En.Citatepedia^®.ro

The Critick and the Writer of Fables

Weary, at last, of the Pindarick way,
Thro' which advent'rously the Muse wou'd stray;
To Fable I descend with soft Delight,
Pleas'd to Translate, or easily Endite:
Whilst aery Fictions hastily repair
To fill my Page, and rid my Thoughts of Care,
As they to Birds and Beasts new Gifts impart,
And Teach, as Poets shou'd, whilst they Divert.

But here, the Critick bids me check this Vein.
Fable, he crys, tho' grown th' affected Strain,
But dies, as it was born, without Regard or Pain.
Whilst of his Aim the lazy Trifler fails,
Who seeks to purchase Fame by childish Tales.

Then, let my Verse, once more attempt the Skies,
The easily persuaded Poet cries,
Since meaner Works you Men of Taste despise.
The Walls of Troy shall be our loftier Stage,
Our mighty Theme the fierce Achilles Rage.
The Strength of Hector, and Ulysses Arts
Shall boast such Language, to adorn their Parts,
As neither Hobbes, nor Chapman cou'd bestow,
Or did from Congreve, or from Dryden flow.
Amidst her Towers, the dedicated Horse
Shall be receiv'd, big with destructive Force;
Till Men shall say, when Flames have brought her down.
" Troy is no more, and Ilium was a Town.

Is this the way to please the Men of Taste,
The Interrupter cries, this old Bombast?
I'm sick of Troy, and in as great a Fright,
When some dull Pedant wou'd her Wars recite,
As was soft Paris, when compell'd to Fight.

To Shades and Springs shall we awhile repair,
The Muse demands, and in that milder Air
Describe some gentle Swain's unhappy Smart
Whose folded Arms still press upon his Heart,
And deeper drive the too far enter'd Dart?
Whilst Phillis with a careless pleasure reigns
The Joy, the Grief, the Envy of the Plains;
Heightens the Beauty of the verdant Woods,
And softens all the Murmurs of the Floods.

Oh! stun me not with these insipid Dreams,
Th' Eternal Hush, the Lullaby of Streams.
Which still, he cries, their even Measures keep,
Till both the Writers, and the Readers sleep.
But urge thy Pen, if thou wouldst move our Thoughts,
To shew us private, or the publick Faults.
Display the Times, High-Church or Low provoke;
We'll praise the Weapon, as we like the Stroke,
And warmly sympathizing with the Spite
Apply to Thousands, what of One you write.

Then, must that single Stream the Town supply,
The harmless Fable-writer do's reply,
And all the Rest of Helicon be dry ?
And when so many choice Productions swarm,
Must only Satire keep your Fancies warm?

Whilst even there, you praise with such Reserve,
As if you'd in the midst of Plenty starve,
Tho' ne'er so liberally we Authors carve.

Happy the Men, whom we divert with Ease,
Whom Opera's and Panegyricks please.

poem by Anne Kingsmill Finch
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A Letter To The Same Person

Sure of Success, to You I boldly write,
Whilst Love do's ev'ry tender Line endite;
Love, who is justly President of Verse,
Which all his Servants write, or else rehearse.
Phoebus (howe'er mistaken Poets dream)
Ne'er us'd a Verse, till Love became his Theme.
To his stray'd Son, still as his Passion rose,
He rais'd his hasty Voice in clam'rous Prose:
But when in Daphne he wou'd Love inspire,
He woo'd in Verse, set to his silver Lyre.

The Trojan Prince did pow'rful Numbers join
To sing of War; but Love was the Design:
And sleeping Troy again in Flames was drest,
To light the Fires in pitying Dido's Breast.

Love without Poetry's refining Aid
Is a dull Bargain, and but coarsely made;
Nor e'er cou'd Poetry successful prove,
Or touch the Soul, but when the Sense was Love.

Oh! cou'd they both in Absence now impart
Skill to my Hand, but to describe my Heart;
Then shou'd you see impatient of your Stay
Soft Hopes contend with Fears of sad Delay;
Love in a thousand fond Endearments there,
And lively Images of You appear.
But since the Thoughts of a Poetick Mind
Will never be to Syllables confin'd;
And whilst to fix what is conceiv'd, we try,
The purer Parts evaporate and dye:
You must perform what they want force to do,
And think what your ARDELIA thinks of you.

poem by Anne Kingsmill Finch
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A Poem For The Birth-Day Of The Right Honble The Lady Catharine Tufton

'Tis fit SERENA shou'd be sung.
High-born SERENA, Fair and Young,
Shou'd be of ev'ry Muse and Voice
The pleasing, and applauded Choice.
But as the Meanest of the Show
Do First in all Processions go:
So, let my Steps pursue that Swain
The humblest of th' inspired Train;
Whose well-meant Verse did just appear,
To lead on the preceding Year:
So let my Pen, the next in Fame,
Now wait on fair SERENA's Name;
The second Tribute gladly pay,
And hail this blest returning Day.
But let it not attempt to raise
Or rightly speak SERENA's Praise:
Since with more ease we might declare
How Great her Predecessors were;
How Great that more distinguish'd Peer,
To whom she owes her Being here;
In whom our Britain lets us see
What once they were, and still shou'd be;
As, when the earliest Race was drown'd,
Some Patterns, from amongst them found,
Were kept to shew succeeding Times
Their Excellence without their Crimes:
More easily we might express
What Vertues do her Mother dress;
What does her Form and Mind adorn,
Of whom th' engaging Nymph was born;
What Piety, what generous Love,
Does the enlarged Bosom move
Of Her, whose Fav'rite she appears,
Who more than as a Niece endears.
Such full Perfections obvious lie,
And strike, at first, a Poet's Eye.
Deep Lines of Honour all can hit,
Or mark out a superior Wit;
Consummate Goodness all can show,
And where such Graces shine below:
But the more tender Strokes to trace,
T' express the Promise of a Face,
When but the Dawnings of the Mind
We from the Air unripen'd find;
Which alt'ring, as new Moments rise,
The Pen or Pencil's Art defies;
When Flesh and Blood in Youth appears,
Polish'd like what our Marble wears;
Fresh as that Shade of op'ning Green,
Which first upon our Groves is seen;
Enliven'd by a harmless Fire,
And brighten'd by each gay Desire;
These nicer Touches wou'd demand
A Cowley's or a Waller's Hand,
T'explain, with undisputed Art,
What 'tis affects th'enlighten'd Heart,
When ev'ry darker Thought gives way,
Whilst blooming Beauty we survey;
To shew how All, that's soft and sweet,
Does in the fair SERENA meet;
To tell us, with a sure Presage,
The Charms of her maturer Age.
When Hothfeild shall (as heretofore {4}
From its far-sought and virtuous Store
It Families of great Renown
Did with illustrious Hymens crown)
When Hothfeild shall such Treasure know,
As fair SERENA to bestow:
Then shou'd some Muse of loftier Wing
The Triumphs of that Season sing;
Describe the Pains, the Hopes, the Fears
Of noble Youths, th'ambitious Cares
Of Fathers, the long-fram'd Design,
To add such Splendour to their Line,
Whilst all shall strive for such a Bride
So Educated, and Ally'd.

