told
Of the Dukite’s ways,—he jumped to the road,
And smashed its flat head with the bullock-goad!

He was proud of the red skin, so he tied
Its tail to the cart, and the snake’s blood dyed
The bush on the path he followed that night.

He was early home, and the dead Dukite
Was flung at the door to be skinned next day.
At sunrise next morning he started away
To hunt up his cattle. A three hours’ ride
Brought him back: he gazed on his home with pride
And joy in his heart; he jumped from his horse
And entered—to look on his young wife’s corse,
And his dead child clutching his mother’s clothes
As in fright; and there, as he gazed, arose
From her breast, where ’twas resting, the gleaming head
Of the terrible Dukite, as if it said,
“I’ve had vengeance, my foe: you took all I had.”

And so had the snake—David Sloane was mad!
I rode to his hut just by chance that night,
And there on the threshold the clear moonlight
Showed the two snakes dead. I pushed in the door
With an awful feeling of coming woe:
The dead was stretched on the moonlit floor,
The man held the hand of his wife,—his pride,
His poor life’s treasure,—and crouched by her side.
O God! I sank with the weight of the blow.

I touched and called him: he heeded me not,
So I dug her grave in a quiet spot,
And lifted them both,—her boy on her breast,—
And laid them down in the shade to rest.
Then I tried to take my poor friend away,
But he cried so woefully, “Let me stay
Till she comes again!” that I had no heart
To try to persuade him then to part
From all that was left to him here,—her grave;
So I stayed by his side that night, and, save
One heart-cutting cry, he uttered no sound,—
O God! that wail—like the wail of a hound!

’Tis six long years since I heard that cry,
But ’twill ring in my ears till the day I die.
Since that fearful night no one has heard
Poor David Sloane utter sound or word.
You have seen to-day how he always goes:
He’s been given that suit of convict’s clothes
By some prison officer. On his back
You noticed a load like a peddler’s pack?
Well, that’s what he lives for: when reason went,
Still memory lived, for the days are spent
In searching for Dukites; and year by year
That bundle of skins is growing. ’Tis clear
That the Lord out of evil some good still takes;
For he’s clearing this bush of the Dukite snakes.

poem by John Boyle O'Reilly
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Trooper Campbell

One day old Trooper Campbell
Rode out to Blackman's Run,
His cap-peak and his sabre
Were glancing in the sun.
'Twas New Year's Eve, and slowly
Across the ridges low
The sad Old Year was drifting
To where the old years go.

The trooper's mind was reading
The love-page of his life --
His love for Mary Wylie
Ere she was Blackman's wife;
He sorrowed for the sorrows
Of the heart a rival won,
For he knew that there was trouble
Out there on Blackman's Run.

The sapling shades had lengthened,
The summer day was late,
When Blackman met the trooper
Beyond the homestead gate.
And if the hand of trouble
Can leave a lasting trace,
The lines of care had come to stay
On poor old Blackman's face.

`Not good day, Trooper Campbell,
It's a bad, bad day for me --
You are of all the men on earth
The one I wished to see.
The great black clouds of trouble
Above our homestead hang;
That wild and reckless boy of mine
Has joined M'Durmer's gang.

`Oh! save him, save him, Campbell!
I beg in friendship's name!
For if they take and hang him,
The wife would die of shame.
Could Mary or her sisters
Hold up their heads again,
And face a woman's malice
Or claim the love of men?

`And if he does a murder
'Twere better we were dead.
Don't take him, Trooper Campbell,
If a price be on his head;
But shoot him! shoot him, Campbell,
When you meet him face to face,
And save him from the gallows,
And us from that disgrace.'

`Now, Tom,' cried Trooper Campbell,
`You know your words are wild.
Though he is wild and reckless,
Yet still he is your child;
So bear up in your trouble,
And meet it like a man,
And tell the wife and daughters
I'll save him if I can.'

. . . . .

The sad Australian sunset
Had faded from the west;
But night brings darker shadows
To hearts that cannot rest;
And Blackman's wife sat rocking
And moaning in her chair.
`I cannot bear disgrace,' she moaned;
`Disgrace I cannot bear.

`In hardship and in trouble
I struggled year by year
To make my children better
Than other children here.
And if my son's a felon
How can I show my face?
I cannot bear disgrace; my God,
I cannot bear disgrace!

`Ah, God in Heaven pardon!
I'm selfish in my woe --
My boy is better-hearted
Than many that I know.
And I will face the world's disgrace,
And, till his mother's dead,
My foolish child shall find a place
To lay his outlawed head.'

. . . . .

With a sad heart Trooper Campbell
Rode back from Blackman's Run,
Nor noticed aught about him
Till thirteen miles were done;
When, close beside a cutting,
He heard the click of locks,
And saw the rifle muzzles
Were on him from the rocks.

But suddenly a youth rode out,
And, close by Campbell's side:
`Don't fire! don't fire, in heaven's name!
It's Campbell, boys!' he cried.
Then one by one in silence
The levelled rifles fell,
For who'd shoot Trooper Campbell
Of those who knew him well?

Oh, bravely sat old Campbell,
No sign of fear showed he.
He slowly drew his carbine;
It rested by his knee.
The outlaws' guns were lifted,
But none the silence broke,
Till steadfastly and firmly
Old Trooper Campbell spoke.

`That boy that you would ruin
Goes home with me, my men;
Or some of us shall never
Ride through the Gap again.
You know old Trooper Campbell,
And have you ever heard
That bluff or lead could turn him,
That e'er he broke his word?

`That reckless lad is playing
A heartless villain's part;
He knows that he is breaking
His poor old mother's heart.
He'll bring a curse upon himself;
But 'tis not that alone,
He'll bring dishonour to a name
That I'D be proud to own.

`I speak to you, M'Durmer, --
If your heart's not hardened quite,
And if you'd seen the trouble
At Blackman's home this night,
You'd help me now, M'Durmer --
I speak as man to man --
I swore to save that foolish lad,
And I'll save him if I can.'

`Oh, take him!' said M'Durmer,
`He's got a horse to ride.'
The youngster thought a moment,
Then rode to Campbell's side --
`Good-bye!' the outlaws shouted,
As up the range they sped.
`A Merry New Year, Campbell,'
Was all M'Durmer said.

. . . . .

Then fast along the ridges
Two bushmen rode a race,
And the moonlight lent a glory
To Trooper Campbell's face.
And ere the new year's dawning
They reached the home at last;
And this is but a story
Of trouble that is past!

poem by Henry Lawson
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Sad Story 3 (A True Story)

In some lives tragedy lingers
like a low hanging dark cloud.
Take the life of a friend of mine.
A few years ago, he fell off his horse
and missed a lovely weekend away.
After months of recuperation
life started to build itself again.
Getting home one evening,
he found his partner not feeling well
and within a matter of hours, she was gone.
The weeks that followed
his world seem to be caving in.
First his job was to go
and then the flat he lived in.
Nothing seemed to be going right.
He met up with his ex-wife
because his daughter had become
a drug addict and an alcoholic.
Somehow, their love for one another
started to blossom again.
He began to grow in strength again.
Life was getting better at every bend,
but tragedy hadn’t left him,
it just waited to come back.
Then I heard it had struck again
just as he was getting settled
it struck again with vengeance
only this time to his ex wife.
He went around to see her
as he normally did
only to find police everywhere.
Asking why they were there,
they told him it was a crime scene I am afraid
and that his ex wife had been murdered.
How is he coping I am not sure.
I’ve tried to phone him,
but his phone is switched off I’m afraid.
There is an emptiness in my heart
as he is a nice and gentle man.
I shall keep on trying to get in touch with him,
as he is a good friend.
I just hope he doesn’t fall
into a depression again.
One never knows
how much tragedy any man or woman can endure.
This story has no end and nor will it
until I hear from my good friend.

27 February 2008

poem by David Harris
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Marshall's Mate

You almost heard the surface bake, and saw the gum-leaves turn --
You could have watched the grass scorch brown had there been grass to burn.
In such a drought the strongest heart might well grow faint and weak --
'Twould frighten Satan to his home -- not far from Dingo Creek.

The tanks went dry on Ninety Mile, as tanks go dry out back,
The Half-Way Spring had failed at last when Marshall missed the track;
Beneath a dead tree on the plain we saw a pack-horse reel --
Too blind to see there was no shade, and too done-up to feel.
And charcoaled on the canvas bag (`twas written pretty clear)
We read the message Marshall wrote. It said: `I'm taken queer --
I'm somewhere off of Deadman's Track, half-blind and nearly dead;
Find Crowbar, get him sobered up, and follow back,' it said.

`Let Mitchell go to Bandicoot. You'll find him there,' said Mack.
`I'll start the chaps from Starving Steers, and take the dry-holes back.'
We tramped till dark, and tried to track the pack-horse on the sands,
And just at daylight Crowbar came with Milroy's station hands.
His cheeks were drawn, his face was white, but he was sober then --
In times of trouble, fire, and flood, 'twas Crowbar led the men.
`Spread out as widely as you can each side the track,' said he;
`The first to find him make a smoke that all the rest can see.'

We took the track and followed back where Crowbar followed fate,
We found a dead man in the scrub -- but 'twas not Crowbar's mate.
The station hands from Starving Steers were searching all the week --
But never news of Marshall's fate came back to Dingo Creek.
And no one, save the spirit of the sand-waste, fierce and lone,
Knew where Jack Marshall crawled to die -- but Crowbar might have known.

