Le Flacon (The Perfume Flask)
II est de forts parfums pour qui toute matière
Est poreuse. On dirait qu'ils pénètrent le verre.
En ouvrant un coffret venu de l'Orient
Dont la serrure grince et rechigne en criant,
Ou dans une maison déserte quelque armoire
Pleine de l'âcre odeur des temps, poudreuse et noire,
Parfois on trouve un vieux flacon qui se souvient,
D'où jaillit toute vive une âme qui revient.
Mille pensers dormaient, chrysalides funèbres,
Frémissant doucement dans les lourdes ténèbres,
Qui dégagent leur aile et prennent leur essor,
Teintés d'azur, glacés de rose, lamés d'or.
Voilà le souvenir enivrant qui voltige
Dans l'air troublé; les yeux se ferment; le Vertige
Saisit l'âme vaincue et la pousse à deux mains
Vers un gouffre obscurci de miasmes humains;
II la terrasse au bord d'un gouffre séculaire,
Où, Lazare odorant déchirant son suaire,
Se meut dans son réveil le cadavre spectral
D'un vieil amour ranci, charmant et sépulcral.
Ainsi, quand je serai perdu dans la mémoire
Des hommes, dans le coin d'une sinistre armoire
Quand on m'aura jeté, vieux flacon désolé,
Décrépit, poudreux, sale, abject, visqueux, fêlé,
Je serai ton cercueil, aimable pestilence!
Le témoin de ta force et de ta virulence,
Cher poison préparé par les anges! liqueur
Qui me ronge, ô la vie et la mort de mon coeur!
The Perfume Flask
There are strong perfumes for which all matter
Is porous. One would say they go through glass.
On opening a coffer that has come from the East,
Whose creaking lock resists and grates,
Or in a deserted house, some cabinet
Full of the Past's acrid odor, dusty and black,
Sometimes one finds an antique phial which remembers,
Whence gushes forth a living soul returned to life.
Many thoughts were sleeping, death-like chrysalides,
Quivering softly in the heavy shadows,
That free their wings and rise in flight,
Tinged with azure, glazed with rose, spangled with gold.
That is the bewitching souvenir which flutters
In the troubled air; the eyes close; Dizziness
Seizes the vanquished soul, pushes it with both hands
Toward a darkened abyss of human pollution:
He throws it down at the edge of an ancient abyss,
Where, like stinking Lazarus tearing wide his shroud,
There moves as it wakes up, the ghostly cadaver
Of a rancid old love, charming and sepulchral.
Thus, when I'll be lost to the memory
Of men, when I shall be tossed into the corner
Of a dismal wardrobe, a desolate old phial,
Decrepit, cracked, slimy, dirty, dusty, abject,
Delightful pestilence! I shall be your coffin,
The witness of your strength and of your virulence,
Beloved poison prepared by the angels! Liqueur
That consumes me, O the life and death of my heart!
— Translated by William Aggeler
The Flask
Perfumes there are which through all things can pass
And make all matter porous, even glass;
Old coffers from the Orient brought, whose locks
Grind sullenly when opening the box,
Or, in an empty house, some ancient chest,
Where time and dust and gloom were long compressed,
May yield a flask where memory survives,
And a soul flashes into future lives.
A thousand thoughts, funereal larvae, laid
Shuddering softly under palls of shade,
May suddenly their soaring wings unfold,
Stained azure, glazed with rose, or filmed with gold.
Intoxicating memory now flies
Into the dusk, and makes us close our eyes:
Vertigo draws the spirit which it grips
Towards some dark miasma of eclipse:
Beside an ancient pit he makes her fall,
Where Lazarus, sweet-scented, tears his pall
And wakes the spectral corpse of some now-cold,
Rancid, sepulchral love he knew of old.
So when I'm lost to human memory, thrown
In some old gloomy chest to fie alone,
A poor decrepit flask, cracked, abject, crusty
With dirt, opaque and sticky, damp and dusty,
I'll be your pall and shroud, beloved pest!
The witness of your venom, and its test,
Dear poison, angel-brewed with deadly art —
Life, death, and dear corrosion of my heart.
— Translated by Roy Campbell
The Perfume Flask
All matter becomes porous to certain scents; they pass
Through everything; it seems they even go through glass.
When opening some old trunk brought home from the far east,
That scolds, feeling the key turned and the lid released —
Some wardrobe, in a house long uninhabited,
Full of the powdery odors of moments that are dead —
At times, distinct as ever, an old flask will emit
Its perfume; and a soul comes back to live in it.
Dormant as chrysalides, a thousand thoughts that lie
In the thick shadows, pulsing imperceptibly,
Now stir, now struggle forth; now their cramped wings unfold,
Tinted with azure, lustred with rose, sheeted with gold!
Oh, memories, how you rise and soar, and hover there!
The eyes close; dizziness, in the moth-darkened air,
Seizes the drunken soul, and thrusts it toward the verge —
Where mistily all human miasmas float and merge —
Of a primeval gulf; and drops it to the ground,
There, where, like Lazarus rising, his grave-clothes half unwound,
And odorous, a cadaver from its sleep has stirred:
An old and rancid love, charming and long-interred.
Thus, when I shall be lost from sight, thus when all men
Forget me, in the dark and dusty corner then
Of that most sinister cupboard where the living pile
The dead — when, an old flask, cracked, sticky, abject, vile,
I lie at length — still, still, sweet pestilence of my heart,
As to what power thou hast, how virulent thou art,
I shall bear witness; safe shall thy dear poison be!
Thou vitriol of the gods I thou death and life of me!
— Translated by Edna St. Vincent Millay
Le Flacon
so keen some fragrances, they freely pass
all barriers. they would pierce a wall of glass.
unlatch a coffer from the Orient
whose creaking hinge will scarcely grant consent,
or cupboard in an empty house, where murk,
sharp smells and cobwebs of a century lurk,
thou'lt find perhaps a flask that holds a host
of memories, free perchance a living ghost.
crushed in the gloom a thousand keepsakes lay
like coffined larvae there, which, quivering, grey,
released at last arise on soaring wing,
rose-flushed or azure, golden, glittering,
and swirling memories mount, to thrill and tease
our closing eyes; we reel in murk, as these
grapple amain and hurl the quailing soul
down to a Pit where human odours roll
and fell it on the brink that waits for all,
where, bursting, Lazarus-like, its rotted pall,
stirs and awakes the spectral visage of
a charming, fusty, weird, forgotten love.
so when Oblivion blots my memory dim,
and in a corner of a cupboard grim
I like cast off, a sorry flask and old,
crackled and dusty, viscous, green with mould,
I'll be thy coffin, lovely pestilence!
I'll prove thy power and thy virulence,
dear poison brewed by angels! dulcet fire
I've drunk, my life, my death, my heart's desire!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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Related quotes
L'Aube spirituelle (Spiritual Dawn)
Quand chez les débauchés l'aube blanche et vermeille
Entre en société de l'Idéal rongeur,
Par l'opération d'un mystère vengeur
Dans la brute assoupie un ange se réveille.
Des Cieux Spirituels l'inaccessible azur,
Pour l'homme terrassé qui rêve encore et souffre,
S'ouvre et s'enfonce avec l'attirance du gouffre.
Ainsi, chère Déesse, Etre lucide et pur,
Sur les débris fumeux des stupides orgies
Ton souvenir plus clair, plus rose, plus charmant,
À mes yeux agrandis voltige incessamment.
Le soleil a noirci la flamme des bougies;
Ainsi, toujours vainqueur, ton fantôme est pareil,
Ame resplendissante, à l'immortel soleil!
Spiritual Dawn
When debauchees are roused by the white, rosy dawn,
Escorted by the Ideal which gnaws at their hearts
Through the action of a mysterious, vengeful law,
In the somnolent brute an Angel awakens.
