A Narrow Girdle of Rough Stones and Crags
A narrow girdle of rough stones and crags,
A rude and natural causeway, interposed
Between the water and a winding slope
Of copse and thicket, leaves the eastern shore
Of Grasmere safe in its own privacy:
And there myself and two beloved Friends,
One calm September morning, ere the mist
Had altogether yielded to the sun,
Sauntered on this retired and difficult way.
----Ill suits the road with one in haste; but we
Played with our time; and, as we strolled along,
It was our occupation to observe
Such objects as the waves had tossed ashore--
Feather, or leaf, or weed, or withered bough,
Each on the other heaped, along the line
Of the dry wreck. And, in our vacant mood,
Not seldom did we stop to watch some tuft
Of dandelion seed or thistle's beard,
That skimmed the surface of the dead calm lake,
Suddenly halting now--a lifeless stand!
And starting off again with freak as sudden;
In all its sportive wanderings, all the while,
Making report of an invisible breeze
That was its wings, its chariot, and its horse,
Its playmate, rather say, its moving soul.
--And often, trifling with a privilege
Alike indulged to all, we paused, one now,
And now the other, to point out, perchance
To pluck, some flower or water-weed, too fair
Either to be divided from the place
On which it grew, or to be left alone
To its own beauty. Many such there are,
Fair ferns and flowers, and chiefly that tall fern,
So stately, of the queen Osmunda named;
Plant lovelier, in its own retired abode
On Grasmere's beach, than Naiad by the side
Of Grecian brook, or Lady of the Mere,
Sole-sitting by the shores of old romance.
--So fared we that bright morning: from the fields
Meanwhile, a noise was heard, the busy mirth
Of reapers, men and women, boys and girls.
Delighted much to listen to those sounds,
And feeding thus our fancies, we advanced
Along the indented shore; when suddenly,
Through a thin veil of glittering haze was seen
Before us, on a point of jutting land,
The tall and upright figure of a Man
Attired in peasant's garb, who stood alone,
Angling beside the margin of the lake.
'Improvident and reckless,' we exclaimed,
'The Man must be, who thus can lose a day
Of the mid harvest, when the labourer's hire
Is ample, and some little might be stored
Wherewith to cheer him in the winter time.'
Thus talking of that Peasant, we approached
Close to the spot where with his rod and line
He stood alone; whereat he turned his head
To greet us--and we saw a Mam worn down
By sickness, gaunt and lean, with sunken cheeks
And wasted limbs, his legs so long and lean
That for my single self I looked at them,
Forgetful of the body they sustained.--
Too weak to labour in the harvest field,
The Man was using his best skill to gain
A pittance from the dead unfeeling lake
That knew not of his wants. I will not say
What thoughts immediately were ours, nor how
The happy idleness of that sweet morn,
With all its lovely images, was changed
To serious musing and to self-reproach.
Nor did we fail to see within ourselves
What need there is to be reserved in speech,
And temper all our thoughts with charity.
--Therefore, unwilling to forget that day,
My Friend, Myself, and She who then received
The same admonishment, have called the place
By a memorial name, uncouth indeed
As e'er by mariner was given to bay
Or foreland, on a new-discovered coast;
And POINT RASH-JUDGMENT is the name it bears.
poem by William Wordsworth
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Related quotes
After 'A Narrow Girdle of Rough Stones and Crags
In company of quite different take
The poet went out dawdling
Down by Grasmere Lake.
Dead calm the lake, no wind.
With no Joanna to mock
At the base of the rock,
All three flew fancy free,
William and Dorothy, STC,
Idled in the land of Poesy:
Osmunda fern became a Naiad Queen,
A fisherman miraged ahead
Was Freedom at his leisure.
But when up close, their fancies fled,
Self-reproach replaced their pleasure.
The fisherman was sick and gaunt,
Freedom just a taunt,
Dead the lake, no care.
POINT RASH-JUDGEMENT's what
They named the spot.
Had I put in my tuppence
The point might be COMEUPPANCE.
