The Baptistry
One winter eve, at twilight, when the sound
Of sorrowful winds scarce troubled Nature's rest,
As she lay sleeping, with her hair unbound,
Holding her grey robe to her shivering breast,
I enter'd through a low-arch'd oaken door,
Circled with curious sculpture; and I crept
With slow, hush'd footsteps, o'er the shadow'd floor,
Where organ notes in sudden silence slept;
Far down the aisle, where darkness seem'd to brood
With such wide-spreading wings, and where the sigh
Of murmur'd prayer scarce came,—until I stood
In the deep stillness of the Baptistry.
There, in the dim side-chapel, no bright glow
From jewelled windows on the wall was shed;
No sunbeams rested on the font below,
Or kiss'd those mighty arches overhead.
Soft lines and curves went upward, and were lost
In solemn shadow and in dreamy space;
Only the level floor was faintly crost
With glimmering brightness from the holy place.
And, as I listen'd, I heard music sweet
Trembling and swelling through the soundless air,
Threading dark aisles, as if an angel's feet
Were bidden bring God's message to me there.
Ah! and the echo of those anthem notes
Wanders and whispers in my heart for aye:
In all my life the mystic language floats,
Fitful and faint, as in my ears that day.
One whom we knew had enter'd into rest—
Calm on the pillow lay his hoary head;
And through that music spoke, in accents blest,
Our holy Mother's voice, hallowing the dead,
Telling of perfect peace, of labours done,
Of long years' sorrow turned to joy at last—
The quiet sleep, when battles all are won—
The hush of evening when the day is past.
I look'd upon the font, and mused of all
Its wondrous meaning, till my thoughts grew dim
And vast and shadowy as those columns tall;—
Morning of life for me—death's night for him!
How fancy tried to span that awful space
Between the two—between the here and there!
To bridge the nave—up to that blessed Place
Where light and song stream'd on the chancel-stair!
Dim recollections drifted through my brain—
Echoing footfalls of past childish years,
When the baptismal robe had less of stain,
E'en though unwash'd by penitential tears.
I saw the gloomy shadows o'er my head,
And sigh'd to think how I had suffer'd loss;
I saw the soft light, and was comforted,—
I knew it shone straight from the chancel-cross.
A few more steps, and then I stood below
The towering minster coronet again;
Down on my face that pure and gentle glow
Fell, like a pitying kiss in time of pain.
Down to my feet it stream'd; a passage dim,
With hosts of phantom-shapes on either side,
It drifted through;—as songs of seraphim
Drift through our mourning hearts at Easter-tide.
Looking up then, I seem'd to see my life,—
A long, dim vista, where the rays descend—
Where light and darkness wage continual strife;
But only light—the full light—at the end.
poem by Ada Cambridge
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The Forsaken
I.
IT is the music of her native land,--
The airs she used to love in happier days;
The lute is struck by some young gentle hand,
To soothe her spirit with remember'd lays.
II.
But her sad heart is wandering from the notes,
Her ear is fill'd with an imagined strain;
Vainly the soften'd music round her floats,
The echo it awakes is all of pain!
III.
The echo it awakes, is of a voice
Which never more her weary heart shall cheer;
Fain would she banish it, but hath no choice,
Its vanish'd sound still haunts her shrinking ear,--
IV.
Still haunts her with its tones of joy and love,
Its memories of bitterness and wrong,
Bidding her thoughts thro' various changes rove,--
Welcomes, farewells, and snatches of wild song.
V.
Why bring her music? She had half forgot
How left, how lonely, how oppress'd she was;
Why, by these strains, recal her former lot,
The depth of all her suffering, and its cause?
VI.
Know ye not what a spell there is in sound?
Know ye not that the melody of words
Is nothing to the power that wanders round,
Giving vague language to harmonious chords?
VII.
Oh I keep ye silence! He hath sung to her,
And from that hour--(faint twilight, sweet and dim,
When the low breeze scarce made the branches stirs)--
Music hath been a memory of HIM!
VIII.
Chords which the wandering fingers scarcely touch
When they would seek for some forgotten song,--
Stray notes which have no certain meaning, such
As careless hands unthinkingly prolong,--
IX.
Come unto HER, fraught with a vivid dream
Of love, in all its wild and passionate strength,--
Of sunsets, glittering on the purple stream,--
Of shadows, deepening into twilight length,--
X.
Of gentle sounds, when the warm world lay hush'd
Beneath the soft breath of the evening air,--
Of hopes and fears, and expectations crush'd,
By one long certainty of blank despair!
XI.
Bear to the sick man's couch the fiery cup,
Pledged by wild feasters in their riotous hours,
And bid his parch'd lips drink the poison up,
As tho' its foam held cool refreshing powers,--
XII.
Lift some poor wounded wretch, whose writhing pain
Finds soothing only in an utter rest,
Forth in some rude-made litter, to regain
Strength for his limbs and vigour for his breast;--
XIII.
But soothe ye not that proud forsaken heart
With strains whose sweetness maddens as they fall;
Untroubled let her feverish soul depart--
Not long shall memory's power its might enthral;
XIV.
Not long,--tho' balmy be the summer's breath!
In the deep stillness of its golden light,
A shadowy spirit sits, whose name is DEATH,
And turns, what was all beauty, into blight;
XV.
And she, before whose sad and dreaming eye
Visions of by-gone days are sweeping on,
In her unfaded youth shall drooping die,
Shut from the glow of that Italian sun:
XVI.
Then let the organ's solemn notes prolong
Their glory round the silence of her grave,
Then let the choral voices swell in song
And echo thro' the chancel and the nave;
XVII.
For then her heart shall ache not at the sound,
Then the faint fever of her life shall cease
Silence, unbroken, calm, shall reign around,
And the long restless shall be laid at peace.
poem by Caroline Elizabeth Sarah Norton
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The Soul's Quest
PART I
IN the land that is neither night nor day,
Where the mists sleep over the forests grey,
A sad, sad spirit wandered away.
The woods are still—no brooks, no wind,
No fair green meadows can she find;
5
But a low red light in the sky behind.
Far over the plain, to the spirit's sight,
The city's towers are black as night,
Against the edge of the low red light.
This side the city in darkness lies,
10
But westward, at the glowering skies,
It glares with a thousand fiery eyes.
The road is long, the hedgerows bare,
There's the chill of death in the silent air,
And a glimmer of darkness everywhere.
15
'O sad, sad spirit, what thy quest,
With those flowing locks and that shadowy vest? '
The spirit answers, 'I seek for rest.'
'Where seekest rest, when the air is cold
On the long, dim road, and the clock hath tolled
20
The muffled hours form the belfry old?
'Where seekest rest through the twilight grey
Of the mists that sleep on the woods alway? '—
'I seek to-morrow or yesterday! '
Her face is pale, her feet are bare,
25
Her sad dark eyes, wide open, stare
At the glimmering darkness everywhere.
To those cheeks no rose hath summer brought,
But on their pallor time hath wrought
The troubled lines of an after-thought.
30
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
And thus, all silent, seeks she rest.
Her tread is light on the cold, hard road;
For the tread may be light, yet heavy the load
35
Of grief at the heart and thoughts that goad.
She plucks a leaf from the roadway side,
And under its shade two violets hide—
As if from her cold touch, they hide.
She twines the violets in her hair;
40
They have no scent—she does not care,
For the glimmer of darkness is everywhere.
And on through the dim of the twilight grey,
While the pale sky gloweth far away,
She seeks to-morrow or yesterday.
45
PART II
'O Abbess, Abbess, the air is chill!
I heard the chaunting over the hill,
Like an angel's voice when the soul is still.
'O, Abbess, open wide thy gate!
Out on the cold, dim road I wait,
50
A spirit lone and desolate.
'Take thou these hands and these weary feet,
Cold as a corpse in its winding-sheet,
For the song of the nuns was so strange and sweet.
'Here with the sisters let me dwell,
55
Under these walls, in the loneliest cell,
Waiting the sound of the matin bell.
'Cut off these locks of flowing hair,
Cover with weeds this bosom bare,
For the glimmer of darkness is everywhere.
60
'Ask not my name, nor whence my way,
For the mist sleeps over the wood alway,
And I seek to-morrow or yesterday.'
She's passed beneath the chapel door;
The nuns are kneeling on the floor,
65
But a low wind moaneth evermore.
Sweeter and sweeter the sisters sing,
Till high in the roof the echoes ring,
For they know that God is listening.
