The Lotos-eaters
"Courage!" he said, and pointed toward the land,
"This mounting wave will roll us shoreward soon."
In the afternoon they came unto a land
In which it seemed always afternoon.
All round the coast the languid air did swoon,
Breathing like one that hath a weary dream.
Full-faced above the valley stood the moon;
And like a downward smoke, the slender stream
Along the cliff to fall and pause and fall did seem.
A land of streams! some, like a downward smoke,
Slow-dropping veils of thinnest lawn, did go;
And some thro' wavering lights and shadows broke,
Rolling a slumbrous sheet of foam below.
They saw the gleaming river seaward flow
From the inner land: far off, three mountain-tops,
Three silent pinnacles of aged snow,
Stood sunset-flush'd: and, dew'd with showery drops,
Up-clomb the shadowy pine above the woven copse.
The charmed sunset linger'd low adown
In the red West: thro' mountain clefts the dale
Was seen far inland, and the yellow down
Border'd with palm, and many a winding vale
And meadow, set with slender galingale;
A land where all things always seem'd the same!
And round about the keel with faces pale,
Dark faces pale against that rosy flame,
The mild-eyed melancholy Lotos-eaters came.
Branches they bore of that enchanted stem,
Laden with flower and fruit, whereof they gave
To each, but whoso did receive of them,
And taste, to him the gushing of the wave
Far far away did seem to mourn and rave
On alien shores; and if his fellow spake,
His voice was thin, as voices from the grave;
And deep-asleep he seem'd, yet all awake,
And music in his ears his beating heart did make.
They sat them down upon the yellow sand,
Between the sun and moon upon the shore;
And sweet it was to dream of Fatherland,
Of child, and wife, and slave; but evermore
Most weary seem'd the sea, weary the oar,
Weary the wandering fields of barren foam.
Then some one said, "We will return no more";
And all at once they sang, "Our island home
Is far beyond the wave; we will no longer roam."CHORIC SONGI
There is sweet music here that softer falls
Than petals from blown roses on the grass,
Or night-dews on still waters between walls
Of shadowy granite, in a gleaming pass;
Music that gentlier on the spirit lies,
Than tir'd eyelids upon tir'd eyes;
Music that brings sweet sleep down from the blissful skies.
Here are cool mosses deep,
And thro' the moss the ivies creep,
And in the stream the long-leaved flowers weep,
And from the craggy ledge the poppy hangs in sleep."II
Why are we weigh'd upon with heaviness,
And utterly consumed with sharp distress,
While all things else have rest from weariness?
All things have rest: why should we toil alone,
We only toil, who are the first of things,
And make perpetual moan,
Still from one sorrow to another thrown:
Nor ever fold our wings,
And cease from wanderings,
Nor steep our brows in slumber's holy balm;
Nor harken what the inner spirit sings,
"There is no joy but calm!"
Why should we only toil, the roof and crown of things?III
Lo! in the middle of the wood,
The folded leaf is woo'd from out the bud
With winds upon the branch, and there
Grows green and broad, and takes no care,
Sun-steep'd at noon, and in the moon
Nightly dew-fed; and turning yellow
Falls, and floats adown the air.
Lo! sweeten'd with the summer light,
The full-juiced apple, waxing over-mellow,
Drops in a silent autumn night.
All its allotted length of days
The flower ripens in its place,
Ripens and fades, and falls, and hath no toil,
Fast-rooted in the fruitful soil.IV
Hateful is the dark-blue sky,
Vaulted o'er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone. Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone. What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful past.
Let us alone. What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.V
How sweet it were, hearing the downward stream,
With half-shut eyes ever to seem
Falling asleep in a half-dream!
To dream and dream, like yonder amber light,
Which will not leave the myrrh-bush on the height;
To hear each other's whisper'd speech;
Eating the Lotos day by day,
To watch the crisping ripples on the beach,
And tender curving lines of creamy spray;
To lend our hearts and spirits wholly
To the influence of mild-minded melancholy;
To muse and brood and live again in memory,
With those old faces of our infancy
Heap'd over with a mound of grass,
Two handfuls of white dust, shut in an urn of brass!VI
Dear is the memory of our wedded lives,
And dear the last embraces of our wives
And their warm tears: but all hath suffer'd change:
For surely now our household hearths are cold,
Our sons inherit us: our looks are strange:
And we should come like ghosts to trouble joy.
Or else the island princes over-bold
Have eat our substance, and the minstrel sings
Before them of the ten years' war in Troy,
And our great deeds, as half-forgotten things.
Is there confusion in the little isle?
Let what is broken so remain.
The Gods are hard to reconcile:
'Tis hard to settle order once again.
There is confusion worse than death,
Trouble on trouble, pain on pain,
Long labour unto aged breath,
Sore task to hearts worn out by many wars
And eyes grown dim with gazing on the pilot-stars.VII
But, propt on beds of amaranth and moly,
How sweet (while warm airs lull us, blowing lowly)
With half-dropt eyelid still,
Beneath a heaven dark and holy,
To watch the long bright river drawing slowly
His waters from the purple hill--
To hear the dewy echoes calling
From cave to cave thro' the thick-twined vine--
To watch the emerald-colour'd water falling
Thro' many a wov'n acanthus-wreath divine!
Only to hear and see the far-off sparkling brine,
Only to hear were sweet, stretch'd out beneath the pine.VIII
The Lotos blooms below the barren peak:
The Lotos blows by every winding creek:
All day the wind breathes low with mellower tone:
Thro' every hollow cave and alley lone
Round and round the spicy downs the yellow Lotos-dust is blown.
We have had enough of action, and of motion we,
Roll'd to starboard, roll'd to larboard, when the surge was seething free,
Where the wallowing monster spouted his foam-fountains in the sea.
Let us swear an oath, and keep it with an equal mind,
In the hollow Lotos-land to live and lie reclined
On the hills like Gods together, careless of mankind.
