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A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,
Or as those puzzling specimens which, in old histories,
We read of his verses-the Oracles, namely,-
(I wonder the Greeks should have swallowed them tamely,
For one might bet safely whatever he has to risk,
They were laid at his door by some ancient Miss Asterisk,
And so dull that the men who retailed them out-doors
Got the ill name of augurs, because they were bores,-)
First, he mused what the animal substance or herb is
Would induce a mustache, for you know he's _imberbis;_
Then he shuddered to think how his youthful position
Was assailed by the age of his son the physician;
At some poems he glanced, had been sent to him lately,
And the metre and sentiment puzzled him greatly;
'Mehercle! I'd make such proceeding felonious,-
Have they all of them slept in the cave of Trophonius?
Look well to your seat, 'tis like taking an airing
On a corduroy road, and that out of repairing;
It leads one, 'tis true, through the primitive forest,
Grand natural features, but then one has no rest;
You just catch a glimpse of some ravishing distance,
When a jolt puts the whole of it out of existence,-
Why not use their ears, if they happen to have any?'
-Here the laurel leaves murmured the name of poor Daphne.

'Oh, weep with me, Daphne,' he sighed, 'for you know it's
A terrible thing to be pestered with poets!
But, alas, she is dumb, and the proverb holds good,
She never will cry till she's out of the wood!
What wouldn't I give if I never had known of her?
'Twere a kind of relief had I something to groan over:
If I had but some letters of hers, now, to toss over,
I might turn for the nonce a Byronic philosopher,
And bewitch all the flats by bemoaning the loss of her.
One needs something tangible, though, to begin on,-
A loom, as it were, for the fancy to spin on;
What boots all your grist? it can never be ground
Till a breeze makes the arms of the windmill go round;
(Or, if 'tis a water-mill, alter the metaphor,
And say it won't stir, save the wheel be well wet afore,
Or lug in some stuff about water 'so dreamily,'-
It is not a metaphor, though, 'tis a simile):
A lily, perhaps, would set _my_ mill a-going,
For just at this season, I think, they are blowing.
Here, somebody, fetch one; not very far hence
They're in bloom by the score, 'tis but climbing a fence;
There's a poet hard by, who does nothing but fill his
Whole garden, from one end to t'other, with lilies;
A very good plan, were it not for satiety,
One longs for a weed here and there, for variety;
Though a weed is no more than a flower in disguise,
Which is seen through at once, if love give a man eyes.'

Now there happened to be among Phoebus's followers,
A gentleman, one of the omnivorous swallowers,
Who bolt every book that comes out of the press,
Without the least question of larger or less,
Whose stomachs are strong at the expense of their head,-
For reading new books is like eating new bread,
One can bear it at first, but by gradual steps he
Is brought to death's door of a mental dyspepsy.
On a previous stage of existence, our Hero
Had ridden outside, with the glass below zero;
He had been, 'tis a fact you may safely rely on,
Of a very old stock a most eminent scion,-
A stock all fresh quacks their fierce boluses ply on,
Who stretch the new boots Earth's unwilling to try on,
Whom humbugs of all shapes and sorts keep their eye on,
Whose hair's in the mortar of every new Zion,
Who, when whistles are dear, go directly and buy one,
Who think slavery a crime that we must not say fie on,
Who hunt, if they e'er hunt at all, with the lion
(Though they hunt lions also, whenever they spy one),
Who contrive to make every good fortune a wry one,
And at last choose the hard bed of honor to die on,
Whose pedigree, traced to earth's earliest years,
Is longer than anything else but their ears,-
In short, he was sent into life with the wrong key,
He unlocked the door, and stept forth a poor donkey.
Though kicked and abused by his bipedal betters
Yet he filled no mean place in the kingdom of letters;
Far happier than many a literary hack,
He bore only paper-mill rags on his back
(For It makes a vast difference which side the mill
One expends on the paper his labor and skill):
So, when his soul waited a new transmigration,
And Destiny balanced 'twixt this and that station,
Not having much time to expend upon bothers,
Remembering he'd had some connection with authors,
And considering his four legs had grown paralytic,-
She set him on two, and he came forth a critic.

Through his babyhood no kind of pleasure he took
In any amusement but tearing a book;
For him there was no intermediate stage
From babyhood up to straight-laced middle age;
There were years when he didn't wear coat-tails behind,
But a boy he could never be rightly defined;
like the Irish Good Folk, though in length scarce a span,
From the womb he came gravely, a little old man;
While other boys' trousers demanded the toil
Of the motherly fingers on all kinds of soil,
Red, yellow, brown, black, clayey, gravelly, loamy,
He sat in the corner and read Viri Romae.
He never was known to unbend or to revel once
In base, marbles, hockey, or kick up the devil once;
He was just one of those who excite the benevolence
Of your old prigs who sound the soul's depths with a ledger,
And are on the lookout for some young men to 'edger-
cate,' as they call it, who won't be too costly,
And who'll afterward take to the ministry mostly;
Who always wear spectacles, always look bilious,
Always keep on good terms with each _mater-familias_
Throughout the whole parish, and manage to rear
Ten boys like themselves, on four hundred a year:
Who, fulfilling in turn the same fearful conditions,
Either preach through their noses, or go upon missions.

In this way our Hero got safely to college,
Where he bolted alike both his commons and knowledge;
A reading-machine, always wound up and going,
He mastered whatever was not worth the knowing,
Appeared in a gown, with black waistcoat of satin,
To spout such a Gothic oration in Latin
That Tully could never have made out a word in it
(Though himself was the model the author preferred in it),
And grasping the parchment which gave him in fee
All the mystic and-so-forths contained in A.B.,
He was launched (life is always compared to a sea)
With just enough learning, and skill for the using it,
To prove he'd a brain, by forever confusing it.
So worthy St. Benedict, piously burning
With the holiest zeal against secular learning,
_Nesciensque scienter_, as writers express it,
_Indoctusque sapienter a Roma recessit_.

'Twould be endless to tell you the things that he knew,
Each a separate fact, undeniably true,
But with him or each other they'd nothing to do;
No power of combining, arranging, discerning,
Digested the masses he learned into learning;
There was one thing in life he had practical knowledge for
(And this, you will think, he need scarce go to college for),-
Not a deed would he do, nor a word would he utter,
Till he'd weighed its relations to plain bread and butter.
When he left Alma Mater, he practised his wits
In compiling the journals' historical bits,-
Of shops broken open, men falling in fits,
Great fortunes in England bequeathed to poor printers,
And cold spells, the coldest for many past winters,-
Then, rising by industry, knack, and address,
Got notices up for an unbiased press,
With a mind so well poised, it seemed equally made for
Applause or abuse, just which chanced to be paid for:
From this point his progress was rapid and sure,
To the post of a regular heavy reviewer.

And here I must say he wrote excellent articles
On Hebraical points, or the force of Greek particles;
They filled up the space nothing else was prepared for,
And nobody read that which nobody cared for;
If any old book reached a fiftieth edition,
He could fill forty pages with safe erudition:
He could gauge the old books by the old set of rules,
And his very old nothings pleased very old fools;
But give him a new book, fresh out of the heart,
And you put him at sea without compass or chart,-
His blunders aspired to the rank of an art;
For his lore was engraft, something foreign that grew in him,
Exhausting the sap of the native and true in him,
So that when a man came with a soul that was new in him,
Carving new forms of truth out of Nature's old granite,
New and old at their birth, like Le Verrier's planet,
Which, to get a true judgment, themselves must create
In the soul of their critic the measure and weight,
Being rather themselves a fresh standard of grace,
To compute their own judge, and assign him his place,
Our reviewer would crawl all about it and round it,
And, reporting each circumstance just as he found it,
Without the least malice,-his record would be
Profoundly aesthetic as that of a flea,
Which, supping on Wordsworth, should print for our sakes,
Recollections of nights with the Bard of the Lakes,
Or, lodged by an Arab guide, ventured to render a
Comprehensive account of the ruins at Denderah.

As I said, he was never precisely unkind.
The defect in his brain was just absence of mind;
If he boasted, 'twas simply that he was self-made,
A position which I, for one, never gainsaid,
My respect for my Maker supposing a skill
In his works which our Hero would answer but ill;
And I trust that the mould which he used may be cracked, or he,
Made bold by success, may enlarge his phylactery,
And set up a kind of a man-manufactory,-
An event which I shudder to think about, seeing
That Man is a moral, accountable being.

He meant well enough, but was still in the way,
As dunces still are, let them be where they may;
Indeed, they appear to come into existence
To impede other folks with their awkward assistance;
If you set up a dunce on the very North pole
All alone with himself, I believe, on my soul,
He'd manage to get betwixt somebody's shins,
And pitch him down bodily, all in his sins,
To the grave polar bears sitting round on the ice,
All shortening their grace, to be in for a slice;
Or, if he found nobody else there to pother,
Why, one of his legs would just trip up the other,
For there's nothing we read of in torture's inventions,
Like a well-meaning dunce, with the best of intentions.

A terrible fellow to meet in society,
Not the toast that he buttered was ever so dry at tea;
There he'd sit at the table and stir in his sugar,
Crouching close for a spring, all the while, like a cougar;
Be sure of your facts, of your measures and weights,
Of your time,-he's as fond as an Arab of dates;
You'll be telling, perhaps, in your comical way,
Of something you've seen in the course of the day;
And, just as you're tapering out the conclusion,
You venture an ill-fated classic allusion,-
The girls have all got their laughs ready, when, whack!
The cougar comes down on your thunderstruck back!
You had left out a comma,-your Greek's put in joint,
And pointed at cost of your story's whole point.
In the course of the evening, you find chance for certain
Soft speeches to Anne, in the shade of the curtain:
You tell her your heart can be likened to _one_ flower,
'And that, O most charming of women, 's the sunflower,
Which turns'-here a clear nasal voice, to your terror,
From outside the curtain, says, 'That's all an error.'
As for him, he's-no matter, he never grew tender,
Sitting after a ball, with his feet on the fender,
Shaping somebody's sweet features out of cigar smoke
(Though he'd willingly grant you that such doings are smoke):
All women he damns with _mutabile semper_,
And if ever he felt something like love's distemper,
'Twas tow'rds a young lady who spoke ancient Mexican,
And assisted her father in making a lexicon;
Though I recollect hearing him get quite ferocious
About Mary Clausum, the mistress of Grotius,
Or something of that sort,-but, no more to bore ye
With character-painting, I'll turn to my story.

Now, Apollo, who finds it convenient sometimes
To get his court clear of the makers of rhymes,
The _genus_, I think it is called, _irritabile_,
Every one of whom thinks himself treated most shabbily,
And nurses a-what is it?-_immedicabile_,
Which keeps him at boiling-point, hot for a quarrel,
As bitter as wormwood, and sourer than sorrel,
If any poor devil but look at a laurel;-
Apollo, I say, being sick of their rioting
(Though he sometimes acknowledged their verse had a quieting
Effect after dinner, and seemed to suggest a
Retreat to the shrine of a tranquil siesta),
Kept our Hero at hand, who, by means of a bray,
Which he gave to the life, drove the rabble away;
And if that wouldn't do, he was sure to succeed,
If he took his review out and offered to read;
Or, failing in plans of this milder description,
He would ask for their aid to get up a subscription,
Considering that authorship wasn't a rich craft,
To print the 'American drama of Witchcraft.'
'Stay, I'll read you a scene,'-but he hardly began,
Ere Apollo shrieked 'Help!' and the authors all ran:
And once, when these purgatives acted with less spirit,
And the desperate case asked a remedy desperate,
He drew from his pocket a foolscap epistle
As calmly as if 'twere a nine-barrelled pistol,
And threatened them all with the judgment to come,
Of 'A wandering Star's first impressions of Rome.'
'Stop! stop!' with their hands o'er their ears, screamed the Muses,
'He may go off and murder himself, if he chooses,
'Twas a means self-defence only sanctioned his trying,
'Tis mere massacre now that the enemy's flying;
If he's forced to 't again, and we happen to be there,
Give us each a large handkerchief soaked in strong ether.'

I called this a 'Fable for Critics;' you think it's
More like a display of my rhythmical trinkets;
My plot, like an icicle's slender and slippery,
Every moment more slender, and likely to slip awry,
And the reader unwilling _in loco desipere_
Is free to jump over as much of my frippery
As he fancies, and, if he's a provident skipper, he
May have like Odysseus control of the gales,
And get safe to port, ere his patience quite fails;
Moreover, although 'tis a slender return
For your toil and expense, yet my paper will burn,
And, if you have manfully struggled thus far with me,
You may e'en twist me up, and just light your cigar with me:
If too angry for that, you can tear me in pieces,
And my _membra disjecta_ consign to the breezes,
A fate like great Ratzau's, whom one of those bores,
Who beflead with bad verses poor Louis Quatorze,
Describes (the first verse somehow ends with _victoire_),
As _dispersant partout et ses membres et sa gloire;_
Or, if I were over-desirous of earning
A repute among noodles for classical learning,
I could pick you a score of allusions, i-wis,
As new as the jests of _Didaskalos tis;_
Better still, I could make out a good solid list
From authors recondite who do not exist,-
But that would be naughty: at least, I could twist
Something out of Absyrtus, or turn your inquiries
After Milton's prose metaphor, drawn from Osiris;
But, as Cicero says he won't say this or that
(A fetch, I must say, most transparent and flat),
After saying whate'er he could possibly think of,-
I simply will state that I pause on the brink of
A mire, ankle-deep, of deliberate confusion,
Made up of old jumbles of classic allusion:
So, when you were thinking yourselves to be pitied,
Just conceive how much harder your teeth you'd have gritted,
An 'twere not for the dulness I've kindly omitted.

I'd apologize here for my many digressions.
Were it not that I'm certain to trip into fresh ones
('Tis so hard to escape if you get in their mesh once):
Just reflect, if you please, how 'tis said by Horatius,
That Maeonides nods now and then, and, my gracious!
It certainly does look a little bit ominous
When he gets under way with _ton d'apameibomenos_.
(Here a something occurs which I'll just clap a rhyme to,
And say it myself, ere a Zoilus have time to,-
Any author a nap like Van Winkle's may take,
If he only contrive to keep readers awake,
But he'll very soon find himself laid on the shelf,
If _they_ fall a-nodding when he nods himself.)

Once for all, to return, and to stay, will I, nill I-
When Phoebus expressed his desire for a lily,
Our Hero, whose homoeopathic sagacity
With an ocean of zeal mixed his dropp of capacity,
Set off for the garden as fast as the wind
(Or, to take a comparison more to my mind,
As a sound politician leaves conscience behind).
And leaped the low fence, as a party hack jumps
O'er his principles, when something else turns up trumps.

He was gone a long time, and Apollo, meanwhile,
Went over some sonnets of his with a file,
For, of all compositions, he thought that the sonnet
Best repaid all the toil you expended upon it;
It should reach with one impulse the end of its course,
And for one final blow collect all of its force;
Not a verse should be salient, but each one should tend
With a wave-like up-gathering to break at the end;
So, condensing the strength here, there smoothing a wry kink,
He was killing the time, when up walked Mr. D--,
At a few steps behind him, a small man in glasses
Went dodging about, muttering, 'Murderers! asses!'
From out of his pocket a paper he'd take,
With a proud look of martyrdom tied to its stake,
And, reading a squib at himself, he'd say, 'Here I see
'Gainst American letters a bloody conspiracy,
They are all by my personal enemies written;
I must post an anonymous letter to Britain,
And show that this gall is the merest suggestion
Of spite at my zeal on the Copyright question,
For, on this side the water, 'tis prudent to pull
O'er the eyes of the public their national wool,
By accusing of slavish respect to John Bull
All American authors who have more or less
Of that anti-American humbug-success,
While in private we're always embracing the knees
Of some twopenny editor over the seas,
And licking his critical shoes, for you know 'tis
The whole aim of our lives to get one English notice;
My American puffs I would willingly burn all
(They're all from one source, monthly, weekly, diurnal)
To get but a kick from a transmarine journal!'

So, culling the gibes of each critical scorner
As if they were plums, and himself were Jack Horner,
He came cautiously on, peeping round every corner,
And into each hole where a weasel might pass in,
Expecting the knife of some critic assassin,
Who stabs to the heart with a caricature.
Not so bad as those daubs of the Sun, to be sure,
Yet done with a dagger-o'-type, whose vile portraits
Disperse all one's good and condense all one's poor traits.

Apollo looked up, hearing footsteps approaching,
And slipped out of sight the new rhymes he was broaching,-
'Good day, Mr. D--, I'm happy to meet
With a scholar so ripe, and a critic so neat,
Who through Grub Street the soul of a gentleman carries;
What news from that suburb of London and Paris
Which latterly makes such shrill claims to monopolize
The credit of being the New World's metropolis?'

'Why, nothing of consequence, save this attack
On my friend there, behind, by some pitiful hack,
Who thinks every national author a poor one,
That isn't a copy of something that's foreign,
And assaults the American Dick-'

Nay, 'tis clear
That your Damon there's fond of a flea in his ear,
And, if no one else furnished them gratis, on tick
He would buy some himself, just to hear the old click;
Why, I honestly think, if some fool in Japan
Should turn up his nose at the 'Poems on Man,'
(Which contain many verses as fine, by the bye,
As any that lately came under my eye,)
Your friend there by some inward instinct would know it,
Would get it translated, reprinted, and show it;
As a man might take off a high stock to exhibit
The autograph round his own neck of the gibbet;
Nor would let it rest so, but fire column after column,
Signed Cato, or Brutus, or something as solemn,
By way of displaying his critical crosses,
And tweaking that poor transatlantic proboscis,
His broadsides resulting (this last there's no doubt of)
In successively sinking the craft they're fired out of.
Now nobody knows when an author is hit,
If he have not a public hysterical fit;
Let him only keep close in his snug garret's dim ether,
And nobody'd think of his foes-or of him either;
If an author have any least fibre of worth in him,
Abuse would but tickle the organ of mirth in him;
All the critics on earth cannot crush with their ban
One word that's in tune with the nature of man.'

'Well, perhaps so; meanwhile I have brought you a book,
Into which if you'll just have the goodness to look,
You may feel so delighted (when once you are through it)
As to deem it not unworth your while to review it,
And I think I can promise your thoughts, if you do,
A place in the next Democratic Review.'

'The most thankless of gods you must surely have thought me,
For this is the forty-fourth copy you've brought me;
I have given them away, or at least I have tried,
But I've forty-two left, standing all side by side
(The man who accepted that one copy died),-
From one end of a shelf to the other they reach,
'With the author's respects' neatly written in each.
The publisher, sure, will proclaim a Te Deum,
When he hears of that order the British Museum
Has sent for one set of what books were first printed
In America, little or big,-for 'tis hinted
That this is the first truly tangible hope he
Has ever had raised for the sale of a copy.
I've thought very often 'twould be a good thing
In all public collections of books, if a wing
Were set off by itself, like the seas from the dry lands,
Marked _Literature suited to desolate islands_,
And filled with such books as could never be read
Save by readers of proofs, forced to do it for bread,-
Such books as one's wrecked on in small country taverns,
Such as hermits might mortify over in caverns,
Such as Satan, if printing had then been invented,
As the climax of woe, would to Job have presented.
Such as Crusoe might dip in, although there are few so
Outrageously cornered by fate as poor Crusoe;
And since the philanthropists just now are banging
And gibbeting all who're in favor of hanging
(Though Cheever has proved that the Bible and Altar
Were let down from Heaven at the end of a halter.
And that vital religion would dull and grow callous,
Unrefreshed, now and then, with a sniff of the gallows),-
And folks are beginning to think it looks odd,
To choke a poor scamp for the glory of God;
And that He who esteems the Virginia reel
A bait to draw saints from their spiritual weal,
And regards the quadrille as a far greater knavery
Than crushing his African children with slavery,-
Since all who take part in a waltz or cotillon
Are mounted for hell on the Devil's own pillion,
Who, as every true orthodox Christian well knows,
Approaches the heart through the door of the toes,-
That He, I was saying, whose judgments are stored
For such as take steps in despite of his word,
Should look with delight on the agonized prancing
Of a wretch who has not the least ground for his dancing,
While the State, standing by, sings a verse from the Psalter
About offering to God on his favorite halter,
And, when the legs droop from their twitching divergence,
Sells the clothes to a Jew, and the corpse to the surgeons;-
Now, instead of all this, I think I can direct you all
To a criminal code both humane and effectual;-
I propose to shut up every doer of wrong
With these desperate books, for such term, short or long,
As, by statute in such cases made and provided,
Shall be by your wise legislators decided:
Thus: Let murderers be shut, to grow wiser and cooler,
At hard labor for life on the works of Miss--;
Petty thieves, kept from flagranter crimes by their fears,
Shall peruse Yankee Doodle a blank term of years,-
That American Punch, like the English, no doubt,-
Just the sugar and lemons and spirit left out.

'But stay, here comes Tityrus Griswold, and leads on
The flocks whom he first plucks alive, and then feeds on,-
A loud-cackling swarm, in whose leathers warm drest,
He goes for as perfect a-swan as the rest.

'There comes Emerson first, whose rich words, every one,
Are like gold nails in temples to hang trophies on,
Whose prose is grand verse, while his verse, the Lord knows,
Is some of it pr-- No, 'tis not even prose;
I'm speaking of metres; some poems have welled
From those rare depths of soul that have ne'er been excelled;
They're not epics, but that doesn't matter a pin,
In creating, the only hard thing's to begin;
A grass-blade's no easier to make than an oak;
If you've once found the way, you've achieved the grand stroke;
In the worst of his poems are mines of rich matter,
But thrown in a heap with a crash and a clatter;
Now it is not one thing nor another alone
Makes a poem, but rather the general tone,
The something pervading, uniting the whole,
The before unconceived, unconceivable soul,
So that just in removing this trifle or that, you
Take away, as it were, a chief limb of the statue;
Roots, wood, bark, and leaves singly perfect may be,
But, clapt hodge-podge together, they don't make a tree.