'Ave Maria, hear our cry,
70
As the shadows roll across the sky,
For those that live and those that die!
'Ave Maria, Virgin blest,
Help the sin-stained and distrest,
Give the weary-hearted rest!
75
'Ave Maria, who didst bear
Jesus in this world of care,
Grant us all thy bliss to share! '
Sweeter and sweeter the sisters sing,
From arch to arch the echoes ring,
80
For they know that God is listening.
Out of the north the oceans roll,
Washing the lands from pole to pole:
No rest—no rest for the old world's soul.
The after-glow of suns that set
85
O'er fields with morning dew once wet,
Where all life's flowering roadways met,
Long shadows of our joys has sent,
Sloping adown the way we went
Towards darkness where our feet are bent.
90
Is it the moan of the evening wind?
Or the voice of the ocean in the mind,
While the pale red light looms up behind?
Is it moan of wind, or convent bell,
Or cry of the ocean? I cannot tell;
95
But a voice in her heart has locked the spell.
She does not hear the organ's swell;
In vain she strives her beads to tell,
For a voice in her heart has locked the spell.
She broods among the tangled fears,
100
The undergrowth of perished years,
That darken round the lake of tears.
Silent and dank, they fringe the brim
Of waters motionless and dim,
Unmoved by wings of Seraphim.
105
No lights on the altar the spirit sees,
The cloistered aisles are but leafless trees,
And the music, the sigh of the evening breeze.
No matin or vesper bell for her;
The leafless branches never stir
110
In the pale, pale light of the days that were.
No matin or vesper hymn or prayer
Can shut those eyes' wide-open stare
At the glimmering darkness everywhere.
The sweetest singing dies away;
115
No note of birds for those who stray
In the land that is neither night nor day.
PART III
In the shadowy light of the silent land,
With the tall gaunt hedges on either hand,
On the long, dim road doth the spirit stand.
120
Under the hedges the air is chill,
And the mists sleep over the forest still,
And are folded like wings on the sides of the hill.
Her arms are crossed upon her breast,
Her round limbs shape the shadowy vest,
125
Her feet are worn with seeking rest.
To her cheeks no rose hath summer brought,
While on their pallor time hath wrought
The troubled lines of an after-thought.
But sweet is the gaze of those sad dark eyes,
130
And sweet their look of mute surprise,
As something in the road she spies.
Spurned under foot, o'ergrown with moss,
Counted of foolish men but loss,
On the cold, hard road lies Jesus' cross.
135
In the dim twilight as she stood,
She saw the marks of Jesus' Blood,
Then stooped and kissed the Holy Rood.
There are sounds of joy from the years gone by,
There's a pale red light in the forward sky,
140
And a star looks down through the mist on high.
Hush! for the light falls clear from that star,
Hush! for the day-dawn kindles afar,
Hush! for the gate of the sky is ajar.
What is the voice of the boundless sea
145
As it clasps the lands excitedly?
Not the voice of the dead, but of what shall be—
Of what shall be when the world shall cease,
And oceans die in the reign of peace,
When God grants pardon and release.
150
O sweetest taste of Jesus' Blood!
Joy bursts upon her like a flood;
The spirit kisseth Holy Rood.
A low wind moaneth evermore,
The nuns still kneel upon the floor,
155
But Jesus trod this way before.
She lifts the sacred emblem up:
This was His drink, His bitter cup;
And all His loved with Him must sup.
Beneath its arms she bows her head,
160
Those arms so rudely fashionèd,
Which Jesus made His dying bed.
She bends beneath the cross's weight,
But now no longer desolate,
She stands before the convent gate.
165
Sweeter and sweeter the sisters sing,
From arch and roof the echoes ring,
While God above is listening.
'Ave Maria, Virgin blest,
Help the sin-stained and distrust,
170
Grant the weary-hearted rest! '
The altar-lights are shining fair,
And Jesus' cross is standing there;
The darkness brightens everywhere.
In silent bliss the spirit kneels,
175
For mortal utterance half conceals
The deepest joy the bosom feels.
She bears her burden day by day;
It wakens her at morning grey,
And calms her at eve's setting ray.
180
She bears it through the length of years;
The rough wood drives away her fears,
The blood-stains check all earthly tears.
Through daily round of deed and psalm,
She moves in silent strength and calm,
185
The cross her solace and her balm.
She bears it round from door to door,
And lonely hearts that ached before,
Find joy and peace for evermore.
So in the present, people say,
190
Of holy deed and prayer alway,
She finds to-morrow and yesterday.
poem by Frederick George Scott
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Two Lovers
Two lovers by a moss-grown spring:
They leaned soft cheeks together there,
Mingled the dark and sunny hair,
And heard the wooing thrushes sing.
O budding time!
O love's blest prime!
Two wedded from the portal stept:
The bells made happy carolings,
The air was soft as fanning wings,
White petals on the pathway slept.
O pure-eyed bride!
O tender pride!
Two faces o'er a cradle bent:
Two hands above the head were locked:
These pressed each other while they rocked,
Those watched a life that love had sent.
O solemn hour!
O hidden power!
Two parents by the evening fire:
The red light fell about their knees
On heads that rose by slow degrees
Like buds upon the lily spire.
O patient life!
O tender strife!
The two still sat together there,
The red light shone about their knees;
But all the heads by slow degrees
Had gone and left that lonely pair.
O voyage fast!
O vanished past!
The red light shone upon the floor
And made the space between them wide;
They drew their chairs up side by side,
Their pale cheeks joined, and said, "Once more!"
O memories!
O past that is!
poem by George Eliot
Submitted by Veronica Serbanoiu
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The House Of Dust: Part 03: 06: Portrait Of One Dead
This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.
This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.
Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.
Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.
Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.
How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.
A certain rose-leaf—sent without intention—
Became, with time, a woven web of fire—
She wore it, and was warm.
A certain hurried glance, let fall at parting,
Became, with time, the flashings of a storm.
Yet, there was nothing asked, no hint to tell you
Of secret idols carved in secret chambers
From all you did and said.
Nothing was done, until at last she knew you.
Nothing was known, till, somehow, she was dead.
How did she die?—You say, she died of poison.
Simple and swift. And much to be regretted.
You did not see her pass
So many thousand times from light to darkness,
Pausing so many times before her glass;
You did not see how many times she hurried
To lean from certain windows, vainly hoping,
Passionate still for beauty, remembered spring.
You did not know how long she clung to music,
You did not hear her sing.
Did she, then, make the choice, and step out bravely
From sound to silence—close, herself, those windows?
Or was it true, instead,
That darkness moved,—for once,—and so possessed her? . . .
We'll never know, you say, for she is dead.
poem by Conrad Potter Aiken
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The Coronation Of Inez De Castro
There was music on the midnight;
From a royal fane it roll'd,
And a mighty bell, each pause between,
Sternly and slowly toll'd.
Strange was their mingling in the sky,
It hush'd the listener's breath;
For the music spoke of triumph high,
The lonely bell, of death.
There was hurrying through the midnight:-
A sound of many feet;
But they fell with a muffled fearfulness,
Along the shadowy street;
And softer, fainter, grew their tread,
As it near'd the Minster-gate,
Whence broad and solemn light was shed
From a scene of royal state.
Full glow'd the strong red radiance
In the centre of the nave,
Where the folds of a purple canopy
Sweep down in many a wave;
Loading the marble pavement old
With a weight of gorgeous gloom;
For something lay 'midst their fretted gold,
Like a shadow of the tomb.
And within that rich pavilion
High on a glittering throne,
A woman's form sat silently,
Midst the glare of light alone.
Her Jewell'd robes fell strangely still-
The drapery on her breast
Seem'd with no pulse beneath to thrill,
So stone-like was its rest.
But a peal of lordly music
Shook e'en the dust below,
When the burning gold of the diadem
Was set on her pallid brow!
Then died away that haughty sound,
And from th' encircling band,
Stept Prince and Chief, 'midst the hush profound,
With homage to her hand.
Why pass'd a faint cold shuddering
Over each martial frame,
As one by one, to touch that hand,
Noble and leader came?
Was not the settled aspect fair?
Did not a queenly grace,
Under the parted ebon hair.
Sit on the pale still face?
Death, Death! canst
thou
be lovely
Unto the eye of Life?
Is not each pulse of the quick high breast
With thy cold mien at strife?
-It was a strange and fearful sight,
The crown upon that head,
The glorious robes and the blaze of light,
All gather'd round the Dead!
