Le Poison (The Poison)
Le vin sait revêtir le plus sordide bouge
D'un luxe miraculeux,
Et fait surgir plus d'un portique fabuleux
Dans l'or de sa vapeur rouge,
Comme un soleil couchant dans un ciel nébuleux.
L'opium agrandit ce qui n'a pas de bornes,
Allonge l'illimité,
Approfondit le temps, creuse la volupté,
Et de plaisirs noirs et mornes
Remplit l'âme au delà de sa capacité.
Tout cela ne vaut pas le poison qui découle
De tes yeux, de tes yeux verts,
Lacs où mon âme tremble et se voit à l'envers...
Mes songes viennent en foule
Pour se désaltérer à ces gouffres amers.
Tout cela ne vaut pas le terrible prodige
De ta salive qui mord,
Qui plonge dans l'oubli mon âme sans remords,
Et charriant le vertige,
La roule défaillante aux rives de la mort!
Poison
Wine knows how to adorn the most sordid hovel
With marvelous luxury
And make more than one fabulous portal appear
In the gold of its red mist
Like a sun setting in a cloudy sky.
Opium magnifies that which is limitless,
Lengthens the unlimited,
Makes time deeper, hollows out voluptuousness,
And with dark, gloomy pleasures
Fills the soul beyond its capacity.
All that is not equal to the poison which flows
From your eyes, from your green eyes,
Lakes where my soul trembles and sees its evil side...
My dreams come in multitude
To slake their thirst in those bitter gulfs.
All that is not equal to the awful wonder
Of your biting saliva,
Charged with madness, that plunges my remorseless soul
Into oblivion
And rolls it in a swoon to the shores of death.
— Translated by William Aggeler
Poisons
Wine can conceal a sordid room
In rich, miraculous disguise,
And make such porticoes arise
Out of its flushed and crimson fume
As makes the sunset in the skies.
Opium the infinite enlarges,
And lengthens all that is past measure.
It deepens time, and digs its treasure,
With sad, black raptures it o'ercharges
The soul, and surfeits it with pleasure.
Neither are worth the drug so strong
That you distil from your green eyes,
Lakes where I see my soul capsize
Head downwards: and where, in one throng,
I slake my dreams, and quench my sighs.
But to your spittle these seem naught —
It stings and burns. It steeps my thought
And spirit in oblivious gloom,
And, in its dizzy onrush caught,
Dashes it on the shores of doom.
— Translated by Roy Campbell
Le Poison
wine clothes the sordid walls of hovels old
with pomp no palace knows,
evokes long peristyles in pillared rows
from vaporous red and gold;
like sunset with her cloud-built porticoes.
and opium widens all that has no bourn
in its unbounded sea;
moments grow hours, pleasures cease to be
in souls that, overworn,
drown in its black abyss of lethargy.
dread poisons, but more dread the poisoned well
of thy green eyes accurst;
tarns where I watch my trembling soul, reversed
my dreams innumerable
throng to those bitter gulfs to slake their thirst.
dread magic, but thy mouth more dread than these:
its wine and hellebore
burn, floods of Lethe, in my bosom's core,
till winds of madness seize
and dash me swooning on Death's barren shore!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Related quotes
Sed Non Satiata (Unslakeable Lust)
Bizarre déité, brune comme les nuits,
Au parfum mélangé de musc et de havane,
Oeuvre de quelque obi, le Faust de la savane,
Sorcière au flanc d'ébène, enfant des noirs minuits,
Je préfère au constance, à l'opium, au nuits,
L'élixir de ta bouche où l'amour se pavane;
Quand vers toi mes désirs partent en caravane,
Tes yeux sont la citerne où boivent mes ennuis.
Par ces deux grands yeux noirs, soupiraux de ton âme,
Ô démon sans pitié! verse-moi moins de flamme;
Je ne suis pas le Styx pour t'embrasser neuf fois,
Hélas! et je ne puis, Mégère libertine,
Pour briser ton courage et te mettre aux abois,
Dans l'enfer de ton lit devenir Proserpine!
Unslakeable Lust
Singular deity, brown as the nights,
Scented with the perfume of Havana and musk,
Work of some obeah, Faust of the savanna,
Witch with ebony flanks, child of the black midnight,
I prefer to constance, to opium, to nuits,
The nectar of your mouth upon which love parades;
When toward you my desires set out in caravan,
Your eyes are the cistern that gives drink to my cares.
Through those two great black eyes, the outlets of your soul,
O pitiless demon! pour upon me less flame;
I'm not the River Styx to embrace you nine times,
Alas! and I cannot, licentious Megaera,
To break your spirit and bring you to bay
In the hell of your bed turn into Proserpine!
— Translated by William Aggeler
Sed non Satiata
Strange goddess, brown as evening to the sight,
Whose scent is half of musk, half of havanah,
Work of some obi, Faust of the Savanah,
Ebony witch, and daughter of the night.
By far preferred to troth, or drugs, or sleep,
Love vaunts the red elixir of your mouth.
My caravan of longings seeks in drouth
Your eyes, the wells at which my cares drink deep.
Through those black eyes, by which your soul respires,
Pitiless demon! pour less scorching fires.
I am no Styx nine times with flame to wed.
Nor can I turn myself to Proserpine
To break your spell, Megera libertine!
Within the dark inferno of your bed.
— Translated by Roy Campbell
Sed Non Satiata
Dusky as tropic nights, O bizarre deity,
Redolent of havana, musk and cordovan,
What obeah man or Faust of the Caribbean,
Wrought you, child-witch of night, with flanks of ebony?
Better than opium or Constanta. Wine or Nuits,
Your nectar mouth where Love swoons in a slow pavane,
When my desires set forth, a serried caravan,
Your eyes are the twin wells where I can slake ennui.
From out these wide black eyes which are your spirit's vent,
Heap fires less fierce upon me. O impenitent,
I am no tireless Styx to gird you nine times nine,
I am no lustful Fury to exhaust your lust,
To break your vigor or to make you bite the dust
Or in your bed's hell turn into a Proserpine.
— Translated by Jacques LeClercq
Sed Non Satiata
Strange deity, brown as nights,
Whose perfume is mixed with musk and Havanah,
Magical creation, Faust of the savanna,
Sorceress with the ebony thighs, child of black midnights,
I prefer to African wines, to opium, to burgundy,
The elixir of your mouth where love parades itself;
When my desires leave in caravan for you,
Your eyes are the reservoir where my cares drink.
From those two great black eyes, chimneys of our spirit,
O pitiless demon, throw out less flame at me;
I am no Styx to clasp you nine times,
Nor can I, alas, dissolute shrew,
To break your courage, bring you to bay,
Become any Proserpine in the hell of your bed!
— Translated by Geoffrey Wagner
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Semper Eadem (Ever The Same)
«D'où vous vient, disiez-vous, cette tristesse étrange,
Montant comme la mer sur le roc noir et nu?»
— Quand notre coeur a fait une fois sa vendange
Vivre est un mal. C'est un secret de tous connu,
Une douleur très simple et non mystérieuse
Et, comme votre joie, éclatante pour tous.
Cessez donc de chercher, ô belle curieuse!
Et, bien que votre voix soit douce, taisez-vous!
Taisez-vous, ignorante! âme toujours ravie!
Bouche au rire enfantin! Plus encor que la Vie,
La Mort nous tient souvent par des liens subtils.
Laissez, laissez mon coeur s'enivrer d'un mensonge,
Plonger dans vos beaux yeux comme dans un beau songe
Et sommeiller longtemps à l'ombre de vos cils!
Ever the Same
-'Whence comes to you, you asked, this singular sadness
That rises like the sea on the naked, black rock?'
— Once our heart has gathered the grapes from its vineyard,
Living is an evil. That's a secret known to all,
A simple pain, with no mystery,
As obvious to all men as your gaiety.
So abandon your search, inquisitive beauty;
And though your voice is sweet, be still!
Be silent, ignorant! ever enraptured soul!
Mouth with the child-like laugh! Still more than Life,
Death holds us frequently with subtle bonds.
Let, let my heart become drunk with a lie; let it
Plunge into your fair eyes as into a fair dream
And slumber long in the shadow of your lashes.
— Translated by William Aggeler
Semper Eadem
'Whence,' ask you, 'does this strange new sadness flow
Like rising tides on rocks, black, bare, and vast?'
For human hearts, when vintage-time is past,
To live is bad. That secret all men know —
An obvious sorrow, with no mystery, shown,
Clear as your joy, to everyone around.
O curious one, seek nothing more profound,
And speak not, though your voice be sweet in tone.
Hush, ignorant! Hush, soul that's still enraptured,
And mouth of childish laughter! Neatly captured,
Death pulls us, more than life, with subtle wile.
Oh let my thought get drunk upon a lie,
And plunge, as in a dream, in either eye,
And in their lashes' shadow sleep awhile!
— Translated by Roy Campbell
Semper Eadem
'What in the world,' you said, 'has brought on this black mood,
Climbing you as the sea climbs up a naked reef?'
— When once the heart has made its harvest (understood
By all men, this) why, just to be alive is grief:
A pain quite simple, nothing mysterious at all,
And like that joy of yours, patent to all we meet;
Stop asking questions, then, I beg of you, and fall
Silent a while, fair prober, though your voice be sweet.
Ah, yes, be silent, ignorant girl, always so gay,
Mouth with the childlike laughter! More than Life, I say,
Death has the power to hold us by most subtle ties.
My one fictitious comfort, kindly, let me keep:
To plunge as into dreams into your lovely eyes,
And in the shadow of your lashes fall asleep.
