En.Citatepedia^®.ro

In the Waiting Room

In Worcester, Massachusetts,
I went with Aunt Consuelo
to keep her dentist's appointment
and sat and waited for her
in the dentist's waiting room.
It was winter. It got dark
early. The waiting room
was full of grown-up people,
arctics and overcoats,
lamps and magazines.
My aunt was inside
what seemed like a long time
and while I waited and read
the National Geographic
(I could read) and carefully
studied the photographs:
the inside of a volcano,
black, and full of ashes;
then it was spilling over
in rivulets of fire.
Osa and Martin Johnson
dressed in riding breeches,
laced boots, and pith helmets.
A dead man slung on a pole
"Long Pig," the caption said.
Babies with pointed heads
wound round and round with string;
black, naked women with necks
wound round and round with wire
like the necks of light bulbs.
Their breasts were horrifying.
I read it right straight through.
I was too shy to stop.
And then I looked at the cover:
the yellow margins, the date.
Suddenly, from inside,
came an oh! of pain
--Aunt Consuelo's voice--
not very loud or long.
I wasn't at all surprised;
even then I knew she was
a foolish, timid woman.
I might have been embarrassed,
but wasn't. What took me
completely by surprise
was that it was me:
my voice, in my mouth.
Without thinking at all
I was my foolish aunt,
I--we--were falling, falling,
our eyes glued to the cover
of the National Geographic,
February, 1918.

I said to myself: three days
and you'll be seven years old.
I was saying it to stop
the sensation of falling off
the round, turning world.
into cold, blue-black space.
But I felt: you are an I,
you are an Elizabeth,
you are one of them.
Why should you be one, too?
I scarcely dared to look
to see what it was I was.
I gave a sidelong glance
--I couldn't look any higher--
at shadowy gray knees,
trousers and skirts and boots
and different pairs of hands
lying under the lamps.
I knew that nothing stranger
had ever happened, that nothing
stranger could ever happen.

Why should I be my aunt,
or me, or anyone?
What similarities
boots, hands, the family voice
I felt in my throat, or even
the National Geographic
and those awful hanging breasts
held us all together
or made us all just one?
How I didn't know any
word for it how "unlikely". . .
How had I come to be here,
like them, and overhear
a cry of pain that could have
got loud and worse but hadn't?

The waiting room was bright
and too hot. It was sliding
beneath a big black wave,
another, and another.

Then I was back in it.
The War was on. Outside,
in Worcester, Massachusetts,
were night and slush and cold,
and it was still the fifth
of February, 1918.

poem by Elizabeth Bishop
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The Dormouse and the Doctor

There once was a Dormouse who lived in a bed
Of delphiniums (blue) and geraniums (red),
And all the day long he'd a wonderful view
Of geraniums (red) and delphiniums (blue).

A Doctor came hurrying round, and he said:
"Tut-tut, I am sorry to find you in bed.
Just say 'Ninety-nine' while I look at your chest....
Don't you find that chrysanthemums answer the best?"

The Dormouse looked round at the view and replied
(When he'd said "Ninety-nine") that he'd tried and he'd tried,
And much the most answering things that he knew
Were geraniums (red) and delphiniums (blue).

The Doctor stood frowning and shaking his head,
And he took up his shiny silk hat as he said:
"What the patient requires is a change," and he went
To see some chrysanthemum people in Kent.

The Dormouse lay there, and he gazed at the view
Of geraniums (red) and delphiniums (blue),
And he knew there was nothing he wanted instead
Of delphiniums (blue) and geraniums (red).

The Doctor came back and, to show what he meant,
He had brought some chrysanthemum cuttings from Kent.
"Now these," he remarked, "give a much better view
Than geraniums (red) and delphiniums (blue)."

They took out their spades and they dug up the bed
Of delphiniums (blue) and geraniums (red),
And they planted chrysanthemums (yellow and white).
"And now," said the Doctor, "we'll soon have you right."

The Dormouse looked out, and he said with a sigh:
"I suppose all these people know better than I.
It was silly, perhaps, but I did like the view
Of geraniums (red) and delphiniums (blue)."

The Doctor came round and examined his chest,
And ordered him Nourishment, Tonics, and Rest.
"How very effective," he said, as he shook
The thermometer, "all these chrysanthemums look!"

The Dormouse turned over to shut out the sight
Of the endless chrysanthemums (yellow and white).
"How lovely," he thought, "to be back in a bed
Of delphiniums (blue) and geraniums (red.)"

The Doctor said, "Tut! It's another attack!"
And ordered him Milk and Massage-of-the-back,
And Freedom-from-worry and Drives-in-a-car,
And murmured, "How sweet your chrysanthemums are!"