For they lie beside their nectar, and the bolts are hurl'd
Far below them in the valleys, and the clouds are lightly curl'd
Round their golden houses, girdled with the gleaming world:
Where they smile in secret, looking over wasted lands,
Blight and famine, plague and earthquake, roaring deeps and fiery sands,
Clanging fights, and flaming towns, and sinking ships, and praying hands.
But they smile, they find a music centred in a doleful song
Steaming up, a lamentation and an ancient tale of wrong,
Like a tale of little meaning tho' the words are strong;
Chanted from an ill-used race of men that cleave the soil,
Sow the seed, and reap the harvest with enduring toil,
Storing yearly little dues of wheat, and wine and oil;
Till they perish and they suffer--some, 'tis whisper'd--down in hell
Suffer endless anguish, others in Elysian valleys dwell,
Resting weary limbs at last on beds of asphodel.
Surely, surely, slumber is more sweet than toil, the shore
Than labour in the deep mid-ocean, wind and wave and oar;
O, rest ye, brother mariners, we will not wander more.Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities)
poem by Alfred Lord Tennyson
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To J. S.
The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.
And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade
Even with a verse your holy woe.
'Tis strange that those we lean on most,
Those in whose laps our limbs are nursed,
Fall into shadow, soonest lost:
Those we love first are taken first.
God gives us love. Something to love
He lends us; but, when love is grown
To ripeness, that on which it throve
Falls off, and love is left alone.
This is the curse of time. Alas!
In grief I am not all unlearn'd;
Once thro' mine own doors Death did pass;
One went, who never hath return'd.
He will not smile--not speak to me
Once more. Two years his chair is seen
Empty before us. That was he
Without whose life I had not been.
Your loss is rarer; for this star
Rose with you thro' a little arc
Of heaven, nor having wander'd far
Shot on the sudden into dark.
I knew your brother: his mute dust
I honour and his living worth:
A man more pure and bold and just
Was never born into the earth.
I have not look'd upon you nigh,
Since that dear soul hath fall'n asleep.
Great nature is more wise than I:
I will not tell you not to weep.
And tho' mine own eyes fill with dew,
Drawn from the spirit thro' the brain,
I will not even preach to you,
"Weep, weeping dulls the inward pain."
Let Grief be her own mistress still.
She loveth her own anguish deep
More than much pleasure. Let her will
Be done--to weep or not to weep.
I will not say "God's ordinance
Of death is blown in every wind;"
For that is not a common chance
That takes away a noble mind.
His memory long will live alone
In all our hearts, as mournful light
That broods above the fallen sun,
And dwells in heaven half the night.
Vain solace! Memory standing near
Cast down her eyes, and in her throat
Her voice seem'd distant, and a tear
Dropt on the letters as I wrote.
I wrote I know not what. In truth,
How should I soothe you anyway,
Who miss the brother of your youth?
Yet something I did wish to say:
For he too was a friend to me:
Both are my friends, and my true breast
Bleedeth for both: yet it may be
That only silence suiteth best.
Words weaker than your grief would make
Grief more. 'Twere better I should cease;
Although myself could almost take
The place of him that sleeps in peace.
Sleep sweetly, tender heart, in peace;
Sleep, holy spirit, blessed soul,
While the stars burn, the moons increase,
And the great ages onward roll.
Sleep till the end, true soul and sweet.
Nothing comes to thee new or strange,
Sleep full of rest from head to feet:
Lie still, dry dust, secure of change.
poem by Alfred Lord Tennyson
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A Song Of Comfort
"Sleep, weary ones, while ye may --
Sleep, oh, sleep!"
Eugene Field.
Thro' May time blossoms, with whisper low,
The soft wind sang to the dead below:
"Think not with regret on the Springtime's song
And the task ye left while your hands were strong.
The song would have ceased when the Spring was past,
And the task that was joyous be weary at last."
To the winter sky when the nights were long
The tree-tops tossed with a ceaseless song:
"Do ye think with regret on the sunny days
And the path ye left, with its untrod ways?
The sun might sink in a storm cloud's frown
And the path grow rough when the night came down."
In the grey twilight of the autumn eves,
It sighed as it sang through the dying leaves:
"Ye think with regret that the world was bright,
That your path was short and your task was light;
The path, though short, was perhaps the best
And the toil was sweet, that it led to rest."
poem by John McCrae
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Mariana In The South
With one black shadow at its feet,
The house thro' all the level shines,
Close-latticed to the brooding heat,
And silent in its dusty vines:
A faint-blue ridge upon the right,
An empty river-bed before,
And shallows on a distant shore,
In glaring sand and inlets bright.
But "Aye Mary," made she moan,
And "Aye Mary," night and morn,
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."
She, as her carol sadder grew,
From brow and bosom slowly down
Thro' rosy taper fingers drew
Her streaming curls of deepest brown
To left and right, and made appear,
Still-lighted in a secret shrine,
Her melancholy eyes divine,
The home of woe without a tear.
And "Aye Mary," was her moan,
"Madonna, sad is night and morn;"
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."
Till all the crimson changed, and past
Into deep orange o'er the sea,
Low on her knees herself she cast,
Before Our Lady murmur'd she:
Complaining, "Mother, give me grace
To help me of my weary load."
And on the liquid mirror glow'd
The clear perfection of her face.
"Is this the form," she made her moan,
"That won his praises night and morn?"
And "Ah," she said, "but I wake alone,
I sleep forgotten, I wake forlorn."
Nor bird would sing, nor lamb would bleat,
Nor any cloud would cross the vault,
But day increased from heat to heat,
On stony drought and steaming salt;
Till now at noon she slept again,
And seem'd knee-deep in mountain grass,
And heard her native breezes pass,
And runlets babbling down the glen.
She breathed in sleep a lower moan,
And murmuring, as at night and morn
She thought, "My spirit is here alone,
Walks forgotten, and is forlorn."