— Translated by Edna St. Vincent Millay
Semper eadam
you asked: 'what floods of gloom engulf you — strange
as creeping tides against a bare black wall?'
— when hearts once crush their grapes and close the grange,
life is an evil. secret known to all,
'tis but the common grief each man betrays
to all, as you your joy, in eyes or brow
so veil, my fair one, your inquiring gaze
and though your voice is low, be silent now!
be silent, simple soul! mouth always gay
with girlish laughter! more than Life, today,
Death binds our hearts with tenuous webs of doom;
let mine be drunken with the wine of lies,
o let me delve for dreams in those deep eyes
and slumber long beneath your eyebrows' gloom!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Le Flambeau Vivant (The Living Torch)
Ils marchent devant moi, ces Yeux pleins de lumières,
Qu'un Ange très savant a sans doute aimantés
Ils marchent, ces divins frères qui sont mes frères,
Secouant dans mes yeux leurs feux diamantés.
Me sauvant de tout piège et de tout péché grave,
Ils conduisent mes pas dans la route du Beau
Ils sont mes serviteurs et je suis leur esclave
Tout mon être obéit à ce vivant flambeau.
Charmants Yeux, vous brillez de la clarté mystique
Qu'ont les cierges brûlant en plein jour; le soleil
Rougit, mais n'éteint pas leur flamme fantastique;
Ils célèbrent la Mort, vous chantez le Réveil
Vous marchez en chantant le réveil de mon âme,
Astres dont nul soleil ne peut flétrir la flamme!
The Living Torch
They walk in front of me, those eyes aglow with light
Which a learned Angel has rendered magnetic;
They walk, divine brothers who are my brothers too,
Casting into my eyes diamond scintillations.
They save me from all snares and from all grievous sin;
They guide my steps along the pathway of Beauty;
They are my servitors, I am their humble slave;
My whole being obeys this living torch.
Bewitching eyes, you shine like mystical candles
That burn in broad daylight; the sun
Reddens, but does not quench their eerie flame;
While they celebrate Death, you sing the Awakening;
You walk, singing the awakening of my soul,
Bright stars whose flame no sun can pale!
— Translated by William Aggeler
The Living Torch
Those lit eyes go before me, in full view,
(Some cunning angel magnetised their light) —
Heavenly twins, yet my own brothers too,
Shaking their diamond blaze into my sight.
My steps from every trap or sin to save,
In the strait road of Beauty they conduct me.
They are my servants, and I am their slave,
Obedient in whatever they instruct me.
Delightful eyes, you burn with mystic rays
Like candles in broad day; red suns may blaze,
But cannot quench their still, fantastic light.
Those candles burn for death, but you for waking:
You sing the dawn that in my soul is breaking,
Stars which no sun could ever put to flight!
— Translated by Roy Campbell
Le Flambeau vivant
they march before me, filled with light divine
— those eyes turned magnets by some angel wise;
they lead, my Heavenly Twins, good brothers mine,
whose jewelled fires hold my gazing eyes.
they guard from every sin and error grave,
they show my feet the path to Beauty's porch;
they are my servitors and I their slave,
wholly obedient to their heavenly torch.
enchanted eyes, ye have the mystic ray
of tapers lit at noon: the fire of day
reddens, but quenches not their eery glow: —
'tis Death they sing, while ye extol the Morn;
ye point the way and chant a soul reborn
— stars that no sun can pale nor overthrow!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Black And Blue
You never call me, babe,
Until your man is gone,
I know it's you
When I pick up the
telephone.
You ask me how I am
And if I'm doing well,
When all you want from
me
Is just to ring your bell.
Take your time, we can
do some lines,
'Cos it's alright.
We can feel fine drinking
midnight wine,
'Cos it's alright.
Black and blue, black
and blue,
I said come over here,
baby,
And love me till I'm
black and blue.
You got the key to love
Dressed in your innocent
smile,
You know you touched
me baby,
So won't you stay for a
while.
And take your time, we
can do some lines,
'Cos it's alright.
We can feel fine drinking
midnight wine,
'Cos it's alright.
Black and blue, black
and blue,
I said come over here,
baby,
And love me till I'm
black and blue.
Black and blue, black
and blue,
I said come over here,
baby,
And love me till I'm
black and blue.
(Solo)
Take your time, we can
do some lines,
'Cos it's alright.
We can feel fine drinking
midnight wine,
'Cos it's alright.
Black and blue, black
and blue,
I said come over here,
baby,
And love me till I'm
black and blue.
Black and blue, black
and blue,
I said come over here,
baby,
And love me till I'm
black and blue.
I said come over here,
baby,
And love me till I'm
black and blue.
Black and blue...
TOP
She's A Woman
She got everything I
need,
She makes me smile, she
makes me bleed.
'Cos she's a woman.
She got the end, she got
the means,
She's in my heart and in
my dreams
An' it makes me cry. I
wanna make her mine.
She ain't black, but, she
got soul,
She ain't young, she ain't
old,
She shine like silver, burn
like gold.
'Cos she's a woman,
she's a woman.
She got everything I
need,
She got comfort, she got
speed.
She's a woman, she's a
woman.
She do me bad, she do
me good,
She got the Gypsy in her
blood.
Cos' she's a woman,
she's a woman.
She ain't black, but, she
got soul,
She ain't young, she ain't
old,
Shine like silver, burn
like gold.
She's a woman, she's a
woman.
She got a fire in her eyes,
I know she sees through
all my lies,
'Cos she's a woman,
she's a woman.
I know I'm the danger
zone
If I leave her all alone.
'Cos she's a woman,
she's a woman.
She ain't black, but, she
got soul,
She ain't young, she ain't
old,
Shine like silver, burn
like gold.
She's a woman, woman,
She's a woman, she's a
woman.
(Solo)
She's a woman, woman,
She's a woman.
She got everything I
need,
She make me smile, she
make me bleed.
She's a woman, she's a
woman.
She got the end, she got
the means,
She, make me shiver in
my jeans.
'Cos she's a woman,
she's a woman.
She ain't black, but, she
got soul,
She ain't young, she ain't
old
She shine like silver, burn
like gold.
'Cos she's a woman,
she's a woman.
She's a woman...
pure text
version
Vote for us!
song performed by by Whitesnake
Submitted by Lucian Velea
Vote! | Copy!
L'Homme Et La Mer (Man And The Sea)
Homme libre, toujours tu chériras la mer!
La mer est ton miroir; tu contemples ton âme
Dans le déroulement infini de sa lame,
Et ton esprit n'est pas un gouffre moins amer.
Tu te plais à plonger au sein de ton image;
Tu l'embrasses des yeux et des bras, et ton coeur
Se distrait quelquefois de sa propre rumeur
Au bruit de cette plainte indomptable et sauvage.
Vous êtes tous les deux ténébreux et discrets:
Homme, nul n'a sondé le fond de tes abîmes;
Ô mer, nul ne connaît tes richesses intimes,
Tant vous êtes jaloux de garder vos secrets!
Et cependant voilà des siècles innombrables
Que vous vous combattez sans pitié ni remords,
Tellement vous aimez le carnage et la mort,
Ô lutteurs éternels, ô frères implacables!
Man and the Sea
Free man, you will always cherish the sea!
The sea is your mirror; you contemplate your soul
In the infinite unrolling of its billows;
Your mind is an abyss that is no less bitter.
You like to plunge into the bosom of your image;
You embrace it with eyes and arms, and your heart
Is distracted at times from its own clamoring
By the sound of this plaint, wild and untamable.
Both of you are gloomy and reticent:
Man, no one has sounded the depths of your being;
O Sea, no person knows your most hidden riches,
So zealously do you keep your secrets!
Yet for countless ages you have fought each other
Without pity, without remorse,
So fiercely do you love carnage and death,
O eternal fighters, implacable brothers!
— Translated by William Aggeler
Man and the Sea
Free man, you'll always love the sea — for this,
That it's a mirror, where you see your soul
In its eternal waves that chafe and roll;
Nor is your soul less bitter an abyss.
in your reflected image there to merge,
You love to dive, its eyes and limbs to match.
Sometimes your heart forgets its own, to catch
The rhythm of that wild and tameless dirge.
The two of you are shadowy, deep, and wide.
Man! None has ever plummeted your floor —
Sea! None has ever known what wealth you store —
Both are so jealous of the things you hide!
Yet age on age is ended, or begins,
While you without remorse or pity fight.
So much in death and carnage you delight,
Eternal wrestlers! Unrelenting twins!
— Translated by Roy Campbell
Man and the Sea
Free man, you shall forever cherish the vast sea,
The sea, that image where you contemplate your soul
As everlastingly its mighty waves unroll.
Your mind a yawning gulf seasoned as bitterly.
You love to plunge into your image to the core,
Embracing it with eyes and arms; your very heart
Sometimes finds a distraction from its urgent smart
In the wild sea's untamable and plaintive roar.
Both of you live in darkness and in mystery:
Man, who has ever plumbed the far depths of your being?
O Sea, who knows your private hidden riches, seeing
How strange the secrets you preserve so jealously?
And yet for countless ages you have fought each other
With hands unsparing and with unforbearing breath,
Each an eternal foe to his relentless brother,
So avid are you both of slaughter and of death.
— Translated by Jacques LeClercq
L'Homme et le Mer
love Ocean always, Man: ye both are free!
the Sea, thy mirror: thou canst find thy soul
in the unfurling billows' surging roll,
they mind's abyss is bitter as the sea.
thou doest rejoice thy mirrored face to pierce,
plunging, and clasp with eyes and arms; thy heart
at its own mutter oft forgets to start,
lulled by that plaint indomitably fierce.
discreet ye both are; both are taciturn:
Man, none has measured all thy dark abyss,
none, Sea, knows where thy hoarded treasure is,
so jealously your secrets ye inurn!
and yet for countless ages, trucelessly,
— o ruthless warriors! — ye have fought and striven:
brothers by lust for death and carnage driven,
twin wrestlers, gripped for all eternity!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Horreur sympathique (Sympathetic Horror)
De ce ciel bizarre et livide,
Tourmenté comme ton destin,
Quels pensers dans ton âme vide
Descendent? réponds, libertin.