(STC is Samuel Taylor Coleridge
Dorothy is Wordsworth's sister)
This poem follows on from 'After 'To Joanna''
poem by Douglas Scotney
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The Forest Pool
LEAN down and see your little face
Reflected in the forest pool,
Tall foxgloves grow about the place,
Forget-me-nots grow green and cool.
Look deep and see the naiad rise
To meet the sunshine of your eyes.
Lean down and see how you are fair,
How gold your hair, your mouth how red;
See the leaves dance about your hair
The wind has left unfilleted.
What naiad of them can compare
With you for good and dear and fair?
Ah! look no more--the water stirs,
The naiad weeps your face to see,
Your beauty is more rare than hers,
And you are more beloved than she.
Fly! fly, before she steals the charms
The pool has trusted to her arms.
poem by Edith Nesbit
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Sonnet: Harvest-time
In Summer, farmers scythe the harvest fast;
Their weary frames from morn till eve stay bent;
The produce sheaved is dried in fields so vast;
The air with songs of joy from heart is rent.
The scorching Sun doesn't bother their tanned skin;
Despite their speed, their work is ne’er over;
All hands labour, young, old, both kith and kin,
For golden harvest, thanking Lord- Giver.
The reapers everywhere must work quite hard;
There is no time to eat or drink water!
Their sweat-drenched land has yielded them reward;
The struggle involved ain't a great matter.
Each morn they stand and pray to Sun- their God,
Without which, there's no food, peasant, landlord.
poem by John Celes
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Landscape 28 Meniscus
The molecules of water are held together
By weak electrical forces
That extend in all directions.
At the water surface, the upward forces,
Having nowhere watery to go,
Lie along the surface
To form a thin skin, called a meniscus.
This is the skin that holds water drops,
Supports water striders,
Even skips stones.
I came once to an Adirondack Lake
On a still moonlit night.
The lake seemed full of fireflies,
Flashes of light in the water
As far as the eye could see.
I finally discovered the source of the light,
The sudden movements of water striders
Riding the meniscus
Bent the water surface
Into a curved mirror
That reflected glimmers of moonlight.
The Japanese make a flower arrangement
In a vessel with a perfectly level rim.
The vessel is filled with water
To a level above the rim
The water is held from overflowing
By a curved meniscus
That bends light like a lens.
In the center of the water
Floats a single perfect flower
That sends tiny ripples across the water surface
And crinkles the meniscus
When the vessel is vibrated.
poem by Stewart McKenzie
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Yellow Billed Spoonbill
By the lake shore in the shallows where the waters are still
He walks in water to his knees the white bird with yellow legs and long yellow spoon like bill
With his bill in the water as he walk moving from side to side
His prey water insects, crustaceans and tiny fish in the water weed hide.
He and his partner build their nest on a high branch of a tree
On her nest of sticks she lays four white eggs though sometimes two or three
They both take care of their young a bird devoted to fatherhood as well as to his mate
Food from their stomachs to their nestlings they do regurgitate.
On river rapids never seen the still waters they need
Birds of the inland lakes and dams in the shallows they feed
Of humans 'twould be fair to say they have a healthy fear
To a human standing on the shore they never venture near.
Yellow billed or yellow legged spoonbill are names they are known by
On the lake I see one yesterday he did seem rather shy
With his long yellow bill moving from side to side in the shallows he shuffled up and down
The shiest of the water birds in the big park by the Town.
poem by Francis Duggan
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Donica - A Ballad
Author Note: In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein
very distateful to the palate. In this are spectres often seen, which
foreshew either the death of the Governor, or some prime officer
belonging to the place; and most commonly it appeareth in the shape of
an harper, sweetly singing and dallying and playing under the water.
It is reported of one Donica, that after she was dead, the Devil walked
in her body for the space of two years, so that none suspected but that
she was still alive; for she did both speak and eat, though very
sparingly; only she had a deep paleness on her countenance, which was
the only sign of death. At length a Magician coming by where she was
then in the company of many other virgins, as soon as he beheld her he
said, "fair Maids, why keep you company with the dead Virgin whom you
suppose to be alive?" when taking away the magic charm which was tied
under her arm, the body fell down lifeless and without motion.
The following Ballad is founded on these stories. They are to be found
in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas
Heywood, printed in folio by Adam Islip, 1635.