Dreaming, she knew it was a dream:
She felt he was and was not there.
She woke: the babble of the stream
Fell, and, without, the steady glare
Shrank one sick willow sere and small.
The river-bed was dusty-white;
And all the furnace of the light
Struck up against the blinding wall.
She whisper'd, with a stifled moan
More inward than at night or morn,
"Sweet Mother, let me not here alone
Live forgotten and die forlorn."
And, rising, from her bosom drew
Old letters, breathing of her worth,
For "Love", they said, "must needs be true,
To what is loveliest upon earth."
An image seem'd to pass the door,
To look at her with slight, and say,
"But now thy beauty flows away,
So be alone for evermore."
"O cruel heart," she changed her tone,
"And cruel love, whose end is scorn,
Is this the end to be left alone,
To live forgotten, and die forlorn?"
But sometimes in the falling day
An image seem'd to pass the door,
To look into her eyes and say,
"But thou shalt be alone no more."
And flaming downward over all
From heat to heat the day decreased,
And slowly rounded to the east
The one black shadow from the wall.
"The day to night," she made her moan,
"The day to night, the night to morn,
And day and night I am left alone
To live forgotten, and love forlorn."
At eve a dry cicala sung,
There came a sound as of the sea;
Backward the lattice-blind she flung,
And lean'd upon the balcony.
There all in spaces rosy-bright
Large Hesper glitter'd on her tears,
And deepening thro' the silent spheres
Heaven over Heaven rose the night.
And weeping then she made her moan,
"The night comes on that knows not morn,
When I shall cease to be all alone,
To live forgotten, and love forlorn."
poem by Alfred Lord Tennyson
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And like a Dying Lady, Lean and Pale
And like a dying lady, lean and pale,
Who totters forth, wrapp'd in a gauzy veil,
Out of her chamber, led by the insane
And feeble wanderings of her fading brain,
The moon arose up in the murky East,
A white and shapeless mass--Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities)
poem by Percy Bysshe Shelley
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Maud: A Monodrama (Part II, excerpt)
.
O that 'twere possible
.
After long grief and pain
.
To find the arms of my true love
.
Round me once again!2.
When I was wont to meet her
.
In the silent woody places
.
By the home that gave me birth,
.
We stood tranced in long embraces
.
Mixt with kisses sweeter sweeter
.
Than anything on earth.2.
A shadow flits before me,
.
Not thou, but like to thee:
.
Ah Christ, that it were possible
.
For one short hour to see
.
The souls we loved, that they might tell us
.
What and where they be.2.
It leads me forth at evening,
.
It lightly winds and steals
.
In a cold white robe before me,
.
When all my spirit reels
.
At the shouts, the leagues of lights,
.
And the roaring of the wheels.2.
Half the night I waste in sighs,
.
Half in dreams I sorrow after
.
The delight of early skies;
.
In a wakeful doze I sorrow
.
For the hand, the lips, the eyes,
.
For the meeting of the morrow,
.
The delight of happy laughter,
.
The delight of low replies.2.
'Tis a morning pure and sweet,
.
And a dewy splendour falls
.
On the little flower that clings
.
To the turrets and the walls;
.
'Tis a morning pure and sweet,
.
And the light and shadow fleet;
.
She is walking in the meadow,
.
And the woodland echo rings;
.
In a moment we shall meet;
.
She is singing in the meadow,
.
And the rivulet at her feet
.
Ripples on in light and shadow
.
To the ballad that she sings.2.
So I hear her sing as of old,
.
My bird with the shining head,
.
My own dove with the tender eye?
.
But there rings on a sudden a passionate cry,
.
There is some one dying or dead,
.
And a sullen thunder is roll'd;
.
For a tumult shakes the city,
.
And I wake, my dream is fled;
.
In the shuddering dawn, behold,
.
Without knowledge, without pity,
.
By the curtains of my bed
.
That abiding phantom cold.2.
Get thee hence, nor come again,
.
Mix not memory with doubt,
.
Pass, thou deathlike type of pain,
.
Pass and cease to move about!
.
'Tis the blot upon the brain
.
That will show itself without.2.
Then I rise, the eave-drops fall,
.
And the yellow vapours choke
.
The great city sounding wide;
.
The day comes, a dull red ball
.
Wrapt in drifts of lurid smoke
.
On the misty river-tide.2.
Thro' the hubbub of the market
.
I steal, a wasted frame;
.
It crosses here, it crosses there,
.
Thro' all that crowd confused and loud,
.
The shadow still the same;
.
And on my heavy eyelids
.
My anguish hangs like shame.2.
Alas for her that met me,
.
That heard me softly call,
.
Came glimmering thro' the laurels
.
At the quiet evenfall,
.
In the garden by the turrets
.
Of the old manorial hall.2.
Would the happy spirit descend
.
From the realms of light and song,
.
In the chamber or the street,
.
As she looks among the blest,
.
Should I fear to greet my friend
.
Or to say "Forgive the wrong,"
.
Or to ask her, "Take me, sweet,
.
To the regions of thy rest"?2.
But the broad light glares and beats,
.
And the shadow flits and fleets
.
And will not let me be;
.
And I loathe the squares and streets,
.
And the faces that one meets,
.
Hearts with no love for me:
.
Always I long to creep
.
Into some still cavern deep,
.
There to weep, and weep, and weep
.
My whole soul out to thee....
poem by Alfred Lord Tennyson
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Sweet Echo Dell
"Three there were that left my cot;
Two are here, and one is not;
Why does Willie linger? Say, can you tell?"
"He was weary by the way;
When we came he could but stay
In the shady grove at Sweet Echo Dell."
Echo Dell! (Echo Dell!) Echo Dell! (Echo Dell!)
It was there we softly said "Farewell!" ("Farewell!")
