Sonnet Minus One: A Jest [Acrostic on THIRTEEN LINES]

This is not a sonnet, can’t you tell? It
Has a line less than it should, for, hell, if
I am to be printed in this broadside,
Rules require the lines to number oddly.
This allows me eight lines at the first, but
Even though my rhyming is well-versed, as
Every critic knows the issue’s passed, that
Never will this poem be a classic.

Literati want their sonnets catholic
In the best King’s English Shakespeare hath, and
Not the three-legged race this thirteen-liner
Eggs the couplet-craving crowd unraveled:
So, I scorn to tread the road more traveled.

poem by Richard St. ClairReport problemRelated quotes
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War at Home

Ever since they took him away,
to fight that God forsaken war.
I daydream in our fields all day.
They took the man that I adore.

Gazing across the windswept grass
and waiting for the time to pass.
The memory of times before,
they took the man that I adore.

I know he’ll walk across that field
with battle wounds yet still unhealed.
My broken heart can take no more,
they took the man that I adore.

Ever since they took him away,
they took the man that I adore.


Author Notes:

Kyrielle Sonnet
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme
for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.

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This Day What Future Will It Bring (Kyrielle Sonnet)

This day what future will it bring.
What songs will we finally sing?
Snow quietly gracing the ground.
There will then come a silent sound.

We will be skating on the pond
And ev'ry one will form a bond.
By crackling fire we'll gather round.
There will then be a silent sound.

No recipe will we follow
Flitting the night with the swallows.
We'll form a ring around, around.
There will then come a silent sound.

This day what future will it bring.
There will then come a silent sound.

- Ben Gieske, March 5,2008


*
A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet) . Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza) . Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be: AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.

poem by Ben GieskeReport problemRelated quotes
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Fourteen beautiful birds on wings

As baker packs thirteen odd eggs to count
To a dozen, a sonneteer fourteen
Sweet lines of praise on thine slender frame mount,
That thine mysterious marvels ne'er lean
Might seem; and when all fourteen fully hatch
Ah, gorgeous chicks to be, ready to fly
In time together in one single batch,
Or in formations only sonnets try.

The eight of them may oft land to face strife,
The six more that follow, in counterpoint,
Resolve and soothe— ah, sonnet's very life,
As volta, shift, sonneteers oft anoint,
Of whose last two, twain wings of a couplet,
Come to sing last short song of the sonnet.
______________________________________ _____________
- Sonnets | 04.11.12 |

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In Search Of Aphrodite

A Sideline Sonnet
(letters on the left side of the poem make the 15th line, which is also written out in parenthesis at the end of the poem) This poem, instead of being displayed with either 12 lines on the left margin, with the 13th and 14th lines indented in modern format, or with the first 8 lines on the left margin, a line skipped and then the next 4 lines on the left margin with the couplet indented in the style most commonly used in the days of Shakespeare, will be posted in 4 line stanzas to make it easier to read the side line, which will be three 4 letter words, and one 2 letter word.

May I behold a girl this fair:
A girl whose presence makes a light;
Kindles a flame that burns so bright
Eclipses it the moon. With hair

Lost stars that from the heavens fall –
On falling do submit their glow,
Vile stars, on one I cannot know.
Enraptured though, I make the call.

While all my starving total seeks,
In endless hunger, for the dear
Temptation that, though hov'ring near,
Hears not my voice: yet not she speaks.

May I but see her, then will I
Entreat her, listen to my cry…
(make love with me)

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Don't Tell THe World! (Sonnet)

This Sonnet is in the popular Petrarchan Form

I behold thy love as beautiful thing,
In my wrecked heart, a pleasure garden,
Thy revered love, a blooming Eden.
A daisy tuft seasoned by bright spring,
Surging in moments that defeats waiting,
I behold thy words as a jeweled crown,
On my worn pages of despicable frown.
And thy memory feeds my mind dying,
Daring couple disclose, but don’t you tell,
About memoirs many encased and kept,
Say not thy chronicle, sweet as daisy smell,
Buried, not unseen to thy eyes except
Reveal not, the guarded stash of our love,
Lest a rational world desires to know! ! !


