
The Lady of Shalott (1842)
PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers " 'Tis the fairy
Lady of Shalott."PART II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.
And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed:
"I am half sick of shadows," said
The Lady of Shalott.PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.
And down the river's dim expanse
Like some bold seër in a trance,
Seeing all his own mischance--
With a glassy countenance
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
Lying, robed in snowy white
That loosely flew to left and right--
The leaves upon her falling light--
Thro' the noises of the night
She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."
poem by Alfred Lord Tennyson

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The Lady of Shalott (1832)
PART I
On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot;
The yellow-leaved waterlily
The green-sheathed daffodilly
Tremble in the water chilly
Round about Shalott.
Willows whiten, aspens shiver.
The sunbeam showers break and quiver
In the stream that runneth ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
Underneath the bearded barley,
The reaper, reaping late and early,
Hears her ever chanting cheerly,
Like an angel, singing clearly,
O'er the stream of Camelot.
Piling the sheaves in furrows airy,
Beneath the moon, the reaper weary
Listening whispers, ' 'Tis the fairy,
Lady of Shalott.'
The little isle is all inrail'd
With a rose-fence, and overtrail'd
With roses: by the marge unhail'd
The shallop flitteth silken sail'd,
Skimming down to Camelot.
A pearl garland winds her head:
She leaneth on a velvet bed,
Full royally apparelled,
The Lady of Shalott.
PART II
No time hath she to sport and play:
A charmed web she weaves alway.
A curse is on her, if she stay
Her weaving, either night or day,
To look down to Camelot.
She knows not what the curse may be;
Therefore she weaveth steadily,
Therefore no other care hath she,
The Lady of Shalott.
She lives with little joy or fear.
Over the water, running near,
The sheepbell tinkles in her ear.
Before her hangs a mirror clear,
Reflecting tower'd Camelot.
And as the mazy web she whirls,
She sees the surly village churls,
And the red cloaks of market girls
Pass onward from Shalott.
Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot:
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
And music, came from Camelot:
Or when the moon was overhead
Came two young lovers lately wed;
`I am half sick of shadows,' said
The Lady of Shalott.PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flam'd upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
As he rode down from Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his arm our rung,
Beside remote Shalott.
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down from Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over green Shalott.
His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down from Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
'Tirra lirra, tirra lirra:'
Sang Sir Lancelot.
She left the web, she left the loom
She made three paces thro' the room
She saw the water-flower bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
'The curse is come upon me,' cried
The Lady of Shalott.PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
Over tower'd Camelot;
Outside the isle a shallow boat
Beneath a willow lay afloat,
Below the carven stern she wrote,
The Lady of Shalott.
A cloudwhite crown of pearl she dight,
All raimented in snowy white
That loosely flew (her zone in sight
Clasp'd with one blinding diamond bright)
Her wide eyes fix'd on Camelot,
Though the squally east-wind keenly
Blew, with folded arms serenely
By the water stood the queenly
Lady of Shalott.
With a steady stony glance--
Like some bold seer in a trance,
Beholding all his own mischance,
Mute, with a glassy countenance--
She look'd down to Camelot.
It was the closing of the day:
She loos'd the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.
As when to sailors while they roam,
By creeks and outfalls far from home,
Rising and dropping with the foam,
From dying swans wild warblings come,
Blown shoreward; so to Camelot
Still as the boathead wound along
The willowy hills and fields among,
They heard her chanting her deathsong,
The Lady of Shalott.
A longdrawn carol, mournful, holy,
She chanted loudly, chanted lowly,
Till her eyes were darken'd wholly,
And her smooth face sharpen'd slowly,
Turn'd to tower'd Camelot:
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden wall and gallery,
A pale, pale corpse she floated by,
Deadcold, between the houses high,
Dead into tower'd Camelot.
Knight and burgher, lord and dame,
To the planked wharfage came:
Below the stern they read her name,
The Lady of Shalott.
They cross'd themselves, their stars they blest,
Knight, minstrel, abbot, squire, and guest.
There lay a parchment on her breast,
That puzzled more than all the rest,
The wellfed wits at Camelot.
'The web was woven curiously,
The charm is broken utterly,
Draw near and fear not,--this is I,
The Lady of Shalott.'
poem by Alfred Lord Tennyson