And beside her stood in silence
One with a brow as pale,
And white lips rigidly compress'd,
Lest the strong heart should fail;
King Pedro with a jealous eye
Watching the homage done
By the land's flower and chivalry
To her, his martyr'd one.
But on the face he look'd not
Which once his star had been:
To every form his glance was turn'd,
Save of the breathless queen;
Though something, won from the grare's embrace,
Of her beauty still was there,
Its hues were all of that shadowy place,
'Twas not for
him
to bear.
Alas! the crown, the sceptre,
The treasures of the earth,
And the priceless love that pour'd those gifts,
Alike of wasted worth!
The rites are closed-bear back the Dead
Unto the chamber deep,
Lay down again the royal head,
Dust with the dust to sleep.
There is music on the midnight-
A requiem sad and slow.
As the mourners through the sounding aisle
In dark procession go,
And the ring of state, and the starry crown,
And all the rich array,
Are borne to the house of silence down,
With her, that queen of clay.
And tearlessly and firmly,
King Pedro led the train-
But his face was wrapt in his folding robe,
When they lower'd the dust again.
-'Tis hush'd at last, the tomb above,
Hymns die, and steps depart:
Who call'd thee strong as Death, O Love?
Mightier
thou wert and art!
poem by Felicia Dorothea Hemans
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The Kind Word
Speak kindly, wife; the little ones will grow
Fairest and straightest in the warmest sun.
We talk so often of the seed we sow;
But, maybe, when we think our labour done,
And when we look to gather in the grain,
We'll find these stones, we fling about, again
Strewing the fruitless sod,
Having crush'd down and stunted the sweet life
That bore the likeness of the life of God.
All your hard words of bitterness and strife
Will lie upon their love, as stones would lie;
You think to pick them up, but, by-and-by,
You'll find where they have lain
By the poor, meagre, crooked ears of grain.
You will be sorry then.
Speak kindly, wife; you know not half the wealth
Kind words bring in. Ah! I remember when
I was a little lad, all youth and health,
How I went wrong for want of one, and how
One saved my life—ay, keeps it steady now.
* * * * *
My mother died, you know, when I had seen
Only a few days' light; they say her face
Was fair and young—and so it might have been;
I cannot tell. But she, who took her place,
Was coarse and hard, and had a shrewish tongue
That fretted all the household into strife.
Ah, how that sharp voice rung
Through ear and heart—through all the peace of life!
It drove my father from his home at length,
And drove him to the ale-house, where he learn'd
To drink away the good name he had earn'd,
And drink away his precious health and strength.
I can remember well how he would sigh,
Would sigh, and turn from his own chimney nook;
And how, though wintry winds blew fierce and high,
He fumbled at the door with hands that shook,
And pass'd out slowly, as though caring not
Whither he went. And she, who tempted him,
Was first to see the change—to mark the blot
That made his manhood's beauty blurred and dim—
But had no mercy and no help for him.
I think I see her now!
Standing, with that red flush upon her brow,
Hurling her stinging insults thick and fast,
As he was sadly creeping through the door;
Until he raised his grizzled head, and swore,
And suddenly struck her, growing mad at last.
Was that the way to better him? Ah, no;
She taunted him, and stung his spirit so,
That what was weakness became sin and crime.
Wife, did you ever hear
What happen'd in that dark and dreadful time?
One night, when I was wide awake for fear,
Straining my baby ears to catch the sound
Of the fierce voices that were storming near—
One night, I heard a cry—
So sharp! so shrill! a strange and fearful cry—
And then a heavy fall upon the ground;
And then—and then—in the grey morning light
I saw her lie,
With her hard face so strangely still and white,
With a broad purple stain upon her brow,
And dusky shadows on her lips and eyes.
Ah me! ah me! I think I see her now,
Wrapped in that awful death-sleep, as she lies!
I well remember how I cried and shook
In childish terror, and with what a look
I turn'd to all the living faces there,
Seeking in vain,
With the first dreary thrill of my despair,
The one face that I never saw again!
* * * * *
I was so young—a little lad, a child—
And it was hard, ay, very hard, to be
So helpless and so ignorant and wild,
With not a soul to love and care for me.
She, when she storm'd about,
Had roughly used me, and had turn'd me out
Into the streets, to gather what I could
And what I liked of all the evil there;
But he, my father, at odd times he would
Sit, with his arms flung round me, in his chair,
And tell me, as he stroked my curly head,
How he could see the mother that was dead
In my blue eyes and in my golden hair.
And now I was alone—quite, quite alone.
Ah, you can never know how I was toss'd
From place to place; how like a thing of stone,
Frozen for want of just a kindly tone,
My heart became—all its good instincts cross'd!
And how like some distorted tree I grew,
Barren of all things beautiful and true.
Sullen, and hard, and reckless, I was fit
And ready, when the devil laid his snare—
Quite ready—to rush headlong into it.
And who was there to care?
In a wild night—a well-remember'd night,
When I was prowling in a darken'd street,
Trying to hush the echo of my feet,
Trying to hide me out of sound and sight—
Just as I heard the bells begin to call
From a church-tower—as I caught a gleam
Of marble pillars, standing white and tall,
And saw the stream
Of tender, mellow light make, as it were,
A shining pathway in the misty air,
Whither soft footsteps trod
Out of the world into the courts of God—
Just then they found me out—
They who had watch'd and follow'd me so long—
They found me as I idly hung about
That stately doorway; and I felt the strong
Relentless grip upon my arm—I saw
The quiet, cruel, smiling eyes, and saw
That I was bound.
That night I lay awake upon the ground
Of a dark cell. The moonlight quiver'd in,
Tender, and pure, and sweet, and hover'd round—
Trying to cool the raging fire within
My eyes and heart; like tender mother's touch,
It wander'd over lips, and hands, and hair.
I think I feel it now—it came with such
An unexpected pity to me there!
It was so dark—and I was all alone.
No gentle tone
To comfort and to keep me from despair!
A blessing had been sent—ah, now I know,
Just by that little moonbeam; its white glow
Lay on my heart, till the tears fell like rain.
The long-endured, sullen sense of pain,
So dark and deep,
Was stirred and touch'd, and almost lighten'd, when
I plunged my face into my hands to weep.
Somehow the boyish spirit came again,
With just a little of its softness, then;
The burning fever cool'd, and I could sleep.
Ah, I remember, as I lay there, she
I never knew came gliding through my dream,
As through the shadows that encompass'd me
Glided the tender moonshine; I could see,
Dim and yet purely bright—just in the gleam
That cross'd the prison-floor—a girlish face,
Divinely beautiful—an angel's face;
And long robes, fair and white,
Shadow'd with wings that shone like living light.
I seem'd to feel, e'en in that gloomy place,
The soft, sweet kisses stray
Over my feverish forehead as I lay;
But when I woke, and look'd with glistening eyes
Up through the grating, I could only see
The pale rose-colour dawning in the skies
From whence that message had come down to me.
I was so lonely! Yet more lonely far
In the bright day-time, when my sight was bound
By cold, hard, scornful faces all around,
Instead of prison-wall and iron bar.
More lonely—ay, so much more lonely! They,
My judges and accusers, and the crowd
That witness'd all my misery that day,
They knew not that my spirit was as proud,
As sensitive to suffering, as theirs.
They knew the sweet hearth-love, that makes the cares
And storms of life so light!
And the great safeguard against sin and crime
Stood round about their homes by day and night.
But I had no one in that bitter time,
No one, I thought—no one to stand by me,
No one to teach me or to care for me!
I pass'd through fire as I stood waiting—stood
In that great, dreary, dreadful, crowded place;
A fire that scorch'd out even the faintest trace
My tearful dream had left, of good and true.
* * * * *
Wearily, wearily, I laid me down
Within my little prison-cell that night;
And then I long'd for death to come, and drown
The sinful, lonely, sorrowful earthly life
That always seem'd at strife
With God and man. I know it was not right—
I know it, dear; but it is hard to be
Shut out from all the pleasant, genial life
That makes life worth!—and it was hard for me.
And so I lay, and fix'd a vacant stare
Upon my grated bars, now dimly drawn
Across a grey-blue thunder-cloud; for there
The moonlight came, and there the rosy dawn
Peep'd in—a kind and friendly face to see;
One thing, at least, of peace and purity.
And dark thoughts brooded in my heart and brain,
Such wicked, reckless thoughts! I wonder'd why
I had been born to so much misery,
Born to so large a heritage of pain!
