Oenone
There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.
"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.
"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.
"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,
And dewy-dark aloft the mountain pine:
Beautiful Paris, evil-hearted Paris,
Leading a jet-black goat white-horn'd, white-hooved,
Came up from reedy Simois all alone.
"O mother Ida, harken ere I die.
Far-off the torrent call'd me from the cleft:
Far up the solitary morning smote
The streaks of virgin snow. With down-dropt eyes
I sat alone: white-breasted like a star
Fronting the dawn he moved; a leopard skin
Droop'd from his shoulder, but his sunny hair
Cluster'd about his temples like a God's:
And his cheek brighten'd as the foam-bow brightens
When the wind blows the foam, and all my heart
Went forth to embrace him coming ere he came.
"Dear mother Ida, harken ere I die.
He smiled, and opening out his milk-white palm
Disclosed a fruit of pure Hesperian gold,
That smelt ambrosially, and while I look'd
And listen'd, the full-flowing river of speech
Came down upon my heart. `My own Œnone,
Beautiful-brow'd Œnone, my own soul,
Behold this fruit, whose gleaming rind ingrav'n
"For the most fair," would seem to award it thine,
As lovelier than whatever Oread haunt
The knolls of Ida, loveliest in all grace
Of movement, and the charm of married brows.'
"Dear mother Ida, harken ere I die.
He prest the blossom of his lips to mine,
And added 'This was cast upon the board,
When all the full-faced presence of the Gods
Ranged in the halls of Peleus; whereupon
Rose feud, with question unto whom 'twere due:
But light-foot Iris brought it yester-eve,
Delivering that to me, by common voice
Elected umpire, Herè comes to-day,
Pallas and Aphroditè, claiming each
This meed of fairest. Thou, within the cave
Behind yon whispering tuft of oldest pine,
Mayst well behold them unbeheld, unheard
Hear all, and see thy Paris judge of Gods.'
"Dear mother Ida, harken ere I die.
It was the deep midnoon: one silvery cloud
Had lost his way between the piney sides
Of this long glen. Then to the bower they came,
Naked they came to that smooth-swarded bower,
And at their feet the crocus brake like fire,
Violet, amaracus, and asphodel,
Lotos and lilies: and a wind arose,
And overhead the wandering ivy and vine,
This way and that, in many a wild festoon
Ran riot, garlanding the gnarled boughs
With bunch and berry and flower thro' and thro'.
"O mother Ida, harken ere I die.
On the tree-tops a crested peacock lit,
And o'er him flow'd a golden cloud, and lean'd
Upon him, slowly dropping fragrant dew.
Then first I heard the voice of her, to whom
Coming thro' Heaven, like a light that grows
Larger and clearer, with one mind the Gods
Rise up for reverence. She to Paris made
Proffer of royal power, ample rule
Unquestion'd, overflowing revenue
Wherewith to embellish state, 'from many a vale
And river-sunder'd champaign clothed with corn,
Or labour'd mine undrainable of ore.
Honour,' she said, 'and homage, tax and toll,
From many an inland town and haven large,
Mast-throng'd beneath her shadowing citadel
In glassy bays among her tallest towers.'
"O mother Ida, harken ere I die.
Still she spake on and still she spake of power,
'Which in all action is the end of all;
Power fitted to the season; wisdom-bred
And throned of wisdom--from all neighbour crowns
Alliance and allegiance, till thy hand
Fail from the sceptre-staff. Such boon from me,
From me, Heaven's Queen, Paris, to thee king-born,
A shepherd all thy life but yet king-born,
Should come most welcome, seeing men, in power
Only, are likest Gods, who have attain'd
Rest in a happy place and quiet seats
Above the thunder, with undying bliss
In knowledge of their own supremacy.'
"Dear mother Ida, harken ere I die.
She ceased, and Paris held the costly fruit
Out at arm's-length, so much the thought of power
Flatter'd his spirit; but Pallas where she stood
Somewhat apart, her clear and bared limbs
O'erthwarted with the brazen-headed spear
Upon her pearly shoulder leaning cold,
The while, above, her full and earnest eye
Over her snow-cold breast and angry cheek
Kept watch, waiting decision, made reply.
"`Self-reverence, self-knowledge, self-control,
These three alone lead life to sovereign power.
Yet not for power (power of herself
Would come uncall'd for) but to live by law,
Acting the law we live by without fear;
And, because right is right, to follow right
Were wisdom in the scorn of consequence.'
"Dear mother Ida, harken ere I die.
Again she said: 'I woo thee not with gifts.
Sequel of guerdon could not alter me
To fairer. Judge thou me by what I am,
So shalt thou find me fairest. Yet, indeed,
If gazing on divinity disrobed
Thy mortal eyes are frail to judge of fair,
Unbias'd by self-profit, oh! rest thee sure
That I shall love thee well and cleave to thee,
So that my vigour, wedded to thy blood,
Shall strike within thy pulses, like a God's,
To push thee forward thro' a life of shocks,
Dangers, and deeds, until endurance grow
Sinew'd with action, and the full-grown will,
Circled thro' all experiences, pure law,
Commeasure perfect freedom.' Here she ceas'd
And Paris ponder'd, and I cried, 'O Paris,
Give it to Pallas!' but he heard me not,
Or hearing would not hear me, woe is me!
"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Italian Aphroditè beautiful,
Fresh as the foam, new-bathed in Paphian wells,
With rosy slender fingers backward drew
From her warm brows and bosom her deep hair
Ambrosial, golden round her lucid throat
And shoulder: from the violets her light foot
Shone rosy-white, and o'er her rounded form
Between the shadows of the vine-bunches
Floated the glowing sunlights, as she moved.
"Dear mother Ida, harken ere I die.
She with a subtle smile in her mild eyes,
The herald of her triumph, drawing nigh
Half-whisper'd in his ear, 'I promise thee
The fairest and most loving wife in Greece.'
She spoke and laugh'd: I shut my sight for fear:
But when I look'd, Paris had raised his arm,
And I beheld great Herè's angry eyes,
As she withdrew into the golden cloud,
And I was left alone within the bower;
And from that time to this I am alone,
And I shall be alone until I die.
"Yet, mother Ida, harken ere I die.
Fairest--why fairest wife? am I not fair?
My love hath told me so a thousand times.
Methinks I must be fair, for yesterday,
When I past by, a wild and wanton pard,
Eyed like the evening star, with playful tail
Crouch'd fawning in the weed. Most loving is she?
Ah me, my mountain shepherd, that my arms
Were wound about thee, and my hot lips prest
Close, close to thine in that quick-falling dew
Of fruitful kisses, thick as Autumn rains
Flash in the pools of whirling Simois!