'But, to come back to Emerson (whom, by the way,
I believe we left waiting),-his is, we may say,
A Greek head on right Yankee shoulders, whose range
Has Olympus for one pole, for t'other the Exchange;
He seems, to my thinking (although I'm afraid
The comparison must, long ere this, have been made),
A Plotinus-Montaigne, where the Egyptian's gold mist
And the Gascon's shrewd wit cheek-by-jowl coexist;
All admire, and yet scarcely six converts he's got
To I don't (nor they either) exactly know what;
For though he builds glorious temples, 'tis odd
He leaves never a doorway to get in a god.
'Tis refreshing to old-fashioned people like me
To meet such a primitive Pagan as he,
In whose mind all creation is duly respected
As parts of himself-just a little projected;
And who's willing to worship the stars and the sun,
A convert to-nothing but Emerson.
So perfect a balance there is in his head,
That he talks of things sometimes as if they were dead;
Life, nature, love, God, and affairs of that sort,
He looks at as merely ideas; in short,
As if they were fossils stuck round in a cabinet,
Of such vast extent that our earth's a mere dab in it;
Composed just as he is inclined to conjecture her,
Namely, one part pure earth, ninety-nine parts pure lecturer;
You are filled with delight at his clear demonstration,
Each figure, word, gesture, just fits the occasion,
With the quiet precision of science he'll sort 'em,
But you can't help suspecting the whole a _post mortem_.

'There are persons, mole-blind to the soul's make and style,
Who insist on a likeness 'twixt him and Carlyle;
To compare him with Plato would be vastly fairer,
Carlyle's the more burly, but E. is the rarer;
He sees fewer objects, but clearlier, truelier,
If C.'s as original, E.'s more peculiar;
That he's more of a man you might say of the one,
Of the other he's more of an Emerson;
C.'s the Titan, as shaggy of mind as of limb,-
E. the clear-eyed Olympian, rapid and slim;
The one's two thirds Norseman, the other half Greek,
Where the one's most abounding, the other's to seek;
C.'s generals require to be seen in the mass,-
E.'s specialties gain if enlarged by the glass;
C. gives nature and God his own fits of the blues,
And rims common-sense things with mystical hues,-
E. sits in a mystery calm and intense,
And looks coolly around him with sharp common-sense;
C. shows you how every-day matters unite
With the dim transdiurnal recesses of night,-
While E., in a plain, preternatural way,
Makes mysteries matters of mere every day;
C. draws all his characters quite _a la_ Fuseli,-
Not sketching their bundles of muscles and thews illy,
He paints with a brush so untamed and profuse,
They seem nothing but bundles of muscles and thews;
E. is rather like Flaxman, lines strait and severe,
And a colorless outline, but full, round, and clear;-
To the men he thinks worthy he frankly accords
The design of a white marble statue in words.
C. labors to get at the centre, and then
Take a reckoning from there of his actions and men;
E. calmly assumes the said centre as granted,
And, given himself, has whatever is wanted.

'He has imitators in scores, who omit
No part of the man but his wisdom and wit,-
Who go carefully o'er the sky-blue of his brain,
And when he has skimmed it once, skim it again;
If at all they resemble him, you may be sure it is
Because their shoals mirror his mists and obscurities,
As a mud-puddle seems deep as heaven for a minute,
While a cloud that floats o'er is reflected within it.

'There comes--, for instance; to see him's rare sport,
Tread in Emerson's tracks with legs painfully short;
How he jumps, how he strains, and gets red in the face.
To keep step with the mystagogue's natural pace!
He follows as close as a stick to a rocket,
His fingers exploring the prophet's each pocket.
Fie, for shame, brother bard; with good fruit of your own,
Can't you let Neighbor Emerson's orchards alone?
Besides, 'tis no use, you'll not find e'en a core,-
-- has picked up all the windfalls before.
They might strip every tree, and E. never would catch 'em,
His Hesperides have no rude dragon to watch 'em;
When they send him a dishful, and ask him to try 'em,
He never suspects how the sly rogues came by 'em;
He wonders why 'tis there are none such his trees on,
And thinks 'em the best he has tasted this season.

'Yonder, calm as a cloud, Alcott stalks in a dream,
And fancies himself in thy groves, Academe,
With the Parthenon nigh, and the olive-trees o'er him,
And never a fact to perplex him or bore him,
With a snug room at Plato's when night comes, to walk to,
And people from morning till midnight to talk to,
And from midnight till morning, nor snore in their listening;-
So he muses, his face with the joy of it glistening,
For his highest conceit of a happiest state is
Where they'd live upon acorns, and hear him talk gratis;
And indeed, I believe, no man ever talked better,-
Each sentence hangs perfectly poised to a letter;
He seems piling words, but there's royal dust hid
In the heart of each sky-piercing pyramid.
While he talks he is great, but goes out like a taper,
If you shut him up closely with pen, ink, and paper;
Yet his fingers itch for 'em from morning till night,
And he thinks he does wrong if he don't always write;
In this, as in all things, a lamb among men,
He goes to sure death when he goes to his pen.

'Close behind him is Brownson, his mouth very full
With attempting to gulp a Gregorian bull;
Who contrives, spite of that, to pour out as he goes
A stream of transparent and forcible prose;
He shifts quite about, then proceeds to expound
That 'tis merely the earth, not himself, that turns round,
And wishes it clearly impressed on your mind
That the weathercock rules and not follows the wind;
Proving first, then as deftly confuting each side,
With no doctrine pleased that's not somewhere denied,
He lays the denier away on the shelf,
And then-down beside him lies gravely himself.
He's the Salt River boatman, who always stands willing
To convey friend or foe without charging a shilling,
And so fond of the trip that, when leisure's to spare,
He'll row himself up, if he can't get a fare.
The worst of it is, that his logic's so strong,
That of two sides he commonly chooses the wrong;
If there is only one, why, he'll split it in two,
And first pummel this half, then that, black and blue.
That white's white needs no proof, but it takes a deep fellow
To prove it jet-black, and that jet-black is yellow.
He offers the true faith to drink in a sieve,-
When it reaches your lips there's naught left to believe
But a few silly-(syllo-, I mean,)-gisms that squat 'em
Like tadpoles, o'erjoyed with the mud at the bottom.

'There is Willis, all _natty_ and jaunty and gay,
Who says his best things in so foppish a way,
With conceits and pet phrases so thickly o'erlaying 'em,
That one hardly knows whether to thank him for saying 'em;
Over-ornament ruins both poem and prose,
Just conceive of a Muse with a ring in her nose!
His prose had a natural grace of its own,
And enough of it, too, if he'd let it alone;
But he twitches and jerks so, one fairly gets tired,
And is forced to forgive where one might have admired;
Yet whenever it slips away free and unlaced,
It runs like a stream with a musical waste,
And gurgles along with the liquidest sweep;-
'Tis not deep as a river, but who'd have it deep?
In a country where scarcely a village is found
That has not its author sublime and profound,
For some one to be slightly shallow's a duty,
And Willis's shallowness makes half his beauty.
His prose winds along with a blithe, gurgling error,
And reflects all of Heaven it can see in its mirror:
'Tis a narrowish strip, but it is not an artifice;
'Tis the true out-of-doors with its genuine hearty phiz;
It is Nature herself, and there's something in that,
Since most brains reflect but the crown of a hat.
Few volumes I know to read under a tree,
More truly delightful than his A l'Abri,
With the shadows of leaves flowing over your book,
Like ripple-shades netting the bed of a brook;
With June coming softly your shoulder to look over,
Breezes waiting to turn every leaf of your book over,
And Nature to criticise still as you read,-
The page that bears that is a rare one indeed.

'He's so innate a cockney, that had he been born
Where plain bare-skin's the only full-dress that is worn,
He'd have given his own such an air that you'd say
'T had been made by a tailor to lounge in Broadway.
His nature's a glass of champagne with the foam on 't,
As tender as Fletcher, as witty as Beaumont;
So his best things are done in the flush of the moment;
If he wait, all is spoiled; he may stir it and shake it,
But, the fixed air once gone, he can never re-make it.
He might be a marvel of easy delightfulness,
If he would not sometimes leave the _r_ out of sprightfulness;
And he ought to let Scripture alone-'tis self-slaughter,
For nobody likes inspiration-and-water.
He'd have been just the fellow to sup at the Mermaid,
Cracking jokes at rare Ben, with an eye to the barmaid,
His wit running up as Canary ran down,-
The topmost bright bubble on the wave of The Town.

'Here comes Parker, the Orson of parsons, a man
Whom the Church undertook to put under her ban
(The Church of Socinus, I mean),-his opinions
Being So-(ultra)-cinian, they shocked the Socinians:
They believed-faith, I'm puzzled-I think I may call
Their belief a believing in nothing at all,
Or something of that sort; I know they all went
For a general union of total dissent:
He went a step farther; without cough or hem,
He frankly avowed he believed not in them;
And, before he could be jumbled up or prevented,
From their orthodox kind of dissent he dissented.
There was heresy here, you perceive, for the right
Of privately judging means simply that light
Has been granted to _me_, for deciding on _you;_
And in happier times, before Atheism grew,
The deed contained clauses for cooking you too:
Now at Xerxes and Knut we all laugh, yet our foot
With the same wave is wet that mocked Xerxes and Knut,
And we all entertain a secure private notion,
That our _Thus far!_ will have a great weight with the ocean,
'Twas so with our liberal Christians: they bore
With sincerest conviction their chairs to the shore;
They brandished their worn theological birches,
Bade natural progress keep out of the Churches,
And expected the lines they had drawn to prevail
With the fast-rising tide to keep out of their pale;
They had formerly dammed the Pontifical See,
And the same thing, they thought, would do nicely for P.;
But he turned up his nose at their mumming and shamming,
And cared (shall I say?) not a d-- for their damming;
So they first read him out of their church, and next minute
Turned round and declared he had never been in it.
But the ban was too small or the man was too big,
For he recks not their bells, books, and candles a fig
(He scarce looks like a man who would _stay_ treated shabbily,
Sophroniscus' son's head o'er the features of Rabelais):-
He bangs and bethwacks them,-their backs he salutes
With the whole tree of knowledge torn up by the roots;
His sermons with satire are plenteously verjuiced,
And he talks in one breath of Confutzee, Cass, Zerduscht,
Jack Robinson, Peter the Hermit, Strap, Dathan,
Cush, Pitt (not the bottomless, _that_ he's no faith in),
Pan, Pillicock, Shakespeare, Paul, Toots, Monsieur Tonson,
Aldebaran, Alcander, Ben Khorat, Ben Jonson,
Thoth, Richter, Joe Smith, Father Paul, Judah Monis,
Musaeus, Muretus, _hem_,-[Greek: m] Scorpionis,
Maccabee, Maccaboy, Mac-Mac-ah! Machiavelli,
Condorcet, Count d'Orsay, Conder, Say, Ganganelli,
Orion, O'Connell, the Chevalier D'O,
(See the Memoirs of Sully,) [Greek: to pan], the great toe
Of the statue of Jupiter, now made to pass
For that of Jew Peter by good Romish brass,
(You may add for yourselves, for I find it a bore,
All the names you have ever, or not, heard before,
And when you've done that-why, invent a few more).
His hearers can't tell you on Sunday beforehand,
If in that day's discourse they'll be Bibled or Koraned,
For he's seized the idea (by his martyrdom fired)
That all men (not orthodox) _may be_ inspired;
Yet though wisdom profane with his creed he may weave in,
He makes it quite clear what he _doesn't_ believe in,
While some, who decry him, think all Kingdom Come
Is a sort of a, kind of a, species of Hum,
Of which, as it were, so to speak, not a crumb
Would be left, if we didn't keep carefully mum,
And, to make a clean breast, that 'tis perfectly plain
That _all_ kinds of wisdom are somewhat profane;
Now P.'s creed than this may be lighter or darker,
But in one thing, 'tis clear, he has faith, namely-Parker;
And this is what makes him the crowd-drawing preacher,
There's a background of god to each hard-working feature,
Every word that he speaks has been fierily furnaced
In the blast of a life that has struggled in earnest:
There he stands, looking more like a ploughman than priest,
If not dreadfully awkward, not graceful at least,
His gestures all downright and same, if you will,
As of brown-fisted Hobnail in hoeing a drill;
But his periods fall on you, stroke after stroke,
Like the blows of a lumberer felling an oak,
You forget the man wholly, you're thankful to meet
With a preacher who smacks of the field and the street,
And to hear, you're not over-particular whence,
Almost Taylor's profusion, quite Latimer's sense.

'There is Bryant, as quiet, as cool, and as dignified,
As a smooth, silent iceberg, that never is ignified,
Save when by reflection 'tis kindled o' nights
With a semblance of flame by the chill Northern Lights.
He may rank (Griswold says so) first bard of your nation
(There's no doubt that he stands in supreme iceolation),
Your topmost Parnassus he may set his heel on,
But no warm applauses come, peal following peal on,-
He's too smooth and too polished to hang any zeal on:
Unqualified merits, I'll grant, if you choose, he has 'em,
But he lacks the one merit of kindling enthusiasm;
If he stir you at all, it is just, on my soul,
Like being stirred up with the very North Pole.

'He is very nice reading in summer, but _inter
Nos_, we don't want _extra_ freezing in winter;
Take him up in the depth of July, my advice is,
When you feel an Egyptian devotion to ices.
But, deduct all you can, there's enough that's right good in him,
He has a true soul for field, river, and wood in him;
And his heart, in the midst of brick walls, or where'er it is,
Glows, softens, and thrills with the tenderest charities-
To you mortals that delve in this trade-ridden planet?
No, to old Berkshire's hills, with their limestone and granite.
If you're one who _in loco_ (add _foco_ here) _desipis_,
You will get out of his outermost heart (as I guess) a piece;
But you'd get deeper down if you came as a precipice,
And would break the last seal of its inwardest fountain,
If you only could palm yourself off for a mountain.
Mr. Quivis, or somebody quite as discerning,
Some scholar who's hourly expecting his learning,
Calls B. the American Wordsworth; but Wordsworth
May be rated at more than your whole tuneful herd's worth.
No, don't be absurd, he's an excellent Bryant;
But, my friends, you'll endanger the life of your client,
By attempting to stretch him up into a giant;
If you choose to compare him, I think there are two per-
-sons fit for a parallel-Thomson and Cowper;
I don't mean exactly,-there's something of each,
There's T.'s love of nature, C.'s penchant to preach;
Just mix up their minds so that C.'s spice of craziness
Shall balance and neutralize T.'s turn for laziness,
And it gives you a brain cool, quite frictionless, quiet,
Whose internal police nips the buds of all riot,-
A brain like a permanent strait-jacket put on
The heart that strives vainly to burst off a button,-
A brain which, without being slow or mechanic,
Does more than a larger less drilled, more volcanic;
He's a Cowper condensed, with no craziness bitten,
And the advantage that Wordsworth before him had written.

'But, my dear little bardlings, don't prick up your ears
Nor suppose I would rank you and Bryant as peers;
If I call him an iceberg, I don't mean to say
There is nothing in that which is grand in its way;
He is almost the one of your poets that knows
How much grace, strength, and dignity lie in Repose;
If he sometimes fall short, he is too wise to mar
His thought's modest fulness by going too far;
'T would be well if your authors should all make a trial
Of what virtue there is in severe self-denial,
And measure their writings by Hesiod's staff,
Which teaches that all has less value than half.

'There is Whittier, whose swelling and vehement heart
Strains the strait-breasted drab of the Quaker apart,
And reveals the live Man, still supreme and erect,
Underneath the bemummying wrappers of sect;
There was ne'er a man born who had more of the swing
Of the true lyric bard and all that kind of thing;
And his failures arise (though he seem not to know it)
From the very same cause that has made him a poet,-
A fervor of mind which knows no separation
'Twixt simple excitement and pure inspiration,
As my Pythoness erst sometimes erred from not knowing
If 'twere I or mere wind through her tripod was blowing;
Let his mind once get head in its favorite direction
And the torrent of verse bursts the dams of reflection,
While, borne with the rush of the metre along,
The poet may chance to go right or go wrong,
Content with the whirl and delirium of song;
Then his grammar's not always correct, nor his rhymes,
And he's prone to repeat his own lyrics sometimes,
Not his best, though, for those are struck off at white-heats
When the heart in his breast like a trip-hammer beats,
And can ne'er be repeated again any more
Than they could have been carefully plotted before:
Like old what's-his-name there at the battle of Hastings
(Who, however, gave more than mere rhythmical bastings),
Our Quaker leads off metaphorical fights
For reform and whatever they call human rights,
Both singing and striking in front of the war,
And hitting his foes with the mallet of Thor;
_Anne haec_, one exclaims, on beholding his knocks,
_Vestis filii tui_, O leather-clad Fox?
Can that be thy son, in the battle's mid din,
Preaching brotherly love and then driving it in
To the brain of the tough old Goliath of sin,
With the smoothest of pebbles from Castaly's spring
Impressed on his hard moral sense with a sling?

'All honor and praise to the right-hearted bard
Who was true to The Voice when such service was hard,
Who himself was so free he dared sing for the slave
When to look but a protest in silence was brave;
All honor and praise to the women and men
Who spoke out for the dumb and the down-trodden then!
It needs not to name them, already for each
I see History preparing the statue and niche;
They were harsh, but shall _you_ be so shocked at hard words
Who have beaten your pruning-hooks up into swords,
Whose rewards and hurrahs men are surer to gain
By the reaping of men and of women than grain?
Why should _you_ stand aghast at their fierce wordy war, if
You scalp one another for Bank or for Tariff?
Your calling them cut-throats and knaves all day long
Doesn't prove that the use of hard language is wrong;
While the World's heart beats quicker to think of such men
As signed Tyranny's doom with a bloody steel-pen,
While on Fourth-of-Julys beardless orators fright one
With hints at Harmodius and Aristogeiton,
You need not look shy at your sisters and brothers
Who stab with sharp words for the freedom of others;-
No, a wreath, twine a wreath for the loyal and true
Who, for sake of the many, dared stand with the few,
Not of blood-spattered laurel for enemies braved,
But of broad, peaceful oak-leaves for citizens saved!

'Here comes Dana, abstractedly loitering along,
Involved in a paulo-post-future of song,
Who'll be going to write what'll never be written
Till the Muse, ere he think of it, gives him the mitten,-
Who is so well aware of how things should be done,
That his own works displease him before they're begun,-
Who so well all that makes up good poetry knows,
That the best of his poems is written in prose;
All saddled and bridled stood Pegasus waiting,
He was booted and spurred, but he loitered debating;
In a very grave question his soul was immersed,-
Which foot in the stirrup he ought to put first:
And, while this point and that he judicially dwelt on,
He, somehow or other, had written Paul Felton,
Whose beauties or faults, whichsoever you see there,
You'll allow only genius could hit upon either.
That he once was the Idle Man none will deplore,
But I fear he will never be anything more;
The ocean of song heaves and glitters before him,
The depth and the vastness and longing sweep o'er him.
He knows every breaker and shoal on the chart,
He has the Coast Pilot and so on by heart,
Yet he spends his whole life, like the man in the fable,
In learning to swim on his library table.

'There swaggers John Neal, who has wasted in Maine
The sinews and cords of his pugilist brain,
Who might have been poet, but that, in its stead, he
Preferred to believe that he was so already;
Too hasty to wait till Art's ripe fruit should drop,
He must pelt down an unripe and colicky crop;
Who took to the law, and had this sterling plea for it,
It required him to quarrel, and paid him a fee for it;
A man who's made less than he might have, because
He always has thought himself more than he was,-
Who, with very good natural gifts as a bard,
Broke the strings of his lyre out by striking too hard,
And cracked half the notes of a truly fine voice,
Because song drew less instant attention than noise.
Ah, men do not know how much strength is in poise,
That he goes the farthest who goes far enough,
And that all beyond that is just bother and stuff.
No vain man matures, he makes too much new wood;
His blooms are too thick for the fruit to be good;
'Tis the modest man ripens, 'tis he that achieves,
Just what's needed of sunshine and shade he receives;
Grapes, to mellow, require the cool dark of their leaves;
Neal wants balance; he throws his mind always too far,
Whisking out flocks of comets, but never a star;
He has so much muscle, and loves so to show it,
That he strips himself naked to prove he's a poet,
And, to show he could leap Art's wide ditch, if he tried,
Jumps clean o'er it, and into the hedge t'other side.
He has strength, but there's nothing about him in keeping;
One gets surelier onward by walking than leaping;
He has used his own sinews himself to distress,
And had done vastly more had he done vastly less;
In letters, too soon is as bad as too late;
Could he only have waited he might have been great;
But he plumped into Helicon up to the waist,
And muddied the stream ere he took his first taste.

'There is Hawthorne, with genius so shrinking and rare
That you hardly at first see the strength that is there;
A frame so robust, with a nature so sweet,
So earnest, so graceful, so lithe and so fleet,
Is worth a descent from Olympus to meet;
'Tis as if a rough oak that for ages had stood,
With his gnarled bony branches like ribs of the wood,
Should bloom, after cycles of struggle and scathe,
With a single anemone trembly and rathe;
His strength is so tender, his wildness so meek,
That a suitable parallel sets one to seek,-
He's a John Bunyan Fouque, a Puritan Tieck;
When Nature was shaping him, clay was not granted
For making so full-sized a man as she wanted,
So, to fill out her model, a little she spared
From some finer-grained stuff for a woman prepared,
And she could not have hit a more excellent plan
For making him fully and perfectly man.
The success of her scheme gave her so much delight,
That she tried it again, shortly after, in Dwight;
Only, while she was kneading and shaping the clay,
She sang to her work in her sweet childish way,
And found, when she'd put the last touch to his soul,
That the music had somehow got mixed with the whole.