The inaccessible blue of Spiritual Heavens,
For the man thrown to earth who suffers and still dreams,
Opens and yawns with the lure of the abyss.
Thus, dear Goddess, Being, lucid and pure,
Over the smoking ruins of stupid orgies,
Your memory, clearer, more rosy, more charming,
Hovers incessantly before my widened eyes.
The sunlight has darkened the flame of the candles;
Thus, ever triumphant, resplendent soul!
Your phantom is like the immortal sun!
— Translated by William Aggeler
Spiritual Dawn
When in the company of the Ideal
(That gnawing tooth) Dawn enters, white and pink,
The rooms of rakes — each sated beast can feel
An Angel waking through the fumes of drink.
For downcast Man, who dreams and suffers still,
The azure of the mystic heaven above,
With gulf-like vertigo, attracts his will.
So, Goddess, lucid Being of pure love,
Over the smoking wreck of feasts and scandals,
Your phantom, rosy and enchanting, flies
And still returns to my dilated eyes.
The sun has blackened out the flame of candles.
So your victorious phantom seems as one,
O blazing spirit, with the deathless Sun!
— Translated by Roy Campbell
L'Aube spirituelle
when to the drunkard's room the flushing East
comes with her comrade sharply-clawed, the Dream,
she wakens, by a dark avenging scheme,
an angel in the dull besotted beast.
deep vaults of inaccessible azure there,
before the dreamer sick with many a phasm,
open, abysmal as a beckoning chasm.
thus, deity, all pure clear light and air,
over the stupid orgy's reeking track
— brighter and lovelier yet, thine image flies
in fluttering rays before my widening eyes.
the sun has turned the candles' flame to black;
even so, victorious always, thou art one
— resplendent spirit! — with the eternal sun!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
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Spleen (II)
J'ai plus de souvenirs que si j'avais mille ans.
Un gros meuble à tiroirs encombré de bilans,
De vers, de billets doux, de procès, de romances,
Avec de lourds cheveux roulés dans des quittances,
Cache moins de secrets que mon triste cerveau.
C'est une pyramide, un immense caveau,
Qui contient plus de morts que la fosse commune.
— Je suis un cimetière abhorré de la lune,
Où comme des remords se traînent de longs vers
Qui s'acharnent toujours sur mes morts les plus chers.
Je suis un vieux boudoir plein de roses fanées,
Où gît tout un fouillis de modes surannées,
Où les pastels plaintifs et les pâles Boucher
Seuls, respirent l'odeur d'un flacon débouché.
Rien n'égale en longueur les boiteuses journées,
Quand sous les lourds flocons des neigeuses années
L'ennui, fruit de la morne incuriosité,
Prend les proportions de l'immortalité.
— Désormais tu n'es plus, ô matière vivante!
Qu'un granit entouré d'une vague épouvante,
Assoupi dans le fond d'un Sahara brumeux;
Un vieux sphinx ignoré du monde insoucieux,
Oublié sur la carte, et dont l'humeur farouche
Ne chante qu'aux rayons du soleil qui se couche.
---------------------------------- -------------------------------------------------
Spleen
I have more memories than if I'd lived a thousand years.
A heavy chest of drawers cluttered with balance-sheets,
Processes, love-letters, verses, ballads,
And heavy locks of hair enveloped in receipts,
Hides fewer secrets than my gloomy brain.
It is a pyramid, a vast burial vault
Which contains more corpses than potter's field.
— I am a cemetery abhorred by the moon,
In which long worms crawl like remorse
And constantly harass my dearest dead.
I am an old boudoir full of withered roses,
Where lies a whole litter of old-fashioned dresses,
Where the plaintive pastels and the pale Bouchers,
Alone, breathe in the fragrance from an opened phial.
Nothing is so long as those limping days,
When under the heavy flakes of snowy years
Ennui, the fruit of dismal apathy,
Becomes as large as immortality.
— Henceforth you are no more, O living matter!
Than a block of granite surrounded by vague terrors,
Dozing in the depths of a hazy Sahara
An old sphinx ignored by a heedless world,
Omitted from the map, whose savage nature
Sings only in the rays of a setting sun.
— Translated by William Aggeler
---------------------------------- -------------------------------------------------
Spleen
I have more memories than had I seen
Ten centuries. A huge chest that has been
Stuffed full of writs, bills, verses, balance-sheets
With golden curls wrapt up in old receipts
And love-letters — hides less than my sad brain,
A pyramid, a vault that must contain
More corpses than the public charnel stores.
I am a cemetery the moon abhors,
Where, like remorses, the long worms that trail
Always the dearest of my dead assail.
I am a boudoir full of faded roses
Where many an old outmoded dress reposes
And faded pastels and pale Bouchers only
Breathe a scent-flask, long-opened and left lonely...
Nothing can match those limping days for length
Where under snows of years, grown vast in strength,
Boredom (of listlessness the pale abortion)
Of immortality takes the proportion!
— From henceforth, living matter, you are nought
But stone surrounded by a dreadful thought:
Lost in some dim Sahara, an old Sphinx,
Of whom the world we live in never thinks.
Lost on the map, it is its surly way
Only to sing in sunset's fading ray.
— Translated by Roy Campbell
--------------------------------- ------------------------------------------------- -
Spleen
Were I ten centuries old, could I remember more?
A weighty chest of drawers, crammed with a random store
Of poems, billets-doux, writs, songs, balance sheets,
And heavy skeins of hair rolled up in old receipts,
Hides fewer secrets, surely, than my sorry brain,
A pyramid and vault, whose corridors contain
More corpses than the potter's field, or late or soon.
A graveyard, I, abominated by the moon,
Where, like a viscous worm, remorse thrusts out his head
To strike forever at my most beloved dead.
I am an ancient boudoir filled with faded roses
In which a ruck of long-outmoded gowns reposes,
Where pastels all too sad and Bouchers all too pale
Alone breathe in the scents that uncorked flasks exhale.
Nothing can be so long as days, limping and drear,
Under the heavy flakes of year on snowy year,
When ennui, fruit of dismal incuriosity,
Assumes the fearful scope of immortality.
— Henceforth you are no more, O mind, O living matter!
Than a cold granite block which unknown terrors spatter,
Dozing deep in the wastes of a Saharan daze,
An ancient Sphinx unknown of our indifferent days,
Omitted from all maps, a lonely savage one
Who can sing only at the setting of the sun.
— Translated by Jacques LeClercq
--------------------------------- ------------------------------------------------- -
The Sphinx
I swear to you that if I lived a thousand years
I could not be more crammed with dubious souvenirs.
There's no old chest of drawers bulging with deeds and bills,
Love-letters, locks of hair, novels, bad verses, wills,
That hides so many secrets as my wretched head; —
It's like a mausoleum, like a pyramid,
Holding more heaped unpleasant bones than Potter's Field;
I am a graveyard hated by the moon; revealed
Never by her blue light are those long worms that force
Into my dearest dead their blunt snouts of remorse.
— am an old boudoir, where roses dried and brown
Have given their dusty odor to the faded gown,
To the ridiculous hat, doubtless in other days
So fine, among the wan pastels and pale Bouchers.
Time has gone lame, and limps; and under a thick pall
Of snow the endless years efface and muffle all;
Till boredom, fruit of the mind's inert, incurious tree,
Assumes the shape and size of immortality.
Henceforth, O living matter, you are nothing more
Than the fixed heart of chaos, soft horror's granite core,
Than a forgotten Sphinx that in some desert stands,
Drowsing beneath the heat, half-hidden by the sands,
Unmarked on any map, — whose rude and sullen frown
Lights up a moment only when the sun goes down.