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The Lady Or The Tramp - a warm up poem
The river or the island
The island or the Camelot
The Shalott or Sir Lancelot
A magic web or a broken heart
A real life lived or a lonely art
Four towers or the fragrant flowers
The Shalott or The Camelot
The mirror or Sir Lancelot
A water lily or an aspen tree
Be imprisoned or just set free
Art to create or life to be
The Shalott or Sir Lancelot
The mirror or The Camelot
The silent coffin or the singing boat
The noise of heaven or silence remote
Live love and die or weave the sky
The Shalott or The Camelot
The mirror or Sir Lancelot
The glassy road or a towered space
To live by shadows or see their face
To take a breath or live in death
The Shalott or Sir Lancelot
The mirror or The Camelot
To weave or breathe or die of thirst
To break the spell or just stay cursed
Chose well or chose what's first
The Shalott or The Camelot
The mirror or Sir Lancelot
poem by Miroslava Odalovic

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The Lady Of Shallot: Mirror Mind Exposed
interesting no one ever sees
our Lady of Shallot mystery
is spoken of like a fairy lady
even her name unknown remains
woman sitting in looming isolation cloistered
view casement window is even near untouched
veil prototype Mona Lisa not pictured framed
not seen at her window looking out landscaped
the Lady of Shallot never sees direct world near at hand
from cloistered distance what is felt smelt touched real
her mirror hangs upon a wall events it tells yearly small
shadows of life reversed seen mirrored move are framed...
within her mirror within in mind
upon her loom in still frozen time
she weaves life distant glimpsed
when passions rise fate will chime
she threads scenes
life she never knows
through casement window closed
allowed seen only shadow world
she threads her season passing scenes
ordinary exquisite life she never knows
reflections through casement window closed
to see puppet shows shift shadow cast world...
looking out through mirror the mirror image is the world
still life tapestry fascinating she is weaving mirror imaged
do we also see only mirror images as life rivers flow past?
upon what fleeting moments will our own life die be cast?
the Lady of Shallot suffers from a mysterious curse
she must continually weave her loom images shadows
without ever looking directly out at world dangers
what strange change daily scenes her mirror reflects
by her island the busy road the people of Camelot pass
what is her looming curse she avoids but never knows?
dangers lurk looking out near window Yes? No? Yes?
Is it...? Love? Love or risk of love? Love slays souls? ...
Is love a danger that foul may slay a young maiden's heart?
What light ignites eyes at first sight a love for Sir Lancelot?
Love is a swooning fascinating risk can it kill young heart?
Love kills young innocence that first love the first love lost?
a tower secluded by water and height may well fall at night
a shield sparkled on the long yellow field a red-cross knight
an illicit love affair like a silver bugle calls blue purple night
a constellation of stars is offset by path bearded meteor bright
red yellow silver, blue purple coal-black curls, peacock colours
maiden cheeks flaming as in arrayed display Sir Lancelot poses
mist siren song ‘Tirra lirra' come embrace be my lover entices
out flew her web floated wide caught she be in traps love tides...
her mirror crack'd from side to side run meet lover at river side
to run meet in woods Sir Lancelot maidenhood cannot survive...
floating downstream with wedding dreams snowy white robed
heard her singing her last maid song life broken barely alive...
heard was carol mournful holy chanted loudly chanted lowly
her blood love impaled frozen slowly eyes darken'd wholly...
ere she reach'd Camelot upon the tide first house at water-side
sweet tender enchanting; singing maiden; in her song she died...
dressed in cloud-white crown death pearl shroud she will delight
her wide eyes fixed on Camelot this night survive she will not...
bewitched sight steady stony glance love she be a seer in a trance
behold mischance cast love lance a wax mute glassy countenance...
'She left the web, she left the loom;
She made three paces thro' the room, ...
Out flew the web and floated wide;
The mirror crack'd from side to side; ...
'The curse is come upon me, ' cried
The Lady of Shalott' caught in passion tide...
virgin magic strung weaved glitters entices all
comes illicit consummation then comes the fall...
'And round the prow they read her name'
'The Lady of Shalott' won undying fame...
'Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear, ...
But Lancelot mused a little space;
He said, 'She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott' twas embowered chase...
'Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly, ...
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ''Tis the fairy
Lady of Shalott' singing ghostly merry...
once she lived alone loom tapestry embowered
now a constellation of stars haunting flowered...
Quotations from 'The Lady Of Shallot' by Alfred Lord Tennyson.
poem by Terence George Craddock