The Dormouse lay there with his paws to his eyes,
And imagined himself such a pleasant surprise:
"I'll pretend the chrysanthemums turn to a bed
Of delphiniums (blue) and geraniums (red)!"

The Doctor next morning was rubbing his hands,
And saying, "There's nobody quite understands
These cases as I do! The cure has begun!
How fresh the chrysanthemums look in the sun!"

The Dormouse lay happy, his eyes were so tight
He could see no chrysanthemums, yellow or white.
And all that he felt at the back of his head
Were delphiniums (blue) and geraniums (red).

And that is the reason (Aunt Emily said)
If a Dormouse gets in a chrysanthemum bed,
You will find (so Aunt Emily says) that he lies
Fast asleep on his front with his paws to his eyes.

poem by Alan Alexander Milne
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At My Aunt's Unveiling

AT MY AUNT’S UNVEILING

At my aunt’s unveiling
There were five of us
Only five
One was a woman
A friend of hers
Not the closest one
But someone who knew her
And wanted to be a friend.

Thousands of people had known my aunt
Hundreds had worked with or for her
She was born into a large family
But all of them were gone
Or out of it.

My sister and I were the relatives
My aunt had been very generous to us
And difficult for my sister
Who cared for her.

I had only been a taker all the years.

My aunt worked so hard for so many years
And she was ‘somebody’ in her world

There were five of us there
And the ceremony short
No minyan.

There was no sign of my aunt’s smile
Or her nervous energy or her superabundant love
‘Moll ‘as my mother called her
was not there.

I see her so clearly in my mind now
‘What does it all mean? ’ my father would ask my mother
after reading of the death of another person they knew

‘What does it all mean’

When my sister and I go
The memory of my aunt
Will be gone forever.

poem by Shalom Freedman
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Pressure

There was a kind of pressure, in the room,
I mean, it wasn't anything tangible but it was there
and he looked about him to try to spot the culprit.

A suspicious character was drinking brandy,
he could certainly be the one, but wait,
there she was, a tall red head with hawk like eyes.

They looked at each other and then she crooked her finger,
"yes… you" she mouthed! "Come here, talk to me"
He slowly walked towards her, settling at her side.

"It's cold for the time of year", he whispered.
"Not cold enough" was the coded reply.
Then she took out a yellow glove from her bag.

"When are you going to introduce me? " she asked
"That's right, " she said, "I'm from the ministry"
and I want you to act as though we're old friends.

"O.K." he replied, "slip me the key first and I'll
take you over. The stooge is that small,
rather portly man in the black bow tie."

"But can he lead us to Nightingales, " she asked
They've killed two of our spies already.
At that she dropped the yellow glove on the floor.

The lights went out and as they fumbled in the dark
the pressure grew……….do you feel it?
Nah, its just that dodgy guy sitting next to you.

************************************* ************

Footnote:

No spies were killed or yellow gloves
dropped during the making
of this episode.
However, some fumbling
did take place.

*********************************** ***************
Next episode:

Dazed and sore, Montague came round,
feeling pressure on his head
which seemed to be warm and comforting.
It was Marjorie's soft hand.

"Are you alright, my dear" she said,
looking concerned and worried.
Blood dripped down Montague's cheek,
he'd been hit on the head with a sharp object!

"Where is she? " he stammered, "She still has the key"
"Leave her to us" said the man in the black bow tie
"We've got it all under control,
Just tell us who sent you! "

Monty's eyes rolled back in his head.
The pressure was all too hard to take
and Marjorie's perfume had
triggered off his allergy.

Or was this a counter plot to extract the truth?
Did they know he was allergic to Channel no 5?
Too late! A sharp pain in Montague's chest
saw the end of him…….

poem by Ruth Walters
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A Child's Nightmare

Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."

That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."

When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"

poem by Robert Graves
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To Aunt Rose

Aunt Rose—now—might I see you
with your thin face and buck tooth smile and pain
of rheumatism—and a long black heavy shoe
for your bony left leg
limping down the long hall in Newark on the running carpet
past the black grand piano
in the day room
where the parties were
and I sang Spanish loyalist songs
in a high squeaky voice
(hysterical) the committee listening
while you limped around the room
collected the money—
Aunt Honey, Uncle Sam, a stranger with a cloth arm
in his pocket
and huge young bald head
of Abraham Lincoln Brigade

—your long sad face
your tears of sexual frustration
(what smothered sobs and bony hips
under the pillows of Osborne Terrace)
—the time I stood on the toilet seat naked
and you powdered my thighs with calamine
against the poison ivy—my tender
and shamed first black curled hairs
what were you thinking in secret heart then
knowing me a man already—
and I an ignorant girl of family silence on the thin pedestal
of my legs in the bathroom—Museum of Newark.