And the towering granite crest
Nobly guards his place rest,
Near the lovely lake of Sweet Echo Dell.
"Is he laden well with gold?
Does he bring me wealth untold?
Why then does he linger? Say can you tell?"
"All his treasures are above;
All he sent you was his love,
With a whispered prayer from Sweet Echo Dell."
Coming homeward, does he sing
Like a lark upon the wing?
Why then does he linger? Say, can you tell?"
Naught is heard but rippling waves,
Warbling birds, and shouting braves;
Silent is his voice in Sweet Echo Dell."
"Is he coming by-and-by?
May I bless him ere I die?
Why then does he linger? Say, can you tell?"
"Mirrored in that mountain lake,
Heaven is near, and he will wake
Never elsewhere than in Sweet Echo Dell."
"Would you crush my only joy?
Surely I shall meet my boy;
When then does he linger? Say, can you tell?"
"Never will his weary feet
Travel more, yet may soon meet
When your soul floats over Sweet Echo Dell."
poem by Henry Clay Work
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The Mountain Sprite
In yonder valley there dwelt, alone,
A youth, whose moments had calmly flown,
'Till spells came o'er him, and, day and night,
He was haunted and watch'd by a Mountain Sprite.
As once, by moonlight, he wander'd o'er
The golden sands of that Island shore,
A foot-print sparkled before his sight --
'Twas the fairy foot of the Mountain Sprite!
Beside a fountain, one sunny day,
As bending over the stream he lay,
There peep'd down o'er him two eyes of light,
And he saw in that mirror the Mountain Sprite.
He turn'd, but, lo, like a startled bird,
That spirit fled! -- and the youth but heard
Sweet music, such as marks the flight
Of some bird of song, from the Mountain Sprite.
One night, still haunted by that bright look,
The boy, bewilder'd, his pencil took.
And, guided only by memory's light,
Drew the once-seen form of the Mountain Sprite.
"Oh thou, who lovest the shadow," cried
A voice, low whispering by his side,
"Now turn and see," -- here the youth's delight
Seal'd the rosy lips of the Mountain Sprite.
"Of all the Spirits of land and sea,"
Then rapt he murmur'd, "there's none like thee,
And oft, oh oft, may thy foot thus light
In this lonely bower, sweet Mountain Sprite!"
poem by Thomas Moore
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The night wind
Have you ever heard the wind go "Yooooo"?
'T is a pitiful sound to hear!
It seems to chill you through and through
With a strange and speechless fear.
'T is the voice of the night that broods outside
When folk should be asleep,
And many and many's the time I've cried
To the darkness brooding far and wide
Over the land and the deep:
Whom do you want, O lonely night,
That you wail the long hours through?"
And the night would say in its ghostly way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
My mother told me long ago
(When I was a little tad)
That when the night went wailing so,
Somebody had been bad;
And then, when I was snug in bed,
Whither I had been sent,
With the blankets pulled up round my head,
I'd think of what my mother'd said,
And wonder what boy she meant!
And "Who's been bad to-day?" I'd ask
Of the wind that hoarsely blew,
And the voice would say in its meaningful way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
That this was true I must allow -
You'll not believe it, though!
Yes, though I'm quite a model now,
I was not always so.
And if you doubt what things I say,
Suppose you make the test;
Suppose, when you've been bad some day
And up to bed are sent away
From mother and the rest -
Suppose you ask, "Who has been bad?"
And then you'll hear what's true;
For the wind will moan in its ruefulest tone:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
poem by Eugene Field
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Light Between the Trees
Long, long, long the trail
Through the brooding forest-gloom,
Down the shadowy, lonely vale
Into silence, like a room
Where the light of life has fled,
And the jealous curtains close
Round the passionless repose
Of the silent dead.
Plod, plod, plod away,
Step by step in mouldering moss;
Thick branches bar the day
Over languid streams that cross
Softly, slowly, with a sound
In their aimless creeping
Like a smothered weeping,
Through the enchanted ground.
"Yield, yield, yield thy quest,"
Whispers through the woodland deep;
"Come to me and be at rest;
"I am slumber, I am sleep."
Then the weary feet would fail,
But the never-daunted will
Urges "Forward, forward still!
"Press along the trail!"
Breast, breast, breast the slope!
See, the path is growing steep.
Hark! a little song of hope
When the stream begins to leap.
Though the forest, far and wide,
Still shuts out the bending blue,
We shall finally win through,
Cross the long divide.
On, on, onward tramp!
Will the journey never end?
Over yonder lies the camp;
Welcome waits us there, my friend.
Can we reach it ere the night?
Upward, upward, never fear!
Look, the summit must be near;
See the line of light!
Red, red, red the shine
Of the splendour in the west,
Glowing through the ranks of pine,
Clear along the mountain-crest!
Long, long, long the trail
Out of sorrow's lonely vale;
But at last the traveller sees
Light between the trees!
poem by Henry Van Dyke
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The singing in god's acre
Out yonder in the moonlight, wherein God's Acre lies,
Go angels walking to and fro, singing their lullabies.
Their radiant wings are folded, and their eyes are bended low,
As they sing among the beds whereon the flowers delight to grow,--
"Sleep, oh, sleep!
The Shepherd guardeth His sheep.
Fast speedeth the night away,
Soon cometh the glorious day;
Sleep, weary ones, while ye may,
Sleep, oh, sleep!"
The flowers within God's Acre see that fair and wondrous sight,
And hear the angels singing to the sleepers through the night;
And, lo! throughout the hours of day those gentle flowers prolong
The music of the angels in that tender slumber-song,--
"Sleep, oh, sleep!
The Shepherd loveth His sheep.
He that guardeth His flock the best
Hath folded them to His loving breast;
So sleep ye now, and take your rest,--
Sleep, oh, sleep!"