— Insatiablement avide
De l'obscur et de l'incertain,
Je ne geindrai pas comme Ovide
Chassé du paradis latin.
Cieux déchirés comme des grèves
En vous se mire mon orgueil;
Vos vastes nuages en deuil
Sont les corbillards de mes rêves,
Et vos lueurs sont le reflet
De l'Enfer où mon coeur se plaît.
Reflected Horror
From that sky, bizarre and livid,
Distorted as your destiny,
What thoughts into your empty soul
Descend? Answer me, libertine.
— Insatiably avid
For the dark and the uncertain,
I shall not whimper like Ovid
Chased from his Latin paradise.
Skies torn like the shores of the sea,
You are the mirror of my pride;
Your vast clouds in mourning
Are the black hearses of my dreams,
And your gleams are the reflection
Of the Hell which delights my heart.
— Translated by William Aggeler
Sympathetic Horror
From livid skies that, without end,
As stormy as your future roll,
What thoughts into your empty soul
(Answer me, libertine!) descend?
— Insatiable yet for all
That turns on darkness, doom, or dice,
I'll not, like Ovid, mourn my fall,
Chased from the Latin paradise.
Skies, torn like seacoasts by the storm!
In you I see my pride take form,
And the huge clouds that rush in streams
Are the black hearses of my dreams,
And your red rays reflect the hell,
In which my heart is pleased to dwell.
— Translated by Roy Campbell
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Ciel Brouillé (Cloudy Sky)
On dirait ton regard d'une vapeur couvert;
Ton oeil mystérieux (est-il bleu, gris ou vert?)
Alternativement tendre, rêveur, cruel,
Réfléchit l'indolence et la pâleur du ciel.
Tu rappelles ces jours blancs, tièdes et voilés,
Qui font se fondre en pleurs les coeurs ensorcelés,
Quand, agités d'un mal inconnu qui les tord,
Les nerfs trop éveillés raillent l'esprit qui dort.
Tu ressembles parfois à ces beaux horizons
Qu'allument les soleils des brumeuses saisons...
Comme tu resplendis, paysage mouillé
Qu'enflamment les rayons tombant d'un ciel brouillé!
Ô femme dangereuse, ô séduisants climats!
Adorerai-je aussi ta neige et vos frimas,
Et saurai-je tirer de l'implacable hiver
Des plaisirs plus aigus que la glace et le fer?
Cloudy Sky
One would say that your gaze was veiled with mist;
Your mysterious eyes (are they blue, gray or green?)
Alternately tender, dreamy, cruel,
Reflect the indolence and pallor of the sky.
You call to mind those days, white, soft, and mild,
That make enchanted hearts burst into tears,
When, shaken by a mysterious, wracking pain,
The nerves, too wide-awake, jeer at the sleeping mind.
You resemble at times those gorgeous horizons
That the sun sets ablaze in the seasons of mist...
How resplendent you are, landscape drenched with rain,
Aflame with rays that fall from a cloudy sky!
O dangerous woman, O alluring climates!
Will I also adore your snow and your hoar-frost,
And can I draw from your implacable winter
Pleasures keener than iron or ice?
— Translated by William Aggeler
Misty Sky
One would have thought your eyes were veiled in haze
Strange eyes! (Grey, green, or azure is their gaze?)
It seems they would reflect, in each renewal,
The changing skies, dull, dreamy, fond, or cruel.
You know those days both warm and hazy, which
Melt into tears the hearts that they bewitch:
And when the nerves, uneasy to control,
Too-wide awake, upbraid the sleeping soul.
You, too, resemble such a lit horizon
As suns of misty seasons now bedizen...
As you shine out, a landscape fresh with rain
With misty sunbeams sparkling on the plain.
Dangerous girl, seductive as the weather!
Shall I adore your snows and frosts together?
In your relentless winter shall I feel
A kiss more sharp than that of ice and steel?
— Translated by Roy Campbell
Ciel brouillé
thine eyes are veiled with vapour opaline;
— those eyes of mystery! — (azure, grey or green?)
cruel or soft in turn as dreams devise,
reflect the languor of the pallid skies.
thou'rt like these autumn days of silver-grey
whose magic melts the soul to tears: a day
when by a secret evil inly torn
the quivering nerves laugh drowsy wits to scorn.
thou art as fair as distant dales, where suns
of misty seasons leave their benisons...
how dazzling rich the dewy woodlands lie
flaming in sunlight from a ruffled sky!
o fateful woman! sky that lures and lours!
and shall I love thy snow, its frosty hours,
and learn to clutch from winter's iron gyves
new pleasure keen as cloven ice or knives?
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Die Romantic
You Look Fabulous In Your Dark Dress Tongiht
Your Black Lipstick Calling Me To You Like A Magic Spell
The Only Thing That You Disliked Is The Light
Tonight We'll Meet Our Master Satan and Reign In Hell
I Walk Up To You My Black Hair Covering My Dark Eyes
I'm Dressed In A Blood Staind Tuxedo
I've Already Put On My Black Eyeliner I'm Also Wearing My Red Tie
Where Not Fit For This Life Of Secrets and Incognito
We'll Drown This Poison With Cheap Wine
We'll Drink It From Our Cups Devine
Tonight We'll Die Romantic
Plus For This Murder Scene Where Fanatics
We'll Put The Poison On Our Lips and Kiss It Off
Soon The Nightmare People Call Life Will Be Over For Us
It'll First Start Off As Just A Light Cough
This Will Be A Slow Painful Death We'll Enjoy It This Won't Be Rushed
We Finish The Battle Of Wine and Open Another One
All We Can Do Now Is Wait and Laugh About Are Soon To Be Bodies
Normally People Would Be Scared Of This Outcome Where Just Having Fun
Look At Us Enjoying Our Last Few Hours We're Being So Haughty
We'll Drown This Poison With Cheap Wine
We'll Drink It From Our Cups Devine
Tonight We'll Die Romantic
Plus For This Murder Scene Where Fanatics
We See The Sun Coming Up As We Began To Laugh At Each Other
This Will Be The Last Sunrise We'll Ever Get To See
Our Lips Now Covered In Blood Soon I'll Cease To Be The Big Brother
Now That It's Almost Time I Propose To You On One Knee
We'll Be Dead Lovers You Laugh and Say Yes
With Our Last Dying Breath We Give Each Other A Kiss
Soon We'll Be Six Feet Under Laid To Rest
It Happend Just How It Should've Just Like This
We'll Drown This Poison With Cheap Wine
We'll Drink It From Our Cups Devine
Tonight We'll Die Romantic
Plus For This Murder Scene Where Fanatics
poem by Patrick Shields
Submitted by Poetry Lover
Vote! | Copy!
Le Mort Joyeux (The Joyful Corpse)
Dans une terre grasse et pleine d'escargots
Je veux creuser moi-même une fosse profonde,
Où je puisse à loisir étaler mes vieux os
Et dormir dans l'oubli comme un requin dans l'onde.
Je hais les testaments et je hais les tombeaux;
Plutôt que d'implorer une larme du monde,
Vivant, j'aimerais mieux inviter les corbeaux
À saigner tous les bouts de ma carcasse immonde.
Ô vers! noirs compagnons sans oreille et sans yeux,
Voyez venir à vous un mort libre et joyeux;
Philosophes viveurs, fils de la pourriture,
À travers ma ruine allez donc sans remords,
Et dites-moi s'il est encor quelque torture
Pour ce vieux corps sans âme et mort parmi les morts!
The Joyful Corpse
In a rich, heavy soil, infested with snails,
I wish to dig my own grave, wide and deep,
Where I can at leisure stretch out my old bones
And sleep in oblivion like a shark in the wave.
I have a hatred for testaments and for tombs;
Rather than implore a tear of the world,
I'd sooner, while alive, invite the crows
To drain the blood from my filthy carcass.
O worms! black companions with neither eyes nor ears,
See a dead man, joyous and free, approaching you;
Wanton philosophers, children of putrescence,
Go through my ruin then, without remorse,
And tell me if there still remains any torture
For this old soulless body, dead among the dead!
— Translated by William Aggeler
The Joyous Dead
In a fat, greasy soil, that's full of snails,
I'll dig a grave deep down, where I may sleep
Spreading my bones at ease, to drowse in deep
Oblivion, as a shark within the wave.
I hate all tombs, and testaments, and wills:
I want no human tears; I'd like it more,
That ravens could attack me with their bills,
To broach my carcase of its living gore.
O worms! black friends, who cannot hear or see,
A free and joyous corpse behold in me!
You philosophic souls, corruption-bred,
Plough through my ruins! eat your merry way!
And if there are yet further torments, say,
For this old soulless corpse among the dead.
— Translated by Roy Campbell
The Happy Dead Man
Slowly, luxuriously, I will hollow a deep grave,
With my own hands, in rich black snail-frequented soil,
And lay me down, forspent with that voluptuous toil,
And go to sleep, as happy as a shark in the wave.
No funeral for me, no sepulcher, no hymns;
Rather than beg for pity when alive, God knows,
I have lain sick and shelterless, and let the crows
Stab to their hearts' content at my lean festering limbs.
O worms! my small black comrades without ears or eyes,
Taste now for once a mortal who lies down in bliss.