— Translated by Edna St. Vincent Millay
----------------------------------- ------------------------------------------------
Spleen
I hold more memories than a thousand years.
a chest of drawers crammed full of souvenirs,
accounts and love-notes, warrants, verses — where
from bills of sale fall coiling locks of hair —
guards not more secrets than my heart of woe,
a burial-vault whose coffins lie arow,
a potters' field that death has filled too soon.
— I am a graveyard hated by the moon,
where creeping worms trail slowly as remorse,
fiercely destroyed each belovèd corpse.
I am a room where faded roses lie
and gowns of perished fashions multiply,
with none but ladies in pastel to share
the musk from some old jar forgotten there.
no days so lame as all the days I know
while, crushed by years of ever-falling snow,
boredom, dull fruitage of my apathy,
waxes as vast as immortality.
henceforth, o living cells, ye sleep, a womb
faint shudders pierce, a cold grey cliff of doom
lost in a misty desert far away,
— a drowsy sphynx, forgot by all today,
uncharted avatar, whose tameless heart
sounds only when the day's last fires depart.
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
Submitted by Poetry Lover
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Le Balcon (The Balcony)
Le Balcon
Mère des souvenirs, maîtresse des maîtresses,
Ô toi, tous mes plaisirs! ô toi, tous mes devoirs!
Tu te rappelleras la beauté des caresses,
La douceur du foyer et le charme des soirs,
Mère des souvenirs, maîtresse des maîtresses!
Les soirs illuminés par l'ardeur du charbon,
Et les soirs au balcon, voilés de vapeurs roses.
Que ton sein m'était doux! que ton coeur m'était bon!
Nous avons dit souvent d'impérissables choses
Les soirs illumines par l'ardeur du charbon.
Que les soleils sont beaux dans les chaudes soirées!
Que l'espace est profond! que le coeur est puissant!
En me penchant vers toi, reine des adorées,
Je croyais respirer le parfum de ton sang.
Que les soleils sont beaux dans les chaudes soirées!
La nuit s'épaississait ainsi qu'une cloison,
Et mes yeux dans le noir devinaient tes prunelles,
Et je buvais ton souffle, ô douceur! ô poison!
Et tes pieds s'endormaient dans mes mains fraternelles.
La nuit s'épaississait ainsi qu'une cloison.
Je sais l'art d'évoquer les minutes heureuses,
Et revis mon passé blotti dans tes genoux.
Car à quoi bon chercher tes beautés langoureuses
Ailleurs qu'en ton cher corps et qu'en ton coeur si doux?
Je sais l'art d'évoquer les minutes heureuses!
Ces serments, ces parfums, ces baisers infinis,
Renaîtront-ils d'un gouffre interdit à nos sondes,
Comme montent au ciel les soleils rajeunis
Après s'être lavés au fond des mers profondes?
— Ô serments! ô parfums! ô baisers infinis!
The Balcony
Mother of memories, mistress of mistresses,
O you, all my pleasure, O you, all my duty!
You'll remember the sweetness of our caresses,
The peace of the fireside, the charm of the evenings.
Mother of memories, mistress of mistresses!
The evenings lighted by the glow of the coals,
The evenings on the balcony, veiled with rose mist;
How soft your breast was to me! how kind was your heart!
We often said imperishable things,
The evenings lighted by the glow of the coals.
How splendid the sunsets are on warm evenings!
How deep space is! how potent is the heart!
In bending over you, queen of adored women,
I thought I breathed the perfume in your blood.
How splendid the sunsets are on warm evenings!
The night was growing dense like an encircling wall,
My eyes in the darkness felt the fire of your gaze
And I drank in your breath, O sweetness, O poison!
And your feet nestled soft in my brotherly hands.
The night was growing dense like an encircling wall.
I know the art of evoking happy moments,
And live again our past, my head laid on your knees,
For what's the good of seeking your languid beauty
Elsewhere than in your dear body and gentle heart?
I know the art of evoking happy moments.
Those vows, those perfumes, those infinite kisses,
Will they be reborn from a gulf we may not sound,
As rejuvenated suns rise in the heavens
After being bathed in the depths of deep seas?
— O vows! O perfumes! O infinite kisses!
— Translated by William Aggeler
The Balcony
Mother of memories, queen of paramours,
Yourself are all my pleasure, all my duty;
You will recall caresses that were yours
And fireside evenings in their warmth and beauty.
Mother of memories, queen of paramours.
On eves illumined by the light of coal,
The balcony beneath a rose-veiled sky,
Your breast how soft! Your heart how good and whole!
We spoke eternal things that cannot die —
On eves illumined by the light of coal!
How splendid sets the sun of a warm evening!
How deep is space! the heart how full of power!
When, queen of the adored, towards you leaning,
I breathed the perfume of your blood in flower.
How splendid sets the sun of a warm evening!
The evening like an alcove seemed to thicken,
And as my eyes astrologised your own,
Drinking your breath, I felt sweet poisons quicken,
And in my hands your feet slept still as stone.
The evening like an alcove seemed to thicken.
I know how to resuscitate dead minutes.
I see my past, its face hid in your knees.
How can I seek your languorous charm save in its
Own source, your heart and body formed to please.
I know how to resuscitate dead minutes.
These vows, these perfumes, and these countless kisses,
Reborn from gulfs that we could never sound,
Will they, like suns, once bathed in those abysses,
Rejuvenated from the deep, rebound —
These vows, these perfumes, and these countless kisses?
— Translated by Roy Campbell
The Balcony
Inspirer of my youth, mistress beyond compare,
You who were all my pleasures, all my hopes and dreams!
Do you recall our cheerful room — our evenings there,
Quiet and passionate? Like yesterday, it seems,
Inspirer of my youth, mistress beyond compare!
The evenings lighted by the hushed flame of the coal,
The warm rose-misted twilights in the early springs,
The balcony! How I adored you, body and soul!
And, darling, we have said imperishable things
The evenings lighted by the hushed flame of the coal.
How splendid were the long slow summer sunsets, too!
How large the world appeared to us! How strong and good
Life ran then in our veins! When I leaned close to you
I thought that I could breathe the perfume of your blood.
How splendid were the long slow summer sunsets, too!
The night would close around us like a dim blue wall,
And your eyes flashed within the darkness, and the sweet
Drug of your breath came over me. Do you recall
How I would love to lie for hours holding your feet?
The night would close around us like a dim blue wall.
I can relive the ecstasy that Time has slain;
At moments I can feel myself between your thighs.
What use to hope for anything like that again
With someone else? What use to seek in any wise?
I can relive the ecstasy that Time has slain.
Those cries, those long embraces, that remembered scent:
Can they be lost for ever? Will they not come round
Like stars, like suns, to blaze upon the firmament
Of future worlds, from the abyss we cannot sound?
— O cries! O long embraces! O remembered scent!
— Translated by George Dillon
The Balcony
Mistress of mistresses, mother of memories,
O you my every pleasure, you my every duty!
You shall recall our blandishments and ecstasies,
The warm peace of our hearth, the evening's placid beauty.
Mistress of mistresses, mother of memories!
Evenings illumined by the glow of coals afire
Or on the balcony, veiled in a rosy mist.
How soft your breast, how kind your heart to my desire!
We said imperishable things the while we kissed,
Evenings illumined by the glow of coals afire.
How glorious the sunset on warm summer nights!
How deep space is! the human heart how competent!
As I bent over you, queen of my soul's delight,
I thought I breathed your blood with its suave acrid scent.
How glorious the sunset on warm summer nights!
The night grew dense, forming a wall to compass us,
Across the dark your eyes bound mine with golden bands,
I drank your breath in deep, O sweet, O poisonous!
Your slender feet slept softly in my gentle hands.
The night grew dense, forming a wall to compass us.
The resurrection of glad moments is an art
I know: I live anew, my head pressed to your knees,
For where, if not in your loved flesh and tender heart,
Can I seek out the wonder of your languidness?
The resurrection of glad moments is an art.