.................
High on a rock, whose castled shade
Darken'd the lake below,
In ancient strength majestic stood
The towers of Arlinkow.
The fisher in the lake below
Durst never cast his net,
Nor ever swallow in its waves
Her passing wings would wet.
The cattle from its ominous banks
In wild alarm would run,
Tho' parched with thirst and faint beneath
The summer's scorching sun.
For sometimes when no passing breeze
The long lank sedges waved,
All white with foam and heaving high
Its deafening billows raved;
And when the tempest from its base
The rooted pine would shake,
The powerless storm unruffling swept
Across the calm dead lake.
And ever then when Death drew near
The house of Arlinkow,
Its dark unfathom'd depths did send
Strange music from below.
The Lord of Arlinkow was old,
One only child had he,
Donica was the Maiden's name
As fair as fair might be.
A bloom as bright as opening morn
Flush'd o'er her clear white cheek,
The music of her voice was mild,
Her full dark eyes were meek.
Far was her beauty known, for none
So fair could Finland boast,
Her parents loved the Maiden much,
Young EBERHARD loved her most.
Together did they hope to tread
The pleasant path of life,
For now the day drew near to make
Donica Eberhard's wife.
The eve was fair and mild the air,
Along the lake they stray;
The eastern hill reflected bright
The fading tints of day.
And brightly o'er the water stream'd
The liquid radiance wide;
Donica's little dog ran on
And gambol'd at her side.
Youth, Health, and Love bloom'd on her cheek,
Her full dark eyes express
In many a glance to Eberhard
Her soul's meek tenderness.
Nor sound was heard, nor passing gale
Sigh'd thro' the long lank sedge,
The air was hushed, no little wave
Dimpled the water's edge.
Sudden the unfathom'd lake sent forth
Strange music from beneath,
And slowly o'er the waters sail'd
The solemn sounds of Death.
As the deep sounds of Death arose,
Donica's cheek grew pale,
And in the arms of Eberhard
The senseless Maiden fell.
Loudly the youth in terror shriek'd,
And loud he call'd for aid,
And with a wild and eager look
Gaz'd on the death-pale Maid.
But soon again did better thoughts
In Eberhard arise,
And he with trembling hope beheld
The Maiden raise her eyes.
And on his arm reclin'd she moved
With feeble pace and slow,
And soon with strength recover'd reach'd
Yet never to Donica's cheek
Return'd the lively hue,
Her cheeks were deathy, white, and wan,
Her lips a livid blue.
Her eyes so bright and black of yore
Were now more black and bright,
And beam'd strange lustre in her face
So deadly wan and white.
The dog that gambol'd by her side,
And lov'd with her to stray,
Now at his alter'd mistress howl'd
And fled in fear away.
Yet did the faithful Eberhard
Not love the Maid the less;
He gaz'd with sorrow, but he gaz'd
With deeper tenderness.
And when he found her health unharm'd
He would not brook delay,
But press'd the not unwilling Maid
To fix the bridal day.
And when at length it came, with joy
They hail'd the bridal day,
And onward to the house of God
They went their willing way.
And as they at the altar stood
And heard the sacred rite,
The hallowed tapers dimly stream'd
A pale sulphureous light.
And as the Youth with holy warmth
Her hand in his did hold,
Sudden he felt Donica's hand
Grow deadly damp and cold.
And loudly did he shriek, for lo!
A Spirit met his view,
And Eberhard in the angel form
His own Donica knew.
That instant from her earthly frame
Howling the Daemon fled,
And at the side of Eberhard
The livid form fell dead.
poem by Robert Southey
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Autumn
So still—so still! Only the endless sighing
Of sad Æolian harp-notes overhead;
Only the soft mass-music for the dying;
Only the requiem for the newly dead!
So strangely dim!—the grey mist on the heather,
The chill cloud-twilight in the wind-stripped bowers,
Where gold and scarlet sunlights lay together
On harvest fruit and summer wealth of flowers.
So empty now!—only the dead leaves sifting
The dead brown berries underneath the trees;
Only my fair dead treasures idly drifting
About my footsteps in the autumn breeze.