He'd scarcely closed his quiet eyes or drawn a sleeping breath --
They say that Crowbar slept no more until he slept in death.
A careless, roving scamp, that loved to laugh and drink and joke,
But no man saw him smile again (and no one saw him smoke),
And, when we spelled at night, he'd lie with eyes still open wide,
And watch the stars as if they'd point the place where Marshall died.

The search was made as searches are (and often made in vain),
And on the seventh day we saw a smoke across the plain;
We left the track and followed back -- 'twas Crowbar still that led,
And when his horse gave out at last he walked and ran ahead.
We reached the place and turned again -- dragged back and no man spoke --
It was a bush-fire in the scrubs that made the cursed smoke.
And when we gave it best at last, he said, `I'LL see it through,'
Although he knew we'd done as much as mortal men could do.
`I'll not -- I won't give up!' he said, his hand pressed to his brow;
`My God! the cursed flies and ants, they might be at him now.
I'll see it so in twenty years, 'twill haunt me all my life --
I could not face his sister, and I could not face his wife.
It's no use talking to me now -- I'm going back,' he said,
`I'm going back to find him, and I will -- alive or dead!'

. . . . .

He packed his horse with water and provisions for a week,
And then, at sunset, crossed the plain, away from Dingo Creek.
We watched him tramp beside the horse till we, as it grew late,
Could not tell which was Bonypart and which was Marshall's mate.
The dam went dry at Dingo Creek, and we were driven back,
And none dared face the Ninety Mile when Crowbar took the track.

They saw him at Dead Camel and along the Dry Hole Creeks --
There came a day when none had heard of Marshall's mate for weeks;
They'd seen him at No Sunday, he called at Starving Steers --
There came a time when none had heard of Marshall's mate for years.
They found old Bonypart at last, picked clean by hungry crows,
But no one knew how Crowbar died -- the soul of Marshall knows!

And now, way out on Dingo Creek, when winter days are late,
The bushmen talk of Crowbar's ghost `what's looking for his mate';
For let the fools indulge their mirth, and let the wise men doubt --
The soul of Crowbar and his mate have travelled further out.
Beyond the furthest two-rail fence, Colanne and Nevertire --
Beyond the furthest rabbit-proof, barbed wire and common wire --
Beyond the furthest `Gov'ment' tank, and past the furthest bore --
The Never-Never, No Man's Land, No More, and Nevermore --
Beyond the Land o' Break-o'-Day, and Sunset and the Dawn,
The soul of Marshall and the soul of Marshall's mate have gone
Unto that Loving, Laughing Land where life is fresh and clean --
Where the rivers flow all summer, and the grass is always green.

poem by Henry Lawson
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The Way Of The Bush

A night of storm and wind and rain,
Tall trees bowing beneath the blast
That shakes and rattles the window-pane,
And a thunderous roar as the creek goes past.

Inside there a pictures and flowers and books,
And a slim girl-wife with shingled hair;
The lamplight glimmers on cosy nooks,
And Desmond Keene in his easy chair

Thanks God for home and the days toil o’er;
When on the verandah a tramp of feet,
A frenzied knock on the kitchen door
Wondering he goes a neighbour to greet.

“The missus is dyin’ ” poor Simpson says,
‘Down in the ‘orspital-sent for me,
I gathered the kids, and brought ‘’em ‘ere,
I thought your missus might mind ‘em – see!”

“Mind them, of course, and I’ll go with you,
You’ll need a mate on a night like this.”
And soon the neighbours are ‘battling through’
Young Desmond cheered by his wife’s last kiss.

For this is the way of the bush my friends
Neighbourly service prompt at need
Freely given and freely sought,
For the bush recks nothing of caste or creed.

And the young wife’s hands are steady and firm
Though here soft lips tremble in voiceless prayer
As she smooths the wet and tangled curls
Of the young ones left in her gentle care.

There’s a solemn hush in the hospital ward
Where a grey-haired bushman bends in woe
Over the toil-worn face of one
Who has come to the journey we all must go.

But ‘Mother’ still has a smile for him,
And the kind grey eyes show a soul at rest,
While the poor thin hands that have toiled so long
Lie idly now on her quiet breast.

For this is the way of the bush my friends,
To struggle and strive year out year in,
And often to die and leave it all
When the lean years end and the good begin.

They brought her back to the home she loved,
And the neighbours came for miles around,
There were cars and buggies and horses ranged
Round the rough rail fence of the burying ground.

They smothered the children with gifts and tears
In the way of the bush that is dear to God,
And their homely kindness was pure and sweet
As the flowers they placed on the new-turned sod.

Courage and patience and sturdy toil
And kindness unstinted in others’ needs—
How the God that made them must love them all!
For the ‘way of the bush’ is His way indeed.

poem by Alice Guerin Crist
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Talbragar

Jack Denver died on Talbragar when Christmas Eve began,
And there was sorrow round the place, for Denver was a man;
Jack Denver’s wife bowed down her head—her daughter’s grief was wild,
And big Ben Duggan by the bed stood sobbing like a child.
But big Ben Duggan saddled up, and galloped fast and far,
To raise the biggest funeral ever seen on Talbragar.

By station home
And shearing shed
Ben Duggan cried, “Jack Denver’s dead!
Roll up at Talbragar!”

He borrowed horses here and there, and rode all Christmas Eve,
And scarcely paused a moment’s time the mournful news to leave;
He rode by lonely huts and farms, until the day was done
And then he turned his horse’s head and made for Ross’s Run.
No Bushman in a single day had ridden half so far
Since Johnson brought the doctor to his wife at Talbragar.

By diggers’ camps
Ben Duggan sped—
At each he cried, “Jack Denver’s dead!
Roll up at Talbragar!”

That night he passed the humpies of the splitters on the ridge,
And roused the bullock-drivers camped at Belinfante’s Bridge;
And as he climbed the ridge again the moon shone on the rise;
The soft white moonbeams glistened in the tears that filled his eyes;
He dashed the rebel drops away—for blinding things they are—
But ’twas his best and truest friend who died on Talbragar.

At Blackman’s Run
Before the dawn,
Ben Duggan cried, “Jack Denver’s gone!
Roll up at Talbragar!”

At all the shanties round the place they‘d beard his horse’s tramp,
He took the track to Wilson’s Luck, and told the diggers’ camp;
But in the gorge by Deadman’s Gap the mountain shades were black,
And there a newly-fallen tree was lying on the track—
He saw too late, and then he heard the swift hoof ’s sudden jar,
And big Ben Duggan ne’er again rode home to Talbragar.

“The wretch is drunk,
And Denver’s dead—
A burning shame!” the people said
Next day at Talbragar.

For thirty miles round Talbragar the boys rolled up in strength,
And Denver had a funeral a good long mile in length;
Round Denver’s grave that Christmas day rough Bushmen’s eyes were dim—
The Western Bushmen knew the way to bury dead like him;
But some returning homeward found, by light of moon and star,
Ben Duggan dying in the rocks, ten miles from Talbragar.

They knelt around.
He raised his head
And faintly gasped, “Jack Denver’s dead,
Roll up at Talbragar!”

But one short hour before he died he woke and understood;
They told him, when he asked them, that the funeral was good;
And then there came into his eyes a sad and softened light.
He said. “Poor Denver’s wife and kids—you’ll see that they’re all right?”
And still the careless Bushmen tell by tent and shanty bar
How Duggan raised a funeral years back on Talbragar.

And far and wide
When Duggan died.
The bushmen of the western side
Rode in to Talbragar.

poem by Henry Lawson
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The Christ upon the Hill

Part I.

A couple old sat o'er the fire,
And they were bent and gray;
They burned the charcoal for their Lord,
Who lived long leagues away.

Deep in the wood the old pair dwelt,
Far from the paths of men,
And saw no face but their poor son's,
And a wanderer's now and then.

The son, alas! Had grown apace,
And left his wits behind;
He was as helpless as the air,
As empty as the wind.

With puffing lips and shambling feet,
And eyes a-staring wide,
He whistled ever as he went,
And little did beside.

He whistled high, he whistled low,
He whistled sharp and sweet;
He brought the redbreast to his hand,
And the brown hare to his feet.

Without a fear of beast or bird,
He wandered all the day;
But when the light began to fail
His courage passed away.

He feared the werewolf in the wood,
The dragon in the dell,
And home he fled as if pursued
By all the hosts of hell.

"Ah! we are old," the woman said,
"And soon shall we be gone,
And what will our poor Michael do
When he is left alone?

"We are forgotten of all men;
And he is dead, I fear,
That good old priest, who used to come
And shrive us thrice a year.

"We have no kin," the mother said,
"We have no friend," said she;
The father gazed upon the fire,
And not a word said he.

Again she spoke, "No friend or kin,
'Death, only Death,' is near;
And he will take us both away,
And leave our Michael here.

"And who shall give him bite or sup?
And who shall keep him neat?
Ah! what were Heaven if we must weep
Before God's mercy-seat!"

And when the woman ceased, the man
A little waited still,
And then he said, "We have one friend --
The Christ upon the Hill."

Part II.

The Christ upon the Hill --so gaunt
And lean and stark and drear;
It made the heart with pity start,
It smote the soul with fear.

High reared against a cliff it stood,
Just where the great roads met;
And many a knee had worn the stone
Wherein the Rood was set.

For deadly was the pass beyond,
And all men paused to pray
For courage, or to pour their thanks
For dangers passed away.

