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The Midnight Mass

An incident of the French Revolution.
The light lay trembling in a silver bar
Along the western borders of the sky;
From out the shadowy dome a little star
Stole forth to keep its patient watch on high;
And night came down, with solemn, soft embrace,
On storied Brittany.

Another night lay over all the land—
The dark of hell, and lurid with its fire.
She heard the roar of fiends; she saw the brand
Flung red and hissing over roof and spire;
She saw her golden spurs and reaping-hooks
Tossed on the funeral pyre.
She stood in calm defiance, while the flood
Swept over her;—while everywhere was seen
Her dim, majestic cities drenched in blood;
Ashes and smoke where temple-walls had been;
And high on woodland knoll and market-place,
The ghastly guillotine.

'Twas hard to tear her peasant-souls apart
From priest and liege, and clinging faith of old;
'Twas hard to bend the strong and simple heart
By fear of torture or by love of gold:
For naught those gory hands could offer them
Might consciences be sold.

“No tower or belfry shall be left to stand,”
Saint André swore, and waved his cap of red;
“You shall have naught in all this cursèd land
For sign of your superstition,—it is dead!”
A peasant heard, and raised his eyes to heaven;—
“You'll leave the stars,” he said.

True were the priests and people, each to each,
And all alike to their unlettered creed;
No violent force of sophistry could reach
Their rough-hewn faith in bitter time of need.
They died with deaf ears and dumb mouths; and theirs
Was martyrdom indeed!

Night—midnight—lay beneath her silver lamps;
Her deep sleep broken by the fitful glare

Of bivouac fires in noisy village camps,
And hoarse shouts mellowed through the listening air;
Save only where the sea-waves washed the coast—
'Twas still and quiet there:

The heave and swell, and sudden, plunging dash
Against the low rocks lying in their reach;
The hissing shingle, and the sweet, free plash
Of long-drawn breakers on the open beach;
And now and then, in momentary pause,
The curlew's mournful screech:

The soft, low gurgle in the hollowed track
Through reef and boulder; and the rippling fall
Of idle wandering waters, swirling back
From secret tryst in Naiads' rocky hall;—
Only these sounds—save that deep monotone
Which held and hushed them all.

Only these sounds? Was nothing to be heard
But voice of breaker as it rose and fell,
The kelpie's song, the wailing of a bird?
Ay, far and faint amid the restless swell,
One other voice stole whispering through the air—
The chime of a silver bell.

It came from dim mid-ocean, wild and free,
To listening ears, in silence of the night;
And watchful eyes saw, out upon the sea
And 'neath the stars, a little twinkling light—
Now lost behind a waving mountain-top,
Now shining clear and bright.

Softly the fishers' boats began to glide
From shadowy rock and sheltered cave and creek;
Bronzed men and gentle maidens, side by side,
Dipped muffled oars; no woman-hand was weak.
All eyes turned, wistful, to the beacon-lamp;
But no one dared to speak.

The scattered specks, with each its little crowd,
Drew near, converging on the distant bark;
The sweet bell rang out louder and more loud,
The light shone bright and brighter in the dark;
And soon a hundred lips burst forth in praise—
For all had reach'd the ark.

There was the priest, with whom they came to sup,
White-hair'd and holy, by his humble board;
There, amid light and darkness lifted up,

The blessed rood, by simple eyes adored.
Each head was bowed, each pious knee was bent
In presence of the Lord.

Ah! 'twas a grand cathedral where they knelt!
Grand was the organ-music—vast the crypt
Wherein its wild, mysterious echoes dwelt;
And fresh and pure the incense, as it slipp'd
Down shining floor and down wide altar-steps,
With frosted silver tipp'd.

Grand was the darken'd aisles and solemn nave—
The domèd roof, magnificently high—
The airy walls and mighty architrave—
The sweet star-tapers that could never die!
And grander still its purity of peace,
Its untouched sanctity.

The worn and weary ones came there, to search
For rest and hope in holy Eucharist;
There—in the splendour of that solemn church—
They, priest and people, communed with the Christ;
Thus—with all other temples overthrown—
They kept his sacred tryst.

With calm, grave eyes and even-pulsing breath,
They dipp'd their still oars in the darken'd space.
Strong now the hands fast rowing back to death!—
And strong the simple hearts, new clothed in grace—
The hush'd and quiet souls—ere long to meet
Their Saviour face to face.

poem by Ada Cambridge
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Feast Of The Assumption

Dark! Dark! Dark!
The sun is set; the day is dead:
Thy Feast has fled;
My eyes are wet with tears unshed;
I bow my head;
Where the star-fringed shadows softly sway
I bend my knee,
And, like a homesick child, I pray,
Mary, to thee.

Dark! Dark! Dark!
And, all the day -- since white-robed priest
In farthest East,
In dawn's first ray -- began the Feast,
I -- I the least --
Thy least, and last, and lowest child,
I called on thee!
Virgin! didst hear? my words were wild;
Didst think of me?

Dark! Dark! Dark!
Alas! and no! The angels bright,
With wings as white
As a dream of snow in love and light,
Flashed on thy sight;
They shone like stars around thee, Queen!
I knelt afar --
A shadow only dims the scene
Where shines a star!

Dark! Dark! Dark!
And all day long, beyond the sky,
Sweet, pure, and high,
The angel's song swept sounding by
Triumphantly;
And when such music filled thy ear,
Rose round thy throne,
How could I hope that thou wouldst hear
My far, faint moan?

Dark! Dark! Dark!
And all day long, where altars stand,
Or poor or grand,
A countless throng from every land,
With lifted hand,
Winged hymns to thee from sorrow's vale
In glad acclaim;
How couldst thou hear my lone lips wail
Thy sweet, pure name?

Dark! Dark! Dark!
Alas! and no! Thou didst not hear
Nor bend thy ear,
To prayer of woe as mine so drear;
For hearts more dear
Hid me from hearing and from sight
This bright Feast-day;
Wilt hear me, Mother, if in its night
I kneel and pray?

Dark! Dark! Dark!
The sun is set, the day is dead;
Thy Feast hath fled;
My eyes are wet with the tears I shed;
I bow my head;
Angels and altars hailed thee, Queen,
All day; ah! be
To-night what thou hast ever been --
A mother to me!

Dark! Dark! Dark!
Thy queenly crown in angels' sight
Is fair and bright;
Ah! lay it down; for, oh! to-night
Its jeweled light
Shines not as the tender love-light shines,
O Mary! mild,
In the mother's eyes, whose pure heart pines
For poor, lost child!

Dark! Dark! Dark!
Sceptre in hand, thou dost hold sway
Fore'er and aye
In angel-land; but, fair Queen! pray
Lay it away.
Let thy sceptre wave in the realms above
Where angels are;
But, Mother! fold in thine arms of love
Thy child afar!

Dark! Dark! Dark!
Mary, I call! Wilt hear the prayer
My poor lips dare?
Yea! be to all a Queen most fair,
Crown, sceptre, bear!
But look on me with a mother's eyes
From heaven's bliss;
And waft to me from the starry skies
A mother's kiss!

Dark! Dark! Dark!
The sun is set; the day is dead;
Her Feast has fled;
Can she forget the sweet blood shed,
The last words said
That evening -- 'Woman! behold thy Son!
Oh! priceless right,
Of all His children! The last, least one,
Is heard to-night.

poem by Abram Joseph Ryan
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The Baptistry

One winter eve, at twilight, when the sound
Of sorrowful winds scarce troubled Nature's rest,
As she lay sleeping, with her hair unbound,
Holding her grey robe to her shivering breast,

I enter'd through a low-arch'd oaken door,
Circled with curious sculpture; and I crept
With slow, hush'd footsteps, o'er the shadow'd floor,
Where organ notes in sudden silence slept;

Far down the aisle, where darkness seem'd to brood
With such wide-spreading wings, and where the sigh
Of murmur'd prayer scarce came,—until I stood
In the deep stillness of the Baptistry.

There, in the dim side-chapel, no bright glow
From jewelled windows on the wall was shed;
No sunbeams rested on the font below,
Or kiss'd those mighty arches overhead.

Soft lines and curves went upward, and were lost
In solemn shadow and in dreamy space;
Only the level floor was faintly crost
With glimmering brightness from the holy place.

And, as I listen'd, I heard music sweet
Trembling and swelling through the soundless air,
Threading dark aisles, as if an angel's feet
Were bidden bring God's message to me there.

Ah! and the echo of those anthem notes
Wanders and whispers in my heart for aye:
In all my life the mystic language floats,
Fitful and faint, as in my ears that day.

One whom we knew had enter'd into rest—
Calm on the pillow lay his hoary head;
And through that music spoke, in accents blest,
Our holy Mother's voice, hallowing the dead,
Telling of perfect peace, of labours done,
Of long years' sorrow turned to joy at last—
The quiet sleep, when battles all are won—
The hush of evening when the day is past.

I look'd upon the font, and mused of all
Its wondrous meaning, till my thoughts grew dim
And vast and shadowy as those columns tall;—
Morning of life for me—death's night for him!

How fancy tried to span that awful space
Between the two—between the here and there!
To bridge the nave—up to that blessed Place
Where light and song stream'd on the chancel-stair!

Dim recollections drifted through my brain—
Echoing footfalls of past childish years,
When the baptismal robe had less of stain,
E'en though unwash'd by penitential tears.

I saw the gloomy shadows o'er my head,
And sigh'd to think how I had suffer'd loss;
I saw the soft light, and was comforted,—
I knew it shone straight from the chancel-cross.

A few more steps, and then I stood below
The towering minster coronet again;
Down on my face that pure and gentle glow
Fell, like a pitying kiss in time of pain.

Down to my feet it stream'd; a passage dim,
With hosts of phantom-shapes on either side,
It drifted through;—as songs of seraphim
Drift through our mourning hearts at Easter-tide.