"O mother, hear me yet before I die.
They came, they cut away my tallest pines,
My tall dark pines, that plumed the craggy ledge
High over the blue gorge, and all between
The snowy peak and snow-white cataract
Foster'd the callow eaglet--from beneath
Whose thick mysterious boughs in the dark morn
The panther's roar came muffled, while I sat
Low in the valley. Never, never more
Shall lone Œnone see the morning mist
Sweep thro' them; never see them overlaid
With narrow moon-lit slips of silver cloud,
Between the loud stream and the trembling stars.
"O mother, hear me yet before I die.
I wish that somewhere in the ruin'd folds,
Among the fragments tumbled from the glens,
Or the dry thickets, I could meet with her
The Abominable, that uninvited came
Into the fair Pele{:i}an banquet-hall,
And cast the golden fruit upon the board,
And bred this change; that I might speak my mind,
And tell her to her face how much I hate
Her presence, hated both of Gods and men.
"O mother, hear me yet before I die.
Hath he not sworn his love a thousand times,
In this green valley, under this green hill,
Ev'n on this hand, and sitting on this stone?
Seal'd it with kisses? water'd it with tears?
O happy tears, and how unlike to these!
O happy Heaven, how canst thou see my face?
O happy earth, how canst thou bear my weight?
O death, death, death, thou ever-floating cloud,
There are enough unhappy on this earth,
Pass by the happy souls, that love to live:
I pray thee, pass before my light of life,
And shadow all my soul, that I may die.
Thou weighest heavy on the heart within,
Weigh heavy on my eyelids: let me die.
"O mother, hear me yet before I die.
I will not die alone, for fiery thoughts
Do shape themselves within me, more and more,
Whereof I catch the issue, as I hear
Dead sounds at night come from the inmost hills,
Like footsteps upon wool. I dimly see
My far-off doubtful purpose, as a mother
Conjectures of the features of her child
Ere it is born: her child!--a shudder comes
Across me: never child be born of me,
Unblest, to vex me with his father's eyes!
"O mother, hear me yet before I die.
Hear me, O earth. I will not die alone,
Lest their shrill happy laughter come to me
Walking the cold and starless road of death
Uncomforted, leaving my ancient love
With the Greek woman. I will rise and go
Down into Troy, and ere the stars come forth
Talk with the wild Cassandra, for she says
A fire dances before her, and a sound
Rings ever in her ears of armed men.
What this may be I know not, but I know
That, wheresoe'er I am by night and day,
All earth and air seem only burning fire."
poem by Alfred Lord Tennyson
Submitted by Poetry Lover
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Related quotes
Œnone
. There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas. Hither came at noon
Mournful Œnone, wandering forlorn
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade
Sloped downward to her seat from the upper cliff.
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass:
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead.
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love,
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth, hear me, O Hills, O Caves
That house the cold crown'd snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed,
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,
And dewy-dark aloft the mountain pine:
Beautiful Paris, evil-hearted Paris,
Leading a jet-black goat white-horn'd, white-hooved,
Came up from reedy Simois all alone.
'O mother Ida, harken ere I die.
Far-off the torrent call'd me from the cleft:
Far up the solitary morning smote
The streaks of virgin snow. With down-dropt eyes
I sat alone: white-breasted like a star
Fronting the dawn he moved; a leopard skin
Droop'd from his shoulder, but his sunny hair
Cluster'd about his temples like a God's:
And his cheek brighten'd as the foam-bow brightens
When the wind blows the foam, and all my heart
Went forth to embrace him coming ere he came.
'Dear mother Ida, harken ere I die.
He smiled, and opening out his milk-white palm
Disclosed a fruit of pure Hesperian gold,
That smelt ambrosially, and while I look'd
And listen'd, the full-flowing river of speech
Came down upon my heart. `My own Œnone,
Beautiful-brow'd Œnone, my own soul,
Behold this fruit, whose gleaming rind ingrav'n
'For the most fair,' would seem to award it thine,
As lovelier than whatever Oread haunt
The knolls of Ida, loveliest in all grace
Of movement, and the charm of married brows.'
'Dear mother Ida, harken ere I die.
He prest the blossom of his lips to mine,
And added 'This was cast upon the board,
When all the full-faced presence of the Gods
Ranged in the halls of Peleus; whereupon
Rose feud, with question unto whom 'twere due:
But light-foot Iris brought it yester-eve,
Delivering that to me, by common voice
Elected umpire, Herè comes to-day,
Pallas and Aphroditè, claiming each
This meed of fairest. Thou, within the cave
Behind yon whispering tuft of oldest pine,
Mayst well behold them unbeheld, unheard
Hear all, and see thy Paris judge of Gods.'
'Dear mother Ida, harken ere I die.
It was the deep midnoon: one silvery cloud
Had lost his way between the piney sides
Of this long glen. Then to the bower they came,
Naked they came to that smooth-swarded bower,
And at their feet the crocus brake like fire,
Violet, amaracus, and asphodel,
Lotos and lilies: and a wind arose,
And overhead the wandering ivy and vine,
This way and that, in many a wild festoon
Ran riot, garlanding the gnarled boughs
With bunch and berry and flower thro' and thro'.
'O mother Ida, harken ere I die.
On the tree-tops a crested peacock lit,
And o'er him flow'd a golden cloud, and lean'd
Upon him, slowly dropping fragrant dew.
Then first I heard the voice of her, to whom
Coming thro' Heaven, like a light that grows
Larger and clearer, with one mind the Gods
Rise up for reverence. She to Paris made
Proffer of royal power, ample rule
Unquestion'd, overflowing revenue
Wherewith to embellish state, 'from many a vale
And river-sunder'd champaign clothed with corn,
Or labour'd mine undrainable of ore.
Honour,' she said, 'and homage, tax and toll,
From many an inland town and haven large,
Mast-throng'd beneath her shadowing citadel
In glassy bays among her tallest towers.'
'O mother Ida, harken ere I die.
Still she spake on and still she spake of power,
'Which in all action is the end of all;
Power fitted to the season; wisdom-bred
And throned of wisdom-from all neighbour crowns
Alliance and allegiance, till thy hand
Fail from the sceptre-staff. Such boon from me,
From me, Heaven's Queen, Paris, to thee king-born,
A shepherd all thy life but yet king-born,
Should come most welcome, seeing men, in power
Only, are likest Gods, who have attain'd
Rest in a happy place and quiet seats
Above the thunder, with undying bliss
In knowledge of their own supremacy.'
'Dear mother Ida, harken ere I die.