But not for fear of beast or fiend,
But boding deeper ill,
The charcoal-burner and his wife
Slow climbed the weary hill.

Before the Rood their simple son
Lay stretched upon the ground,
And crumbled black bread for the birds
That hopped and pecked around.

(For he had gone before with feet
As wild and light as air,
And borne the basket on his back
That held their frugal fare.)

And they were faint, and, ere they prayed,
They sat them down to eat;
And much they marvelled at their son,
Who never touched his meat,

But, now the birds were flown away,
Sat up, and only gazed
Upon the Christ upon the cross,
As one with wonder dazed.

Full long he sat and never moved;
But then he gave a cry,
And caught his mother by the wrist
And said, "I heard a sigh."

"It is an image made of wood,
It has no voice," she said;
"'Twas but the wind you heard, my son,"
But Michael shook his head,

And gazed again, so earnestly
His face grew almost wise;
And now he cried again, and said,
"Look, how he closed his eyes!"

"'Tis but the shadow of a bird
That passed across his face,"
The mother said; "see, even now
It hovers near the place."

And then the father said, "My son,
The image is of wood;
And do you think a man could live
Without a taste of food?"

"No food?" the silly youth replied,
And pointed to a wren,
Who with a crumb upon Christ's lip
Had just alighted then.

And now the old man held his peace,
And the woman ceased to strive,
For still he shook his silly head,
And said, "The man's alive."

"It is God's will," they said, and knelt,
And knew not what to say;
But when they rose they felt as though
All fear had passed away.

And they could smile when Michael left
His dinner on the stone;
He said, "The birds will feed the Christ
When they are quite alone."

Part III.

The couple sat before the fire,
More old, and sad, and poor,
For there was winter at the heart,
And winter at the door.

It shook the roof with shocks of wind;
It caked the pane with snow;
The candle flickered on the sill,
Like a soul that longed to go.

'Twas Michael's beacon, -- gone to feed
The Christ upon the Hill;
And midnight long had passed and gone,
And he was absent still.

And now and then they turned a log,
And now they dropped a word:
"'Twas all the wind," the mother said;
The father said, "The bird."

"I hoped that it was God himself,"
The mother muttered low;
"It must have been the fiend," he said,
"For to deceive him so."

And then the mother cried aloud,
"What matter it?" she said;
"Or wind, or bird, or fiend, or God,
For he is dead -- is dead!"

"Hark!" cried the man, and through the storm
A note came high and clear;
It was the whistle of their son,
That sound they longed to hear.

And then a cry for help, and out
Into the snow they ran;
And there was Michael. On his back
He bore a helpless man.

"He lives, he lives," he wildly cried;
"His wounds are dripping still;"
And surely, red from hand and side
There ran a tiny rill.

They brought Him in and laid Him down,
Upon the warm hearthstone;
It was the Christ, but not of wood,
But made of flesh and bone.

They washed His wounds, and at their touch
They turned to purple scars,
Like a young moon upon the breast,
On hands and feet like stars.

They brought to moisten His dry lips
They hoarded flask of wine;
They wrapped Him round with blankets warm,
And waited for a sign.

And soon without the help of hand
He rose upon His feet,
And like a friend beside the fire
He took the vacant seat.

He sat up in the chair then,
And straight began to shine,
Until His face and raiment poured
A glory most divine.

The thorns upon His forehead
Broke out in leaves of gold;
The blood-drops turned to berries,
Like rubies rich and bold.

The blankets that bewrapped Him
Flowed into folds of white,
Bestarred with gold and jewels
Which sparkled in the light.

The very chair He sat on
Became a crystal throne;
The oaken stool beneath His feet
Turned to a jasper stone.

He stretched an arm to Michael,
And touched him with His hand,
And he arose beside the throne
An angel, bright and grand.

And then His lips were opened,
And strong and sweet and clear,
Like water from a fountain,
His voice was good to hear.

"I am the King of Glory;
I am your brother too;
And even as you do to Me,
So do I unto you.

"You took Me in and clothed Me;
You washed My body pierced;
You gave me of your wine to drink
When I was sore athirst.

"And you have suffered also,
And you must suffer still;
I suffered upon Calvary;
I suffer on the Hill.

"But I am Prince of Sorrow,
And I am Lord of Care;
I come to bring you comfort,
And save you from despair.

"Your son, your only son, is safe
And beautiful to see;
And though you miss him for a while,
You know he is with Me.

"And I will give him peace and joy
As no man every knew --
A little grief, a little pain,
And I will come for you."

He rose, His arms around their son;
And through the open door
They only saw a whirl of snow,
And heard the tempest roar.

poem by William Cosmo Monkhouse
Submitted by Poetry Lover
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The Monster Diamond

A TALE OF THE PENAL COLONY OF WEST AUSTRALIA.

'I’LL have it, I tell you! Curse you!—there!'
The long knife glittered, was sheathed, and was bare.
The sawyer staggered and tripped and fell,
And falling he uttered a frightened yell:
His face to the sky, he shuddered and gasped,
And tried to put from him the man he had grasped
A moment before in the terrible strife.
'I'll have it, I tell you, or have your life!
Where is it?' The sawyer grew weak, but still
His brown face gleamed with a desperate will.
'Where is it?' he heard, and the red knife's drip
In his slayer's hand fell down on his lip.
'Will you give it?' 'Never!' A curse, the knife
Was raised and buried.

Thus closed the life
Of Samuel Jones, known as 'Number Ten'
On his Ticket-of-Leave; and of all the men
In the Western Colony, bond or free,
None had manlier heart or hand than he.

In digging a sawpit, while all alone,—
For his mate was sleeping,—Sam struck a stone
With the edge of the spade, and it gleamed like fire,
And looked at Sam from its bed in the mire,
Till he dropped the spade and stooped and raised
The wonderful stone that glittered and blazed
As if it were mad at the spade's rude blow;
But its blaze set the sawyer's heart aglow
As he looked and trembled, then turned him round,
And crept from the pit, and lay on the ground,
Looking over the mold-heap at the camp
Where his mate still slept. Then down to the swamp
He ran with the stone, and washed it bright,
And felt like a drunken man at the sight
Of a diamond pure as spring-water and sun,
And larger than ever man's eyes looked on!

Then down sat Sam with the stone on his knees,
And fancies came to him, like swarms of bees
To a sugar-creamed hive; and he dreamed awake
Of the carriage and four in which he'd take
His pals from the Dials to Drury Lane,
The silks and the satins for Susan Jane,
The countless bottles of brandy and beer
He'd call for and pay for, and every year
The dinner he'd give to the Brummagem lads,—
He'd be king among cracksmen and chief among pads,
And he'd sport a—
Over him stooped his mate,
A pick in his hand, and his face all hate.
Sam saw the shadow, and guessed the pick,
And closed his dream with a spring so quick
The purpose was baffled of Aaron Mace,
And the sawyer mates stood face to face.
Sam folded his arms across his chest,
Having thrust the stone in his loose shirt-breast,
While he tried to think where he dropped the spade.
But Aaron Mace wore a long, keen blade
In his belt,—he drew it,—sprang on his man:
What happened, you read when the tale began.

Then he looked—the murderer, Aaron Mace—
At the gray-blue lines in the dead man's face;
And he turned away, for he feared its frown
More in death than life. Then he knelt him down,—
Not to pray,—but he shrank from the staring eyes,
And felt in the breast for the fatal prize.
And this was the man, and this was the way
That he took the stone on its natal day;
And for this he was cursed for evermore
By the West Australian Koh-i-nor.

In the half-dug pit the corpse was thrown,
And the murderer stood in the camp alone.
Alone? No, no! never more was he
To part from the terrible company
Of that gray-blue face and the bleeding breast
And the staring eyes in their awful rest.
The evening closed on the homicide,
And the blood of the buried sawyer cried
Through the night to God, and the shadows dark
That crossed the camp had the stiff and stark,
And horrible look of a murdered man!
Then he piled the fire, and crept within
The ring of its light, that closed him in
Like tender mercy, and drove away
For a time the specters that stood at bay,
And waited to clutch him as demons wait,
Shut out from the sinner by Faith's bright gate.
But the fire burnt low, and the slayer slept,
And the key of his sleep was always kept
By the leaden hand of him he had slain,
That oped the door but to drench the brain
With agony cruel. The night wind crept
Like a snake on the shuddering form that slept
And dreamt, and woke and shrieked; for there,
With its gray-blue lines and its ghastly stare,
Cutting into the vitals of Aaron Mace,
In the flickering light was the sawyer's face!
Evermore 'twas with him, that dismal sight,—
The white face set in the frame of night.

He wandered away from the spot, but found
No inch of the West Australian ground
Where he could hide from the bleeding breast,
Or sink his head in a dreamless rest.

And always with him he bore the prize
In a pouch of leather: the staring eyes
Might burn his soul, but the diamond's gleam
Was solace and joy for the haunted dream.

So the years rolled on, while the murderer's mind
Was bent on a futile quest,—to find
A way of escape from the blood-stained soil
And the terrible wear of the penal toil.

But this was a part of the diamond's curse,—
The toil that was heavy before grew worse,
Till the panting wretch in his fierce unrest
Would clutch the pouch as it lay on his breast,
And waking cower, with sob and moan,
Or shriek wild curses against the stone
That was only a stone; for he could not sell,
And he dare not break, and he feared to tell
Of his wealth: so he bore it through hopes and fears—
His God and his devil—for years and years.