Aunt Rose
Hitler is dead, Hitler is in Eternity; Hitler is with
Tamburlane and Emily Brontë

Though I see you walking still, a ghost on Osborne Terrace
down the long dark hall to the front door
limping a little with a pinched smile
in what must have been a silken
flower dress
welcoming my father, the Poet, on his visit to Newark
—see you arriving in the living room
dancing on your crippled leg
and clapping hands his book
had been accepted by Liveright

Hitler is dead and Liveright’s gone out of business
The Attic of the Past and Everlasting Minute are out of print
Uncle Harry sold his last silk stocking
Claire quit interpretive dancing school
Buba sits a wrinkled monument in Old
Ladies Home blinking at new babies

last time I saw you was the hospital
pale skull protruding under ashen skin
blue veined unconscious girl
in an oxygen tent
the war in Spain has ended long ago
Aunt Rose

poem by Allen Ginsberg
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George and the Dragon

I'll tell you the tale of an old country pub
As fancied itself up to date,
It had the word " Garage" wrote on t' stable door
And a petrol pump outside the gate.

The " George and the Dragon" were t' name of the pub,
And it stood in a spot wild and bleak,
Where nowt ever seemed to be passing that way
Except Carrier's cart once a week.

The Carrier's cart were a sturdy old Ford
And its driver were known as " Old Joe
He had passed pub each week but he'd never been in,
It's name even he didn't know.

One cold winter night, about quarter to one,
He were driving home over the moor,
And had just reached the pub, when his engine stopped dead
A thing it had ne'er done before.

He lifted the bonnet and fiddled around
And gave her a bit of a crank;
When he looked at his petrol he found what were wrong,
There wasn't a drop in the tank.

He had eight miles to go and 'twere starting to rain,
And he thought he were there for the night,
Till he saw the word " Garage" wrote on t' stable door;
Then he said, " Lizzie, Lass... we're all right."

He went up to t' pub and he hammered at door
Till a voice up above said " Hello!"
It were t' Publican's Wife-she said,
"Now what's to do?", "I've run out of petrol," said Joe.

She said " Who are you? " He said " Carrier Joe."
" Oh, so that's who it is," she replied
You've been passing this door now for close on ten years
And never once set foot inside."

"A nice time of night to come knocking folks up,
She continued. "Away with your truck,
" You'd best get your petrol where you buy your beer...
" You only come here when you re stuck."

Said Joe, "Aye, I'll go if you'll sell me some fuel,
"I can't start my engine without.
"I'm willing to pay." but she told him to go
Where he'd get his fuel for nowt.

"Coom, coom, Lass!" said Joe, conci-latory like,
"Let bygones be bygones, and when
I come round next time I'll look in."
She said, "Oh, Well, your petrol can wait until then."

With these few remarks th' old girl took in her head
And slammed winder to in his face;
He took a look round and for t' very first time
He noticed the name of the place.

He picked up some pebbles he found in the road
And tossed them against winder pane,
And before very long lattice opened above
And out came the old girl again.

What d'ye want? " she enquired. And " Not you," Joe replied,
For this treatment had fair raised his gorge
"I see George and t' Dragon's the name on the house,
"And I'd just like a word now with George."

poem by Marriott Edgar
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Old Aunt Mary's

Wasn't it pleasant, O brother mine,
In those old days of the lost sunshine
Of youth-- when the Saturday's chores were through,
And the 'Sunday's wood' in the kitchen too,
And we went visiting, 'me and you,'
Out to Old Aunt Mary's?

It all comes back so clear to-day!
Though I am as bald as you are gray--
Out by the barn-lot, and down the lane,
We patter along in the dust again,
As light as the tips of the drops of the rain,
Out to Old Aunt Mary's!

We cross the pasture, and through the wood
Where the old gray snag of the poplar stood,
Where the hammering 'red-heads' hopped awry,
And the buzzard 'raised' in the 'clearing' sky
And lolled and circled, as we went by
Out to Old Aunt Mary's.

And then in the dust of the road again;
And the teams we met, and the countrymen;
And the long highway, with sunshine spread
As thick as butter on country bread,
Our cares behind, and our hearts ahead
Out to Old Aunt Mary's.

Why, I see her now in the open door,
Where the little gourds grew up the sides and o'er
The clapboard roof--! And her face-- ah, me!
Wasn't it good for a boy to see--
And wasn't it good for a boy to be
Out to Old Aunt Mary's?