'Here's Cooper, who's written six volumes to show
He's as good as a lord: well, let's grant that he's so;
If a person prefer that description of praise,
Why, a coronet's certainly cheaper than bays;
But he need take no pains to convince us he's not
(As his enemies say) the American Scott.
Choose any twelve men, and let C. read aloud
That one of his novels of which he's most proud,
And I'd lay any bet that, without ever quitting
Their box, they'd be all, to a man, for acquitting.
He has drawn you one character, though, that is new,
One wildflower he's plucked that is wet with the dew
Of this fresh Western world, and, the thing not to mince,
He has done naught but copy it ill ever since;
His Indians, with proper respect be it said,
Are just Natty Bumppo, daubed over with red,
And his very Long Toms are the same useful Nat,
Rigged up in duck pants and a sou'wester hat
(Though once in a Coffin, a good chance was found
To have slipped the old fellow away underground).
All his other men-figures are clothes upon sticks,
The _derniere chemise_ of a man in a fix
(As a captain besieged, when his garrison's small,
Sets up caps upon poles to be seen o'er the wall):
And the women he draws from one model don't vary.
All sappy as maples and flat as a prairie.
When a character's wanted, he goes to the task
As a cooper would do in composing a cask;
He picks out the staves, of their qualities heedful,
Just hoops them together as tight as is needful,
And, if the best fortune should crown the attempt, he
Has made at the most something wooden and empty.

'Don't suppose I would underrate Cooper's abilities;
If I thought you'd do that, I should feel very ill at ease;
The men who have given to _one_ character life
And objective existence are not very rife;
You may number them all, both prose-writers and singers,
Without overrunning the bounds of your fingers,
And Natty won't go to oblivion quicker
Than Adams the parson or Primrose the vicar.

'There is one thing in Cooper I like, too, and that is
That on manners he lectures his countrymen gratis;
Not precisely so either, because, for a rarity,
He is paid for his tickets in unpopularity.
Now he may overcharge his American pictures,
But you'll grant there's a good deal of truth in his strictures;
And I honor the man who is willing to sink
Half his present repute for the freedom to think,
And, when he has thought, be his cause strong or weak,
Will risk t'other half for the freedom to speak,
Caring naught for what vengeance the mob has in store,
Let that mob be the upper ten thousand or lower.

'There are truths you Americans need to be told,
And it never'll refute them to swagger and scold;
John Bull, looking o'er the Atlantic, in choler
At your aptness for trade, says you worship the dollar;
But to scorn such eye-dollar-try's what very few do,
And John goes to that church as often as you do,
No matter what John says, don't try to outcrow him,
'Tis enough to go quietly on and outgrow him;
Like most fathers, Bull hates to see Number One
Displacing himself in the mind of his son,
And detests the same faults in himself he'd neglected
When he sees them again in his child's glass reflected;
To love one another you're too like by half;
If he is a bull, you're a pretty stout calf,
And tear your own pasture for naught but to show
What a nice pair of horns you're beginning to grow.

'There are one or two things I should just like to hint,
For you don't often get the truth told you in print;
The most of you (this is what strikes all beholders)
Have a mental and physical stoop in the shoulders;
Though you ought to be free as the winds and the waves,
You've the gait and the manners of runaway slaves;
Though you brag of your New World, you don't half believe in it;
And as much of the Old as is possible weave in it;
Your goddess of freedom, a tight, buxom girl,
With lips like a cherry and teeth like a pearl,
With eyes bold as Here's, and hair floating free,
And full of the sun as the spray of the sea,
Who can sing at a husking or romp at a shearing,
Who can trip through the forests alone without fearing,
Who can drive home the cows with a song through the grass,
Keeps glancing aside into Europe's cracked glass.
Hides her red hands in gloves, pinches up her lithe waist,
And makes herself wretched with transmarine taste;
She loses her fresh country charm when she takes
Any mirror except her own rivers and lakes.

'You steal Englishmen's books and think Englishmen's thought,
With their salt on her tail your wild eagle is caught;
Your literature suits its each whisper and motion
To what will be thought of it over the ocean;
The cast clothes of Europe your statesmanship tries
And mumbles again the old blarneys and lies;-
Forget Europe wholly, your veins throb with blood,
To which the dull current in hers is but mud:
Let her sneer, let her say your experiment fails,
In her voice there's a tremble e'en now while she rails,
And your shore will soon be in the nature of things
Covered thick with gilt drift-wood of castaway kings,
Where alone, as it were in a Longfellow's Waif,
Her fugitive pieces will find themselves safe.
O my friends, thank your god, if you have one, that he
'Twixt the Old World and you set the gulf of a sea;
Be strong-backed, brown-handed, upright as your pines,
By the scale of a hemisphere shape your designs,
Be true to yourselves and this new nineteenth age,
As a statue by Powers, or a picture by Page,
Plough, sail, forge, build, carve, paint, make all over new,
To your own New-World instincts contrive to be true,
Keep your ears open wide to the Future's first call,
Be whatever you will, but yourselves first of all,
Stand fronting the dawn on Toil's heaven-scaling peaks,
And become my new race of more practical Greeks.-
Hem! your likeness at present, I shudder to tell o't,
Is that you have your slaves, and the Greek had his helot.'

Here a gentleman present, who had in his attic
More pepper than brains, shrieked, 'The man's a fanatic,
I'm a capital tailor with warm tar and feathers,
And will make him a suit that'll serve in all weathers;
But we'll argue the point first, I'm willing to reason 't,
Palaver before condemnation's but decent:
So, through my humble person, Humanity begs
Of the friends of true freedom a loan of bad eggs.'
But Apollo let one such a look of his show forth
As when [Greek: aeie nukti eoikios], and so forth,
And the gentleman somehow slunk out of the way,
But, as he was going, gained courage to say,-
'At slavery in the abstract my whole soul rebels,
I am as strongly opposed to 't as any one else.'
'Ay, no doubt, but whenever I've happened to meet
With a wrong or a crime, it is always concrete,'
Answered Phoebus severely; then turning to us,
'The mistake of such fellows as just made the fuss
Is only in taking a great busy nation
For a part of their pitiful cotton-plantation.-
But there comes Miranda, Zeus! where shall I flee to?
She has such a penchant for bothering me too!
She always keeps asking if I don't observe a
Particular likeness 'twixt her and Minerva;
She tells me my efforts in verse are quite clever;-
She's been travelling now, and will be worse than ever;
One would think, though, a sharp-sighted noter she'd be
Of all that's worth mentioning over the sea,
For a woman must surely see well, if she try,
The whole of whose

poem by James Russell Lowell
Submitted by Poetry Lover
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A Dilemma

Filled with a zeal to serve my fellow men,
For years I criticised their prose and verges:
Pointed out all their blunders of the pen,
Their shallowness of thought and feeling; then
Damned them up hill and down with hearty curses!

They said: 'That's all that he can do-just sneer,
And pull to pieces and be analytic.
Why doesn't he himself, eschewing fear,
Publish a book or two, and so appear
As one who has the right to be a critic?

'Let him who knows it all forbear to tell
How little others know, but show his learning.'
The public added: 'Who has written well
May censure freely'-quoting Pope. I fell
Into the trap and books began out-turning,

Books by the score-fine prose and poems fair,
And not a book of them but was a terror,
They were so great and perfect; though I swear
I tried right hard to work in, here and there,
(My nature still forbade) a fault or error.

'Tis true, some wretches, whom I'd scratched, no doubt,
Professed to find-but that's a trifling matter.
Now, when the flood of noble books was out
I raised o'er all that land a joyous shout,
Till I was thought as mad as any hatter!

(Why hatters all are mad, I cannot say.
'T were wrong in their affliction to revile 'em,
But truly, you'll confess 'tis very sad
We wear the ugly things they make. Begad,
They'd be less mischievous in an asylum!)

'Consistency, thou art a'-well, you're _paste_!
When next I felt my demon in possession,
And made the field of authorship a waste,
All said of me: 'What execrable taste,
To rail at others of his own profession!'

Good Lord! where do the critic's rights begin
Who has of literature some clear-cut notion,
And hears a voice from Heaven say: 'Pitch in'?
He finds himself-alas, poor son of sin
Between the devil and the deep blue ocean!

poem by Ambrose Bierce
Submitted by Poetry Lover
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Love and Poetry; Poetry and Love

and right now, I’m spending most of my time
on the two matters of which I seem to know the least –
love; and poetry.

maybe it’s good I feel like this; after all,
they’re two pretty big things in their way;
and if it’s frustrating that
I don’t seem to get anywhere,
or understand any more,
maybe that’s good too since
it keeps me at it
and out of harm’s way
as they say

let’s take poetry first – that’s
relatively straightforward:
one day I love the freedom
of the current situation – there’s no rules
except, the lines are short –
but even that, you can break
with ‘prose poems’ (and leave it
to others to say when 'prose poems'
become ‘poetic prose’ etc…) :
tell the unvarnished truth,
tell it like it is; offer all your heart
ungiftwrapped;

then next day I miss the music
of a poem that – with some difficulty –
rhymes and dances in its rhythms,
catches you in its woven spell,
reads as if it wrote itself,
sings its own fair song,
even though of course
the rhyme then makes you deviate
from the theme – but that can take you to
more interesting places in the mind —

so - point of this - I’m none the wiser
about what poetry is; though of course
maybe there’s some benefit I just don’t spot
by kinda mixing thisnthat..

so, when I’m not writing this stuff
that I call poetry, if I call it anything,
I’m addressing the question
of love; in the hope
that thinking about it might just be
of some use; influence action; and
make me more loving; or help me
write poetry about it, ha..
well don’t ask me, not just yet..

though, we all know what love is...
when it’s on our side?

one day, I feel good that I’ve spent the day
reading inspiring words, like,
the whole Creation is one single act
of love; that it brought the whole universe
into manifestation; sustains it; merges all things into love;
that love is knowledge; holds all forms
through law, by law; that law and love
are always together; that love’s
the natural state of ourself; that
every creature has pure love within its nature;
that thus, it’s our very nature
to love one another; love
our neighbour as ourself…
even, love ourselves...

then the next day, I can’t bear
to read any more of what’s written
about love; just spend the day in love
with everything and everyone;
being still a little, listening to music a little,
reading inspiring poetry a little,
going out or not going out,
being just myself a lot; seeing things around
inside the house and out
so vividly, it’s like being high
without the before and after, and
I wonder why it isn’t
always just like this..

then the next day again, I’m just too busy
to give thought to thinking about love,
or being loving to those bloody neighbours

then the doorbell rings – and
I greet whoever it is before
I even look at them, as if
they’re the one person out of all the world
I most wanted to see again right now – and

it’s someone to read the meter –'hallo!
what, again so soon? I’ve only just paid
the last bill, and anyway, it always comes
as ‘estimated’, and too high…'

too late – I’ve loved them totally
in that first moment; I'm like
someone else; I find myself
treating them like an honoured guest;
see them out with a friendly comment; feel good;
a sorta indifferent, unthought, unshaped happiness..

maybe there’s something to be discovered
in all this love thing,
whatever it is.. maybe
I’ll go try to write a poem about it,
see where it goes

[This poem is dedicated to the memory of Bukowski, the poet
who taught us to write it like it is - even if his later work...]

poem by Michael Shepherd
Submitted by Poetry Lover
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"Transcendentalism: A Poem in Twelve Books"

Stop playing, poet! May a brother speak?
'T is you speak, that's your error. Song's our art:
Whereas you please to speak these naked thoughts
Instead of draping them in sights and sounds.
—True thoughts, good thoughts, thoughts fit to treasure up!
But why such long prolusion and display,
Such turning and adjustment of the harp,
And taking it upon your breast, at length,
Only to speak dry words across its strings?
Stark-naked thought is in request enough:
Speak prose and hollo it till Europe hears!
The six-foot Swiss tube, braced about with bark,
Which helps the hunter's voice from Alp to Alp—
Exchange our harp for that,—who hinders you?

But here's your fault; grown men want thought, you think;
Thought's what they mean by verse, and seek in verse.
Boys seek for images and melody,
Men must have reason—so, you aim at men.
Quite otherwise! Objects throng our youth, 't is true;
We see and hear and do not wonder much:
If you could tell us what they mean, indeed!
As German Boehme never cared for plants
Until it happed, a-walking in the fields,
He noticed all at once that plants could speak,
Nay, turned with loosened tongue to talk with him.
That day the daisy had an eye indeed—
Colloquized with the cowslip on such themes!
We find them extant yet in Jacob's prose.
But by the time youth slips a stage or two
While reading prose in that tough book he wrote
(Collating and emendating the same
And settling on the sense most to our mind),
We shut the clasps and find life's summer past.
Then, who helps more, pray, to repair our loss—
Another Boehme with a tougher book
And subtler meanings of what roses say—
Or some stout Mage like him of Halberstadt,
John, who made things Boehme wrote thoughts about?
He with a "look you!" vents a brace of rhymes,
And in there breaks the sudden rose herself,
Over us, under, round us every side,
Nay, in and out the tables and the chairs
And musty volumes, Boehme's book and all—
Buries us with a glory, young once more,
Pouring heaven into this shut house of life.

So come, the harp back to your heart again!
You are a poem, though your poem's naught.
The best of all you showed before, believe,
Was your own boy-face o'er the finer chords
Bent, following the cherub at the top
That points to God with his paired half-moon wings.

poem by Robert Browning from Men and Women (1855)
Submitted by Veronica Serbanoiu
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The Prodigy.

Tho' Rhyme serves the Thoughts of great Poets to fetter,
It sets off the Sense of small Poets the better.
When I've written in Prose, I often have found,
That my Sense, in a Jumble of Words, was quite drown'd.
In Verse, as in Armies, that march o'er the Plain,
The least Man among them is seen without Pain.
This they owe to good Order, it must be allow'd;
Else Men that are little, are lost in a Croud.

So much for Simile: Now, to be brief,
The following Lines come to tell you my Grief.
'Tis well I can write; for I scarcely can speak,
I'm so plagu'd with my Teeth, which eternally ake.
When the Wind's in the Point which opposes the south,
For Fear of the Cold, I can't open my Mouth:
And you know, to the Sex it must be a Heart--breaking,
To have any Distemper, that keeps them from speaking.

When first I was silent a Day and a Night,
The Women were all in a terrible Fright.
Supplications to Jove, in an Instant, they make--
``Avert the Portent--a Woman not speak!
``Since Poets are Prophets, and often have sung,
``The last Thing that dies in a Woman's her Tongue;
``O Jove, for what Crime is Sapphira thus curst?
``'Tis plain by her Breathing, her Tongue has dy'd first.
``Ye Powers celestial, tell Mortals, what Cause
``Occasions Dame nature to break her own Laws?
``Did the Preacher live now, from his Text he must run;
``And own there was something new under the Sun.
``O Jove, for the future this Punishment spare;
``And all other Evils we'll willingly bear.''

Then they throng to my House, and my Maid they beseech,
To say, if her Mistress had quite lost her Speech.
Nell readily own'd, what they heard was too true;
That To--day I was dumb, give the Devil his Due:
And frankly confess'd, were it always the Case,
No Servant could e'er have a happier Place.

When they found it was Fact, they began all to fear me;
And, dreading Infection, would scarcely come near me:
Till a Neighbour of mine, who was famous for Speeching,
Bid them be of good Cheer, the Difease was not catching;
And offer'd to prove, from Authors good Store,
That the like Case with this never happen'd before;
And if Ages to come should resemble the past,
As 'twas the first Instance, it would be the last.
Yet against this Disorder we all ought to strive:
Were I in her Case, I'd been bury'd alive.
Were I one Moment silent, except in my Bed,
My good natur'd Husband would swear I was dead.

The next said, her Tongue was so much in her Pow'r,
She was sullenly silent almost--half an Hour:
That, to vex her good Man, she took this Way to
But soon left it off, when she found it would please him:
And vow'd, for the future, she'd make the Housering;
For when she was dumb, he did nothing but sing.

Quite tir'd with their Talking, I held down my Head:
So she who sat next me, cry'd out, I was dead.
They call'd for cold Water to throw in my Face:
Give her Air, give her Air--and cut open her Lace.
Says good Neighbour Nevil, You're out of your Wits;
She oft, to my Knowledge, has these sullen Fits:
Let her Husband come in, and make one Step that's wrong,
My Life for't, the Woman will soon find her Tongue.
You'll soon be convinc'd--O' my Conscience, he's here--
Why what's all this Rout?--Are you sullen, my Dear?

This struck them all silent; which gave me some Ease.
And made them imagine they'd got my Disease.
So they hasted away in a terrible Fright;
And left me, in Silence, to pass the long Night.

Not the Women alone were scar'd at my Fate;
'Twas reckon'd of dreadful Portent to the State.
When the Governors heard it, they greatly were troubled;
And, whilst I was silent, the Guards were all doubled:
The Militia Drums beat a perpetual Alarm,
To rouze up the Sons of the City to arm.
A Story was rumour'd about from Lambey,
Of a powerful Fleet, that was seen off at Sea.
With Horror all list to the terrible Tale;
The Barristers tremble, the Judges grow pale;
To the Castle the frighted Nobility fly;
And the Council were summon'd, they could not tell why;
The Clergy in Crouds to the Churches repair;
And Armies, embattled, were seen in the Air.

Why they were in this Fright, I have lately been told,
It seems, it was sung by a Druid of old,
That the Hanover Race to Great--Britain should come;
And sit on the Throne, till a Woman grew dumb.

As soon as this Prophecy reach'd the Pretender,
He cry'd out, My Claim to the Crown I surrender.

poem by Mary Barber
Submitted by Poetry Lover
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Old Bob Blair

I got so down to it last night,
With longin' for what could not be,
That nothin' in the world seemed right
Or everything was wrong with me.
My house was just a lonely hole,
An' I had blisters on my soul.

Top of my other worries now
The boys are talkin' strike, an' say
If we put up a sudden row
We're sure of forcin' up our pay.
I'm right enough with what I get;
But some wants more, an' then more yet.

Ben Murray's put it up to me:
He says I got some influence
Amongst them, if I agree
'Which I will do if I have sense'
We'll make the boss cough up a bit.
That's how Ben Murray looks at it.

I don't know that the old boss can.
I've heard he's pushed to make ends meet.
To me he's been a fair, straight man
That pays up well an' works a treat.
But if I don't get in this game,
Well, 'blackleg' ain't a pretty name.

This thing has got me thinkin' hard,
But there is worse upon my mind.
What sort of luck has broke my guard
That I should be the man to find
A girl like that? . . . The whole world's wrong!
Why was I born to live and long?

I get so down to it last night
With broodin' over things like this,
I said 'There's not a thing in sight
Worth havin' but I seem to miss.'
So I go out and get some air
An' have a word with old Bob Blair.

Bob's livin' lonely, same as me;
But he don't take to frettin' so
An' gettin' megrims after tea.
He reads a lot at night, I know;
His hut has books half up the wall
That I don't tumble to at all.

Books all about them ancient blokes
That lived a thousand years ago:
Philosophers an' funny folk
What he sees in them I don't know.
There ain't much fun, when all is said,
In chap that is so awful dead.

He put his book down when I came,
He took his specs off, patient-like.
He's been in Rome; an' who can blame
The old man if he gets the spike
To be jerked back so suddenly
By some glum-lookin' coot like me.

At first he looks at me quite dazed,
As tho' 'twas hard to recognize
The silly fool at which he gazed;
An' then a smile come in his eyes:
'Why, Jim,' he says. 'Still feelin' blue?
Kiss her, an' laugh!' . . . But I says, 'Who?'

'Why, who, if not the widow, lad?'
But I says, 'Widows ain't no go.'
'What woman, then, makes you so sad?'
I coughs a bit an' says, 'Dunno.'
He looked at me, then old Bob Blair
He ran his fingers through his hair.

'God help us, but the case is bad!
An' men below, an; saints above
Look with mixed feelin's, sour an' sad,
Upon a fool in love with love.
Go, find her, lad, an' be again,
Fit to associate with men.

'Don't leave yourself upon the shelf:
It's bad for man to live alone.'
'Hold on,' says I. 'What ails yourself?
What are you doin' on your own?'
Quickly he turned away his head.
'That's neither here nor there,' he said.

I saw I'd made a clumsy break;
An' tied to cover it with talk
Of anything, for old Blair's sake.
He don't reply; but when I'd walk
Outside he says, 'What's this I hear
About the mill boys actin' queer?'

So then we yarns about the strike,
An' old Bob Brown frowns an' shakes his head.
'There's something there I hardly like;
The boss has acted fair,' he said.
'Eight years I've toiled here constantly,
An' boss an' friend he's been to me.

'I know he's up against it bad;
Stintin' himself to pay the men.
Don't listen to this tattle, lad,
An' leave that dirty work to Ben.
He tries to play on others need;
It's partly devil, partly greed.

'Ben's not a reel bad lot at heart,
But ignorant an' dull of sight,
An' crazed by these new creeds that start
An' grow like mushrooms, overnight;
An' this strange greed that's spread the more
Since the great sacrifice of war.

'Greed everywhere!' sighed old man Blair.
'Master an' man have caught the craze;
An' those who yesterday would share
Like brothers, now spend all their days
Snatchin' for gain - the great, the small.
And, of, folly of it all!'

He tapped the small book by his hand.
'Two thousand years ago they knew
That those who think an' understand
Can make their wants but very few.
Two thousand years they taught
That happiness can not be bought.'

'Progress?' he shouted. 'Bah! A Fig!
Where are the things that count or last
In buildin' something very big
Or goin' somewhere very fast?
We put the horse behind the cart;
For where's your progress of the heart?