From angel and from flower the years have learned that soothing song,
And with its heavenly music speed the days and nights along;
So through all time, whose flight the Shepherd's vigils glorify,
God's Acre slumbereth in the grace of that sweet lullaby,--
"Sleep, oh, sleep!
The Shepherd loveth His sheep.
Fast speedeth the night away,
Soon cometh the glorious day;
Sleep, weary ones, while ye may,--
Sleep, oh, sleep!"
poem by Eugene Field
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When Someone Says: "Alexandria"
When someone says: "Alexandria,"
I see the white walls of a house,
a small garden row of gillyflowers,
an autumn evening's pale sunlight
and hear the music of distant flutes.
When someone says: "Alexandria,"
I see stars above the hushed city,
drunken sailors in dark quarters,
a dancing girl performing the "wasp,"
and hear tambourines and the noise of fights.
When someone says "Alexandria,"
I see a pale purple sunset above the green sea,
the flickering of furry stars
and the light grey eyes beneath thick brows
that I see even when
no one says: "Alexandria!"
poem by Mikhail Alekseevich Kuzmin
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Divine Epigrams: On the Baptized Ethiopian
Let it no longer be a forlorn hope
To wash an Ethiope;
He's wash'd, his gloomy skin a peaceful shade,
For his white soul is made;
And now, I doubt not, the Eternal Dove
A black-fac'd house will love.Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities)
poem by Richard Crashaw
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Night-Scented Stock
White, white in the milky night
The moon danced over a tree.
"Wouldn't it be lovely to swim in the lake!"
Someone whispered to me.
"Oh, do-do-do!" cooed someone else,
And clasped her hands to her chin.
"I should so love to see the white bodies--
All the white bodies jump in!"
The big dark house hid secretly
Behind the magnolia and the spreading pear-tree;
But there was a sound of music--music rippled and ran
Like a lady laughing behind her fan,
Laughing and mocking and running away...
"Come into the garden--it's as light as day!"
"I can't dance to that Hungarian stuff,
The rhythm in it is not passionate enough,"
Said somebody. "I absolutely refuse...."
But he took off his socks and his shoes
And round he spun. "It's like Hungarian fruit dishes
Hard and bright--a mechanical blue!"
His white feet flicked in the grass like fishes...
Someone cried: "I want to dance, too!"
But one with a queer Russian ballet head
Curled up on a blue wooden bench instead.
And another, shadowy--shadowy and tall--
Walked in the shadow of the dark house wall,
Someone beside her. It shone in the gloom,
His round grey hat, like a wet mushroom.
"Don't you think perhaps..." piped someone's flute.
"How sweet the flowers smell!" I heard the other say.
Somebody picked a wet, wet pink,
Smelled it and threw it away.
"Is the moon a virgin or is she a harlot?"
Asked somebody. Nobody would tell.
The faces and the hands moved in a pattern
As the music rose and fell,
In a dancing, mysterious, moon-bright pattern
Like flowers nodding under the sea...
The music stopped and there was nothing left of them
But the moon dancing over the tree.
poem by Katherine Mansfield
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Oenone
There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.
"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.
"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.
"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,
And dewy-dark aloft the mountain pine:
Beautiful Paris, evil-hearted Paris,
Leading a jet-black goat white-horn'd, white-hooved,
Came up from reedy Simois all alone.
"O mother Ida, harken ere I die.
Far-off the torrent call'd me from the cleft:
Far up the solitary morning smote
The streaks of virgin snow. With down-dropt eyes
I sat alone: white-breasted like a star
Fronting the dawn he moved; a leopard skin
Droop'd from his shoulder, but his sunny hair
Cluster'd about his temples like a God's:
And his cheek brighten'd as the foam-bow brightens
When the wind blows the foam, and all my heart
Went forth to embrace him coming ere he came.
"Dear mother Ida, harken ere I die.
He smiled, and opening out his milk-white palm
Disclosed a fruit of pure Hesperian gold,
That smelt ambrosially, and while I look'd
And listen'd, the full-flowing river of speech
Came down upon my heart. `My own Œnone,
Beautiful-brow'd Œnone, my own soul,
Behold this fruit, whose gleaming rind ingrav'n
"For the most fair," would seem to award it thine,
As lovelier than whatever Oread haunt
The knolls of Ida, loveliest in all grace
Of movement, and the charm of married brows.'
"Dear mother Ida, harken ere I die.
He prest the blossom of his lips to mine,
And added 'This was cast upon the board,
When all the full-faced presence of the Gods
Ranged in the halls of Peleus; whereupon
Rose feud, with question unto whom 'twere due:
But light-foot Iris brought it yester-eve,
Delivering that to me, by common voice
Elected umpire, Herè comes to-day,
Pallas and Aphroditè, claiming each
This meed of fairest. Thou, within the cave
Behind yon whispering tuft of oldest pine,
Mayst well behold them unbeheld, unheard
Hear all, and see thy Paris judge of Gods.'
"Dear mother Ida, harken ere I die.
It was the deep midnoon: one silvery cloud
Had lost his way between the piney sides
Of this long glen. Then to the bower they came,
Naked they came to that smooth-swarded bower,
And at their feet the crocus brake like fire,
Violet, amaracus, and asphodel,
Lotos and lilies: and a wind arose,
And overhead the wandering ivy and vine,
This way and that, in many a wild festoon
Ran riot, garlanding the gnarled boughs
With bunch and berry and flower thro' and thro'.
"O mother Ida, harken ere I die.
On the tree-tops a crested peacock lit,
And o'er him flow'd a golden cloud, and lean'd
Upon him, slowly dropping fragrant dew.
Then first I heard the voice of her, to whom
Coming thro' Heaven, like a light that grows
Larger and clearer, with one mind the Gods
Rise up for reverence. She to Paris made
Proffer of royal power, ample rule
Unquestion'd, overflowing revenue
Wherewith to embellish state, 'from many a vale
And river-sunder'd champaign clothed with corn,
Or labour'd mine undrainable of ore.