All over now! No flowers that must be tended
Are left to grow upon the open plain;
No fruits to ripen; for the harvest's ended—
There's no more need for either sun or rain.
The infinite hope, the boundless, strong endeavour,
The love and joy I never thought to sum,
The precious things that were to last for ever—
All gather'd now, and nothing more to come!
Only the shroud of snow, the white star-tapers,
The passionate storm-winds, wailing in the air;
Only the icy rain and tearful vapours,
Only the winter darkness of despair!
* * * * *
So still, so sweet! with tender breezes blowing
Amongst the hills and o'er the Lowland sod,
And golden drifts of dead leaves softly strowing
The seed-graves hollow'd by the hands of God.
So grey and calm! the crimson glory faded
From this low sky, pale blue and purple-barred—
This placid sea, with steel and silver shaded—
This fair earth, now with autumn furrows scarred.
In the decay such chasten'd beauty blending—
Beauty late-born of peace, and hope, and rest,
As in a saintly life when near the ending,
When all its strife and labour has been blest.
The harvest-time is past. But there remaineth
The well-stored treasure-house—the hidden seed
That dead leaves help to nourish, which containeth
The germ of a new life that's life indeed.
poem by Ada Cambridge
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Warrior Spector
In the misty gloom,
of the battlefield's morn.
From my post I spied,
shadowy sentry standing tall, alone.
Cold 'n' damp was the fog.
That watch I was sure,
some coffee would appreciate.
toward the figure, I approached.
Our password I announced,
Seemed to me, he acknowledged.
To his station I advanced.
Yet, no sound he made, of recognitioin.
As between us, the distance closed.
Heavier the mist appeared, to grow.
Harder he became, to detect.
Upon reaching his post, I discovered.
The sentry I had seen, now vanished.
All around I looked, to no avail.
Yet where he once stood, dead enemy lay.
Again, into the mist I peered, shadowy sentry stood.
21Nov10
poem by Kurt Hearth
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At The Water's Edge
At the water’s edge, I stop and stand for a while.
Lost in thought, my face wears a hint of a smile.
Chalky cliffs are covered with a white, misty veil;
To spot them, in the distance, you could almost fail.
Across the sea’s surface, waves restlessly roam;
They break, and create lots of thick, frothy foam.
The water laps against the shore in a wavy line;
The lines of land and sea, are difficult to define.
My toes sink deep into the dark, sodden sand,
At the very point, where the sea meets the land.
The sand is peppered with pebbles and sea shells.
Nearby, I hear a child’s excited squeals and yells.
I scoop up a handful of water: it’s as cold as ice;
It sparkles in the sunlight, which looks rather nice.
Salty seawater rains down from my frozen fingers;
Suspended in mid air, for a split second, it lingers.
Under the sultry sun, the sea glimmers and glistens.
To the seagulls’ rowdy, raucous cries, I love to listen.
Being barefooted by the water’s edge is so very tactile;
The joy experienced is the same for both man and child.
Looking back up the beach, I spy the silken sand dunes;
When walked upon, the sands sing, and play little tunes.
I love being by the sea; I love the sights and the sounds;
Being by the sea, is one of the best ever feelings around.
poem by Angela Wybrow
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Clover-Blossom
In a quiet, pleasant meadow,
Beneath a summer sky,
Where green old trees their branches waved,
And winds went singing by;
Where a little brook went rippling
So musically low,
And passing clouds cast shadows
On the waving grass below;
Where low, sweet notes of brooding birds
Stole out on the fragrant air,
And golden sunlight shone undimmed
On all most fresh and fair;--
There bloomed a lovely sisterhood
Of happy little flowers,
Together in this pleasant home,
Through quiet summer hours.
No rude hand came to gather them,
No chilling winds to blight;
Warm sunbeams smiled on them by day,
And soft dews fell at night.
So here, along the brook-side,
Beneath the green old trees,
The flowers dwelt among their friends,
The sunbeams and the breeze.
One morning, as the flowers awoke,
Fragrant, and fresh, and fair,
A little worm came creeping by,
And begged a shelter there.
'Ah! pity and love me,' sighed the worm,
'I am lonely, poor, and weak;
A little spot for a resting-place,
Dear flowers, is all I seek.