She ceased, and Paris held the costly fruit
Out at arm's-length, so much the thought of power
Flatter'd his spirit; but Pallas where she stood
Somewhat apart, her clear and bared limbs
O'erthwarted with the brazen-headed spear
Upon her pearly shoulder leaning cold,
The while, above, her full and earnest eye
Over her snow-cold breast and angry cheek
Kept watch, waiting decision, made reply.
'`Self-reverence, self-knowledge, self-control,
These three alone lead life to sovereign power.
Yet not for power (power of herself
Would come uncall'd for) but to live by law,
Acting the law we live by without fear;
And, because right is right, to follow right
Were wisdom in the scorn of consequence.'
'Dear mother Ida, harken ere I die.
Again she said: 'I woo thee not with gifts.
Sequel of guerdon could not alter me
To fairer. Judge thou me by what I am,
So shalt thou find me fairest. Yet, indeed,
If gazing on divinity disrobed
Thy mortal eyes are frail to judge of fair,
Unbias'd by self-profit, oh! rest thee sure
That I shall love thee well and cleave to thee,
So that my vigour, wedded to thy blood,
Shall strike within thy pulses, like a God's,
To push thee forward thro' a life of shocks,
Dangers, and deeds, until endurance grow
Sinew'd with action, and the full-grown will,
Circled thro' all experiences, pure law,
Commeasure perfect freedom.' Here she ceas'd
And Paris ponder'd, and I cried, 'O Paris,
Give it to Pallas!' but he heard me not,
Or hearing would not hear me, woe is me!
'O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Italian Aphroditè beautiful,
Fresh as the foam, new-bathed in Paphian wells,
With rosy slender fingers backward drew
From her warm brows and bosom her deep hair
Ambrosial, golden round her lucid throat
And shoulder: from the violets her light foot
Shone rosy-white, and o'er her rounded form
Between the shadows of the vine-bunches
Floated the glowing sunlights, as she moved.
'Dear mother Ida, harken ere I die.
She with a subtle smile in her mild eyes,
The herald of her triumph, drawing nigh
Half-whisper'd in his ear, 'I promise thee
The fairest and most loving wife in Greece.'
She spoke and laugh'd: I shut my sight for fear:
But when I look'd, Paris had raised his arm,
And I beheld great Herè's angry eyes,
As she withdrew into the golden cloud,
And I was left alone within the bower;
And from that time to this I am alone,
And I shall be alone until I die.
'Yet, mother Ida, harken ere I die.
Fairest-why fairest wife? am I not fair?
My love hath told me so a thousand times.
Methinks I must be fair, for yesterday,
When I past by, a wild and wanton pard,
Eyed like the evening star, with playful tail
Crouch'd fawning in the weed. Most loving is she?
Ah me, my mountain shepherd, that my arms
Were wound about thee, and my hot lips prest
Close, close to thine in that quick-falling dew
Of fruitful kisses, thick as Autumn rains
Flash in the pools of whirling Simois!
'O mother, hear me yet before I die.
They came, they cut away my tallest pines,
My tall dark pines, that plumed the craggy ledge
High over the blue gorge, and all between
The snowy peak and snow-white cataract
Foster'd the callow eaglet-from beneath
Whose thick mysterious boughs in the dark morn
The panther's roar came muffled, while I sat
Low in the valley. Never, never more
Shall lone Œnone see the morning mist
Sweep thro' them; never see them overlaid
With narrow moon-lit slips of silver cloud,
Between the loud stream and the trembling stars.
'O mother, hear me yet before I die.
I wish that somewhere in the ruin'd folds,
Among the fragments tumbled from the glens,
Or the dry thickets, I could meet with her
The Abominable, that uninvited came
Into the fair Pele{:i}an banquet-hall,
And cast the golden fruit upon the board,
And bred this change; that I might speak my mind,
And tell her to her face how much I hate
Her presence, hated both of Gods and men.
'O mother, hear me yet before I die.
Hath he not sworn his love a thousand times,
In this green valley, under this green hill,
Ev'n on this hand, and sitting on this stone?
Seal'd it with kisses? water'd it with tears?
O happy tears, and how unlike to these!
O happy Heaven, how canst thou see my face?
O happy earth, how canst thou bear my weight?
O death, death, death, thou ever-floating cloud,
There are enough unhappy on this earth,
Pass by the happy souls, that love to live:
I pray thee, pass before my light of life,
And shadow all my soul, that I may die.
Thou weighest heavy on the heart within,
Weigh heavy on my eyelids: let me die.
'O mother, hear me yet before I die.
I will not die alone, for fiery thoughts
Do shape themselves within me, more and more,
Whereof I catch the issue, as I hear
Dead sounds at night come from the inmost hills,
Like footsteps upon wool. I dimly see
My far-off doubtful purpose, as a mother
Conjectures of the features of her child
Ere it is born: her child!-a shudder comes
Across me: never child be born of me,
Unblest, to vex me with his father's eyes!
'O mother, hear me yet before I die.
Hear me, O earth. I will not die alone,
Lest their shrill happy laughter come to me
Walking the cold and starless road of death
Uncomforted, leaving my ancient love
With the Greek woman. I will rise and go
Down into Troy, and ere the stars come forth
Talk with the wild Cassandra, for she says
A fire dances before her, and a sound
Rings ever in her ears of armed men.
What this may be I know not, but I know
That, wheresoe'er I am by night and day,
All earth and air seem only burning fire.'
poem by Alfred Lord Tennyson
Submitted by Poetry Lover
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A Child's Fancy
"Hush, hush! Speak softly, Mother dear,
So that the daisies may not hear;
For when the stars begin to peep,
The pretty daisies go to sleep.
"See, Mother, round us on the lawn,
With soft white lashes closely drawn,
They've shut their eyes so golden-gay,
That looked up through the long, long day.
"But now they're tired of all the fun--
Of bees and birds, of wind and sun
Playing their game at hide-and-seek;--
Then very softly let us speak."
A myriad stars above the child
Looked down from heaven and sweetly smiled;
But not a star in all the skies
Beamed on him with his Mother's eyes.
She stroked his curly chestnut head,
And whispering very softly, said,
"I'd quite forgotten they might hear;
Thank you for that reminder, dear.
poem by Mathilde Blind
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Our Captain's Last Words
Where the foremost flag was flying,
Pierce'd by manny a shot and shell,
Where the bravest men were dying,
There our gallant captain fell.
"Boys! you follow now another;
Follow till the foe shall yield;"
Then he whisper'd, "Tell my mother
Stephen died upon the field."
"Mother!"
"Moth er!"
"Stephen died upon the field."
Through the battle they bore him,
But his words were growing wild;
Heeding not the scenes before him,
Stephen was once more a child.
"Ah, she comes! there is no other
Speaks my name with such a joy;
Press me to your bosom, mother,
Call my still your darling joy."
"Mother!"