O blithe materialists! O vermin of my last bed!
Come, march remorselessly through me. Come, and devise
Some curious new torment, if you can, for this
Old body without soul and deader than the dead.
— Translated by George Dillon
Joyful Corpse
In a rich fertile loam where snails recess,
I wish to dig my own deep roomy grave,
There to stretch out my old bones, motionless,
Snug in death's sleep as sharks are in the wave.
Men's testaments and tombs spell queasiness,
The world's laments are not a boon I crave,
Sooner, while yet I live, let the crows press
My carrion blood from out my skull and nave.
O worms, black comrades without eyes or ears,
Behold, a dead man, glad and free, appears!
Lecher philosophers, spawn of decay,
Rummage remorseless through my crumbling head
To tell what torture may remain today
For this my soulless body which is dead.
— Translated by Jacques LeClercq
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Le Léthé (Lethe)
Viens sur mon coeur, âme cruelle et sourde,
Tigre adoré, monstre aux airs indolents;
Je veux longtemps plonger mes doigts tremblants
Dans l'épaisseur de ta crinière lourde;
Dans tes jupons remplis de ton parfum
Ensevelir ma tête endolorie,
Et respirer, comme une fleur flétrie,
Le doux relent de mon amour défunt.
Je veux dormir! dormir plutôt que vivre!
Dans un sommeil aussi doux que la mort,
J'étalerai mes baisers sans remords
Sur ton beau corps poli comme le cuivre.
Pour engloutir mes sanglots apaisés
Rien ne me vaut l'abîme de ta couche;
L'oubli puissant habite sur ta bouche,
Et le Léthé coule dans tes baisers.
À mon destin, désormais mon délice,
J'obéirai comme un prédestiné;
Martyr docile, innocent condamné,
Dont la ferveur attise le supplice,
Je sucerai, pour noyer ma rancoeur,
Le népenthès et la bonne ciguë
Aux bouts charmants de cette gorge aiguë
Qui n'a jamais emprisonné de coeur.
Lethe
Come, lie upon my breast, cruel, insensitive soul,
Adored tigress, monster with the indolent air;
I want to plunge trembling fingers for a long time
In the thickness of your heavy mane,
To bury my head, full of pain
In your skirts redolent of your perfume,
To inhale, as from a withered flower,
The moldy sweetness of my defunct love.
I wish to sleep! to sleep rather than live!
In a slumber doubtful as death,
I shall remorselessly cover with my kisses
Your lovely body polished like copper.
To bury my subdued sobbing
Nothing equals the abyss of your bed,
Potent oblivion dwells upon your lips
And Lethe flows in your kisses.
My fate, hereafter my delight,
I'll obey like one predestined;
Docile martyr, innocent man condemned,
Whose fervor aggravates the punishment.
I shall suck, to drown my rancor,
Nepenthe and the good hemlock
From the charming tips of those pointed breasts
That have never guarded a heart.
— Translated by William Aggeler
Lethe
Rest on my heart, deaf, cruel soul, adored
Tigress, and monster with the lazy air.
I long, in the black jungles of your hair,
To force each finger thrilling like a sword:
Within wide skirts, filled with your scent, to hide
My bruised and battered forehead hour by hour,
And breathe, like dampness from a withered flower,
The pleasant mildew of a love that died.
Rather than live, I wish to sleep, alas!
Lulled in a slumber soft and dark as death,
In ruthless kisses lavishing my breath
Upon your body smooth as burnished brass.
To swallow up my sorrows in eclipse,
Nothing can match your couch's deep abysses;
The stream of Lethe issues from your kisses
And powerful oblivion from your lips.
Like a predestined victim I submit:
My doom, to me, henceforth, is my delight,
A willing martyr in my own despite
Whose fervour fans the faggots it has lit.
To drown my rancour and to heal its smart,
Nepenthe and sweet hemlock, peace and rest,
I'll drink from the twin summits of a breast
That never lodged the semblance of a heart.
— Translated by Roy Campbell
Lethe
Come to my arms, cruel and sullen thing;
Indolent beast, come to my arms again,
For I would plunge my fingers in your mane
And be a long time unremembering —
And bury myself in you, and breathe your wild
Perfume remorselessly for one more hour:
And breathe again, as of a ruined flower,
The fragrance of the love you have defiled.
I long to sleep; I think that from a stark
Slumber like death I could awake the same
As I was once, and lavish without shame
Caresses upon your body, glowing and dark.
To drown my sorrow there is no abyss,
However deep, that can compare with your bed.
Forgetfulness has made its country your red
Mouth, and the flowing of Lethe is in your kiss.
My doom, henceforward, is my sole desire:
As martyrs, being demented in their zeal,
Shake with delightful spasms upon the wheel,
Implore the whip, or puff upon the fire,
So I implore you, fervently resigned!
Come; I would drink nepenthe and long rest
At the sweet points of this entrancing breast
Wherein no heart has ever been confined.
— Translated by George Dillon
Lethe
Tigress adored, indolent fiend, lie there,
There on my heart now, merciless and strong,
I wish to run my trembling fingers long
Through the black tangles of your heavy hair,
To plunge my aching head amorous of
Your skirts as into secret, perfumed bowers,
To breathe your scent as from pale withered flowers
The after-flavor of my defunct love.
I wish to sleep rather than live, alas!
In slumber deep and sweet as death, O lover,
As my fierce and remorseless kisses cover
Your lovely body, bright as burnished brass,
To bury my stilled sobs in the abysses
Of your anodyne bed, to feast upon
Your lips that shed potent oblivion,
To drink the Lethe flowing in your kisses.
I shall delight in following my fate,
Obeying it gladly as a man contemned,
O docile martyr, innocent condemned
To tortures that his fervors aggravate.
With suckling lips to quell my spleen and rancor,
Nepenthe I shall drain, and hemlock's sweets,
Out of the magic tips of pointed teats
That never served a human heart for anchor.
— Translated by Jacques LeClercq
Le Léthé
come to my heart, cold viper-soul malign,
beloved tiger, hydra indolent;
long will I drag my hands incontinent
and quivering, through this vast loosed mane of thine;
long will I bury throbbing brow and head
among thy skirts all redolent of thee,
and breathe — a blighted flower of perfidy —
the fading odour of my passion dead.
I'll sleep, not live! I'll lose myself in sleep!
in slumber soft as Death's uncertain shore,
I'll sleep and sow my drowsy kisses o'er
thy polished coppery arms and bosom deep.
to drown my sobs and still my spirit — o!
no boon but thine abysmal bed avails;
poppied oblivion from thy mouth exhales
and through thy kisses floods of Lethe flow.
so to my doom, henceforward my desire,
I shall submit as one predestinate;
and like a martyr, calm, immaculate,
whose fervour prods again his flickering pyre,
I'll suck, to drown my hate's eternal smart,
Nepenthe, and good bitter hemlock brew,
from the sharp rose-buds of thy breast, anew,
thy breast that never did contain a heart.
— Translated by Lewis Piaget Shanks
Lethe
Come on my heart, cruel and insensible soul,
My darling tiger, beast with indolent airs;
I want to plunge for hours my trembling fingers
In your thick and heavy mane;
In your petticoats filled with your perfume
To bury my aching head,
And breathe, like a faded flower,
The sweet taste of my dead love.
I want to sleep, to sleep and not to live,
In a sleep as soft as death,
I shall cover with remorseless kisses
Your body beautifully polished as copper.
To swallow my appeased sobbing
I need only the abyss of your bed;
A powerful oblivion lives on your lips,
And all Lethe flows in your kisses.
I shall obey, as though predestined,
My destiny, that is now my delight;
Submissive martyr, innocent damned one,
My ardor inflames my torture,
And I shall suck, to drown my bitterness
The nepenthe and the good hemlock,
On the lovely tips of those jutting breasts
Which have never imprisoned love.
— TRanslated by Geoffrey Wagner
Lethe
Come to my heart, cruel, insensible one,
Adored tiger, monster with the indolent air;
I would for a long time plunge my trembling fingers
Into the heavy tresses of your hair;
And in your garments that exhale your perfume
I would bury my aching head,
And breathe, like a withered flower,
The sweet, stale reek of my love that is dead.
I want to sleep! sleep rather than live!
And in a slumber, dubious as the tomb's,
I would lavish my kisses without remorse
Upon the burnished copper of your limbs.
To swallow my abated sobs
Nothing equals your bed's abyss;
Forgetfulness dwells in your mouth,
And Lethe flows from your kiss.
My destiny, henceforth my pleasure,
I shall obey, predestined instrument,
Docile martyr, condemned innocent,
Whose fervour but augments his torment.
I shall suck, to drown my rancour,
Nepenthe, hemlock, an opiate,
At the charming tips of this pointed breast
That has never imprisoned a heart.
Translated by Anonymous
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Poison! Poison!
Poison I breathe, poison I eat,
And poison poison I do drink,
Poison are my thoughts, poison are my acts,
Poison are my sleeps, poison are my dreams,
My blood is poison, poison is my flesh,
And poison poison are my bones.
Wherever I move
I envenom my fellow beings,
And enlarge my kingdom,
This is how my life goes on,
Living in the world: all poison poison.
poem by Muhammad Shanazar
Submitted by Poetry Lover
Vote! | Copy!
L'Héautontimorouménos (The Man Who Tortures Himself)
L'Héautontimorouménos
Je te frapperai sans colère
Et sans haine, comme un boucher,
Comme Moïse le rocher
Et je ferai de ta paupière,
Pour abreuver mon Saharah
Jaillir les eaux de la souffrance.