poem by Anne Kingsmill Finch
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Troy Town

HEAVENBORN Helen, Sparta's queen,
(O Troy Town!)
Had two breasts of heavenly sheen,
The sun and moon of the heart's desire:
All Love's lordship lay between.
(O Troy's down,
Tall Troy's on fire!)
Helen knelt at Venus' shrine,
(O Troy Town!)
Saying, “A little gift is mine,
A little gift for a heart's desire.
Hear me speak and make me a sign!
(O Troy's down,
Tall Troy's on fire!)
“Look, I bring thee a carven cup;
(O Troy Town!)
See it here as I hold it up,—
Shaped it is to the heart's desire,
Fit to fill when the gods would sup.
(O Troy's down,
Tall Troy's on fire!)
“It was moulded like my breast;
(O Troy Town!)
He that sees it may not rest,
Rest at all for his heart's desire.
O give ear to my heart's behest!
(O Troy's down,
Tall Troy's on fire!)
“See my breast, how like it is;
(O Troy Town!)
See it bare for the air to kiss!
Is the cup to thy heart's desire?
O for the breast, O make it his!
(O Troy's down,
Tall Troy's on fire!)
“Yea, for my bosom here I sue;
(O Troy Town!)
Thou must give it where 'tis due,
Give it there to the heart's desire.
Whom do I give my bosom to?
(O Troy's down,
Tall Troy's on fire!)
“Each twin breast is an apple sweet.
(O Troy Town!)
Once an apple stirred the beat
Of thy heart with the heart's desire:—
Say, who brought it then to thy feet?
(O Troy's down,
Tall Troy's on fire!)
“They that claimed it then were three:
(O Troy Town!)
For thy sake two hearts did he
Make forlorn of the heart's desire.
Do for him as he did for thee!
(O Troy's down,
Tall Troy's on fire!)
“Mine are apples grown to the south,
(O Troy Town!)
Grown to taste in the days of drouth,
Taste and waste to the heart's desire:
Mine are apples meet for his mouth.”
(O Troy's down,
Tall Troy's on fire!)
Venus looked on Helen's gift,
(O Troy Town!)
Looked and smiled with subtle drift,
Saw the work of her heart's desire:—
“There thou kneel'st for Love to lift!”
(O Troy's down,
Tall Troy's on fire!)
Venus looked in Helen's face,
(O Troy Town!)
Knew far off an hour and place,
And fire lit from the heart's desire;
Laughed and said, “Thy gift hath grace!”
(O Troy's down,
Tall Troy's on fire!)
Cupid looked on Helen's breast,
(O Troy Town!)
Saw the heart within its nest,
Saw the flame of the heart's desire,—
Marked his arrow's burning crest.
(O Troy's down,
Tall Troy's on fire!)
Cupid took another dart,
(O Troy Town!)
Fledged it for another heart,
Winged the shaft with the heart's desire,
Drew the string and said, “Depart!”
(O Troy's down,
Tall Troy's on fire!)
Paris turned upon his bed,
(O Troy Town!)
Turned upon his bed and said,
Dead at heart with the heart's desire—
“Oh to clasp her golden head!”
(O Troy's down,
Tall Troy's on fire!)

poem by Dante Gabriel Rossetti
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An Account Of The Greatest English Poets

Since, dearest Harry, you will needs request
A short account of all the Muse possest,
That, down from Chaucer's days to Dryden's Times,
Have spent their Noble Rage in British Rhimes;
Without more Preface, wrote in Formal length,
To speak the Undertakers want of strength,
I'll try to make they're sev'ral Beauties known,
And show their Verses worth, tho' not my Own.

Long had our dull Fore-Fathers slept Supine,
Nor felt the Raptures of the Tuneful Nine;
Till Chaucer first, the merry Bard, arose;
And many a Story told in Rhime and Prose.
But Age has Rusted what the Poet writ,
Worn out his Language, and obscur'd his Wit:
In vain he jests in his unpolish'd strain,
And tries to make his Readers laugh in vain.

Old Spencer next, warm'd with Poetick Rage,
In Antick Tales amus'd a Barb'rous Age;
An Age that yet uncultivate and Rude,
Where-e'er the Poet's Fancy led, pursu'd
Through pathless Fields, and unfrequented Floods,
To Dens of Dragons and Enchanted Woods.
But now the Mystick Tale, that pleas'd of Yore,
Can Charm an understanding Age no more;
The long-spun Allegories fulsom grow,
While the dull Moral lies too plain below.
We view well-pleas'd at distance all the sights
Of Arms and Palfreys, Battle's, Fields, and Fights,
And Damsels in Distress, and Courteous Knights.
But when we look too near, the Shades decay,
And all the pleasing Lan-skip fades away.

Great Cowley then (a mighty Genius) wrote;
O'er-run with Wit, and lavish of his Thought:
His Turns too closely on the Reader press;
He more had pleas'd us, had he pleas'd us less.
One glitt'ring Thought no sooner strikes our Eyes
With silent wonder, but new wonders rise.
As in the Milky way a shining White,
O'er-flows the Heav'ns, with one continu'd Light;
That not a single Star can shew his Rays,
Whilst joyntly all promote the Common-Blaze.
Pardon, Great Poet, that I dare to name
Th' unnumber'd Beauties of thy Verse with blame;
Thy fault is only Wit in its Excess,
But Wit like thine in any shape will please.
What Muse but thine cou'd equal Hints inspire,
And fit the Deep-Mouth'd Pindar to thy Lyre:
Pindar, whom others in a Labour'd strain
And forc'd Expression, imitate in vain?
Well-pleas'd in thee he Soars with new delight,
And Plays in more unbounded Verse, and takes a nobler flight.

Blest Man! whose spotless Life and Charming Lays
Employ'd the Tuneful Prelate in thy Praise:
Blest Man! who now shall be for ever known
In Sprat's successful Labours and thy own.