"Mother !"
"Call my still your darling joy."
Men who were not used to weeping,
Turn'd aside to hide a tear,
When they saw the pallor creeping,
That assured them death was near.
Kindly as he were a brother,
Strangers caught his parting breath,
Laden with the mumur "mother"
Last upon his lips in death.
"Mother!"
"Mother!&qu ot;
Last upon his lips in death.
poem by Henry Clay Work
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At play
Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.
Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!
Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!
poem by Eugene Field
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The Gift Of The Sea
The dead child lay in the shroud,
And the widow watched beside;
And her mother slept, and the Channel swept
The gale in the teeth of the tide.
But the mother laughed at all.
"I have lost my man in the sea,
And the child is dead. Be still," she said,
"What more can ye do to me?"
The widow watched the dead,
And the candle guttered low,
And she tried to sing the Passing Song
That bids the poor soul go.
And "Mary take you now," she sang,
"That lay against my heart."
And "Mary smooth your crib to-night,"
But she could not say "Depart."
Then came a cry from the sea,
But the sea-rime blinded the glass,
And "Heard ye nothing, mother?" she said,
"'Tis the child that waits to pass."
And the nodding mother sighed.
"'Tis a lambing ewe in the whin,
For why should the christened soul cry out
That never knew of sin?"
"O feet I have held in my hand,
O hands at my heart to catch,
How should they know the road to go,
And how should they lift the latch?"
They laid a sheet to the door,
With the little quilt atop,
That it might not hurt from the cold or the dirt,
But the crying would not stop.
The widow lifted the latch
And strained her eyes to see,
And opened the door on the bitter shore
To let the soul go free.
There was neither glimmer nor ghost,
There was neither spirit nor spark,
And "Heard ye nothing, mother?" she said,
"'Tis crying for me in the dark."
And the nodding mother sighed:
"'Tis sorrow makes ye dull;
Have ye yet to learn the cry of the tern,
Or the wail of the wind-blown gull?"
"The terns are blown inland,
The gray gull follows the plough.
'Twas never a bird, the voice I heard,
O mother, I hear it now!"
"Lie still, dear lamb, lie still;
The child is passed from harm,
'Tis the ache in your breast that broke your rest,
And the feel of an empty arm."
She put her mother aside,
"In Mary's name let be!
For the peace of my soul I must go," she said,
And she went to the calling sea.
In the heel of the wind-bit pier,
Where the twisted weed was piled,
She came to the life she had missed by an hour,
For she came to a little child.
She laid it into her breast,
And back to her mother she came,
But it would not feed and it would not heed,
Though she gave it her own child's name.
And the dead child dripped on her breast,
And her own in the shroud lay stark;
And "God forgive us, mother," she said,
"We let it die in the dark!"
poem by Rudyard Kipling
Submitted by Poetry Lover
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A Nativity
1914-18
The Babe was laid in the Manger
Between the gentle kine --
All safe from cold and danger --
"But it was not so with mine,
(With mine! With mine!)
"Is it well with the child, is it well?"
The waiting mother prayed.
"For I know not how he fell,
And I know not where he is laid."
A Star stood forth in Heaven;
The Watchers ran to see
The Sign of the Promise given --
"But there comes no sign to me.
(To me! To me!)
"My child died in the dark.
Is it well with the child, is it well?
There was none to tend him or mark,
And I know not how he fell."
The Cross was raised on high;
The Mother grieved beside --
"But the Mother saw Him die
And took Him when He died.
(He died! He died!)
"Seemly and undefiled
His burial-place was made --
Is it well, is it well with the child?
For I know not where he is laid."
On the dawning of Easter Day
Comes Mary Magdalene;
But the Stone was rolled away,
And the Body was not within --
(Within! Within!)
"Ah, who will answer my word?
The broken mother prayed.
"They have taken away my Lord,
And I know not where He is laid."
. . . . .
"The Star stands forth in Heaven.
The watchers watch in vain
For Sign of the Promise given
Of peace on Earth again --
(Again! Again!)
"But I know for Whom he fell" --
The steadfast mother smiled,
"Is it well with the child -- is it well?
It is well -- it is well with the child!"
poem by Rudyard Kipling
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Michael
"There's something in your face, Michael, I've seen it all the day;
There's something quare that wasn't there when first ye wint away. . . ."
"It's just the Army life, mother, the drill, the left and right,
That puts the stiffinin' in yer spine and locks yer jaw up tight. . . ."
"There's something in your eyes, Michael, an' how they stare and stare --
You're lookin' at me now, me boy, as if I wasn't there. . . ."
"It's just the things I've seen, mother, the sights that come and come,
A bit o' broken, bloody pulp that used to be a chum. . . ."
"There's something on your heart, Michael, that makes ye wake at night,
And often when I hear ye moan, I trimble in me fright. . . ."
"It's just a man I killed, mother, a mother's son like me;
It seems he's always hauntin' me, he'll never let me be. . . ."
"But maybe he was bad, Michael, maybe it was right
To kill the inimy you hate in fair and honest fight. . . ."
"I did not hate at all, mother; he never did me harm;
I think he was a lad like me, who worked upon a farm. . . ."
"And what's it all about, Michael; why did you have to go,
A quiet, peaceful lad like you, and we were happy so? . . ."
"It's thim that's up above, mother, it's thim that sits an' rules;
We've got to fight the wars they make, it's us as are the fools. . . ."
"And what will be the end, Michael, and what's the use, I say,
Of fightin' if whoever wins it's us that's got to pay? . . ."
"Oh, it will be the end, mother, when lads like him and me,
That sweat to feed the ones above, decide that we'll be free. . . ."
"And when will that day come, Michael, and when will fightin' cease,
And simple folks may till their soil and live and love in peace? . . ."
"It's coming soon and soon, mother, it's nearer every day,
When only men who work and sweat will have a word to say;
When all who earn their honest bread in every land and soil
Will claim the Brotherhood of Man, the Comradeship of Toil;
When we, the Workers, all demand: `What are we fighting for?' . . .
Then, then we'll end that stupid crime, that devil's madness -- War."
poem by Robert William Service
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Clouds and Waves
Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon."
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds."
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass."
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves."
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are.
poem by Rabindranath Tagore
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I Wonder Where My Papa Is?
I wonder where my papa is,
Oh, where could he have gone,
I wonder why he does not come
And see his Lilly Long.
He would come and sit by me
When the fever burnt my brow,
I wonder where my papa is,
For he comes not near me now.
I hear no more the foot pace
In the hall by my door,
Where he would gently, gently tread
Upon the oaken floor.
His place is vacant by the hearth,
There stands his easy chair;
I hear no more his loving voice
Raising the evening prayer.