The jelly-- the Jam and the marmalade,
And the cherry and quince 'preserves'' she made!
And the sweet-sour pickles of peach and pear,
With cinnamon in 'em, and all things rare--!
And the more we ate was the more to spare,
Out to Old Aunt Mary's!

And the old spring-house in the cool green gloom
Of the willow-trees--, and the cooler room
Where the swinging-shelves and the crocks were kept--
Where the cream in a golden languor slept
While the waters gurgled and laughed and wept--
Out to Old Aunt Mary's.

And O my brother, so far away,
This is to tell you she waits to-day
To welcome us--: Aunt Mary fell
Asleep this morning, whispering-- 'Tell
The boys to come!' And all is well
Out to Old Aunt Mary's.

poem by James Whitcomb Riley
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Itsy Bitsy Spider's Mrs

Itsy Bitsy Spider had it tough from the very start,
All he really wanted was to win the Mrs' heart,
But Mrs Spider was angry after a huge fight,
And scurried up the water spout, away from Itsy's sight.

So up went Itsy to the top of the water spout,
But when he reached the top the Mrs gave a shout,
Her rainfall of tears made him run back down,
And that's when Itsy decided to go to town.

Round and round Itsy ran, round and round the town,
"Help! " he yelled, "Help, help! The Mrs pushed me down! "
"I cannot take this pain" he cried, "We haven't spoken for hours"
And a kindly young gentleman said, "Why not give her flowers? "

Flowers, Itsy thought, that will prove I'm devout,
So up went Itsy, up the water spout.
The Mrs pushed him down again, tears in her eyes,
And quite distressed, Itsy gave an unhappy sigh.

Round and round Itsy ran, round and round the town,
"Help! " he yelled, "Help, help! The Mrs pushed me down! "
"I cannot take this pain" he cried, "I saw a tear in her eye"
And a jolly old baker said, "Why not make her a pie?

A pie, itsy thought, that will be the best tack,
So Itsy went up the water spout with a pie on his back.
The Mrs pushed him down again, moaning words of hate,
And Itsy didn't know how to make her emotions sate.

Round and round Itsy ran, round and round the town,
"Help! " he yelled, "Help, help! The Mrs pushed me down! "
"I cannot take this pain" he cried, "She says all we have is hate"
And a pretty little girl said, "Why not bring her on a date? "

A date, Itsy thought, that will ensure forgiveness!
So Itsy clambered up the spout, not wanting any less.
The Mrs pushed him down again, after her tears had rained,
And Itsy wished he could prove that his love was not feigned.

Standing at the bottom of the spout Itsy wondered what to do.
He thought and thought and then suddenly, he knew!
The way to win the Mrs' back was to simply tell the truth,
It can't be so hard, he thought, I've loved her since our youth.

At the bottom of the spout Itsy yelled to Mrs,
"My dear, my dear, how I miss your kisses! "
"I miss your lively eyes and your happy smile,
I need you back right now, if only for a little while".
"Please, oh please, you cannot just say goodbye,
Because if you don't forgive me, I know that I will die"

At the top of the spout the Mrs' rain stopped flowing,
Before Itsy new it, sunshine was growing.
Itsy saw the sun in her eyes and climbed swiftly to her side,
And Mrs Spider beamed at her husband with joy and pride.

poem by Lenore Lee
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Fragment

At last I entered a long dark gallery,
Catacomb-lined; and ranged at the side
Were the bodies of men from far and wide
Who, motion past, were nevertheless not dead.

"The sense of waiting here strikes strong;
Everyone's waiting, waiting, it seems to me;
What are you waiting for so long? --
What is to happen?" I said.

"O we are waiting for one called God," said they,
"(Though by some the Will, or Force, or Laws;
And, vaguely, by some, the Ultimate Cause;)
Waiting for him to see us before we are clay.
Yes; waiting, waiting, for God to know it." ...

"To know what?" questioned I.
"To know how things have been going on earth and below it:
It is clear he must know some day."
I thereon asked them why.
"Since he made us humble pioneers
Of himself in consciousness of Life's tears,
It needs no mighty prophecy
To tell that what he could mindlessly show
His creatures, he himself will know.

"By some still close-cowled mystery
We have reached feeling faster than he,
But he will overtake us anon,
If the world goes on."

poem by Thomas Hardy
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Aunt Tabitha

THE YOUNG GIRL'S POEM

WHATEVER I do, and whatever I say,
Aunt Tabitha tells me that is n't the way;
When she was a girl (forty summers ago)
Aunt Tabitha tells me they never did so.

Dear aunt! If I only would take her advice!
But I like my own way, and I find it so nice
And besides, I forget half the things I am told;
But they all will come back to me--when I am old.