Mon désir gonflé d'espérance
Sur tes pleurs salés nagera
Comme un vaisseau qui prend le large,
Et dans mon coeur qu'ils soûleront
Tes chers sanglots retentiront
Comme un tambour qui bat la charge!
Ne suis-je pas un faux accord
Dans la divine symphonie,
Grâce à la vorace Ironie
Qui me secoue et qui me mord
Elle est dans ma voix, la criarde!
C'est tout mon sang ce poison noir!
Je suis le sinistre miroir
Où la mégère se regarde.
Je suis la plaie et le couteau!
Je suis le soufflet et la joue!
Je suis les membres et la roue,
Et la victime et le bourreau!
Je suis de mon coeur le vampire,
— Un de ces grands abandonnés
Au rire éternel condamnés
Et qui ne peuvent plus sourire!
The Man Who Tortures Himself
I shall strike you without anger
And without hate, like a butcher,
As Moses struck the rock!
And from your eyelids I shall make
The waters of suffering gush forth
To inundate my Sahara.
My desire swollen with hope
Will float upon your salty tears
Like a vessel which puts to sea,
And in my heart that they'll make drunk
Your beloved sobs will resound
Like a drum beating the charge!
Am I not a discord
In the heavenly symphony,
Thanks to voracious Irony
Who shakes me and who bites me?
She's in my voice, the termagant!
All my blood is her black poison!
I am the sinister mirror
In which the vixen looks.
I am the wound and the dagger!
I am the blow and the cheek!
I am the members and the wheel,
Victim and executioner!
I'm the vampire of my own heart
— One of those utter derelicts
Condemned to eternal laughter,
But who can no longer smile!
— Translated by William Aggeler
Heautontimoroumenos
I'll strike you, but without the least
Anger — as butchers poll an ox,
Or Moses, when he struck the rocks —
That from your eyelid thus released,
The lymph of suffering may brim
To slake my desert of its drought.
So my desire, by hope made stout,
Upon your salty tears may swim,
Like a proud ship, far out from shore.
Within my heart, which they'll confound
With drunken joy, your sobs will sound
Like drums that beat a charge in war.
I am I not a faulty chord
In all this symphony divine,
Thanks to the irony malign
That shakes and cuts me like a sword?
It's in my voice, the raucous jade!
It's in my blood's black venom too!
I am the looking-glass, wherethrough
Megera sees herself portrayed!
I am the wound, and yet the blade!
The smack, and yet the cheek that takes it!
The limb, and yet the wheel that breaks it,
The torturer, and he who's flayed!
One of the sort whom all revile,
A Vampire, my own blood I quaff,
Condemned to an eternal laugh
Because I know not how to smile.
— Translated by Roy Campbell
Heauton Timoroumenos
I mean to strike you without hate,
As butchers do; as Moses did
The rock. From under either lid
Your tears will flow to inundate
This huge Sahara which is I.
My heart, insensible with pain,
Caught in that flood will live again:
Will care whether it live or die —
Will strive as in the salty sea,
Drunken with brine and all but drowned,
Yet driven onward by the sound
Of your wild sobbing endlessly!
For look — I am at war, my dear,
With the whole universe. I know
There is no medicine for my woe.
Believe me, it is called Despair.
It runs in all my veins. I pray:
It cries in all my words. I am
The very glass where what I damn
Leers and admires itself all day.
I am the wound — I am the knife
The deep wound scabbards; the outdrawn
Rack, and the writhing thereupon;
The lifeless, and the taker of life.
I murder what I most adore,
Laughing: I am indeed of those
Condemned for ever without repose
To laugh — but who can smile no more.
— Translated by George Dillon
Heautontimoroumenos
The Man Who Tortures Himself
I shall cleave without scrape or shock,
And, like a butcher, without hate,
Like Moses, when he struck the rock.
From your eyes I shall generate
Waters of woe throughout the years
To quench my fierce Sahara fires,
Swollen with vast hope, my desires
Shall float upon your bitter tears
Like a proud vessel, sailing large;
And in my heart, drunk at the sound,
Your cherished sobbing shall resound
Like drums beating the long lost charge.
Am I not a discordant note
In the celestial symphony,
Thanks to voracious Irony
Who shakes and bites me at the throat?
She's in my voice, the scold; her black
Poison is all my blood, alas!
I am the direful looking glass
Which flashes her reflection back.
I am the wound, the knives that strike,
The blows that crush, the head that reels,
I am wrenched limbs and grinding wheels,
Victim and hangman, as you like!
Vampire of my own heart, meanwhile,
A derelict, I am of those
Doomed to eternal laughter's throes,
Yet powerless to frame a smile!
— Translated by Jacques LeClercq
L'Héautontimouroménos
I'll strike thee without enmity
nor wrath, like butchers at the block,
like Moses when he smote the rock!
I'll make those eyelids gush for me
with springs of suffering, whose flow
shall slake the desert of my thirst;
— a salt flood, where my lust accurst,
with Hope to plump her sail, shall go
as from the port a pitching barge,
and in my heart they satiate
thy sobs I love shall fulminate
loud as a drum that beats a charge!
for am I not a clashing chord
in all Thy heavenly symphony,
thanks to this vulture Irony
that shakes and bites me always, Lord?
she's in my voice, the screaming elf!
my poisoned blood came all from her!
I am the mirror sinister
in which the vixen sees herself!
I am the wound and I the knife!
I am the blow I give, and feel!
I am the broken limbs, the wheel,
the hangman and the strangled life!
I am my heart's own vampire, for
God has forsaken me, and men,
these lips can never smile again,
but laugh they must, and evermore!
— Lewis Piaget Shanks, Flowers of Evil (New York: Ives Washburn, 1931)
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
La Serpent Qui Danse (The Dancing Serpent)
Que j'aime voir, chère indolente,
De ton corps si beau,
Comme une étoffe vacillante,
Miroiter la peau!
Sur ta chevelure profonde
Aux âcres parfums,
Mer odorante et vagabonde
Aux flots bleus et bruns,
Comme un navire qui s'éveille
Au vent du matin,
Mon âme rêveuse appareille
Pour un ciel lointain.
Tes yeux, où rien ne se révèle
De doux ni d'amer,
Sont deux bijoux froids où se mêle
L'or avec le fer.
À te voir marcher en cadence,
Belle d'abandon,
On dirait un serpent qui danse
Au bout d'un bâton.
Sous le fardeau de ta paresse
Ta tête d'enfant
Se balance avec la mollesse
D'un jeune éléphant,
Et ton corps se penche et s'allonge
Comme un fin vaisseau
Qui roule bord sur bord et plonge
Ses vergues dans l'eau.
Comme un flot grossi par la fonte
Des glaciers grondants,
Quand l'eau de ta bouche remonte
Au bord de tes dents,
Je crois boire un vin de Bohême,
Amer et vainqueur,
Un ciel liquide qui parsème
D'étoiles mon coeur!
The Dancing Serpent
Indolent darling, how I love
To see the skin
Of your body so beautiful
Shimmer like silk!
Upon your heavy head of hair
With its acrid scents,
Adventurous, odorant sea
With blue and brown waves,
Like a vessel that awakens
To the morning wind,
My dreamy soul sets sail
For a distant sky.
Your eyes where nothing is revealed
Of bitter or sweet,
Are two cold jewels where are mingled
Iron and gold.
To see you walking in cadence
With fine abandon,
One would say a snake which dances
On the end of a staff.
Under the weight of indolence
Your child-like head sways
Gently to and fro like the head
Of a young elephant,
And your body stretches and leans
Like a slender ship
That rolls from side to side and dips
Its yards in the sea.
Like a stream swollen by the thaw
Of rumbling glaciers,
When the water of your mouth rises
To the edge of your teeth,
It seems I drink Bohemian wine,
Bitter and conquering,
A liquid sky that scatters
Stars in my heart!
— Translated by William Aggeler
The Snake that Dances
I love to watch, while you are lazing,
Your skin. It iridesces
Like silk or satin, smoothly-glazing
The light that it caresses.
Under your tresses dark and deep
Where acrid perfumes drown,
A fragrant sea whose breakers sweep
In mazes blue or brown,
My soul, a ship, to the attraction
Of breezes that bedizen
Its swelling canvas, clears for action
And seeks a far horizon.
Your eyes where nothing can be seen
Either of sweet or bitter
But gold and iron mix their sheen,
Seem frosty gems that glitter.
To see you rhythmically advancing
Seems to my fancy fond
As if it were a serpent dancing
Waved by the charmer's wand.
Under the languorous moods that weigh it,
Your childish head bows down:
Like a young elephant's you sway it
With motions soft as down.
Your body leans upon the hips
Like a fine ship that Iaves
Its hull from side to side, and dips
Its yards into the waves.
When, as by glaciers ground, the spate
Swells hissing from beneath,
The water of your mouth, elate,
Rises between your teeth —
It seems some old Bohemian vintage
Triumphant, fierce, and tart,
A liquid heaven that showers a mintage
Of stars across my heart.
— Translated by Roy Campbell
Dancing Serpent
Indolent love, with what delight
I watch the tawny flesh
Of your sweet body shimmer bright
As a bright silken mesh.
On your thick tresses, love, you wear
Sharp perfumes for a crown,
A venturesome sweet sea, your hair,
With billows blue and brown.
Your eyes never betray by sign
What grief or joy they hold,
They are cold jewels that combine
Strong iron and rare gold.
Even as a vessel that awakes
When morning breezes rise,
So my dream-laden spirit takes
Off for strange distant skies.
Your sinuous cadenced walk enhancing
Your slim proud gait, a frond
Swaying, you are, or a snake dancing
Atop a fakir's wand.