Sure it was wrong, I murmur'd bitterly,
Setting my teeth again.
And then there slowly drifted through my mind—
Vaguely and darkly, gaining shape at length—
A thought whose likeness it were hard to find
In any common words. I felt the strength
Of stern endurance and resolve die out,
And felt a fierce new strength creep round about
My smouldering heart. Eager I turn'd to gaze
At my new vision—and the warning doubt
Died in the passion that was set ablaze.
What was the vision? Wife, I scarcely dare
Paint it again.
It's very memory enfolds such pain!
A river, dark, and deep, and dreadful, where
The moaning eddies swirl'd about the piers
Of a high bridge; lights twinkling in the air;
Unnumber'd voices thrilling in my ears;
And one—one only—speaking to me there—
Calling from out the deep,
Dark water, in its slow, reluctant sweep . . . . .
An awful space of shadows; then the gleam
Of steely ripples, lying far below,
Like bright snakes coil'd together on the stream;—
Ah, wife, you know! you know!
I saw—but did not see—the grey-blue cloud
Change into black; the thunder roar'd aloud;
And shining arrows glanced across the floor,
Striking a blaze upon my staring eyes;—
Darling, these are such painful memories,
I cannot tell you more.
* * * * *
But in the day that follow'd—when the sun
Was high in heaven, and the crimson flame
Danced on the bleak white wall above me—one
Bearing a sweet and holy message, came.
He found me lying motionless, alone,
Passionately quiet, and as hard as stone;
And he stepped softly, and bent over me
Until I saw his face—
Fair as an angel's, with a shining crown
Of wavy golden hair—a boyish face,
But shadow'd with a wondrous dignity.
As he bent down,
His grave eyes looking deeply into mine,
The dignity seem'd born of the divine.
Ah me, he was so good! so true! so kind!
He melted that black shadow on my mind
With his sweet, earnest tones; I sat and wept
Just like a child; and a new life and light
Once more, as he sat by me, gently crept
Into my spirit, that was dark as night.
He did not talk as if he were above
The sins and follies of his fellow-men;
But all his words were sympathy and love—
Or I had never listen'd to them then.
He did not once reproach me, though he heard—
Because he would not ask it—every word
I had to tell him; but he counselled me,
Framing his lips in that humility
Which seems the stamp of a good man and true.
Saying not, “I know this,” but “God has said;”
Saying not, with the solemn warning, “you,”
But mostly “we;” yet over all he shed
The high and special dignity he bore.
One felt he was a priest, as if he wore
His surplice—standing in the church, instead
Of on a prison-floor.
* * * * *
And those kind words—they brought a blessed morn
Unto my soul; I never wish'd again
That I might die; I never felt forlorn,
As if my life were given me in vain.
But I went out into the world, and fought
Against its legions, with an arm of strength!
Wife, though I often falter'd, what he taught
Nerved me to courage, and I won at length.
poem by Ada Cambridge
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Practising the Anthem
A summer wind blows through the open porch,
And, 'neath the rustling eaves,
A summer light of moonrise, calm and pale,
Shines through a vale of leaves.
The soft gusts bring a scent of summer flowers,
Fresh with the falling dew,
And round the doorway, glimmering white as snow,
The tender petals strew.
Clear through the silence, from a reedy pool
The curlew's whistle thrills;
A lonely mopoke sorrowfully cries
From the far-folding hills.
O lovely night, and yet so sad and strange!
My fingers touch the key;
And down the empty church my Christmas song
Goes ringing, glad and free.
Each sweet note knocks at dreaming memory's door,
And memory wakes in pain;
The spectral faces she had turn'd away
Come crowding in again.
The air seems full of music all around—
I know not what I hear,
The multitudinous echoes of the past,
Or these few voices near.
Ah me! the dim aisle vaguely widens out,
I see me stand therein;
A glory of grey sculpture takes the light
A winter morn brings in.
No more I smell the fragrant jessamine flowers
That flake a moonlit floor;
The rustling night-breeze and the open porch
I hear and see no more.
Great solemn windows, down a long, long nave
Their shadow'd rainbows fling;
Dark Purbeck shafts, with hoary capitals,
In carven archways spring.
And overhead the throbbing organ waves
Roll in one mighty sea,
Bearing the song the herald angels sang
Of Christ's nativity.
Dear hands touch mine beneath the open book,
Sweet eyes look in my face,—
They smile, they melt in darkness; I am snatch'd
From my familiar place.
The summer night-wind blows upon my tears;
Its flowery scent is pain.
O cold, white day! O noble minster—when
May I come back again!
To hear the angels' anthem shake the air,
Where never discord jars,—
The Christmas carols in the windy street,
Under the frosty stars;
The dream-like falling from the still, grey skies,
With falling flakes of snow,
Of mellow chimes from old cathedral bells,
Solemn and sweet and slow.
To hear loved footsteps beating time with mine
Along the churchyard path,—
To see that ring of faces once again
Drawn round the blazing hearth.
When may I come? O Lord, when may I go?
Nay, I must wait Thy will.
Give patience, Lord, and in Thine own best way
My hopes and prayers fulfil.
poem by Ada Cambridge
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A Domestic Scene
'Twas early day - and sunlight stream'd
Soft through a quiet room,
That hush'd, but not forsaken, seem'd -
Still, but with nought but gloom;
For there, secure in happy age,
Whose hope is from above,
A father communed with the page
Of Heaven's recorded love.
Pure fell the beam, and meekly bright
On his gray holy hair,
And touch'd the book with tenderest light
As if its shrine were there;
But oh! that patriarch's aspect shone
With something lovelier far -
A radiance all the spirits own,
Caught not from the sun or star.
Some word of life e'en then had met
His calm benignant eye;
Some ancient promise breathing yet
Of immortality;
Some heart's deep language where the glow
Of quenchless faith survives;
For every feature said 'I know
That my Redeemer lives.'
And silent stood his children by,
Hushing their very breath
Before this solemn sanctity
Of thoughts o'ersweeping death;
Silent - yet did not each young breast,
With love and rev'rence melt?
Oh! blest be those fair girls - and blest
That home where God is felt!
poem by Felicia Dorothea Hemans
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The Organist
In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.
One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
'You love the music, child,' he said,
And laid his hand upon her head,
And smoothed her matted hair.
She answered, 'At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here.'
'You love the music then,' he said,
And still he stroked her golden head,
And followed out some winding reverie;
'And you are poor?' said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
'And will you be my friend?' he spake,
'And on the organ learn to make
Grand music here with me?'
And all the little maiden's face
Was kindled with a grateful grace;
'Oh, master, teach me; I will slave for thee!'
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.
And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.
And sometimes at his work a glow
Would touch him, and he murmured low
'How beautiful she is?' and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
'My music cometh not to-day;
Pray God she be not dead!'
So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed-
What prayers for her in hours of rest
The sombre organ prayed.
At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
'To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me.'
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.
'You love him, then?' 'I love him well,'
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
'God bless and bless thee, little maid,
With peace and long delight,' and laid
His hands upon her head.
And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.
The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat-
They could not choose but hear.
And there they sat till dawning light,
Nor ever stirred to awe. 'To-night,
The master hath a noble mood,' they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.
poem by Archibald Lampman
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The German Student’s Love-Song
I.
BY the rush of the Rhine's broad stream,
Down whose rapid tide
We sailed as in some sweet dream
Sitting side by side;
By the depth of its clear blue wave
And the vine-clad hills,
Which gazed on its heart and gave
Their tribute rills;
By the mountains, in purple shade,
And those valleys green
Where our bower of rest was made,
By the world unseen;
By the notes of the wild free bird,
Singing over-head
When nought else in the sunshine stirr'd
Round our flowery bed;
By these, and by Love's power divine,
I have no thought but what is thine!
II.
By the glance of thy radiant eyes,
Where a glory shone
That was half of the summer skies
And half their own;
By the light and yet fervent hold
Of thy gentle hand,--
(As the woodbines the flowers enfold
With their tender band
By thy voice when it breathes in song,
And the echo given
By lips that to Earth belong,
Float up to Heaven;
By the gleams on thy silken hair
At the sunset hour,
And the breadth of they forehead fair
With its thoughtful power;
By these, and by Love's soul divine,
I have no hope but what is thine!
III.