The last time I saw my papa dear
Was just five days ago,
He took me in his arms and said,
"You are getting better slow,
Thank God, my little Lilly pet
Will soon be well again,
And run about the house and play
With little Nettie Lane."
I wonder where my papa is,
Oh, where could he have gone,
It cannot be he has forgotten
His little Lilly Long.
No, he never would have left me
And mamma without aid;
I fear my papa has fallen
A victim of the "plague."
The mother listened to her child,
Her heart filled with pain
To hear her loved one mourn for him
Who would never come again.
Tears were falling from her eyes,
From her bossom heaved a sigh;
Little Lilly asked in wonder,
"Mamma dear, what makes you cry?"
"Dearest Lilly must I tell you
That your papa is no more,
That he cannot come and see you
And caress you as of yore.
He has gone to live with Jesus,
In the heavenly home above,
Where are dwelling the blessed
In God's everlasting love."
Lilly listened to her mother,
She uttered not a sound,
O'er her little pale cheeks softly
Tears began to trinkle down;
At last she sweetly murmured,
"Mamma dear, you and I
Must live so we can meet papa
In Heaven, by and by."
"Yes, my child," the mother answered,
"Your words are very true,
While we live on earth we should keep
The heavenly land in view;
Then bright on earth will be our future,
Bright as a shining star;
We will live in love together,
Till we reach that home afar."
poem by Julia A Moore
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Disobedience
James James
Morrison Morrison
Weatherby George Dupree
Took great
Care of his Mother,
Though he was only three.
James James Said to his Mother,
"Mother," he said, said he;
"You must never go down
to the end of the town,
if you don't go down with me."
James James
Morrison's Mother
Put on a golden gown.
James James Morrison's Mother
Drove to the end of the town.
James James Morrison's Mother
Said to herself, said she:
"I can get right down
to the end of the town
and be back in time for tea."
King John
Put up a notice,
"LOST or STOLEN or STRAYED!
JAMES JAMES MORRISON'S MOTHER
SEEMS TO HAVE BEEN MISLAID.
LAST SEEN
WANDERING VAGUELY:
QUITE OF HER OWN ACCORD,
SHE TRIED TO GET DOWN
TO THE END OF THE TOWN -
FORTY SHILLINGS REWARD!"
James James
Morrison Morrison
(Commonly known as Jim)
Told his
Other relations
Not to go blaming him.
James James
Said to his Mother,
"Mother," he said, said he:
"You must never go down to the end of the town
without consulting me."
James James
Morrison's mother
Hasn't been heard of since.
King John said he was sorry,
So did the Queen and Prince.
King John
(Somebody told me)
Said to a man he knew:
If people go down to the end of the town, well,
what can anyone do?"
(Now then, very softly)
J.J.
M.M.
W.G.Du P.
Took great
C/0 his M*****
Though he was only 3.
J.J. said to his M*****
"M*****," he said, said he:
"You-must-never-go-down-to-the-end-of -the-town-
if-you-don't-go-down-with-ME!"
poem by Alan Alexander Milne
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Sympathy
If I were only a little puppy, not your baby, mother dear, would
you say "No" to me if I tried to eat from your dish?
Would you drive me off, saying to me, "Get away, you naughty
little puppy?"
Then go, mother, go! I will never come to you when you call
me, and never let you feed me any more.
If I were only a little green parrot, and not your baby,
mother dear, would you keep me chained lest I should fly away?
Would you shake your finger at me and say, "What an ungrateful
wretch of a bird! It is gnawing at its chain day and night?"
The go, mother, go! I will run away into the woods; I will
never let you take me in your arms again.
poem by Rabindranath Tagore
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Mariana In The South
With one black shadow at its feet,
The house thro' all the level shines,
Close-latticed to the brooding heat,
And silent in its dusty vines:
A faint-blue ridge upon the right,
An empty river-bed before,
And shallows on a distant shore,
In glaring sand and inlets bright.
But "Aye Mary," made she moan,
And "Aye Mary," night and morn,
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."
She, as her carol sadder grew,
From brow and bosom slowly down
Thro' rosy taper fingers drew
Her streaming curls of deepest brown
To left and right, and made appear,
Still-lighted in a secret shrine,
Her melancholy eyes divine,
The home of woe without a tear.
And "Aye Mary," was her moan,
"Madonna, sad is night and morn;"
And "Ah," she sang, "to be all alone,
To live forgotten, and love forlorn."
Till all the crimson changed, and past
Into deep orange o'er the sea,
Low on her knees herself she cast,
Before Our Lady murmur'd she:
Complaining, "Mother, give me grace
To help me of my weary load."
And on the liquid mirror glow'd
The clear perfection of her face.
"Is this the form," she made her moan,
"That won his praises night and morn?"
And "Ah," she said, "but I wake alone,
I sleep forgotten, I wake forlorn."
Nor bird would sing, nor lamb would bleat,
Nor any cloud would cross the vault,
But day increased from heat to heat,
On stony drought and steaming salt;
Till now at noon she slept again,
And seem'd knee-deep in mountain grass,
And heard her native breezes pass,
And runlets babbling down the glen.
She breathed in sleep a lower moan,
And murmuring, as at night and morn
She thought, "My spirit is here alone,
Walks forgotten, and is forlorn."
Dreaming, she knew it was a dream:
She felt he was and was not there.
She woke: the babble of the stream
Fell, and, without, the steady glare
Shrank one sick willow sere and small.
The river-bed was dusty-white;
And all the furnace of the light
Struck up against the blinding wall.
She whisper'd, with a stifled moan
More inward than at night or morn,
"Sweet Mother, let me not here alone
Live forgotten and die forlorn."
And, rising, from her bosom drew
Old letters, breathing of her worth,
For "Love", they said, "must needs be true,
To what is loveliest upon earth."
An image seem'd to pass the door,
To look at her with slight, and say,
"But now thy beauty flows away,
So be alone for evermore."
"O cruel heart," she changed her tone,
"And cruel love, whose end is scorn,
Is this the end to be left alone,
To live forgotten, and die forlorn?"
But sometimes in the falling day
An image seem'd to pass the door,
To look into her eyes and say,
"But thou shalt be alone no more."
And flaming downward over all
From heat to heat the day decreased,
And slowly rounded to the east
The one black shadow from the wall.
"The day to night," she made her moan,
"The day to night, the night to morn,
And day and night I am left alone
To live forgotten, and love forlorn."
At eve a dry cicala sung,
There came a sound as of the sea;
Backward the lattice-blind she flung,
And lean'd upon the balcony.
There all in spaces rosy-bright
Large Hesper glitter'd on her tears,
And deepening thro' the silent spheres
Heaven over Heaven rose the night.