I am not fair, and have dwelt unloved
By butterfly, bird, and bee.
They little knew that in this dark form
Lay the beauty they yet may see.
Then let me lie in the deep green moss,
And weave my little tomb,
And sleep my long, unbroken sleep
Till Spring's first flowers come.
Then will I come in a fairer dress,
And your gentle care repay
By the grateful love of the humble worm;
Kind flowers, O let me stay!'
But the wild rose showed her little thorns,
While her soft face glowed with pride;
The violet hid beneath the drooping ferns,
And the daisy turned aside.
Little Houstonia scornfully laughed,
As she danced on her slender stem;
While the cowslip bent to the rippling waves,
And whispered the tale to them.
A blue-eyed grass looked down on the worm,
As it silently turned away,
And cried, 'Thou wilt harm our delicate leaves,
And therefore thou canst not stay.'
Then a sweet, soft voice, called out from far,
'Come hither, poor worm, to me;
The sun lies warm in this quiet spot,
And I'll share my home with thee.'
The wondering flowers looked up to see
Who had offered the worm a home:
'T was a clover-blossom, whose fluttering leaves
Seemed beckoning him to come;
It dwelt in a sunny little nook,
Where cool winds rustled by,
And murmuring bees and butterflies came,
On the flower's breast to lie.
Down through the leaves the sunlight stole,
And seemed to linger there,
As if it loved to brighten the home
Of one so sweet and fair.
Its rosy face smiled kindly down,
As the friendless worm drew near;
And its low voice, softly whispering, said
'Poor thing, thou art welcome here;
Close at my side, in the soft green moss,
Thou wilt find a quiet bed,
Where thou canst softly sleep till Spring,
With my leaves above thee spread.
I pity and love thee, friendless worm,
Though thou art not graceful or fair;
For many a dark, unlovely form,
Hath a kind heart dwelling there;
No more o'er the green and pleasant earth,
Lonely and poor, shalt thou roam,
For a loving friend hast thou found in me,
And rest in my little home.'
Then, deep in its quiet mossy bed,
Sheltered from sun and shower,
The grateful worm spun its winter tomb,
In the shadow of the flower.
And Clover guarded well its rest,
Till Autumn's leaves were sere,
Till all her sister flowers were gone,
And her winter sleep drew near.
Then her withered leaves were softly spread
O'er the sleeping worm below,
Ere the faithful little flower lay
Beneath the winter snow.
Spring came again, and the flowers rose
From their quiet winter graves,
And gayly danced on their slender stems,
And sang with the rippling waves.
Softly the warm winds kissed their cheeks;
Brightly the sunbeams fell,
As, one by one, they came again
In their summer homes to dwell.
And little Clover bloomed once more,
Rosy, and sweet, and fair,
And patiently watched by the mossy bed,
For the worm still slumbered there.
Then her sister flowers scornfully cried,
As they waved in the summer air,
'The ugly worm was friendless and poor;
Little Clover, why shouldst thou care?
Then watch no more, nor dwell alone,
Away from thy sister flowers;
Come, dance and feast, and spend with us
These pleasant summer hours.
We pity thee, foolish little flower,
To trust what the false worm said;
He will not come in a fairer dress,
For he lies in the green moss dead.'
But little Clover still watched on,
Alone in her sunny home;
She did not doubt the poor worm's truth,
And trusted he would come.
At last the small cell opened wide,
And a glittering butterfly,
From out the moss, on golden wings,
Soared up to the sunny sky.
Then the wondering flowers cried aloud,
'Clover, thy watch was vain;
He only sought a shelter here,
And never will come again.'
And the unkind flowers danced for joy,
When they saw him thus depart;
For the love of a beautiful butterfly
Is dear to a flower's heart.
They feared he would stay in Clover's home,
And her tender care repay;
So they danced for joy, when at last he rose
And silently flew away.
Then little Clover bowed her head,
While her soft tears fell like dew;
For her gentle heart was grieved, to find
That her sisters' words were true,
And the insect she had watched so long
When helpless, poor, and lone,
Thankless for all her faithful care,
On his golden wings had flown.