And thus did he draw near the end of his race,
With a form bent double and horror-lined face,
And a piteous look, as if asking for grace
Or for kindness from some one; but no kind word
Was flung to his misery: shunned, abhorred,
E'en by wretches themselves, till his life was a curse,
And he thought that e'en death could bring nothing worse
Than the phantoms that stirred at the diamond's weight,—
His own life's ghost and the ghost of his mate.
So he turned one day from the haunts of men,
And their friendless faces: an old man then,
In a convict's garb, with white flowing hair,
And a brow deep seared with the word, 'Despair.'
He gazed not back as his way he took
To the untrod forest; and oh! the look,
The piteous look in his sunken eyes,
Told that life was the bitterest sacrifice.

But little was heard of his later days:
'Twas deemed in the West that in change of ways
He tried with his tears to wash out the sin.
'Twas told by some natives who once came in
From the Kojunnp Hills, that lonely there
They had seen a figure with long white hair;
They encamped close by where his hut was made,
And were scared at night when they saw he prayed
To the white man's God; and on one wild night
They had heard his voice till the morning light.

Years passed, and a sandal wood-cutter stood
At a ruined hut in a Kojunup wood:
The rank weeds covered the desolate floor,
And an ant-hill stood on the fallen door;
The cupboard within to the snakes was loot,
And the hearth was the home of the bandicoot.
But neither at hut nor snake nor rat
Was the woodcutter staring intent, but at
A human skeleton clad in gray,
The hands clasped over the breast, as they
Had fallen in peace when he ceased to pray.

As the bushman looked on the form, he saw
In the breast a paper: he stooped to draw
What might tell him the story, but at his touch
From under the hands rolled a leathern pouch,
And he raised it too,—on the paper's face
He read 'Ticket-of-Leave of Aaron Mace.'
Then he opened the pouch, and in dazed surprise
At its contents strange he unblessed his eyes:
'Twas a lump of quartz,—a pound weight in full,-
And it fell from his hand on the skeleton's skull!

poem by John Boyle O'Reilly
Submitted by Poetry Lover
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Ben Duggan

Jack Denver died on Talbragar when Christmas Eve began,
And there was sorrow round the place, for Denver was a man;
Jack Denver's wife bowed down her head -- her daughter's grief was wild,
And big Ben Duggan by the bed stood sobbing like a child.
But big Ben Duggan saddled up, and galloped fast and far,
To raise the longest funeral ever seen on Talbragar.

By station home
And shearing shed
Ben Duggan cried, `Jack Denver's dead!
Roll up at Talbragar!'

He borrowed horses here and there, and rode all Christmas Eve,
And scarcely paused a moment's time the mournful news to leave;
He rode by lonely huts and farms, and when the day was done
He turned his panting horse's head and rode to Ross's Run.
No bushman in a single day had ridden half so far
Since Johnson brought the doctor to his wife at Talbragar.

By diggers' camps
Ben Duggan sped --
At each he cried, `Jack Denver's dead!
Roll up at Talbragar!'

That night he passed the humpies of the splitters on the ridge,
And roused the bullock-drivers camped at Belinfante's Bridge;
And as he climbed the ridge again the moon shone on the rise;
The soft white moonbeams glistened in the tears that filled his eyes;
He dashed the rebel drops away -- for blinding things they are --
But 'twas his best and truest friend who died on Talbragar.

At Blackman's Run
Before the dawn,
Ben Duggan cried, `Poor Denver's gone!
Roll up at Talbragar!'

At all the shanties round the place they'd heard his horse's tramp,
He took the track to Wilson's Luck, and told the diggers' camp;
But in the gorge by Deadman's Gap the mountain shades were black,
And there a newly-fallen tree was lying on the track --
He saw too late, and then he heard the swift hoof's sudden jar,
And big Ben Duggan ne'er again rode home to Talbragar.

`The wretch is drunk,
And Denver's dead --
A burning shame!' the people said
Next day at Talbragar.

For thirty miles round Talbragar the boys rolled up in strength,
And Denver had a funeral a good long mile in length;
Round Denver's grave that Christmas day rough bushmen's eyes were dim --
The western bushmen knew the way to bury dead like him;
But some returning homeward found, by light of moon and star,
Ben Duggan dying in the rocks, five miles from Talbragar.

They knelt around,
He raised his head
And faintly gasped, `Jack Denver's dead,
Roll up at Talbragar!'

But one short hour before he died he woke to understand,
They told him, when he asked them, that the funeral was `grand';
And then there came into his eyes a strange victorious light,
He smiled on them in triumph, and his great soul took its flight.
And still the careless bushmen tell by tent and shanty bar
How Duggan raised a funeral years back on Talbragar.

And far and wide
When Duggan died,
The bushmen of the western side
Rode in to Talbragar.

poem by Henry Lawson
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The Cross Roads

There was an old man breaking stones
To mend the turnpike way,
He sat him down beside a brook
And out his bread and cheese he took,
For now it was mid-day.

He lent his back against a post,
His feet the brook ran by;
And there were water-cresses growing,
And pleasant was the water's flowing
For he was hot and dry.

A soldier with his knapsack on
Came travelling o'er the down,
The sun was strong and he was tired,
And of the old man he enquired
How far to Bristol town.

Half an hour's walk for a young man
By lanes and fields and stiles.
But you the foot-path do not know,
And if along the road you go
Why then 'tis three good miles.

The soldier took his knapsack off
For he was hot and dry;
And out his bread and cheese he took
And he sat down beside the brook
To dine in company.

Old friend! in faith, the soldier says
I envy you almost;
My shoulders have been sorely prest
And I should like to sit and rest,
My back against that post.

In such a sweltering day as this
A knapsack is the devil!
And if on t'other side I sat
It would not only spoil our chat
But make me seem uncivil.

The old man laugh'd and moved. I wish
It were a great-arm'd chair!
But this may help a man at need;
And yet it was a cursed deed
That ever brought it there.

There's a poor girl lies buried here
Beneath this very place.
The earth upon her corpse is prest
This stake is driven into her breast
And a stone is on her face.

The soldier had but just lent back
And now he half rose up.
There's sure no harm in dining here,
My friend? and yet to be sincere
I should not like to sup.

God rest her! she is still enough
Who sleeps beneath our feet!
The old man cried. No harm I trow
She ever did herself, tho' now
She lies where four roads meet.

I have past by about that hour
When men are not most brave,
It did not make my heart to fail,
And I have heard the nightingale
Sing sweetly on her grave.

I have past by about that hour
When Ghosts their freedom have,
But there was nothing here to fright,
And I have seen the glow-worm's light
Shine on the poor girl's grave.

There's one who like a Christian lies
Beneath the church-tree's shade;
I'd rather go a long mile round
Than pass at evening thro' the ground
Wherein that man is laid.

There's one that in the church-yard lies
For whom the bell did toll;
He lies in consecrated ground,
But for all the wealth in Bristol town
I would not be with his soul!

Did'st see a house below the hill
That the winds and the rains destroy?
'Twas then a farm where he did dwell,
And I remember it full well
When I was a growing boy.

And she was a poor parish girl
That came up from the west,
From service hard she ran away
And at that house in evil day
Was taken in to rest.

The man he was a wicked man
And an evil life he led;
Rage made his cheek grow deadly white
And his grey eyes were large and light,
And in anger they grew red.

The man was bad, the mother worse,
Bad fruit of a bad stem,
'Twould make your hair to stand-on-end
If I should tell to you my friend
The things that were told of them!

Did'st see an out-house standing by?
The walls alone remain;
It was a stable then, but now
Its mossy roof has fallen through
All rotted by the rain.

The poor girl she had serv'd with them
Some half-a-year, or more,
When she was found hung up one day
Stiff as a corpse and cold as clay
Behind that stable door!

It is a very lonesome place,
No hut or house is near;
Should one meet a murderer there alone
'Twere vain to scream, and the dying groan
Would never reach mortal ear.

And there were strange reports about
That the coroner never guest.
So he decreed that she should lie
Where four roads meet in infamy,
With a stake drove in her breast.

Upon a board they carried her
To the place where four roads met,
And I was one among the throng
That hither followed them along,
I shall never the sight forget!

They carried her upon a board
In the cloaths in which she died;
I saw the cap blow off her head,
Her face was of a dark dark red
Her eyes were starting wide:

I think they could not have been closed
So widely did they strain.
I never saw so dreadful a sight,
And it often made me wake at night,
For I saw her face again.