Under a laziness like lead
Your childlike head aslant
Sways soft and gentle as the head
Of a young elephant,
Your body like a slender ship
In tense or bowing motion
Rolls, slow, from side to side to dip
Its yards deep in the ocean.
Ice thawed by currents from the south
Swell the swift streams beneath,
So when the water of your mouth
Rises against your teeth,
I seem to drink Bohemian wine
Victorious and tart,
A liquid sky that strews benign
Stars in my peaceful heart.
— Translated by Jacques LeClercq
The Dancing Serpent
How I love to watch, dear indolent creature,
The skin of your so
Beautiful body glisten, like some
Quivering material!
On your deep coiffure
Bitter scented,
Scented, restless sea,
With the blue and brown waves,
Like a ship waking
To the wind of morning,
My dreamy soul prepares
For skies far away.
Your eyes, where nothing is revealed
Of sweet or sour,
Are two cold gems whose gold
Is mixed with iron.
Seeing your harmonious walk,
Abandoned beauty,
One would say a snake was dancing
At the end of a stick.
Under the weight of your sloth
Your infant head
Is balanced with the indolence
Of a young elephant,
And your body bends and stretches
Like a delicate ship
Pitching from side to side and sinking
Its spars in the water.
Like a wave swelled by the melting
Of a groaning glacier,
When your saliva rises
To the edges of your teeth,
I feel I drink some Bohemian wine,
Bitter, victor,
A liquid sky that scatters
Stars in my heart!
— Translated by Geoffrey Wagner
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Le Balcon (The Balcony)
Le Balcon
Mère des souvenirs, maîtresse des maîtresses,
Ô toi, tous mes plaisirs! ô toi, tous mes devoirs!
Tu te rappelleras la beauté des caresses,
La douceur du foyer et le charme des soirs,
Mère des souvenirs, maîtresse des maîtresses!
Les soirs illuminés par l'ardeur du charbon,
Et les soirs au balcon, voilés de vapeurs roses.
Que ton sein m'était doux! que ton coeur m'était bon!
Nous avons dit souvent d'impérissables choses
Les soirs illumines par l'ardeur du charbon.
Que les soleils sont beaux dans les chaudes soirées!
Que l'espace est profond! que le coeur est puissant!
En me penchant vers toi, reine des adorées,
Je croyais respirer le parfum de ton sang.
Que les soleils sont beaux dans les chaudes soirées!
La nuit s'épaississait ainsi qu'une cloison,
Et mes yeux dans le noir devinaient tes prunelles,
Et je buvais ton souffle, ô douceur! ô poison!
Et tes pieds s'endormaient dans mes mains fraternelles.
La nuit s'épaississait ainsi qu'une cloison.
Je sais l'art d'évoquer les minutes heureuses,
Et revis mon passé blotti dans tes genoux.
Car à quoi bon chercher tes beautés langoureuses
Ailleurs qu'en ton cher corps et qu'en ton coeur si doux?
Je sais l'art d'évoquer les minutes heureuses!
Ces serments, ces parfums, ces baisers infinis,
Renaîtront-ils d'un gouffre interdit à nos sondes,
Comme montent au ciel les soleils rajeunis
Après s'être lavés au fond des mers profondes?
— Ô serments! ô parfums! ô baisers infinis!
The Balcony
Mother of memories, mistress of mistresses,
O you, all my pleasure, O you, all my duty!
You'll remember the sweetness of our caresses,
The peace of the fireside, the charm of the evenings.
Mother of memories, mistress of mistresses!
The evenings lighted by the glow of the coals,
The evenings on the balcony, veiled with rose mist;
How soft your breast was to me! how kind was your heart!
We often said imperishable things,
The evenings lighted by the glow of the coals.
How splendid the sunsets are on warm evenings!
How deep space is! how potent is the heart!
In bending over you, queen of adored women,
I thought I breathed the perfume in your blood.
How splendid the sunsets are on warm evenings!
The night was growing dense like an encircling wall,
My eyes in the darkness felt the fire of your gaze
And I drank in your breath, O sweetness, O poison!
And your feet nestled soft in my brotherly hands.
The night was growing dense like an encircling wall.
I know the art of evoking happy moments,
And live again our past, my head laid on your knees,
For what's the good of seeking your languid beauty
Elsewhere than in your dear body and gentle heart?
I know the art of evoking happy moments.
Those vows, those perfumes, those infinite kisses,
Will they be reborn from a gulf we may not sound,
As rejuvenated suns rise in the heavens
After being bathed in the depths of deep seas?
— O vows! O perfumes! O infinite kisses!
— Translated by William Aggeler
The Balcony
Mother of memories, queen of paramours,
Yourself are all my pleasure, all my duty;
You will recall caresses that were yours
And fireside evenings in their warmth and beauty.
Mother of memories, queen of paramours.
On eves illumined by the light of coal,
The balcony beneath a rose-veiled sky,
Your breast how soft! Your heart how good and whole!
We spoke eternal things that cannot die —
On eves illumined by the light of coal!
How splendid sets the sun of a warm evening!
How deep is space! the heart how full of power!
When, queen of the adored, towards you leaning,
I breathed the perfume of your blood in flower.
How splendid sets the sun of a warm evening!
The evening like an alcove seemed to thicken,
And as my eyes astrologised your own,
Drinking your breath, I felt sweet poisons quicken,
And in my hands your feet slept still as stone.
The evening like an alcove seemed to thicken.
I know how to resuscitate dead minutes.
I see my past, its face hid in your knees.
How can I seek your languorous charm save in its
Own source, your heart and body formed to please.
I know how to resuscitate dead minutes.
These vows, these perfumes, and these countless kisses,
Reborn from gulfs that we could never sound,
Will they, like suns, once bathed in those abysses,
Rejuvenated from the deep, rebound —
These vows, these perfumes, and these countless kisses?
— Translated by Roy Campbell
The Balcony
Inspirer of my youth, mistress beyond compare,
You who were all my pleasures, all my hopes and dreams!
Do you recall our cheerful room — our evenings there,
Quiet and passionate? Like yesterday, it seems,
Inspirer of my youth, mistress beyond compare!
The evenings lighted by the hushed flame of the coal,
The warm rose-misted twilights in the early springs,
The balcony! How I adored you, body and soul!
And, darling, we have said imperishable things
The evenings lighted by the hushed flame of the coal.
How splendid were the long slow summer sunsets, too!
How large the world appeared to us! How strong and good
Life ran then in our veins! When I leaned close to you
I thought that I could breathe the perfume of your blood.
How splendid were the long slow summer sunsets, too!
The night would close around us like a dim blue wall,
And your eyes flashed within the darkness, and the sweet
Drug of your breath came over me. Do you recall
How I would love to lie for hours holding your feet?
The night would close around us like a dim blue wall.
I can relive the ecstasy that Time has slain;
At moments I can feel myself between your thighs.
What use to hope for anything like that again
With someone else? What use to seek in any wise?
I can relive the ecstasy that Time has slain.
Those cries, those long embraces, that remembered scent:
Can they be lost for ever? Will they not come round
Like stars, like suns, to blaze upon the firmament
Of future worlds, from the abyss we cannot sound?
— O cries! O long embraces! O remembered scent!
— Translated by George Dillon
The Balcony
Mistress of mistresses, mother of memories,
O you my every pleasure, you my every duty!
You shall recall our blandishments and ecstasies,
The warm peace of our hearth, the evening's placid beauty.
Mistress of mistresses, mother of memories!
Evenings illumined by the glow of coals afire
Or on the balcony, veiled in a rosy mist.
How soft your breast, how kind your heart to my desire!
We said imperishable things the while we kissed,
Evenings illumined by the glow of coals afire.
How glorious the sunset on warm summer nights!
How deep space is! the human heart how competent!
As I bent over you, queen of my soul's delight,
I thought I breathed your blood with its suave acrid scent.
How glorious the sunset on warm summer nights!
The night grew dense, forming a wall to compass us,
Across the dark your eyes bound mine with golden bands,
I drank your breath in deep, O sweet, O poisonous!
Your slender feet slept softly in my gentle hands.
The night grew dense, forming a wall to compass us.
The resurrection of glad moments is an art
I know: I live anew, my head pressed to your knees,
For where, if not in your loved flesh and tender heart,
Can I seek out the wonder of your languidness?
The resurrection of glad moments is an art.
These vows, these fragrant scents, these kisses without end,
Shall they be born again out of infinity?
As suns rejuvenated in the skies ascend,
Having been laved in the unfathomable sea?
— O vows! O fragrant scents! — O kisses without end!
— Translated by Jacques LeClercq
Le Balcon
mother of memories, mistress of mistresses
— thou, all my pleasure, thou, my fealties all!
thou shalt recall each kiss how soft it is,
how warm our hearth, the night how magical,
mother of memories, mistress of mistresses!
long hours illumined by the glowing fire
long balcony-hours veiled with misty rose;
soft pillowing breast! heart warm to my desire!
and all the imperishable things we whispered, those
long hours illumined by the glowing fire
how softly shone the golden, shimmering sun!
how deep the skyey space! how rich love's power!
for bending toward thee, most belovèd one,
I seemed to breathe thy pulses like a flower.
how softly shone the golden, shimmering sun!
Night with her thickening wall imprisoned us,
eyes groped for widening eyes the black withheld,
I drank thy breath, o sweet, o poisonous!
thy feet slept in my hands fraternal held;
Night with her thickening wall imprisoned us.
my magic art evoked a rapture perished,
for in thy clasp I saw my youth afresh,
could others yield the languorous charm I cherished,
thy gentle heart, thy dear and lovely flesh?
my magic art evoked a rapture perished!
but — vows and fragrance, infinite desire —
shall they arise from gulfs too deep to plumb,
as morn by morn new suns of rosier fire
mount, laved in some dark sea Elysium?
o vows! o fragrance! infinite desire!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Poison Heart
No one ever thought this one would survive
Helpless child, gonna walk a drum beat behind
Lock you in a dream, never let you go
Never let you laugh or smile, not you.