But as she drooped, in silent grief,
She heard little Daisy cry,
'O sisters, look! I see him now,
Afar in the sunny sky;
He is floating back from Cloud-Land now,
Borne by the fragrant air.
Spread wide your leaves, that he may choose
The flower he deems most fair.'
Then the wild rose glowed with a deeper blush,
As she proudly waved on her stem;
The Cowslip bent to the clear blue waves,
And made her mirror of them.
Little Houstonia merrily danced,
And spread her white leaves wide;
While Daisy whispered her joy and hope,
As she stood by her gay friends' side.
Violet peeped from the tall green ferns,
And lifted her soft blue eye
To watch the glittering form, that shone
Afar in the summer sky.
They thought no more of the ugly worm,
Who once had wakened their scorn;
But looked and longed for the butterfly now,
As the soft wind bore him on.
Nearer and nearer the bright form came,
And fairer the blossoms grew;
Each welcomed him, in her sweetest tones;
Each offered her honey and dew.
But in vain did they beckon, and smile, and call,
And wider their leaves unclose;
The glittering form still floated on,
By Violet, Daisy, and Rose.
Lightly it flew to the pleasant home
Of the flower most truly fair,
On Clover's breast he softly lit,
And folded his bright wings there.
'Dear flower,' the butterfly whispered low,
'Long hast thou waited for me;
Now I am come, and my grateful love
Shall brighten thy home for thee;
Thou hast loved and cared for me, when alone,
Hast watched o'er me long and well;
And now will I strive to show the thanks
The poor worm could not tell.
Sunbeam and breeze shall come to thee,
And the coolest dews that fall;
Whate'er a flower can wish is thine,
For thou art worthy all.
And the home thou shared with the friendless worm
The butterfly's home shall be;
And thou shalt find, dear, faithful flower,
A loving friend in me.'
Then, through the long, bright summer hours
Through sunshine and through shower,
Together in their happy home
Dwelt butterfly and flower.
poem by Louisa May Alcott
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In The Lake On Rosh Hashanah
When into a lake we dive
we do not aim get from a to b,
but just to feel that we’re alive,
which also is the reason we
should be immersed now in each other
as we would be if we’d dived in
a lake, and not attempt to smother
our feelings as on Yom HaDin,
when we’re immersed in prayer to God,
but love-soaked so that we can be
a couple that does not find odd
the romance of its repartee.
Written for Linda on the eve of Rosh Hashanah 5770 for Linda after reading Joe Morgensten’s review of Jane Campion’s movie “Bright Star” (“Ode to a Romantic Biopic: ‘Bright Star’: Cornish inspires as Keats’s love, ” WSJ, September 18,2009) :
In “Bright Star, ” a dramatization of the intense though unconsummated love affair between the young Romantic poet John Keats and his younger neighbor, Fanny Brawne, the filmmaker Jane Campion has performed her own feat of romantic imagination. The production is modest in physical scale, mostly reserved in tone and touchingly simple in design (apart from Fanny's dazzling wardrobe, which is justified by her gifts as a seamstress) . Yet the effect is exhilarating, and deeply pleasurable. It's like the dive into a lake that Keats evokes to explain the experience of poetry. The point, he explains to Fanny, is not to get to the other side, but to luxuriate in the lake.
On Poets.org a reviewer writes:
One of the most intimate early scenes of the relationship takes place over an impromptu poetry lesson, though Keats is suspicious of Brawne. When she asks for an introduction concerning 'the craft of poetry, ' Keats dismisses the notion: 'Poetic craft is a carcass, a sham. If poetry doesn't come as naturally as leaves to a tree, then it better not come at all.' As the conversation continues, however, Brawne earns Keats's trust, and he offers a more useful explanation: “A poem needs understanding through the senses. The point of diving in a lake is not immediately to swim to the shore; it's to be in the lake, to luxuriate in the sensation of water. You do not work the lake out. It is an experience beyond thought. Poetry soothes and emboldens the soul to accept mystery.”
9/18/09
poem by Gershon Hepner
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The Roussalka
A LEGEND OF THE WATER-SPRITE
In forest depths, beside a mere,
A monk once made his habitation ;
Absorbed in penances severe,
In fast and prayer he sought salvation.