If a youth passes by, it may happen, no doubt,
He may chance to look in as I chance to look out;
She would never endure an impertinent stare,--
It is horrid, she says, and I must n't sit there.

A walk in the moonlight has pleasures, I own,
But it is n't quite safe to be walking alone;
So I take a lad's arm,--just for safety, you know,--
But Aunt Tabitha tells me they did n't do so.

How wicked we are, and how good they were then!
They kept at arm's length those detestable men;
What an era of virtue she lived in!--But stay--
Were the men all such rogues in Aunt Tabitha's day?

If the men were so wicked, I 'll ask my papa
How he dared to propose to my darling mamma;
Was he like the rest of them? Goodness! Who knows?
And what shall I say, if a wretch should propose?

I am thinking if Aunt knew so little of sin,
What a wonder Aunt Tabitha's aunt must have been!
And her grand-aunt--it scares me--how shockingly sad
That we girls of to-day are so frightfully bad!

A martyr will save us, and nothing else can;
Let me perish--to rescue some wretched young man!
Though when to the altar a victim I go,
Aunt Tabitha 'll tell me she never did so.

poem by Oliver Wendell Holmes
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The Pobble Who Has No Toes

The Pobble who has no toes
Had once as many as we;
When they said "Some day you may lose them all;"
He replied "Fish, fiddle-de-dee!"
And his Aunt Jobiska made him drink
Lavender water tinged with pink,
For she said "The World in general knows
There's nothing so good for a Pobble's toes!"

The Pobble who has no toes
Swam across the Bristol Channel;
But before he set out he wrapped his nose
In a piece of scarlet flannel.
For his Aunt Jobiska said "No harm
Can come to his toes if his nose is warm;
And it's perfectly known that a Pobble's toes
Are safe, -- provided he minds his nose!"

The Pobble swam fast and well,
And when boats or ships came near him,
He tinkledy-blinkledy-winkled a bell,
So that all the world could hear him.
And all the Sailors and Admirals cried,
When they saw him nearing the further side -
"He has gone to fish for his Aunt Jobiska's
Runcible Cat with crimson whiskers!"

But before he touched the shore,
The shore of the Bristol Channel,
A sea-green porpoise carried away
His wrapper of scarlet flannel.
And when he came to observe his feet,
Formerly garnished with toes so neat,
His face at once became forlorn,
On perceiving that all his toes were gone!

And nobody ever knew,
From that dark day to the present,
Whoso had taken the Pobble's toes,
In a manner so far from pleasant.
Whether the shrimps, or crawfish grey,
Or crafty Mermaids stole them away -
Nobody knew: and nobody knows
How the Pobble was robbed of his twice five toes!

The Pobble who has no toes
Was placed in a friendly Bark,
And they rowed him back, and carried him up
To his Aunt Jobiska's Park.
And she made him a feast at his earnest wish
Of eggs and buttercups fried with fish, -
And she said "It's a fact the whole world knows,
That Pobbles are happier without their toes!"

poem by Edward Lear
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The Wife

"Tell Annie I'll be home in time
To help her with her Christmas-tree."
That's what he wrote, and hark! the chime
Of Christmas bells, and where is he?
And how the house is dark and sad,
And Annie's sobbing on my knee!

The page beside the candle-flame
With cruel type was overfilled;
I read and read until a name
Leapt at me and my heart was stilled:
My eye crept up the column -- up
Unto its hateful heading: Killed.

And there was Annie on the stair:
"And will he not be long?" she said.
Her eyes were bright and in her hair
She'd twined a bit of riband red;
And every step was daddy's sure,
Till tired out she went to bed.

And there alone I sat so still,
With staring eyes that did not see;
The room was desolate and chill,
And desolate the heart of me;
Outside I heard the news-boys shrill:
"Another Glorious Victory!"

A victory. . . . Ah! what care I?
A thousand victories are vain.
Here in my ruined home I cry
From out my black despair and pain,
I'd rather, rather damned defeat,
And have my man with me again.

They talk to us of pride and power,
Of Empire vast beyond the sea;
As here beside my hearth I cower,
What mean such words as these to me?
Oh, will they lift the clouds that low'r,
Or light my load in years to be?

What matters it to us poor folk?
Who win or lose, it's we who pay.
Oh, I would laugh beneath the yoke
If I had him at home to-day;
One's home before one's country comes:
Aye, so a million women say.

"Hush, Annie dear, don't sorrow so."
(How can I tell her?) "See, we'll light
With tiny star of purest glow
Each little candle pink and white."
(They make mistakes. I'll tell myself
I did not read that name aright.)
Come, dearest one; come, let us pray
Beside our gleaming Christmas-tree;
Just fold your little hands and say
These words so softly after me:
"God pity mothers in distress,
And little children fatherless."