These vows, these fragrant scents, these kisses without end,
Shall they be born again out of infinity?
As suns rejuvenated in the skies ascend,
Having been laved in the unfathomable sea?
— O vows! O fragrant scents! — O kisses without end!
— Translated by Jacques LeClercq
Le Balcon
mother of memories, mistress of mistresses
— thou, all my pleasure, thou, my fealties all!
thou shalt recall each kiss how soft it is,
how warm our hearth, the night how magical,
mother of memories, mistress of mistresses!
long hours illumined by the glowing fire
long balcony-hours veiled with misty rose;
soft pillowing breast! heart warm to my desire!
and all the imperishable things we whispered, those
long hours illumined by the glowing fire
how softly shone the golden, shimmering sun!
how deep the skyey space! how rich love's power!
for bending toward thee, most belovèd one,
I seemed to breathe thy pulses like a flower.
how softly shone the golden, shimmering sun!
Night with her thickening wall imprisoned us,
eyes groped for widening eyes the black withheld,
I drank thy breath, o sweet, o poisonous!
thy feet slept in my hands fraternal held;
Night with her thickening wall imprisoned us.
my magic art evoked a rapture perished,
for in thy clasp I saw my youth afresh,
could others yield the languorous charm I cherished,
thy gentle heart, thy dear and lovely flesh?
my magic art evoked a rapture perished!
but — vows and fragrance, infinite desire —
shall they arise from gulfs too deep to plumb,
as morn by morn new suns of rosier fire
mount, laved in some dark sea Elysium?
o vows! o fragrance! infinite desire!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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A Dialogue
THE FAITHLESS LOVER.
O life, dear Life, in this fair house
Long since did I, it seems to me,
In some mysterious, doleful way
Fall out of love with thee.
For, Life, thou art become a ghost,
A memory of days gone by;
A poor forsaken thing between
A heartache and a sigh.
And now, with shadows from the hills
Thronging the twilight, wraith on wraith,
Unlock the door and let me go
To thy dark rival Death!
THE FAITHFUL LOVE.
O Heart, dear Heart, in this fair house
Why hast thou wearied and grown tired,
Between a morning and a night,
Of all thy soul desired?
Fond one, who cannot understand
Even these shadows on the floor,
Yet must be dreaming of dark loves
And joys beyond my door!
But I am beautiful past all
The timid tumult of thy mood,
And thou, returning not, must still
Be mine in solitude.
poem by Bliss Carman (1894)
Submitted by Veronica Serbanoiu
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Le Poison (The Poison)
Le vin sait revêtir le plus sordide bouge
D'un luxe miraculeux,
Et fait surgir plus d'un portique fabuleux
Dans l'or de sa vapeur rouge,
Comme un soleil couchant dans un ciel nébuleux.
L'opium agrandit ce qui n'a pas de bornes,
Allonge l'illimité,
Approfondit le temps, creuse la volupté,
Et de plaisirs noirs et mornes
Remplit l'âme au delà de sa capacité.
Tout cela ne vaut pas le poison qui découle
De tes yeux, de tes yeux verts,
Lacs où mon âme tremble et se voit à l'envers...
Mes songes viennent en foule
Pour se désaltérer à ces gouffres amers.
Tout cela ne vaut pas le terrible prodige
De ta salive qui mord,
Qui plonge dans l'oubli mon âme sans remords,
Et charriant le vertige,
La roule défaillante aux rives de la mort!
Poison
Wine knows how to adorn the most sordid hovel
With marvelous luxury
And make more than one fabulous portal appear
In the gold of its red mist
Like a sun setting in a cloudy sky.
Opium magnifies that which is limitless,
Lengthens the unlimited,
Makes time deeper, hollows out voluptuousness,
And with dark, gloomy pleasures
Fills the soul beyond its capacity.
All that is not equal to the poison which flows
From your eyes, from your green eyes,
Lakes where my soul trembles and sees its evil side...
My dreams come in multitude
To slake their thirst in those bitter gulfs.
All that is not equal to the awful wonder
Of your biting saliva,
Charged with madness, that plunges my remorseless soul
Into oblivion
And rolls it in a swoon to the shores of death.
— Translated by William Aggeler
Poisons
Wine can conceal a sordid room
In rich, miraculous disguise,
And make such porticoes arise
Out of its flushed and crimson fume
As makes the sunset in the skies.
Opium the infinite enlarges,
And lengthens all that is past measure.
It deepens time, and digs its treasure,
With sad, black raptures it o'ercharges
The soul, and surfeits it with pleasure.
Neither are worth the drug so strong
That you distil from your green eyes,
Lakes where I see my soul capsize
Head downwards: and where, in one throng,
I slake my dreams, and quench my sighs.
But to your spittle these seem naught —
It stings and burns. It steeps my thought
And spirit in oblivious gloom,
And, in its dizzy onrush caught,
Dashes it on the shores of doom.
— Translated by Roy Campbell
Le Poison
wine clothes the sordid walls of hovels old
with pomp no palace knows,
evokes long peristyles in pillared rows
from vaporous red and gold;
like sunset with her cloud-built porticoes.
and opium widens all that has no bourn
in its unbounded sea;
moments grow hours, pleasures cease to be
in souls that, overworn,
drown in its black abyss of lethargy.
dread poisons, but more dread the poisoned well
of thy green eyes accurst;
tarns where I watch my trembling soul, reversed
my dreams innumerable
throng to those bitter gulfs to slake their thirst.
dread magic, but thy mouth more dread than these:
its wine and hellebore
burn, floods of Lethe, in my bosom's core,
till winds of madness seize
and dash me swooning on Death's barren shore!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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Semper Eadem (Ever The Same)
«D'où vous vient, disiez-vous, cette tristesse étrange,
Montant comme la mer sur le roc noir et nu?»
— Quand notre coeur a fait une fois sa vendange
Vivre est un mal. C'est un secret de tous connu,
Une douleur très simple et non mystérieuse
Et, comme votre joie, éclatante pour tous.
Cessez donc de chercher, ô belle curieuse!
Et, bien que votre voix soit douce, taisez-vous!
Taisez-vous, ignorante! âme toujours ravie!
Bouche au rire enfantin! Plus encor que la Vie,
La Mort nous tient souvent par des liens subtils.
Laissez, laissez mon coeur s'enivrer d'un mensonge,
Plonger dans vos beaux yeux comme dans un beau songe
Et sommeiller longtemps à l'ombre de vos cils!
Ever the Same
-'Whence comes to you, you asked, this singular sadness
That rises like the sea on the naked, black rock?'
— Once our heart has gathered the grapes from its vineyard,
Living is an evil. That's a secret known to all,
A simple pain, with no mystery,
As obvious to all men as your gaiety.
So abandon your search, inquisitive beauty;
And though your voice is sweet, be still!
Be silent, ignorant! ever enraptured soul!
Mouth with the child-like laugh! Still more than Life,
Death holds us frequently with subtle bonds.
Let, let my heart become drunk with a lie; let it
Plunge into your fair eyes as into a fair dream
And slumber long in the shadow of your lashes.
— Translated by William Aggeler
Semper Eadem
'Whence,' ask you, 'does this strange new sadness flow
Like rising tides on rocks, black, bare, and vast?'
For human hearts, when vintage-time is past,
To live is bad. That secret all men know —
An obvious sorrow, with no mystery, shown,
Clear as your joy, to everyone around.
O curious one, seek nothing more profound,
And speak not, though your voice be sweet in tone.
Hush, ignorant! Hush, soul that's still enraptured,
And mouth of childish laughter! Neatly captured,
Death pulls us, more than life, with subtle wile.
Oh let my thought get drunk upon a lie,
And plunge, as in a dream, in either eye,
And in their lashes' shadow sleep awhile!