They laid her here where four roads meet.
Beneath this very place,
The earth upon her corpse was prest,
This post is driven into her breast,
And a stone is on her face.

poem by Robert Southey
Submitted by Poetry Lover
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The Old Bark Hut

In an old bark hut on a mountainside
In a spot that was lone and drear
A woman whose heart was aching sat
Watching from year to year.
A small boy, Jim, her only child,
Helped her to watch and wait,
But the time never came when they could go free,
Free from the bond of hate.
For McConnel was out on the mountainside
Living without a hope
And seeing nothing before him now
But death by a hangman’s rope.
Hated and chased by his fellow men,
To take him alive or dead,
An outlaw banned by the world was he
With five hundred pounds on his head.
A message had come that evening which said
“Now, Jim, you mustn’t wait,
If you want to save your father, or
By heaven, you’ll be too late.
“He’s out at Mackinnon’s Crossing, they say,
The track is rough, old man,
But if any here can do it—why
It’s you and old Darky can.”
And Jim knew well what the message meant,
As he brought his horse to the door!
While away through the gathering darkness came
The sound of the river’s roar.
But the brave little heart never faltered as
He stooped to kiss her good-bye
And said, “God bless you, Mother dear,
I’ll save Dad tonight or I’ll die.”
The old horse answered the touch of his hand
And galloped away from the door;
He seemed to know ‘twas a journey for life—
Well, he’d done such journey’s before.
Out from the firelight, and through the rails,
Out through the ghastly trees,
While all the time the warning roar
Of the river came back on the breeze;
Steadily down the mountainside
He rode, for his course was plain,
Though his heart was heavy, though not with fear,
But because of that brand of Cain.
The boy thinks over his mother’s last words:
“I’ll love him as long as I live!
He must have time for repentance on earth
But surely God will forgive.”
As he glanced back over his shoulder there
She stood by the light of the door
Trying to pierce the darkness in vain,
Thinking she’d see him no more.
Then as he looked she bowed her head
And slowly turned away,
And the boy knew that the noble wife
Had knelt by the bed to pray.
Mile after mile, hour after hour,
And then just ahead, shining and white,
Was the foam of Mackinnon’s Crossing—
What a jump for old Darky tonight!
And then Jim thinks of the long, lone years
And the hopes that are crushed and dead;
And a woman whose heart is as true as steel,
As rue as the day she was wed.
As she loved him then in the years gone by
When the future held promise in store,
So she loved him today when the future held
Naught but death by his country’s law.
Jim pressed his knees to the saddle flap
And tightened his hold on the rein;
They had jumped the river last summertime,
How he hoped they would do it again!
Then a voice rang out through the darkness there,
“Hold, now hold, stand still!
We know you, lad, it’s too late to run;
Hands up or we’ll shoot to kill!”
Then he knew that the police were around him,
In the darkness they moved to and fro;
For an instant he pulled on the bridle-rein,
But he’d promised his mother he’d go.
And he thought of the poor, sad woman alone,
Kneeling in prayer by the bed;
So he loosened the reins on old Darky’s neck
And rushed at the river ahead.
Then a volley rang out through the forest dark—
A fall in the roaring flood;
And the darkness hid from all human eyes
The form that was stained with blood.
The horse struggled hard, the waters rushed on;
He sank to rise no more.
But the boy fought the flood in silence, inch
By inch to the other shore.
Slowly and sadly, but bravely on,
Brushing away the tears;
He was leaving behind in the river’s flood
His friend and companion for years.
And all the time the blood trickled down,
O God! what a hot burning pain!
And he knew he was doing is duty clean
He would never come back again.
Staggering in through the yielding door
Into the cold dark room
Where his father lay, and the faint firelight
Showed through the ghostly gloom.
The bushranger sprang to his feet in alarm
And levelled the gun at his head
And his loud voice demanded, “Who are you?
Speak quick, or you are dead.”
And then a weak little voice made answer,
“It’s me; Mother sends you her love;
The police are back at the crossing now,
So clear out and meet Mother above.”
Then McConnel placed his gun by the wall
And knelt on the cold hard floor;
And somehow the tears came rushing down
As they never had before.
His arms went around the brave little lad,
He nursed his head on his breast;
He seemed to know that the end was nigh
And Jim would soon be at rest.
And the boy was speaking feebly at last,
“They shot me back at the creek,
And old Darky is dead and gone, Dad,
And oh, I’m so tired and weak.”
Then his voice fell away in a whisper soft,
So faint it could scarce be heard,
“Oh Dad,, clear out, they are coming fast;
Tell Mother, I kept my word.”
Quickly in silence the police gathered around,
They had captured the beast in his lair;
The outlaw sat with his boy in his arms,
He semed not to heed nor to care.
He was thinking now of the seed he had sown,
He was tasting its bitter fruit,
When the sergeant stepped to the door and said,
“McConnel, bail up or I’ll shoot.”
Then the sergeant placed a lamp by the door,
The rifles gleamed out in the light;
But the outlaw said, “Sergeant O’Drady,
Let’s have no more shooting tonight.
“You can take me now to the judgement seat
As God has taken this lad;
You’d die to take my life, you men—
He died to save his dad.
“I want you to help me dig his grave,
And perhaps you will say a prayer;
Then you can take me and hang me dead—
It’s my wife, or I wouldn’t care.
“Carefully now. . . Oh thank you, men,
Lay him as best you can;
The policeman is shown by his coat, of course;
But the tears—well, they show the man.”
Then the party went back to the old bark hut
As the sun was mounting the hill;
No smoke arose from the chimney cold
And all was silent and still.
The sergeant opened the creaky door,
And lifted his cap with a start,
…Ah, McConnel had broken the country’s laws
And broken a woman’s heart.

poem by Anonymous Oceania
Submitted by Poetry Lover
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Are You a Good Husband?

All married men want to be called a good husband
A good husband is a decent husband
Mr. Husband what you done to deserve this decency?
Has your wife ever referred to you as her good husband?
It is known that the eyes cannot see itself
Unless by reflection. Have you ever asked
Your wife for a performance appraisal
Honey, how did I perform last year?
On a scale of one to ten, one for very poor
Ten for excellent, how did I perform?
Your wife may think you are now on new drugs
If you receive less than six, you need to
Start fence mending before it is too late
A good husband sees his wife as his friend
A nice husband treats his wife as his lover
A decent husband regards his wife as a soul-mate
You should anticipate what your wife
Will need before she makes any request
By the way, have you ever bought a gift
For your wife without an occasion?
Do you have to wait for her birthday?
To inform her that she is very special to you?
Do you have to wait for your wedding anniversary?
To tell her that she is the best thing in your life
When last did you talk to your wife in-laws?
When last did you visit your wife in-laws?
What have you done to be called a good husband?
Ask for performance appraisal on a regular basis
Remember, if you make your wife happy
You will get happiness in return

poem by Julius Babarinsa
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Charlie Freak

Charlie freak had but one thing to call his own
Three weight ounce pure golden ring no precious stone
Five nights without a bite
No place to lay his head
And if nobody takes him in
Hell soon be dead
On the street he spied my face I heard him hail
In our plot of frozen space he told his tale
Poor man, he showed his hand
So righteous was his need
And me so wise I bought his prize
For chicken feed
Newfound cash soon begs to smash a state of mind
Close inspection fast revealed his favorite kind
Poor kid, he overdid
Embraced the spreading haze
And while he sighed his body died
In fifteen ways
When I heard I grabbed a cab to where he lay
round his arm the plastic tag read d.o.a.
Yes jack, I gave it back
The ring I could not own
Now come my friend Ill take your hand
And lead you home

song performed by by Steely Dan
Submitted by Lucian Velea
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He Mourned His Master

INTRODUCTION
The theme is ancient as the hills,
With all their prehistoric glory;
But yet of Corney and his friend,
We’ve often longed to tell the story;
And should we jar the reader’s ear,
Or fail to please his eye observant,
We only trust that he’ll forgive
The bush muse and—your humble servant.

THE STORY

Old Corney built in Deadman’s Gap
A hut, where mountain shades grow denser,
And there he lived for many years,
A timber-getter and a fencer.
And no one knew if he’d a soul
Above long sprees, or split-rail fences,
Unless, indeed, it was his friend,
Who always kept his confidences.

There was a saw-pit in the range;
’Twas owned by three, and they were brothers,
And visitors to Corney’s hut—
’Twas seldom visited by others.
They came because, as they averred,
“Old Corney licked—a gent infernal.”
“His yarns,” if I might trust their word,
“Would made the fortune of a journal.”

In short, the splitter was a “cure”,
Who brightened up their lives’ dull courses;
And so on Sunday afternoons,
At Corney’s hut they’d hang their horses.
They’d have a game of cards and smoke,
And sometimes sing, which was a rum thing—
Unless, in spite of legal folk,
The splitter kept a “drop of something”.

If, as ’twas said, he was “a swell”
Before he sought these sombre ranges,
’Twixt mother’s arms and coffin gear
He must have seen a world of changes.
But from his lips would never fall
A hint of home, or friends, or brothers;
And if he told his tale at all,
He must have told it as another’s.

Though he was good at telling yarns,
At listening he excelled not less so,
And greatly helped the bushman’s tales
With “yes”, “exactly so”, or “jes’ so”.
In short, the hut became a club
Like our Assembly Legislative,
Combining smokeroom, hall, and “pub”,
Political and recreative.

Old Corney lived and Corney died,
As we will, too, on some to-morrow,
But not as Corney died, we hope,
Of heart disease, and rum, and sorrow.
(We hope to lead a married life,
At times the cup of comfort quaffing;
And when we leave this world of strife
We trust that we may die of laughing.)

One New Year’s Eve they found him dead—
For rum had made his life unstable—
They found him stretched upon his bed,
And also found, upon the table,
The coloured portrait of a girl—
Blue eyes of course. The hair was golden,
A faded letter and a curl,
And—well, we said the theme was olden.

The splitter had for days been dead
And cold before the sawyers found him,
And none had witnessed how he died
Except the friend who whimpered round him;
A noble friend, and of a kind
Who stay when other friends forsake us;
And he at last was left behind
To greet the rough bush undertakers.

This was a season when the bush
Was somewhat ruled by time and distance,
And bushmen came and tried the world,
And “gave it best” without assistance.
Then one might die of heart disease,
And still be spared the inquest horrors.
And when the splitter lay at ease,
So, also, did his sins and sorrows.