But Milton next, with high and haughty stalks,
Unfetter'd in Majestic Numbers walks;
No vulgar Heroe can his Muse ingage;
Nor Earth's wide Scene confine his hallow'd Rage.
See! see, he upward Springs, and Tow'ring high,
Spurns the dull Province of Mortality;
Shakes Heav'ns Eternal Throne with dire Alarms,
And sets the Almighty Thunderer in Arms.
What-e'er his Pen describes I more then see,
Whilst ev'ry Verse array'd in Majesty,
Bold, and sublime, my whole attention draws,
And seems above the Criticks nicer Laws.
How are you struck with Terrour and Delight,
When Angel with Arch-Angel Cope's in Fight!
When Great Messiah's out-spread Banner shines,
How does the Chariot Rattel in his Lines!
What sounds of Brazen Wheels, what Thunder, scare,
And stun the Reader with the Din of War!
With Fear my Spirits and my Blood retire,
To see the Seraphs sunk in Clouds of Fire;
But when, with eager steps, from hence I rise,
And view the first gay Scenes of Paradise;
What Tongue, what words of Rapture, can express
A Vision so profuse of pleasantness.
Oh had the Poet ne'er profan'd his Pen,
To varnish o'er the Guilt of Faithless Men,
His other works might have deserv'd applause!
But now the Language can't support the Cause;
While the clean Current, tho' serene and bright,
Betray's a bottom odious to the sight.

But now my Muse, a softer strain rehearse.
Turn every Line with Art, and smooth thy Verse;
The Courtly Waller next commands thy Lays:
Muse Tune thy Verse, with Art, to Waller's Praise.
While tender Airs and lovely Dames inspire
Soft melting Thoughts, and propagate Desire;
So long shall Waller's strains our Passion move,
And Sacharissa's Beauties kindle Love.
Thy Verse, Harmonious Bard, and flatt'ring Song,
Can make the Vanquish'd Great, the Coward strong.
Thy Verse can show ev'n Cromwell's innocence,
And Compliment the Storms that bore him hence.
Oh had thy Muse not come an Age too soon,
But seen Great Nassaw on the British Throne!
How had his Triumphs glitter'd in thy Page,
And warm'd Thee to a more Exalted Rage!
What Scenes of Death and Horrour had we viewd,
And how had Boine's wide Current Reek'd in Blood!
Or if Maria's Charms thou wou'dst rehearse,
In smoother Numbers and a softer Verse,
Thy Pen had well describ'd her Graceful Air,
And Gloriana wou'd have seem'd more Fair.

Nor must Roscommon pass neglected by,
That makes ev'n Rules a noble Poetry:
Rules who's deep Sense and Heav'nly Numbers show
The best of Critticks, and of Poets too.
Nor Denham must we e'er forget thy Strains,
While Cooper's Hill commands the neighb'ring Plains.

But see where artful Dryden next appears,
Grown old in Rhime, but Charming ev'n in Years.
Great Dryden next! whose Tuneful Muse affords
The sweetest Numbers, and the fittest words.
Whether in Comick sounds or Tragick Airs
She form's her voice, she moves our Smiles or Tears.
If Satire or Heroick Strains she writes,
Her Heroe pleases, and her Satire Bites.
From her no harsh, unartful Numbers fall,
She wears all Dresses, and she Charms in all:
How might we fear our English Poetry,
That long has flourish'd, shou'd decay with Thee;
Did not the Muses other Hope appear,
Harmonious Congreve, and forbid our Fear.
Congreve! whose Fancies unexhausted Store
Has given already much, and promis'd more.
Congreve shall still preserve thy Fame alive
And Dryden's Muse shall in his Friend survive.

I'm tir'd with Rhiming, and wou'd fain give o'er,
But Justice still demands one Labour more:
The Noble Montague remains unnam'd,
For Wit, for Humour, and for Judgment fam'd;
To Dorset he directs his Artful Muse,
In numbers such as Dorset's self might use.
How negligently Graceful he unrein's
His Verse, and writes in loose Familiar strains;
How Nassau's Godlike Acts adorn his Lines,
And all the Heroe in full Glory Shines.
We see his Army set in just Array,
And Boine's Di'd Waves run purple to the Sea.
Nor Simois chok'd with men, and Arms, and Blood;
Nor rapid Xanthus' celebrated Flood:
Shall longer be the Poet's highest Themes.
Tho' Gods and Heroes fought, Promiscuous in they're streams.
But now, to Nassau's secret Councils rais'd,
He Aids the Heroe, whom before he Prais'd.

I've done, at length, and now, Dear Friend, receive
The last poor Present that my Muse can give.
I leave the Arts of Poetry and Verse
To them that practise 'em with more success.
Of greater Truths I'll now prepare to tell,
And so at once, Dear Friend and Muse, Farewell.

poem by Joseph Addison
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A Miller, His Son, And Their Ass

THO' to Antiquity the Praise we yield
Of pleasing Arts; and Fable's earli'st Field
Own to be fruitful Greece; yet not so clean
Those Ears were reap'd, but still there's some to glean;
And from the Lands of vast Invention come
Daily new Authors, with Discov'ries home.

This curious Piece, which I shall now impart,
Fell from Malherbe, a Master in his Art,
To Racan, fill'd with like poetick Fire,
Both tuneful Servants of Apollo's Choir:
Rivals and Heirs to the Horatian Lyre:
Who meeting him, one Day, free and alone,
(For still their Thoughts were to each other known)
Thus ask'd his Aid–Some useful Counsel give,
Thou who, by living long, hast learnt to live;
Whose Observation nothing can escape;
Tell me, how I my course of Life shall shape:
To something I wou'd fix ere't be too late.
You know my Birth, my Talents, my Estate:
Shall I with these content, all Search resign,
And to the Country my Desires confine?
Or in the Court, or Camp, advancement gain?
The World's a mixture of Delight and Pain:
Tho' rough it seems, there's Pleasure in the Wars,
And Hymen's Joys are not without their Cares.
I need not ask, to what my Genius tends,
But wou'd content the World, the Court, my Friends.

Please all the World (in haste) Malherbe replies?
How vain th' Attempt will prove in him, that tries,
Learn from a Fable, I have somewhere found,
Before I answer all that you propound.