Honour,' she said, 'and homage, tax and toll,
From many an inland town and haven large,
Mast-throng'd beneath her shadowing citadel
In glassy bays among her tallest towers.'
"O mother Ida, harken ere I die.
Still she spake on and still she spake of power,
'Which in all action is the end of all;
Power fitted to the season; wisdom-bred
And throned of wisdom--from all neighbour crowns
Alliance and allegiance, till thy hand
Fail from the sceptre-staff. Such boon from me,
From me, Heaven's Queen, Paris, to thee king-born,
A shepherd all thy life but yet king-born,
Should come most welcome, seeing men, in power
Only, are likest Gods, who have attain'd
Rest in a happy place and quiet seats
Above the thunder, with undying bliss
In knowledge of their own supremacy.'
"Dear mother Ida, harken ere I die.
She ceased, and Paris held the costly fruit
Out at arm's-length, so much the thought of power
Flatter'd his spirit; but Pallas where she stood
Somewhat apart, her clear and bared limbs
O'erthwarted with the brazen-headed spear
Upon her pearly shoulder leaning cold,
The while, above, her full and earnest eye
Over her snow-cold breast and angry cheek
Kept watch, waiting decision, made reply.
"`Self-reverence, self-knowledge, self-control,
These three alone lead life to sovereign power.
Yet not for power (power of herself
Would come uncall'd for) but to live by law,
Acting the law we live by without fear;
And, because right is right, to follow right
Were wisdom in the scorn of consequence.'
"Dear mother Ida, harken ere I die.
Again she said: 'I woo thee not with gifts.
Sequel of guerdon could not alter me
To fairer. Judge thou me by what I am,
So shalt thou find me fairest. Yet, indeed,
If gazing on divinity disrobed
Thy mortal eyes are frail to judge of fair,
Unbias'd by self-profit, oh! rest thee sure
That I shall love thee well and cleave to thee,
So that my vigour, wedded to thy blood,
Shall strike within thy pulses, like a God's,
To push thee forward thro' a life of shocks,
Dangers, and deeds, until endurance grow
Sinew'd with action, and the full-grown will,
Circled thro' all experiences, pure law,
Commeasure perfect freedom.' Here she ceas'd
And Paris ponder'd, and I cried, 'O Paris,
Give it to Pallas!' but he heard me not,
Or hearing would not hear me, woe is me!
"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Italian Aphroditè beautiful,
Fresh as the foam, new-bathed in Paphian wells,
With rosy slender fingers backward drew
From her warm brows and bosom her deep hair
Ambrosial, golden round her lucid throat
And shoulder: from the violets her light foot
Shone rosy-white, and o'er her rounded form
Between the shadows of the vine-bunches
Floated the glowing sunlights, as she moved.
"Dear mother Ida, harken ere I die.
She with a subtle smile in her mild eyes,
The herald of her triumph, drawing nigh
Half-whisper'd in his ear, 'I promise thee
The fairest and most loving wife in Greece.'
She spoke and laugh'd: I shut my sight for fear:
But when I look'd, Paris had raised his arm,
And I beheld great Herè's angry eyes,
As she withdrew into the golden cloud,
And I was left alone within the bower;
And from that time to this I am alone,
And I shall be alone until I die.
"Yet, mother Ida, harken ere I die.
Fairest--why fairest wife? am I not fair?
My love hath told me so a thousand times.
Methinks I must be fair, for yesterday,
When I past by, a wild and wanton pard,
Eyed like the evening star, with playful tail
Crouch'd fawning in the weed. Most loving is she?
Ah me, my mountain shepherd, that my arms
Were wound about thee, and my hot lips prest
Close, close to thine in that quick-falling dew
Of fruitful kisses, thick as Autumn rains
Flash in the pools of whirling Simois!
"O mother, hear me yet before I die.
They came, they cut away my tallest pines,
My tall dark pines, that plumed the craggy ledge
High over the blue gorge, and all between
The snowy peak and snow-white cataract
Foster'd the callow eaglet--from beneath
Whose thick mysterious boughs in the dark morn
The panther's roar came muffled, while I sat
Low in the valley. Never, never more
Shall lone Œnone see the morning mist
Sweep thro' them; never see them overlaid
With narrow moon-lit slips of silver cloud,
Between the loud stream and the trembling stars.
"O mother, hear me yet before I die.
I wish that somewhere in the ruin'd folds,
Among the fragments tumbled from the glens,
Or the dry thickets, I could meet with her
The Abominable, that uninvited came
Into the fair Pele{:i}an banquet-hall,
And cast the golden fruit upon the board,
And bred this change; that I might speak my mind,
And tell her to her face how much I hate
Her presence, hated both of Gods and men.
"O mother, hear me yet before I die.
Hath he not sworn his love a thousand times,
In this green valley, under this green hill,
Ev'n on this hand, and sitting on this stone?
Seal'd it with kisses? water'd it with tears?
O happy tears, and how unlike to these!
O happy Heaven, how canst thou see my face?
O happy earth, how canst thou bear my weight?
O death, death, death, thou ever-floating cloud,
There are enough unhappy on this earth,
Pass by the happy souls, that love to live:
I pray thee, pass before my light of life,
And shadow all my soul, that I may die.
Thou weighest heavy on the heart within,
Weigh heavy on my eyelids: let me die.
"O mother, hear me yet before I die.
I will not die alone, for fiery thoughts
Do shape themselves within me, more and more,
Whereof I catch the issue, as I hear
Dead sounds at night come from the inmost hills,
Like footsteps upon wool. I dimly see
My far-off doubtful purpose, as a mother
Conjectures of the features of her child
Ere it is born: her child!--a shudder comes
Across me: never child be born of me,
Unblest, to vex me with his father's eyes!
"O mother, hear me yet before I die.