'Great wisdom lived long years ago,
An' yet we say that we progress.
The paint an' tinsel of our show
Are men more generous, or kind?
Then where's your progress of the mind?'

(I think Bob Blair's a trifle mad;
They say so, too, around these parts;
An' he can be, when he's reel bad,
A holy terror once he starts.
dare say it's readin' books an' such.
Thank God I never read too much!)

I says I'm sure I don't know
Where all this progress gets to now.
He smiles a bit an' answers low,
'Maybe you'll find out, lad, somehow.
But talkin' makes my old head whirl;
So you be off, an' - find that girl.'

I says Good night, an' out I goes;
But I was hardly at the door
When his old specs is on his nose,
An' his book in his hand once more;
An', as I take the track for home,
Bob Blair goes back to Ancient Rome.

poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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At The

DECEMBER 15, 1874

I SUPPOSE it's myself that you're making allusion to
And bringing the sense of dismay and confusion to.
Of course some must speak,--they are always selected to,
But pray what's the reason that I am expected to?
I'm not fond of wasting my breath as those fellows do;
That want to be blowing forever as bellows do;
Their legs are uneasy, but why will you jog any
That long to stay quiet beneath the mahogany?

Why, why call me up with your battery of flatteries?
You say 'He writes poetry,'--that 's what the matter is
'It costs him no trouble--a pen full of ink or two
And the poem is done in the time of a wink or two;
As for thoughts--never mind--take the ones that lie uppermost,
And the rhymes used by Milton and Byron and Tupper most;
The lines come so easy! at one end he jingles 'em,
At the other with capital letters he shingles 'em,--
Why, the thing writes itself, and before he's half done with it
He hates to stop writing, he has such good fun with it!'

Ah, that is the way in which simple ones go about
And draw a fine picture of things they don't know about!
We all know a kitten, but come to a catamount
The beast is a stranger when grown up to that amount,
(A stranger we rather prefer should n't visit us,
A _felis_ whose advent is far from felicitous.)
The boy who can boast that his trap has just got a mouse
Must n't draw it and write underneath 'hippopotamus';
Or say unveraciously, 'This is an elephant,'--
Don't think, let me beg, these examples irrelevant,--
What they mean is just this--that a thing to be painted well
Should always be something with which we're acquainted well.

You call on your victim for 'things he has plenty of,--
Those copies of verses no doubt at least twenty of;
His desk is crammed full, for he always keeps writing 'em
And reading to friends as his way of delighting 'em!'
I tell you this writing of verses means business,--
It makes the brain whirl in a vortex of dizziness
You think they are scrawled in the languor of laziness--
I tell you they're squeezed by a spasm of craziness,
A fit half as bad as the staggering vertigos
That seize a poor fellow and down in the dirt he goes!

And therefore it chimes with the word's etytology
That the sons of Apollo are great on apology,
For the writing of verse is a struggle mysterious
And the gayest of rhymes is a matter that's serious.
For myself, I'm relied on by friends in extremities,
And I don't mind so much if a comfort to them it is;
'T is a pleasure to please, and the straw that can tickle us
Is a source of enjoyment though slightly ridiculous.

I am up for a--something--and since I 've begun with it,
I must give you a toast now before I have done with it.
Let me pump at my wits as they pumped the Cochituate
That moistened--it may be--the very last bit you ate:
Success to our publishers, authors and editors
To our debtors good luck,--pleasant dreams to our creditors;
May the monthly grow yearly, till all we are groping for
Has reached the fulfilment we're all of us hoping for;
Till the bore through the tunnel--it makes me let off a sigh
To think it may possibly ruin my prophecy--
Has been punned on so often 't will never provoke again
One mild adolescent to make the old joke again;
Till abstinent, all-go-to-meeting society
Has forgotten the sense of the word inebriety;
Till the work that poor Hannah and Bridget and Phillis do
The humanized, civilized female gorillas do;
Till the roughs, as we call them, grown loving and dutiful,
Shall worship the true and the pure and the beautiful,
And, preying no longer as tiger and vulture do,
All read the 'Atlantic' as persons of culture do!

poem by Oliver Wendell Holmes
Submitted by Poetry Lover
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The Writer's Dream

A writer wrote of the hearts of men, and he followed their tracks afar;
For his was a spirit that forced his pen to write of the things that are.
His heart grew tired of the truths he told, for his life was hard and grim;
His land seemed barren, its people cold—yet the world was dear to him;—
So he sailed away from the Streets of Strife, he travelled by land and sea,
In search of a people who lived a life as life in the world should be.
And he reached a spot where the scene was fair, with forest and field and wood,
And all things came with the seasons there, and each of its kind was good;
There were mountain-rivers and peaks of snow, there were lights of green and gold,
And echoing caves in the cliffs below, where a world-wide ocean rolled.
The lives of men from the wear of Change and the strife of the world were free—
For Steam was barred by the mountain-range and the rocks of the Open Sea.

And the last that were born of a noble race—when the page of the South was fair—
The last of the conquered dwelt in peace with the last of the victors there.
He saw their hearts with the author’s eyes who had written their ancient lore,
And he saw their lives as he’d dreamed of such—ah! many a year before.
And ‘I’ll write a book of these simple folk ere I to the world return,
‘And the cold who read shall be kind for these—and the wise who read shall learn.

‘Never again in a song of mine shall a jarring note be heard:
‘Never again shall a page or line be marred by a bitter word;
‘But love and laughter and kindly hours will the book I’ll write recall,
‘With chastening tears for the loss of one, and sighs for their sorrows all.
‘Old eyes will light with a kindly smile, and the young eyes dance with glee—
‘And the heart of the cynic will rest awhile for my simple folk and me.’

The lines ran on as he dipped his pen—ran true to his heart and ear—
Like the brighter pages of memory when every line is clear.
The pictures came and the pictures passed, like days of love and light—
He saw his chapters from first to last, and he thought it grand to write.
And the writer kissed his girlish wife, and he kissed her twice for pride:
‘’Tis a book of love, though a book of life! and a book you’ll read!’ he cried.

He was blind at first to each senseless slight (for shabby and poor he came)
From local ‘Fashion’ and mortgaged pride that scarce could sign its name.
What dreamer would dream of such paltry pride in a scene so fresh and fair?
But the local spirit intensified—with its pitiful shams—was there;
There were cliques wherever two houses stood (no rest for a family ghost!)
They hated each other as women could—but they hated the stranger most.

The writer wrote by day and night and he cried in the face of Fate—
‘I’ll cleave to my dream of life in spite of the cynical ghosts that wait.
‘’Tis the shyness born of their simple lives,’ he said to the paltry pride—
(The homely tongues of the simple wives ne’er erred on the generous side)—
‘They’ll prove me true and they’ll prove me kind ere the year of grace be passed,’
But the ignorant whisper of ‘axe to grind!’ went home to his heart at last.

The writer sat by his drift-wood fire three nights of the South-east gale,
His pen lay idle on pages vain, for his book was a fairy tale.
The world-wise lines of an elder age were plain on his aching brow,
As he sadly thought of each brighter page that would never be written now.
‘I’ll write no more!’ But he bowed his head, for his heart was in Dreamland yet—
‘The pages written I’ll burn,’ he said, ‘and the pages thought forget.’

But he heard the hymn of the Open Sea, and the old fierce anger burned,
And he wrenched his heart from its dreamland free as the fire of his youth returned:—
‘The weak man’s madness, the strong man’s scorn—the rebellious hate of youth
‘From a deeper love of the world are born! And the cynical ghost is Truth!’
And the writer rose with a strength anew wherein Doubt could have no part;
‘I’ll write my book and it shall be true—the truth of a writer’s heart.

‘Ay! cover the wrong with a fairy tale—who never knew want or care—
‘A bright green scum on a stagnant pool that will reek the longer there.
‘You may starve the writer and buy the pen—you may drive it with want and fear—
‘But the lines run false in the hearts of men—and false to the writer’s ear.
‘The bard’s a rebel and strife his part, and he’ll burst from his bonds anew,
‘Till all pens write from a single heart! And so may the dream come true.

‘’Tis ever the same in the paths of men where money and dress are all,
‘The crawler will bully whene’er he can, and the bully who can’t will crawl.
‘And this is the creed in the local hole, where the souls of the selfish rule;
‘Borrow and cheat while the stranger’s green, then sneer at the simple fool.
‘Spit your spite at the men whom Fate has placed in the head-race first,
‘And hate till death, with a senseless hate, the man you have injured worst!
‘There are generous hearts in the grinding street, but the Hearts of the World go west;
‘For the men who toil in the dust and heat of the barren lands are best!
‘The stranger’s hand to the stranger, yet—for a roving folk are mine—
‘The stranger’s store for the stranger set—and the camp-fire glow the sign!
‘The generous hearts of the world, we find, thrive best on the barren sod,
‘And the selfish thrive where Nature’s kind (they’d bully or crawl to God!)

‘I was born to write of the things that are! and the strength was given to me.
‘I was born to strike at the things that mar the world as the world should be!
‘By the dumb heart-hunger and dreams of youth, by the hungry tracks I’ve trod—
‘I’ll fight as a man for the sake of truth, nor pose as a martyred god.
‘By the heart of “Bill” and the heart of “Jim,” and the men that their hearts deem “white,”
‘By the handgrips fierce, and the hard eyes dim with forbidden tears!—I’ll write!

‘I’ll write untroubled by cultured fools, or the dense that fume and fret—
‘For against the wisdom of all their schools I would stake mine instinct yet!
‘For the cynical strain in the writer’s song is the world, not he, to blame,
‘And I’ll write as I think, in the knowledge strong that thousands think the same;
‘And the men who fight in the Dry Country grim battles by day, by night,
‘Will believe in me, and will stand by me, and will say to the world, “He’s right!”’

poem by Henry Lawson
Submitted by Poetry Lover
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Inspiration

Whate'er we leave to God, God does,
And blesses us;
The work we choose should be our own,
God leaves alone.

If with light head erect I sing,
Though all the Muses lend their force,
From my poor love of anything,
The verse is weak and shallow as its source.

But if with bended neck I grope
Listening behind me for my wit,
With faith superior to hope,
More anxious to keep back than forward it;

Making my soul accomplice there
Unto the flame my heart hath lit,
Then will the verse forever wear--
Time cannot bend the line which God hath writ.

Always the general show of things
Floats in review before my mind,
And such true love and reverence brings,
That sometimes I forget that I am blind.

But now there comes unsought, unseen,
Some clear divine electuary,
And I, who had but sensual been,
Grow sensible, and as God is, am wary.

I hearing get, who had but ears,
And sight, who had but eyes before,
I moments live, who lived but years,
And truth discern, who knew but learning's lore.

I hear beyond the range of sound,
I see beyond the range of sight,
New earths and skies and seas around,
And in my day the sun doth pale his light.

A clear and ancient harmony
Pierces my soul through all its din,
As through its utmost melody--
Farther behind than they, farther within.

More swift its bolt than lightning is,
Its voice than thunder is more loud,
It doth expand my privacies
To all, and leave me single in the crowd.

It speaks with such authority,
With so serene and lofty tone,
That idle Time runs gadding by,
And leaves me with Eternity alone.

Now chiefly is my natal hour,
And only now my prime of life;
Of manhood's strength it is the flower,
'Tis peace's end and war's beginning strife.

It comes in summer's broadest noon,
By a grey wall or some chance place,
Unseasoning Time, insulting June,
And vexing day with its presuming face.

Such fragrance round my couch it makes,
More rich than are Arabian drugs,
That my soul scents its life and wakes
The body up beneath its perfumed rugs.

Such is the Muse, the heavenly maid,
The star that guides our mortal course,
Which shows where life's true kernel's laid,
Its wheat's fine flour, and its undying force.

She with one breath attunes the spheres,
And also my poor human heart,
With one impulse propels the years
Around, and gives my throbbing pulse its start.

I will not doubt for evermore,
Nor falter from a steadfast faith,
For thought the system be turned o'er,
God takes not back the word which once He saith.

I will not doubt the love untold
Which not my worth nor want has bought,
Which wooed me young, and woos me old,
And to this evening hath me brought.

My memory I'll educate
To know the one historic truth,
Remembering to the latest date
The only true and sole immortal youth.

Be but thy inspiration given,
No matter through what danger sought,
I'll fathom hell or climb to heaven,
And yet esteem that cheap which love has bought.
___________________

Fame cannot tempt the bard
Who's famous with his God,
Nor laurel him reward
Who has his Maker's nod.

poem by Henry David Thoreau
Submitted by Poetry Lover
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The God of Love Speaks to Man…

I gave you hands to grasp and work
With finesse, deftly, and eat food;
I thought you'll fold your hands and pray,
And thank me for the gifts I gave!
But you use hands to hurt and kill,
And do all sinful things your way!

I gave you legs that carry you,
And stand upright and walk my ways;
I thought you'll genuflect and pray,
And thank me for all that I do;
But you tread upon evil paths
And leave my tenets, go astray!

I gave you eyes upon your face
To see the good world I had made;
I thought you'll read the word of mine,
And live your life in accordance.
But you use eyes to see the muck
That spoils your heart and mind and soul!

I gave you ears to hear sweet sounds
Of birds and animals I found;
I thought you'll hear my divine voice
And thank me for the gift of life;
But you hear noise that's deafening,
And songs that satisfy your lust.

I gave you tongue and mouth to speak
Kind words to all and love brethren;
I thought you'll eat the foods you should,
And thank me for the taste of things;
But you speak lies and blaspheme God
And eat substances of abuse!

I gave you mind to think aright,
And wonder how awesome is God!
I thought you'll keep your brain flawless,
And thank me for your reasoning power;
But you take drugs that give you highs
And waste your precious time I gave!

I gave you heart to empathize,
And feel the anguish of others;
I thought you'll have remorse for sins
And ask forgiveness from the Lord;
But your heart harbours evil thoughts
Those wreck your mind, body and soul!

Remember man, I made you out
Of clay but breathed life into it;
And gave a soul and my semblance
To know my love that's infinite;
Love made me make you with great care,
And yearns to have you back wholesome!

Copyright by Dr John Celes 22-10-2012

poem by John Celes
Submitted by Poetry Lover
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Fra Lippo Lippi

I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do—harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets off—he's a certain...how d'ye call?
Master—a...Cosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's gripe!
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair prize what comes into this net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hangdogs go
Drink out this quarter-florin to the health
Of the munificent House that harbors me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face—
His, elbowing on his comrade in the door
With the pike and lantern—for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye—
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night—
Ouf! I leaned out of window for fresh air.
There came a hurry of feet and little feet,
A sweep of lute-strings, laughs, and whifts of song—
Flower o' the broom,
Take away love, and our earth is a tomb!
Flower o' the quince,
I let Lisa go, and what good in life since?
Flower o' the thyme—and so on. Round they went.
Scarce had they turned the corner when a titter
Like the skipping of rabbits by moonlight—three slim shapes,
And a face that looked up…zooks, sir, flesh and blood,
That's all I'm made of! Into shreds it went,
Curtain and counterpane and coverlet,
All the bed-furniture—a dozen knots,
There was a ladder! Down I let myself,
Hands and feet, scrambling somehow, and so dropped,
And after them. I came up with the fun
Hard by Saint Laurence, hail fellow, well met—
Flower o' the rose,
If I've been merry, what matter who knows!
And so as I was stealing back again
To get to bed and have a bit of sleep
Ere I rise up tomorrow and go work
On Jerome knocking at his poor old breast
With his great round stone to subdue the flesh,
You snape me of the sudden. Ah, I see!
Though your eye twinkles still, you shake your head—
Mine's shaves—a monk, you say—the sting's in that!
If Master Cosimo announced himself,
Mum's the word naturally; but a monk!
Come, what am I a beast for? tell us, now!
I was a baby when my mother died
And father died and left me in the street.
I starved there, God knows how, a year or two
On fig skins, melon parings, rinds and shucks,
Refuse and rubbish. One fine frosty day,
My stomach being empty as your hat,
The wind doubled me up and down I went.
Old Aunt Lapaccia trussed me with one hand
(Its fellow was a stinger as I knew),
And so along the wall, over the bridge,
By the straight cut to the convent. Six words there,
While I stood munching my first bread that month:
"So, boy, you're minded," quoth the good fat father
Wiping his own mouth, 'twas refection time—
"To quit this very miserable world?
Will you renounce"…"the mouthful of bread?" thought I;
By no means! Brief, they made a monk of me;
I did renounce the world, its pride and greed,
Palace, farm, villa, shop, and banking house,
Trash, such as these poor devils of Medici
Have given their hearts to—all at eight years old.
Well, sir, I found in time, you may be sure,
'Twas not for nothing—the good bellyful,
The warm serge and the rope that goes all round,
And day-long blessed idleness beside!
"Let's see what the urchin's fit for"—that came next.
Not overmuch their way, I must confess.
Such a to-do! They tried me with their books:
Lord, they'd have taught me Latin in pure waste!
Flower o' the clove,
All the Latin I construe is "amo," I love!
But, mind you, when a boy starves in the streets
Eight years together, as my fortune was,
Watching folk's faces to know who will fling
The bit of half-stripped grape bunch he desires,
And who will curse or kick him for his pains—
Which gentleman processional and fine,
Holding a candle to the Sacrament,
Will wink and let him lift a plate and catch
The droppings of the wax to sell again,
Or holla for the Eight and have him whipped—
How say I?—nay, which dog bites, which lets drop
His bone from the heap of offal in the street—
Why, soul and sense of him grow sharp alike,
He learns the look of things, and none the less
For admonition from the hunger-pinch.
I had a store of such remarks, be sure,
Which, after I found leisure, turned to use.
I drew men's faces on my copy-books,
Scrawled them within the antiphonary's marge,
Joined legs and arms to the long music-notes,
Found eyes and nose and chin for A's and B's,
And made a string of pictures of the world
Betwixt the ins and outs of verb and noun,
On the wall, the bench, the door. The monks looked black.
"Nay," quoth the Prior, "turn him out d'ye say?
In no wise. Lose a crow and catch a lark.
What if at least we get our man of parts,
We Carmelites, like those Camaldolese
And Preaching Friars, to do our church up fine
And put the front on it that ought to be!"
And hereupon he bade me daub away.
Thank you! my head being crammed, the walls a blank,
Never was such prompt disemburdening.
First, every sort of monk, the black and white,
I drew them, fat and lean: then, folk at church,
From good old gossips waiting to confess
Their cribs of barrel-droppings, candle-ends,—
To the breathless fellow at the altar-foot,
Fresh from his murder, safe and sitting there
With the little children round him in a row
Of admiration, half for his beard and half
For that white anger of his victim's son
Shaking a fist at him with one fierce arm,
Signing himself with the other because of Christ
(Whose sad face on the cross sees only this
After the passion of a thousand years)
Till some poor girl, her apron o'er her head,
(Which the intense eyes looked through) came at eve
On tiptoe, said a word, dropped in a loaf,
Her pair of earrings and a bunch of flowers
(The brute took growling), prayed, and so was gone.
I painted all, then cried "’Tis ask and have;
Choose, for more's ready!"—laid the ladder flat,
And showed my covered bit of cloister-wall.
The monks closed in a circle and praised loud
Till checked, taught what to see and not to see,
Being simple bodies,—"That's the very man!
Look at the boy who stoops to pat the dog!
That woman's like the Prior's niece who comes
To care about his asthma: it's the life!"
But there my triumph's straw-fire flared and funked;
Their betters took their turn to see and say:
The Prior and the learned pulled a face
And stopped all that In no time. "How? what's here?
Quite from the mark of painting, bless us all!
Faces, arms, legs and bodies like the true
As much as pea and pea! it's devil's-game!
Your business is not to catch men with show,
With homage to the perishable clay,
But lift them over it, ignore it all,
Make them forget there's such a thing as flesh.
Your business is to paint the souls of men—
Man's soul, and it's a fire, smoke…no, it's not…
It's vapor done up like a new-born babe—
(In that shape when you die it leaves your mouth)
It's…well, what matters talking, it's the soul!
Give us no more of body than shows soul!
Here's Giotto, with his Saint a-praising God,
That sets us praising,—why not stop with him?
Why put all thoughts of praise out of our head
With wonder at lines, colors, and what not?
Paint the soul, never mind the legs and arms!
Rub all out, try at it a second time.
Oh, that white smallish female with the breasts,
She's just my niece…Herodias, I would say,—
Who went and danced and got men's heads cut off!
Have it all out!" Now, is this sense, I ask?
A fine way to paint soul, by painting body
So ill, the eye can't stop there, must go further
And can't fare worse! Thus, yellow does for white
When what you put for yellow's simply black
And any sort of meaning looks intense
When all beside itself means and looks naught.
Why can't a painter lift each foot in turn,
Left foot and right foot, go a double step,
Make his flesh liker and his soul more like,
Both in their order? Take the prettiest face,
The Prior's niece…patron-saint—is it so pretty
You can't discover if it means hope, fear,
Sorrow or joy? won't beauty go with these?
Suppose I've made her eyes all right and blue,
Can't I take breath and try to add life's flash,
And then add soul and heighten them three-fold?
Or say there's beauty with no soul at all—
(I never saw it—put the case the same—)
If you get simple beauty and naught else,
You get about the best thing God invents:
That's somewhat: and you'll find the soul you have missed,
Within yourself, when you return him thanks.
"Rub all out!" Well, well, there's my life, in short,
And so the thing has gone on ever since.
I'm grown a man no doubt, I've broken bounds:
You should not take a fellow eight years old
And make him swear to never kiss the girls.
I'm my own master, paint now as I please—
Having a friend, you see, in the Corner-house!
Lord, it's fast holding by the rings in front—
Those great rings serve more purposes than just
To plant a flag in, or tie up a horse! 230
And yet the old schooling sticks, the old grave eyes
Are peeping o'er my shoulder as I work,
The heads shake still—"It's art's decline, my son!
You're not of the true painters, great and old;
Brother Angelico's the man, you'll fine;
Brother Lorenzo stands his single peer:
Fag on at flesh, you'll never make the third!"
Flower o' the pine,
You keep your mistr…manners, and I'll stick to mine!
I'm not the third, then: bless us, they must know!
Don't you think they're the likeliest to know,
They with their Latin? So, I swallow my rage,
Clench my teeth, suck my lips in tight, and paint
To please them—sometimes do and sometimes don't;
For, doing most, there's pretty sure to come
A turn, some warm eve finds me at my saints—
A laugh, a cry, the business of the world—
(Flower o' the peach,
Death for us all, and his own life for each!)
And my whole soul revolves, the cup runs over,
The world and life's too big to pass for a dream,
And I do these wild things in sheer despite,
And play the fooleries you catch me at,
In pure rage! The old mill-horse, out at grass
After hard years, throws up his stiff heels so,
Although the miller does not preach to him
The only good of grass is to make chaff.
What would men have? Do they like grass or no—
May they or mayn't they? all I want's the thing
Settled forever one way. As it is,
You tell too many lies and hurt yourself:
You don't like what you only like too much,
You do like what, if given you at your word,
You find abundantly detestable.
For me, I think I speak as I was taught;
I always see the garden and God there
A-making man's wife: and, my less learned,
The value and significance of flesh,
I can't unlearn ten minutes afterwards.