Looking up then, I seem'd to see my life,—
A long, dim vista, where the rays descend—
Where light and darkness wage continual strife;
But only light—the full light—at the end.

poem by Ada Cambridge
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Easter Eve

Hear me, Brother, gently met;
Just a little, turn, not yet,
Thou shalt laugh, and soon forget:
Now the midnight draweth near.
I have little more to tell;
Soon with hallow stroke and knell,
Thou shalt count the palace bell,
Calling that the hour is here.

Burdens black and strange to bear,
I must tell, and thou must share,
Listening with that stony stare,
Even as many a man before.
Years have lightly come and gone
In their jocund unison,
But the tides of life roll on-
They remember now no more.

Once upon a night of glee,
In an hour of revelry,
As I wandered restlessly,
I beheld with burning eye,
How a pale procession rolled
Through a quarter quaint and old,
With its banners and its gold,
And the crucifix went by.

Well I knew that body brave
That was pierced and hung to save,
But my flesh was now a grave
For the soul that gnashed within.
He that they were bearing by,
With their banners white and high,
He was pure, and foul was I,
And his whiteness mocked my sin.

Ah, meseemed that even he,
Would not wait to look on me,
In my years and misery,
Things that he alone could heal.
In mine eyes I felt the flame
Of a rage that naught could tame,
And I cried and cursed his name,
Till my brain began to reel.

In a moment I was 'ware,
How that many watching there,
Fearfully with blanch and stare,
Crossed themselves and shrank away;
Then upon my reeling mind,
Like a sharp blow from behind,
Fell the truth, and left me blind,
Hopeless now and all astray.

O'er the city wandering wide,
Seeking but some place to hide,
Where the sounds of mirth had died,
Through the shaken night I stole;
From the ever-eddying stream
Of the crowds that did but seem
Like the processions in a dream
To my empty echoing soul.

Till I came at last alone
To a hidden street of stone,
Where the city's monotone
On the silence fell no more.
Then I saw how one in white
With a footstep mute and light,
Through the shadow of the night
Like a spirit paced before.

And a sudden stillness came
Through my spirit and my frame,
And a spell without a name
Held me in his mystic track.
Though his presence seemed so mild,
Yet he led me like a child,
With a yearning strange and wild,
That I dared not turn me back.

Oh, I could not see his face,
Nor behold his utmost grace,
Yet I might not change my pace
Fastened by a strange belief;
For his steps were sad and slow,
And his hands hung straight below,
And his head was bowed, as though
Pressed by some immortal grief.

So I followed, yet not I
Held alone that company:
Every silent passer-by
Paled and turned and joined with me;
So we followed still and fleet,
While the city street by street,
Fell behind our rustling feet
Like a deadened memory.

Where the sound of sin and riot
Broke upon the night's dim quiet,
And the solemn bells hung nigh it
Echoed from their looming towers;
Where the mourners wept alway,
Watching for the morning grey;
Where the weary toiler lay,
Husbanding the niggard hours;

By the gates where all night long
Guests in many a joyous throng,
With the sound of dance and song,
Dreamed in golden palaces;
Still he passed, and door by door
Opened with a pale outpour,
And the revel rose no more
Hushed in deeper phantasies.

As we passed, the talk and stir
Of the quiet wayfarer
And the noisy banqueter
Died upon the midnight dim.
They that reeled in drunken glee
Shrank upon the trembling knee,
And their jests died pallidly,
As they rose and followed him.

From the street and from the hall,
From the flare of festival
None that saw him stayed, but all
Followed where his wonder would:
And our feet at first so few
Gathered as those white feet drew
To a pallid multitude;

And the hushed and awful beat
Of our pale unnumbered feet
Made a murmur strange and sweet,
As we followed evermore.
Now the night was almost passed,
And the dawn was overcast,
When the stranger stayed at last
At a great cathedral door.

Never word the stranger said,
But he slowly raised his head,
And the vast door opened
By an unseen hand withdrawn;
And in silence wave on wave,
Like an army from the grave,
Up the aisles and up the nave,
All that spectral crowd rolled on.

As I followed close behind,
Knowledge like an awful wind
Seemed to blow my naked mind
Into darkness black and bare;
Yet with longing wild and dim,
And a terror vast and grim,
Nearer still I pressed to him,
Till I almost touched his hair.

From the gloom so strange and eery,
From the organ low and dreary,
Rose the wailing miserere,
By mysterious voices sung;
And a dim light shone, none knew,
How it came, or whence it grew,
From the dusky roof and through
All the solemn spaces flung.

But the stranger still passed on,
Till he reached the alter stone,
And with body white and prone
Sunk his forehead to the floor;
And I saw in my despair,
Standing like a spirit there,
How his head was bruised and bare,
And his hand were clenched before,

How his hair was fouled and knit
With the blood that clotted it,
Where the prickled thorns had bit
In his crowned agony;
In his hands so wan and blue,
Leaning out, I saw the two
Marks of where the nails pierced through,
Once on gloomy Calvary.

Then with trembling throat I owned
All my dark sin unatoned,
Telling it with lips that moaned,
And methought an echo came
From the bended crowd below,
Each one breathing faint and low,
Sins that none but he might know:
'Master I did curse thy name.'

And I saw him slowly rise
With his sad unearthly eyes,
Meeting mine with meek surprise,
And a voice came solemnly:
'Never more on mortal ground
For they soul shall rest be found,
But when bells at midnight sound
Thou must rise and come with me.'

Then my forehead smote the floor,
Swooning, and I knew no more,
Till I heard the chancel door
Open for the choristers:
But the stranger's form was gone,
And the church was dim and lone:
Through the silence, one by one
Stole the early worshippers.

I an ageing now I know;
That was many years ago,
Yet or I shall rest below
In the grave where none intrude,
Night by night I roam the street,
And that awful form I meet,
And I follow pale and fleet,
With a ghostly multitude.

Every night I see his face,
With its sad and burdened grace,
And the torn and bloody trace,
That in hands and feet he has.
Once my life was dark and bad;
Now its days are strange and sad,
And the people call me mad:
See, they whisper as they pass.

Even now the echoes roll
From the swinging bells that toll;
It is midnight, now my soul
Hasten, for he glideth by.
Stranger, 'tis no phantasie:
Look! my master waits for me
Mutely, but thou canst not see
With the mortal blinded eye.

poem by Archibald Lampman
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The Creeds Of The Bells

How sweet the chime of the Sabbath bells!
Each one its creed in music tells
In tones that float upon the air
As soft as song, as sweet as prayer,
And I will put in simple rhyme
The language of the golden chime.
My happy heart with rapture swells
Responsive to the bells, sweet bells.
'Ye purifying waters swell!'
In mellow tones rang out a bell;
'Though faith alone in Christ can save,
Man must be plunged beneath the wave,
To show the world unfaltering faith
In what the Sacred Scripture saith;
Oh, well! ye rising water, swell!'
Pealed out the clear-toned Baptist bell.
'O, heed the ancient landmarks well!'
In solemn tones exclaimed a bell.
'No progress made by mortal man
Can change the just, eternal plan;
With God there can be nothing new;
Ignore the false, embrace the true,
While all is well! is well! is well!'
Pealed out the good old Dutch church bell.
'In deeds of love excel! excel!'
Chimed out from ivied towers a bell.
'This is the church not built on sands,
Emblem of one not built with hands;
Its forms and sacred rites revere -
Come worship here! come worship here!
Its rituals and faith excel!'
Chimed out the Episcopalian bell.
'No faith alone, but works as well,
Must test the soul!' said a soft bell.
'Come here and cast aside your load!
And work your way along the road
With faith in God and faith in man,
And hope in Christ, where hope began.
Do well! do well! do well! do well!'
Rang out the Unitarian bell.
'To all the truth we tell, we tell!'
Shouted in ecstacies, a bell.
'Come all ye weary wanders, see!
Our Lord has made salvation free!
Repent, believe, have faith, and then
Be saved! and praise the Lord! Amen!
Salvation’s free! we tell! we tell!'
Shouted the Methodistic bell.
'Farewell! farewell! base world, farewell!'
In touching tones exclaimed a bell.
'Life is a boon to mortals given,
To fit the soul for bliss in heaven.
Do not invoke the avenging rod.
Come here and learn the way to God.
Say to the world, ‘farewell! farewell!’'
Pealed forth the Presbyterian bell.
'In after life there is no hell!'
In raptures rang a cheerful bell.
'Look up to heaven this holy day,
When angels wait to lead the way.
There are no fires, no fiends to blight
The future life; be just and right.
No hell! No hell! No hell! No hell!'
Rang out the Universalist bell.
'The Pilgrim Fathers heeded well
My cheerful voice!' pealed forth a bell.
'No fetters here to clog the soul,
No arbitrary creed control
The free heart and progressive mind
That leave the dusty paths behind.
Speed well! speed well! speed well! speed well!'
Pealed forth the Independent bell.
'No pope, no pope, to doom to hell
The Protestant!' rang out a bell.
'Great Luther left his fiery zeal
Within the hearts that truly feel
What loyalty to God swill be
The faulty that makes men free,
No images where incense fell!'
Rang out old Martin Luther’s bell.
'Find rest! find rest! find rest! find rest!
Upon our Holy Mother’s breast,
From wearying strifes that never cease,
The mother church gives rest and pace.
Come, penitents, your sins confess
Where white-robed priests the faithful bless,
Where sacred Masses peal and swell!'
Deep tolled d the Roman Catholic bell.
Neatly attired, in manner plain,
A pilgrim see - no spot, no satin -
Slowly, with soft and measured tread,
In Quaker garb - no white, no red -
To passing friend I hear him say,
'Here worship thou, this is the way;
No churchly form, it is not well;
No bell - no bell - no bell - no bell.'

poem by Anonymous Americas
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Bid McCrae

The church was wrapped in darkness save for the alter-light,
And save where near the marble rail six tapers glimmered bright
O’er waxen heavy-scented flowers and coffin plated deep,
Where the good wife, Mary Halloran lay in her last long sleep.