“Ole Corey’s dead,” the bushmen said;
“He’s gone at last, an’ ne’er a blunder.”
And so they brought a horse and dray,
And tools to “tuck the old cove under.”
The funeral wended through the range,
And slowly round its rugged corners;
The reader will not think it strange
That Corney’s friend was chief of mourners.

He must have thought the bushmen hard,
And of his misery unheeding,
Because they shunned his anxious eyes,
That seemed for explanation pleading.
At intervals his tongue would wipe
The jaws that seemed with anguish quaking;
As some strong hand impatiently
Might chide the tears for prison breaking.

They reached by rugged ways at last,
A desolate bush cemetery,
Where now (our tale is of the past),
A thriving town its dead doth bury.
And where the bones of pioneers
Are found and thrown aside unheeded—
For later sleepers, blessed with tears
Of many friends, the graves are needed.

The funeral reached the bushmen’s graves,
Where these old pioneers were sleeping,
And now while down the granite ridge
The shadow of the peak was creeping,
They dug a grave beneath a gum
And lowered the dead as gently may be
As Corney’s mother long before
Had laid him down to “hush-a-baby”.

A bushman read the words to which
The others reverently listened,
Some bearded lips were seen to twitch,
Some shaded eyes with moisture glistened.
Perhaps this weakness was because
Their work reminded them in sorrow
Of other burials long ago,
When friends “turned in to wait the morrow.”

The boys had brought the splitter’s tools,
And now they split and put together
Four panels such as Corney made,
To stand the stress of western weather.
Perhaps this second weakness rose,
From some good reason undetected;
They may have thought of other graves
Of dearer friends they left neglected.

“Old Corney’s dead, he paid his bills”
(These words upon the tree were graven)
“And oft a swagman down in luck,
At Corey’s mansion found a haven.”
If this an explanation needs,
We greatly fear we can’t afford it;
Unless they thought of other dead,
Whose virtues they had not recorded.

The day had crossed the homeward track,
And as the bushmen turned to tread it,
They thought and spoke of many things,
Remembered now to Corney’s credit;
And strange to say, above their heads
The kookaburra burst with laughter.
(Perhaps he thought of other friends
Whose virtues they remembered—after.)

But now the bushmen hurried on
Lest darkness in the range should find them;
And strange to say they never saw
That Corney’s friend had stayed behind them.
If one had thrown a backward glance
Along the rugged path they wended,
He might have seen a darker form
Upon the damp cold mound extended.

But soon their forms had vanished all,
And night came down the ranges faster,
And no one saw the shadows fall
Upon the dog that mourned his master.

poem by Henry Lawson
Submitted by Poetry Lover
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Too Late

HOPE? What! hope !—you say there is hope for the long-lost one!
Hope! when the light is out; hope! when the oil is done;
Hope! No, no, good lady! no hope for me, at least;
No home for me but the clammy grave when life has ceased.
Hope! Well, there might have been hope had my mother lived; but, then,
5
God struck her dead, and I was left alone among men.
God knows how I loved her; and shall I never see her again?
Is there no glimpse of heaven for those who are doomed to pain?
Oh, cannot she come and kiss me? Oh, cannot she pray by my side,
As she did long ago on that terrible evening before she died?
10
If she prayed God would hear her, and perhaps—but no;
I'm too old a sinner for mercy—there is nothing for me but woe.

You say that I yet could be saved if I sorrowed for my sin;
That the Lord is at heaven's gate to take poor sinners in!
God knows that I hate my sin, but I feel that it cannot be;

15
I've so often forsaken Him, that He must have forsaken me.
Nay, don't offer a prayer for me, lady, it's only mocking at God:
Who knows but my tired heart still may rest beneath the sod?
For I always loved the sunny fields and the sweet, sweet flowers,
And longed to be pure once again like them, in my better hours.
20

But after I first had fallen the devil opened my eyes,
And I saw that the world knew my shame, and I hadn't the heart to rise;
So I gave up trying to be good, and sank down lower in sin,
Tho' the thought of poor dead mother made me always hate it within.
Oh, many's the night that I've wandered about thro' rain and snow,
25
Wandered about in the street, and didn't know where had to go;
And I've often crept to the river and looked at it, still and black,
And thought how every one spurned me—but something held me back.
I remember how once, when I stopped, half-dead, one rainy day,
To rest on his steps for a moment, the servants drove me away;
30
Drove me away like a dog from the door of the man for whom,
O God! I had given up all in this world and beyond the tomb.
But don't weep at my story, good lady; I'm not worth it living or dead!
Ha, ha! I'm not frightened of Death, nor the devils that dance round my bed:
There cannot be any hell deeper nor fuller of devils and strife
35
Than the hell that burns in my heart, and the fire that eats out life.

poem by Frederick George Scott
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Conroy's Gap

This was the way of it, don't you know --
Ryan was "wanted" for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.
D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the "Shadow of Death".

The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
to him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.

"I want you, Ryan," the trooper said,
"And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!"
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.

There was a girl in that shanty bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
"The Swagman's round in the stable, Jim."

Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near --
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west;
In every show ring, on every course,
They always counted The Swagman best.

He was a wonder, a raking bay --
One of the grand old Snowdon strain --
One of the sort that could race and stay
With his mighty limbs and his length of rein.
Born and bred on the mountain side,
He could race through scrub like a kangaroo;
The girl herself on his back might ride,
And The Swagman would carry her safely through.

He would travel gaily from daylight's flush
Till after the stars hung out their lamps;
There was never his like in the open bush,
And never his match on the cattle-camps.
For faster horses might well be found
On racing tracks, or a plain's extent,
But few, if any, on broken ground
Could see the way that The Swagman went.

When this girl's father, old Jim Carew,
Was droving out on the Castlereagh
With Conroy's cattle, a wire came through
To say that his wife couldn't live the day.
And he was a hundred miles from home,
As flies the crow, with never a track
Through plains as pathless as ocean's foam;
He mounted straight on The Swagman's back.

He left the camp by the sundown light,
And the settlers out on the Marthaguy
Awoke and heard, in the dead of night,
A single horseman hurrying by.
He crossed the Bogan at Dandaloo,
And many a mile of the silent plain
That lonely rider behind him threw
Before they settled to sleep again.

He rode all noght, and he steered his course
By the shining stars with a bushman's skill,
And every time that he pressed his horse
The Swagman answered him gamely still.
He neared his home as the east was bright.
The doctor met him outside the town
"Carew! How far did you come last night?"
"A hundred miles since the sun went down."

And his wife got round, and an oath he passed,
So long as he or one of his breed
Could raise a coin, though it took their last,
The Swagman never should want a feed.
And Kate Carew, when her father died,
She kept the horse and she kept him well;
The pride of the district far and wide,
He lived in style at the bush hotel.

Such wasThe Swagman; and Ryan knew
Nothing about could pace the crack;
Little he'd care for the man in blue
If once he got on The Swagman's back.
But how to do it? A word let fall
Gave him the hint as the girl passed by;
Nothing but "Swagman -- stable wall;
Go to the stable and mind your eye."

He caught her meaning, and quickly turned
To the trooper: "Reckon you'll gain a stripe
By arresting me, and it's easily earned;
Let's go to the stable and get my pipe,
The Swagman has it." So off they went,
And as soon as ever they turned their backs
The girl slipped down, on some errand bent
Behind the stable and seized an axe.

The trooper stood at the stable door
While Ryan went in quite cool and slow,
And then (the trick had been played before)
The girl outside gave the wall a blow.
Three slabs fell out of the stable wall --
'Twas done 'fore ever the trooper knew --
And Ryan, as soon as he saw them fall,
Mounted The Swagman and rushed him through.

The trooper heard the hoof-beats ring
In the stable yard, and he jammed the gate,
But The Swagman rose with a mighty spring
At the fence, and the trooper fired too late
As they raced away, and his shots flew wide,
And Ryan no longer need care a rap,
For never a horse that was lapped in hide
Could catch The Swagman in Conroy's Gap.

And that's the story. You want to know
If Ryan came back to his Kate Carew;
Of course he should have, as stories go,
But the worst of it is this story's true:
And in real life it's a certain rule,
Whatever poets and authors say
Of high-toned robbers and all their school,
These horsethief fellows aren't built that way.

Come back! Don't hope it -- the slinking hound,
He sloped across to the Queensland side,
And sold The Swagman for fifty pound,
And stole the money, and more beside.
And took to drink, and by some good chance
Was killed -- thrown out of a stolen trap.
And that was the end of this small romance,
The end of the story of Conroy's Gap.

poem by Andrew Barton Paterson
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The Cab Horses' Story

Now, you wouldn't imagine, to look at me,
That I was a racehorse once.
I have done my mile in - let me see
No matter. I was no dunce.
But you'd not believe me if I told
Of gallops I did in days of old.

I was first in - ah, well! What's the good?
It hurts to recall those days
When I drew from men, as a proud horse should,
Nothing but words of praise:
Oh, the waving hats, and the cheering crowd!
How could a horse help being proud?

My owner was just as proud as I;
I was cuddled and petted and praised.
My fame was great and my price was high,
And every year 'twas raised.
Then I strained a sinew in ninety-nine,
And that's when started my swift decline.

I was turned to grass for a year or so;
Then dragged to an auction sale;
And a country sport gave me a go;
But how could I hope but fail?
'A crock,' said he. And I here began
To learn of the ways of cruel man.

A year I spent as a lady's hack
I was growing old and spent
But she said that the riding hurt her back;
So we parted; and I went
For a while - and it nearly broke my heart
Dragging a greasy butcher's cart.