And weeping then she made her moan,
"The night comes on that knows not morn,
When I shall cease to be all alone,
To live forgotten, and love forlorn."
poem by Alfred Lord Tennyson
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Sister Helen
"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)
"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)
"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)
"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)
"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)
"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)
"Here high up in the balcony,
Sister Helen,
The moon flies face to face with me."
"Aye, look and say whatever you see,
Little brother."
(O Mother, Mary Mother,
What sight to-night, between Hell and Heaven?)
"Outside it's merry in the wind's wake,
Sister Helen;
In the shaken trees the chill stars shake."
"Hush, heard you a horse-tread as you spake,
Little brother?"
(O Mother, Mary Mother,
What sound to-night, between Hell and Heaven?)
"I hear a horse-tread, and I see,
Sister Helen,
Three horsemen that ride terribly."
"Little brother, whence come the three,
Little brother?"
(O Mother, Mary Mother,
Whence should they come, between Hell and Heaven?)
"They come by the hill-verge from Boyne Bar,
Sister Helen,
And one draws nigh, but two are afar."
"Look, look, do you know them who they are,
Little brother?"
(O Mother, Mary Mother,
Who should they be, between Hell and Heaven?)
"Oh, it's Keith of Eastholm rides so fast,
Sister Helen,
For I know the white mane on the blast."
"The hour has come, has come at last,
Little brother!"
(O Mother, Mary Mother,
Her hour at last, between Hell and Heaven!)
"He has made a sign and called Halloo!
Sister Helen,
And he says that he would speak with you."
"Oh tell him I fear the frozen dew,
Little brother."
(O Mother, Mary Mother,
Why laughs she thus, between Hell and Heaven?)
"The wind is loud, but I hear him cry,
Sister Helen,
That Keith of Ewern's like to die."
"And he and thou, and thou and I,
Little brother."
(O Mother, Mary Mother,
And they and we, between Hell and Heaven!)
"Three days ago, on his marriage-morn,
Sister Helen,
He sicken'd, and lies since then forlorn."
"For bridegroom's side is the bride a thorn,
Little brother?"
(O Mother, Mary Mother,
Cold bridal cheer, between Hell and Heaven!)
"Three days and nights he has lain abed,
Sister Helen,
And he prays in torment to be dead."
"The thing may chance, if he have pray'd,
Little brother!"
(O Mother, Mary Mother,
If he have pray'd, between Hell and Heaven!)
"But he has not ceas'd to cry to-day,
Sister Helen,
That you should take your curse away."
"My prayer was heard,--he need but pray,
Little brother!"
(O Mother, Mary Mother,
Shall God not hear, between Hell and Heaven?)
"But he says, till you take back your ban,
Sister Helen,
His soul would pass, yet never can."
"Nay then, shall I slay a living man,
Little brother?"
(O Mother, Mary Mother,
A living soul, between Hell and Heaven!)
"But he calls for ever on your name,
Sister Helen,
And says that he melts before a flame."
"My heart for his pleasure far'd the same,
Little brother."
(O Mother, Mary Mother,
Fire at the heart, between Hell and Heaven!)
"Here's Keith of Westholm riding fast,
Sister Helen,
For I know the white plume on the blast."
"The hour, the sweet hour I forecast,
Little brother!"
(O Mother, Mary Mother,
Is the hour sweet, between Hell and Heaven?)
"He stops to speak, and he stills his horse,
Sister Helen;
But his words are drown'd in the wind's course."
"Nay hear, nay hear, you must hear perforce,
Little brother!" .
(O Mother, Mary Mother,
What word now heard, between Hell and Heaven?)
"Oh he says that Keith of Ewern's cry,
Sister Helen,
Is ever to see you ere he die."
"In all that his soul sees, there am I
Little brother!"
(O Mother, Mary Mother,
The soul's one sight, between Hell and Heaven!)
"He sends a ring and a broken coin,
Sister Helen,
And bids you mind the banks of Boyne."
"What else he broke will he ever join,
Little brother?"
(O Mother, Mary Mother,
No, never join'd, between Hell and Heaven!)
"He yields you these and craves full fain,
Sister Helen,
You pardon him in his mortal pain."
"What else he took will he give again,
Little brother?"
(O Mother, Mary Mother,
Not twice to give, between Hell and Heaven!)
"He calls your name in an agony,
Sister Helen,
That even dead Love must weep to see."
"Hate, born of Love, is blind as he,
Little brother!"
(O Mother, Mary Mother,
Love turn'd to hate, between Hell and Heaven!)
"Oh it's Keith of Keith now that rides fast,
Sister Helen,
For I know the white hair on the blast."
"The short short hour will soon be past,
Little brother!"
(O Mother, Mary Mother,
Will soon be past, between Hell and Heaven!)
"He looks at me and he tries to speak,
Sister Helen,
But oh! his voice is sad and weak!"
"What here should the mighty Baron seek,
Little brother?"
(O Mother, Mary Mother,
Is this the end, between Hell and Heaven?)
"Oh his son still cries, if you forgive,
Sister Helen,
The body dies but the soul shall live."
"Fire shall forgive me as I forgive,
Little brother!"
(O Mother, Mary Mother,
As she forgives, between Hell and Heaven!)
"Oh he prays you, as his heart would rive,
Sister Helen,
To save his dear son's soul alive."
"Fire cannot slay it, it shall thrive,
Little brother!"
(O Mother, Mary Mother,
Alas, alas, between Hell and Heaven!)
"He cries to you, kneeling in the road,
Sister Helen,
To go with him for the love of God!"
"The way is long to his son's abode,
Little brother."
(O Mother, Mary Mother,
The way is long, between Hell and Heaven!)
"A lady's here, by a dark steed brought,
Sister Helen,
So darkly clad, I saw her not."
"See her now or never see aught,
Little brother!"
(O Mother, Mary Mother,
What more to see, between Hell and Heaven?)
"Her hood falls back, and the moon shines fair,
Sister Helen,
On the Lady of Ewern's golden hair."
"Blest hour of my power and her despair,
Little brother!"
(O Mother, Mary Mother,
Hour blest and bann'd, between Hell and Heaven!)
"Pale, pale her cheeks, that in pride did glow,
Sister Helen,
'Neath the bridal-wreath three days ago."
"One morn for pride and three days for woe,
Little brother!"
(O Mother, Mary Mother,
Three days, three nights, between Hell and Heaven!)
"Her clasp'd hands stretch from her bending head,
Sister Helen;
With the loud wind's wail her sobs are wed."
"What wedding-strains hath her bridal-bed,
Little brother?"
(O Mother, Mary Mother,
What strain but death's, between Hell and Heaven?)