"God pity mothers in distress,
And little children fatherless."

. . . . .

What's that? -- a step upon the stair;
A shout! -- the door thrown open wide!
My hero and my man is there,
And Annie's leaping by his side. . . .
The room reels round, I faint, I fall. . . .
"O God! Thy world is glorified."

poem by Robert William Service
Submitted by Poetry Lover
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The impact of a hammer on your thumb

despite the sign
"No peddlers here"
a woman rang at my door
"I only want to ask you just one simple question"

normally I would say
'No"
'I don't socialize with interviewers'
I am never the reason
they will have a rise
of completed inquiries
usually I tell them polite
the right thing to do
from my kind of view
'Go''

however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"No
YOU should go for this"

I have a survey called
"the impact of a hammer however not on a brad …"
and she waited briefly
while I was thinking
"is this happening"
"this is really weird"
asking a question that dumb

then
she finished her line
" but on your thumb"

after listening
and realizing
what she said
intuitively I thought
"No way"
I wanted to decline
my cooperation to this survey

however
somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes
"Let me continue,
'You know I am not mad'

"Let me please surprise YOU"

I asked her
"What is this all about? "

"Later"
she said completing her sentence
"for the sake of this survey
I have to ask you first"

"Would you please describe to me
the feeling
just after your thumb
has been beaten
by a hammer? "

Now I knew
for sure
no more questions I would answer
not even a few
this woman
with her sparkling eyes
is really crazy.
how do I get rid of this her.

she was persistent
she explained
what the survey was really about
and I found out she wasn't
telling a "trained" story

"a hammer can hit you
or someone else
and it might look the same
it is not the hitting
causing the difference
it is that feeling of yours
which is
of course the reason
for feeling and dealing
your way with your pain"

somehow
today
this woman
looked right inside of me
telling
with her sparkling eyes

" Now you know
all the how's and why's
you are obliged to yourself
to finds ways
to recover from your pain
your life will never be the same
again'

she was a wise woman
telling me
what a fool I was
for a short
but allowed
amount of time

Or not?
I was wise enough
to answer the door
and find out more….

©Ellie Daphne van Stralen 2012.

poem by Ellie Daphne van Stralen
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The Pig

In England once there lived a big
And wonderfully clever pig.
To everybody it was plain
That Piggy had a massive brain.
He worked out sums inside his head,
There was no book he hadn't read.
He knew what made an airplane fly,
He knew how engines worked and why.
He knew all this, but in the end
One question drove him round the bend:
He simply couldn't puzzle out
What LIFE was really all about.
What was the reason for his birth?
Why was he placed upon this earth?
His giant brain went round and round.
Alas, no answer could be found.
Till suddenly one wondrous night.
All in a flash he saw the light.
He jumped up like a ballet dancer
And yelled, "By gum, I've got the answer!"
"They want my bacon slice by slice
"To sell at a tremendous price!
"They want my tender juicy chops
"To put in all the butcher's shops!
"They want my pork to make a roast
"And that's the part'll cost the most!
"They want my sausages in strings!
"They even want my chitterlings!
"The butcher's shop! The carving knife!
"That is the reason for my life!"
Such thoughts as these are not designed
To give a pig great piece of mind.
Next morning, in comes Farmer Bland,
A pail of pigswill in his hand,
And piggy with a mighty roar,
Bashes the farmer to the floor…
Now comes the rather grizzly bit
So let's not make too much of it,
Except that you must understand
That Piggy did eat Farmer Bland,
He ate him up from head to toe,
Chewing the pieces nice and slow.
It took an hour to reach the feet,
Because there was so much to eat,
And when he finished, Pig, of course,
Felt absolutely no remorse.
Slowly he scratched his brainy head
And with a little smile he said,
"I had a fairly powerful hunch
"That he might have me for his lunch.
"And so, because I feared the worst,
"I thought I'd better eat him first."

poem by Roald Dahl
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Sickness did this to me

If only you knew how much I've changed
Since this day, the difference is great
Six years have passed since I underwent
The world-flipping hit, the sign that read, "stop"
Since then I have grown, since then I've been switched
Since then I've matured, toward intelligence I have itched
All the things about me that people once knew
Were gone, as my person suddenly became new
In my head came a voice, one of torture and hate
A voice that switched pitches, still great
It towered over my soul with power and strength
There is nothing I can do to get out of its way
So for the past six years here I have stood
Under the influence of this evil hood
This hate, and this drive, determination all too live
This world and this lifestyle I struggle with inside
If you understand the agony, can read into the pain
You'd understand why I don't want to stay the same
But escaping myself is not something I can do
‘cause I'm keeping my self here, I'll stay here: I want to.

poem by D.M.L. Catseye
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Still Invoking the Protector of Angels

With your newspaper folded
And set aside,
It was your last night of reading
And trying to live your life as normal.