You understand me: I'm a beast, I know.
But see, now—why, I see as certainly
As that the morning-star's about to shine,
What will hap some day. We've a youngster here
Comes to our convent, studies what I do,
Slouches and stares and lets no atom drop:
His name is Guidi—he'll not mind the monks—
They call him Hulking Tom, he lets them talk—
He picks my practice up—he'll paint apace,
I hope so—though I never live so long,
I know what's sure to follow. You be judge!
You speak no Latin more than I, belike;
However, you're my man, you've seen the world
—The beaty and the wonder and the power,
The shapes of things, their colors, lights and shades,
Changes, surprises—and God made it all!
—For what? Do you feel thankful, ay or no,
For this fair town's face, yonder river's line,
The mountain round it and the sky above,
Much more the figures of man, woman, child,
These are the frame to? What's it all about?
To be passed over, despised? or dwelt upon,
Wondered at? oh, this last of course!—you say.
But why not do as well as say,—paint it these
Just as they are, careless what comes of it?
God's works—paint any one, and count it crime
To let a truth slip. Don't object, "His works
Are here already; nature is complete:
Suppose you reproduce her—(which you can't)
There's no advantage! You must beat her, then."
For, don't you mark? we're made so that we love
First when we see them painted, things we have passed
Perhaps a hundred times nor cared to see;
And so they are better, painted—better to us,
Which is the same thing. Art was given for that;
God uses us to help each other so,
Lending our minds out. Have you noticed, now,
Your cullion's hanging face? A bit of chalk,
And trust me but you should, though! How much more,
If I drew higher things with the same truth!
That were to take the Prior's pulpit-place,
Interpret God to all of you! Oh, oh,
It makes me mad to see what men shall do
And we in our graves! This world's no blot for us,
Nor blank; it means intensely, and means good:
To find its meaning is my meat and drink.
"Ay, but you don't so instigate to prayer!"
Strikes in the Prior: "when your meaning's plain
It does not say to folk—remember matins,
Or, mind you fast next Friday!" Why, for this
What need of art at all? A skull and bones,
Two bits of stick nailed crosswise, or, what's best,
A bell to chime the hour with, does as well.
I painted a Saint Laurence six months since
At Prato, splashed the fresco in fine style:
"How looks my painting, now the scaffold's down?"
I ask a brother: "Hugely," he returns—
"Already not one phiz of your three slaves
Who turn the Deacon off his toasted side,
But's scratched and prodded to our heart's content,
The pious people have so eased their own
With coming to say prayers there in a rage:
We get on fast to see the bricks beneath.
Expect another job this time next year,
For pity and religion grow i' the crowd—
Your painting serves its purpose!" Hang the fools!

—That is—you'll not mistake an idle word
Spoke in a huff by a poor monk, God wot,
Tasting the air this spicy night which turns
The unaccustomed head like Chianti wine!
Oh, the church knows! don't misreport me, now!
It's natural a poor monk out of bounds
Should have his apt word to excuse himself:
And hearken how I plot to make amends.
I have bethought me: I shall paint a piece
…There's for you! Give me six months, then go, see
Something in Sant' Ambrogio's! Bless the nuns!
They want a cast o' my office. I shall paint
God in the midst, Madonna and her babe,
Ringed by a bowery flowery angel-brood,
Lilies and vestments and white faces, sweet
As puff on puff of grated orris-root
When ladies crowd to Church at midsummer.
And when i' the front, of course a saint or two—
Saint John, because he saves the Florentines,
Saint Ambrose, who puts down in black and white
The convent's friends and gives them a long day,
And Job, I must have him there past mistake,
The man of Uz (and Us without the z,
Painters who need his patience). Well, all these
Secured at their devotion, up shall come
Out of a corner when you least expect,
As one by a dark stair into a great light,
Music and talking, who but Lippo! I!—
Mazed, motionless and moonstruck—I'm the man!
Back I shrink—what is this I see and hear?
I, caught up with my monk's-things by mistake,
My old serge gown and rope that goes all round,
I, in this presence, this pure company!
Where's a hole, where's a corner for escape?
Then steps a sweet angelic slip of a thing
Forward, puts out a soft palm—"Not so fast!"
—Addresses the celestial presence, "nay—
He made you and devised you, after all,
Though he's none of you! Could Saint John there draw—
His camel-hair make up a painting-brush?
We come to brother Lippo for all that,
Iste perfecit opus!" So, all smile—
I shuffle sideways with my blushing face
Under the cover of a hundred wings
Thrown like a spread of kirtles when you're gay
And play hot cockles, all the doors being shut,
Till, wholly unexpected, in there pops
The hothead husband! Thus I scuttle off
To home safe bench behind, not letting go
The palm of her, the little lily thing
That spoke the good word for me in the nick,
Like the Prior's niece…Saint Lucy, I would say.
And so all's saved for me, and for the church
A pretty picture gained. Go, six months hence!
Your hand, sir, and good-bye: no lights, no lights!
The street's hushed, and I know my own way back,
Don't fear me! There's the gray beginning. Zooks!

poem by Robert Browning from Men and Women (1855)
Submitted by Veronica Serbanoiu
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Description Of A Lost Friend

FROM THE MORNING POST.

LOST--near the 'Change in the city,
(I saw there a girl that seemed pretty)
'Joe Steel,' a short, cross-looking varlet,
With a visage as red as scarlet:
His nose and chin of a hue
Approaching nearly to blue:
With legs just the length, and no more,
That will trot him from door to door;
And a most capacious paunch,
Fed with many a venison haunch.
Whoever will bring the same
To a tailor's of the name
Of Patterson, Watson, and Co.,
Shall receive a guinea or so.
And that all may understand,
And bring him safe to hand,
I subjoin as well as I can,
The character of the man.
He's a grumpy sort of a fellow,
Till liquor has made him mellow;
The sort of man who never
Wishes your guests to be clever,
When he's asked to come and dine,
But only wants his wine.
He is but a stupid ass,
Even when he's filled his glass,
And emptied it too, a dozen
Times, with some civil cousin.
I don't remember his saying
Aught, that meant more than braying.
We met and we talked together
Of politics and the weather,
Of the taxes and the king,
And that silly sort of thing;
But he never would give an opinion
As to the sort of dominion
He should like to live under, if we
To think of such things were free.
He said it was all speculation,
More harm than good to the nation.
He wouldn't abuse the Commons;
Nor admire a pretty woman's
Ancle, that tripped thro' the park
When it wasn't light or dark.
Laugh at him--he turned sour;
Talk gravely--his brow would lower.
Sometimes he wished to grow fat,
(I'm sure it was needless, that)
When he was over-fed,
Or out of spirits, he said.
Sometimes he wished to be thin,
(When he poured fresh spirits in.)
But he never, when we were alone,
Said any thing new of his own.
The merrier you were, the more
He grumbled, and fumed, and swore;
The happier you were, the less
He cared for your happiness.
We never agreed for a day,
Except when one was away.
And meeting too often of late,
It was my peculiar fate
To say something bitter and bad
About wives being not to be had,
When a batchelor got a red nose,
And his short legs were shrunk in his hose--
It was witty; but cost me my friend:
For, being too late to amend,
He took it amiss that I
The defects of his form should spy.
Perchance he had borne a few jeers
On the purple hue of his ears,
But to say that his legs were small!
Oh! his heart's blood was turned to gall.
So leaving his bottle, he swore
That he never would enter my door.
And I chuckled within my own heart,
Snapped my fingers, and saw him depart,
But, alas! now I've lost him, I find
There was no one so much to my mind.
I have now got a good-tempered fellow,
But he tells me my face is grown yellow.
I've got a new friend that is clever,
But he's brewing his good things for ever:
Another, who talks at a rate
That is frightful, of church and of state,
And never will give in a jot,
Tho' you reason and bawl till you're hot:
Another--but why should I bring
Of friends, as of onions, a string
To my dinners, except that I feel
No number can make a Joe Steel!
When they're lively, I think it a bore;
When they're silent, I miss him the more.
I miss him when I would recall
Some fact of my youth to them all.
Not one of my friends seems to care
If I once had a head of black hair--
Not one of them seems to believe
How the pretty girls once used to grieve
When they missed me amongst them,--Oh! no,
I can have no friend equal to Joe!--
I miss his round, red, surly face--
I miss his short legs from their place--
I miss him--I'm growing quite sad;
I think my old port is turned bad--
I miss him, and draw this conclusion,
(Tho' others may think it delusion)
That, with all their worst faults at their back,
(And I'm sure poor Joe Steel had a pack)
Tho' they never can alter or mend;
There's no friend like a very old friend!

poem by Caroline Elizabeth Sarah Norton
Submitted by Poetry Lover
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To J. S.

The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.
And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade
Even with a verse your holy woe.
'Tis strange that those we lean on most,
Those in whose laps our limbs are nursed,
Fall into shadow, soonest lost:
Those we love first are taken first.

God gives us love. Something to love
He lends us; but, when love is grown
To ripeness, that on which it throve
Falls off, and love is left alone.

This is the curse of time. Alas!
In grief I am not all unlearn'd;
Once thro' mine own doors Death did pass;
One went, who never hath return'd.

He will not smile--not speak to me
Once more. Two years his chair is seen
Empty before us. That was he
Without whose life I had not been.

Your loss is rarer; for this star
Rose with you thro' a little arc
Of heaven, nor having wander'd far
Shot on the sudden into dark.

I knew your brother: his mute dust
I honour and his living worth:
A man more pure and bold and just
Was never born into the earth.

I have not look'd upon you nigh,
Since that dear soul hath fall'n asleep.
Great nature is more wise than I:
I will not tell you not to weep.

And tho' mine own eyes fill with dew,
Drawn from the spirit thro' the brain,
I will not even preach to you,
"Weep, weeping dulls the inward pain."

Let Grief be her own mistress still.
She loveth her own anguish deep
More than much pleasure. Let her will
Be done--to weep or not to weep.

I will not say "God's ordinance
Of death is blown in every wind;"
For that is not a common chance
That takes away a noble mind.

His memory long will live alone
In all our hearts, as mournful light
That broods above the fallen sun,
And dwells in heaven half the night.

Vain solace! Memory standing near
Cast down her eyes, and in her throat
Her voice seem'd distant, and a tear
Dropt on the letters as I wrote.

I wrote I know not what. In truth,
How should I soothe you anyway,
Who miss the brother of your youth?
Yet something I did wish to say:

For he too was a friend to me:
Both are my friends, and my true breast
Bleedeth for both: yet it may be
That only silence suiteth best.

Words weaker than your grief would make
Grief more. 'Twere better I should cease;
Although myself could almost take
The place of him that sleeps in peace.

Sleep sweetly, tender heart, in peace;
Sleep, holy spirit, blessed soul,
While the stars burn, the moons increase,
And the great ages onward roll.

Sleep till the end, true soul and sweet.
Nothing comes to thee new or strange,
Sleep full of rest from head to feet:
Lie still, dry dust, secure of change.

poem by Alfred Lord Tennyson
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English Eclogues I - The Old Mansion-House

STRANGER.
Old friend! why you seem bent on parish duty,
Breaking the highway stones,--and 'tis a task
Somewhat too hard methinks for age like yours.

OLD MAN.
Why yes! for one with such a weight of years
Upon his back. I've lived here, man and boy,
In this same parish, near the age of man
For I am hard upon threescore and ten.
I can remember sixty years ago
The beautifying of this mansion here
When my late Lady's father, the old Squire
Came to the estate.

STRANGER.
Why then you have outlasted
All his improvements, for you see they're making
Great alterations here.

OLD MAN.
Aye-great indeed!
And if my poor old Lady could rise up--
God rest her soul! 'twould grieve her to behold
The wicked work is here.

STRANGER.
They've set about it
In right good earnest. All the front is gone,
Here's to be turf they tell me, and a road
Round to the door. There were some yew trees too
Stood in the court.

OLD MAN.
Aye Master! fine old trees!
My grandfather could just remember back
When they were planted there. It was my task
To keep them trimm'd, and 'twas a pleasure to me!
All strait and smooth, and like a great green wall!
My poor old Lady many a time would come
And tell me where to shear, for she had played
In childhood under them, and 'twas her pride
To keep them in their beauty. Plague I say
On their new-fangled whimsies! we shall have
A modern shrubbery here stuck full of firs
And your pert poplar trees;--I could as soon
Have plough'd my father's grave as cut them down!

STRANGER.
But 'twill be lighter and more chearful now,
A fine smooth turf, and with a gravel road
Round for the carriage,--now it suits my taste.
I like a shrubbery too, it looks so fresh,
And then there's some variety about it.
In spring the lilac and the gueldres rose,
And the laburnum with its golden flowers
Waving in the wind. And when the autumn comes
The bright red berries of the mountain ash,
With firs enough in winter to look green,
And show that something lives. Sure this is better
Than a great hedge of yew that makes it look
All the year round like winter, and for ever
Dropping its poisonous leaves from the under boughs
So dry and bare!

OLD MAN.
Ah! so the new Squire thinks
And pretty work he makes of it! what 'tis
To have a stranger come to an old house!

STRANGER.

It seems you know him not?

OLD MAN.
No Sir, not I.
They tell me he's expected daily now,
But in my Lady's time he never came
But once, for they were very distant kin.
If he had played about here when a child
In that fore court, and eat the yew-berries,
And sat in the porch threading the jessamine flowers,
That fell so thick, he had not had the heart
To mar all thus.

STRANGER.
Come--come! all a not wrong.
Those old dark windows--

OLD MAN.
They're demolish'd too--
As if he could not see thro' casement glass!
The very red-breasts that so regular
Came to my Lady for her morning crumbs,
Won't know the window now!

STRANGER.
Nay they were high
And then so darken'd up with jessamine,
Harbouring the vermine;--that was a fine tree
However. Did it not grow in and line
The porch?

OLD MAN.
All over it: it did one good
To pass within ten yards when 'twas in blossom.
There was a sweet-briar too that grew beside.
My Lady loved at evening to sit there
And knit; and her old dog lay at her feet
And slept in the sun; 'twas an old favourite dog
She did not love him less that he was old
And feeble, and he always had a place
By the fire-side, and when he died at last
She made me dig a grave in the garden for him.
Ah I she was good to all! a woful day
'Twas for the poor when to her grave she went!

STRANGER.
They lost a friend then?

OLD MAN.
You're a stranger here
Or would not ask that question. Were they sick?
She had rare cordial waters, and for herbs
She could have taught the Doctors. Then at winter
When weekly she distributed the bread
In the poor old porch, to see her and to hear
The blessings on her! and I warrant them
They were a blessing to her when her wealth
Had been no comfort else. At Christmas, Sir!
It would have warm'd your heart if you had seen
Her Christmas kitchen,--how the blazing fire
Made her fine pewter shine, and holly boughs
So chearful red,--and as for misseltoe,
The finest bough that grew in the country round
Was mark'd for Madam. Then her old ale went
So bountiful about! a Christmas cask,
And 'twas a noble one! God help me Sir!
But I shall never see such days again.

STRANGER.
Things may be better yet than you suppose
And you should hope the best.

OLD MAN.
It don't look well
These alterations Sir! I'm an old man
And love the good old fashions; we don't find
Old bounty in new houses. They've destroyed
All that my Lady loved; her favourite walk
Grubb'd up, and they do say that the great row
Of elms behind the house, that meet a-top
They must fall too. Well! well! I did not think
To live to see all this, and 'tis perhaps
A comfort I shan't live to see it long.

STRANGER.
But sure all changes are not needs for the worse
My friend.

OLD MAN.
May-hap they mayn't Sir;--for all that
I like what I've been us'd to. I remember
All this from a child up, and now to lose it,
'Tis losing an old friend. There's nothing left
As 'twas;--I go abroad and only meet
With men whose fathers I remember boys;
The brook that used to run before my door
That's gone to the great pond; the trees I learnt
To climb are down; and I see nothing now
That tells me of old times, except the stones
In the church-yard. You are young Sir and I hope
Have many years in store,--but pray to God
You mayn't be left the last of all your friends.

STRANGER.
Well! well! you've one friend more than you're aware of.
If the Squire's taste don't suit with your's, I warrant
That's all you'll quarrel with: walk in and taste
His beer, old friend! and see if your old Lady
E'er broached a better cask. You did not know me,
But we're acquainted now. 'Twould not be easy
To make you like the outside; but within--
That is not changed my friend! you'll always find
The same old bounty and old welcome there.

poem by Robert Southey
Submitted by Poetry Lover
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Minutes

Of The Jackson Hall Debating Society, December 5, 1877

My muse inspire me, while I tell
The weighty matters that befell
On Monday night at Jackson Hall
December fifth. I'll tell it all,
Day and year I'll tell you even,
'Twas eighteen hundred seventy-seven.
The Jacksonites were out in force,
No common thing was up of course,
But something rare and rich and great,
'Twas nothing short of a debate;
What was the question? Let me see,
Yes; 'Can Christians consistently
Engage in war against a brother
And at the same time love each other?'
But first and foremost let me say,
My muse has taken me astray,
So I'll return to the beginning
Digression is my common sinning
For which your pardon I implore,
If granted, I will sin no more,
That is no more till the next time,
For when I'm forging out a rhyme,
The narrative which I would fix up,
I somehow rather oddly mix up.

A president must first be got,
So they elected James M. Scott,
He said he'd serve; (and that was clever,)
A little while, but not forever.
A paper called a 'constitution,'
Was read and on some person's motion,
Was all adopted, at a word,
A thing that seemed to me absurd.
Then instantly to work they went,
And filled the chair of president,
And William Henderson they took,
They knew their man just like a book.
A scribe was wanted next to keep,
A record of their doings deep.
On looking round they cast the lot,
And so it fell on David Scott.
A treasurer was next in order
When looking up and down the border,
For one to hoard the gold and silver,
The mantle fell on Joseph Miller.
The executive committee
Was now to fill and here we see
A piece of work I apprehend,
May lead to trouble in the end,
For while they only wanted five,
Yet six they got, as I'm alive,
First they installed Peter Jaquett,
Then John Creswell, two men well met,
James Law, but they were not enough,
And so they added William Tuft.
One more was wanted that was plain,
That one was found in John McKane,
But when the five were call'd to meet
There were but four came to the seat;
There are but four, said one so racy,
So they elected William Gracy.
Now you perceive this grave committee
Which numbers five both wise and witty,
Has got into a pretty fix
With but five seats and numbers six.
The question for the next debate
Was then selected, which I'll state
If I have only got the gumption
To make some word rhyme with resumption,
'Should Congress now repeal the act
To pay all debts in gold in fact.'

The speakers now were trotted out
Their sides to choose and take a bout
Upon the question, which I stated
As having been so well debated,
Namely, 'Can christians go to war,'
The very devil might abhor
To contemplate this proposition
Offspring of pride and superstition
That brothers by a second birth,
Should make a very hell of earth.
The war of words waxed loud and long,
Each side was right, the other wrong;
The speakers eager for the fray,
Wished their ten minutes half a day;
But time and tide will wait for none,
So glibly did the gabble run,
That nine o'clock soon spoiled the fun,
And all that rising tide of words,
Was smothered never to be heard.
The fight is o'er, the race is run,
And soon we'll know which side has won,
But this is not so easy done;
Indeed I have a world of pity
For the executive committee
Who hear in silence all this clatter
And then decide upon the matter;
To give each speaker justice due,
And sift the error from the true,
Is not an easy thing to do.
To decide what facts have any bearing
Upon the question they are hearing,
And generally keep in hand
The arguments, so strong and grand,
And draw from them a just conclusion
Without a mixture of confusion;
The negative got the decision
Unanimous, without division.
The speakers then took their position,
Upon the doubtful proposition
Of the repeal of gold resumption,
Upon the plausible presumption,
That those who pay must have the money,
That laws of Congress, (that seems funny,)
Are not above the laws of trade,
And therefore cannot be obeyed.
Here now my muse, poor worthless jade,
Deserted, as I was afraid
From the beginning she would do;
So I must say good-night to you,
And these long rambling minutes close,
In just the dullest kind of prose.

poem by David John Scott
Submitted by Poetry Lover
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Any Wife to Any Husband

I

My love, this is the bitterest, that thou
Who art all truth, and who dost love me now
As thine eyes say, as thy voice breaks to say—
Shouldst love so truly, and couldst love me still
A whole long life through, had but love its will,
Would death that leads me from thee brook delay.