Her life, calm, pure and prosperous, had scarcely known a care;
Four sons, three daughters, she had reared – all sturdy, strong and fair,
All like their parents, kindly, plain and practical-save one
That rare soul, marked for graces high, the young priest - Father John.

His beautiful young face was lit by spirit-light within
A new St. Michael armed against the powers of wrath and sin-
And now he knelt and prayed alone, amid the church’s gloom,
And heard his mother’s well loved voice come from beyond the tomb:

“Oh help me dearest son of mine to-night my soul has known
Our neighbours’ life is twined with ours; we cannot live alone;
My sins, our dear Lord has forgiven, their guilt is purged away,
But yet I cannot enter Heaven, because of Bid McCrae.”

Young Father John thought hard and long, till memory came again,
Of the poor, shiftless outcast, Bid, who dwelt in Padgett’s Lane,
A stone’s throw from his Mother’s yard, the by-word of the street,
Good women turned away in scorn at passing of her feet.

The gentle sisters often strove, with fond solicitude,
To bring to paths of light and peace bid’s wild and reckless brood;
And so, at Constance Halloran’s side, on first communion day,
Knelt little bright eyes Delia, the child of Bid McCrae.

Both pure souls, wrapt in loving awe, before the children’s King,
But ah, the coming, crowding years that swift temptations bring!
While Constance, safe and sheltered bloomed to happy girlhood bright.
Poor erring Delia’s wayward path knew sin’s un-holy blight.

“Blind in my selfish virtue wrapped I passed her all my days,
And god, He judgeth not as we – His ways are not our ways-“
Again his Mothers’ voice he heard, and read its message plain,
And Father John arose and sought the depths of Padgett’s Lane.

There by the dying sinner’s bed, he fought the powers of Hell-
Fought for the storm –tossed mother’s soul, the erring child as well
For kneeling by her mothers’ bed, the lamplight on her hair,
Poor broken-hearted Delia knelt in sorrow and despair.

And strange deep thoughts had Father John-how full of charity!
How rich in golden gleams of good a sinner’s heart can be!
And ere the dawnlight flushed the sky, both had been reconciled-
Shriven and at rest the happy dead, and saved the wayward child.

Next night there came to father John a vision glad and bright:
He saw his gentle mother stand at Heaven’s portal bright,
And as the young priest raised his heart in humble fervent praise
To God, who judgeth not as we - whose ways are not our ways-
The storm-tossed outcast, bid McCrae, all shriven from her sin,
Stood at this saintly woman’s side, and smiled, and led her in.

poem by Alice Guerin Crist
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The Fisher's Wife

A long, low waste of yellow sand
Lay shining northward far as eye could reach,
Southward a rocky bluff rose high
Broken in wild, fantastic shapes.
Near by, one jagged rock towered high,
And o'er the waters leaned, like giant grim,
Striving to peer into the mysteries
The ocean whispers of continually,
And covers with her soft, treacherous face.
For the rest, the sun was sinking low
Like a great golden globe, into the sea;
Above the rock a bird was flying
In dizzy circles, with shrill cries,
And on a plank floated from some wreck,
With shreds of musty seaweed
Clinging to it yet, a woman sat
Holding a child within her arms;
A sweet-faced woman--looking out to sea
With dark, patient eyes, and singing to the child,
And this the song she in the sunset sang:

Thine eyes are brown, my beauty, brown and bright,
Drowned deep in languor now, the angel Sleep
Is clasping thee within her arms so white,
Bearing thee up the dreamland's sunny steep.
Oh, baby, sleep, my baby, sleep.

Thy father's boat, I see its swaying shroud
Like a white sea-gull, swinging to and fro
Against the ledges of a crimson cloud,
A tiny bird with flutt'ring wing of snow.
Oh, baby, sleep, my baby, sleep.

Thy father toils beyond the harbor bar,
And, singing at his toil, he thinks of thee;
Lit by the red lamp of the evening star
Home will he come, will come to thee and me,
Oh, baby, sleep, my baby, sleep.

His cabin shall be bright with flowers sweet,
The table shall be set, the fire shall glow,
We'll wait within the door, his coming steps to greet,
And if my eye be sad, he will not know--
Oh, baby, sleep, my baby, sleep.

He will not pause to ponder things so slight,
He is not one a smile to prize or miss;
Yet he would shield us with a strong arm's might,
And he will meet us with a loving kiss--
Oh, baby, sleep, my baby, sleep.

But would I could forget those other days
When if with gayer gleam mine eyes had shone,
Or shade of sorrow, gentlest eyes would gaze
With tender questioning into my own.
Oh, baby, sleep, my baby, sleep.

Thine eyes are brown--thou hast thy father's eyes,
But those, my darling, those were clear and blue,
Ah, me! how sorrowfully that sea-bird cries,
Cries for its mate, oh, tender bird and true;
My, baby, sleep, my baby, sleep.

Oh, of my truest love well worthy he,
And near was I, ah, nearest to his heart;
But ships are parted on the dreary sea
Swept by the waves, forever swept apart--
Oh, baby, sleep, my baby, sleep.

And sometimes sad-eyed women sighing say,
Sweet love is lost, all that remains is rest,
So in their weakness they are lured to lay
Their head upon some strong and loving breast.
Oh, baby, sleep, my baby, sleep.

Our cabin stands upon the dreary sands,
And it is sad to be alone, alone.
But on my bosom thou hast lain thy hands,
Near to me art thou, near, my precious one--
My, baby, sleep, my baby, sleep.

The red light faded as she sung,
A chill breeze rose and swept across the sea,
She drew her cloak still closer round the child,
And turned toward the cabin;
As she went a faint glow glimmered
In the east, and slowly rose--
The silver crescent of the moon.
Another, paler light, than the warm sunset glow,
But clear enough to guide her home.

poem by Marietta Holley
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A Sermon

Midsummer, 1867.
We have heard many sermons, you and I,
And many more may hear,
When sitting quiet in cathedral nave,
With folded palms and faces meek and grave;—
But few like this one, dear.

We ofttimes watch together 'fore the veil,
With reverent, gleaming eyes,
While priestly hands are busy with the folds,—
And pant to see the holy place, which holds
Life's dreadest mysteries.
We watch weak, foolish fingers straying o'er
The broidered boss, to grasp
Vaguely at some small end of thread, and twist
And shake the glorious pattern into mist,
And leave us nought to clasp.

We watch, with eyes dilated, some strong hand
Of nerve and muscle, trace
The grand, faint outlines, erewhile undefined
To our slow earth-enfolded sense, and find
The great design—the shadow from behind—
Dawning before our face.

But seldom do we see, dear, you and I,
The pattern melt in light,
And all the shine flow out on us, uncheck'd—
With eyes of soul and not of intellect—
As we did see that night.

It was a summer-night—the sun was low,
But overlaid the sea,
And made gold-crystals of the wet sea-sand,
And drew our shadows short upon the strand
That stretched out shallowly.

It was a Sunday night—far off we heard
The solemn vesper-chime
From some grey wind-swept steeple by the shore,
Chanting “For ev-er-more! for ev-er-more!”
While the deep sea beat time.

We wandered far that night, dear, you and I,

We wandered out of reach,—
Until the golden distances grew grey,
And narrowed in the glory, as it lay
'Mid horizon and beach.

We wandered far along the lonely waste,
Where seldom foot had trod;
The world behind us dared not to intrude—
The summer silence and the solitude
Were only filled with God.

We sat down on the sand there, you and I,
We sat down awed and dumb,
And watched the fiery circle fall and fall
Through solemn folds of purple, and the small
Soft ripples go and come.

There was not wind enough to stir the reeds
Around us, nor to curl
The sheeny, dimpled surface of the deep;
The waters murmured low, as half in sleep,
With measured swish and swirl.

Two sea-birds came and dabbled in the pools,
And cried their plaintive cry,
As their strong wings swept o'er us as we sat
(No profanation of the stillness that,
But added sanctity).

They flecked the crimson shallows with black streaks,
Low-wheeling to and fro,
Crying their bold, sweet cry, as knowing well
It was a place where God, not man, did dwell—
A father, not a foe.

* * * * *
Ah, we hear many sermons, you and I—
The poor words fall and drown;
But this, whose speech was silence, this has stirred
The stream of years,—and aye it will be heard
As when that sun went down!

poem by Ada Cambridge
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The Christ upon the Hill

Part I.

A couple old sat o'er the fire,
And they were bent and gray;
They burned the charcoal for their Lord,
Who lived long leagues away.

Deep in the wood the old pair dwelt,
Far from the paths of men,
And saw no face but their poor son's,
And a wanderer's now and then.

The son, alas! Had grown apace,
And left his wits behind;
He was as helpless as the air,
As empty as the wind.

With puffing lips and shambling feet,
And eyes a-staring wide,
He whistled ever as he went,
And little did beside.

He whistled high, he whistled low,
He whistled sharp and sweet;
He brought the redbreast to his hand,
And the brown hare to his feet.

Without a fear of beast or bird,
He wandered all the day;
But when the light began to fail
His courage passed away.

He feared the werewolf in the wood,
The dragon in the dell,
And home he fled as if pursued
By all the hosts of hell.

"Ah! we are old," the woman said,
"And soon shall we be gone,
And what will our poor Michael do
When he is left alone?

"We are forgotten of all men;
And he is dead, I fear,
That good old priest, who used to come
And shrive us thrice a year.

"We have no kin," the mother said,
"We have no friend," said she;
The father gazed upon the fire,
And not a word said he.

Again she spoke, "No friend or kin,
'Death, only Death,' is near;
And he will take us both away,
And leave our Michael here.

"And who shall give him bite or sup?
And who shall keep him neat?
Ah! what were Heaven if we must weep
Before God's mercy-seat!"

And when the woman ceased, the man
A little waited still,
And then he said, "We have one friend --
The Christ upon the Hill."

Part II.