Then my stifle went. And I, proud horse,
Son of the nobly born,
The haughty king of a city course,
Knew even a butcher's scorn!
So down the ladder I quickly ran;
Till I came to be owned by a bottle man.

And my bed was hard and my food was poor,
And my work was harder still
Dragging a cart from door to door
The slave of Bottle-oh Bill.
Till even he, for a few mean bob,
Sold me into this hateful job.

As I dozed and dreamed in the ranks one day,
Thinking of good days past,
I heard a voice that I knew cry, 'Hey!
Say, cabby, is this horse fast?'
And he looked at me in a way I know.
'Twas the man I'd loved in the long ago.

'Twas my dear, old master of ninety-nine,
And I waited, fair surprised.
But ne'er by a look and ne'er by sign
Did he show he recognised.
Then I heard his words ('twas my last hard knock):
'Why don't you pole-axe the poor old crock?'

And he turned aside to a low-bred mare
That was foaled on some cockie's farm,
And he drove away. What do I care?
I can come to no more harm.
In a knacker's yard I am worth at least
Some pence for a hungry lion's feast.

poem by Clarence Michael James Stanislaus Dennis
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Wolverine

'Yes, sir, it's quite a story, though you won't believe it's true,
But such things happened often when I lived beyond the Soo.'
And the trapper tilted back his chair and filled his pipe anew.

'I ain't thought of it neither fer this many 'n many a day,
Although it used to haunt me in the years that's slid away,
The years I spent a-trappin' for the good old Hudson's Bay.

'Wild? You bet, 'twas wild then, an' few an' far between
The squatters' shacks, for whites was scarce as furs when things is green,
An' only reds an' 'Hudson's' men was all the folk I seen.

'No. Them old Indyans ain't so bad, not if you treat 'em square.
Why, I lived in amongst 'em all the winters I was there,
An' I never lost a copper, an' I never lost a hair.

'But I'd have lost my life the time that you've heard tell about;
I don't think I'd be settin' here, but dead beyond a doubt,
If that there Indyan 'Wolverine' jest hadn't helped me out.

''Twas freshet time, 'way back, as long as sixty-six or eight,
An' I was comin' to the Post that year a kind of late,
For beaver had been plentiful, and trappin' had been great.

'One day I had been settin' traps along a bit of wood,
An' night was catchin' up to me jest faster 'an it should,
When all at once I heard a sound that curdled up my blood.

'It was the howl of famished wolves-I didn't stop to think
But jest lit out across for home as quick as you could wink,
But when I reached the river's edge I brought up at the brink.

'That mornin' I had crossed the stream straight on a sheet of ice
An' now, God help me! There it was, churned up an' cracked to dice,
The flood went boiling past-I stood like one shut in a vice.

'No way ahead, no path aback, trapped like a rat ashore,
With naught but death to follow, and with naught but death afore;
The howl of hungry wolves aback-ahead, the torrent's roar.

'An' then-a voice, an Indyan voice, that called out clear and clean,
'Take Indyan's horse, I run like deer, wolf can't catch Wolverine.'
I says, 'Thank Heaven.' There stood the chief I'd nicknamed Wolverine.

'I leapt on that there horse, an' then jest like a coward fled,
An' left that Indyan standin' there alone, as good as dead,
With the wolves a-howlin' at his back, the swollen stream ahead.

'I don't know how them Indyans dodge from death the way they do,
You won't believe it, sir, but what I'm tellin' you is true,
But that there chap was 'round next day as sound as me or you.

'He came to get his horse, but not a cent he'd take from me.
Yes, sir, you're right, the Indyans now ain't like they used to be;
We've got 'em sharpened up a bit an'
now
they'll take a fee.

'No, sir, you're wrong, they ain't no 'dogs.' I'm not through tellin' yet;
You'll take that name right back again, or else jest out you get!
You'll take that name right back when you hear all this yarn, I bet.

'It happened that same autumn, when some Whites was comin' in,
I heard the old Red River carts a-kickin' up a din,
So I went over to their camp to see an English skin.

'They said, 'They'd had an awful scare from Injuns,' an' they swore
That savages had come around the very night before
A-brandishing their tomahawks an' painted up for war.

'But when their plucky Englishmen had put a bit of lead
Right through the heart of one of them, an' rolled him over, dead,
The other cowards said that they had come on peace instead.

''That they (the Whites) had lost some stores, from off their little pack,
An' that the Red they peppered dead had followed up their track,
Because he'd found the packages an' came
to give them back
.'

''Oh!' they said, 'they were quite sorry, but it wasn't like as if
They had killed a decent Whiteman by mistake or in a tiff,
It was only some old Injun dog that lay there stark an' stiff.'

'I said, 'You are the meanest dogs that ever yet I seen,'
Then I rolled the body over as it lay out on the green;
I peered into the face-My God! 'twas poor old Wolverine.'

poem by Emily Pauline Johnson
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The Dead To The Living

Work while it is day: the night cometh, when no man can work.

IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,

She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!

And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!

Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'

'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.

poem by Edith Nesbit
Submitted by Poetry Lover
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The Three Graves. A Fragment Of A Sexton's Tale

The grapes upon the Vicar's wall
Were ripe as ripe could be;
And yellow leaves in sun and wind
Were falling from the tree.

On the hedge-elms in the narrow lane
Still swung the spikes of corn:
Dear Lord! it seems but yesterday--
Young Edward's marriage-morn.

Up through that wood behind the church,
There leads from Edward's door
A mossy track, all over boughed,
For half a mile or more.

And from their house-door by that track
The bride and bridegroom went;
Sweet Mary, though she was not gay,
Seemed cheerful and content.

But when they to the church-yard came,
I've heard poor Mary say,
As soon as she stepped into the sun,
Her heart it died away.

And when the Vicar join'd their hands,
Her limbs did creep and freeze;
But when they prayed, she thought she saw
Her mother on her knees.

And o'er the church-path they returned--
I saw poor Mary's back,
Just as she stepped beneath the boughs
Into the mossy track.

Her feet upon the mossy track
The married maiden set:
That moment--I have heard her say--
She wished she could forget.

The shade o'er-flushed her limbs with heat--
Then came a chill like death:
And when the merry bells rang out,
They seemed to stop her breath.

Beneath the foulest mother's curse
No child could ever thrive:
A mother is a mother still,
The holiest thing alive.

So five months passed: the mother still
Would never heal the strife;
But Edward was a loving man,
And Mary a fond wife.

'My sister may not visit us,
My mother says her nay:
O Edward! you are all to me,
I wish for your sake I could be
More lifesome and more gay.

'I'm dull and sad! indeed, indeed
I know I have no reason!
Perhaps I am not well in health,
And 'tis a gloomy season.'

'Twas a drizzly time--no ice, no snow!
And on the few fine days
She stirred not out, lest she might meet
Her mother in the ways.

But Ellen, spite of miry ways
And weather dark and dreary,
Trudged every day to Edward's house,
And made them all more cheery.

Oh! Ellen was a faithful friend,
More dear than any sister!
As cheerful too as singing lark;
And she ne'er left them till 'twas dark,
And then they always missed her.

And now Ash-Wednesday came-that day
But few to church repair:
For on that day you know we read
The Commination prayer.

Our late old Vicar, a kind man,
Once, Sir, he said to me,
He wished that service was clean out
Of our good Liturgy.

The mother walked into the church--
To Ellen's seat she went:
Though Ellen always kept her church
All church-days during Lent.

And gentle Ellen welcomed her
With courteous looks and mild:
Thought she, 'What if her heart should melt,
And all be reconciled!'

The day was scarcely like a day--
The clouds were black outright:
And many a night, with half a moon,
I've seen the church more light.

The wind was wild; against the glass
The rain did beat and bicker;
The church-tower swinging over head,
You scarce could hear the Vicar!

And then and there the mother knelt,
And audibly she cried-
'Oh! may a clinging curse consume
This woman by my side!

'O hear me, hear me, Lord in Heaven,
Although you take my life--
O curse this woman, at whose house
Young Edward woo'd his wife.

'By night and day, in bed and bower,
O let her cursed be!!! '
So having prayed, steady and slow,
She rose up from her knee!

And left the church, nor e'er again
The church-door entered she.
I saw poor Ellen kneeling still,
So pale! I guessed not why:
When she stood up, there plainly was
A trouble in her eye.

And when the prayers were done, we all
Came round and asked her why:
Giddy she seemed, and sure, there was
A trouble in her eye.

But ere she from the church-door stepped
She smiled and told us why:
'It was a wicked woman's curse,'
Quoth she, 'and what care I?'

She smiled, and smiled, and passed it off
Ere from the door she stept--
But all agree it would have been
Much better had she wept.

And if her heart was not at ease,
This was her constant cry--
'It was a wicked woman's curse--
God's good, and what care I?'

There was a hurry in her looks,
Her struggles she redoubled:
'It was a wicked woman's curse,
And why should I be troubled?'

These tears will come--I dandled her
When 'twas the merest fairy--
Good creature! and she hid it all:
She told it not to Mary.

But Mary heard the tale: her arms
Round Ellen's neck she threw;
'O Ellen, Ellen, she cursed me,
And now she hath cursed you!'

I saw young Edward by himself
Stalk fast adown the lee,
He snatched a stick from every fence,
A twig from every tree.

He snapped them still with hand or knee,
And then away they flew!
As if with his uneasy limbs
He knew not what to do!