Hear me, O earth. I will not die alone,
Lest their shrill happy laughter come to me
Walking the cold and starless road of death
Uncomforted, leaving my ancient love
With the Greek woman. I will rise and go
Down into Troy, and ere the stars come forth
Talk with the wild Cassandra, for she says
A fire dances before her, and a sound
Rings ever in her ears of armed men.
What this may be I know not, but I know
That, wheresoe'er I am by night and day,
All earth and air seem only burning fire."
poem by Alfred Lord Tennyson
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Aladdin and the Jinn
"Bring me soft song," said Aladdin.
"This tailor-shop sings not at all.
Chant me a word of the twilight,
Of roses that mourn in the fall.
Bring me a song like hashish
That will comfort the stale and the sad,
For I would be mending my spirit,
Forgetting these days that are bad,
Forgetting companions too shallow,
Their quarrels and arguments thin,
Forgetting the shouting Muezzin:"--
"I AM YOUR SLAVE," said the Jinn.
"Bring me old wines," said Aladdin.
"I have been a starved pauper too long.
Serve them in vessels of jade and of shell,
Serve them with fruit and with song:--
Wines of pre-Adamite Sultans
Digged from beneath the black seas:--
New-gathered dew from the heavens
Dripped down from Heaven's sweet trees,
Cups from the angels' pale tables
That will make me both handsome and wise,
For I have beheld her, the princess,
Firelight and starlight her eyes.
Pauper I am, I would woo her.
And--let me drink wine, to begin,
Though the Koran expressly forbids it."
"I AM YOUR SLAVE," said the Jinn.
"Plan me a dome," said Aladdin,
"That is drawn like the dawn of the MOON,
When the sphere seems to rest on the mountains,
Half-hidden, yet full-risen soon."
Build me a dome," said Aladdin,"
That shall cause all young lovers to sigh,
The fullness of life and of beauty,
Peace beyond peace to the eye--
A palace of foam and of opal,
Pure moonlight without and within,
Where I may enthrone my sweet lady."
"I AM YOUR SLAVE," said the Jinn.
poem by Vachel Lindsay
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A Sequence of Sonnets on the Death of Robert Browning
I1.
The clearest eyes in all the world they read
.
With sense more keen and spirit of sight more true
.
Than burns and thrills in sunrise, when the dew
.
Flames, and absorbs the glory round it shed,
.
As they the light of ages quick and dead,
.
Closed now, forsake us: yet the shaft that slew
.
Can slay not one of all the works we knew,
.
Nor death discrown that many-laurelled head.
.
The works of words whose life seems lightning wrought,
.
And moulded of unconquerable thought,
.
And quickened with imperishable flame,
.
Stand fast and shine and smile, assured that nought
.
May fade of all their myriad-moulded fame,
.
Nor England's memory clasp not Browning's name.[Composition Date:] December 13, 1889.II2.
Death, what hast thou to do with one for whom
.
Time is not lord, but servant? What least part
.
Of all the fire that fed his living heart,
.
Of all the light more keen that sundawn's bloom
.
That lit and led his spirit, strong as doom
.
And bright as hope, can aught thy breath may dart
.
Quench? Nay, thou knowest he knew thee what thou art,
.
A shadow born of terror's barren womb,
.
That brings not forth save shadows. What art thou,
.
To dream, albeit thou breathe upon his brow,
.
That power on him is given thee,--that thy breath
.
Can make him less than love acclaims him now,
.
And hears all time sound back the word it saith?
.
What part hast thou then in his glory, Death?III3.
A graceless doom it seems that bids us grieve:
.
Venice and winter, hand in deadly hand,
.
Have slain the lover of her sunbright strand
.
And singer of a stormbright Christmas Eve.
.
A graceless guerdon we that loved receive
.
For all our love, from that the dearest land
.
Love worshipped ever. Blithe and soft and bland,
.
Too fair for storm to scathe or fire to cleave,
.
Shone on our dreams and memories evermore
.
The domes, the towers, the mountains and the shore
.
That gird or guard thee, Venice: cold and black
.
Seems now the face we loved as he of yore.
.
We have given thee love--no stint, no stay, no lack:
.
What gift, what gift is this thou hast given us back?IV4.
But he--to him, who knows what gift is thine,
.
Death? Hardly may we think or hope, when we
.
Pass likewise thither where to-night is he,
.
Beyond the irremeable outer seas that shine
.
And darken round such dreams as half divine
.
Some sunlit harbour in that starless sea
.
Where gleams no ship to windward or to lee,
.
To read with him the secret of thy shrine.4.
There too, as here, may song, delight, and love,
.
The nightingale, the sea-bird, and the dove,
.
Fulfil with joy the splendour of the sky
.
Till all beneath wax bright as all above:
.
But none of all that search the heavens, and try
.
The sun, may match the sovereign eagle's eye.[Composition Date:] December 14[, 1889]
V5.
Among the wondrous ways of men and time
.
He went as one that ever found and sought
.
And bore in hand the lamp-like spirit of thought
.
To illume with instance of its fire sublime
.
The dusk of many a cloud-like age and clime.
.
No spirit in shape of light and darkness wrought,
.
No faith, no fear, no dream, no rapture, nought
.
That blooms in wisdom, naught that burns in crime,
.
No virtue girt and armed and helmed with light,
.
No love more lovely than the snows are white,
.
No serpent sleeping in some dead soul's tomb,
.
No song-bird singing from some live soul's height,
.
But he might hear, interpret, or illume
.
With sense invasive as the dawn of doom.VI6.
What secret thing of splendour or of shade
.
Surmised in all those wandering ways wherein
.
Man, led of love and life and death and sin,
.
Strays, climbs, or cowers, allured, absorbed, afraid,
.
Might not the strong and sun-like sense invade
.
Of that full soul that had for aim to win
.
Light, silent over time's dark toil and din,
.
Life, at whose touch death fades as dead things fade?