II

I have but to be by thee, and thy hand
Will never let mine go, nor heart withstand
The beating of my heart to reach its place.
When shall I look for thee and feel thee gone?
When cry for the old comfort and find none?
Never, I know! Thy soul is in thy face.

III

Oh, I should fade—'tis willed so! Might I save,
Gladly I would, whatever beauty gave
Joy to thy sense, for that was precious too.
It is not to be granted. But the soul
Whence the love comes, all ravage leaves that whole;
Vainly the flesh fades; soul makes all things new.

IV

It would not be because my eye grew dim
Thou couldst not find the love there, thanks to Him
Who never is dishonoured in the spark
He gave us from his fire of fires, and bade
Remember whence it sprang, nor be afraid
While that burns on, though all the rest grow dark.

V

So, how thou wouldst be perfect, white and clean
Outside as inside, soul and soul's demesne
Alike, this body given to show it by!
Oh, three-parts through the worst of life's abyss,
What plaudits from the next world after this,
Couldst thou repeat a stroke and gain the sky!

VI

And is it not the bitterer to think
That, disengage our hands and thou wilt sink
Although thy love was love in very deed?
I know that nature! Pass a festive day,
Thou dost not throw its relic-flower away
Nor bid its music's loitering echo speed.

VII

Thou let'st the stranger's glove lie where it fell;
If old things remain old things all is well,
For thou art grateful as becomes man best:
And hadst thou only heard me play one tune,
Or viewed me from a window, not so soon
With thee would such things fade as with the rest.

VIII

I seem to see! We meet and part; 'tis brief;
The book I opened keeps a folded leaf,
The very chair I sat on, breaks the rank;
That is a portrait of me on the wall—
Three lines, my face comes at so slight a call:
And for all this, one little hour to thank!

IX

But now, because the hour through years was fixed,
Because our inmost beings met and mixed,
Because thou once hast loved me—wilt thou dare
Say to thy soul and Who may list beside,
"Therefore she is immortally my bride;
"Chance cannot change my love, nor time impair.

X

"So, what if in the dusk of life that's left,
"I, a tired traveller of my sun bereft,
"Look from my path when, mimicking the same,
"The fire-fly glimpses past me, come and gone?
"—Where was it till the sunset? where anon
"It will be at the sunrise! What's to blame?"

XI

Is it so helpful to thee? Canst thou take
The mimic up, nor, for the true thing's sake,
Put gently by such efforts at a beam?
Is the remainder of the way so long,
Thou need'st the little solace, thou the strong?
Watch out thy watch, let weak ones doze and dream!

XII

—Ah, but the fresher faces! "Is it true,"
Thou'lt ask, "some eyes are beautiful and new?
"Some hair,—how can one choose but grasp such wealth?
"And if a man would press his lips to lips
"Fresh as the wilding hedge-rose-cup there slips
"The dew-drop out of, must it be by stealth?

XIII

"It cannot change the love still kept for Her,
"More than if such a picture I prefer
"Passing a day with, to a room's bare side:
"The painted form takes nothing she possessed,
"Yet, while the Titian's Venus lies at rest,
"A man looks. Once more, what is there to chide?"

XIV

So must I see, from where I sit and watch,
My own self sell myself, my hand attach
Its warrant to the very thefts from me—
Thy singleness of soul that made me proud,
Thy purity of heart I loved aloud,
Thy man's-truth I was bold to bid God see!

XV

Love so, then, if thou wilt! Give all thou canst
Away to the new faces—disentranced,
(Say it and think it) obdurate no more:
Re-issue looks and words from the old mint,
Pass them afresh, no matter whose the print
Image and superscription once they bore

XVI

Re-coin thyself and give it them to spend,—
It all comes to the same thing at the end,
Since mine thou wast, mine art and mine shalt be,
Faithful or faithless, sealing up the sum
Or lavish of my treasure, thou must come
Back to the heart's place here I keep for thee!

XVII

Only, why should it be with stain at all?
Why must I, 'twixt the leaves of coronal,
Put any kiss of pardon on thy brow?
Why need the other women know so much,
And talk together, "Such the look and such
"The smile he used to love with, then as now!"

XVIII

Might I die last and show thee! Should I find
Such hardship in the few years left behind,
If free to take and light my lamp, and go
Into thy tomb, and shut the door and sit,
Seeing thy face on those four sides of it
The better that they are so blank, I know!

XIX

Why, time was what I wanted, to turn o'er
Within my mind each look, get more and more
By heart each word, too much to learn at first;
And join thee all the fitter for the pause
'Neath the low doorway's lintel. That were cause
For lingering, though thou calledst, if I durst!

XX

And yet thou art the nobler of us two:
What dare I dream of, that thou canst not do,
Outstripping my ten small steps with one stride?
I'll say then, here's a trial and a task—
Is it to bear?—if easy, I'll not ask:
Though love fail, I can trust on in thy pride.

XXI

Pride?—when those eyes forestall the life behind
The death I have to go through!—when I find,
Now that I want thy help most, all of thee!
What did I fear? Thy love shall hold me fast
Until the little minute's sleep is past
And I wake saved.—And yet it will not be!

poem by Robert Browning from Men and Women (1855)
Submitted by Veronica Serbanoiu
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My Redemption Poem

When satan fell,
for one wrong mistake.
He was thrown in hell,
it was all he could take.
For there was still light in him,
but with it was now doubt.
Upon his face grew a grin,
all he did was rage and shout.
He yelled to God 'Why did it have to be me? ',
but he didnt answer,
and satan did see.
That hell was his to rule,
with unimaginable pain,
he would truly be cruel.
To all the lost souls,
he was their Dark King.
With their blood in his bowl,
in their pain,
for him they would sing.
Over the eons he became insane,
but there was still light in him.
Hidden in a deep part of his soul,
a place he forgot to know.
And one day their blood spilled out of the bowl,
he felt something stir.
A sadness so deep,
with a pain so true.
He could never sleep,
so the pain was all he could know.
As he sat there,
with tears in his eyes,
he thought noone was there,
noone to hear his cries.
He heard a voice,
and this is what it said 'Son why do you cry? '
He couldnt believe what he heard,
and was voiceless.
God said 'Son your here by your own choice'.
And with that he felt,
in numerous times,
all the pain he had delt.
And now he seen,
that little light,
he could find that little gleam.
He fell to his knees,
for all to see.
He prayed to God,
saying 'Father can i be saved? '.
'Am i doomed to live a life in this darkness? '.
And God said to satan 'My son all you had to do was accept your choice',
and then he said 'My son ive forgiven all your sins, and i will make your soul pure again'.
And satan said 'My father i have waited eons to come home'.
And God said unto him 'You are forgiven, but this shall be your home, for this realm has made you strong'.
And then he felt all the pain gone,
with a heart now light.
His soul was now strong,
his black wings now turned white.
He knew now what his job was,
he was here to punish the evil.
But now he knew kindness,
but also he knew,
those that were evil,
were the ones he slew.
As God looked down at his son,
he seen what he knew would be.
His fallen son was now a keeper,
of all that was worldly bound.
His son did his duty,
and never uttered a sound.
For satan was white and new,
doing a job God could never do.
Satan could punish now,
with justice and right.
He finally accepted the choices he did sow,
he was God's beautiful angel,
so truly bright,
he was God's most beautiful shining light.
And God thought to himself 'There is hope for all my children.For I will always be there in their hheart and soul.I am their forgiveness and salvation'.
And as time went on,
satan did his job without break.
His heart was growing long,
he finally had all he could take.
He fell to his knees,
and said to God 'Evil is all i see, and my light has grown dim'.
He prayed for peace of mind,
and a life,
where he satan could be kind.
He prayed for a life without strief,
so simple and nice.
And God said to him 'Satan my son, you have done what no other would, your love for me let you do what you could'.
And satan said to him 'Father please, hear me in this.My only goal was to serve you forever.But this task you gave me could not be done for all time'.
And God sat there and thought,
for long he could not see.
This terrible gift he had bought,
given to satan alone from me.
And God said to him 'My son you have a pure heart and soul'.
He thought of his gift to him,
a job he thought his son could handle.
But his son's heart had grown heavy and dim,
soon it was to be but a flickering candle.
So God said to him 'My son i have done a terrible thing.I have given you a job, that has caused you pain.Your strenght has kept you sane.This i give you son, ask of me one thing and i will see to it it's done'.
As satan was on his knees,
he thought of what God promised.
Satan made his cries heard,
and this is what he said.
'Father I love you with all my soul, you are what saved me, you again made me whole.This is what I ask of you, give me peace of mind, and a place at your side, give me an angel to love, make her my bride'.
Satan said to him 'Father this is all I ask, this is all I want.For me to be back at your side, with my love for you I will not hide'.
God looked upon his son,
with tears in his eyes.
His son was home,
with his father in the sky.
And God said to his son 'You have lived a life in pain and misery, but I now see that you were always pure and whole.My son I will give you this, come home to me, and be by my side, come home, and find love, and piece of mind.My son now you can be gentle and kind'.
Satan looked upon his father,
with tears in his eyes.
He went a little further,
into God's light,
to be with him in the skies.
All satan could say was 'Father I am home, with you my Lord.My mind is now at peace.Father you have given me the greatest gift.You gave me your love and light.You haved saved me from the dark, with you at my side, I will never again be trapped in this eternal night.I will be your son, always at your side.I will do your bidding, but I ask of you.Please Father never make me kill again.This is all I ask of you father'.
God was not surprised by this,
for he knew his son was pure and true.
This was not something he would miss,
for his son was now new.
For the rest of time forever,
satan stood at God's side,
For his love for God would fade never,
his son glowed from his love for him,
his love for his Father he would never hide.
Satan was evermore pure and white,
he was God's greatest angel,
he shone so bright,
with his radiant light.
Gone was the darkness in his soul,
and eyes clear and blue.
His love for his father had made him whole,
he loved everything he knew.
When time was coming to an end,
and all was doomed to die.
Satan now with a heart so kind,
and he asks his father for a gift.
He asked God 'Father you have granted me peace, and love, and being by your side.But why will you let mankind die? '
And God said to his son 'My son, mankind has become evil, and corrupt.They have shunned me for far to long'.
As god said this to him, he noticed his son's eyes dim.
And he could not understand why,
that this little event,
would make his sone cry.
And satan looked upon his Father,
his Saviour,
his light.
Satan said to God 'Father at one time I forsaked your name, I cursed your very being.I was more evil than any human being that has ever been born.But as with me they can be taught, the lessons that there actions have brought.Please Father forgive them, and be their light.Your the only one that can save their souls.For me do this Father'.
As gos looked in his son's eyes,
all he could see was true love.
As his son fell to his knees,
with his wings white as a dove.
His son looked him in the eyes, and satan began to cry.
He said to God 'Father I will give my soul to help mankind.For they are like me, they just need peace of mind.For them I will die, so they can be forgiven.I do this for you Father, this im my choice.Let your heart hear your son's voice.Do this for me Father, spare mankind.I will give all I am, to teach them to be true of heart, to love eachother, to be in your flock and find your light.Father I give them my soul, and you my life.Just stop this disaster from happening, and spare their lives.If you do this for me Father I will be at peace to give my soul and life to save them all.I do this for them, to prevent their fall.Please Father do this for me'.
As God listened to these words,
he truly couldnt believe,
these words he heard.
For his son couldnt bear,
to see them in pain.With so much ove in his heart,
all satan could was care.
He would give his life,
to end their strief.
To bring all the lost children,
into his Fathers light.
God could see,
with clarity of mind.
That his son on his knees,
was truly kind.
More so then his Father,
who had given up on mankind.
His son would lose it all,
to prevent their fall.
So there stood and thought,
what his actions had bought.
He would now lose his son,
satan was gonna die.
He put his hands on his son's head,
and he began to cry.
For his son he got back,
was asking to die.
His son wanted to banish their dark,
with his love so pure.
And God said to satan 'My son if this is your wish, than i grant it to you.Your life for theirs, a second chance they will get.To come into the light, and know my love.My son with the soul of a dove, you will be apart of their hearts.This I do for you for a fresh new start.For I cannot bear to lose you.Especially now that you are so kind.But I onlt do this for you, because my love for you knows no bounds.You are my true son, the kindest around.So son know this for your life they will live, but you will be with them, a part of their souls.For this way I will not truly lose you'.
As satan heard these words,
his heart filled with joy.
For through him,
they would live.
For his heart and soul,
and love for them unbound.
He would save their lives,
his love would make them whole.
He would be a part of them,
his love would be spread around.
He would save them all,
with his radiant light.
He would stop their fall,
he would bring them out of the night.
Satan looked at God,
and as he rose he said 'Father im ready.To give my life and soul for them.I know your sad Father, but remember I will be apart of them all.I will be the light and love in their hearts and soul.I will always be with you my Father, but it is my time to prove to you my love.Let the light rain from Heaven, a healing from above.Father it is my time to go, but remember this, we all fall from the path, we all shy from the light, but we also can be forgiven.By you my Lord'.
As God heard his son say bye,
he knew he would be lonely now,
all by himeself in the sky.
His son that was once evil,
and shunned his name.
Was giving his life,
to get rid of all their pain.
The son who served with all his heart,
was walking into the light,
to give them a new start.
God's heart broke a little,
as he seen his son die.
Everything now seemed brittle,
and he began to cry.
Fo Heaven had lost a soul,
who was truly selfless,
to die for them,
to make them once again whole.
God said to himself 'Mankind you have been forgiven, ..through my son's sacrifice for you.He gave his life, so I would spare you all.Satan gave himself to stop your fall.His soul and love now live in everyone of you.Though I never thought that it would be a fallen ones soul, a soul that was truthfully was always pure, even though he was evil, and did terrible things.My son showed me everyone could be forgiven.His love and wisdom saved you all.Now in Heaven I hear the angels call.For they have lost a brother.Be happy humans, for now your souls are white and pure now.Through my son's actions, his ultimate sacrifice for you.You are all now in my light.Be at peace my children, and remember the sacrifice satan made for you.Remember that his love for you, made me lose a son.But I forgive you for all.With your hearts now light, sing for him and stand tall.Now I will grieve for my lost son.Satan come back to me'.
As the world began anew,
people woke with light to see.
The world was fresh,
like the morning dew.
Satans sacrifice had saved them all,
he gave everything,
for mankind to love again,
and save them from their fall.
With their souls now white and pure,
they mahe the world great.
With his soul and love,
now apiece of everyone.
Mankinds souls soared,
as white as a dove.
They praised God's name,
with love and joy.
Satans sacrifice was not in vain,
as he kept his promise to his Father.
His life had made the world sane,
with his light and love,
within their heart.
Satans sacrifice was for love,
his life gave them all a new start.
As God sat and cried,
for his son he lost.
Mabey he wouldnt have died,
if he hadnt given up.
His actions had brought this on,
the one mistake he ever made.
Something his son couldnt take,
for his soul was to pure.
His heart broke as he seen,
what was happening to mankind.
Mabey if I hadnt given up on them,
this wouldnt of been.
Now my son is gone out of love,
for he cared for everyone but himself.
He was my son,
my light,
my dove.
As God cried,
he heard a voice in his head.
It said this 'Father remember I will always be with you in your heart.When I seen you give up on mankind, it broke my heart.I loved them to much to let them die.So I made the choice to give everything I was, all my light, soul, and love to save them.So do not be sad Father, for I have redeemed myself for everything ive done bad.I gave myself for them to remind you that everyone, no matter how bad or evil they were, or the sins they commited, can all be forgived.This is why im now apart of them all, to guide them on the right path.The path to the Kingdom of Heaven, to you my Father, my Lord.Always remember what I did for them Father, was because I loved them all, and needed to remind you that we cant give up on the ones we love.Always remember me Father, your son will always be with you in your heart'.
As God heard his son's voice,
in his soul and heart.
He knew satans choice,
was all about a new start.
As he realized this,
he couldnt cry.
For now he knew,
that his son had to die.
For satans love was bright,
and blue.
And it showed God,
his son's true light.
In the end,
with satans sacrifice for humankind.
He helped the world to began again,
and his sacrifice was for all of them
He put his Fathers mind at peace,
and saved all humankind.
And God would love them all,
for his son's sacrifice of love.
He would never give up on them again,
so he set free one white dove,
they knew they had been forgiven,
they knew they were loved..

poem by Nick Wingler
Submitted by Poetry Lover
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The Duellist - Book III