Well, I just want to walk right out of this world,
'Cause everybody has a poison heart
I just want to walk right out of this world,
'Cause everybody has a poison heart.
Making friends with a homeless torn up man
He just kind of smiles, it really shakes me up.
There's danger on every corner but I'm okay
Walking down the street trying to forget yesterday.
Well, I just want to walk right out of this world,
'Cause everybody has a poison heart.
I just want to walk right out of this world,
'Cause everybody has a poison heart,
a poison heart, a poison heart, a poison heart ... yeah!
You know that life really takes its toll
And a poet's gut reaction is to search his very soul
So much damn confusion before my eyes,
But nothing seems to phase me and this one still survives.
I just want to walk right out of this world,
'Cause everybody has a poison heart.
I just want to walk right out of this world,
'Cause everybody has a poison heart,
Well, I just want to walk right out of this world,
'Cause everybody has a poison heart.
a poison heart, a poison heart, a poison heart.
a poison heart, a poison heart, a poison heart.
song performed by by H.I.M.
Submitted by Lucian Velea
Vote! | Copy!
Le Flacon (The Perfume Flask)
II est de forts parfums pour qui toute matière
Est poreuse. On dirait qu'ils pénètrent le verre.
En ouvrant un coffret venu de l'Orient
Dont la serrure grince et rechigne en criant,
Ou dans une maison déserte quelque armoire
Pleine de l'âcre odeur des temps, poudreuse et noire,
Parfois on trouve un vieux flacon qui se souvient,
D'où jaillit toute vive une âme qui revient.
Mille pensers dormaient, chrysalides funèbres,
Frémissant doucement dans les lourdes ténèbres,
Qui dégagent leur aile et prennent leur essor,
Teintés d'azur, glacés de rose, lamés d'or.
Voilà le souvenir enivrant qui voltige
Dans l'air troublé; les yeux se ferment; le Vertige
Saisit l'âme vaincue et la pousse à deux mains
Vers un gouffre obscurci de miasmes humains;
II la terrasse au bord d'un gouffre séculaire,
Où, Lazare odorant déchirant son suaire,
Se meut dans son réveil le cadavre spectral
D'un vieil amour ranci, charmant et sépulcral.
Ainsi, quand je serai perdu dans la mémoire
Des hommes, dans le coin d'une sinistre armoire
Quand on m'aura jeté, vieux flacon désolé,
Décrépit, poudreux, sale, abject, visqueux, fêlé,
Je serai ton cercueil, aimable pestilence!
Le témoin de ta force et de ta virulence,
Cher poison préparé par les anges! liqueur
Qui me ronge, ô la vie et la mort de mon coeur!
The Perfume Flask
There are strong perfumes for which all matter
Is porous. One would say they go through glass.
On opening a coffer that has come from the East,
Whose creaking lock resists and grates,
Or in a deserted house, some cabinet
Full of the Past's acrid odor, dusty and black,
Sometimes one finds an antique phial which remembers,
Whence gushes forth a living soul returned to life.
Many thoughts were sleeping, death-like chrysalides,
Quivering softly in the heavy shadows,
That free their wings and rise in flight,
Tinged with azure, glazed with rose, spangled with gold.
That is the bewitching souvenir which flutters
In the troubled air; the eyes close; Dizziness
Seizes the vanquished soul, pushes it with both hands
Toward a darkened abyss of human pollution:
He throws it down at the edge of an ancient abyss,
Where, like stinking Lazarus tearing wide his shroud,
There moves as it wakes up, the ghostly cadaver
Of a rancid old love, charming and sepulchral.
Thus, when I'll be lost to the memory
Of men, when I shall be tossed into the corner
Of a dismal wardrobe, a desolate old phial,
Decrepit, cracked, slimy, dirty, dusty, abject,
Delightful pestilence! I shall be your coffin,
The witness of your strength and of your virulence,
Beloved poison prepared by the angels! Liqueur
That consumes me, O the life and death of my heart!
— Translated by William Aggeler
The Flask
Perfumes there are which through all things can pass
And make all matter porous, even glass;
Old coffers from the Orient brought, whose locks
Grind sullenly when opening the box,
Or, in an empty house, some ancient chest,
Where time and dust and gloom were long compressed,
May yield a flask where memory survives,
And a soul flashes into future lives.
A thousand thoughts, funereal larvae, laid
Shuddering softly under palls of shade,
May suddenly their soaring wings unfold,
Stained azure, glazed with rose, or filmed with gold.
Intoxicating memory now flies
Into the dusk, and makes us close our eyes:
Vertigo draws the spirit which it grips
Towards some dark miasma of eclipse:
Beside an ancient pit he makes her fall,
Where Lazarus, sweet-scented, tears his pall
And wakes the spectral corpse of some now-cold,
Rancid, sepulchral love he knew of old.
So when I'm lost to human memory, thrown
In some old gloomy chest to fie alone,
A poor decrepit flask, cracked, abject, crusty
With dirt, opaque and sticky, damp and dusty,
I'll be your pall and shroud, beloved pest!
The witness of your venom, and its test,
Dear poison, angel-brewed with deadly art —
Life, death, and dear corrosion of my heart.
— Translated by Roy Campbell
The Perfume Flask
All matter becomes porous to certain scents; they pass
Through everything; it seems they even go through glass.
When opening some old trunk brought home from the far east,
That scolds, feeling the key turned and the lid released —
Some wardrobe, in a house long uninhabited,
Full of the powdery odors of moments that are dead —
At times, distinct as ever, an old flask will emit
Its perfume; and a soul comes back to live in it.
Dormant as chrysalides, a thousand thoughts that lie
In the thick shadows, pulsing imperceptibly,
Now stir, now struggle forth; now their cramped wings unfold,
Tinted with azure, lustred with rose, sheeted with gold!
Oh, memories, how you rise and soar, and hover there!
The eyes close; dizziness, in the moth-darkened air,
Seizes the drunken soul, and thrusts it toward the verge —
Where mistily all human miasmas float and merge —
Of a primeval gulf; and drops it to the ground,
There, where, like Lazarus rising, his grave-clothes half unwound,
And odorous, a cadaver from its sleep has stirred:
An old and rancid love, charming and long-interred.
Thus, when I shall be lost from sight, thus when all men
Forget me, in the dark and dusty corner then
Of that most sinister cupboard where the living pile
The dead — when, an old flask, cracked, sticky, abject, vile,
I lie at length — still, still, sweet pestilence of my heart,
As to what power thou hast, how virulent thou art,
I shall bear witness; safe shall thy dear poison be!
Thou vitriol of the gods I thou death and life of me!
— Translated by Edna St. Vincent Millay
Le Flacon
so keen some fragrances, they freely pass
all barriers. they would pierce a wall of glass.
unlatch a coffer from the Orient
whose creaking hinge will scarcely grant consent,
or cupboard in an empty house, where murk,
sharp smells and cobwebs of a century lurk,
thou'lt find perhaps a flask that holds a host
of memories, free perchance a living ghost.
crushed in the gloom a thousand keepsakes lay
like coffined larvae there, which, quivering, grey,
released at last arise on soaring wing,
rose-flushed or azure, golden, glittering,
and swirling memories mount, to thrill and tease
our closing eyes; we reel in murk, as these
grapple amain and hurl the quailing soul
down to a Pit where human odours roll
and fell it on the brink that waits for all,
where, bursting, Lazarus-like, its rotted pall,
stirs and awakes the spectral visage of
a charming, fusty, weird, forgotten love.
so when Oblivion blots my memory dim,
and in a corner of a cupboard grim
I like cast off, a sorry flask and old,
crackled and dusty, viscous, green with mould,
I'll be thy coffin, lovely pestilence!
I'll prove thy power and thy virulence,
dear poison brewed by angels! dulcet fire
I've drunk, my life, my death, my heart's desire!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Deep Green Eyes
Deep green eyes
Haunt me so
Deep green eyes
Torture my soul
Everywhere I go
Every time I sleep
See them in my thoughts
Burning through my soul
Deep green eyes
Why do you follow me so
Deep green eyes
Soul of my soul
Deep green eyes
Thought of my thoughts
Burrow through my core
Deep green eyes
Tell me so
Deep green eyes
Who do you own
Tout Entière (All of Her)
Le Démon, dans ma chambre haute
Ce matin est venu me voir,
Et, tâchant à me prendre en faute
Me dit: «Je voudrais bien savoir
Parmi toutes les belles choses
Dont est fait son enchantement,
Parmi les objets noirs ou roses
Qui composent son corps charmant,
Quel est le plus doux.» — Ô mon âme!
Tu répondis à l'Abhorré:
«Puisqu'en Elle tout est dictame
Rien ne peut être préféré.
Lorsque tout me ravit, j'ignore
Si quelque chose me séduit.
Elle éblouit comme l'Aurore
Et console comme la Nuit;
Et l'harmonie est trop exquise,
Qui gouverne tout son beau corps,
Pour que l'impuissante analyse
En note les nombreux accords.
Ô métamorphose mystique
De tous mes sens fondus en un!
Son haleine fait la musique,
Comme sa voix fait le parfum!»
All of Her
The Devil into my high room
This morning came to pay a call,
And trying to find me in fault
Said: 'I should like to know,
Among all the beautiful things
Which make her an enchantress,
Among the objects black or rose
That compose her charming body,
Which is the sweetest.' — O my soul!