IA NOTE: For those who find the format unfitting to a sonnet!

(Sonnet
only 14 lines long— and has a firmly fixed form. The sonnet works best for expressing strong emotion or intense feeling, firm purpose, or great seriousness. This form works best if you want to focus attention on a single thing—a particular idea, situation, emotion, problem, observation, etc. —the sonnet gets to its point quickly and efficiently, with beauty and charm of form or expression.

The Shakespearean (or English) sonnet and the Petrarchan (or Italian) sonnet are the two most prevalent versions of this form today.
A Shakespearean sonnet or English sonnet is written in one stanza composed of three rhymed quatrains (each making one point in a three-step argument) , followed by a rhyming couplet that summarizes the argument
A Petrarchan sonnet or Italian sonnet is composed of an octet followed by a sestet with a variable rhyme scheme. The octet presents the poem’s theme or problem, while the sestet offers a change or a resolution. In its traditional form, this sonnet never ends in a couplet.
Robert Frost was popular at Petrarchan form of sonnets.
sonnet’s formal requirements (14 lines of iambic pentameter with a specific rhyme scheme) , method (a strong focus on one subject) , and goals (persuasion, surprise, balance) ,
Ref: www.poetry.com/techniques/form of poetic expressions.

Thank You

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The Road Less Traveled

(Buddy Brock/Dean Dillion)
There's a road a winding road that never ends
Full of curves lessons learned at every bend
Goin's rough unlike the straight and narrow
It's for those who go against the grain
Have no fear dare to dream of a change live to march to the beat of a
different drummer
And it all might come together
And it all might unraveled
On the road less traveled
For the road less traveled ain't for the faint of heart
For those who choose to play it safe and never stray too far
Me I want to live my life and one day leave my mark
And it all might come together
And it all come unraveled
On the road less traveled
I've chosen a pathway I may not endure
One thing's for certain nothing for sure
And it all might come together
And it all might come unraveled
On the road less traveled
For the road less traveled ain't for the faint of heart
For those who choose to play it safe and never stray too far
Me I want to live my life and one day leave my mark
And it all might come together
And it all come unraveled
On the road less traveled
There's a road winding road that never ends

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Return the Princess

Return the Princess

Sir Knight, I beg of you, fetch my sister.
A high born lady, stolen from our court.
Stricken from the scroll of the royal Lister.
As children, our time together was short.
She vanished the day the palace was stormed.
Swept from our presence and ripped from the fold.
‘twas torn from my life, yet my love had formed.
So fetch her for me, before she is sold.

I know where she is, she waiteth you see.
O find her my Knight, on your pure white steed.
She is lost in the land of poetry.
Bid me my sister and fulfill my need.
Rumor holds she is well beyond the sea.
So ride Sir Knight, bring my sister to me.


Author notes
English Sonnet
Sonnets are formal poems and consist of 14 lines (3 quatrains and a couplet) , traditionally written in iambic pentameter - that is, in lines ten syllables long, with accents falling on every second syllable. English sonnets rhyme in the following scheme ababcdcdefefgg
source: shadowpoetry.com

Lister - assessor who makes out the tax lists

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The Poem Of All The Places I Have Never Been

THE POEM OF ALL THE PLACES I HAVE NEVER BEEN

The poem of all the places I have never been
The poem of all the dreams I have not seen
The poem of others poems written in lines I have never imagined
The poem of the infinite – what-is- not and ‘what- will- never- be
The poem of seas and suns and sounds and Shakespeare’s sonnets,
The poem of words and only words whose sounds do not mean what we feel
The poem of all I would not and cannot write
The poem that is not and never will be in me
The poem I do not write
The poem I am not
The poem lost
The poem which itself is not a poem
The poem of the last contradiction and the first
The poem beyond the poem hidden within the poem
The poem which will never be a poem
The poem which is not
The poem I cannot dream.