By the beauty and stilness round
When the lake's lone shore
Scarce echoed the pleasant sound
Of the distant oar;
By the moonlight which softly fell
On all objects near,
And thy whisper seemed like a spell
In thy Lover's ear;
By the dreams of the restless past,
And the hope that came
Like sunshine in shadow cast
With thy gentle name;
By the beat of thy good true heart
Where pure thoughts have birth;
By thy tears, when Fate bade us part,
And thy smiles of mirth;
By these, and by Love's power divine,
I have no hope but what is thine!
IV.
By the gloom of those holy fanes
Where the light stream'd through
Dim orange and purple panes
On the aisles below;
By the ruin'd and roofless wall
Of that castle high,
With its turrets so grey and tall
In the clear blue sky;
By beauty, because its light
Should thy portion be,
And whatever is fair and bright
Seems a part of thee;
And by darkness and blank decay,
Because they tell
What the world would be, THOU away,
Whom I love so well;
By these, and by Love's power divine,
My heart, my soul, my life, are thine!
poem by Caroline Elizabeth Sarah Norton
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Between The Rapids
The point is turned; the twilight shadow fills
The wheeling stream, the soft receding shore,
And on our ears from deep among the hills
Breaks now the rapid's sudden quickening roar.
Ah yet the same, or have they changed their face,
The fair green fields, and can it still be seen,
The white log cottage near the mountain's base,
So bright and quiet, so home-like and serene?
Ah, well I question, for as five years go,
How many blessings fall, and how much woe.
Aye there they are, nor have they changed their cheer,
The fields, the hut, the leafy mountain brows;
Across the lonely dusk again I hear
The loitering bells, the lowing of the cows,
The bleat of many sheep, the stilly rush
Of the low whispering river, and through all,
Soft human tongues that break the deepening hush
With faint-heard song or desultory call:
Oh comrades hold; the longest reach is past;
The stream runs swift, and we are flying fast.
The shore, the fields, the cottage just the same,
But how with them whose memory makes them sweet?
Oh if I called them, hailing name by name,
Would the same lifts the same old shouts repeat?
Have the rough years, so big with death and ill,
Gone lightly by and left them smiling yet?
Wild black-eyed Jeanne whose tongue was never still,
Old wrinkled Picaud, Pierre and pale Lisette,
The homely hearts that never cared to range,
While life's wide fields were filled with rush and change.
And where is Jacques, and where is Verginie?
I cannot tell; the fields are all a blur.
The lowing cows whose shapes I scarcely see,
Oh do they wait and do they call for her?
And is she changed, or is her heart still clear
As wind or morning, light as river foam?
Or have life's changes borne her far from here,
And far from rest, and far from help and home?
Ah comrades, soft, and let us rest awhile,
For arms grow tired with paddling many a mile.
The woods grow wild, and from the rising shore
The cool wind creeps, the faint wood odours steal;
Like ghosts down the rivers blackening floor
The misty fumes begin to creep and reel.
Once more I leave you, wandering toward the night,
Sweet home, sweet heart, that would have held me in;
Whither I go I know not, and the light
Is faint before, and rest is hard to win.
Ah sweet ye were and near to heaven's gate;
But youth is blind and wisdom comes too late.
Blacker and loftier grow the woods, and hark!
The freshening roar! The chute is near us now,
And dim the canyon grows, and inky dark
The water whispering from the birchen prow.
One long last look, and many a sad adieu,
While eyes can see and heart can feel you yet,
I leave sweet home and sweeter hearts to you,
A prayer for Picaud, one for pale Lisette,
A kiss for Pierre, my little Jacques, and thee,
A sigh for Jeanne, a sob for Verginie.
Oh, does she still remember? Is the dream
Now dead, or has she found another mate?
So near, so dear; and ah, so swift the stream;
Even now perhaps it were not yet too late.
But oh, what matter; for before the night
Has reached its middle, we have far to go:
Bend to your paddles, comrades; see, the light
Ebbs off apace; we must not linger so.
Aye thus it is! Heaven gleams and then is gone
Once, twice, it smiles, and still we wander on.
poem by Archibald Lampman
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At the Opera
THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.
The curtain fell—the music died—
The lights grew bright, revealing there
The flash of jewelled fingers fair,
And wreaths of pearls on brows of pride;
Then, with a quick-flushed cheek, I turned,
And into mine her dark eyes burned.
Such eyes but once a man may see,
And, seeing once, his fancy dies
To thought of any other eyes:
So shadow-soft, they seemed to be
Twin haunted lakes, lit by the gleams
Of a mysterious moon of dreams.
Silk lashes veiled their liquid light
With such a shade as tall reeds fling
From the lake-marge at sunsetting:
Their darkness might have hid the night—
Yet whoso saw their glance would say
Night dreamt therein, and saw the day.
Long looked I at them, wondering
What tender memories were hid
Beneath each blue-veined lily-lid;
What hopes of joys the years would bring;
What griefs? In vain: I might not guess
The secret of their silentness.
What of her face? Her face, meseems,
Was such as painters see who muse
By moonlight in dim avenues,
Yet cannot paint; or as in dreams,
Young poets see, but, when they try
To limn in verse are dumb—so I.
Yet well I know that I have seen
That sweet face in the long ago
In a rose-bower—well I know—
Laughing the singing leaves between,
In that strange land of rose and rhyme—
The land of Once upon a Time.
O unknown sweet, so sweetly known,
I know not what your name may be—
Madonna is your name for me—
Nor where your lines in life are thrown;
But soul sees soul—what is the rest?
A passing phantom at the best.
Did your young bosom never glow
To love? or burns your heart beneath
As burns the rosebud in its sheath?
I neither know nor wish to know:
I smell the rose upon the tree;
Who will may pluck and wear, for me—
May wear the rose, and watch it die,
And, leaf by red leaf, fade and fall,
Till there be nothing left at all
Of its sweet loveliness; but I
Love it so well, I leave it free—
The scent alone I take with me!
As one who visits sacred spots
Brings tokens back, so I from you
A glance, a smile, a rapture new!
And these are my forget-me-nots!
I take from you but only these—
Give all the rest to whom you please.
Sweet eyes, your glance a light shall cast
On me, when dreaded ghosts arise
Of dead regrets with shrouded eyes,
And phantoms of the perished past,
Old thoughts, old hopes, and old desire
Gather around my lonely fire!
Farewell! In rhyme, I kiss your hand—
Kiss not unsweet, although unheard!—
This is our secret—say no word—
That I have been in Fairyland,
And seen for one brief moment’s space
The Queen Titania face to face.
poem by Victor James Daley
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Absolution
THREE months had passed since she had knelt before
The grate of the confessional, and he,
--The priest--had wondered why she came no more
To tell her sinless sins--the vanity
Whose valid reason graced her simple dress--
The prayers forgotten, or the untold beads--
The little thoughtless words, the slight misdeeds,
Which made the sum of her unrighteousness.
She was the fairest maiden in his fold,
With her sweet mouth and musical pure voice,
Her deep grey eyes, her hair's tempestuous gold,
Her gracious graceful figure's perfect poise.
Her happy laugh, her wild unconscious grace,
Her gentle ways to old, or sick, or sad,
The comprehending sympathy she had,
Had made of her the idol of the place.
And when she grew so silent and so sad,
So thin and quiet, pale and hollow-eyed,
And cared no more to laugh and to be glad
With other maidens by the waterside--
All wondered, kindly grieved the elders were,
And some few girls went whispering about,
'She loves--who is it? Let us find it out!'
But never dared to speak of it to her.
But the priest's duty bade him seek her out
And say, 'My child, why dost thou sit apart?
Hast thou some grief? Hast thou some secret doubt?
Come and unfold to me thine inmost heart.
God's absolution can assuage all grief
And all remorse and woe beneath the sun.
Whatever thou hast said, or thought, or done,
The Holy Church can give thy soul relief.'
He stood beside her, young and strong, and swayed
With pity for the sorrow in her eyes--
Which, as she raised them to his own, conveyed
Into his soul a sort of sad surprise--
For in those grey eyes had a new light grown,
The light that only bitter love can bring,
And he had fancied her too pure a thing
For even happy love to dare to own.
Yet all the more he urged on her--'Confess,
And do not doubt some comfort will be lent
By Holy Church thy penitence to bless.
Trust her, my child.' With unconvinced consent
She answered, 'I will come;' and so at last
Out of the summer evening's crimson glow,
With heart reluctant and with footsteps slow
Into the cool great empty church she passed.