"She may not speak, she sinks in a swoon,
Sister Helen,--
She lifts her lips and gasps on the moon."
"Oh! might I but hear her soul's blithe tune,
Little brother!"
(O Mother, Mary Mother,
Her woe's dumb cry, between Hell and Heaven!)
"They've caught her to Westholm's saddle-bow,
Sister Helen,
And her moonlit hair gleams white in its flow."
"Let it turn whiter than winter snow,
Little brother!"
(O Mother, Mary Mother,
Woe-wither'd gold, between Hell and Heaven!)
"O Sister Helen, you heard the bell,
Sister Helen!
More loud than the vesper-chime it fell."
"No vesper-chime, but a dying knell,
Little brother!"
(O Mother, Mary Mother,
His dying knell, between Hell and Heaven!)
"Alas! but I fear the heavy sound,
Sister Helen;
Is it in the sky or in the ground?"
"Say, have they turn'd their horses round,
Little brother?"
(O Mother, Mary Mother,
What would she more, between Hell and Heaven?)
"They have rais'd the old man from his knee,
Sister Helen,
And they ride in silence hastily."
"More fast the naked soul doth flee,
Little brother!"
(O Mother, Mary Mother,
The naked soul, between Hell and Heaven!)
"Flank to flank are the three steeds gone,
Sister Helen,
But the lady's dark steed goes alone."
"And lonely her bridegroom's soul hath flown,
Little brother."
(O Mother, Mary Mother,
The lonely ghost, between Hell and Heaven!)
"Oh the wind is sad in the iron chill,
Sister Helen,
And weary sad they look by the hill."
"But he and I are sadder still,
Little brother!"
(O Mother, Mary Mother,
Most sad of all, between Hell and Heaven!)
"See, see, the wax has dropp'd from its place,
Sister Helen,
And the flames are winning up apace!"
"Yet here they burn but for a space,
Little brother! "
(O Mother, Mary Mother,
Here for a space, between Hell and Heaven!)
"Ah! what white thing at the door has cross'd,
Sister Helen?
Ah! what is this that sighs in the frost?"
"A soul that's lost as mine is lost,
Little brother!"
(O Mother, Mary Mother,
Lost, lost, all lost, between Hell and Heaven!)
poem by Dante Gabriel Rossetti
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Phantom Footsteps
Childish foosteps, just behind her,
Softly patter on the green.
Back she glances; tears may blind her,
But no little one is seen.
Blanched, as by an ill appalling,
Home in terror hastens she,
While a baby voice is calling,
"Mother! mother! wait for me."
Phantom footsteps! hear them
falling (falling, falling),
falling (falling, falling)
Now, wherever she may be!
(hear footsteps falling!)
While a baby voice is
call- (calling, calling,)
-ing, (calling, calling,)
"Mother! mother! wait for me."
Sobbing still, but never lagging,
Soon she enters the gate,
And before her, on the flagging,
Sees the symbols of her fate:
Tiny shoeprints, plainly speaking
Of the salt and foamy sea.
Hark! was that the doorhinge creaking?
"Mother! mother! wait for me."
Half her night is spent in weeping,
Ere she can forget her cares:
Is there not an infant creeping--
Creeping slowly up the stairs?
Venturing thither in her yearning,
Only shadows can she see;
But she hears the cry while turning,
"Mother! mother! wait for me."
poem by Henry Clay Work
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Pet-Lamb, The: A Pastoral Poem
The dew was falling fast, the stars began to blink;
I heard a voice; it said, "Drink, pretty creature, drink!"
And, looking o'er the hedge, before me I espied
A snow-white mountain-lamb with a Maiden at its side.
Nor sheep nor kine were near; the lamb was all alone,
And by a slender cord was tethered to a stone;
With one knee on the grass did the little Maiden kneel,
While to that mountain-lamb she gave its evening meal.
The lamb, while from her hand he thus his supper took,
Seemed to feast with head and ears; and his tail with pleasure
shook.
"Drink, pretty creature, drink," she said in such a tone
That I almost received her heart into my own.
'Twas little Barbara Lewthwaite, a child of beauty rare!
I watched them with delight, they were a lovely pair.
Now with her empty can the Maiden turned away:
But ere ten yards were gone her footsteps did she stay.
Right towards the lamb she looked; and from a shady place
I unobserved could see the workings of her face:
If Nature to her tongue could measured numbers bring,
Thus, thought I, to her lamb that little Maid might sing:
"What ails thee, young One? what? Why pull so at thy cord?
Is it not well with thee? well both for bed and board?
Thy plot of grass is soft, and green as grass can be;
Rest, little young One, rest; what is't that aileth thee?
"What is it thou wouldst seek? What is wanting to thy heart?
Thy limbs are they not strong? And beautiful thou art:
This grass is tender grass; these flowers they have no peers;
And that green corn all day is rustling in thy ears!
"If the sun be shining hot, do but stretch thy woollen chain,
This beech is standing by, its covert thou canst gain;
For rain and mountain-storms! the like thou need'st not fear,
The rain and storm are things that scarcely can come here.
"Rest, little young One, rest; thou hast forgot the day
When my father found thee first in places far away;
Many flocks were on the hills, but thou wert owned by none,
And thy mother from thy side for evermore was gone.
"He took thee in his arms, and in pity brought thee home:
A blessed day for thee! then whither wouldst thou roam?
A faithful nurse thou hast; the dam that did thee yean
Upon the mountain-tops no kinder could have been.
"Thou know'st that twice a day I have brought thee in this can
Fresh water from the brook, as clear as ever ran;
And twice in the day, when the ground is wet with dew,
I bring thee draughts of milk, warm milk it is and new.
"Thy limbs will shortly be twice as stout as they are now,
Then I'll yoke thee to my cart like a pony in the plough;
My playmate thou shalt be; and when the wind is cold
Our hearth shall be thy bed, our house shall be thy fold.
"It will not, will not rest!--Poor creature, can it be
That 'tis thy mother's heart which is working so in thee?
Things that I know not of belike to thee are dear,
And dreams of things which thou canst neither see nor hear.
"Alas, the mountain-tops that look so green and fair!
I've heard of fearful winds and darkness that come there;
The little brooks that seem all pastime and all play,
When they are angry, roar like lions for their prey.
"Here thou need'st not dread the raven in the sky;
Night and day thou art safe,--our cottage is hard by.
Why bleat so after me? Why pull so at thy chain?
Sleep--and at break of day I will come to thee again!"
--As homeward through the lane I went with lazy feet,
This song to myself did I oftentimes repeat;
And it seemed, as I retraced the ballad line by line,
That but half of it was hers, and one half of it was 'mine'.