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The poem that got away

I started a poem with a serious intent…
but who would ever guess the mess, and where that poem went?
I’d barely writ a line so fine, when the poem turned to me,
looked me in the eye and ear, and laughed demonic-lee,

pranced around me, singing, boo! you can’t catch me!
ain’t no rules nor grammar for the boldheart and the free!
race you round the chocabloc, poetic chairbound fatty!
you’re just like every pompous poet, thinking always that he

can control a poem with a life that’s its own!
tries to rhyme each couplet up, as if lines were circus clones…
tries to measure poems by some rules about their feet, or
wants to match my singing lines to some archaic meter…

’cause I’m a poem!
I’ve got my own life!
I want to dance around the streets,
I want to join a band!
I’ve got so much to tell you,
I want to lift your heart…
I want to make you weepy too,
If that’s the way I feel..
I want to talk to children,
or to live in fantasy;
I want to feel much bolder
than this sillybilly world,
quick and slick and fancy-free;
and sail past time and space;
or wonder what it could be like
before the world began…
I want to shuffle words around,
like books upon a shelf;
I want to be all bold and free –
I want to be – myself!

So boo to all your metered rhymes,
you faded, jaded poet…
poems are the masters now…
it’s much more fun,
it’s just begun…and
it’s time for you to know it! …

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The Poem I Am Writing Now

The poem I am writing now
does not know if it will be finished
it does not even know if it will be a poem -
it is slowly appearing line by line
and making its own meaning on the page-

Is it worth anything?
will anyone care?
I don't know -

The poem I am writing now
is just these lines
and these lines like all lines
are only small words
in a vast universe
that has long lived
and will probably longer live
without them.

Why then write these words now?

The poem I am writing now is saying,
'I am here now'.

But why should this mean anything to anyone else?

The poem I have written here
is not the poem I would have posted here
It is only the poem I am finishing now
a poem without great love or belief in itself.

The poem I am writing now
is written.

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Squashing force (Diminished hexaverse poetry)

(A poem containing stanzas of 5 lines, then 4 lines, then 3 lines, then 2 lines, ending with one word. The syllables in each stanza correspond to the number of lines, i.e.5 in each line in the first stanza,4 in the second stanza and so on. This form may contain more than five stanzas.)

Caught in illusion
Left in agony
Being badly hurt
Victim of terror
With contorted face


Depredated
Walls closing in
Screams of anguish
Desperate howls


Squashing force
Frozen tears
Twisting thoughts


Nightmares
Bleeding

Death

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Green Couplets 02 Touchy Composition

Between two cotyledons— plant grows with a bud!
With two lines— couplets come into flower with an idea.
Sometimes, two lines may be more powerful than two hundred lines.
Small verses like couplets are really beautiful.

They speak and touch with peace— as Poems for Life.


Couplet— I
Watering rain on the leaves
Orchid plant mutely sleeps

Couplet— II
Under the pillow raining night
Memory coins may or might!

Couplet— III
All green buds grows yellow
Plant or animal must follow!

Couplet— IV
Shooting stars proclaimed that
No one ever will be mate…

Couplet— V
How the moon came into being
The way fishes sleep and sing


Ashraful Musaddeq

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Martin Luther King (Clerihew verse-form)

Martin Luther King was not a king.
He did not have horses, a crown, or anything.
He preached a lot and had a dream
Of everybody eating ice cream.

The following poem is in the Clerihew verse-form, which was invented by Edmund Clerihew Bentley, author of Trent’s Last Case, the perfect murder mystery. It consists of two rhymed couplets. The first couplet usually (can also be the second couplet) includes the name of a famous person. The other lines contain a characteristic, real or fictional, of the person.

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Why Do We Need Rules For Poetry?

Why do we need rules for poetry?
Let's make a Haiku with ten lines and one hundred syllables.
Let's make a limerick with ten lines, and not rhyme it.
Let's just do whatever the hell we want to do.
After all it's yourself that you want to express,
Do whatever the hell you want to.
You don't have to listen to anyone.
You don't have to follow rules.
After all you say it's acceptable now.
This is modern poetry,
I am not governed by archaic rules, put forth,
By men and women thousands of miles away,
Or in some foreign country.
I am me, I will do as I wish, and no rules apply to me.
Why do we need rules for poetry?
Beats me.