Later that night,
You would fall twice to the floor
Trying to make it to a bedside commode,
And I knew you wouldn't leave your bed again.

After that, you lived a few more days
Uncomfortably in your bed,
Eating and drinking very little,
Gazing upward and to the wall,
Most certainly seeing angels.

On your last full day on earth,
A nurse-aide came to the house
To give you a bedside bath and it was like the lady
Who anointed Jesus with perfume for his burial;
She was very gentle and kind but there was a tear in your eye.

Aunt Maxine arrived, a planned visit,
To see her sister, your wife, after a long absence
Caused by distance and age;
This alone was sad with so much of mom already gone
With the trial of fire she's endured with her Parkinson's disease.

At 11: 00 P.M. that night,
Everyone went to bed;
I gave you medicine mixed in pudding
After telling you I had pudding for you to try.
You swallowed your pudding and told me it wasn't bad.
Even in these last few hours you had sweetness for others
But nothing left for yourself.

I woke up at 1: 30A.M.
And you were breathing heavily and strained
With your oxygen off; you were rocking and saying no
Aunt Maxine woke as well.
I reconnected your oxygen and called a nurse
To reevaluate you for pain.

The nurse arrived about an hour later
And prepared ativan and morphine
Which she gave you;
The nurse didn't seem to think you were in great pain
But the way you were holding onto your bed rail and rocking and saying no
Made me sick to my heart that you were.

After the nurse left and aunt Maxine went back to bed,
I kissed your forehead and told you, you were a good boy;
So characteristic of your humble sweetness,
You merely replied, "I hope so."
I then lied down on the floor near your bed
And prayed to Jesus that your journey would not be long
And with terrible pain.

I somehow fell asleep in my sadness and fear
And with your oxygen machine at my one side
And mom's monitor on the other.
At 7: 20 A.M. I heard Aunt Maxine with Mom,
I think Aunt Maxine called for me to come get mom.

I rose from the floor
And I didn't hear you struggling;
I immediately went to your bed;
Your oxygen was off again,
Your chest was calm and still
But your hand remained clutching the bed rail.

I'm certain, there were times
In the last nearly fifty years
When I was a burden to you, sweet man,
But you were definitely
Not a burden to me
In the last two and a half.

All I want to do is talk with you again
About music or cars or politics or the weather;
I merely desire to see you sitting at the kitchen table
Or setting your newspaper down to make your way to the porch.

I'll try to hold onto this love for as long as I can, dear friend.

poem by Uriah Hamilton
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The Ballad Of The Harp-Weaver

"Son," said my mother,
When I was knee-high,
"you've need of clothes to cover you,
and not a rag have I.

"There's nothing in the house
To make a boy breeches,
Nor shears to cut a cloth with,
Nor thread to take stitches.

"There's nothing in the house
But a loaf-end of rye,
And a harp with a woman's head
Nobody will buy,"
And she began to cry.

That was in the early fall.
When came the late fall,
"Son," she said, "the sight of you
Makes your mother's blood crawl,—

"Little skinny shoulder-blades
Sticking through your clothes!
And where you'll get a jacket from
God above knows.

"It's lucky for me, lad,
Your daddy's in the ground,
And can't see the way I let
His son go around!"
And she made a queer sound.

That was in the late fall.
When the winter came,
I'd not a pair of breeches
Nor a shirt to my name.

I couldn't go to school,
Or out of doors to play.
And all the other little boys
Passed our way.

"Son," said my mother,
"Come, climb into my lap,
And I'll chafe your little bones
While you take a nap."

And, oh, but we were silly
For half and hour or more,
Me with my long legs,
Dragging on the floor,

A-rock-rock-rocking
To a mother-goose rhyme!
Oh, but we were happy
For half an hour's time!

But there was I, a great boy,
And what would folks say
To hear my mother singing me
To sleep all day,
In such a daft way?

Men say the winter
Was bad that year;
Fuel was scarce,
And food was dear.

A wind with a wolf's head
Howled about our door,
And we burned up the chairs
And sat upon the floor.

All that was left us
Was a chair we couldn't break,
And the harp with a woman's head
Nobody would take,
For song or pity's sake.

The night before Christmas
I cried with cold,
I cried myself to sleep
Like a two-year old.

And in the deep night
I felt my mother rise,
And stare down upon me
With love in her eyes.

I saw my mother sitting
On the one good chair,
A light falling on her
From I couldn't tell where.