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Guenevere
We had a game
I called her guenevere
And she would always call me galahad
I was her king
She was my queen
My guenevere
The days were warm
The nights were sweet
I didnt think
That something troubling me
My guenevere
You left one night
Farewell guenevere
Where are you
Guenevere come back to camelot
Galahad is waiting
Guenevere come back to camelot
Watch the morning breaking
The city streets
No longer are
The english countryside
They used to be
My armor rusts
My sword is waiting
For guenevere
Where are you
Guenevere come back to camelot
Galahad is waiting
Guenevere come back to camelot
Watch the morning breaking
All the songs
I used to sing
I long to sing
For you
Said in my letter
Write me soon
Im waiting here
My lady
Guenevere come back to camelot
Galahad is waiting
Guenevere come back to camelot
Watch the morning breaking
Guenevere come back to camelot
Galahad is waiting
Guenevere come back to camelot
Watch the morning breaking...
song performed by by Rick Springfield

Submitted by Lucian Velea
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The Framing Shop
I walked into the framing shop
to browse some pictures idly
and suddenly I saw you there
whispering come buy me.
Lying in a little boat,
so quietly and woebegone
there you were, my lady fair,
drifting down to Camelot.
My mother used to read to me
about the mirror and the curse
and I remember every word
of every single, tragic verse.
I have no mirror or a curse,
no handsome knight to love
and yet my sweet and gentle maid
I mirror you in many ways.
I sit behind a monitor screen
I surf the web I'm never seen
but hide beneath my own dark dreams
in down town Camelot.
poem by Ruth Walters

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I Will Wait
Behind the tomato fence
I sit as quietly as Sunday
waiting for her to come
and hum me Camelot,
where I have won a showdown
with the red wasps that stole
her ruby nectar.
But the only sound I hear
are the flirty chirps of sparrows,
and the only thing I feel
is air.
Still, I will wait
behind the tomato fence,
sitting as quietly as Sunday
for her to come
and hum me Camelot.
And when I catch sight of her
I know I'll gasp just like I always do.
She steals my heart away in chunks you see,
but she will blow me off
not even noticing I am here
worshiping her shimmer.
Still, I will wait
behind the tomato fence,
sitting as quietly as Sunday
for her to come
and hum me Camelot.
Meanwhile fragrant basil
smiles my mood,
and rosemary is drying.
There is an eye full of brightest brilliant blue,
and a crescent of white moon dying.
Here I will wait
behind the tomato fence,
sitting as quietly as Sunday
for her to come
and hum me Camelot.
poem by Sara Fielder