Ah me! what mighty perils wait
The man who meddles with a state,
Whether to strengthen, or oppose!
False are his friends, and firm his foes:
How must his soul, once ventured in,
Plunge blindly on from sin to sin!
What toils he suffers, what disgrace,
To get, and then to keep, a place!
How often, whether wrong or right,
Must he in jest or earnest fight,
Risking for those both life and limb
Who would not risk one groat for him!
Under the Temple lay a Cave,
Made by some guilty, coward slave,
Whose actions fear'd rebuke: a maze
Of intricate and winding ways,
Not to be found without a clue;
One passage only, known to few,
In paths direct led to a cell,
Where Fraud in secret loved to dwell,
With all her tools and slaves about her,
Nor fear'd lest Honesty should rout her.
In a dark corner, shunning sight
Of man, and shrinking from the light,
One dull, dim taper through the cell
Glimmering, to make more horrible
The face of darkness, she prepares,
Working unseen, all kinds of snares,
With curious, but destructive art:
Here, through the eye to catch the heart,
Gay stars their tinsel beams afford,
Neat artifice to trap a lord;
There, fit for all whom Folly bred,
Wave plumes of feathers for the head;
Garters the hag contrives to make,
Which, as it seems, a babe might break,
But which ambitious madmen feel
More firm and sure than chains of steel;
Which, slipp'd just underneath the knee,
Forbid a freeman to be free.
Purses she knew, (did ever curse
Travel more sure than in a purse?)
Which, by some strange and magic bands,
Enslave the soul, and tie the hands.
Here Flattery, eldest-born of Guile,
Weaves with rare skill the silken smile,
The courtly cringe, the supple bow,
The private squeeze, the levee vow,
With which--no strange or recent case--
Fools in, deceive fools out of place.
Corruption, (who, in former times,
Through fear or shame conceal'd her crimes,
And what she did, contrived to do it
So that the public might not view it)
Presumptuous grown, unfit was held
For their dark councils, and expell'd,
Since in the day her business might
Be done as safe as in the night.
Her eye down-bending to the ground,
Planning some dark and deadly wound,
Holding a dagger, on which stood,
All fresh and reeking, drops of blood,
Bearing a lantern, which of yore,
By Treason borrow'd, Guy Fawkes bore,
By which, since they improved in trade,
Excisemen have their lanterns made,
Assassination, her whole mind
Blood-thirsting, on her arm reclined;
Death, grinning, at her elbow stood,
And held forth instruments of blood,--
Vile instruments, which cowards choose,
But men of honour dare not use;
Around, his Lordship and his Grace,
Both qualified for such a place,
With many a Forbes, and many a Dun,
Each a resolved, and pious son,
Wait her high bidding; each prepared,
As she around her orders shared,
Proof 'gainst remorse, to run, to fly,
And bid the destined victim die,
Posting on Villany's black wing,
Whether he patriot is, or king.
Oppression,--willing to appear
An object of our love, not fear,
Or, at the most, a reverend awe
To breed, usurp'd the garb of Law.
A book she held, on which her eyes
Were deeply fix'd, whence seem'd to rise
Joy in her breast; a book, of might
Most wonderful, which black to white
Could turn, and without help of laws,
Could make the worse the better cause.
She read, by flattering hopes deceived;
She wish'd, and what she wish'd, believed,
To make that book for ever stand
The rule of wrong through all the land;
On the back, fair and worthy note,
At large was Magna Charta wrote;
But turn your eye within, and read,
A bitter lesson, Norton's Creed.
Ready, e'en with a look, to run,
Fast as the coursers of the sun,
To worry Virtue, at her hand
Two half-starved greyhounds took their stand.
A curious model, cut in wood,
Of a most ancient castle stood
Full in her view; the gates were barr'd,
And soldiers on the watch kept guard;
In the front, openly, in black
Was wrote, The Tower: but on the back,
Mark'd with a secretary's seal,
In bloody letters, The Bastile.
Around a table, fully bent
On mischief of most black intent,
Deeply determined that their reign
Might longer last, to work the bane
Of one firm patriot, whose heart, tied
To Honour, all their power defied,
And brought those actions into light
They wish'd to have conceal'd in night,
Begot, born, bred to infamy,
A privy-council sat of three:
Great were their names, of high repute
And favour through the land of Bute.
The first (entitled to the place
Of Honour both by gown and grace,
Who never let occasion slip
To take right-hand of fellowship,
And was so proud, that should he meet
The twelve apostles in the street,
He'd turn his nose up at them all,
And shove his Saviour from the wall!
Who was so mean (Meanness and Pride
Still go together side by side)
That he would cringe, and creep, be civil,
And hold a stirrup for the Devil;
If in a journey to his mind,
He'd let him mount and ride behind;
Who basely fawn'd through all his life,
For patrons first, then for a wife:
Wrote Dedications which must make
The heart of every Christian quake;
Made one man equal to, or more
Than God, then left him, as before
His God he left, and, drawn by pride,
Shifted about to t' other side)
Was by his sire a parson made,
Merely to give the boy a trade;
But he himself was thereto drawn
By some faint omens of the lawn,
And on the truly Christian plan
To make himself a gentleman,--
A title in which Form array'd him,
Though Fate ne'er thought on 't when she made him.
The oaths he took, 'tis very true,
But took them as all wise men do,
With an intent, if things should turn,
Rather to temporise, than burn;
Gospel and loyalty were made
To serve the purposes of trade;
Religions are but paper ties,
Which bind the fool, but which the wise,
Such idle notions far above,
Draw on and off, just like a glove;
All gods, all kings (let his great aim
Be answer'd) were to him the same.
A curate first, he read and read,
And laid in, whilst he should have fed
The souls of his neglected flock,
Of reading such a mighty stock,
That he o'ercharged the weary brain
With more than she could well contain;
More than she was with spirits fraught
To turn and methodise to thought,
And which, like ill-digested food,
To humours turn'd, and not to blood.
Brought up to London, from the plough
And pulpit, how to make a bow
He tried to learn; he grew polite,
And was the poet's parasite.
With wits conversing, (and wits then
Were to be found 'mongst noblemen)
He caught, or would have caught, the flame,
And would be nothing, or the same.
He drank with drunkards, lived with sinners,
Herded with infidels for dinners;
With such an emphasis and grace
Blasphemed, that Potter kept not pace:
He, in the highest reign of noon,
Bawled bawdy songs to a psalm tune;
Lived with men infamous and vile,
Truck'd his salvation for a smile;
To catch their humour caught their plan,
And laugh'd at God to laugh with man;
Praised them, when living, in each breath,
And damn'd their memories after death.
To prove his faith, which all admit
Is at least equal to his wit,
And make himself a man of note,
He in defence of Scripture wrote:
So long he wrote, and long about it,
That e'en believers 'gan to doubt it:
He wrote, too, of the inward light,
Though no one knew how he came by 't,
And of that influencing grace
Which in his life ne'er found a place:
He wrote, too, of the Holy Ghost,
Of whom no more than doth a post
He knew; nor, should an angel show him,
Would he, or know, or choose to know him.
Next (for he knew 'twixt every science
There was a natural alliance)
He wrote, to advance his Maker's praise,
Comments on rhymes, and notes on plays,
And with an all-sufficient air
Placed himself in the critic's chair;
Usurp'd o'er Reason full dominion,
And govern'd merely by Opinion.
At length dethroned, and kept in awe
By one plain simple man of law,
He arm'd dead friends, to vengeance true,
To abuse the man they never knew.
Examine strictly all mankind,
Most characters are mix'd, we find;
And Vice and Virtue take their turn
In the same breast to beat and burn.
Our priest was an exception here,
Nor did one spark of grace appear,
Not one dull, dim spark in his soul;
Vice, glorious Vice, possess'd the whole,
And, in her service truly warm,
He was in sin most uniform.
Injurious Satire! own at least
One snivelling virtue in the priest,
One snivelling virtue, which is placed,
They say, in or about the waist,
Call'd Chastity; the prudish dame
Knows it at large by Virtue's name.
To this his wife (and in these days
Wives seldom without reason praise)
Bears evidence--then calls her child,
And swears that Tom was vastly wild.
Ripen'd by a long course of years,
He great and perfect now appears.
In shape scarce of the human kind,
A man, without a manly mind;
No husband, though he's truly wed;
Though on his knees a child is bred,
No father; injured, without end
A foe; and though obliged, no friend;
A heart, which virtue ne'er disgraced;
A head, where learning runs to waste;
A gentleman well-bred, if breeding
Rests in the article of reading;
A man of this world, for the next
Was ne'er included in his text;
A judge of genius, though confess'd
With not one spark of genius bless'd;
Amongst the first of critics placed,
Though free from every taint of taste;
A Christian without faith or works,
As he would be a Turk 'mongst Turks;
A great divine, as lords agree,
Without the least divinity;
To crown all, in declining age,
Inflamed with church and party rage,
Behold him, full and perfect quite,
A false saint, and true hypocrite.
Next sat a lawyer, often tried
In perilous extremes; when Pride
And Power, all wild and trembling, stood,
Nor dared to tempt the raging flood;
This bold, bad man arose to view,
And gave his hand to help them through:
Steel'd 'gainst compassion, as they pass'd
He saw poor Freedom breathe her last;
He saw her struggle, heard her groan;
He saw her helpless and alone,
Whelm'd in that storm, which, fear'd and praised
By slaves less bold, himself had raised.
Bred to the law, he from the first
Of all bad lawyers was the worst.
Perfection (for bad men maintain
In ill we may perfection gain)
In others is a work of time,
And they creep on from crime to crime;
He, for a prodigy design'd,
To spread amazement o'er mankind,
Started full ripen'd all at once
A perfect knave, and perfect dunce.
Who will, for him, may boast of sense,
His better guard is impudence;
His front, with tenfold plates of brass
Secured, Shame never yet could pass,
Nor on the surface of his skin
Blush for that guilt which dwelt within.
How often, in contempt of laws,
To sound the bottom of a cause,
To search out every rotten part,
And worm into its very heart,
Hath he ta'en briefs on false pretence,
And undertaken the defence
Of trusting fools, whom in the end
He meant to ruin, not defend!
How often, e'en in open court,
Hath the wretch made his shame his sport,
And laugh'd off, with a villain's ease,
Throwing up briefs, and keeping fees!
Such things as, though to roguery bred,
Had struck a little villain dead!
Causes, whatever their import,
He undertakes, to serve a court;
For he by art this rule had got,
Power can effect what Law cannot.
Fools he forgives, but rogues he fears;
If Genius, yoked with Worth, appears,
His weak soul sickens at the sight,
And strives to plunge them down in night.
So loud he talks, so very loud,
He is an angel with the crowd;
Whilst he makes Justice hang her head,
And judges turn from pale to red.
Bid all that Nature, on a plan
Most intimate, makes dear to man,
All that with grand and general ties
Binds good and bad, the fool and wise,
Knock at his heart; they knock in vain;
No entrance there such suitors gain;
Bid kneeling kings forsake the throne,
Bid at his feet his country groan;
Bid Liberty stretch out her hands,
Religion plead her stronger bands;
Bid parents, children, wife, and friends,
If they come 'thwart his private ends--
Unmoved he hears the general call,
And bravely tramples on them all.
Who will, for him, may cant and whine,
And let weak Conscience with her line
Chalk out their ways; such starving rules
Are only fit for coward fools;
Fellows who credit what priests tell,
And tremble at the thoughts of Hell;
His spirit dares contend with Grace,
And meets Damnation face to face.
Such was our lawyer; by his side,
In all bad qualities allied,
In all bad counsels, sat a third,
By birth a lord. Oh, sacred word!
Oh, word most sacred! whence men get
A privilege to run in debt;
Whence they at large exemption claim
From Satire, and her servant Shame;
Whence they, deprived of all her force,
Forbid bold Truth to hold her course.
Consult his person, dress, and air,
He seems, which strangers well might swear,
The master, or, by courtesy,
The captain of a colliery.
Look at his visage, and agree
Half-hang'd he seems, just from the tree
Escaped; a rope may sometimes break,
Or men be cut down by mistake.
He hath not virtue (in the school
Of Vice bred up) to live by rule,
Nor hath he sense (which none can doubt
Who know the man) to live without.
His life is a continued scene
Of all that's infamous and mean;
He knows not change, unless, grown nice
And delicate, from vice to vice;
Nature design'd him, in a rage,
To be the Wharton of his age;
But, having given all the sin,
Forgot to put the virtues in.
To run a horse, to make a match,
To revel deep, to roar a catch,
To knock a tottering watchman down,
To sweat a woman of the town;
By fits to keep the peace, or break it,
In turn to give a pox, or take it;
He is, in faith, most excellent,
And, in the word's most full intent,
A true choice spirit, we admit;
With wits a fool, with fools a wit:
Hear him but talk, and you would swear
Obscenity herself was there,
And that Profaneness had made choice,
By way of trump, to use his voice;
That, in all mean and low things great,
He had been bred at Billingsgate;
And that, ascending to the earth
Before the season of his birth,
Blasphemy, making way and room,
Had mark'd him in his mother's womb.
Too honest (for the worst of men
In forms are honest, now and then)
Not to have, in the usual way,
His bills sent in; too great to pay:
Too proud to speak to, if he meets
The honest tradesman whom he cheats:
Too infamous to have a friend;
Too bad for bad men to commend,
Or good to name; beneath whose weight
Earth groans; who hath been spared by Fate
Only to show, on Mercy's plan,
How far and long God bears with man.
Such were the three, who, mocking sleep,
At midnight sat, in counsel deep,
Plotting destruction 'gainst a head
Whose wisdom could not be misled;
Plotting destruction 'gainst a heart
Which ne'er from honour would depart.
'Is he not rank'd amongst our foes?
Hath not his spirit dared oppose
Our dearest measures, made our name
Stand forward on the roll of Shame
Hath he not won the vulgar tribes,
By scorning menaces and bribes,
And proving that his darling cause
Is, of their liberties and laws
To stand the champion? In a word,
Nor need one argument be heard
Beyond this to awake our zeal,
To quicken our resolves, and steel
Our steady souls to bloody bent,
(Sure ruin to each dear intent,
Each flattering hope) he, without fear,
Hath dared to make the truth appear.'
They said, and, by resentment taught,
Each on revenge employ'd his thought;
Each, bent on mischief, rack'd his brain
To her full stretch, but rack'd in vain;
Scheme after scheme they brought to view;
All were examined; none would do:
When Fraud, with pleasure in her face,
Forth issued from her hiding-place,
And at the table where they meet,
First having bless'd them, took her seat.
'No trifling cause, my darling boys,
Your present thoughts and cares employs;
No common snare, no random blow,
Can work the bane of such a foe:
By nature cautious as he's brave,
To Honour only he's a slave;
In that weak part without defence,
We must to honour make pretence;
That lure shall to his ruin draw
The wretch, who stands secure in law.
Nor think that I have idly plann'd
This full-ripe scheme; behold at hand,
With three months' training on his head,
An instrument, whom I have bred,
Born of these bowels, far from sight
Of Virtue's false but glaring light,
My youngest-born, my dearest joy,
Most like myself, my darling boy!
He, never touch'd with vile remorse,
Resolved and crafty in his course,
Shall work our ends, complete our schemes,
Most mine, when most he Honour's seems;
Nor can be found, at home, abroad,
So firm and full a slave of Fraud.'
She said, and from each envious son
A discontented murmur run
Around the table; all in place
Thought his full praise their own disgrace,
Wondering what stranger she had got,
Who had one vice that they had not;
When straight the portals open flew,
And, clad in armour, to their view
Martin, the Duellist, came forth.
All knew, and all confess'd his worth;
All justified, with smiles array'd,
The happy choice their dam had made.

poem by Charles Churchill
Submitted by Poetry Lover
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James Lee's Wife

I.—James Lee's Wife Speaks at the Window

I.
Ah, Love, but a day
And the world has changed!
The sun's away,
And the bird estranged;
The wind has dropped,
And the sky's deranged:
Summer has stopped.

II.
Look in my eyes!
Wilt thou change too?
Should I fear surprise?
Shall I find aught new
In the old and dear,
In the good and true,
With the changing year?

III.
Thou art a man,
But I am thy love.
For the lake, its swan;
For the dell, its dove;
And for thee—(oh, haste!)
Me, to bend above,
Me, to hold embraced.

II.—By the Fireside

I.
Is all our fire of shipwreck wood,
Oak and pine?
Oh, for the ills half-understood,
The dim dead woe
Long ago
Befallen this bitter coast of France!
Well, poor sailors took their chance;
I take mine.

II.
A ruddy shaft our fire must shoot
O'er the sea:
Do sailors eye the casement—mute,
Drenched and stark,
From their bark—
And envy, gnash their teeth for hate
O' the warm safe house and happy freight
—Thee and me?

III.
God help you, sailors, at your need!
Spare the curse!
For some ships, safe in port indeed,
Rot and rust,
Run to dust,
All through worms i' the wood, which crept,
Gnawed our hearts out while we slept:
That is worse.

IV.
Who lived here before us two?
Old-world pairs.
Did a woman ever—would I knew!—
Watch the man
With whom began
Love's voyage full-sail,—(now, gnash your teeth!)
When planks start, open hell beneath
Unawares?

III.—In the Doorway

I.
The swallow has set her six young on the rail,
And looks sea-ward:
The water's in stripes like a snake, olive-pale
To the leeward,—
On the weather-side, black, spotted white with the wind.
"Good fortune departs, and disaster's behind,"—
Hark, the wind with its wants and its infinite wail!

II.
Our fig-tree, that leaned for the saltness, has furled
Her five fingers,
Each leaf like a hand opened wide to the world
Where there lingers
No glint of the gold, Summer sent for her sake:
How the vines writhe in rows, each impaled on its stake!
My heart shrivels up and my spirit shrinks curled.

III.
Yet here are we two; we have love, house enough,
With the field there,
This house of four rooms, that field red and rough,
Though it yield there,
For the rabbit that robs, scarce a blade or a bent;
If a magpie alight now, it seems an event;
And they both will be gone at November's rebuff.

IV.
But why must cold spread? but wherefore bring change
To the spirit,
God meant should mate his with an infinite range,
And inherit
His power to put life in the darkness and cold?
Oh, live and love worthily, bear and be bold!
Whom Summer made friends of, let Winter estrange!

IV.—Along the Beach

I.
I will be quiet and talk with you,
And reason why you are wrong.
You wanted my love—is that much true?
And so I did love, so I do:
What has come of it all along?

II.
I took you—how could I otherwise?
For a world to me, and more;
For all, love greatens and glorifies
Till God's a-glow, to the loving eyes,
In what was mere earth before.

III.
Yes, earth—yes, mere ignoble earth!
Now do I mis-state, mistake?
Do I wrong your weakness and call it worth?
Expect all harvest, dread no dearth,
Seal my sense up for your sake?

IV.
Oh, Love, Love, no, Love! not so, indeed!
You were just weak earth, I knew:
With much in you waste, with many a weed,
And plenty of passions run to seed,
But a little good grain too.

V.
And such as you were, I took you for mine:
Did not you find me yours,
To watch the olive and wait the vine,
And wonder when rivers of oil and wine
Would flow, as the Book assures?

VI.
Well, and if none of these good things came,
What did the failure prove?
The man was my whole world, all the same,
With his flowers to praise or his weeds to blame,
And, either or both, to love.

VII.
Yet this turns now to a fault—there! there!
That I do love, watch too long,
And wait too well, and weary and wear;
And 't is all an old story, and my despair
Fit subject for some new song:

VIII.
"How the light, light love, he has wings to fly
"At suspicion of a bond:
"My wisdom has bidden your pleasure good-bye,
"Which will turn up next in a laughing eye,
"And why should you look beyond?"

V.—On the Cliff

I.
I leaned on the turf,
I looked at a rock
Left dry by the surf;
For the turf, to call it grass were to mock:
Dead to the roots, so deep was done
The work of the summer sun.

II.
And the rock lay flat
As an anvil's face:
No iron like that!
Baked dry; of a weed, of a shell, no trace:
Sunshine outside, but ice at the core,
Death's altar by the lone shore.

III.
On the turf, sprang gay
With his films of blue,
No cricket, I'll say,
But a warhorse, barded and chanfroned too,
The gift of a quixote-mage to his knight,
Real fairy, with wings all right.

IV.
On the rock, they scorch
Like a drop of fire
From a brandished torch,
Fall two red fans of a butterfly:
No turf, no rock: in their ugly stead,
See, wonderful blue and red!

V.
Is it not so
With the minds of men?
The level and low,
The burnt and bare, in themselves; but then
With such a blue and red grace, not theirs,—
Love settling unawares!

VI.—Reading a Book, Under the Cliff

I.
"Still ailing, Wind? Wilt be appeased or no?
"Which needs the other's office, thou or I?
"Dost want to be disburthened of a woe,
"And can, in truth, my voice untie
"Its links, and let it go?

II.
"Art thou a dumb wronged thing that would be righted,
"Entrusting thus thy cause to me? Forbear!
"No tongue can mend such pleadings; faith, requited
"With falsehood,—love, at last aware
"Of scorn,—hopes, early blighted,—

III.
"We have them; but I know not any tone
"So fit as thine to falter forth a sorrow:
"Dost think men would go mad without a moan,
"If they knew any way to borrow
"A pathos like thy own?

IV.
"Which sigh wouldst mock, of all the sighs? The one
"So long escaping from lips starved and blue,
"That lasts while on her pallet-bed the nun
"Stretches her length; her foot comes through
"The straw she shivers on;

V.
"You had not thought she was so tall: and spent,
"Her shrunk lids open, her lean fingers shut
"Close, close, their sharp and livid nails indent
"The clammy palm; then all is mute:
"That way, the spirit went.

VI.
"Or wouldst thou rather that I understand
"Thy will to help me?—like the dog I found
"Once, pacing sad this solitary strand,
"Who would not take my food, poor hound,
"But whined and licked my hand."

—————

VII.
All this, and more, comes from some young man's pride
Of power to see,—in failure and mistake,
Relinquishment, disgrace, on every side,—
Merely examples for his sake,
Helps to his path untried:

VIII.
Instances he must—simply recognize?
Oh, more than so!—must, with a learner's zeal,
Make doubly prominent, twice emphasize,
By added touches that reveal
The god in babe's disguise.

IX.
Oh, he knows what defeat means, and the rest!
Himself the undefeated that shall be:
Failure, disgrace, he flings them you to test,—
His triumph, in eternity
Too plainly manifest!

X.
Whence, judge if he learn forthwith what the wind
Means in its moaning—by the happy prompt
Instinctive way of youth, I mean; for kind
Calm years, exacting their accompt
Of pain, mature the mind:

XI.
And some midsummer morning, at the lull
Just about daybreak, as he looks across
A sparkling foreign country, wonderful
To the sea's edge for gloom and gloss,
Next minute must annul,—

XII.
Then, when the wind begins among the vines,
So low, so low, what shall it say but this?
"Here is the change beginning, here the lines
"Circumscribe beauty, set to bliss
"The limit time assigns."

XIII.
Nothing can be as it has been before;
Better, so call it, only not the same.
To draw one beauty into our hearts' core,
And keep it changeless! such our claim;
So answered,—Never more!

XIV.
Simple? Why this is the old woe o' the world;
Tune, to whose rise and fall we live and die.
Rise with it, then! Rejoice that man is hurled
From change to change unceasingly,
His soul's wings never furled!

XV.
That's a new question; still replies the fact,
Nothing endures: the wind moans, saying so;
We moan in acquiescence: there's life's pact.
Perhaps probation—do I know?
God does: endure his act!

XVI.
Only, for man, how bitter not to grave
On his soul's hands' palms one fair good wise thing
Just as he grasped it! For himself, death's wave;
While time first washes—ah, the sting!—
O'er all he'd sink to save.

VII.—Among the Rocks

I.
Oh, good gigantic smile o' the brown old earth,
This autumn morning! How he sets his bones
To bask i' the sun, and thrusts out knees and feet
For the ripple to run over in its mirth;
Listening the while, where on the heap of stones
The white breast of the sea-lark twitters sweet.

II.
That is the doctrine, simple, ancient, true;
Such is life's trial, as old earth smiles and knows.
If you loved only what were worth your love,
Love were clear gain, and wholly well for you:
Make the low nature better by your throes!
Give earth yourself, go up for gain above!

VIII.—Beside the Drawing Board

I.
"As like as a Hand to another Hand!"
Whoever said that foolish thing,
Could not have studied to understand
The counsels of God in fashioning,
Out of the infinite love of his heart,
This Hand, whose beauty I praise, apart
From the world of wonder left to praise,
If I tried to learn the other ways
Of love in its skill, or love in its power.
"As like as a Hand to another Hand":
Who said that, never took his stand,
Found and followed, like me, an hour,
The beauty in this,—how free, how fine
To fear, almost,—of the limit-line!
As I looked at this, and learned and drew,
Drew and learned, and looked again,
While fast the happy minutes flew,
Its beauty mounted into my brain,
And a fancy seized me; I was fain
To efface my work, begin anew,
Kiss what before I only drew;
Ay, laying the red chalk 'twixt my lips,
With soul to help if the mere lips failed,
I kissed all right where the drawing ailed,
Kissed fast the grace that somehow slips
Still from one's soulless finger-tips.

II.
'T is a clay cast, the perfect thing,
From Hand live once, dead long ago
Princess-like it wears the ring
To fancy's eye, by which we know
That here at length a master found
His match, a proud lone soul its mate,
As soaring genius sank to ground,
And pencil could not emulate
The beauty in this,—how free, how fine
To fear almost!—of the limit-line.
Long ago the god, like me
The worm, learned, each in our degree:
Looked and loved, learned and drew,
Drew and learned and loved again,
While fast the happy minutes flew,
Till beauty mounted into his brain
And on the finger which outvied
His art he placed the ring that's there,
Still by fancy's eye descried,
In token of a marriage rare:
For him on earth, his art's despair,
For him in heaven, his soul's fit bride.

III.
Little girl with the poor coarse hand
I turned from to a cold clay cast—
I have my lesson, understand
The worth of flesh and blood at last.
Nothing but beauty in a Hand?
Because he could not change the hue,
Mend the lines and make them true
To this which met his soul's demand,—
Would Da Vinci turn from you?
I hear him laugh my woes to scorn—
"The fool forsooth is all forlorn
"Because the beauty, she thinks best,
"Lived long ago or was never born,—
"Because no beauty bears the test
"In this rough peasant Hand! Confessed!
"'Art is null and study void!'
"So sayest thou? So said not I,
"Who threw the faulty pencil by,
"And years instead of hours employed,
"Learning the veritable use
"Of flesh and bone and nerve beneath
"Lines and hue of the outer sheath,
"If haply I might reproduce
"One motive of the powers profuse,
"Flesh and bone and nerve that make
"The poorest coarsest human hand
"An object worthy to be scanned
"A whole life long for their sole sake.
"Shall earth and the cramped moment-space
"Yield the heavenly crowning grace?
"Now the parts and then the whole!
"Who art thou, with stinted soul
"And stunted body, thus to cry
"'I love,—shall that be life's strait dole?
"'I must live beloved or die!'
"This peasant hand that spins the wool
"And bakes the bread, why lives it on,
"Poor and coarse with beauty gone,—
"What use survives the beauty?" Fool!