The Christ upon the Hill --so gaunt
And lean and stark and drear;
It made the heart with pity start,
It smote the soul with fear.

High reared against a cliff it stood,
Just where the great roads met;
And many a knee had worn the stone
Wherein the Rood was set.

For deadly was the pass beyond,
And all men paused to pray
For courage, or to pour their thanks
For dangers passed away.

But not for fear of beast or fiend,
But boding deeper ill,
The charcoal-burner and his wife
Slow climbed the weary hill.

Before the Rood their simple son
Lay stretched upon the ground,
And crumbled black bread for the birds
That hopped and pecked around.

(For he had gone before with feet
As wild and light as air,
And borne the basket on his back
That held their frugal fare.)

And they were faint, and, ere they prayed,
They sat them down to eat;
And much they marvelled at their son,
Who never touched his meat,

But, now the birds were flown away,
Sat up, and only gazed
Upon the Christ upon the cross,
As one with wonder dazed.

Full long he sat and never moved;
But then he gave a cry,
And caught his mother by the wrist
And said, "I heard a sigh."

"It is an image made of wood,
It has no voice," she said;
"'Twas but the wind you heard, my son,"
But Michael shook his head,

And gazed again, so earnestly
His face grew almost wise;
And now he cried again, and said,
"Look, how he closed his eyes!"

"'Tis but the shadow of a bird
That passed across his face,"
The mother said; "see, even now
It hovers near the place."

And then the father said, "My son,
The image is of wood;
And do you think a man could live
Without a taste of food?"

"No food?" the silly youth replied,
And pointed to a wren,
Who with a crumb upon Christ's lip
Had just alighted then.

And now the old man held his peace,
And the woman ceased to strive,
For still he shook his silly head,
And said, "The man's alive."

"It is God's will," they said, and knelt,
And knew not what to say;
But when they rose they felt as though
All fear had passed away.

And they could smile when Michael left
His dinner on the stone;
He said, "The birds will feed the Christ
When they are quite alone."

Part III.

The couple sat before the fire,
More old, and sad, and poor,
For there was winter at the heart,
And winter at the door.

It shook the roof with shocks of wind;
It caked the pane with snow;
The candle flickered on the sill,
Like a soul that longed to go.

'Twas Michael's beacon, -- gone to feed
The Christ upon the Hill;
And midnight long had passed and gone,
And he was absent still.

And now and then they turned a log,
And now they dropped a word:
"'Twas all the wind," the mother said;
The father said, "The bird."

"I hoped that it was God himself,"
The mother muttered low;
"It must have been the fiend," he said,
"For to deceive him so."

And then the mother cried aloud,
"What matter it?" she said;
"Or wind, or bird, or fiend, or God,
For he is dead -- is dead!"

"Hark!" cried the man, and through the storm
A note came high and clear;
It was the whistle of their son,
That sound they longed to hear.

And then a cry for help, and out
Into the snow they ran;
And there was Michael. On his back
He bore a helpless man.

"He lives, he lives," he wildly cried;
"His wounds are dripping still;"
And surely, red from hand and side
There ran a tiny rill.

They brought Him in and laid Him down,
Upon the warm hearthstone;
It was the Christ, but not of wood,
But made of flesh and bone.

They washed His wounds, and at their touch
They turned to purple scars,
Like a young moon upon the breast,
On hands and feet like stars.

They brought to moisten His dry lips
They hoarded flask of wine;
They wrapped Him round with blankets warm,
And waited for a sign.

And soon without the help of hand
He rose upon His feet,
And like a friend beside the fire
He took the vacant seat.

He sat up in the chair then,
And straight began to shine,
Until His face and raiment poured
A glory most divine.

The thorns upon His forehead
Broke out in leaves of gold;
The blood-drops turned to berries,
Like rubies rich and bold.

The blankets that bewrapped Him
Flowed into folds of white,
Bestarred with gold and jewels
Which sparkled in the light.

The very chair He sat on
Became a crystal throne;
The oaken stool beneath His feet
Turned to a jasper stone.

He stretched an arm to Michael,
And touched him with His hand,
And he arose beside the throne
An angel, bright and grand.

And then His lips were opened,
And strong and sweet and clear,
Like water from a fountain,
His voice was good to hear.

"I am the King of Glory;
I am your brother too;
And even as you do to Me,
So do I unto you.

"You took Me in and clothed Me;
You washed My body pierced;
You gave me of your wine to drink
When I was sore athirst.

"And you have suffered also,
And you must suffer still;
I suffered upon Calvary;
I suffer on the Hill.

"But I am Prince of Sorrow,
And I am Lord of Care;
I come to bring you comfort,
And save you from despair.

"Your son, your only son, is safe
And beautiful to see;
And though you miss him for a while,
You know he is with Me.

"And I will give him peace and joy
As no man every knew --
A little grief, a little pain,
And I will come for you."

He rose, His arms around their son;
And through the open door
They only saw a whirl of snow,
And heard the tempest roar.

poem by William Cosmo Monkhouse
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Ulla, Or The Adjuration

'Thou'rt gone!–thou'rt slumb'ring low,
With the sounding seas above thee;
It is but a restless wo,
But a haunting dream to love thee!
Thrice the glad swan has sung,
To greet the spring-time hours,
Since thine oar at parting flung
The white spray up in showers.

There's a shadow of the grave on thy hearth and round thy home;
Come to me from the ocean's dead!–thou'rt surely of them–come!'

'Twas Ulla's voice–alone she stood
In the Iceland summer night,
Far gazing o'er a glassy flood,
From a dark rock's beetling height.

'I know thou hast thy bed
Where the sea-weed's coil hath bound thee;
The storm sweeps o'er thy head,
But the depths are hush'd around thee.
What wind shall point the way
To the chambers where thou'rt lying?
Come to me thence, and say
If thou thought'st on me in dying?

I will not shrink to see thee with a bloodless lip and cheek–
Come to me from the ocean's dead!–thou'rt surely of them–speak!'

She listen'd–'twas the wind's low moan,
'Twas the ripple of the wave,
'Twas the wakening osprey's cry alone,
As it started from its cave.

'I know each fearful spell
Of the ancient Runic lay,
Whose mutter'd words compel
The tempest to obey.
But I adjure not thee
By magic sign or song,
My voice shall stir the sea
By love,–the deep, the strong!

By the might of woman's tears, by the passion of her sighs,
Come to me from the ocean's dead!–by the vows we pledg'd–arise!'

Again she gazed with an eager glance,
Wandering and wildly bright;–
She saw but the sparkling waters dance
To the arrowy northern light.

'By the slow and struggling death
Of hope that loath'd to part,
By the fierce and withering breath
Of despair on youth's high heart;
By the weight of gloom which clings
To the mantle of the night,
By the heavy dawn which brings
Nought lovely to the sight,

By all that from my weary soul thou hast wrung of grief and fear,
Come to me from the ocean's dead–awake, arise, appear!'

Was it her yearning spirit's dream,
Or did a pale form rise,
And o'er the hush'd wave glide and gleam,
With bright, still, mournful eyes?

'Have the depths heard?–they have!
My voice prevails–thou'rt there,
Dim from thy watery grave,
Oh! thou that wert so fair!
Yet take me to thy rest!
There dwells no fear with love;
Let me slumber on thy breast,
While the billow rolls above!

Where the long-lost things lie hid, where the bright ones have their home,
We will sleep among the ocean's dead–stay for me, stay!–I come!'

There was a sullen plunge below,
A flashing on the main,
And the wave shut o'er that wild heart's wo,
Shut,–and grew still again.

poem by Felicia Dorothea Hemans
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A Ballad, Shewing How An Old Woman Rode Double, And Who Rode Before Her

The Raven croak'd as she sate at her meal,
And the Old Woman knew what he said,
And she grew pale at the Raven's tale,
And sicken'd and went to her bed.

Now fetch me my children, and fetch them with speed,
The Old Woman of Berkeley said,
The monk my son, and my daughter the nun
Bid them hasten or I shall be dead.

The monk her son, and her daughter the nun,
Their way to Berkeley went,
And they have brought with pious thought
The holy sacrament.

The old Woman shriek'd as they entered her door,
'Twas fearful her shrieks to hear,
Now take the sacrament away
For mercy, my children dear!

Her lip it trembled with agony,
The sweat ran down her brow,
I have tortures in store for evermore,
Oh! spare me my children now!

Away they sent the sacrament,
The fit it left her weak,
She look'd at her children with ghastly eyes
And faintly struggled to speak.

All kind of sin I have rioted in
And the judgment now must be,
But I secured my childrens souls,
Oh! pray my children for me.

I have suck'd the breath of sleeping babes,
The fiends have been my slaves,
I have nointed myself with infants fat,
And feasted on rifled graves.

And the fiend will fetch me now in fire
My witchcrafts to atone,
And I who have rifled the dead man's grave
Shall never have rest in my own.

Bless I intreat my winding sheet
My children I beg of you!
And with holy water sprinkle my shroud
And sprinkle my coffin too.

And let me be chain'd in my coffin of stone
And fasten it strong I implore
With iron bars, and let it be chain'd
With three chains to the church floor.

And bless the chains and sprinkle them,
And let fifty priests stand round,
Who night and day the mass may say
Where I lie on the ground.

And let fifty choristers be there
The funeral dirge to sing,
Who day and night by the taper's light
Their aid to me may bring.

Let the church bells all both great and small
Be toll'd by night and day,
To drive from thence the fiends who come
To bear my corpse away.

And ever have the church door barr'd
After the even song,
And I beseech you children dear
Let the bars and bolts be strong.

And let this be three days and nights
My wretched corpse to save,
Preserve me so long from the fiendish throng
And then I may rest in my grave.

The Old Woman of Berkeley laid her down
And her eyes grew deadly dim,
Short came her breath and the struggle of death
Did loosen every limb.

They blest the old woman's winding sheet
With rites and prayers as due,
With holy water they sprinkled her shroud
And they sprinkled her coffin too.