— Translated by Roy Campbell
Semper Eadem
'What in the world,' you said, 'has brought on this black mood,
Climbing you as the sea climbs up a naked reef?'
— When once the heart has made its harvest (understood
By all men, this) why, just to be alive is grief:
A pain quite simple, nothing mysterious at all,
And like that joy of yours, patent to all we meet;
Stop asking questions, then, I beg of you, and fall
Silent a while, fair prober, though your voice be sweet.
Ah, yes, be silent, ignorant girl, always so gay,
Mouth with the childlike laughter! More than Life, I say,
Death has the power to hold us by most subtle ties.
My one fictitious comfort, kindly, let me keep:
To plunge as into dreams into your lovely eyes,
And in the shadow of your lashes fall asleep.
— Translated by Edna St. Vincent Millay
Semper eadam
you asked: 'what floods of gloom engulf you — strange
as creeping tides against a bare black wall?'
— when hearts once crush their grapes and close the grange,
life is an evil. secret known to all,
'tis but the common grief each man betrays
to all, as you your joy, in eyes or brow
so veil, my fair one, your inquiring gaze
and though your voice is low, be silent now!
be silent, simple soul! mouth always gay
with girlish laughter! more than Life, today,
Death binds our hearts with tenuous webs of doom;
let mine be drunken with the wine of lies,
o let me delve for dreams in those deep eyes
and slumber long beneath your eyebrows' gloom!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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Puisque j'ai mis ma lèvre (Since I Have Placed My Lip)
Puisque j'ai mis ma lèvre à ta coupe encor pleine;
Puisque j'ai dans tes mains posé mon front pâli;
Puisque j'ai respiré parfois la douce haleine
De ton âme, parfum dans l'ombre enseveli;
Puisqu'il me fut donné de t'entendre me dire
Les mots où se répand le coeur mystérieux;
Puisque j'ai vu pleurer, puisque j' ai vu sourire
Ta bouche sur ma bouche et tes yeux sur mes yeux;
Puisque j'ai vu briller sur ma tête ravie
Un rayon de ton astre, hélas! voilé toujours;
Puisque j'ai vu tomber dans l'onde de ma vie
Une feuille de rose arrachée à tes jours;
Je puis maintenant dire aux rapides années:
- Passez! passez toujours! je n'ai plus à vieillir!
Allez-vous-en avec vos fleurs toutes fanées;
J'ai dans l'âme une fleur que nul ne peut cueillir!
Votre aile en le heurtant ne fera rien répandre
Du vase où je m'abreuve et que j'ai bien rempli.
Mon âme a plus de feu que vous n'avez de cendre!
Mon coeur a plus d'amour que vous n'avez d'oubli!
From Thy Sweet Lips
Since from thy star one cheering ray
My heaven hath lighted with its beam—
Since one bright rose leaf from thy day
Hath fallen on my life's dark steam—
And o'er my spirit, like a spell,
Thy voice hath poured its gentle ruth;
And I have drank of love's charmed well,
From thy sweet lips, perpetual youth—
I say, as these swift years depart,
Haste, with your faded garlands by—
There blooms a flower within my heart
That none may gather—ne'er may die!
Ye may not dash the cup of soul
That I now quaff to sweet excess—
There lies more memory in the bowl,
Than time hath of forgetfulness!
Translated by Mary E. Hewitt
Since I Have Placed My Lip
Since I have placed my lip
To your still brimming cup,
Since my pale brow has leaned
Into your sheltering hand,
Since I at times have caught
The hidden fragrance of your heart—
Since I have heard you say
Words of love's mystery,
Since I have known your kiss
Smile upon mine and press
Against my own and seen
Your eyes in tears mirroring mine—
Since one ray from your star
So often veiled too far
From me has shone across
The gap that severs us,
Since you have let me seize
One rose-leaf of your sweeter days—
I can tell the swift years,
'Pass by. Pass with your cares.
I will not age. Take all
Your withered flowers that fall
And go. Within my soul
There is a flower none can steal.
Let time's wing brush the jar
I've filled to the brim nor
Spill one drop. I've more flame
In my heart now than time
Has ash and I possess
More love than time forgetfulness.'
Translated by Harry Guest
poem by Victor Hugo
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La Cloche fêlée (The Cracked Bell)
II est amer et doux, pendant les nuits d'hiver,
D'écouter, près du feu qui palpite et qui fume,
Les souvenirs lointains lentement s'élever
Au bruit des carillons qui chantent dans la brume.
Bienheureuse la cloche au gosier vigoureux
Qui, malgré sa vieillesse, alerte et bien portante,
Jette fidèlement son cri religieux,
Ainsi qu'un vieux soldat qui veille sous la tente!
Moi, mon âme est fêlée, et lorsqu'en ses ennuis
Elle veut de ses chants peupler l'air froid des nuits,
II arrive souvent que sa voix affaiblie
Semble le râle épais d'un blessé qu'on oublie
Au bord d'un lac de sang, sous un grand tas de morts
Et qui meurt, sans bouger, dans d'immenses efforts.
The Flawed Bell
It is bitter and sweet on winter nights
To listen by the fire that smokes and palpitates,
To distant souvenirs that rise up slowly
At the sound of the chimes that sing in the fog.
Happy is the bell which in spite of age
Is vigilant and healthy, and with lusty throat
Faithfully sounds its religious call,
Like an old soldier watching from his tent!
I, my soul is flawed, and when, a prey to ennui,
She wishes to fill the cold night air with her songs,
It often happens that her weakened voice
Resembles the death rattle of a wounded man,
Forgotten beneath a heap of dead, by a lake of blood,
Who dies without moving, striving desperately.
— Translated by William Aggeler
The Cracked Bell
It's sweet and bitter, of a winter night,
To hear, beside the crackling, smoking log,
Far memories prepare themselves for flight
To carillons that sound amid the fog.
Happy's the bell whose vigorous throat on high,
in spite of time, is sound and still unspent,
To hurl his faithful and religious cry
Like an old soldier watching in his tent.
My soul is cracked, and when amidst its care
It tries with song to fill the frosty air,
Sometimes, its voice seems like the feeble croak
A wounded soldier makes, lost in the smoke,
Beneath a pile of dead, in bloody mire,
Trying, with fearful efforts, to expire.
— Translated by Roy Campbell
The Cracked Bell
Bitter and sweet it is on these long winter nights
To sit before the fire and watch the smoking log
Beat like a heart; and hear our lost, our mute delights
Call with the carillons that ring out in the fog.
What certitude, what health, sounds from that brazen throat,
In spite of age and rust, alert! O happy bell,
Sending into the dark your clear religious note,
Like an old soldier crying through the night, 'All's well!'
I am not thus; my soul is cracked across by care;
Its voice, that once could clang upon this icy air,
Has lost the power, it seems, — comes faintly forth, instead,
As from the rattling throat of a hurt man who lies
Beside a lake of blood, under a heap of dead,
And cannot stir, and in prodigious struggling dies.
— Translated by Edna St. Vincent Millay
La Cloche fêlée
'tis bitter joy, as winter evenings wear
before a smoking hearth which flames aghast,
to hear slow memories mounting from the past,
while church-bells pierce the pall of misty air.
blessèd the flawless bell, of metal rare,
the full-toned bourdon, void of rift and rust,
which like a guardsman faithful to his trust
hurls forth unfailingly its call to prayer!
my soul's a riven bell, that timidly
would fill the frozen night with melody,
but oft it falters, whisperingly weak
as, echoing over lakes of blood, a shriek
muffled by mounds of dead, from one who lies
moveless as they, though struggling till he dies.
— Translated by Lewis Piaget Shanks
The Cracked Bell
It is bitter and sweet, during winter nights,
To listen, beside the throbbing, smoking fife,
To distant memories slowly ascending
In the sound of the chimes chanting through the fog.