A Miller and his Son (the Father old,
The Boy about some fifteen Years had told)
Designed their Ass to sell, and for the Fair,
Some distance off, accordingly prepare.
But lest she in the walk should lose her Flesh,
And not appear, for Sale, so full and fresh,
Her Feet together ty'd; between them two
They heav'd her up; and on the Rusticks go:
Till those, who met them bearing thus the Ass,
Cry'd, Are these Fools about to act a Farce?
Surely the Beast (howe'er it seem to be)
Is not the greatest Ass of all the Three.
The Miller in their Mirth his Folly finds,
And down he sets her, and again unbinds;
And tho' her grumbling shew'd, she lik'd much more
The lazy way, she travell'd in before,
He minds her not; but up the Boy he sets
Upon her Back, and on the Crupper gets.
Thus on they jog, when of Three Men that pass'd,
The eldest thinking Age to be disgrac'd,
Call'd to the Youth, ho! you, young Man for shame!
Come down, lest Passengers your Manners blame,
And say, it ill becomes your tender Years
To ride before a Grandsire with grey Hairs.
Truly, the Gentlemen are in the right,
The Miller cries, and makes the Boy alight;
Then forward slides himself into his place,
And with a Mind content renews his pace:
But much he had not gain'd upon his way,
Before a Troop of Damsels, neat and gay,
(Partial to Youth) to one another cry'd,
See, how with walking by that Dotard's side,
The Boy is tir'd; whilst with a Prelate's state
He rides alone, and dangling in the Seat,
Hangs like a Calf thrown up, across the Beast.
The Miller, thinking to have spoiled that Jest,
Reply'd, he was too Old for Veal to pass,
But after more on him, and on his Ass,
He stands convinc'd, and takes his Son again
To ride at ease himself, still next the Mane.
Yet ere he'd thirty Paces borne the Lad,
The next they met, cry'd--Are these Fellows mad!
Have they no Pity thus t'o'erload the Jade!
Sure, at the Fair, they for her Skin may trade.
See, how's she spent, and sinks beneath their strokes!
The Miller, whom this most of all provokes,
Swears by his Cap, he shews his want of Brains,
Who thus to please the World, bestows his Pains.
Howe'er we'll try, if this way't may be done;
And off he comes, and fetches down his Son.
Behind they walk, and now the Creature drive,
But cou'd no better in their Purpose thrive;
Nor scape a Fellow's Censure, whom they meet,
That cries, to spare the Ass they break their Feet;
And whilst unladen at her ease she goes,
Trudge in the Dirt, and batter out their Shooes;
As if to burthen her they were afraid,
And Men for Beasts, not Beasts for Men were made.

The Proverb right, the Cart before the Horse.
The Miller, finding things grow worse and worse,
Cries out, I am an Ass, it is agreed,
And so are all, who wou'd in this succeed.
Hereafter, tho' Reproof or Praise I find,
I'll neither heed, but follow my own Mind,
Take my own Counsel, how my Beast to sell.
This he resolv'd, and did it, and did well.

For you, Sir, Follow Love, the Court, the War;
Obtain the Crosier, or the City's Furr;
Live single all your Days, or take a Wife;
Trust me, a Censure waits each state of Life.

poem by Anne Kingsmill Finch
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Mountain's grief

Have I ever wept on a mountain's grief?

The sadness so profound, yet so majestic
That thy strongest heart bore since thou wert born

What is so immortal in a grief that finds a spring to express?
Just a solace, an easing out of a pine

The greatest grief in this world
is sculptured on you

So thou stands still, watching forever
Whilst the rest of the world weep

So the river floats on God's tears
Whilst He mourns on thy grief

So the birds sing in melody
Whilst thy heart burns in pain

So the wild rains thunder
Whilst the saddest quake in your heart erupts
In a wave around all thy moist rocks

Copyright: Shamik Bose 2009

poem by Shamik Bose
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To A Lady Who Commanded Me To Send Her An Account In Verse

How I succeed, you kindly ask;
Yet set me on a grievous Task,
When you oblige me to rehearse,
The Censures past upon my Verse.

Tho' I with Pleasure may relate,
That many, truly good, and great,
With candid Eye my Lines survey,
And smile upon the artless Lay;
To those with grateful Heart I bend --
But your Commands I must attend.

SERVILLA cries, I hate a Wit;
Women should to their Fate submit,
Should in the Needle take Delight;
'Tis out of Character to write:
She may succeed among the Men;
They tell me, Swift subscribes for Ten;
And some say, Dorset does the same;
But she shall never have my Name:
Her Poetry has cost me dear;
When Lady Carteret was here,
The Widow Gordon got my Guinea;
For which I own myself a Ninny.

OLIVIA loses oft at Play;
So will not throw her Gold away.

Thus Silvia, of the haughty Tribe:
She never ask'd me to subscribe,
Nor ever wrote a Line on me,
I was no Theme for Poetry!
She rightly judg'd; I have no Taste --
For Womens Poetry, at least.

Then Fulvia made this sage Reply;
(And look'd with self--sufficient Eye
I oft have said, and say again,
Verses are only writ by Men;
I know a Woman cannot write;
I do not say this out of Spite;
Nor shall be thought, by those who know me,
To envy one so much below me.

SABINA, fam'd in Wisdom's School,
Allows I write--but am a Fool:
``What!--must our Sons be form'd by Rhyme?
``A fine Way to employ one's Time!''

ALBINO has no gold to waste,
Far gone in the Italian Taste:
He vows he must subscribe this Year,
To keep dear Carestini here;
Not from a narrow Party View;
He doats on Senesino too;
By Turns their Int'rest he'll espouse;
He's for the public Good, he vows;
A gen'rous Ardor fires his Breast.
Hail, Britain, in such Patriots blest!

Says Belvidera, Since a Wit
Or Friend or Foe alike will hit,
Deliver me from Wits, I say;
Grant Heav'n, they ne'er may cross my Way!
Besides, I oft have heard it hinted,
Her Poems never will be printed:
Her Sickness is a Feint, no doubt,
To keep her Book from coming out.

Of Wit, says Celia, I'll acquit her;
Then archly fell into a Titter.

A Female Bard! Pulvillio cries;
'Tis possible she may be wise;
But I could never find it yet,
Tho' oft in Company we met:
She talks just in the common Way:
Sure Wits their Talents should display;
Their Language surely should be bright,
Before they should pretend to write:
I'll ne'er subscribe for Books, says he;
'Fore Gad, it looks like Pedantry.