Go, little girl with the poor coarse hand!
I have my lesson, shall understand.

IX.—On Deck

I.
There is nothing to remember in me,
Nothing I ever said with a grace,
Nothing I did that you care to see,
Nothing I was that deserves a place
In your mind, now I leave you, set you free.

II.
Conceded! In turn, concede to me,
Such things have been as a mutual flame.
Your soul's locked fast; but, love for a key,
You might let it loose, till I grew the same
In your eyes, as in mine you stand: strange plea!

III.
For then, then, what would it matter to me
That I was the harsh ill-favoured one?
We both should be like as pea and pea;
It was ever so since the world begun:
So, let me proceed with my reverie.

IV.
How strange it were if you had all me,
As I have all you in my heart and brain,
You, whose least word brought gloom or glee,
Who never lifted the hand in vain—
Will hold mine yet, from over the sea!

V.
Strange, if a face, when you thought of me,
Rose like your own face present now,
With eyes as dear in their due degree,
Much such a mouth, and as bright a brow,
Till you saw yourself, while you cried "'T is She!"

VI.
Well, you may, you must, set down to me
Love that was life, life that was love;
A tenure of breath at your lips' decree,
A passion to stand as your thoughts approve,
A rapture to fall where your foot might be.

VII.
But did one touch of such love for me
Come in a word or a look of yours,
Whose words and looks will, circling, flee
Round me and round while life endures,—
Could I fancy "As I feel, thus feels he";

VIII.
Why, fade you might to a thing like me,
And your hair grow these coarse hanks of hair,
Your skin, this bark of a gnarled tree,—
You might turn myself!—should I know or care
When I should be dead of joy, James Lee?

poem by Robert Browning from Dramatis Personae (1864)
Submitted by Veronica Serbanoiu
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The Lawyer’s Second Tale: Christian

A highland inn among the western hills,
A single parlour, single bed that fills
With fisher or with tourist, as may be;
A waiting-maid. as fair as you can see,
With hazel eyes, and frequent blushing face,
And ample brow, and with a rustic grace
In all her easy quiet motions seen,
Large of her age, which haply is nineteen,
Christian her name, in full a pleasant name,
Christian and Christie scarcely seem the same;
A college fellow, who has sent away
The pupils he has taught for many a day,
And comes for fishing and for solitude,
Perhaps a little pensive in his mood,
An aspiration and a thought have failed,
Where he had hoped, another has prevailed,
But to the joys of hill and stream alive,
And in his boyhood yet, at twenty-five.
A merry dance, that made young people meet,
And set them moving, both with hands and feet;
A dance in which he danced, and nearer knew
The soft brown eyes, and found them tender too.
A dance that lit in two young hearts the fire,
The low soft flame, of loving sweet desire,
And made him feel that he could feel again;
The preface this, what follows to explain.
That night he kissed, he held her in his arms,
And felt the subtle virtue of her charms;
Nor less bewildered on the following day,
He kissed, he found excuse near her to stay,
Was it not love? And yet the truth to speak,
Playing the fool for haply half a week,
He yet had fled, so strong within him dwelt
The horror of the sin, and such he felt
The miseries to the woman that ensue.
He wearied long his brain with reasonings fine,
But when at evening dusk he came to dine,
In linsey petticoat and jacket blue
She stood, so radiant and so modest too,
All into air his strong conclusions flew.
Now should he go. But dim and drizzling too,
For a night march, to-night will hardly do,
A march of sixteen weary miles of way.
No, by the chances which our lives obey,
No, by the Heavens and this sweet face, he’ll stay.

A week he stayed, and still was loth to go,
But she grew anxious and would have it so.
Her time of service shortly would be o’er,
And she would leave; her mistress knew before.
Where would she go? To Glasgow, if she could;
Her father’s sister would be kind and good;
An only child she was, an orphan left,
Of all her kindred, save of this, bereft.
Said he, ‘Your guide to Glasgow let me be
You little know, you have not tried the sea,
Say, at the ferry when are we to meet?
Thither, I guess, you travel on your feet.’
She would ‘be there on Tuesday next at three;
‘O dear, how glad and thankful she would be;
But don’t,’ she said, ‘be troubled much for me.’
Punctual they met, a second class he took,
More naturally to her wants to look,
And from her side was seldom far away.
So quiet, so indifferent yet, were they,
As fellow-servants travelling south they seemed,
And no one of a love-relation dreamed.
At Oban, where the stormy darkness fell,
He got two chambers in a cheap hotel.
At Oban of discomfort one is sure,
Little the difference whether rich or poor.
Around the Mull the passage now to make,
They go aboard, and separate tickets take,
First-class for him, and second-class for her.
No other first-class passengers there were,
And with the captain walking soon alone,
This Highland girl, he said, to him was known.
He had engaged to take her to her kin;
Could she be put the ladies’ cabin in?
The difference gladly he himself would pay,
The weather seemed but menacing to-day.
She ne’er had travelled from her home before,
He wished to be at hand to hear about her more.
Curious it seemed, but he had such a tone,
And kept at first so carefully alone,
And she so quiet was, and so discreet,
So heedful ne’er to seek him or to meet,
The first small wonder quickly passed away.
And so from Oban’s little land-locked bay
Forth out to Jura Jura pictured high
With lofty peaks against the western sky,
Jura, that far o’erlooks the Atlantic seas,
The loftiest of the Southern Hebrides.
Through the main sea to Jura; when we reach
Jura, we turn to leftward to the breach,
And southward strain the narrow channel through,
And Colonsay we pass and Islay too;
Cantire is on the left, and all the day
A dull dead calm upon the waters lay.
Sitting below, after some length of while,
He sought her, and the tedium to beguile,
He ventured some experiments to make,
The measure of her intellect to take.
Upon the cabin table chanced to lie
A book of popular astronomy;
In this he tried her, and discoursed away
Of Winter, Summer, and of Night and Day.
Still to the task a reasoning power she brought,
And followed, slowly followed with the thought;
How beautiful it was to see the stir
Of natural wonder waking thus in her;
But loth was he to set on books to pore
An intellect so charming in the ore.
And she, perhaps, had comprehended soon
Even the nodes, so puzzling, of the moon;
But nearing now the Mull they met the gale
Right in their teeth: and should the fuel fail?
Thinking of her, he grew a little pale,
But bravely she the terrors, miseries, took:
And met him with a sweet courageous look:
Once, at the worst, unto his side she drew,
And said a little tremulously too,
‘If we must die, please let me come to you.’
I know not by what change of wind or tide,
Heading the Mull, they gained the eastern side,
But stiller now, and sunny e’en it grew;
Arran’s high peaks unmantled to the view;
While to the north, far seen from left to right,
The Highland range, extended snowy white.
Now in the Clyde, he asked, what would be thought,
In Glasgow, of the company she brought:
‘You know,’ he said, ‘how I desire to stay;
We’ve played at strangers for so long a day,
But for a while I yet would go away.’
She said, O no, indeed they must not part.
Her father’s sister had a kindly heart.
‘I’ll tell her all, and O, when you she sees,
I think she’ll not be difficult to please.’
Landed at Glasgow, quickly they espied
Macfarlane, grocer, by the river side:
To greet her niece the woman joyful ran,
But looked with wonder on the tall young man.
Into the house the women went and talked,
He with the grocer in the doorway walked.
He told him he was looking for a set
Of lodgings: had he any he could let?
The man was called to council with his wife;
They took the thing as what will be in life,
Half in a kind, half in a worldly way;
They said, the lassie might play out her play.
The gentleman should have the second floor,
At thirty shillings, for a week or more.
Some days in this obscurity he stayed,
Happy with her, and some inquiry made
(For friends he found) and did his best to see,
What hope of getting pupils there would be.
This must he do, ’twas evident, ’twas clear,
Marry and seek a humble maintenance here.
Himself he had a hundred pounds a year.
To this plain business he would bend his life,
And find his joy in children and in wife,
A wife so good, so tender, and so true,
Mother to be of glorious children too.
Half to excuse his present lawless way,
He to the grocer happened once to say
Marriage would cost him more than others dear;
Cost him, indeed, three hundred pounds a-year.
‘’Deed,’ said the man, ‘a heavy price, no doubt,
For a bit form that one can do without.’
And asked some questions, pertinent and plain,
Exacter information to obtain;
He took a little trouble to explain.
The College Audit now, to last at least
Three weeks, ere ending with the College Feast,
He must attend, a tedious, dull affair,
But he, as junior Bursar, must be there.
Three weeks, however, quickly would be fled,
And then he’d come, he didn’t say to wed.
With plans of which he nothing yet would say,
Preoccupied upon the parting day,
He seemed a little absent and distrait;
But she, as knowing nothing was amiss,
Gave him her fondest smile, her sweetest kiss.
A fortnight after, or a little more,
As at the Audit, weary of the bore,
He sat, and of his future prospects thought,
A letter in an unknown hand was brought.
’Twas from Macfarlane, and to let him know
To South Australia they proposed to go.
‘Rich friends we have, who have advised us thus,
Occasion offers suitable for us;
Christie we take; whate’er she find of new,
She’ll ne’er forget the joy she’s had with you;
’Tis an expensive pilgrimage to make
You’ll like to send a trifle for her sake.’
Nothing he said of when the ship would sail.
That very night, by swift-returning mail,
Ten pounds he sent, for what he did not know;
And ‘In no case,’ he said, ‘let Christian go.’
He in three days would come, and for his life
Would claim her and declare her as his wife.
Swift the night-mail conveyed his missive on;
He followed in three days, and found them gone.
All three had sailed: he looked as though he dreamed
The money-order had been cashed, it seemed.

The Clergyman, ‘This story is mere pain,’
Exclaimed, ‘for if the women don’t sustain
The moral standard, all we do is vain.’
‘But what we want,’ the Yankee said, ‘to know,
Is if the girl went willingly or no.
Sufficient motive though one does not see,
’Tis clear the grocer used some trickery.’

He judged himself, so strong the clinging in
This kind of people is to kith and kin;
For if they went and she remained behind,
No one she had, if him she failed to find.
Alas, this lawless loving was the cause,
She did not dare to think how dear she was.
Justly his guilty tardiness he curst,
He should have owned her when he left her first.
And something added how upon the sea,
She perilled, too, a life that was to be;
A child that, born in far Australia, there
Would have no father and no father’s care.
So to the South a lonely man returned,
For other scenes and busier life he burned,
College he left and settled soon in town,
Wrote in the journals, gained a swift renown.
Soon into high society he came,
And still where’er he went outdid his fame.
All the more liked and more esteemed, the less
He seemed to make an object of success.
An active literary life he spent,
Towards lofty points of public practice bent,
Was never man so carefully who read,
Whose plans so well were fashioned in his head,
Nor one who truths so luminously said.
Some years in various labours thus he passed,
A spotless course maintaining to the last.
Twice upon Government Commissions served
With honour; place, which he declined, deserved.
He married then, a marriage fit and good,
That kept him where his worth was understood;
A widow, wealthy and of noble blood.
Mr. and Lady Mary are they styled,
One grief is theirs to be without a child.
I did not tell you how he went before
To South Australia, vainly to explore.
The ship had come to Adelaide, no doubt;
Watching the papers he had made it out,
But of themselves, in country or in town,
Nothing discovered, travelling up and down.
Only an entry of uncertain sound,
In an imperfect register he found.
His son, he thought, but could not prove it true;
The surname of the girl it chanced he never knew.
But this uneasy feeling gathered strength
As years advanced, and it became at length
His secret torture and his secret joy
To think about his lost Australian boy.
Somewhere in wild colonial lands has grown
A child that is his true and very own.
This strong parental passion fills his mind,
To all the dubious chances makes him blind.
Still he will seek, and still he hopes to find.
Again will go.

Said I, ‘O let him stay,
And in a London drawing-room some day
Rings on her fingers, brilliants in her hair,
The lady of the latest millionaire
She’ll come, and with a gathering slow surprise
On Lady Mary’s husband turn her eyes:
The soft brown eyes that in a former day
From his discretion lured him all astray.
At home, six bouncing girls, who more or less
Are learning English of a governess,
Six boisterous boys, as like as pear to pear;
Only the eldest has a different air.’

‘You jest,’ he said, ‘indeed it happened so.’
From a great party just about to go,
He saw, he knew, and ere she saw him, said
Swift to his wife, as for the door he made,
‘My Highland bride! to escape a scene I go,
Stay, find her out great God! and let me know.’
The Lady Mary turned to scrutinise
The lovely brow, the beautiful brown eyes,
One moment, then performed her perfect part,
And did her spiriting with simplest art,
Was introduced, her former friends had known,
Say, might she call to-morrow afternoon
At three? O yes! At three she made her call,
And told her who she was and told her all.
Her lady manners all she laid aside;
Like women the two women kissed and cried.
Half overwhelmed sat Christian by her side,
While she, ‘You know he never knew the day
When you would sail, but he believed you’d stay
Because he wrote you never knew, you say,
Wrote that in three days’ time, they need not fear,
He’d come and then would marry you, my dear.
You never knew? And he had planned to live
At Glasgow, lessons had arranged to give.
Alas, then to Australia he went out,
All through the land to find you sought about,
And found a trace, which though it left a doubt,
Sufficed to make it still his grief, his joy,
To think he had a child, a living boy,
Whom you, my love ’

‘His child is six foot high,
I’ve kept him as the apple of my eye,’
Cried she, ‘he’s riding, or you’d see him here.
O joy, that he at last should see his father dear!
As soon as he comes in I’ll tell him all,
And on his father he shall go and call.’
‘And you,’ she said, ‘my husband will you see?’
‘O no, it is not possible for me.
The boy I’ll send this very afternoon.
O dear, I know he cannot go too soon;
And something I must write, to write will do.’
So they embraced and sadly bade adieu.
The boy came in, his father went and saw;
We will not wait this interview to draw;
Ere long returned, and to his mother ran:
His father was a wonderful fine man,
He said, and looked at her; the Lady, too,
Had done whatever it was kind to do.
He loved his mother more than he could say,
But if she wished, he’d with his father stay.
A little change she noticed in his face,
E’en now the father’s influence she could trace;
From her the slight, slight severance had begun,
But simply she rejoiced that it was done.
She smiled and kissed her boy, and ‘Long ago,
When I was young, I loved your father so.
Together now we had been living, too,
Only the ship went sooner than he knew.
In loving him you will be loving me:
Father and mother are as one you see.’
Her letter caught him on the following day
As to the club he started on his way.
From her he guessed, the hand indeed was new;
Back to his room he went and read it through.
‘I know not how to write and dare not see;
But it will take a load of grief from me
O! what a load that you at last should know
The way in which I was compelled to go.
Wretched, I know, and yet it seems ’twas more
Cruel and wretched than I knew before;
So many years to think how on your day
Joyful you’d come, and find me flown away.
What would you think of me, what would you say?
O love, this little let me call you so;
What other name to use I do not know.
O let me think that by your side I sit,
And tell it you, and weep a little bit,
And you too weep with me, for hearing it.
Alone so long I’ve borne this dreadful weight;
Such grief, at times it almost turned to hate.
O let me think you sit and listening long,
Comfort me still, and say I wasn’t wrong,
And pity me, and far, far hence again
Dismiss, if haply any yet remain,
Hard thoughts of me that in your heart have lain.
O love! to hear your voice I dare not go.
But let me trust that you will judge me so.
‘I think no sooner were you gone away,
My aunt began to tell me of some pay,
More than three hundred pounds a-year ’twould be,
Which you, she said, would lose by marrying me.
Was this a thing a man of sense would do?
Was I a fool, to look for it from you?
You were a handsome gentleman and kind,
And to do right were every way inclined,
But to this truth I must submit my mind,
You would not marry. “Speak, and tell me true,
Say, has he ever said one word to you
That meant as much?” O, love, I knew you would.
I’ve read it in your eyes so kind and good,
Although you did not speak, I understood.
Though for myself, indeed, I sought it not,
It seemed so high, so undeserved a lot,
But for the child, when it should come, I knew
O, I was certain what you meant to do.
She said, “We quit the land, will it be right
Or kind to leave you for a single night,
Just on the chance that he will come down here,
And sacrifice three hundred pounds a-year,
And all his hopes and prospects fling away,
And has already had his will, as one may say?
Go you with us, and find beyond the seas,
Men by the score to choose from, if you please.”
I said my will and duty was to stay,
Would they not help me to some decent way
To wait, and surely near was now the day?
Quite they refused; had they to let you know
Written, I asked, to say we were to go?
They told me yes; they showed a letter, too,
Post-office order that had come from you.
Alas, I could not read or write, they knew.
I think they meant me, though they did not say,
To think you wanted me to go away;
O, love, I’m thankful nothing of the kind
Ever so much as came into my mind.
‘To-morrow was the day that would not fail;
For Adelaide the vessel was to sail.
All night I hoped some dreadful wind would rise.
And lift the seas and rend the very skies.
All night I lay and listened hard for you.
Twice to the door I went, the bolt I drew,
And called to you; scarce what I did I knew.
‘Morning grew light, the house was emptied clear;
The ship would go, the boat was lying near.
They had my money, how was I to stay?
Who could I go to, when they went away?
Out in the streets I could not lie, you know.
O dear, but it was terrible to go.
Yet, yet I looked; I do not know what passed,
I think they took and carried me at last.
Twelve hours I lay, and sobbed in my distress;
But in the night, let be this idleness,
I said, I’ll bear it for my baby’s sake,
Lest of my going mischief it should take,
Advice will seek, and every caution use;
My love I’ve lost his child I must not lose.
‘How oft I thought, when sailing on the seas,
Of our dear journey through the Hebrides,
When you the kindest were and best of men:
O, love, I did not love you right till then.
O, and myself how willingly I blamed,
So simple who had been, and was ashamed,
So mindful only of the present joy,
When you had anxious cares your busy mind to employ.
Ah, well, I said, but now at least he’s free,
He will not have to lower himself for me.
He will not lose three hundred pounds a-year,
In many ways my love has cost him dear.
‘Upon the passage, great was my delight,
A lady taught me how to read and write.
She saw me much, and fond of me she grew,
Only I durst not talk to her of you.
‘We had a quiet time upon the seas,
And reached our port of Adelaide with ease.
At Adelaide my lovely baby came.
Philip, he took his father’s Christian name,
And my poor maiden surname, to my shame.
O, but I little cared, I loved him so,
’Twas such a joy to watch and see him grow.
At Adelaide we made no length of stay;
Our friends to Melbourne just had gone away.
We followed shortly where they led before,
To Melbourne went, and flourished more and more.
My aunt and uncle both are buried there;
I closed their eyes, and I was left their heir.
They meant me well, I loved them for their care.
‘Ten years ago I married Robert; dear
And well he loved, and waited many a year.
Selfish it seemed to turn from one so true,
And I of course was desperate of you.
I’ve borne him children six; we’ve left behind
Three little ones, whom soon I hope to find.
To my dear boy he ever has been kind.
‘Next week we sail, and I should be so glad
Only to leave my boy will make me sad.
But yours he is by right the grief I’ll bear,
And at his age, more easy he can spare,
Perhaps, a mother’s than a father’s care.
Indeed I think him like his father, too;
He will be happier, probably, with you.
’Tis best, I know, nor will he quite forget,
Some day he’ll come perhaps and see his mother yet.
O heaven! farewell perhaps I’ve been to blame
To write as if it all were still the same.
Farewell, write not. I will not seek to know
Whether you ever think of me or no.’
O love, love, love, too late! the tears fell down.
He dried them up and slowly walked to town.

To bed with busy thoughts; the following day
Bore us expectant into Boston Bay;
With dome and steeple on the yellow skies,
Upon the left we watched with curious eyes
The Puritan great Mother City rise.
Among the islets, winding in and round,
The great ship moved to her appointed ground.
We bade adieu, shook hands and went ashore:
I and my friend have seen our friends no more.

poem by Arthur Hugh Clough from Mari Magno or Tales on Board
Submitted by Veronica Serbanoiu
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God's Poets, Love & A Good Poem

GOD'S POETS

The prize jewels of any nation
Are the philosophers of the heart.
How they think is universal
For it's God who makes them so smart.

Most poets tell the truth of life
Though they may wrap it in beauty.
It's their passion, not their purpose
To compose is but their duty.

Poets have no reason to lie
When the truth is always so clear.
All that others say and do
Is but food for the poet's ear.

One merit of a poet's work
Which most cannot deny.
They say more and in fewer words
To illuminate you and I.

God sent His poets down to earth
With words of wisdom and of worth.
That they might touch the souls of men
And bring them back to Him again.

EVERY OTHER NIGHT

If it was left to me and my desire
I would seek satisfaction every other night.
I would enjoy your divine, God given love
And hold you forever close and tight.

Every other night would be Heavenly for me
Though I must respect and honor what you do and say.
My need for you is far greater than your need for me
As I patiently wait for our time of play.

I will always remain watchful, loving and caring
Not to hurt, destroy, mistrust, dissatisfy or offend.
Out of all God's blessings from Heaven to Earth
You're my greatest treasure, passion and friend.

A GOOD POEM

A good poem paints a picture
For both your heart and brain.
It doesn't need a second chance
To make its meaning plain.

A good poem is like the flower
The lily or the rose.
God plants it in a poet's brain
And there its beauty grows.

A good poem like a cardinal
Is pregnant with song
You can't help but hear its message
As it sings what's right or wrong.

A good poem helps us remember
What the joys of life are for
It makes us want to love someone
Till death comes knocking at our door.

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Tom Zart
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poem by Tom Zart
Submitted by Poetry Lover
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