'By my own fault, my own most grievous fault,
I cannot say, for it is not!' she said,
Kneeling within the grey stone chapel's vault;
And on the ledge her golden hair was spread
Over the clasping hands that still increased
Their nervous pressure, poor white hands and thin,
While with hot lips she poured her tale of sin
Into the cold ear of the patient priest.
'Love broke upon me in a dream; it came
Without beginning, for to me it seemed
That all my life this thing had been the same,
And never otherwise than as I dreamed.
I only knew my heart, entire, complete,
Was given to my other self, my love--
That I through all the world would gladly move
So I might follow his adorèd feet.
'I dreamed my soul saw suddenly appear
Immense abysses, infinite heights unknown;
Possessed new worlds, new earths, sphere after sphere,
New sceptres, kingdoms, crowns, became my own.
When I had all, all earth, all time, all space,
And every blessing, human and divine,
I hated the possessions that were mine,
And only cared for his belovèd face.
'I dreamed that in unmeasured harmony,
Rain of sweet sounds fell on my ravished sense,
And thrilled my soul with swelling ecstasy,
And rose to unimagined excellence.
And while the music bade my heart rejoice,
And on my senses thrust delicious sway,
I wished the perfect melody away,
And in its place longed for his worshipped voice.
'And at the last I felt his arms enfold,
His kisses crown my life--his whispered sighs
Echo my own unrest--his spirit hold
My spirit powerless underneath his eyes,
My face flushed with new joy, and felt more fair:
He clasped me close, and cried, 'My own, my own!'
And then I woke in dawn's chill light, alone,
With empty arms held out to empty air.
'I never knew I loved him till that dream
Drew from my eyes the veil and left me wise.
What I had thought was reverence grew to seem
Only my lifelong love in thin disguise.
And in my dream it looked so sinless too,
So beautiful, harmonious, and right;
The vision faded with the morning light,
The love will last as long as I shall do.
'But in the world where I have wept my tears,
My love is sinful and a bitter shame.
How can I bear the never-ending years,
When every night I hear him call my name?
For though that first dream's dear delight is past,
Yet since that night each night I dream him there
With lips caressing on my brow and hair,
And in my arms I hold my heaven fast!'
'Child, have you prayed against it?' 'Have I prayed?
Have I not clogged my very soul with prayer;
Stopped up my ears with sound of praying, made
My very body faint with kneeling there
Before the sculptured Christ, and all for this,
That when my lips can pray no more, and sleep
Shuts my unwilling eyes, my love will leap
To dreamland's bounds, to meet me with his kiss?
'Strive against this?--what profit is the strife?
If through the day a little strength I gain,
At night he comes and calls me 'love' and 'wife,'
And straightway I am all his own again.
And if from love's besieging force my fight
Some little victory have hardly won,
What do I gain? As soon as day is done,
I yield once more to love's delicious might.'
'Avoid him!' 'Ay, in dewy garden walk
How often have I strayed, avoiding him.
And heard his voice mix with the common talk,
Yet never turned his way. My eyes grow dim
With weeping over what I lose by day
And find by night, yet never have to call
My own. O God! is there no help at all--
No hope, no chance, and no escapeful way?'
'And who is he to whom thy love is given?'
'What? Holy Church demands to know his name?
No rest for me on earth, no hope of heaven
Unless I tell it? Ah, for very shame
I cannot--yet why not?--I will--I can!
I have grown mad with brooding on my curse.
Here! Take the name, no better and no worse
My case will be. Father, thou art the man!'
An icy shock shivered through all his frame--
An overwhelming cold astonishment;
But on the instant the revulsion came,
His blood felt what her revelation meant,
And madly rushed along his veins and cried:
'For you too life is possible, and love
No more a word you miss the meaning of,
But all your life's desire unsatisfied.'
Then through his being crept a new strange fear--
Fear of himself, and through himself, for her;
His every fibre felt her presence near,
Disquiet in his breast began to stir.
'Lord Christ,' his soul cried, while his heart beat fast,
'Give strength in this, my hour of utmost need.'
And with the prayer strength came to him indeed,
And with calm voice he answered her at last.
'Child, go in peace! Wrestle, and watch, and pray,
And I will spend this night in prayer for thee,
That God will take thy strange great grief away.
Thou hast confessed thy sin. Absolvo te.'
Silence most absolute a little while,
Then passed the whisper of her trailing gown
Over the knee-worn stones, and soft died down
The dim deserted incense-memoried aisle.
She passed away, and yet, when she was gone,
His heart still echoed her remembered sighs:
What sin unpardonable had he done
That evermore those grey unquiet eyes
Floated between him and the dying day?
How had she grown so desperately dear?
Why did her love-words echo in his ear
Through all the prayers he forced his lips to say?
All night he lay upon the chancel floor,
And coined his heart in tears and prayers, and new
Strange longings he had never known before.
Her very memory so thrilled him through,
That to his being's core a shiver stole
Of utter, boundless, measureless delight,
Even while with unceasing desperate might
His lips prayed for God's armour for his soul!
The moon had bathed the chancel with her light,
But now she crept into a cloud. No ray
Was left to break the funeral black of night
That closely hung around the form that lay
So tempest-tossed within, so still without.
'God! I love her, love her, love her so!
Oh, for one spark of heaven's fire to show
Some way to cast this devil's passion out!
'I cannot choose but love--Thou knowest, Lord--
Yet is my spirit strong to fly from sin,
But oh, my flesh is weak, too weak the word
I have to clothe its utter weakness in!
I am Thy priest, vowed to be Thine alone,
Yet if she came here with those love-dimmed eyes,
How could I turn away from Paradise?
Should I not wreck her soul, and blast my own?
'Christ, by Thy passion, by Thy death for men,
Oh, save me from myself, save her from me!'
And at the word the moon came out again
From her cloud-palace, and threw suddenly
A shadow from the great cross overhead
Upon the priest; and with it came a sense
Of strength renewed, of perfect confidence
In Him who on that cross for men hung dead.
Beneath that shadow safety seemed to lie;
And as he knelt before the altar there,
Beside the King of Heaven's agony
Light seemed all pangs His priest might have to bear--
His grief, his love, his bitter wild regret,
Would they not be a fitting sacrifice,
A well-loved offering, blessed in the eyes
That never scorned a sad heart's offering yet?
But as the ghostly moon began to fade,
And moonlight glimmered into ghostlier dawn,
The shadow that the crucifix had made
With twilight mixed; and with it seemed withdrawn
The peace that with its shadowy shape began,
And as the dim east brightened, slowly ceased
The wild devotion that had filled the priest--
And with full sunlight he sprang up--a man!
'Ten thousand curses on my priestly vow--
The hated vow that held me back from thee!
Down with the cross! no death-dark emblems now!
I have done with death: life wakes for thee and me!'
He tore the cross from out his breast, and trod
The sacred symbol underfoot and cried,
'I am set free, unbound, unsanctified!
I am thy lover--not the priest of God!'
He strode straight down the church and passed along
The grave-set garden's dewy grass-grown slope:
The woods about were musical with song,
The world was bright with youth, and love, and hope;
The flowers were sweet, and sweet his visions were,
The sunlight glittered on the lily's head
And on the royal roses, rich and red,
And never had the earth seemed half so fair.
Soon would he see her--soon would kneel before
Her worshipped feet, and cry, 'I am thine own,
As thou art mine, now, and for evermore!'
And she should kiss the lips that had not known
The kiss of love in any vanished year.
And as he dreamed of his secured delight,
Round the curved road there slowly came in sight
A mourning band, and in their midst a bier.
He hastened to pass on. Why should he heed
A bier--a blot on earth's awakened face?
For to his love-warm heart it seemed indeed
That in sweet summer's bloom death had no place.
Yet still he glanced--a pale concealing fold
Veiled the dead, quiet face--and yet--and yet--
Did he not know that hand, so white and wet?
Did he not know those dripping curls of gold?
'We came to you to know what we should do,
Father: we found her body in the stream,
And how it happed, God knows!' One other knew--
Knew that of him had been her last wild dream--
Knew the full reason of that life-disdain--
Knew how the shame of hopeless love confessed
And unreturned had seemed to stain her breast,
Till only death could make her clean again.
They left her in the church where sunbeams bright
Gilded the wreathèd oak and carven stone
With golden floods of consecrating light;
And here at last, together and alone,
The lovers met, and here upon her hair
He set his lips, and dry-eyed kissed her face,
And in the stillness of the holy place
He spoke in tones of bitter blank despair:
'Oh, lips so quiet, eyes that will not see!
Oh, clinging hands that not again will cling!