High--born Belinda loves to blame;
On Criticism founds her Fame:
When--e'er she thinks a Fault she spies
How Pleasure sparkles in her Eyes!
Call it not Poetry, she says;
No -- Call it Rhyming, if you please:
Her Numbers might adorn a Ring,
Or serve along the Streets to sing:
Stella and Flavia's well enough;
What else I saw, was stupid Stuff;
Nor Love nor Satire in her Lays,
Insipid! neither pain nor please:
I promis'd once to patronize her;
But on Reflection, I was wiser:
Yet I subscrib'd among the rest;
I love to carry on a Jest.

BELINDA thus her Anger shows,
Nor tells the World, from whence it flows:
With more Success to wound my Lays,
She gilds the Dart with other Praise:
To her own Breast I leave the Fair
Convinc'd I stand acquitted there.

AMANDA, your Commands, you see,
Tho' grievous, are obey'd by me.
What my Friends told me had been said,
Just as it came into my Head,
No matter for the Place or Time,
To shew your Pow'r, I tag with Rhyme.

Now let some News salute your Ear,
Tho' I have weary'd you, I fear:
Know, --- has Vengeance vow'd,
And in the Furies Temple bow'd:
He but suspends his Wrath, he says,
Till he can criticise my Lays.
Malice, thy Rancour I expect,
And shall return it--with Neglect:
Go on, display your treasur'd Rage;
Invectives shall not blot my Page:
What real Faults you note, I'll mend:
Proceed, your Efforts I attend;
Taught early, Dryden, by thy Song,
They ne'er forgive, who do the Wrong.

Now to the Muse I bid Adieu;
Nor rail at her, as Poets do:
Protected by the Good and Great,
I'll not repine, but bless my Fate.

You, Madam, who your Sex adorn,
Who Malice and Detraction scorn,
Who with superior Sense are bless'd,
Of ev'ry real Worth possess'd;
With Eye indulgent view my Lays:
You know to blame, but love to praise:
You know my Faults, and know beside,
I want not to be mortify'd.
One Merit I presume to boast,
And dare to plead but one at most:
The Muse I never have debas'd;
My Lays are innocent at least;
Were ever ardently design'd
To mend and to enlarge the Mind.
This must be own'd a virtuous Aim.
The Praise of Wit--let others claim.

poem by Mary Barber
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A Description Of One Of The Pieces Of Tapistry At Long-Leat

THUS Tapistry of old, the Walls adorn'd,
Ere noblest Dames the artful Shuttle scorn'd:
Arachne, then, with Pallas did contest,
And scarce th' Immortal Work was judg'd the Best.
Nor valorous Actions, then, in Books were fought;
But all the Fame, that from the Field was brought,
Employ'd the Loom, where the kind Consort wrought:
Whilst sharing in the Toil, she shar'd the Fame,
And with the Heroes mixt her interwoven Name.
No longer, Females to such Praise aspire,
And seldom now We rightly do admire.

So much, All Arts are by the Men engross'd,
And Our few Talents unimprov'd or cross'd;
Even I, who on this Subject wou'd compose,
Which the fam'd Urbin for his Pencil chose,
(And here, in tinctur'd Wool we now behold
Correctly follow'd in each Shade, and Fold)
Shou'd prudently from the Attempt withdraw,
But Inclination proves the stronger Law:
And tho' the Censures of the World pursue
These hardy Flights, whilst his Designs I view;
My burden'd Thoughts, which labour for a Vent,
Urge me t'explain in Verse, what by each Face is meant.

Of SERGIUS first, upon his lofty Seat,
With due Regard our Observations treat;
Who, whilst he thence on ELYMAS looks down,
Contracts his pensive Brow into a Frown,
With Looks inquistive he seeks the Cause
Why Nature acts not still by Natures Laws.
'Twas but a Moment, since the Sorcerer's Sight
Receiv'd the Day, and blaz'd infernal Light:
Untouch'd, the Optiques in a Moment fail'd,
Their fierce Illumination quench'd, or veil'd;
Throughout th' Extention of his ample Sway,
No Fact, like this, the Roman cou'd survey,
Who, with spread Hands, invites Mankind to gaze,
And sympathize in the profound Amaze.
To share his Wonder every one combines,
By diff'rent Aspects shewn, and diff'rent Signs.
A comely Figure, near the Consul plac'd,
With serious Mildness and Instruction grac'd,
To Others seems imparting what he saw,
And shews the Wretch with reverential Awe:
Whilst a more eager Person next we find,
Viewing the Wizard with a Skeptic's Mind;
Who his fixt Eyes so near him do's apply,
We think, enliv'ning Beams might from them fly,
To re-inkindle, by so just an Aim,
The radial Sparks, but lately check'd and tame,
As Tapers new put-out will catch approaching Flame.
But dire Surprize th' Enquiry do's succeed,
Whilst full Conviction in his Face we read,
And He, who question'd, now deplores the Deed.

To sacred PAUL a younger Figure guides,
With seeming Warmth, which still in Youth presides;
And pointing forward, Elder Men directs,
In Him, to note the Cause of these Effects;
Upon whose Brow do's evidently shine
Deputed Pow'r, t' inflict the Wrath Divine;
Whilst sad and solemn, suited to their Years,
Each venerable Countenance appears,
Where, yet we see Astonishment reveal'd,
Tho' by the Aged often 'tis conceal'd;
Who the Emotions of their Souls disguize,
Lest by admiring they shou'd seem less Wise.

But to thy Portrait, ELYMAS, we come
Whose Blindness almost strikes the Poet dumb;
And whilst She vainly to Describe thee seeks,
The Pen but traces, where the Pencil speaks.
Of Darkness to be felt, our Scriptures write,
Thou Darken'd seem'st, as thou would'st feel the Light;
And with projected Limbs, betray'st a Dread,
Of unseen Mischiefs, levell'd at thy Head.
Thro' all thy Frame such Stupefaction reigns,
As Night it self were sunk into thy Veins:
Nor by the Eyes alone thy Loss we find,
Each Lineament helps to proclaim thee Blind.
An artful Dimness far diffus'd we grant,
And failing seem all Parts through One important Want.

Oh! Mighty RAPHAEL, justly sure renown'd!
Since in thy Works such Excellence is found;
No Wonder, if with Nature Thou'rt at strife,
Who thus can paint the Negatives of Life;
And Deprivation more expressive make,
Than the most perfect Draughts, which Others take.
Whilst to this Chiefest Figure of the Piece,
All that surround it, Heightnings do encrease:
In some, Amazement by Extreams is shewn,
Who viewing his clos'd Lids, extend their Own.
Nor can, by that, enough their Thoughts express,
Which op'ning Months seem ready to confess.