Blessed the bell with the vigorous gullet
Which, despite old age, watchful and healthy,
Throws out faithfully its pious tones,
Like an old soldier in vigil under his tent!
Ah, my soul is cracked, and when in sorrows
It wishes to people the cold air of the night with its songs,
Often it happens that its feeble voice
Seems like the thick death-rattle of one wounded, forgotten
By the side of a lake of blood, under a great weight of dead,
Who dies, without moving, amongst enormous efforts.
— Translated by Geoffrey Wagner
poem by Charles Baudelaire
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S'il était vrai
S'il était vrai
Qu'une fleur des jardins ou qu'un arbre des prés
Pût conserver quelque mémoire
Des amants d'autrefois qui les ont admirés
Dans leur fraîcheur ou dans leur gloire
Notre amour s'en viendrait
En cette heure du long regret
Confier à la rose ou dresser dans le chêne
Sa douceur ou sa force avant la mort prochaine.
Il survivrait ainsi,
Vainqueur du funèbre souci,
Dans la tranquille apothéose
Que lui feraient les simples choses ;
Il jouirait encor de la pure clarté,
Qu'incline sur la vie une aurore d'été,
Et de la douce pluie aux feuilles suspendue.
Et si, par un beau soir, du fond de l'étendue
S'en venait quelque couple en se tenant les mains
Le chêne allongerait jusque sur leur chemin
Son ombre large et puissante, telle qu'une aile,
Et la rose leur enverrait son parfum frêle.
poem by Emile Verhaeren
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Burial of the Dead
I thought to meet no more, so dreary seem'd
Death's interposing veil, and thou so pure,
Thy place in Paradise
Beyond where I could soar;
Friend of this worthless heart! but happier thoughts
Spring like unbidden violets from the sod,
Where patiently thou tak'st
Thy sweet and sure repose.
The shadows fall more soothing: the soft air
Is full of cheering whispers like thine own;
While Memory, by thy grave,
Lives o'er thy funeral day;
The deep knell dying down, the mourners' pause,
Waiting their Saviour's welcome at the gate.—
Sure with the words of Heaven
Thy spirit met us there,
And sought with us along th' accustom'd way
The hallow'd porch, and entering in, beheld
The pageant of sad joy
So dear to Faith and Hope.
O! hadst thou brought a strain from Paradise
To cheer us, happy soul, thou hadst not touch'd
The sacred springs of grief
More tenderly and true,
Than those deep-warbled anthems, high and low,
Low as the grave, high as th' Eternal Throne,
Guiding through light and gloom
Our mourning fancies wild,
Till gently, like soft golden clouds at eve
Around the western twilight, all subside
Into a placid faith,
That even with beaming eye
Counts thy sad honours, coffin, bier, and pall;
So many relics of a frail love lost,
So many tokens dear
Of endless love begun.
Listen! it is no dream: th' Apostles' trump
Gives earnest of th' Archangel's;—calmly now,
Our hearts yet beating high
To that victorious lay
(Most like a warrior's, to the martial dirge
Of a true comrade), in the grave we trust
Our treasure for awhile:
And if a tear steal down,
If human anguish o'er the shaded brow
Pass shuddering, when the handful of pure earth
Touches the coffin-lid;
If at our brother's name,
Once and again the thought, 'for ever gone,'
Come o'er us like a cloud; yet, gentle spright,
Thou turnest not away,
Thou know'st us calm at heart.
One look, and we have seen our last of thee,
Till we too sleep and our long sleep be o'er.
O cleanse us, ere we view
That countenance pure again,
Thou, who canst change the heart, and raise the dead!
As Thou art by to soothe our parting hour,
Be ready when we meet,
With Thy dear pardoning words.
poem by John Keble
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L'Homme Et La Mer (Man And The Sea)
Homme libre, toujours tu chériras la mer!
La mer est ton miroir; tu contemples ton âme
Dans le déroulement infini de sa lame,
Et ton esprit n'est pas un gouffre moins amer.
Tu te plais à plonger au sein de ton image;
Tu l'embrasses des yeux et des bras, et ton coeur
Se distrait quelquefois de sa propre rumeur
Au bruit de cette plainte indomptable et sauvage.
Vous êtes tous les deux ténébreux et discrets:
Homme, nul n'a sondé le fond de tes abîmes;
Ô mer, nul ne connaît tes richesses intimes,
Tant vous êtes jaloux de garder vos secrets!
Et cependant voilà des siècles innombrables
Que vous vous combattez sans pitié ni remords,
Tellement vous aimez le carnage et la mort,
Ô lutteurs éternels, ô frères implacables!
Man and the Sea
Free man, you will always cherish the sea!
The sea is your mirror; you contemplate your soul
In the infinite unrolling of its billows;
Your mind is an abyss that is no less bitter.
You like to plunge into the bosom of your image;
You embrace it with eyes and arms, and your heart
Is distracted at times from its own clamoring
By the sound of this plaint, wild and untamable.
Both of you are gloomy and reticent:
Man, no one has sounded the depths of your being;
O Sea, no person knows your most hidden riches,
So zealously do you keep your secrets!
Yet for countless ages you have fought each other
Without pity, without remorse,
So fiercely do you love carnage and death,
O eternal fighters, implacable brothers!
— Translated by William Aggeler
Man and the Sea
Free man, you'll always love the sea — for this,
That it's a mirror, where you see your soul
In its eternal waves that chafe and roll;
Nor is your soul less bitter an abyss.
in your reflected image there to merge,
You love to dive, its eyes and limbs to match.
Sometimes your heart forgets its own, to catch
The rhythm of that wild and tameless dirge.
The two of you are shadowy, deep, and wide.
Man! None has ever plummeted your floor —
Sea! None has ever known what wealth you store —
Both are so jealous of the things you hide!
Yet age on age is ended, or begins,
While you without remorse or pity fight.
So much in death and carnage you delight,
Eternal wrestlers! Unrelenting twins!
— Translated by Roy Campbell
Man and the Sea
Free man, you shall forever cherish the vast sea,
The sea, that image where you contemplate your soul
As everlastingly its mighty waves unroll.
Your mind a yawning gulf seasoned as bitterly.
You love to plunge into your image to the core,
Embracing it with eyes and arms; your very heart
Sometimes finds a distraction from its urgent smart
In the wild sea's untamable and plaintive roar.
Both of you live in darkness and in mystery:
Man, who has ever plumbed the far depths of your being?
O Sea, who knows your private hidden riches, seeing
How strange the secrets you preserve so jealously?
And yet for countless ages you have fought each other
With hands unsparing and with unforbearing breath,
Each an eternal foe to his relentless brother,
So avid are you both of slaughter and of death.
— Translated by Jacques LeClercq
L'Homme et le Mer
love Ocean always, Man: ye both are free!
the Sea, thy mirror: thou canst find thy soul
in the unfurling billows' surging roll,
they mind's abyss is bitter as the sea.
thou doest rejoice thy mirrored face to pierce,
plunging, and clasp with eyes and arms; thy heart
at its own mutter oft forgets to start,
lulled by that plaint indomitably fierce.
discreet ye both are; both are taciturn:
Man, none has measured all thy dark abyss,
none, Sea, knows where thy hoarded treasure is,
so jealously your secrets ye inurn!
and yet for countless ages, trucelessly,
— o ruthless warriors! — ye have fought and striven:
brothers by lust for death and carnage driven,
twin wrestlers, gripped for all eternity!