And they chain'd her in her coffin of stone
And with iron barr'd it down,
And in the church with three strong chains
They chain'd it to the ground.

And they blest the chains and sprinkled them,
And fifty priests stood round,
By night and day the mass to say
Where she lay on the ground.

And fifty choristers were there
To sing the funeral song,
And a hallowed taper blazed in the hand
Of all the sacred throng.

To see the priests and choristers
It was a goodly sight,
Each holding, as it were a staff,
A taper burning bright.

And the church bells all both great and small
Did toll so loud and long,
And they have barr'd the church door hard
After the even song.

And the first night the taper's light
Burnt steadily and clear.
But they without a hideous rout
Of angry fiends could hear;

A hideous roar at the church door
Like a long thunder peal,
And the priests they pray'd and the choristers sung
Louder in fearful zeal.

Loud toll'd the bell, the priests pray'd well,
The tapers they burnt bright,
The monk her son, and her daughter the nun
They told their beads all night.

The cock he crew, away they flew
The fiends from the herald of day,
And undisturb'd the choristers sing
And the fifty priests they pray.

The second night the taper's light
Burnt dismally and blue,
And every one saw his neighbour's face
Like a dead man's face to view.

And yells and cries without arise
That the stoutest heart might shock,
And a deafening roaring like a cataract pouring
Over a mountain rock.

The monk and nun they told their beads
As fast as they could tell,
And aye as louder grew the noise
The faster went the bell.

Louder and louder the choristers sung
As they trembled more and more,
And the fifty priests prayed to heaven for aid,
They never had prayed so before.

The cock he crew, away they flew
The fiends from the herald of day,
And undisturb'd the choristers sing
And the fifty priests they pray.

The third night came and the tapers flame
A hideous stench did make,
And they burnt as though they had been dipt
In the burning brimstone lake.

And the loud commotion, like the rushing of ocean,
Grew momently more and more,
And strokes as of a battering ram
Did shake the strong church door.

The bellmen they for very fear
Could toll the bell no longer,
And still as louder grew the strokes
Their fear it grew the stronger.

The monk and nun forgot their beads,
They fell on the ground dismay'd,
There was not a single saint in heaven
Whom they did not call to aid.

And the choristers song that late was so strong
Grew a quaver of consternation,
For the church did rock as an earthquake shock
Uplifted its foundation.

And a sound was heard like the trumpet's blast
That shall one day wake the dead,
The strong church door could bear no more
And the bolts and the bars they fled.

And the taper's light was extinguish'd quite,
And the choristers faintly sung,
And the priests dismay'd, panted and prayed
Till fear froze every tongue.

And in He came with eyes of flame
The Fiend to fetch the dead,
And all the church with his presence glowed
Like a fiery furnace red.

He laid his hand on the iron chains
And like flax they moulder'd asunder,
And the coffin lid that was barr'd so firm
He burst with his voice of thunder.

And he bade the Old Woman of Berkeley rise
And come with her master away,
And the cold sweat stood on the cold cold corpse,
At the voice she was forced to obey.

She rose on her feet in her winding sheet,
Her dead flesh quivered with fear,
And a groan like that which the Old Woman gave
Never did mortal hear.

She followed the fiend to the church door,
There stood a black horse there,
His breath was red like furnace smoke,
His eyes like a meteor's glare.

The fiendish force flung her on the horse
And he leapt up before,
And away like the lightning's speed they went
And she was seen no more.

They saw her no more, but her cries and shrieks
For four miles round they could hear,
And children at rest at their mother's breast,
Started and screamed with fear.

poem by Robert Southey
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The Cathedral Of Rheims

He who walks through the meadows of Champagne
At noon in Fall, when leaves like gold appear,
Sees it draw near
Like some great mountain set upon the plain,
From radiant dawn until the close of day,
Nearer it grows
To him who goes
Across the country. When tall towers lay
Their shadowy pall
Upon his way,
He enters, where
The solid stone is hollowed deep by all
Its centuries of beauty and of prayer.

Ancient French temple! thou whose hundred kings
Watch over thee, emblazoned on thy walls,
Tell me, within thy memory-hallowed halls
What chant of triumph, or what war-song rings?
Thou hast known Clovis and his Frankish train,
Whose mighty hand Saint Remy's hand did keep
And in thy spacious vault perhaps may sleep
An echo of the voice of Charlemagne.
For God thou has known fear, when from His side
Men wandered, seeking alien shrines and new,
But still the sky was bountiful and blue
And thou wast crowned with France's love and pride.
Sacred thou art, from pinnacle to base;
And in thy panes of gold and scarlet glass
The setting sun sees thousandfold his face;
Sorrow and joy, in stately silence pass
Across thy walls, the shadow and the light;
Around thy lofty pillars, tapers white
Illuminate, with delicate sharp flames,
The brows of saints with venerable names,
And in the night erect a fiery wall.
A great but silent fervour burns in all
Those simple folk who kneel, pathetic, dumb,
And know that down below, beside the Rhine -
Cannon, horses, soldiers, flags in line -
With blare of trumpets, mighty armies come.

Suddenly, each knows fear;
Swift rumours pass, that every one must hear,
The hostile banners blaze against the sky
And by the embassies mobs rage and cry.
Now war has come, and peace is at an end.
On Paris town the German troops descend.
They are turned back, and driven to Champagne.
And now, as to so many weary men,
The glorious temple gives them welcome, when
It meets them at the bottom of the plain.

At once, they set their cannon in its way.
There is no gable now, nor wall
That does not suffer, night and day,
As shot and shell in crushing torrents fall.
The stricken tocsin quivers through the tower;
The triple nave, the apse, the lonely choir
Are circled, hour by hour,
With thundering bands of fire
And Death is scattered broadcast among men.

And then
That which was splendid with baptismal grace;
The stately arches soaring into space,
The transepts, columns, windows gray and gold,
The organ, in whose tones the ocean rolled,
The crypts, of mighty shades the dwelling places,
The Virgin's gentle hands, the Saints' pure faces,
All, even the pardoning hands of Christ the Lord
Were struck and broken by the wanton sword
Of sacrilegious lust.

O beauty slain, O glory in the dust!
Strong walls of faith, most basely overthrown!
The crawling flames, like adders glistening
Ate the white fabric of this lovely thing.
Now from its soul arose a piteous moan,
The soul that always loved the just and fair.
Granite and marble loud their woe confessed,
The silver monstrances that Popes had blessed,
The chalices and lamps and crosiers rare
Were seared and twisted by a flaming breath;
The horror everywhere did range and swell,
The guardian Saints into this furnace fell,
Their bitter tears and screams were stilled in death.

Around the flames armed hosts are skirmishing,
The burning sun reflects the lurid scene;
The German army, fighting for its life,
Rallies its torn and terrified left wing;
And, as they near this place
The imperial eagles see
Before them in their flight,
Here, in the solemn night,
The old cathedral, to the years to be
Showing, with wounded arms, their own disgrace.

poem by Emile Verhaeren
Submitted by Poetry Lover
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The Soul's Quest

PART I

IN the land that is neither night nor day,
Where the mists sleep over the forests grey,
A sad, sad spirit wandered away.
The woods are still—no brooks, no wind,
No fair green meadows can she find;
5
But a low red light in the sky behind.
Far over the plain, to the spirit's sight,
The city's towers are black as night,
Against the edge of the low red light.

This side the city in darkness lies,
10
But westward, at the glowering skies,
It glares with a thousand fiery eyes.
The road is long, the hedgerows bare,
There's the chill of death in the silent air,
And a glimmer of darkness everywhere.
15

'O sad, sad spirit, what thy quest,
With those flowing locks and that shadowy vest? '
The spirit answers, 'I seek for rest.'
'Where seekest rest, when the air is cold
On the long, dim road, and the clock hath tolled
20
The muffled hours form the belfry old?
'Where seekest rest through the twilight grey
Of the mists that sleep on the woods alway? '—
'I seek to-morrow or yesterday! '

Her face is pale, her feet are bare,
25
Her sad dark eyes, wide open, stare
At the glimmering darkness everywhere.
To those cheeks no rose hath summer brought,
But on their pallor time hath wrought
The troubled lines of an after-thought.
30

Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
And thus, all silent, seeks she rest.
Her tread is light on the cold, hard road;
For the tread may be light, yet heavy the load
35
Of grief at the heart and thoughts that goad.
She plucks a leaf from the roadway side,
And under its shade two violets hide—
As if from her cold touch, they hide.

She twines the violets in her hair;
40
They have no scent—she does not care,
For the glimmer of darkness is everywhere.
And on through the dim of the twilight grey,
While the pale sky gloweth far away,
She seeks to-morrow or yesterday.
45

PART II

'O Abbess, Abbess, the air is chill!
I heard the chaunting over the hill,
Like an angel's voice when the soul is still.
'O, Abbess, open wide thy gate!
Out on the cold, dim road I wait,
50
A spirit lone and desolate.
'Take thou these hands and these weary feet,
Cold as a corpse in its winding-sheet,
For the song of the nuns was so strange and sweet.

'Here with the sisters let me dwell,
55
Under these walls, in the loneliest cell,
Waiting the sound of the matin bell.
'Cut off these locks of flowing hair,
Cover with weeds this bosom bare,
For the glimmer of darkness is everywhere.
60

'Ask not my name, nor whence my way,
For the mist sleeps over the wood alway,
And I seek to-morrow or yesterday.'
She's passed beneath the chapel door;
The nuns are kneeling on the floor,
65
But a low wind moaneth evermore.
Sweeter and sweeter the sisters sing,
Till high in the roof the echoes ring,
For they know that God is listening.