Thus stand the LICTORS gazing on a Deed,
Which do's all humane Chastisements exceed;
Enfeebl'd seem their Instruments of smart,
When keener Words can swifter Ills impart.

Thou, BARNABAS, though Last, not least our Care,
Seem'st equally employ'd in Praise, and Prayer,
Acknowledging th' Omnipotent Decree,
Yet soft Compassion in thy Face we see;
Whilst lifted Hands implore a kind Relief,
Tho' no Impatience animates thy Grief;
But mild Suspence and Charity benign,
Do all th' excesses of thy Looks confine.

Thus far, our slow Imagination goes:
Wou'd the more skill'd THEANOR his disclose;
Expand the Scene, and open to our Sight
What to his nicer Judgement gives Delight;
Whose soaring Mind do's to Perfections climb,
Nor owns a Relish, but for Things sublime:
Then, wou'd the Piece fresh Beauties still present,
Nor Length of Time wou'd leave the Eye content:
As moments, Hours; as Hours the Days wou'd seem,
Observing here, taught to observe by HIM.

poem by Anne Kingsmill Finch
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Davideis: A Sacred Poem Of The Troubles Of David (excerpt)

BOOK I (excerpt)
I sing the man who Judah's sceptre bore
In that right hand which held the crook before;
Who from best poet, best of kings did grow;
The two chief gifts Heav'n could on man bestow.
Much danger first, much toil did he sustain,
Whilst Saul and Hell cross'd his strong fate in vain.
Nor did his crown less painful work afford;
Less exercise his patience, or his sword;
So long her conqueror fortunes spite pursued;
Till with unwearied virtue he subdued
All homebred malice, and all foreign boasts;
Their strength was armies, his the Lord of Hosts.

Thou, who didst David's royal stem adorn,
And gav'st him birth from whom thy self wast born;
Who didst in triumph at death's court appear,
And slew'st him with thy nails, thy cross and spear,
Whilst Hell's black tyrant trembled to behold,
The glorious light he forfeited of old;
Who Heav'ns glad burden now, and justest pride,
Sit'st high enthron'd next thy great Father's side,
(Where hallowed flames help to adorn that head
Which once the blushing thorns environed,
Till crimson drops of precious blood hung down
Like rubies to enrich thine humble crown.)
Even thou my breast with such blest rage inspire,
As mov'd the tuneful strings of David's lyre,
Guide my bold steps with thine old travelling flame,
In these untrodden paths to sacred fame;
Lo, with pure hands thy heav'enly fires to take,
My well-chang'd Muse I a chaste vestal make!
From earth's vain joys, and love's soft witchcraft free,
I consecrate my Magdalene to thee!
Lo, this great work, a temple to thy praise,
On polish'd pillars of strong verse I raise!
A temple, where if thou vouchsafe to dwell,
It Solomon's, and Herod's shall excel.
Too long the Muses-land have heathen bin;
Their gods too long were devils, and virtues sin;
But thou, Eternal Word, has call'd forth me
Th' apostle, to convert that world to thee;
T' unbind the charms that in slight fables lie,
And teach that truth is purest poesy.

...

poem by Abraham Cowley
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Fancies Are But Streams

Fancies are but streams
Of vain pleasure:
They who by their dreams
True joys measure
Feasting, starve; laughing, weep;
Playing, smart. Whilst in sleep
Fools with shadows smiling,
Wake and find
Hopes like wind,
Idle hopes beguiling.
Thoughts fly away, Time hath past 'em;
Wake now, awake, see and taste 'em.

poem by Thomas Dekker
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The Hog, The Sheep, And Goat, Carrying To A FAIR

Who does not wish, ever to judge aright,
And, in the Course of Life's Affairs,
To have a quick, and far extended Sight,
Tho' it too often multiplies his Cares?
And who has greater Sense, but greater Sorrow shares?

This felt the Swine, now carrying to the Knife;
And whilst the Lamb and silent Goat
In the same fatal Cart lay void of Strife,
He widely stretches his foreboding Throat,
Deaf'ning the easy Crew with his outragious Note.

The angry Driver chides th'unruly Beast,
And bids him all this Noise forbear;
Nor be more loud, nor clamorous than the rest,
Who with him travel'd to the neighb'ring Fair.
And quickly shou'd arrive, and be unfetter'd there.

This, quoth the Swine, I do believe, is true,
And see we're very near the Town;
Whilst these poor Fools of short, and bounded View,
Think 'twill be well, when you have set them down,
And eas'd One of her Milk, the Other of her Gown.

But all the dreadful Butchers in a Row,
To my far-searching Thoughts appear,
Who know indeed, we to the Shambles go,
Whilst I, whom none but Belzebub wou'd shear,
Nor but his Dam wou'd milk, must for my Carcase fear.

But tell me then, will it prevent thy Fate?
The rude unpitying Farmer cries;
If not, the Wretch who tastes his Suff'rings late,
Not He, who thro' th'unhappy Future prys,
Must of the Two be held most Fortunate and Wise.

poem by Anne Kingsmill Finch
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Mutability - II.

I.
The flower that smiles to-day
To-morrow dies;
All that we wish to stay
Tempts and then flies.
What is this world’s delight?
Lightning that mocks the night,
Brief even as bright.

II.
Virtue, how frail it is!
Friendship how rare!
Love, how it sells poor bliss
For proud despair!
But we, though soon they fall,
Survive their joy, and all
Which ours we call.

III.
Whilst skies are blue and bright,
Whilst flowers are gay,
Whilst eyes that change ere night
Make glad the day;
Whilst yet the calm hours creep,
Dream thou—and from thy sleep
Then wake to weep.

poem by Percy Bysshe Shelley
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Life's Progress

How gayly is at first begun
Our Life's uncertain Race!
Whilst yet that sprightly Morning Sun,
With which we just set out to run
Enlightens all the Place.

How smiling the World's Prospect lies
How tempting to go through !
Not Canaan to the Prophet's Eyes,
From Pisgah with a sweet Surprize,
Did more inviting shew.

How promising's the Book of Fate,
Till thoroughly understood!
Whilst partial Hopes such Lots create,
As may the youthful Fancy treat
With all that's Great and Good.

How soft the first Ideas prove,
Which wander through our Minds!
How full the Joys, how free the Love,
Which do's that early Season move;
As Flow'rs the Western Winds!

Our Sighs are then but Vernal Air;
But April–drops our Tears,
Which swiftly passing, all grows Fair,
Whilst Beauty compensates our Care,
And Youth each Vapour clears.