Again, and once again, did I repeat the song;
"Nay," said I, "more than half to the damsel must belong,
For she looked with such a look and she spake with such a tone,
That I almost received her heart into my own."
poem by William Wordsworth
Submitted by Poetry Lover
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My Future
"Let's make him a sailor," said Father,
"And he will adventure the sea."
"A soldier," said Mother, "is rather
What I would prefer him to be."
"A lawyer," said Father, "would please me,
For then he could draw up my will."
"A doctor," said Mother, "would ease me;
Maybe he could give me a pill."
Said Father: "Lt's make him a curate,
A Bishop in gaiters to be."
Said Mother: "I couldn't endure it
To have Willie preaching to me."
Said Father: ""Let him be a poet;
So often he's gathering wool."
Said Mother with temper: "Oh stow it!
You know it, a poet's a fool."
Said Farther: "Your son is a duffer,
A stupid and mischievous elf."
Said Mother, who's rather a huffer:
"That's right - he takes after yourself."
Controlling parental emotion
They turned to me, seeking a cue,
And sudden conceived the bright notion
To ask what I wanted to do.
Said I: "my ambition is modest:
A clown in a circus I'd be,
And turn somersaults in the sawdust
With audience laughing at me."
. . . Poor parents! they're dead and decaying,
But I am a clown as you see;
And though in no circus I'm playing,
How people are laughing at me!
poem by Robert William Service
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Unlike Mother, Unlike Daughter
Her heart breaks for something she'll never have
A daughter of perfect honesty and obedience
With fair hair and bright eyes
Everything her son is
Instead the mother bore something strange
A loser, a liar, a Mrs. Lovett wannabe
Swearing not to change
Everything she doesn't want, doesn't need
But her daughter doesn't want to love anybody
She doesn't want love in return
She's sick of man's petty "acceptance"
She doesn't need "lessons" to learn
The Mother explains, "She understands, "
Clichés, "Daughter, tell me anything."
But her daughter knows,
She'd be afraid of what's in her head
Mother won't understand
The demons that chase her and charm her
For a while…
And scariest of all
The daughter realizes
The man she loves
She loves alone
It's sad to think about the monster
The Daughter holds so intrinsically close…
Her heart breaks for something she'll never have
A vengeful god of perfectly destructive melancholy
With dark hair and dark eyes
They try to tell her otherwise
But only the Daughter knows what her heart cannot compromise
Mother tries to convince her
Tries to stop a "fictional infatuation"
Still the daughter, unfazed, replies,
"You know you are my only condemnation."
poem by Gabrielle Fleming
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A Domestic Tragedy
Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"
"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"
She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."
poem by Robert William Service
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The Erl-King
1.
WHO rides there so late through the night dark and drear?
The father it is, with his infant so dear;
He holdeth the boy tightly clasp'd in his arm,
He holdeth him safely, he keepeth him warm.
"My son, wherefore seek'st thou thy face thus to hide?"
"Look, father, the Erl-King is close by our side!
Dost see not the Erl-King, with crown and with train?"
"My son, 'tis the mist rising over the plain."
"Oh, come, thou dear infant! oh come thou with me!
Full many a game I will play there with thee;
On my strand, lovely flowers their blossoms unfold,
My mother shall grace thee with garments of gold."
"My father, my father, and dost thou not hear
The words that the Erl-King now breathes in mine ear?"
"Be calm, dearest child, 'tis thy fancy deceives;
'Tis the sad wind that sighs through the withering leaves."
"Wilt go, then, dear infant, wilt go with me there?
My daughters shall tend thee with sisterly care
My daughters by night their glad festival keep,
They'll dance thee, and rock thee, and sing thee to sleep."
"My father, my father, and dost thou not see,
How the Erl-King his daughters has brought here for me?"
"My darling, my darling, I see it aright,
'Tis the aged grey willows deceiving thy sight."
"I love thee, I'm charm'd by thy beauty, dear boy!
And if thou'rt unwilling, then force I'll employ."
"My father, my father, he seizes me fast,
Full sorely the Erl-King has hurt me at last."
The father now gallops, with terror half wild,
He grasps in his arms the poor shuddering child;
He reaches his courtyard with toil and with dread,--
The child in his arms finds he motionless, dead.
------------
2.
fr om a translation by
Edwin Zeydel
--------------------------- ------------------------------------------------- ----
Who rides so late where winds blow wild?
It is the father grasping his child;
He holds the boy embraced in his arm
He clasps him snugly, he keeps him warm.
"My son, why cover your face in such fear?"
"O don't you see the ErlKing near?
The ErlKing with his crown and train!"
"My son, the mist is on the plain."
"Sweet lad, o come and join me, do!
Such pretty games I'll play with you;
On the shore gay flowers their colors unfold
My mother has made you a garment of gold."
"My father, my father, o can you not hear
The promise the ErlKing breathes in my ear?"
"Be calm, stay calm my child, lie low
In withered leaves the night winds blow."
"Will you, sweet lad, come along with me?
My daughters shall care for you tenderly;
In the night my daughters their revelry keep,
They'll rock you and dance you and sing you to sleep."
"My father, my father, o can you not trace
The ErlKing's daughters in that gloomy place?"
"My son, my son, I see it clear
How grey the ancient willows appear."
"I love you, your comeliness charms me, my boy
And if you're not willing, then force I'll employ!"
"Now father, o father, he's seizing my arm
The ErlKing has done me the cruelest harm!"
The father shudders, his ride is wild
In his arms he's holding the shivering child
He reaches home with toil and dread.
In his arms, the child was dead.
poem by Johann Wolfgang von Goethe
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The night wind
Have you ever heard the wind go "Yooooo"?
'T is a pitiful sound to hear!
It seems to chill you through and through
With a strange and speechless fear.
'T is the voice of the night that broods outside
When folk should be asleep,
And many and many's the time I've cried
To the darkness brooding far and wide
Over the land and the deep:
Whom do you want, O lonely night,
That you wail the long hours through?"
And the night would say in its ghostly way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
My mother told me long ago
(When I was a little tad)
That when the night went wailing so,
Somebody had been bad;
And then, when I was snug in bed,
Whither I had been sent,
With the blankets pulled up round my head,
I'd think of what my mother'd said,
And wonder what boy she meant!
And "Who's been bad to-day?" I'd ask
Of the wind that hoarsely blew,
And the voice would say in its meaningful way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
That this was true I must allow -
You'll not believe it, though!
Yes, though I'm quite a model now,
I was not always so.
And if you doubt what things I say,
Suppose you make the test;
Suppose, when you've been bad some day
And up to bed are sent away
From mother and the rest -
Suppose you ask, "Who has been bad?"
And then you'll hear what's true;
For the wind will moan in its ruefulest tone:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"
poem by Eugene Field
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