You answered the loathsome Creature:
'Since in Her all is dittany,
No single thing can be preferred.
When all delights me, I don't know
If some one thing entrances me.
She dazzles like the Dawn
And consoles like the Night;
And the harmony that governs
Her whole body is too lovely
For impotent analysis
To note its numerous accords.
O mystic metamorphosis
Of all my senses joined in one!
Her breath makes music,
And her voice makes perfume!'
— Translated by William Aggeler
All in One
The Demon called on me this morning,
In my high room. As is his way,
Thinking to catch me without warning,
He put this question: 'Tell me, pray,
Of all the beauties that compose,
The strange enchantment of her ways,
Amongst the wonders black or rose,
Which object most excites your praise,
And is the climax in her litany?'
My soul, you answered the Abhorred,
'Since she is fashioned, all, of dittany,
No part is most to be adored.
Since I am ravished, I ignore a
Degree of difference in delight.
She dazzles me like the aurora
And she consoles me like the night.
The harmony's so exquisite
That governs her, it is in vain
Analysis would try to split
The unity of such a strain.
O mystic fusion that, enwreathing
My senses, fuses each in each,
To hear the music of her breathing
And breathe the perfume of her speech.'
— Translated by Roy Campbell
All, All
The Devil up my attic stair
Came tiptoeing a while ago
And, trying to catch me unaware,
Said laughing, 'I should like to know,
'Of all her many charms, what springs
Most often to your mind? Of all
The rose-colored and shadowy things
Whereby her beauty may enthrall,
'Which is the sweetest?' — O my soul,
You answered the abhorrèd Guest:
'Her beauty is complete and whole.
No single part is loveliest.
'When she is near, I cannot say
What gives me such intense delight.
She dazzles like the break of day,
She comforts like the fall of night.
'My senses seem to merge in one;
The harmony that rules her being
Is all my knowledge — I have none
Of hearing, smelling, touching, seeing.
'No, no. I cannot make a choice
In this sublime bewilderment.
Perhaps the music of her scent!
Perhaps the perfume of her voice!'
— Translated by George Dillon
Tout entière
this morning, to my chamber bare
and high, the Devil came to call,
and fain to trap me in a snare,
inquired: 'I would know, of all
— of all the beauties that compose
her spell profound, her subtle sway,
— of all the bits of black or rose
that form her lovely body, say
which is the sweetest?' — o my soul,
thou didst reply to the Abhorred:
naught can be taken from the whole
for every part is a perfect chord.
when all to me is ravishing,
I know not which gives most delight.
like dawn she is a dazzling thing,
yet she consoles me like the night;
too exquisite the harmonies
that all her lovely flesh affords,
for my poor mind to analyse
and note its many rhythmic chords.
o mystic interchange, whereby
my senses all are blent in one!
her breath is like a lullaby
and through her voice rich perfumes run!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Le Possédé (The Possessed)
Le soleil s'est couvert d'un crêpe. Comme lui,
Ô Lune de ma vie! emmitoufle-toi d'ombre
Dors ou fume à ton gré; sois muette, sois sombre,
Et plonge tout entière au gouffre de l'Ennui;
Je t'aime ainsi! Pourtant, si tu veux aujourd'hui,
Comme un astre éclipsé qui sort de la pénombre,
Te pavaner aux lieux que la Folie encombre
C'est bien! Charmant poignard, jaillis de ton étui!
Allume ta prunelle à la flamme des lustres!
Allume le désir dans les regards des rustres!
Tout de toi m'est plaisir, morbide ou pétulant;
Sois ce que tu voudras, nuit noire, rouge aurore;
II n'est pas une fibre en tout mon corps tremblant
Qui ne crie: Ô mon cher Belzébuth, je t'adore!
The One Possessed
The sun was covered with a crape. Like him,
Moon of my life! swathe yourself with darkness;
Sleep or smoke as you will; be silent, be somber,
And plunge your whole being into Ennui's abyss;
I love you thus! However, if today you wish,
Like an eclipsed star that leaves the half-light,
To strut in the places which Madness encumbers,
That is fine! Charming poniard spring out of your sheath!
Light your eyes at the flame of the lusters!
Kindle passion in the glances of churls!
To me you're all pleasure, morbid or petulant;
Be what you will, black night, red dawn;
There is no fiber in my whole trembling body
That does not cry: 'Dear Beelzebub, I adore you!'
— Translated by William Aggeler
The Possessed
The sun in crepe has muffled up his fire.
Moon of my life! Half shade yourself like him.
Slumber or smoke. Be silent and be dim,
And in the gulf of boredom plunge entire;
I love you thus! However, if you like,
Like some bright star from its eclipse emerging,
To flaunt with Folly where the crowds are surging —
Flash, lovely dagger, from your sheath and strike!
Light up your eyes from chandeliers of glass!
Light up the lustful looks of louts that pass!
Morbid or petulant, I thrill before you.
Be what you will, black night or crimson dawn;
No fibre of my body tautly-drawn,
But cries: 'Beloved demon, I adore you!'
— Translated by Roy Campbell
The Possessed
The sun in crepe has muffled up his fire.
Moon of my life! Half shade yourself like him.
Slumber or smoke. Be silent and be dim,
And in the gulf of ennui plunge entire;
I love you thus! However, if you like,
Like some bright star from its eclipse emerging,
To flaunt with Folly where the crowds are surging -
Flash, lovely dagger, from your sheath and strike!
Light up your eyes from chandeliers of glass!
Light up the lustful looks of louts that pass!
Morbid or petulant, I thrill before you.
Be what you will, black night or crimson dawn;
No fibre of my body tautly drawn,
But cries: 'Beloved demon, I adore you!'
Translated by Anonymous
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!
Parfum Exotique (Exotic Perfume)
Quand, les deux yeux fermés, en un soir chaud d'automne,
Je respire l'odeur de ton sein chaleureux,
Je vois se dérouler des rivages heureux
Qu'éblouissent les feux d'un soleil monotone;
Une île paresseuse où la nature donne
Des arbres singuliers et des fruits savoureux;
Des hommes dont le corps est mince et vigoureux,
Et des femmes dont l'oeil par sa franchise étonne.
Guidé par ton odeur vers de charmants climats,
Je vois un port rempli de voiles et de mâts
Encor tout fatigués par la vague marine,
Pendant que le parfum des verts tamariniers,
Qui circule dans l'air et m'enfle la narine,
Se mêle dans mon âme au chant des mariniers.
Exotic Perfume
When, with both my eyes closed, on a hot autumn night,
I inhale the fragrance of your warm breast
I see happy shores spread out before me,
On which shines a dazzling and monotonous sun;
A lazy isle to which nature has given
Singular trees, savory fruits,
Men with bodies vigorous and slender,
And women in whose eyes shines a startling candor.
Guided by your fragrance to these charming countries,
I see a port filled with sails and rigging
Still utterly wearied by the waves of the sea,
While the perfume of the green tamarinds,
That permeates the air, and elates my nostrils,
Is mingled in my soul with the sailors' chanteys.
— Translated by William Aggeler
Exotic Perfume
When I, with eyes shut, on warm autumn eves,
The fragrance of your warmer breast respire,
I see a country bathed in solar fire
Whose happy shores its lustre never leaves;
An isle of indolence, where nature raises
Singular trees and fruits both sweet and tender,
Where men have bodies vigorous and slender
And women's eyes a candour that amazes.
Led by your scent to fairer climes at last,
I see a port of sails, where every mast
Seems weary of the labours of its cruise;
While scents of tamarind, blown here and there,
Swelling my nostrils as they rinse the air,
Are mingled with the chanties of the crews.
— Translated by Roy Campbell
Exotic Perfume
On autumn nights, eyes closed, when, sensuous,
I breathe the scent of your warm breasts, my sight
Is peopled by far shores, happy and bright,
Under a sun, warm and monotonous.
A lazy isle which nature, generous,
Stocks with weird trees and fruits of strange delight,
Men with lithe bodies, powerful but slight,
Women whose candid eyes flash luminous.
Urged by your scent to such charmed lands at last,
I see a port with many a sail and mast
Still weary from the ocean's frenzied roll,
While the green tamarinds exhale their savor
To please my nostrils with a dulcet flavor,
Mingled with sailor chanteys in my soul.
— Translation by Jacques LeClercq
Parfum exotique
when with closed eyes I drink the halcyon
warm autumn evening, on thy burning breast,
I see unfurl the atolls of the blest,
blazing in flame from an unchanging sun;
an isle of rest, where Nature's benison
breeds trees unique and fruits of savoury zest;
tall men who stride in vigour manifest;
women whose eyes of candour startle one.
I drift, thy fragrance bearing me afar,
into a port where every sail and spar
sway, wearied by the sea's beleaguering,
— where tamarinds bloom and draughts of perfume winging
through widening nostrils, blend in me to bring
the wind-blown chanteys mariners are singing.
— TRanslated by Lewis Piaget Shanks
The Exotic Perfume
When, with both eyes shut, on a close autumn evening,
I breathe the perfume of your heated breast,
I see happy shores unfold themselves
Dazzling in the flames of a monotonous sun;
A lay island where Nature bestows
Peculiar trees and savory fruit;
Men with bodies slim and virile,
Women with eyes of astonishing candor.
Led by your odor to climates of charm,
I see a harbor full of sails and masts
Still tired by the waves of the sea,
Whilst the perfume of green tamarind-trees
Circles the air and fills my nostrils,
Meets in my soul with the song of the seamen.
— Translated by Geoffrey Wagner
poem by Charles Baudelaire
Submitted by Poetry Lover
Vote! | Copy!