— Translated by Lewis Piaget Shanks
poem by Charles Baudelaire
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Memory Will Endure (Revised)
‘Cent Mille Chansons’ stirs memory, beautiful
voice, melody of such bitter-sweet nostalgia, a
whispering spirit crying in the cupboard: no drag
worm relates stories of new knights and dragons
Just dream sustained characters who take their
bows, spirits bolstered by lyrics of this song, there
always will be a hundred thousand loves – and
castles and stars to remain untouched by us
One hundred thousand horizons of love, we shall
add new another romance as we join a hundred
thousand lovers in the blue sphere of earth; the
world will never need to know –
but memory endures a hundred thousand years
in my sensitive soul
[ORIGINAL: ]
Listening to Cent Mille Chansons stirred a memory:
a beautiful voice, a melody conveying such bitter-
sweet nostalgia - the whispering spirit in the cup-
board crying: there is no dragworm to tell me a
new story of knights and dragons
Just dreams sustain as my characters take their bows,
the spirit bolstered by the lyrics of this song, there
always will be a hundred thousand loves; castles
and stars will remain untouched by us in this
ocean of love, there will always be
A hundred thousand horizons, we shall add another
romance as we join a hundred thousand lovers in
the blue sphere of the earth; the world will never
know - but the memory will endure a hundred
thousand years in my sensitive soul...
1.Lyrics “Cent Mille Chansons” Frida Boccara
Il y aura cent mille chansons
Quand viendra le temps des cent mille saisons
Cent mille amoureux
Pareils à nous deux
Dans le lit tout bleu de la terre
Cent mille chansons rien qu'à nous
Cent mille horizons devant nous
Partagés de bonheur
Tout étalé de nos cœurs
Et des châteaux insensés
Et des bateaux étoilés
Et des étoiles oubliées
Et tes yeux et mes yeux
Dans un océan d'amour
Il y aura cent mille chansons
Quand viendra le temps des cent mille saisons
Cent mille maisons
Gravées à ton nom
Parmi les moissons de la terre
Cent mille chansons rien qu'à nous
Cent mille horizons devant nous
Partagés de bonheur
Tout étalé de nos cœurs
Et des pays reconnus
Et des forêts éperdues
Et des chagrins défendus
Et tes yeux et mes yeux
Dans un océan d'amour
poem by Margaret Alice Second
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Le Possédé (The Possessed)
Le soleil s'est couvert d'un crêpe. Comme lui,
Ô Lune de ma vie! emmitoufle-toi d'ombre
Dors ou fume à ton gré; sois muette, sois sombre,
Et plonge tout entière au gouffre de l'Ennui;
Je t'aime ainsi! Pourtant, si tu veux aujourd'hui,
Comme un astre éclipsé qui sort de la pénombre,
Te pavaner aux lieux que la Folie encombre
C'est bien! Charmant poignard, jaillis de ton étui!
Allume ta prunelle à la flamme des lustres!
Allume le désir dans les regards des rustres!
Tout de toi m'est plaisir, morbide ou pétulant;
Sois ce que tu voudras, nuit noire, rouge aurore;
II n'est pas une fibre en tout mon corps tremblant
Qui ne crie: Ô mon cher Belzébuth, je t'adore!
The One Possessed
The sun was covered with a crape. Like him,
Moon of my life! swathe yourself with darkness;
Sleep or smoke as you will; be silent, be somber,
And plunge your whole being into Ennui's abyss;
I love you thus! However, if today you wish,
Like an eclipsed star that leaves the half-light,
To strut in the places which Madness encumbers,
That is fine! Charming poniard spring out of your sheath!
Light your eyes at the flame of the lusters!
Kindle passion in the glances of churls!
To me you're all pleasure, morbid or petulant;
Be what you will, black night, red dawn;
There is no fiber in my whole trembling body
That does not cry: 'Dear Beelzebub, I adore you!'
— Translated by William Aggeler
The Possessed
The sun in crepe has muffled up his fire.
Moon of my life! Half shade yourself like him.
Slumber or smoke. Be silent and be dim,
And in the gulf of boredom plunge entire;
I love you thus! However, if you like,
Like some bright star from its eclipse emerging,
To flaunt with Folly where the crowds are surging —
Flash, lovely dagger, from your sheath and strike!
Light up your eyes from chandeliers of glass!
Light up the lustful looks of louts that pass!
Morbid or petulant, I thrill before you.
Be what you will, black night or crimson dawn;
No fibre of my body tautly-drawn,
But cries: 'Beloved demon, I adore you!'
— Translated by Roy Campbell
The Possessed
The sun in crepe has muffled up his fire.
Moon of my life! Half shade yourself like him.
Slumber or smoke. Be silent and be dim,
And in the gulf of ennui plunge entire;
I love you thus! However, if you like,
Like some bright star from its eclipse emerging,
To flaunt with Folly where the crowds are surging -
Flash, lovely dagger, from your sheath and strike!
Light up your eyes from chandeliers of glass!
Light up the lustful looks of louts that pass!
Morbid or petulant, I thrill before you.
Be what you will, black night or crimson dawn;
No fibre of my body tautly drawn,
But cries: 'Beloved demon, I adore you!'
Translated by Anonymous
poem by Charles Baudelaire
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Que diras-tu ce soir, pauvre âme solitaire (What Will You Say Tonight, Poor Solitary Soul)
Que diras-tu ce soir, pauvre âme solitaire,
Que diras-tu, mon coeur, coeur autrefois flétri,
À la très belle, à la très bonne, à la très chère,
Dont le regard divin t'a soudain refleuri?
— Nous mettrons notre orgueil à chanter ses louanges:
Rien ne vaut la douceur de son autorité
Sa chair spirituelle a le parfum des Anges
Et son oeil nous revêt d'un habit de clarté.
Que ce soit dans la nuit et dans la solitude
Que ce soit dans la rue et dans la multitude
Son fantôme dans l'air danse comme un flambeau.
Parfois il parle et dit: «Je suis belle, et j'ordonne
Que pour l'amour de moi vous n'aimiez que le Beau;
Je suis l'Ange gardien, la Muse et la Madone.»
What Will You Say Tonight, Poor Solitary Soul
What will you say tonight, poor solitary soul,
What will you say, my heart, heart once so withered,
To the kindest, dearest, the fairest of women,
Whose divine glance suddenly revived you?
— We shall try our pride in singing her praises:
There is nothing sweeter than to do her bidding;
Her spiritual flesh has the fragrance of Angels,
And when she looks upon us we are clothed with light.
Be it in the darkness of night, in solitude,
Or in the city street among the multitude,
Her image in the air dances like a torch flame.
Sometimes it speaks and says: 'I am fair, I command
That for your love of me you love only Beauty;
I am your guardian Angel, your Muse and Madonna.'
— Translated by William Aggeler
What Can You Say, Poor Lonely Soul of Mine
What can you say, poor lonely soul of mine,
Or you, poor heart, so long ago turned sour,
To the best, dearest, loveliest, whose divine
Regard has made you open like a flower?
We'll set our pride to sing her highest praise
Naught to her sweet authority compares:
Her psychic flesh is formed of fragrant airs.
Her glances clothe us in a suit of rays.
Be it in solitude at dead of night,
Or in the crowded streets of glaring light,
Her phantom like a torch before me streams.
It speaks: 'I'm beautiful. These orders take.
Love naught but Beauty, always, for my sake,
Madonna, guardian Angel, Muse of dreams.'
— Translated by Roy Campbell
What Shall You Say Tonight?
What shall you say tonight, poor soul so full of care,
What shall you say, my heart, heart hitherto so sad,
To the most kind, to the most dear, to the most fair,
Whose pure serene regard has made you proud and glad?
— We shall set all our pride to sing her holy praise!
What sweetness to be hers! To live beneath her sight!
Half spirit is her flesh, angelic all her ways;
Her glance alone invests us in a robe of light!
Whether in solitude and deep obscurity,
Whether by day among the moving crowd it be,
Her phantom like a torch in air will dance and run;
It speaks: 'Beauty is mine; Authority is mine;
Love only, for my sake, the noble and the fine:
I am thine Angel, Muse, Madonna, all in one.'