But oh! too soon, alas, we climb;
Scarce feeling we ascend
The gently rising Hill of Time,
From whence with Grief we see that Prime,
And all its Sweetness end.

The Die now cast, our Station known,
Fond Expectation past;
The Thorns, which former Days had sown,
To Crops of late Repentance grown,
Thro' which we toil at last.

Whilst ev'ry Care's a driving Harm,
That helps to bear us down;
Which faded Smiles no more can charm,
But ev'ry Tear's a Winter-Storm,
And ev'ry Look's a Frown.

Till with succeeding Ills opprest,
For Joys we hop'd to find;
By Age too, rumpl'd and undrest,
We gladly sinking down to rest,
Leave following Crouds behind.

poem by Anne Kingsmill Finch
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Mercury And The Elephant

As Merc'ry travell'd thro' a Wood,
(Whose Errands are more Fleet than Good)
An Elephant before him lay,
That much encumber'd had the Way:
The Messenger, who's still in haste,
Wou'd fain have bow'd, and so have past;
When up arose th' unweildy Brute,
And wou'd repeat a late Dispute,

In which (he said) he'd gain'd the Prize
From a wild Boar of monstrous Size:
But Fame (quoth he) with all her Tongues,
Who Lawyers, Ladies, Soldiers wrongs,
Has, to my Disadvantage, told
An Action throughly Bright and Bold;
Has said, that I foul Play had us'd,
And with my Weight th' Opposer bruis'd;
Had laid my Trunk about his Brawn,
Before his Tushes cou'd be drawn;
Had stunn'd him with a hideous Roar,
And twenty-thousand Scandals more:
But I defy the Talk of Men,
Or Voice of Brutes in ev'ry Den;
Th' impartial Skies are all my Care,
And how it stands Recorded there.
Amongst you Gods, pray, What is thought?
Quoth Mercury–Then have you Fought!

Solicitous thus shou'd I be
For what's said of my Verse and Me;

Or shou'd my Friends Excuses frame,
And beg the Criticks not to blame
(Since from a Female Hand it came)
Defects in Judgment, or in Wit;
They'd but reply - Then has she Writ!

Our Vanity we more betray,
In asking what the World will say,
Than if, in trivial Things like these,
We wait on the Event with ease;
Nor make long Prefaces, to show
What Men are not concern'd to know:
For still untouch'd how we succeed,
'Tis for themselves, not us, they Read;
Whilst that proceeding to requite,
We own (who in the Muse delight)
'Tis for our Selves, not them, we Write.
Betray'd by Solitude to try
Amusements, which the Prosp'rous fly;

And only to the Press repair,
To fix our scatter'd Papers there;
Tho' whilst our Labours are preserv'd,
The Printers may, indeed, be starv'd.

poem by Anne Kingsmill Finch
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We are not amused for M lady Mary Gordley

I cannot sleep the whole night through.
My muse will not allow me to
when she commands I must obey.
I wish she’d take a holiday.

She thinks that sleeping is a crime
she does not sleep so why should I.
A complete and utter waste of time.
Which I could better occupy

by sitting at my desk to write
instead of lazing in my bed.
I think she thinks she has the right.
She just ignores all I have said.

Some folks complain of writers block
whilst I have writers Diarrhoea
My muse would hide beneath a rock
if she could not supply ideas.

Which I must translate into verse
to demonstrate her eloquence
She views my fatigue as perverse;
of very little consequence.

An active muse can be a curse
I sometimes wish she’d stay away
To have no muse would be much worse
I just give in do it her way.

5-Jun-08

http: // blog.myspace.com/poeticpiers

poem by Ivor Or Ivor.e Hogg
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The Evening Quatrains

THE Day's grown old, the fainting Sun
Has but a little way to run,
And yet his steeds, with all his skill,
Scarce lug the chariot down the hill.
With labour spent, and thirst opprest,
Whilst they strain hard to gain the West,
From fetlocks hot drops melted light,
Which turn to meteors in the Night.
The shadows now so long do grow,
That brambles like tall cedars show,
Mole-hills seem mountains, and the ant
Appears a monstrous elephant.
A very little little flock
Shades thrice the ground that it would stock;
Whilst the small stripling following them
Appears a mighty Polypheme.
These being brought into the fold,
And by the thrifty master told
, [counted]
He thinks his wages are well paid,
Since none are either lost or stray'd.
Now lowing herds are each-where heard,
Chains rattle in the villian's
yard, [farmer]
The cart's on tail set down to rest,
Bearing on high the cuckold's crest.
The hedge is stripp'd, the clothes brought in,
Nought's left without should be within,
The bees are hiv'd, and hum their charm,
Whilst every house does seem a swarm.
The cock now to the roost is press'd:
For he must call up all the rest;
The sow's fast-pegg'd within the sty,
To still her squeaking progeny.
Each one has had his supping mess*, [meal]
The cheese is put into the press,
The pans and bowls are scalded all,
Rear'd up against the milk-house wall.
And now on benches all are sat
In the cool air to sit and chat,
Till Phoebus, dipping in the West,
Shall lead the World the way to rest.

poem by Charles Cotton
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To Mr. F. Now Earl of W

No sooner, FLAVIO, was you gone,
But, your Injunction thought upon,
ARDELIA took the Pen;
Designing to perform the Task,
Her FLAVIO did so kindly ask,
Ere he returned agen.

Unto Parnassus strait she sent,
And bid the Messenger, that went
Unto the Muses Court,
Assure them, she their Aid did need,
And begg'd they'd use their utmost Speed,
Because the Time was short.

The hasty Summons was allow'd;
And being well-bred, they rose and bow'd,
And said, they'd poste away;
That well they did ARDELIA know,
And that no Female's Voice below
They sooner wou'd obey:

That many of that rhiming Train,
On like Occasions, sought in vain
Their Industry t'excite;
But for ARDELIA all they'd leave:
Thus flatt'ring can the Muse deceive,
And wheedle us to write.

Yet, since there was such haste requir'd;
To know the Subject 'twas desir'd,
On which they must infuse;
That they might temper Words and Rules,
And with their Counsel carry Tools,
As Country-Doctors use.

Wherefore to cut off all Delays,
'Twas soon reply'd, a Husband's Praise
(Tho' in these looser Times)
ARDELIA gladly wou'd rehearse
A Husband's, who indulg'd her Verse,
And now requir'd her Rimes.

A Husband! eccho'd all around:
And to Parnassus sure that Sound
Had never yet been sent;
Amazement in each Face was read,
In haste th'affrighted Sisters fled,
And unto Council went.