'Ave Maria, hear our cry,
70
As the shadows roll across the sky,
For those that live and those that die!
'Ave Maria, Virgin blest,
Help the sin-stained and distrest,
Give the weary-hearted rest!
75

'Ave Maria, who didst bear
Jesus in this world of care,
Grant us all thy bliss to share! '
Sweeter and sweeter the sisters sing,
From arch to arch the echoes ring,
80
For they know that God is listening.
Out of the north the oceans roll,
Washing the lands from pole to pole:
No rest—no rest for the old world's soul.

The after-glow of suns that set
85
O'er fields with morning dew once wet,
Where all life's flowering roadways met,
Long shadows of our joys has sent,
Sloping adown the way we went
Towards darkness where our feet are bent.
90

Is it the moan of the evening wind?
Or the voice of the ocean in the mind,
While the pale red light looms up behind?
Is it moan of wind, or convent bell,
Or cry of the ocean? I cannot tell;
95
But a voice in her heart has locked the spell.
She does not hear the organ's swell;
In vain she strives her beads to tell,
For a voice in her heart has locked the spell.

She broods among the tangled fears,
100
The undergrowth of perished years,
That darken round the lake of tears.
Silent and dank, they fringe the brim
Of waters motionless and dim,
Unmoved by wings of Seraphim.
105

No lights on the altar the spirit sees,
The cloistered aisles are but leafless trees,
And the music, the sigh of the evening breeze.
No matin or vesper bell for her;
The leafless branches never stir
110
In the pale, pale light of the days that were.
No matin or vesper hymn or prayer
Can shut those eyes' wide-open stare
At the glimmering darkness everywhere.

The sweetest singing dies away;
115
No note of birds for those who stray
In the land that is neither night nor day.

PART III

In the shadowy light of the silent land,
With the tall gaunt hedges on either hand,
On the long, dim road doth the spirit stand.
120

Under the hedges the air is chill,
And the mists sleep over the forest still,
And are folded like wings on the sides of the hill.
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
125
Her feet are worn with seeking rest.
To her cheeks no rose hath summer brought,
While on their pallor time hath wrought
The troubled lines of an after-thought.

But sweet is the gaze of those sad dark eyes,
130
And sweet their look of mute surprise,
As something in the road she spies.
Spurned under foot, o'ergrown with moss,
Counted of foolish men but loss,
On the cold, hard road lies Jesus' cross.
135

In the dim twilight as she stood,
She saw the marks of Jesus' Blood,
Then stooped and kissed the Holy Rood.
There are sounds of joy from the years gone by,
There's a pale red light in the forward sky,
140
And a star looks down through the mist on high.
Hush! for the light falls clear from that star,
Hush! for the day-dawn kindles afar,
Hush! for the gate of the sky is ajar.

What is the voice of the boundless sea
145
As it clasps the lands excitedly?
Not the voice of the dead, but of what shall be—
Of what shall be when the world shall cease,
And oceans die in the reign of peace,
When God grants pardon and release.
150

O sweetest taste of Jesus' Blood!
Joy bursts upon her like a flood;
The spirit kisseth Holy Rood.
A low wind moaneth evermore,
The nuns still kneel upon the floor,
155
But Jesus trod this way before.
She lifts the sacred emblem up:
This was His drink, His bitter cup;
And all His loved with Him must sup.

Beneath its arms she bows her head,
160
Those arms so rudely fashionèd,
Which Jesus made His dying bed.
She bends beneath the cross's weight,
But now no longer desolate,
She stands before the convent gate.
165

Sweeter and sweeter the sisters sing,
From arch and roof the echoes ring,
While God above is listening.
'Ave Maria, Virgin blest,
Help the sin-stained and distrust,
170
Grant the weary-hearted rest! '
The altar-lights are shining fair,
And Jesus' cross is standing there;
The darkness brightens everywhere.

In silent bliss the spirit kneels,
175
For mortal utterance half conceals
The deepest joy the bosom feels.
She bears her burden day by day;
It wakens her at morning grey,
And calms her at eve's setting ray.
180

She bears it through the length of years;
The rough wood drives away her fears,
The blood-stains check all earthly tears.
Through daily round of deed and psalm,
She moves in silent strength and calm,
185
The cross her solace and her balm.
She bears it round from door to door,
And lonely hearts that ached before,
Find joy and peace for evermore.

So in the present, people say,
190
Of holy deed and prayer alway,
She finds to-morrow and yesterday.

poem by Frederick George Scott
Submitted by Poetry Lover
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The Mother

I

IT was April, blossoming spring,
They buried me, when the birds did sing;

Earth, in clammy wedging earth,
They banked my bed with a black, damp girth.

Under the damp and under the mould,
I kenned my breasts were clammy and cold.

Out from the red beams, slanting and bright,
I kenned my cheeks were sunken and white.

I was a dream, and the world was a dream,
And yet I kenned all things that seem.

I was a dream, and the world was a dream,
But you cannot bury a red sunbeam.

For though in the under-grave's doom-night
I lay all silent and stark and white,

Yet over my head I seemed to know
The murmurous moods of wind and snow,

The snows that wasted, the winds that blew,
The rays that slanted, the clouds that drew

The water-ghosts up from lakes below,
And the little flower-souls in earth that grow.

Under earth, in the grave's stark night,
I felt the stars and the moon's pale light.

I felt the winds of ocean and land
That whispered the blossoms soft and bland.

Though they had buried me dark and low,
My soul with the season's seemed to grow.

II

From throes of pain they buried me low,
For death had finished a mother's woe.

But under the sod, in the grave's dread doom,
I dreamed of my baby in glimmer and gloom.

I dreamed of my babe, and I kenned that his rest
Was broken in wailings on my dead breast.

I dreamed that a rose-leaf hand did cling;
Oh, you cannot bury a mother in spring!

When the winds are soft and the blossoms are red
She could not sleep in her cold earth-bed.

I dreamed of my babe for a day and a night,
And then I rose in my grave-clothes white.

I rose like a flower from my damp earth-bed
To the world of sorrowing overhead.

Men would have called me a thing of harm,
But dreams of my babe made me rosy and warm.

I felt my breasts swell under my shroud;
No star shone white, no winds were loud;

But I stole me past the graveyard wall,
For the voice of my baby seemed to call;

And I kenned me a voice, though my lips were dumb:
Hush, baby, hush! for mother is come.

I passed the streets to my husband's home;
The chamber stairs in a dream I clomb;

I heard the sound of each sleeper's breath,
Light waves that break on the shores of death.

I listened a space at my chamber door,
Then stole like a moon-ray over its floor.

My babe was asleep on a stranger's arm,
'O baby, my baby, the grave is so warm,

'Though dark and so deep, for mother is there!
O come with me from the pain and care!

'O come with me from the anguish of earth,
Where the bed is banked with a blossoming girth,

'Where the pillow is soft and the rest is long,
And mother will croon you a slumber-song–

'A slumber-song that will charm your eyes
To a sleep that never in earth-song lies!

'The loves of earth your being can spare,
But never the grave, for mother is there.'

I nestled him soft to my throbbing breast,
And stole me back to my long, long rest.

And here I lie with him under the stars,
Dead to earth, its peace and its wars;

Dead to its hates, its hopes, and its harms,
So long as he cradles up soft in my arms.

And heaven may open its shimmering doors,
And saints make music on pearly floors,

And hell may yawn to its infinite sea,
But they never can take my baby from me.

For so much a part of my soul he hath grown
That God doth know of it high on His throne.

And here I lie with him under the flowers
That sun-winds rock through the billowy hours,

With the night-airs that steal from the murmuring sea,
Bringing sweet peace to my baby and me.

poem by William Wilfred Campbell
Submitted by Poetry Lover
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The Fever-Dream

IT was a fever-dream; I lay
Awake, as in the broad bright day,
But faint and worn I drew my breath
Like those who wait for coming death;
And my hand lay helpless on my pillow
Weak as a reed or bending willow;
And the night-lamp, with its shadowy veil,
And its light so sickly, faint, and pale,
Gleamed mournfully on objects round;
And the clock's stroke was the only sound;
Measuring the hours of silent time
With a heavy and unwelcome chime,
As still monotonously true
To its pulse-like beat, the minutes flew.

I was alone, but not asleep;
Too weary, and too wetk to weep.
My eyes had closed in sadness there;
And they who watched o'er my despair
Had placed that dim light in the room,
And deepened the surrounding gloom,
By curtaining out the few sad rays
Which made things present to my gaze;
And all because they vainly thought
At last the night its rest had brought,--
Alas! rest came no more to me
So heavy was my misery!

They left me, and my heart was filled
With wandering dreams, whose fancies thrilled
Painfully through my feeble brain,
Till I almost wished them back again.
Yet wherefore should I bid them stay?
They could not chase those dreams away,
But only watch me as I lay.

They left me, and the midnight stroke
From the old clock the silence broke;
And with a wild repining sigh
I wished it were my time to die!
And then, with spirit all dismayed,
For that wild wish, forgiveness prayed,
Humbling myself to God's high power
To bear His will, and wait His hour.

And while I darkly rested there,
The breath of a young child's floating hair,
Perfumed, and warm, and glistening bright,
Swept past me in the shrouding night;--
And the footsteps of children, light and quick,
(While my heart beat loud, and my breath came thick)
Went to and fro on the silent floor;--
And the lock was turned in the fastened door,
As a child may turn it, who tiptoe stands
With his fair round arms and his dimpled hands,
Putting out all their strength in vain
Admittance by his own means to gain:
Till his sweet impatient voice is heard
Like the chirp of a young imprisoned bird,
Seeking an entrance still to win
By fond petitions to those within.

A child's soft shadowy hair, bright smiles,
His merry laugh, and coaxing wiles,
These are sweet things,--most precious things,--
But in spite of my brain's wild wanderings,
I knew that they dwelt in my fancy only,
And that I was sad, and left, and lonely;
And the fear of a dreadful madness came
And withered my soul like a parching flame;
And I felt the strong delirium growing,
And the thread of my feeble senses going,
And I heard with a horror all untold
Which turned my hot blood icy-cold,
Those light steps draw more near my bed;
And by visions I was visited,
Of the gentle eyes which I might not see,
And the faces that were so far from me!