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Mariana In The South
With one black shadow at its feet,
The house thro' all the level shines,
Close-latticed to the brooding heat,
And silent in its dusty vines:
A faint-blue ridge upon the right,
An empty river-bed before,
And shallows on a distant shore,
In glaring sand and inlets bright.
But "Aye Mary," made she moan,
And "Aye Mary," night and morn,
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."
She, as her carol sadder grew,
From brow and bosom slowly down
Thro' rosy taper fingers drew
Her streaming curls of deepest brown
To left and right, and made appear,
Still-lighted in a secret shrine,
Her melancholy eyes divine,
The home of woe without a tear.
And "Aye Mary," was her moan,
"Madonna, sad is night and morn;"
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."
Till all the crimson changed, and past
Into deep orange o'er the sea,
Low on her knees herself she cast,
Before Our Lady murmur'd she:
Complaining, "Mother, give me grace
To help me of my weary load."
And on the liquid mirror glow'd
The clear perfection of her face.
"Is this the form," she made her moan,
"That won his praises night and morn?"
And "Ah," she said, "but I wake alone,
I sleep forgotten, I wake forlorn."
Nor bird would sing, nor lamb would bleat,
Nor any cloud would cross the vault,
But day increased from heat to heat,
On stony drought and steaming salt;
Till now at noon she slept again,
And seem'd knee-deep in mountain grass,
And heard her native breezes pass,
And runlets babbling down the glen.
She breathed in sleep a lower moan,
And murmuring, as at night and morn
She thought, "My spirit is here alone,
Walks forgotten, and is forlorn."
Dreaming, she knew it was a dream:
She felt he was and was not there.
She woke: the babble of the stream
Fell, and, without, the steady glare
Shrank one sick willow sere and small.
The river-bed was dusty-white;
And all the furnace of the light
Struck up against the blinding wall.
She whisper'd, with a stifled moan
More inward than at night or morn,
"Sweet Mother, let me not here alone
Live forgotten and die forlorn."
And, rising, from her bosom drew
Old letters, breathing of her worth,
For "Love", they said, "must needs be true,
To what is loveliest upon earth."
An image seem'd to pass the door,
To look at her with slight, and say,
"But now thy beauty flows away,
So be alone for evermore."
"O cruel heart," she changed her tone,
"And cruel love, whose end is scorn,
Is this the end to be left alone,
To live forgotten, and die forlorn?"
But sometimes in the falling day
An image seem'd to pass the door,
To look into her eyes and say,
"But thou shalt be alone no more."
And flaming downward over all
From heat to heat the day decreased,
And slowly rounded to the east
The one black shadow from the wall.
"The day to night," she made her moan,
"The day to night, the night to morn,
And day and night I am left alone
To live forgotten, and love forlorn."
At eve a dry cicala sung,
There came a sound as of the sea;
Backward the lattice-blind she flung,
And lean'd upon the balcony.
There all in spaces rosy-bright
Large Hesper glitter'd on her tears,
And deepening thro' the silent spheres
Heaven over Heaven rose the night.
And weeping then she made her moan,
"The night comes on that knows not morn,
When I shall cease to be all alone,
To live forgotten, and love forlorn."
poem by Alfred Lord Tennyson