Erato cry'd, since Grizel's Days,
Since Troy-Town pleas'd, and Chivey-chace,
No such Design was known;
And 'twas their Bus'ness to take care,
It reach'd not to the publick Ear,
Or got about the Town:

Nor came where Evening Beaux were met
O'er Billet-doux and Chocolate,
Lest it destroy'd the House;
For in that Place, who cou'd dispence
(That wore his Cloaths with common Sense)
With mention of a Spouse?

'Twas put unto the Vote at last,
And in the Negative it past,
None to her Aid shou'd move;
Yet since ARDELIA was a Friend,
Excuses 'twas agreed to send,
Which plausible might prove:

That Pegasus of late had been
So often rid thro' thick and thin,
With neither Fear nor Wit;
In Panegyrick been so spurr'd
He cou'd not from the Stall be stirr'd,
Nor wou'd endure the Bit.

Melpomene had given a Bond,
By the new House alone to stand,
And write of War and Strife;
Thalia, she had taken Fees,
And Stipends from the Patentees,
And durst not for her Life.

Urania only lik'd the Choice;
Yet not to thwart the publick Voice,
She whisp'ring did impart:
They need no Foreign Aid invoke,
No help to draw a moving Stroke,
Who dictate from the Heart.

Enough! the pleas'd ARDELIA cry'd;
And slighting ev'ry Muse beside,
Consulting now her Breast,
Perceiv'd that ev'ry tender Thought,
Which from abroad she'd vainly sought,
Did there in Silence rest:

And shou'd unmov'd that Post maintain,
Till in his quick Return again,
Met in some neighb'ring Grove,
(Where Vice nor Vanity appear)
Her FLAVIO them alone might hear,
In all the Sounds of Love.

For since the World do's so despise
Hymen's Endearments and its Ties,
They shou'd mysterious be;
Till We that Pleasure too possess
(Which makes their fancy'd Happiness)
Of stollen Secrecy.

poem by Anne Kingsmill Finch
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On the Death of E. Waller, Esq.

How, to thy Sacred Memory, shall I bring
(Worthy thy Fame) a grateful Offering?
I, who by Toils of Sickness, am become
Almost as near as thou art to a Tomb?
While every soft, and every tender Strain
Is ruffl'd, and ill-natur'd grown with Pain.
But, at thy Name, my languisht Muse revives,
And a new Spark in the dull Ashes strives.
I hear thy tuneful Verse, thy Song Divine;
And am lnspir'd by every charming Line.
But, Oh! –––––––––
What Inspiration, at the second hand,
Can an Immortal Elegic Command?
Unless, Me Pious Offerings, mine should be
Made Sacred, being Consecrate to thee.
Eternal, as thy own Almighty Verse,
Should be those Trophies that adom thy Hearse.
The Thought Illustrious, and the Fancy Young;
The Wit Sublime, the Judgment Fine, and Strong;
Soft, as thy Notes to Sacharissa sung.
Whilst mine, like Transitory Flowers, decay,
That come to deck thy Tomb a short-liv'd Day.
Such Tributes are, like Tenures, only fit
To shew from whom we hold our Right to Wit.
Hafl, wondrous Bard, whose Heav'n-born Genius first
My Infant Muse, and Blooming Fancy Nurst.
With thy soft Food of Love I first began,
Then fed on nobler Panegyrick Strain,
Numbers Seraphic! and, at every View,
My Soul extended, and much larger grew:

Where e're I Read, new Raptures seiz'd my Blood;
Methought I heard the Language of a God.
Long did the untun'd World in Ignorance stray,
Producing nothing that was Great and Gay,
Till taught, by thee, the true Poetick way.
Rough were the Tracts before, Dull, and Obscure;
Nor Pleasure, nor Instruction could procure.
Their thoughtless Labour could no Passion move;
Sure, in that Age, the Poets knew not Love:
That Charming God, like Apparitions, then
Was only talk'd on, but ne're seen by Men:
Darkness was o're the Muses Land displaid,
And even the Chosen Tribe unguided straid.
Till, by thee rescu'd from th' Egyptian Night,
They now look up, and view the God of Light,
That taught them how to Love, and how to Write;
And to Enhance the Blessing which Heav'n lent,
When for our great Instructor thou wert sent.
Large was thy Life, but yet thy Glories more;
And, like the Sun, did still dispense thy Power,
Producing somthing wondrous every hour:
And, in thy Circulary Course, didst see
The very Life and Death of Poetry.
Thou saw'st the Generous Nine neglected lie,
None listning to their Heav'nly Harmony;
The World being grown to that low Ebb of Sense,
To disesteem the noblest Excellence;
And no Encouragement to Phophets shewn,
Who in past Ages got so great Renown.
Though Fortune Elevated thee above
Its scanty Gratitude, or fickle Love;
Yet, fallen with the World, untir'd by Age,
Scorning th'unthinking Crowd, thou quit'st the Stage.

poem by Aphra Behn
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Sonnet XL: But Love

But love whilst that thou mayst be lov'd again,
Now whilst thy May hath fill'd thy lap with flowers;
Now, whilst thy beauty bears without a stain,
Now use thy Summer smiles ere Winter lours.
And whilst thou spread'st unto the rising sun,
The fairest flower that ever saw the light,
Now joy thy time before thy sweet be done;
And, Delia, think thy morning must have night,
And that thy brightness sets at length to west,
When thou wilt close up that which now thou showest,
And think the same becomes thy fading best
Which then shall hide it most and cover lowest.
Men do not weigh the stalk for that it was;
When once they find her flower, her glory pass.

poem by Samuel Daniel
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The Appology

'Tis true I write and tell me by what Rule
I am alone forbid to play the fool
To follow through the Groves a wand'ring Muse
And fain'd Idea's for my pleasures chuse
Why shou'd it in my Pen be held a fault
Whilst Mira paints her face, to paint a thought
Whilst Lamia to the manly Bumper flys
And borrow'd Spiritts sparkle in her Eyes
Why shou'd itt be in me a thing so vain
To heat with Poetry my colder Brain?
But I write ill and there-fore shou'd forbear
Does Flavia cease now at her fortieth year
In ev'ry Place to lett that face be seen
Which all the Town rejected at fifteen
Each Woman has her weaknesse; mind [sic] indeed
Is still to write tho' hopelesse to succeed
Nor to the Men is this so easy found
Ev'n in most Works with which the Witts abound
(So weak are all since our first breach with Heav'n)
Ther's lesse to be Applauded than forgiven.

poem by Anne Kingsmill Finch
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