You see, good Sir! that single hill?
His farm lies underneath:
He heard it there, he heard it all,
And only gnashed his teeth.

Now Ellen was a darling love
In all his joys and cares:
And Ellen's name and Mary's name
Fast-linked they both together came,
Whene'er he said his prayers.

And in the moment of his prayers
He loved them both alike:
Yea, both sweet names with one sweet joy
Upon his heart did strike!

He reach'd his home, and by his looks
They saw his inward strife:
And they clung round him with their arms,
Both Ellen and his wife.

And Mary could not check her tears,
So on his breast she bowed;
Then frenzy melted into grief,
And Edward wept aloud.

Dear Ellen did not weep at all,
But closelier did she cling,
And turned her face and looked as if
She saw some frightful thing.

PART II.

To see a man tread over graves
I hold it no good mark;
'Tis wicked in the sun and moon,
And bad luck in the dark!

You see that grave? The Lord he gives,
The Lord, he takes away:
O Sir! the child of my old age
Lies there as cold as clay.

Except that grave, you scarce see one
That was not dug by me;
I'd rather dance upon 'em all
Than tread upon these three!

'Aye, Sexton!'tis a touching tale.'
You, Sir! are but a lad;
This month I'm in my seventieth year,
And still it makes me sad.

And Mary's sister told it me,
For three good hours and more;
Though I had heard it, in the main,
From Edward's self, before.

Well! it passed off! the gentle Ellen
Did well nigh dote on Mary;
And she went oftener than before,
And Mary loved her more and more:
She managed all the dairy.

To market she on market-days,
To church on Sundays came;
All seemed the same: all seemed so, Sir!
But all was not the same!

Had Ellen lost her mirth? Oh! no!
But she was seldom cheerful;
And Edward look'd as if he thought
That Ellen's mirth was fearful.

When by herself, she to herself
Must sing some merry rhyme;
She could not now be glad for hours,
Yet silent all the time.

And when she soothed her friend, through all
Her soothing words 'twas plain
She had a sore grief of her own,
A haunting in her brain.

And oft she said, I'm not grown thin!
And then her wrist she spanned;
And once when Mary was down-cast,
She took her by the hand,
And gazed upon her, and at first
She gently pressed her hand;

Then harder, till her grasp at length
Did gripe like a convulsion!
'Alas!' said she, 'we ne'er can be
Made happy by compulsion!'

And once her both arms suddenly
Round Mary's neck she flung,
And her heart panted, and she felt
The words upon her tongue.

She felt them coming, but no power
Had she the words to smother;
And with a kind of shriek she cried,
'Oh Christ! you're like your mother!'

So gentle Ellen now no more
Could make this sad house cheery;
And Mary's melancholy ways
Drove Edward wild and weary.

Lingering he raised his latch at eve,
Though tired in heart and limb:
He loved no other place, and yet
Home was no home to him.

One evening he took up a book,
And nothing in it read;
Then flung it down, and groaning cried,
'O! Heaven! that I were dead.'

Mary looked up into his face,
And nothing to him said;
She tried to smile, and on his arm
Mournfully leaned her head.

And he burst into tears, and fell
Upon his knees in prayer:
'Her heart is broke! O God! my grief,
It is too great to bear!'

'Twas such a foggy time as makes
Old sextons, Sir! like me,
Rest on their spades to cough; the spring
Was late uncommonly.

And then the hot days, all at once,
They came, we knew not how:
You looked about for shade, when scarce
A leaf was on a bough.

It happened then ('twas in the bower,
A furlong up the wood:
Perhaps you know the place, and yet
I scarce know how you should,)

No path leads thither, 'tis not nigh
To any pasture-plot;
But clustered near the chattering brook,
Lone hollies marked the spot.

Those hollies of themselves a shape
As of an arbour took,
A close, round arbour; and it stands
Not three strides from a brook.

Within this arbour, which was still
With scarlet berries hung,
Were these three friends, one Sunday morn,
Just as the first bell rung.

'Tis sweet to hear a brook, 'tis sweet
To hear the Sabbath-bell,
'Tis sweet to hear them both at once,
Deep in a woody dell.

His limbs along the moss, his head
Upon a mossy heap,
With shut-up senses, Edward lay:
That brook e'en on a working day
Might chatter one to sleep.

And he had passed a restless night,
And was not well in health;
The women sat down by his side,
And talked as 'twere by stealth.

'The Sun peeps through the close thick leaves,
See, dearest Ellen! see!
'Tis in the leaves, a little sun,
No bigger than your ee;

'A tiny sun, and it has got
A perfect glory too;
Ten thousand threads and hairs of light,
Make up a glory gay and bright
Round that small orb, so blue.'

And then they argued of those rays,
What colour they might be;
Says this, 'They're mostly green'; says that,
'They're amber-like to me.'

So they sat chatting, while bad thoughts
Were troubling Edward's rest;
But soon they heard his hard quick pants,
And the thumping in his breast.

'A mother too!' these self-same words
Did Edward mutter plain;
His face was drawn back on itself,
With horror and huge pain.

Both groan'd at once, for both knew well
What thoughts were in his mind;
When he waked up, and stared like one
That hath been just struck blind.

He sat upright; and ere the dream
Had had time to depart,
'O God, forgive me!' (he exclaimed)
'I have torn out her heart.'

Then Ellen shrieked, and forthwith burst
Into ungentle laughter;
And Mary shivered, where she sat,
And never she smiled after.

Carmen reliquum in futurum tempus relegatum. To-morrow! and To-morrow! and To-morrow!----

poem by Samuel Taylor Coleridge
Submitted by Poetry Lover
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The Pearls of Verna Boone

I'd been alone for a year or so
Since Norma Jean had died,
I stayed in the house I'd bought for her
At the end of River Drive,
I'd felt her death as a fatal blow,
A crippling twist of fate,
For Norma Jean was my one true love,
Though I'd met her a little late!

I was past my prime when our eyes had met,
And she'd looked so young to me,
Her eyes had sparkled like diamonds set
As scarabs in sand and sea,
She saw the desert behind my eyes,
The emptiness in my life,
I stumbled over the words, but she
Said 'Yes! ' - She would be my wife!

I didn't know that she carried then
The seeds of a painful death,
Her face was flushed at the altar stone
And she seemed so short of breath,
I thought it merely a passing faint
That excitement had brought on,
As we stood in front of the Minister,
And joined our lives as one.

But then at home, she fell apart,
Collapsed on the kitchen floor,
I saw her lying, and coughing blood
Like I'd never seen before,
The doctor called, and he shook his head
As he left her there in the bed,
'I'm very sorry, ' the doctor sighed,
'But your lovely wife is dead! '

I cried and raged, and swore at fate
I smashed each wedding gift,
I wouldn't go to the funeral
But stayed at home and wept.
I cursed the heavens and thought that hell
Could never have been as bad
As a love that I'd waited a lifetime for,
A love that I'd never had!

The house next door was a rental place,
Stood empty for months that year,
But then a couple had moved on in,
I didn't see him, just her.
I thought that he was a traveller,
Was constantly on the road,
He came at night, and he left at dawn
In a battered and ancient Ford.

I had no reason to talk to them,
I sat at home with my grief,
I wandered out in the garden then
At one with each falling leaf,
But then one day, I heard her there
The other side of the fence,
Breaking her heart, as crying there
She sobbed with vehemence.

After a week of this, I climbed
The fence, and spoke to her,
'Why do you sigh, why do you cry? '
But she cried then all the more.
I walked around and sat with her
Quite late in the afternoon,
She smiled, and dried her eyes, and said,
'My name is Verna Boone! '

She said she'd only been married
Just a year this coming Spring,
But now that she knew the man he was,
Regretted everything,
He'd lost her money, just gambled it,
Had spent it on other girls,
And now they were left with nothing, he
Just wanted her mother's pearls!

'They're all I have to remember her, '
She sobbed, like a frightened child,
'They're worth a lot, but they're more to me, '
She looked at me, and smiled.
She took me inside and pulled them out
Three strings, they were very fine,
'He said that he's going to pawn them! '
Then she put her small hand in mine.

I was sad, alone and vulnerable,
I looked at her lovely curls,
She smiled at me, and she asked me then
If I'd care for her mother's pearls?
'I'll say they're lost, misplaced, I'll say,
He'll rant and rage, and more,
But he won't be able to pawn them now...'
Then she walked me to the door.

I took her home, and I placed the pearls
With the gems my wife had once:
'They'll be all right in the downstairs safe.'
It was then that she saw the gun.
She looked afraid, but she picked it up
And weighed it there in her hand,
I took it gently and locked it up
With the rest of my contraband.

'She must have watched as I spun the dial,
I know - I was such a fool! '
The sergeant sat and he stared at me,
And his stare was distant, cool.
He didn't believe a word I said
I could see that now, I'm done!
They put me back in a cell to wait
To be charged with Murder One!

She told them I had come over when
Her husband came home one night,
Waving a gun and ranting, then
Her husband put up a fight!
I'd shot him once through the head, she said,
Then taken her on the bed,
Stolen a fine pearl necklace,
Then beaten and left her for dead!

They found the gun on the floor, they said,
I knew that the gun was mine,
They found the pearls in my safe, they said,
It was only a question of time.
She sat at the back of the court while I
Was stood in the prisoner's dock,
And I noticed she wore her mother's pearls
With a nice new evening frock.

10 August 2009

poem by David Lewis Paget
Submitted by Poetry Lover
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