And blest, oh I blest was the morning beam
Which woke me up from my fever-dream!

poem by Caroline Elizabeth Sarah Norton
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The Night

II
Watchman, what of the night?
See you a streak of light?
Whither, O Captain of the quest,
The course we steer for Port of Rest?

How shall he answer - he
Who never put to sea?
Within his tabernacle wall
He cannot even hear us call.

Behind the jealous door
That he must pass no more,
And whence he scarcely dares to look,
He keeps his eyes upon his book.
The little candles, lit
Where the disciples sit,
Light their small refuge round about,
But show no gleam to those without -

Spirits that cannot dwell
In such an airless cell,
Sniffing the sea-winds from afar,
Glimpsing the light of moon and star.

We must fare forth, unsped,
From homely board and bed;
We must set sail for port unknown,
On an uncharted course, alone.

Push off. We have to go,
Whether we choose or no.
The Call, though faint and far away,
Has reached us, and we must obey.
. . . . .

O but the night is dark
Beyond that only ark!
The salt sea-winds blow keen and cold
Outside the shelter of the fold!
Boom of the deep-sea swell,
Solemn as funeral bell -
Silence transcending sound, to make
High courage falter and heart quake . . . . .

What will the voyage cost?
We are already lost
Who turn from land and love, to face
This blank immensity of space.

Push out. We have to go,
Whether we fear or no.
And why stand shivering and appalled?
We go because the Voice has called.

Noah's inspired dove
Took wing to find her love.
The sea is His - safe as the land
Within the hollow of His hand.

Here are the breakers - pull
Before the boat is full!
'Ware the sharp reefs that line the shore!
Row for the open evermore!
. . . . .

O but the night is dark!
Never the faintest spark
Where surf and shore and cities were!
And not a whisper in the air.

The open - heart of grace,
It is a lonely place!
No light on any onward track!
Too far - too late - for turning back!

Where is that little ark -
Those candles in the dark -
The Rock of Ages cleft for me -
The Cross uprising in the sea -

Whereto the drowning grope
With yearning faith and hope,
And cling as to their mother's breast,
And find safe shelter and sweet rest?

Gone, gone - for ever gone!
And still we must press on.
Steady, true soul, too brave to fret!
Press on - we are not drowning yet.

. . . . .

The night is soft and still
That was so wild and chill;
The bosom of the mighty deep
Breathes like a tired child asleep.

So peaceful, so profound,
The silence spread around!
The very breakers of the shore
Moan to the listening ear no more.

Night - but the stars are out.
Darkness of dread and doubt,
The way so lonely and so rough,
Have cleared a little, but enough.

We know not where we are-
Light cannot reach so far,
But shows us we have lost and gained
As the compelling Voice ordained.

Gone, gone beyond recall,
Candle and prisoning wall,
Last echo of the hue and cry,
Last glint of an accusing eye.

Too late for looking back
Over the darkening track.
How should the life-taught soul return
That cannot unlive or unlearn?

. . . . .

Changed, changed, for ever changed,
Since hitherward we ranged,
To vision in a space so vast,
All the perspectives of the past.

How infinitely small
The once so broad and tall -
The aims, the pursuit and the strife
Shut in the sheltered grooves of life!

Those terrifying laws,
The wrangles and the wars
Of church with church and state with state -
The things men love, the things men hate -

Money and gauds and fame,
And neighbours' scorn and blame -
The passion of desire and haste
To gather, to possess, to waste . . . . . .

How infinitely high,
Broad as the sea and sky,
The loyalty of man to man,
Once almost missing from the plan -

The elemental law
That codes and creeds ignore,
Of duty to the trust we hold
For heirs unborn and years untold . . . . . .
. . . . .

Night - and the drifting soul
Still without path or goal.
Yet was the voyage worth the cost.
We are not drowned. We are not lost.
'T'is I. Be not afraid.
Moonlight and stars may fade.
One walks the ocean and the night.
We have no further need of light.

What matters where we go?
We do not ask to know.
He called us, and we came. The quest
For us is ended, and we rest.

poem by Ada Cambridge
Submitted by Poetry Lover
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Premonition

'Twas a year ago and the moon was bright
(Oh, I remember so well, so well);
I walked with my love in a sea of light,
And the voice of my sweet was a silver bell.
And sudden the moon grew strangely dull,
And sudden my love had taken wing;
I looked on the face of a grinning skull,
I strained to my heart a ghastly thing.

'Twas but fantasy, for my love lay still
In my arms, with her tender eyes aglow,
And she wondered why my lips were chill,
Why I was silent and kissed her so.
A year has gone and the moon is bright,
A gibbous moon, like a ghost of woe;
I sit by a new-made grave to-night,
And my heart is broken -- it's strange, you know.

poem by Robert William Service
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Imelda

……………….Sometimes
The young forgot the lessons they had learnt,
And lov'd when they should hate, like thee, Imelda! ~
Italy, a Poem

Passa la bella Donna, e par che dorma. ~
Tasso

We have the myrtle's breath around us here,
Amidst the fallen pillars; this hath been
Some Naiad's fane of old. How brightly clear,
Flinging a vein of silver o'er the scene,
Up thro' the shadowy grass, the fountain wells,
And music with it, gushing from beneath
The ivy'd altar! that sweet murmur tells
The rich wild-flowers no tale of wo or death;

Yet once the wave was darken'd, and a stain
Lay deep, and heavy drops but not of rain?
On the dim violets by its marble bed,
And the pale shining water-lily's head.

Sad is that legend's truth. A fair girl met
One whom she lov'd, by this lone temple's spring,
Just as the sun behind the pine-grove set,
And eve's low voice in whispers woke, to bring
All wanderers home. They stood, that gentle pair
With the blue heaven of Italy above,
And citron-odours dying on the air,
And light leaves trembling round, and early love
Deep in each breast. What reck'd their souls of strife
Between their fathers? Unto them young life
Spread out the treasures of its vernal years;
And if they wept, they wept far other tears

Than the cold world wrings forth. They stood, that hour,
Speaking of hope, while tree, and fount, and flower,
And star, just gleaming thro' the cypress boughs,
Seem'd holy things, as records of their vows.

But change came o'er the scene. A hurrying tread
Broke on the whispery shades. Imelda knew
The footstep of her brother's wrath, and fled
Up where the cedars make yon avenue
Dim with green twilight: pausing there, she caught-
Was it the clash of swords? a swift dark thought
Struck down her lip's rich crimson as it pass'd,
And from her eye the sunny sparkle took
One moment with its fearfulness, and shook
Her slight frame fiercely, as a stormy blast
Might rock the rose. Once more, and yet once more,
She still'd her heart to listen all was o'er;
Sweet summer winds alone were heard to sigh,
Bearing the nightingale's deep spirit by.

That night Imelda's voice was in the song,
Lovely it floated thro' the festive throng
Peopling her father's halls. That fatal night
Her eye look'd starry in its dazzling light,
And her cheek glow'd with beauty's flushing dyes,
Like a rich cloud of eve in southern skies,
A burning, ruby cloud. There were, whose gaze
Follow'd her form beneath the clear lamp's blaze,
And marvell'd at its radiance. But a few
Beheld the brightness of that feverish hue,
With something of dim fear; and in that glance
Found strange and sudden tokens of unrest,
Startling to meet amidst the mazy dance,
Where thought, if present, an unbidden guest,
Comes not unmask'd. Howe'er this were, the time
Sped as it speeds with joy, and grief, and crime
Alike: and when the banquet's hall was left
Unto its garlands of their bloom bereft,
When trembling stars look'd silvery in their wane,
And heavy flowers yet slumber'd, once again

There stole a footstep, fleet, and light, and lone,
Thro' the dim cedar shade; the step of one
That started at a leaf, of one that fled,
Of one that panted with some secret dread:
What did Imelda there? She sought the scene
Where love so late with youth and hope had been;
Bodings were on her soul?a shuddering thrill
Ran thro' each vein, when first the Naiad's rill
Met her with melody?sweet sounds and low;
We hear them - yet they live along its flow -
Her voice is music lost! The fountain-side
She gain'd?the wave flash'd forth?'twas darkly dyed
Ev'n as from warrior-hearts; and on its edge,
Amidst the fern, and flowers, and moss-tufts deep,
There lay, as lull'd by stream and rustling sedge,
A youth, a graceful youth. 'Oh! dost thou sleep,
Azzo?' she cried, 'my Azzo! is this rest?'
?But then her low tones falter'd: 'On thy breast

Is the stain - yes, 'tis blood! and that cold cheek -
That moveless lip! thou dost not slumber? speak,
Speak, Azzo, my belov'd - no sound - no breath -
What hath come thus between our spirits? Death!
Death? I but dream - I dream!' and there she stood,
A faint, frail trembler, gazing first on blood,
With her fair arm around yon cypress thrown,
Her form sustain'd by that dark stem alone,
And fading fast, like spell-struck maid of old,
Into white waves dissolving, clear and cold;
When from the grass her dimm'd eye caught a gleam?
'Twas where a sword lay shiver'd by the stream,?
Her brother's sword! - she knew it; and she knew
'Twas with a venom'd point that weapon slew!
Wo for young love! But love is strong. There came
Strength upon woman's fragile heart and frame,

There came swift courage! On the dewy ground
She knelt, with all her dark hair floating round,
Like a long silken stole; she knelt, and press'd
Her lips of glowing life to Azzo's breast,
Drawing the poison forth. A strange, sad sight!
Pale death, and fearless love, and solemn night!
So the moon saw them last.
The Morn came singing
Thro' the green forests of the Appenines,
With all her joyous birds their free flight winging,
And steps and voices out amongst the vines.
What found that day-spring here? Two fair forms laid
Like sculptured sleepers; from the myrtle shade
Casting a gleam of beauty o'er the wave,
Still, mournful, sweet. Were such things for the grave?
Could it be so indeed? That radiant girl,
Deck'd as for bridal hours!?long braids of pearl