This last poor sin may well be pardoned thee,
Since for the right's sake thou hast done this thing.
Oh, poor weak heart, for ever laid to rest,
That could no longer strive against its fate,
For thee high heaven will unbar its gate,
And thou shalt enter in and shalt be blessed.
'The chances were the same for us,' he said,
'Yet thou hast won, and I have lost, the whole;
Thou wouldst not live in sin, and thou art dead--
But I--against thee I have weighed my soul,
And, losing thee, have lost my soul as well.
I have cursed God, and trampled on His cross;
Earth has no measurement for all my loss,
But I shall learn to measure it in hell!'
poem by Edith Nesbit
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The Midnight Mass
An incident of the French Revolution.
The light lay trembling in a silver bar
Along the western borders of the sky;
From out the shadowy dome a little star
Stole forth to keep its patient watch on high;
And night came down, with solemn, soft embrace,
On storied Brittany.
Another night lay over all the land—
The dark of hell, and lurid with its fire.
She heard the roar of fiends; she saw the brand
Flung red and hissing over roof and spire;
She saw her golden spurs and reaping-hooks
Tossed on the funeral pyre.
She stood in calm defiance, while the flood
Swept over her;—while everywhere was seen
Her dim, majestic cities drenched in blood;
Ashes and smoke where temple-walls had been;
And high on woodland knoll and market-place,
The ghastly guillotine.
'Twas hard to tear her peasant-souls apart
From priest and liege, and clinging faith of old;
'Twas hard to bend the strong and simple heart
By fear of torture or by love of gold:
For naught those gory hands could offer them
Might consciences be sold.
“No tower or belfry shall be left to stand,”
Saint André swore, and waved his cap of red;
“You shall have naught in all this cursèd land
For sign of your superstition,—it is dead!”
A peasant heard, and raised his eyes to heaven;—
“You'll leave the stars,” he said.
True were the priests and people, each to each,
And all alike to their unlettered creed;
No violent force of sophistry could reach
Their rough-hewn faith in bitter time of need.
They died with deaf ears and dumb mouths; and theirs
Was martyrdom indeed!
Night—midnight—lay beneath her silver lamps;
Her deep sleep broken by the fitful glare
Of bivouac fires in noisy village camps,
And hoarse shouts mellowed through the listening air;
Save only where the sea-waves washed the coast—
'Twas still and quiet there:
The heave and swell, and sudden, plunging dash
Against the low rocks lying in their reach;
The hissing shingle, and the sweet, free plash
Of long-drawn breakers on the open beach;
And now and then, in momentary pause,
The curlew's mournful screech:
The soft, low gurgle in the hollowed track
Through reef and boulder; and the rippling fall
Of idle wandering waters, swirling back
From secret tryst in Naiads' rocky hall;—
Only these sounds—save that deep monotone
Which held and hushed them all.
Only these sounds? Was nothing to be heard
But voice of breaker as it rose and fell,
The kelpie's song, the wailing of a bird?
Ay, far and faint amid the restless swell,
One other voice stole whispering through the air—
The chime of a silver bell.
It came from dim mid-ocean, wild and free,
To listening ears, in silence of the night;
And watchful eyes saw, out upon the sea
And 'neath the stars, a little twinkling light—
Now lost behind a waving mountain-top,
Now shining clear and bright.
Softly the fishers' boats began to glide
From shadowy rock and sheltered cave and creek;
Bronzed men and gentle maidens, side by side,
Dipped muffled oars; no woman-hand was weak.
All eyes turned, wistful, to the beacon-lamp;
But no one dared to speak.
The scattered specks, with each its little crowd,
Drew near, converging on the distant bark;
The sweet bell rang out louder and more loud,
The light shone bright and brighter in the dark;
And soon a hundred lips burst forth in praise—
For all had reach'd the ark.
There was the priest, with whom they came to sup,
White-hair'd and holy, by his humble board;
There, amid light and darkness lifted up,
The blessed rood, by simple eyes adored.
Each head was bowed, each pious knee was bent
In presence of the Lord.
Ah! 'twas a grand cathedral where they knelt!
Grand was the organ-music—vast the crypt
Wherein its wild, mysterious echoes dwelt;
And fresh and pure the incense, as it slipp'd
Down shining floor and down wide altar-steps,
With frosted silver tipp'd.
Grand was the darken'd aisles and solemn nave—
The domèd roof, magnificently high—
The airy walls and mighty architrave—
The sweet star-tapers that could never die!
And grander still its purity of peace,
Its untouched sanctity.
The worn and weary ones came there, to search
For rest and hope in holy Eucharist;
There—in the splendour of that solemn church—
They, priest and people, communed with the Christ;
Thus—with all other temples overthrown—
They kept his sacred tryst.
With calm, grave eyes and even-pulsing breath,
They dipp'd their still oars in the darken'd space.
Strong now the hands fast rowing back to death!—
And strong the simple hearts, new clothed in grace—
The hush'd and quiet souls—ere long to meet
Their Saviour face to face.
poem by Ada Cambridge
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Newark Abbey
August, 1842
with a remembrance of August, 1807
I gaze, where August's sunbeam falls
Along these grey and lonely walls,
Till in its light absorbed appears
The lapse of five-and-thirty years.
If change there be, I trace it not
In all this consecrated spot:
No new imprint of Ruin's march
On roofless wall and frameless arch:
The hilss, the woods, the fields, the stream,
Are basking in the self-same beam:
The fall, that turns the unseen mill
As then it murmured, murmurs still:
It seems, as if in one were cast
The present and the imaged past,
Spanning, as with bridge sublime,
That awful lapse of human time,
That gulph, unfathomably spread
Between the living and the dead.
For all too well my spirit feels
The only change this place reveals:
The sunbeams play, the breezes stir,
Unseen, unfelt, unheard by her,
Who, on that long-past August day,
First saw with me those ruins grey.
Whatever span the fates allow,
Ere I shall be as she is now,
Still in my bosom's inmost cell
Shall that deep-treasured memory dwell:
That, more than language can express,
Pure miracle of loveliness,
Whose voice so sweet, whose eyes so bright,
Were my soul's music, and its light,
In those blest days, when life was new,
And hope was false, but love was true.
poem by Thomas Love Peacock
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Aaron
Holiness on the head,
Light and perfection on the breast,
Harmonious bells below, raising the dead
To led them unto life and rest.
Thus are true Aarons dressed.
Profaneness in my head,
Defects and darkness in my breast,
A noise of passions ringing me for dead
Unto a place where is no rest.
Poor priest thus am I dressed.
Only another head
I have, another heart and breast,
another music, making live not dead,
without whom I could have no rest:
In him I am well dressed.
Christ is my only head,
My alone only heart and breast,
My only music, striking me even dead;
That to the old man I may rest,
And be in him new dressed.
So holy in my head,
Perfect and light in my dear breast,
My doctrine tuned by Christ, (who is not dead,
But lives in me while I do rest)
Come people; Aaron's dressed.
poem by George Herbert
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Easter Eve
Hear me, Brother, gently met;
Just a little, turn, not yet,
Thou shalt laugh, and soon forget:
Now the midnight draweth near.
I have little more to tell;
Soon with hallow stroke and knell,
Thou shalt count the palace bell,
Calling that the hour is here.
Burdens black and strange to bear,
I must tell, and thou must share,
Listening with that stony stare,
Even as many a man before.
Years have lightly come and gone
In their jocund unison,
But the tides of life roll on-
They remember now no more.
Once upon a night of glee,
In an hour of revelry,
As I wandered restlessly,
I beheld with burning eye,
How a pale procession rolled
Through a quarter quaint and old,
With its banners and its gold,
And the crucifix went by.
Well I knew that body brave
That was pierced and hung to save,
But my flesh was now a grave
For the soul that gnashed within.
He that they were bearing by,
With their banners white and high,
He was pure, and foul was I,
And his whiteness mocked my sin.
Ah, meseemed that even he,
Would not wait to look on me,
In my years and misery,
Things that he alone could heal.
In mine eyes I felt the flame
Of a rage that naught could tame,
And I cried and cursed his name,
Till my brain began to reel.
In a moment I was 'ware,
How that many watching there,
Fearfully with blanch and stare,
Crossed themselves and shrank away;
Then upon my reeling mind,
Like a sharp blow from behind,
Fell the truth, and left me blind,
Hopeless now and all astray.