Looking nineteen,
And not a day older,
And the harp with a woman's head
Leaned against her shoulder.

Her thin fingers, moving
In the thin, tall strings,
Were weav-weav-weaving
Wonderful things.

Many bright threads,
From where I couldn't see,
Were running through the harp-strings
Rapidly,

And gold threads whistling
Through my mother's hand.
I saw the web grow,
And the pattern expand.

She wove a child's jacket,
And when it was done
She laid it on the floor
And wove another one.

She wove a red cloak
So regal to see,
"She's made it for a king's son,"
I said, "and not for me."
But I knew it was for me.

She wove a pair of breeches
Quicker than that!
She wove a pair of boots
And a little cocked hat.

She wove a pair of mittens,
Shw wove a little blouse,
She wove all night
In the still, cold house.

She sang as she worked,
And the harp-strings spoke;
Her voice never faltered,
And the thread never broke,
And when I awoke,—

There sat my mother
With the harp against her shoulder,
Looking nineteeen,
And not a day older,

A smile about her lips,
And a light about her head,
And her hands in the harp-strings
Frozen dead.

And piled beside her
And toppling to the skies,
Were the clothes of a king's son,
Just my size.

poem by Edna St. Vincent Millay
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Rocket Science

My little boy once asked me
"Mummy, what is space?
Is it all just empty? "
I looked into his face.

I hesitated somewhat
before I gave reply
for I am not a scholar
and that is rocket science.

My answer was as follows,
you may not agree,
but my little boy was satisfied
and comforted by me.

I told him "there are moons,
stars and comets too,
but we just cannot see them
from our sitting room.

If we could switch a light on,
in space, just like at home,
We might see wondrous things,
but, for now, we just don't know.

Imagine for a moment
in this room, right where we are
A light bulb is the sun
and we are all the stars.

If we turn out the light
there's nothing we can see,
but when we turn it on again,
we see many things.

I often think that space
is like our pitch black room,
and one day men will light it
and it may be quite soon! "

My little boy looked up
at the big night sky outside
and said, "I understand now mum"
and rubbed his sleepy eyes.

I really hope I satisfied
his curiosity and one day
when he's grown up
he'll explain it all to me.

poem by Ruth Walters
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Round Room

My room is round when I lay down, when I wake up it's square
When I go outside it's on a spiral set of stairs
The people that surround me are waiting out there
In a round room they can't find me anywhere
Right angle rooms drive me crazier each day
Put me in a box I know I'm never going to play
Put me in a square room and I won't know what to say
I want a round room at the end of the day
I had an apartment, four corners on the walls
Couldn't eat, couldn't sleep there at all
I want a curve to the place where I stay
I want a round room at the end of the day
If I pass out take me to the round church
Where echoes resound
And my spirit is found
And when I float high
Take my arm and I'll fly you by
The outskirts of town, to a garden that's round
I went to the lighthouse and I liked the view
I looked out the window and I could see you
Put me in a square house and I won't have a clue
I want a round room just to be with you

song performed by by Phish
Submitted by Lucian Velea
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I've Been Thinking About You

We've known each other
For a long long time
But I never really notcied
All the magic in your eyes
I've been around you
A thousand times before
And you've always been a friend to me
But now I'm wanting more

I must have been so blind
I never realized
You're the one that's right for me
All the while I couldn't see
And now I feel so strange
I'll never be the same
Going 'round and 'round in circles
And I don't know what to do
'Cause baby

I've been thinking about you
In the most peculiar way
I've been thinking about you
It's unbelievable to me
But suddenly I think
I'm falling in love with you

There's no explaining how I feel inside
I'm going through a transformation
That's so hard for me to hide
I had a revelation that
Finally opened my eyes
The one I spent a lifetime searching for
Was right here all the time
I was oblivious so very out of touch
All the while I couldn't see
You're the one that's right for me
And now my world has changed
I'll never be the same
Going 'round and 'round in circles
And it's all because of you
Sweet baby

I've been thinking about you
In the most peculiar way
I've been thinking about you
It's unbelievable to me
But suddenly I think
I'm falling in love with you

Don't you know
That you're blowing my mind
What you do to me
I can't describe
Baby I can't hold back anymore
I just can't conceal it
You're the one I really adore

I've been thinking about you
In the most peculiar way
I've been thinking about you
In the most peculiar way
I've been thinking about you
In the most peculiar way
I've been thinking about you
It's unbelievable to me
But suddenly I think
I'm falling in love with you
I've been thinking about you
In the most peculiar way

I've been thinking about you
It's unbelievable to me
But suddenly I think
I'm falling in love with you

song performed by by Mariah Carey from Music Box
Submitted by Lucian Velea
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