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A Legend Of Tintagel Castle
ALONE in the forest, Sir Lancelot rode
O'er the neck of his courser the reins lightly flowed
And beside hung his helmet, for bare was his brow
To meet the soft breeze that was fanning him now.
And 'the flowers of the forest' were many and sweet,
Which, crushed at each step by his proud courser's feet,
Gave forth all their fragrance, while thick over-head
The boughs of the oak and the elm-tree were spread.
The wind stirred its branches, as if its low suit
Were urged, like a lover who wakens the lute,
And through the dark foliage came sparkling and bright
Like rain from the green leaves, in small gems of light.
There was stillness, not silence, for dancing along,
A brook went its way like a child with a song;
Now hidden, where rushes and water-flags grow;
Now clear, while white pebbles were glistening below.
Lo, bright as a vision, and fair as a dream,
The face of a maiden is seen in the stream;
With her hair like a mantle of gold to her knee,
Stands a lady as lovely as lady can be.
Short speech tells a love-tale;—the bard's sweetest words
Are poor, beside those which each memory hoards;
Sound of some gentle whisper, the haunting and low,
Such as love may have murmured—ah, long, long ago.
She led him away to an odorous cave,
Where the emerald spars shone like stars in the wave,
And the green moss and violets crowded beneath,
And the ash at the entrance hung down like a wreath.
They might have been happy, if love could but learn
A lesson from some flowers, and like their leaves turn
Round their own inward world, their own lone fragrant nest,
Content with its sweetness, content with its rest.
But the sound of the trumpet was heard from afar,
And Sir Lancelot rode forth again to the war;
And the wood-nymph was left as aye woman will be,
Who trusts her whole being, oh, false love, to thee.
For months, every sunbeam that brightened the gloom,
She deemed was the waving of Lancelot's plume;
She knew not of the proud and the beautiful queen,
Whose image was treasured as hers once had been.
There was many a fair dame, and many a knight,
Made the banks of the river like fairy-land bright;
And among those whose shadow was cast on the tide,
Was Lancelot kneeling at Genevra's side.
With purple sails heavily drooping around
The mast, and the prow, with the vale lily bound;
And towed by two swans, a small vessel drew near
But high on the deck was a pall-covered bier.
They oared with their white wings, the bark thro' the flood,
Till arrived at the bank where Sir Lancelot stood:
A wind swept the river, and flung back the pall,
And there lay a lady, the fairest of all.
But pale as a statue, like sunshine on snow,
The bright hair seemed mocking the cold face below:
Sweet truants, the blush and the smile both are fled—
Sir Lancelot weeps as he kneels by the dead.
And these are love's records; a vow and a dream,
And the sweet shadow passes away from life's stream:
Too late we awake to regret—but what tears
Can bring back the waste to our hearts and our years?
poem by Letitia Elizabeth Landon

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Channel Firing
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the judgement day
And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,
The glebe cow drooled. Till God called, "No;
It's gunnery practice out at sea
Just as before you went below;
The world is as it used to be:
"All nations striving strong to make
Red war yet redder. Mad as hatters
They do more for Christés sake
Than you who are helpless in such matters.
"That this is not the judgment hour
For some of them's a blessed thing,
For if it were they'd have to scour
Hells floor for so much threatening...
"Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need)."
So down we lay again. "I wonder,
Will the world ever saner be,"
Said one, "than when He sent us under
In our indifferent century!"
And many a skeleton shook his head.
"Instead of preaching forty year,"
My neighbor Oarson Thirdly said,
"I wish I had stuck to pipes and beer."
Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.
poem by Thomas Hardy

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To Erin On The Death Of Her Pony
Erin will remember when others have forgot
Her lovely Shetland pony Camelot
Loose on the road and luck not on his side
Struck by a car near Belgrave Heights he died.
Life can be cruel it's always been that way
And for damage done to car poor Erin has to pay
She lost her pony that not bad enough
And huge damage bill makes it that much more tough.
A pony's just a pony some people might say
And they cost a lot to keep on corn and hay
But those who love horses don't look at cost
And when their equine die they grieve for friendship lost.
In cards her friends have sent their sympathy
They know how hard for her this has to be
And though sympathy won't recover her loss
Her friends are there for to help her bear her cross.
And long after all the others have forgot
Poor Erin will remember Camelot
Her little horse who died on the Roadway
Near Birdsland where his bigger horse friends stay.
poem by Francis Duggan