— Translated by Edna St. Vincent Millay
poem by Charles Baudelaire
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La Tombe Dit À La Rose (The Grave And The Rose)
La tombe dit à la rose :
- Des pleurs dont l'aube t'arrose
Que fais-tu, fleur des amours ?
La rose dit à la tombe :
- Que fais-tu de ce qui tombe
Dans ton gouffre ouvert toujours ?
La rose dit : - Tombeau sombre,
De ces pleurs je fais dans l'ombre
Un parfum d'ambre et de miel.
La tombe dit : - Fleur plaintive,
De chaque âme qui m'arrive
Je fais un ange du ciel !
The Grave and the Rose
The Grave said to the Rose,
'What of the dews of dawn,
Love's flower, what end is theirs?'
'And what of spirits flown,
The souls whereon doth close
The tomb's mouth unawares?'
The Rose said to the Grave.
The Rose said, 'In the shade
From the dawn's tears is made
A perfume faint and strange,
Amber and honey sweet.'
'And all the spirits fleet
Do suffer a sky-change,
More strangely than the dew,
To God's own angels new,'
The Grave said to the Rose.
poem by Victor Hugo
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A Dead Friend
I.
Gone, O gentle heart and true,
Friend of hopes foregone,
Hopes and hopeful days with you
Gone?
Days of old that shone
Saw what none shall see anew,
When we gazed thereon.
Soul as clear as sunlit dew,
Why so soon pass on,
Forth from all we loved and knew
Gone?
II.
Friend of many a season fled,
What may sorrow send
Toward thee now from lips that said
'Friend'?
Sighs and songs to blend
Praise with pain uncomforted
Though the praise ascend?
Darkness hides no dearer head:
Why should darkness end
Day so soon, O dear and dead
Friend?
III.
Dear in death, thou hast thy part
Yet in life, to cheer
Hearts that held thy gentle heart
Dear.
Time and chance may sear
Hope with grief, and death may part
Hand from hand's clasp here:
Memory, blind with tears that start,
Sees through every tear
All that made thee, as thou art,
Dear.
IV.
True and tender, single-souled,
What should memory do
Weeping o'er the trust we hold
True?
Known and loved of few,
But of these, though small their fold,
Loved how well were you!
Change, that makes of new things old,
Leaves one old thing new;
Love which promised truth, and told
True.
V.
Kind as heaven, while earth's control
Still had leave to bind
Thee, thy heart was toward man's whole
Kind.
Thee no shadows blind
Now: the change of hours that roll
Leaves thy sleep behind.
Love, that hears thy death-bell toll
Yet, may call to mind
Scarce a soul as thy sweet soul
Kind.
VI.
How should life, O friend, forget
Death, whose guest art thou?
Faith responds to love's regret,
How?
Still, for us that bow
Sorrowing, still, though life be set,
Shines thy bright mild brow.
Yea, though death and thou be met,
Love may find thee now
Still, albeit we know not yet
How.
VII.
Past as music fades, that shone
While its life might last;
As a song-bird's shadow flown
Past!
Death's reverberate blast
Now for music's lord has blown
Whom thy love held fast.
Dead thy king, and void his throne:
Yet for grief at last
Love makes music of his own
Past.
poem by Algernon Charles Swinburne
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Poison Heart
No one ever thought this one would survive
Helpless child, gonna walk a drum beat behind
Lock you in a dream, never let you go
Never let you laugh or smile, not you.
Well, I just want to walk right out of this world,
'Cause everybody has a poison heart
I just want to walk right out of this world,
'Cause everybody has a poison heart.
Making friends with a homeless torn up man
He just kind of smiles, it really shakes me up.
There's danger on every corner but I'm okay
Walking down the street trying to forget yesterday.
Well, I just want to walk right out of this world,
'Cause everybody has a poison heart.
I just want to walk right out of this world,
'Cause everybody has a poison heart,
a poison heart, a poison heart, a poison heart ... yeah!
You know that life really takes its toll
And a poet's gut reaction is to search his very soul
So much damn confusion before my eyes,
But nothing seems to phase me and this one still survives.
I just want to walk right out of this world,
'Cause everybody has a poison heart.
I just want to walk right out of this world,
'Cause everybody has a poison heart,
Well, I just want to walk right out of this world,
'Cause everybody has a poison heart.
a poison heart, a poison heart, a poison heart.
a poison heart, a poison heart, a poison heart.
song performed by by H.I.M.
Submitted by Lucian Velea
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The Guardian and BloodRose
BloodRose,
Rose of my love,
My love for Dark moon,
Dark as my heart,
Black as my soul,
And gave me my rose.
The rose of blood,
With petals soft and black,
Never as a rose so beautiful,
Grown not in light,
But under a dark moon lit sky.
Guardian,
Yes a guardian of BloodRose,
With teeth long and sharp,
Claws hard as diamonds,
Scales as dark as night.
My dear sweet guardian,
Guardian black as my heart,
Fire in your eyes,
Shadows in your soul,
A dragon of the dark moon.
A single rose,
With petals so fare,
As dark as my heart,
I now hold in my hand,
The rose of blood.
You are my darkness,
Fear of this love,
This love for you,
Love for darkness,
The cold shadows in my heart
That makes me yearn for you.
Now as you lay dying,
I hold a single rose,
The rose you gave me,
And as I hold it tight,
The thorns slice my hand,
Covered with blood,
My blood.
I have one fear,
The fear of death,
Symbol of my lost love,
Rose as dark as me,
Laying in a pool of blood,
Blood from me.
As I lay dying,
I remember my name,
BloodRose,
I am the rose of blood,
And I died of my own creation.
A creation of perfect beauty,
Petals dark black,
Thorns like small daggers,
Grown from my love,
My love for a dragon,
A dragon as dark as my heart.
Even in my death,
I think of you,
And the rose you gave me,
The rose that killed me,
The Rose of Blood.
poem by Nicolette Gonzalez
Submitted by Poetry Lover
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What'll It Be?
The human soul
Is but the drink
Of the broken man
At the bar, sinking
in his golden therapy.
The half empty
Flask goes flat
As he grumbles
About his lack
of love and luck.
But he drinks it off
Through his spirits,
And though he
May not appear it
he's like all of us.
For when the barman asked,
'What'll it be? '
He could've asked
For anything
but here he is...
...Again
Enjoying his routine
Drowning his sorrow
With apathy
and, despite all his strife,
Makes one of yet another hundred
thousand toasts to life.
The Rose
This immortal rose that lovers seek
will be glimpsed by all in youthful peak
for her presence will be on every corner.
And those who confuse that heady perfume
with a lust for love,
will only find winter in an unknown heart
for beauty was always a fragile thing.
We who have seen this gift from above
will always get burned by its light.
The poet and the painter
have perfumed our existence
with loves testimony to this.
The pain and tears fall on empty shield
for love will break your heart
but when we reach out to hold the rose
picked from these fields of hope,
a moment in life unfurls,
love will kiss your soul
and the world belongs to you.
Fleeting are the petals of time
the rose is a symbol to love.
For others it is the pain of life,
to find and lose this immortal gift
leaves a desert where life cannot breathe.
The laughter replaced by silence
the smile that is kept in darkness,
the kiss exiled to the memory.
Love is lost in the deepest pit
of your despair,
the thorns will bleed your soul red
but she can never die.
Love will always leave a spark
that will lead you to redemption
and only death can take this from you.
The rose was never yours to pick
but its creation yours to admire
for your being was made for this.
And as our mortal bodies die
the spirit will seek the rose once more
for in death its petals fall too
blessing the ground of your resting place.
The rose was always yours
and its beauty a source of life
the chains of doubt will always
break in its presence.
The rose is pure
as is your faith in mankind.
It can show you a deeper meaning
for you are the petals of life
she is the perfume of your existence
and it is you that made her life complete.
poem by Steven Cooke
Submitted by Poetry Lover
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