Amidst her shadowy locks were faintly shining,
As tears might shine, with melancholy light;
And there was gold her slender waist entwining;
And her pale graceful arms how sadly bright!
And fiery gems upon her breast were lying,
And round her marble brow red roses dying.
But she died first! the violet's hue had spread
O'er her sweet eyelids with repose oppress'd,
She had bow'd heavily her gentle head,
And on the youth's hush'd bosom sunk to rest.
So slept they well! the poison's work was done;
Love with true heart had striven?but Death had won.

poem by Felicia Dorothea Hemans
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Elijah

INTO that good old Hebrew’s soul sublime
The spirit of the wilderness had passed;
For where the thunders of imperial Storm
Rolled over mighty hills; and where the caves
Of cloud-capt Horeb rang with hurricane;
And where wild-featured Solitude did hold
Supreme dominion; there the prophet saw
And heard and felt that large mysterious life
Which lies remote from cities, in the woods
And rocks and waters of the mountained Earth.
And so it came to pass, Elijah caught
That scholarship which gave him power to see
And solve the deep divinity that lies
With Nature, under lordly forest-domes,
And by the seas; and so his spirit waxed,
Made strong and perfect by its fellowship
With God’s authentic world, until his eyes
Became a splendour, and his face was as
A glory with the vision of the seer.
Thereafter, thundering in the towns of men,
His voice, a trumpet of the Lord, did shake
All evil to its deep foundations. He,
The hairy man who ran before the king,
Like some wild spectre fleeting through the storm,
What time Jezreel’s walls were smitten hard
By fourfold wind and rain; ’twas he who slew
The liars at the altars of the gods,
And, at the very threshold of a throne,
Heaped curses on its impious lord; ’twas he
Jehovah raised to grapple Sin that stalked,
Arrayed about with kingship; and to strike
Through gold and purple, to the heart of it.
And therefore Falsehood quaked before his face,
And Tyranny grew dumb at sight of him,
And Lust and Murder raged abroad no more;
But where these were he walked, a shining son
Of Truth, and cleared and sanctified the land.

Not always was the dreaded Tishbite stern;
The scourge of despots, when he saw the face
Of Love in sorrow by the bed of Death,
Grew tender as a maid; and she who missed
A little mouth that used to catch, and cling—
A small, sweet trouble—at her yearning breast;*
Yea, she of Zarephath, who sat and mourned
The silence of a birdlike voice that made
Her flutter with the joy of motherhood
In other days, she came to know the heart
Of Pity that the rugged prophet had.
And when he took the soft, still child away,
And laid it on his bed; and in the dark
Sent up a pleading voice to Heaven; and drew
The little body to his breast; and held
It there until the bright, young soul returned
To earth again; the gladdened woman saw
A radiant beauty in Elijah’s eyes,
And knew the stranger was a man of God.

We want a new Elijah in these days,
A mighty spirit clad in shining arms
Of Truth—yea, one whose lifted voice would break,
Like thunder, on our modern Apathy,
And shake the fanes of Falsehood from their domes
Down to the firm foundations; one whose words,
Directly coming from a source divine,
Would fall like flame where Vice holds festival,
And search the inmost heart of nations; one
Made godlike with that scholarship supreme
Which comes of suffering; one, with eyes to see
The very core of things; with hands to grasp
High opportunities, and use them for
His glorious mission; one, whose face inspired
Would wear a terror for the lying soul,
But seem a glory in the sight of those
Who make the light and sweetness of the world,
And are the high priests of the Beautiful.
Yea, one like this we want amongst us now
To drive away the evil fogs that choke
Our social atmosphere, and leave it clear
And pure and hallowed with authentic light.

poem by Henry Kendall
Submitted by Poetry Lover
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An Evening Walk in Spring

IT was but some few nights ago
I wandered down this quiet lane;
I pray that I may never know
The feelings then I felt, again.
The leaves were shining all about,
You might almost have seen them springing;
I heard the cuckoo’s simple shout,
And all the little birds were singing.
It was not dull, the air was clear,
All lovely sights and sounds to deal,
My eyes could see, my ears could hear,
Only my heart, it would not feel;
And yet that it should not be so,
My mind kept telling me within;
Though nought was wrong that I did know,
I thought I must have done some sin.
For I am sure as I can be,
That they who have been wont to look
On all in Nature’s face they see,
Even as in the Holy Book;
They who with pure and humble eyes
Have gazed and read her lessons high,
And taught their spirits to be wise
In love and human sympathy,—
That they can soon and surely tell
When aught has gone amiss within,
When the mind is not sound and well,
Nor the soul free from taint of sin.
For as God’s Spirit from above,
So Beauty is to them below,
And when they slight that holy love,
Their hearts that presence may not know.
So I turned home the way I came,
With downcast looks and heavy heart,
A guilty thing and full of shame,
With a dull grief that had no smart.
It chanced when I was nearly there
That all at once I raised my eyes—
Was it a dream, or vision rare,
That then they saw before them rise?
I see it now, before me here,
As often, often I have done,
As bright as it could then appear,
All shining in the setting sun.
Elms, with their mantling foliage spread,
And tall dark poplars rising out,
And blossomed orchards, white and red,
Cast, like a long low fence, about;
And in the midst the grey church-tower,
With one slight turret at its side,
Bringing to mind with silent power
Those thousand homes the elm-trees hide.
And then there came the thought of one
Who on his bed of sickness lay,
Whilst I beneath the setting sun
Was dreaming this sweet hour away.
I thought of hearts for him that beat,
Of aching eyes their watch that kept;
The sister’s and the mother’s seat—
And oh! I thought I should have wept.
And oh, my spirit melted then,
The weight fell off me that I bore,
And now I felt in truth again
The lovely things that stood before.
O blessed, blessed scene, to thee,
For that thy sweet and softening power,
I could have fallen upon my knee,
Thy stately elms, thy grey church-tower.
So then I took my homeward way,
My heart in sweet and holy frame,
With spirit, I may dare to say,
More good and soft than when I came.

poem by Arthur Hugh Clough
Submitted by Veronica Serbanoiu
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By the Camp Fire

Ah, 'twas but now I saw the sun flush pink on yonder placid tide;
The purple hill-tops, one by one, were strangely lit and glorified;
And yet how sweet the night has grown, with palest starlights dimly sown!

Those mountain ranges, far and near, enclasp me,— sharply pencilled there,
Like blackest sea-waves,—outlined here, like phantoms in the luminous air,
Between that cold and quiet sky, and the calm river running by.

The gum-trees whisper overhead, and, delicately dark and fine,
Their lovely shadow-patterns shed across the paths of white moonshine.
The golden wattles glimmer bright, scenting this cool, transparent night.

What spirits wake when earth is still? I hear wild wood-notes softly swell.
There's the strange clamour, hoarse and shrill, that drowns the bull-frogs' hollow
bell;
And there's the plaintive rise and fall of the lone mopoke's cuckoo-call.

And nearer, an opossum flits above the firelight, pauses, peers—
I see a round ball where he sits, with pendant tail and pointed ears;
And two are gruffly snarling now in hollows of yon upper bough.

Hark! that's the curlew's thrilling scream. What mountain echoes it has stirred!
The sound goes crying down the stream, the wildest bird-note ever heard.
And there's a crane, with legs updrawn, gone sailing out to meet the dawn.

It croaks its farewell, like a crow, beating the air with soft, wide wings.
On the white water down below its vague grey shadow-shape it flings,
And, dream-like, passes out of sight, a lonely vision of the night.

Ah me! how weird the undertones that thrill my wake-ful fancy through!
The river softly creeps and moans; the wind seems faintly crying too.
Such whisperings seem to come and pass across the orchis-flower'd grass.

The darkness gather'd all around is full of rustlings, strange and low,
The dead wood crackles on the ground, and shadowy shapes flit to and fro;
I think they are my own dim dreams, wandering amongst the woods and streams.

The tangled trees seem full of eyes,—still eyes that watch me as I sit;
A flame begins to fall and rise, their glances come and go with it.
And on the torn bark, rough and brown, I hear soft scratchings up and down.

Sometimes I hear a sound of feet,—a slow step through the darkness steals;
And then I think of yours, my sweet, in spirit following at my heels;
For leagues before, around, behind, part me from all my human-kind.
Coo-ey!—the long vibration throbs in countless echoes through the hills.
The lonely forest wakes and sobs, and then no sound the silence fills,—
Only the night-frogs' bubbling shriek in every water-hole and creek;

Only a rush of wind in flight, as startled wild-ducks flutter past,
Quivering and twinkling in the light, skimming the shining water fast;
And ripples from a black swan's breast, darting from out its rushy nest.

How is't in England?—Sunday morn, and organ-music, love, with you.
That breath of memory, idly born, like a great storm-wind shakes me through.
Ah, darling! bend your head and pray,—it cannot touch you far away.

Why do I care? My house of God, beyond all thought, is grand and great!
My prayerful knees, upon the sod, its flowers and grasses consecrate.
And I can see Him in the stars, undimmed by walls and window-bars.

Great Nature spreads her wondrous book, and shows me all her pages fair;
To me the language, when I look, seems but a letter here and there—
The very stones beneath me teach a lore beyond my utmost reach.

For all my pain, and toil, and strife, I see so dimly what is true!
O Art! O Science! O great Life! I grasp thee by so faint a clue!
No more of ocean tides I dream than minnows in their shallow stream.

Sea without bottom, without shore, where is the plumb to fathom thee?
O mystery! as I learn thee more, the more thy deeps are dark to me!
But who am I, that I should scan the Divine Maker's mighty plan?

And yet, oh yet, if I could hear that organ-music once again,
My soul, methinks, would lose its fear; and on this troubled heart and brain
Some light of knowledge would be shed, and some few riddles would be read.

poem by Ada Cambridge
Submitted by Poetry Lover
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