.
O spirit of man, what mystery moves in thee
.
That he might know not of in spirit, and see
.
The heart within the heart that seems to strive,
.
The life within the life that seems to be,
.
And hear, through all thy storms that whirl and drive,
.
The living sound of all men's souls alive?VII7.
He held no dream worth waking: so he said,
.
He who stands now on death's triumphal steep,
.
Awakened out of life wherein we sleep
.
And dream of what he knows and sees, being dead.
.
But never death for him was dark or dread:
.
"Look forth" he bade the soul, and fear not. Weep,
.
All ye that trust not in his truth, and keep
.
Vain memory's vision of a vanished head
.
As all that lives of all that once was he
.
Save that which lightens from his word: but we,
.
Who, seeing the sunset-coloured waters roll,
.
Yet know the sun subdued not of the sea,
.
Nor weep nor doubt that still the spirit is whole,
.
And life and death but shadows of the soul.[Composition Date:] December 15, 1890.Credits and CopyrightTogether with the editors, the Department ofEnglish (University of Toronto), and the University of Toronto Press,the following individuals share copyright for the work that wentinto this edition:Screen Design (Electronic Edition): Sian Meikle (University ofToronto Library)Scanning: Sharine Leung (Centre for Computing in the Humanities)
poem by Algernon Charles Swinburne
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Hymn
I HEARD a voice at midnight, and it cried,
"O weary heart, O soul for which I died,
Why wilt thou spurn My wounded hands and side?
"Is there a heart more tender, more divine,
Than that sad heart which gave itself for thine?
5
Could there be love more warm, more full than Mine?
"What other touch can still thy trembling breath?
What other hand can hold thee after death?
What bread so sweet to him that hungereth?
"Warm is thy chamber, soft and warm thy bed;
10
Bleak, howling winds are round the path I tread;—
The Son of man can nowhere lay His head.
"Wilt thou not open to Me? To and fro
I wander, weary, thro' the driving snow;
But colder still that thou wouldst spurn Me so.
15
"I have a crown more bright than all that be,
I have a kingdom wider than the sea;
But both have I abandoned, seeking thee.
"Poor, weary heart, so worn and sad within!
Oh, open to thy Friend, thy Stay from sin,
20
That I, with all My love, may enter in."
I heard a voice at midnight, and I cried,
"O Lord, I need Thy wounded hands and side—
I need Thy love,—Lord, enter and abide."
poem by Frederick George Scott
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The Dream
Said Will: "I'll stay and till the land."
Said Jack: "I'll sail the sea."
So one went forth kit-bag in hand,
The other ploughed the lea.
They met again at Christmas-tide,
And wistful were the two.
Said Jack: "you're lucky here to bide."
Said Will: "I envy you."
"For in your eyes a light I see
Of tropic shores agleam."
Said Jack: "You need not envy me,
For still you have the Dream.
"The Dream that lured me out to sea;
'Twas bright as paradise;
Far fairer than the memory
You see within my eyes.
So if my foolish urge you share
In foreign lands to roam,
Take up my kit-bag waiting there
And I will stay at home."
* * * * * * * *
Yet while the years have fated Will
To sow the sober loam,
The eyes of Jack are starry still,
High-riding hills of foam.
poem by Robert William Service
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Aileen
A splendid sun betwixt the trees
Long spikes of flame did shoot,
When turning to the fragrant South,
With longing eyes and burning mouth,
I stretched a hand athwart the drouth,
And plucked at cooling fruit.
So thirst was quenched, and hastening on
With strength returned to me,
I set my face against the noon,
And reached a denser forest soon;
Which dipped into a still lagoon
Hard by the sooming sea.
All day the ocean beat on bar
And bank of gleaming sand;
Yet that lone pool was always mild,
It never moved when waves were wild,
But slumbered, like a quiet child,
Upon the lap of land.
And when I rested on the brink,
Amongst the fallen flowers,
I lay in calm; no leaves were stirred
By breath of wind, or wing of bird;
It was so still, you might have heard
The footfalls of the hours.
Faint slumbrous scents of roses filled
The air which covered me:
My words were low -- "she loved them so,
In Eden vales such odours blow:
How strange it is that roses grow
So near the shores of Sea!"
A sweeter fragrance never came
Across the Fields of Yore!
And when I said -- "we here would dwell," --
A low voice on the silence fell --
"Ah! if you loved the roses well,
You loved Aileen the more." "Ay, that I did, and now would turn,
And fall and worship her!
But Oh, you dwell so far -- so high!
One cannot reach, though he may try,
The Morning land, and Jasper sky --
The balmy hills of Myrrh.
"Why vex me with delicious hints
Of fairest face, and rarest blooms;
You Spirit of a darling Dream
Which links itself with every theme
And thought of mine by surf or stream,
In glens -- or caverned glooms?"
She said, "thy wishes led me down,
From amaranthine bowers:
And since my face was haunting thee
With roses (dear which used to be),
They all have hither followed me,
The scents and shapes of flowers."
"Then stay, mine own evangel, stay!
Or, going, take me too;
But let me sojourn by your side,
If here we dwell or there abide,
It matters not!" I madly cried --
"I only care for you."
Oh, glittering Form that would not stay! --
Oh, sudden, sighing breeze!
A fainting rainbow dropped below
Far gleaming peaks and walls of snow
And there, a weary way, I go,
Towards the Sunrise seas.
poem by Henry Kendall
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The Lady of Shalott (1842)
PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers " 'Tis the fairy
Lady of Shalott."PART II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed:
"I am half sick of shadows," said
The Lady of Shalott.PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.
And down the river's dim expanse
Like some bold seër in a trance,
Seeing all his own mischance--
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Lying, robed in snowy white
That loosely flew to left and right--
The leaves upon her falling light--
Thro' the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."
poem by Alfred Lord Tennyson
Submitted by Poetry Lover
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