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The Seance
"The spirits do not like the light,"
The medium said, and turned the switch;
The little lady on my right
Clutched at my hand with nervous twitch.
(She seemed to be a pretty bitch.)
The moustached women on my left,
With spirits on hr heavy breath,
Lasciviously leaned her heft
On me as one who languisheth.
The sordid room was still as death.
"A shape I see," the medium cried,
"Whose face and name I do not know . . ."
"'Tis Robert service," soft replied
A voice - "I passed a month ago,
And I've come back to let you know.
"The Other Side is gay and bright;
We are so happy there and free,
And Dan McGrew I oft recite,
And follow up with Sam McGee . . .
But now excuse me, I must flee."
The fat dame leaned to get my ear,
(Her breast was soft as feather bed.)
"I love his verses; oh dear, dear,
I didn't know that he was dead."
"No more did I," I sourly said.
The little lady grabbed me hard;
(She looked to me a "yesful" dear.)
Said she: "Don't you adore the Bard?"
Said I: "Before he fades, I fear
I'd like to kick his astral rear."
So then I bravely broke away
From spooks and ectoplasic gauze.
Yet in the brazen light of day
I had to pinch myself because
Really! I wondered if I was.
poem by Robert William Service

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The Paroo
It was a week from Christmas-time,
As near as I remember,
And half a year since, in the rear,
We'd left the Darling timber.
The track was hot and more than drear;
The day dragged out for ever;
But now we knew that we were near
Our camp - the Paroo River.
With blighted eyes and blistered feet,
With stomachs out of order,
Half-mad with flies and dust and heat
We'd crossed the Queensland border.
I longed to hear a stream go by
And see the circles quiver;
I longed to lay me down and die
That night on Paroo River.
The "nose-bags" heavy on each chest
(God bless one kindly squatter!),
With grateful weight our hearts they pressed -
We only wanted water.
The sun was setting in a spray
Of colour like a liver -
We'd fondly hoped to camp and stay
That night by Paroo River.
A cloud was on my mate's broad brow,
And once I heard him mutter:
'What price the good old Darling now? -
God bless that grand old gutter!"
And then he stopped and slowly said
In tones that made me shiver:
"It cannot well be on ahead -
I think we've crossed the river."
But soon we saw a strip of ground
Beside the track we followed,
No damper than the surface round,
But just a little hollowed.
His brow assumed a thoughtful frown -
This speech did he deliver:
"I wonder if we'd best go down
Or up the blessed river?"
"But where," said I, " 's the blooming stream?'
And he replied, 'we're at it!"
I stood awhile, as in a dream,
"Great Scott!" I cried, "is that it?
Why, that is some old bridle-track!"
He chuckled, "Well, I never!
It's plain you've never been Out Back -
This is the Paroo River!"
poem by Henry Lawson

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The Potatoes' Dance
(A Poem Game.)
I
"Down cellar," said the cricket,
"Down cellar," said the cricket,
"Down cellar," said the cricket,
"I saw a ball last night,
In honor of a lady,
In honor of a lady,
In honor of a lady,
Whose wings were pearly-white.
The breath of bitter weather,
The breath of bitter weather,
The breath of bitter weather,
Had smashed the cellar pane.
We entertained a drift of leaves,
We entertained a drift of leaves,
We entertained a drift of leaves,
And then of snow and rain.
But we were dressed for winter,
But we were dressed for winter,
But we were dressed for winter,
And loved to hear it blow
In honor of the lady,
In honor of the lady,
In honor of the lady,
Who makes potatoes grow,
Our guest the Irish lady,
The tiny Irish lady,
The airy Irish lady,
Who makes potatoes grow.
II
"Potatoes were the waiters,
Potatoes were the waiters,
Potatoes were the waiters,
Potatoes were the band,
Potatoes were the dancers
Kicking up the sand,
Kicking up the sand,
Kicking up the sand,
Potatoes were the dancers
Kicking up the sand.
Their legs were old burnt matches,
Their legs were old burnt matches,
Their legs were old burnt matches,
Their arms were just the same.
They jigged and whirled and scrambled,
Jigged and whirled and scrambled,
Jigged and whirled and scrambled,
In honor of the dame,
The noble Irish lady
Who makes potatoes dance,
The witty Irish lady,
The saucy Irish lady,
The laughing Irish lady
Who makes potatoes prance.
III
"There was just one sweet potato.
He was golden brown and slim.
The lady loved his dancing,
The lady loved his dancing,
The lady loved his dancing,
She danced all night with him,
She danced all night with him.
Alas, he wasn't Irish.
So when she flew away,
They threw him in the coal-bin,
And there he is today,
Where they cannot hear his sighs
And his weeping for the lady,
The glorious Irish lady,
The beauteous Irish lady,
Who
Gives
Potatoes
Eyes."
poem by Vachel Lindsay