O'er the city wandering wide,
Seeking but some place to hide,
Where the sounds of mirth had died,
Through the shaken night I stole;
From the ever-eddying stream
Of the crowds that did but seem
Like the processions in a dream
To my empty echoing soul.
Till I came at last alone
To a hidden street of stone,
Where the city's monotone
On the silence fell no more.
Then I saw how one in white
With a footstep mute and light,
Through the shadow of the night
Like a spirit paced before.
And a sudden stillness came
Through my spirit and my frame,
And a spell without a name
Held me in his mystic track.
Though his presence seemed so mild,
Yet he led me like a child,
With a yearning strange and wild,
That I dared not turn me back.
Oh, I could not see his face,
Nor behold his utmost grace,
Yet I might not change my pace
Fastened by a strange belief;
For his steps were sad and slow,
And his hands hung straight below,
And his head was bowed, as though
Pressed by some immortal grief.
So I followed, yet not I
Held alone that company:
Every silent passer-by
Paled and turned and joined with me;
So we followed still and fleet,
While the city street by street,
Fell behind our rustling feet
Like a deadened memory.
Where the sound of sin and riot
Broke upon the night's dim quiet,
And the solemn bells hung nigh it
Echoed from their looming towers;
Where the mourners wept alway,
Watching for the morning grey;
Where the weary toiler lay,
Husbanding the niggard hours;
By the gates where all night long
Guests in many a joyous throng,
With the sound of dance and song,
Dreamed in golden palaces;
Still he passed, and door by door
Opened with a pale outpour,
And the revel rose no more
Hushed in deeper phantasies.
As we passed, the talk and stir
Of the quiet wayfarer
And the noisy banqueter
Died upon the midnight dim.
They that reeled in drunken glee
Shrank upon the trembling knee,
And their jests died pallidly,
As they rose and followed him.
From the street and from the hall,
From the flare of festival
None that saw him stayed, but all
Followed where his wonder would:
And our feet at first so few
Gathered as those white feet drew
To a pallid multitude;
And the hushed and awful beat
Of our pale unnumbered feet
Made a murmur strange and sweet,
As we followed evermore.
Now the night was almost passed,
And the dawn was overcast,
When the stranger stayed at last
At a great cathedral door.
Never word the stranger said,
But he slowly raised his head,
And the vast door opened
By an unseen hand withdrawn;
And in silence wave on wave,
Like an army from the grave,
Up the aisles and up the nave,
All that spectral crowd rolled on.
As I followed close behind,
Knowledge like an awful wind
Seemed to blow my naked mind
Into darkness black and bare;
Yet with longing wild and dim,
And a terror vast and grim,
Nearer still I pressed to him,
Till I almost touched his hair.
From the gloom so strange and eery,
From the organ low and dreary,
Rose the wailing miserere,
By mysterious voices sung;
And a dim light shone, none knew,
How it came, or whence it grew,
From the dusky roof and through
All the solemn spaces flung.
But the stranger still passed on,
Till he reached the alter stone,
And with body white and prone
Sunk his forehead to the floor;
And I saw in my despair,
Standing like a spirit there,
How his head was bruised and bare,
And his hand were clenched before,
How his hair was fouled and knit
With the blood that clotted it,
Where the prickled thorns had bit
In his crowned agony;
In his hands so wan and blue,
Leaning out, I saw the two
Marks of where the nails pierced through,
Once on gloomy Calvary.
Then with trembling throat I owned
All my dark sin unatoned,
Telling it with lips that moaned,
And methought an echo came
From the bended crowd below,
Each one breathing faint and low,
Sins that none but he might know:
'Master I did curse thy name.'
And I saw him slowly rise
With his sad unearthly eyes,
Meeting mine with meek surprise,
And a voice came solemnly:
'Never more on mortal ground
For they soul shall rest be found,
But when bells at midnight sound
Thou must rise and come with me.'
Then my forehead smote the floor,
Swooning, and I knew no more,
Till I heard the chancel door
Open for the choristers:
But the stranger's form was gone,
And the church was dim and lone:
Through the silence, one by one
Stole the early worshippers.
I an ageing now I know;
That was many years ago,
Yet or I shall rest below
In the grave where none intrude,
Night by night I roam the street,
And that awful form I meet,
And I follow pale and fleet,
With a ghostly multitude.
Every night I see his face,
With its sad and burdened grace,
And the torn and bloody trace,
That in hands and feet he has.
Once my life was dark and bad;
Now its days are strange and sad,
And the people call me mad:
See, they whisper as they pass.
Even now the echoes roll
From the swinging bells that toll;
It is midnight, now my soul
Hasten, for he glideth by.
Stranger, 'tis no phantasie:
Look! my master waits for me
Mutely, but thou canst not see
With the mortal blinded eye.
poem by Archibald Lampman
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Written at Tivoli Falls
Sweet Tivoli! upon thy grassy side,
Whene'er I linger through the summer day,
And the soft music of thy silvery tide
So sweetly wiles the lagging hours away,
I cannot deem but thou are e'en as fair
As that Italian vale whose name thy waters bear.
O'er the old rocks thou boundest on thy way,
and wood, and glen, re-echo to thy song;
And then thy waters, weary of their play,
Through the long grass glide silently along,
So slow, and calm, as scarce to break the rest
Of the young flowers that sleep upon thy placid breast.
And sure no flowers are lovelier than these
That bloom so sweetly on thy grassy side,
And none more fair than the young forest trees,
That bathe their branches in thy crystal tide;
No sounds are sweeter than the winds at play
Amid these trembling pines at close of summer day.
Here by thy side I cannot feel alone;
Above my head the sheltering branches bend,
And at my feet the flowers; and thy low tone
Breathes softly in my ear, and, like a friend
Soothing my spirit, comes the perfumed air,
To kiss my fevered brow and play amid my hair.
Oh! when I turn me from the busy throng,
Chilled with their frozen words and heartless smiles,
I wander here, and thy melodious song,
And this sweet scene, my sadder mood beguiles;
And when I mingle with the crowd again,
More calm and holy thoughts flow through my burning brain.
Oft as I wander in these shadowy groves
My wayward fancy spreads her truant wing,
And through the past delightedly she roves,
From its recesses many a scene to bring
Of that far time, when, 'mid the deepening shade,
The Indian lover wooed, and won, his dusky maid.
And then she bears me on through future years,
When her frail prison will have passed away,
And she will look, with eyes undimmed by tears,
Upon the glories of a brighter day;
And still thy waves will glide as soft along;
And still thy praise be sung in many a sweeter song.
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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Love in Twilight
There is darkness behind the light -- and the pale light drips
Cold on vague shapes and figures, that, half-seen loom
Like the carven prows of proud, far-triumphing ships --
And the firelight wavers and changes about the room,
As the three logs crackle and burn with a small still sound;
Half-blotting with dark the deeper dark of her hair,
Where she lies, head pillowed on arm, and one hand curved round
To shield the white face and neck from the faint thin glare.
Gently she breathes -- and the long limbs lie at ease,
And the rise and fall of the young, slim, virginal breast
Is as certain-sweet as the march of slow wind through trees,
Or the great soft passage of clouds in a sky at rest.
I kneel, and our arms enlace, and we kiss long, long.
I am drowned in her as in sleep. There is no more pain.
Only the rustle of flames like a broken song
That rings half-heard through the dusty halls of the brain.
One shaking and fragile moment of ecstasy,
While the grey gloom flutters and beats like an owl above.
And I would not move or speak for the sea or the sky
Or the flame-bright wings of the miraculous Dove!
poem by Stephen Vincent Benet
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Tears of the Candle
On my way to this world, I did first see your light
Light that guided the ways of the first pair of hands
that placed me on the bed, be at my mother's side
From the dark little world wherein, before, I was
I saw the tears you shed, knew not what they were for
Were they tears of pity - my life woeful would be
Or were they tears of joy - I would live happily
Again I saw your light, it was baptismal day
Candles in many hands, I heard pledges for me
Again I saw your tears, what for I did not know
Were they for the troubles in life I'll undergo
By your light I acquired knowledge while I grew up
You, watching over me as came and went the nights
And on my wedding day, again I saw your light
Felt the warmth of your glow, warm as the glow of love
Again you shed the tears, both for the two of us
For the joys we would share, or woes we should surpass
The last time you're alight, your light I have not seen
And the warmth of your glow, I now do never feel
As cries and sobs I hear, fall the drops of your tears
I am now on my way and leave this world I will
Never to see your light or feel your warmth again
poem by Pacific Hernandez
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