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The First Line Is Heard From Somewhere Else

The first line is heard from somewhere else
The second line builds on it
And the third and those after
Until another stanza begins
That says in an easier and more focused way
What the first stanza struggled for-

The poem ends when it ends
Not knowing always if it has ended-
For the poem must be rewritten line by line once again
And perhaps too within it it will fail in indecision
As the end often does.

The last line is heard from all the other lines
But sometimes I hear too much
And sometimes not enough
And often I do not know
If it is right
But there are times
When the last line brings all the other lines together
And the end is the one end there should be.

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Green Couplets 01 Lucid Cute Verse

The word ‘couplet' derives from the word ‘couple'— means one pair of anything. A couplet is the shortest and simplest form or type of poetry with a certain idea. It generally consists of single stanza of two lines of rhyming poetry that usually has the same meter. There is no hard and fast rule about length or rhythm.

As the shortest form of poetry couplets are green and attractive those proclaim Poems for Life.

Couplet— I
Orchid flower on the pot
Rainy summer not so hot

Couplet— II
Online romance chat is the key
Late night knows the honey-bee

Couplet— III
Moonbeam dropping dazzling night
Knocking the doors memories right.

Couplet— IV
Filipino cat in the dream
Crossing Ocean alone swims!

Couplet— V
Two leaves and a bud green leaf tea
Exploiting labors can we see?


Ashraful Musaddeq

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Less traveled

Ruth followed Naomi into poverty. She stayed even though her sisters in law left. On the road less traveled. David became a young king. He almost got killed by king Saul. Who was jealous. David was Gods chosen one. On the road less traveled. Jesus was rejected by all even his own. Yet he died on a tree to save sinners and rose again so any one who repents can be immortal. On the road less traveled. Job had a lot of horrible things happen to him all around the same time. Yet he did not curse God and die. On the road less traveled. God helped Esther save all of her people. She is the living proof that God has a time for everything. On the road less traveled.

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Alankar(Decor) -104

O' This English..(Quaternion)

The Quaternion is:

a poem in 12 lines made up of 3 quatrains.
metered at the discretion of the poet.
rhymed, aabb ccdd abcd.


O' This English..


O' this English how I wonder

Defends me despite my blunder

Forgives my flaws and faults and fall

Applauds as much from fall I haul


And as I hard haul to poem

Easy it helps rhyming with them

Admires my somewhat metaphors

So so similes so adores


So my heart in beats of thunder

Cautions my mind never to fall

But to effort high in rhythm

Sincere with all poetic chores

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Beyond Infinity

Welcome to my world, take my hand and see.
Come into my world, a world of mystery.
It’s a magical place where dark meets light,
shades of shadow grey, fading into night.

A world where everyone speaks in rhyme,
with laughing and dancing and bending time.
The place where dreams, become reality
and children rule with regal majesty.

Come into my world of tranquility,
where we warp time and stability.
So open your mind as you fantasize
and step in the mirror before your eyes.

A place where laughter is the only rule
and lessons are learned in paradox school.

Author notes

Sonnet
Sonnets are formal poems and consist of 14 lines (3 quatrains and a couplet) , traditionally written in iambic pentameter - that is, in lines ten syllables long, with accents falling on every second syllable.

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When You Read This

when you read this
poem, i am letting you know
that i still care,
when you continue reading on
the next line
you are letting me know
what i still know
that you still care for me too
and then you are angry
about how presumptuous can i be
and so i make another line
and another line and if you continue reading
more of these lines
in this poem
you are letting me know
that you are still angry about
my untimely departure
that moment when love was
still strong
when desire was at its peak
and then you think things over
how you have been
unwittingly betrayed by my words
and you keep on
reflecting if these lines still
say the same
meanings and i keep on writing
more lines
hoping that you will understand
what i have not said
because i cannot say them
because my self
cannot lie by saying them to
you because i do not wish to
hurt you because i still
love you and then i write lines
that ask
if you still love me but then
i must put an end to all
these useless writing
time has spoken
as the lines of fate and
destiny still have it
we were never meant for
each other
the love is there
the bodies still alive
our hands never reach
till then
perhaps in the next life
at the right moment
perhaps when
our parallel lives meet
at some point
of convergence
and as you read let me put
the last line: goodbye
May God make us
meet and love again.

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