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Blackjack Davey
1. black jack davey come a-riden on back,
A-whistlin loud and merry.
Made the woods around him ring,
And he charmed the heart of a lady,
Charmed the heart of a lady.
2. how old are you, my pretty little miss,
How old are you, my honey
She answered to him with a lovin smile
Ill be sixteen come sunday,
Be sixteen come sunday.
3. come and go with me, my pretty little miss,
Come and go with me, my honey,
Take you where the grass grows green,
You never will want for money
You never will want for money
4. pull off, pull off them high-heeled shoes
All made of spanish leather.
Get behind me on my horse
And well ride off together,
Well both go off together.
5. well, she pulled off them high-heeled shoes
Made of spanish leather.
Got behind him on his horse
And they rode off together.
They rode off together.
6. at night the boss came home
Inquiring about this lady.
The servant spoke before she thought,
Shes been with black jack dave,
Rode off with black jack davey.
7. well, saddle for me my coal black stud,
Hes speedier than the gray.
I rode all day and Ill ride all night,
And Ill overtake my lady.
Ill bring back my lady.
8. well, he rode all night till the broad daylight,
Till he came to a river ragin,
And there he spied his darlin bride
In the arms of black jack davey.
Wrapped up with black jack davey.
9. pull off, pull off them long blue gloves
All made of the finest leather.
Give to me your lily-white hand
And well both go home together.
Well both go home together.
10. well, she pulled off them long blue gloves
All made of the finest leather.
Gave to him her lily-white hand
And said good-bye forever.
Bid farewell forever.
11. would you forsake your house and home,
Would you forsake your baby?
Would you forsake your husband, too,
To go with black jack davey.
Rode off with black jack davey?
12. well, Ill forsake my house and home,
And Ill forsake my baby.
Ill forsake my husband, too,
For the love of black jack davey.
Ride off with black jack davey.
13. last night I slept in a feather bed
Between my husband and baby.
Tonight I lay on the river banks
In the arms of black jack davey,
Love my black jack davey.
song performed by by Bob Dylan

Submitted by Lucian Velea
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Lady Day
When she walked on down the street
She was like a child staring at her feet
But when she passed the bar
And she heard the music play
She had to go in and sing
It had to be that way
She had to go in and sing
It had to be that way
And I said no, no, no
Oh, lady day
And I said no, no, no
Oh, lady day
After the applause had died down
And the people drifted away
She climbed down off the bar
And went out the door
To the hotel
That she called home
It had greenish walls
A bathroom in the hall
And I said no, no, no
Oh, lady day
And I said no, no, no
Oh, lady day
I said no, no, no
Oh, lady day
And I said no, no, no
Oh, lady day
And I said no, no, no
Oh, lady day
I said no, no, no
Oh, lady day
And I said no, no, no
Oh, lady day
And I said no, no, no
Oh, lady day
...
song performed by by Lou Reed

Submitted by Lucian Velea
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Fast rode the knight
Fast rode the knight
With spurs, hot and reeking,
Ever waving an eager sword,
"To save my lady!"
Fast rode the knight,
And leaped from saddle to war.
Men of steel flickered and gleamed
Like riot of silver lights,
And the gold of the knight's good banner
Still waved on a castle wall.
. . . . . . . . . . . .
A horse,
Blowing, staggering, bloody thing,
Forgotten at foot of castle wall.
A horse
Dead at foot of castle wall.
poem by Stephen Crane

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Lady Of Shalott Wove Her Tapestry
the Lady of Shalott wove her tapestry over time time time
copying mirrored images faithfully seen in mind mind mind
her weaving life scenes days passing was safe slow slow slow
unfolding life mysteries ever window passing must time go go go
mirrored images replace life risk realities if we safe stay stay stay
love glimpsed mirror cracks heart spins fate feared today today today
love births embraced unfrequented love three steps slays slays slays
poem by Terence George Craddock

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The Traveller
As I rode in to Burrumbeet,
I met a man with funny feet;
And, when I paused to ask him why
His feet were strange, he rolled his eye
And said the rain would spoil the wheat;
So I rode on to Burrumbeet.
As I rode in to Beetaloo,
I met a man whose nose was blue;
And when I asked him how he got
A nose like that, he answered, "What
Do bullocks mean when they say 'Moo'?"
So I rode on to Beetaloo.
As I rode in to Ballarat,
I met a man who wore no hat;
And, when I said he might take cold,
He cried, "The hills are quite as old
As yonder plains, but not so flat."
So I rode on to Ballarat.
As I rode in to Gundagai,
I met a man and passed him by
Without a nod, without a word.
He turned, and said he'd never heard
Or seen a man so wise as I.
But I rode on to Gundagai.
As I rode homeward, full of doubt,
I met a stranger riding out:
A foolish man he seemed to me;
But, "Nay, I am yourself," said he,
"Just as you were when you rode out."
So I rode homeward, free of doubt.
poem by Clarence Michael James Stanislaus Dennis

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Sophisticated Lady (She's A Different Lady)
Written by Chuck Jackson, Marvin Yancy and Natalie Cole
Sophisticated lady, sophisticated lady
She's a different lady with a different style
She stands tall and steady like the Eiffel Tower
She is hip to politics but loves her jazz
She's got lots of rhythm she's got lots of class
Everybody knows how she got her name, yeah
Oh, ha, she wears knee length dresses with her high heel steppers
She's not no back stabber but she's sure a pleaser
She talks quiet and gentle, she acts very cool
She sticks close to her lover, she obey God's rules, woh
(Sophisticated lady) Sophisticated lady, yeah
(Sophisticated lady) Oh
(Sophisticated lady) That's her name, that's her name
(Sophisticated lady) Woh, woh
Everybody knows how she got her name
Yeah, yeah, yeah, yeah----
Woh--, oh, oh, oh, oh
She's the kind of person that you'd like to meet
'Cause she's always smiling and she's always neat
She can start a fire in the coldest man
She's a hip slick sister known throughout the land, oh
(Sophisticated lady) That's her name
Sophisticated lady (sophisticated lady) yeah
Oh, well, woo, woo, woo, woo, woo, woo, hoo, that's her name
Sophisticated lady (sophisticated lady) lady, lady
Sophisticated lady (sophisticated lady) oh
Sophisticated lady, (sophisticated lady) ah
Sophisticated lady (sophisticated lady)
Ooh, ooh (sophisticated lady)
Repeat (Sophisticated lady
song performed by by Natalie Cole

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Lady Godiva
Her name was Lady Godiva
A lady so brave and so strong
Her husband the Earl of Mercia
He treated her terribly wrong
She's a lady
She's a lady
She rode naked on horseback
To stop him from his tax increase
But people in town closed their curtains
Than prison for living in peace
*She's a lady
She's a lady
She's a lady, Lady Godiva
The hero of Coventry
L-L-Lady Lady Godiva
She rode into history
Then sneaking a glance through the window
Was a guy they called Peeping Tom
He caught a glimpse and was blinded
Curiosity sometimes is wrong
*(repeat)
People liked Lady Godiva
Respectfully looking away
They honoured incredible courage
Her legend lives until today
*(repeat, repeat
song performed by by Boney M.

Submitted by Lucian Velea
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