Already by his own poor spade
His grave was hollowed to receive him,
And every day the good saint prayed
That Heaven from earth would soon relieve him.
One summer's eve, the hermit poor,
At prayer within his narrow room,
Looked out beyond his humble door
And saw the forest wrapped in gloom ;
Night-mists were rising from the mere,
Between the clouds the moon 'gan peep;
The monk unto the pool drew near
And gazed into its waters deep.
He saw himself—drew back perturbed
By fears he ne'er had known before ;
For, lo, the waters were disturbed,
Then suddenly grew calm once more ;
'While fitful as a twilight shade,
Than virgin snow more purely white,
From out the pool appeared a maid
Approaching in the silver light.
She shook the bright drops from her hair
And gazed upon the anchorite ;
To look upon her form so fair
The good monk trembled with affright.
And he beheld her from afar
With head and hand strange signals make,
Then swifter than a shooting star
Dive back into the silent lake.
All night the hermit could not sleep,
All day in agony he prayed ;
But still he could not choose but keep
The image of that wondrous maid
Before him. So, when day did wane,
And overhead the moon was bright,
He watched, and saw her come again
In all her beauty, dazzling white.
She beckoned to him where he stood,
And gave him greeting glad and free.
She played and splashed about the flood,
She laughed and danced in childish glee,
As softly to the monk she cried :
' Come hither, monk, and join me here!'
Then suddenly she dipped to hide
Her beauty in the darkling mere.
The third day came—grown mad with love,
The hermit sought th' enchanted shore
Ere yet night's veil was drawn above,
And waited for the maid once more.
Dawn broke—the monk had disappeared . . .
And now the frightened children say
He haunts the pool: and lo! his beard
Floats on the water night and day.
poem by Alexander Sergeyevich Pushkin
Submitted by Poetry Lover
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Song: Memory Lake
Memory lake
Remember when we carved our names on the rail,
Back in our younger days.
Remember when we’d stay out late and talk,
until the sun found it’s resting place.
And we’d sit and watch the planes fly high and the birds fly low,
As we talk about our day.
Remember when we promised each other,
Some day we’d leave this place.
But I never knew,
Your wish would come true,
And you’d leave me alone,
But just so you know.
I’ll be picking the flowers and laying them on the water,
And watching them float away.
I’ll be picking up the stones and skipping them trying to,
break that record you made.
And I’ll be watching the sun as it sets,
Remembering never to forget,
Your face,
And the memory’s we made.
By the dock was our place.
Remember when our smiles shined and we crossed the line,
Every step that we’d take.
And remember when we’d laugh our troubles away,
Then make double just for laughter’s sake.
And we’d find a way to argue but in the end I knew,
That nothing could make us break.
We had our tears and had our trial, dealt with pain by open smiles,
Right there on memory lake.
But I never knew,
That your wish would come true,
And you’d leave me here all alone.
And who would have thought,
That a broken heart would be,
The closest I’d ever get, to snow.
I’ll be picking the flowers and laying them on the water,
And watching them float away.
I’ll be picking up the stones and skipping them trying to,
break that record you made.
And I’ll be watching the sun as it sets,
Remembering never to forget,
Your face,
And the memory’s we made.
On memory lake, oh,
Memory lake.
Don’t take it away, don’t take it away,
Don’t take away, memory lake, our lake.
I’ll be picking the flowers and laying them on the water,
And watching them float away.
I’ll be picking up the stones and skipping them trying to,
break that record you made.
And I’ll be watching the sun as it sets,
Remembering never to forget,
Your face,
And the memory’s we made.
On memory lake.
poem by Joey Smith
Submitted by Poetry Lover
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Who Can Explain Why We Love It
What person explain enjoy west lake good
Good scene without time
Fly canopy each chase
Greedy towards flower in drunk jade cup
Who know idle lean railing place
Fragrant grass slant ray
Water far mist small
One point Blue Isle white egret fly
Who can explain why we love it- West Lake is good.
The beautiful scene is without time,
Flying canopies chase each other,
Greedy to be among the flowers, drunk, with a jade cup.
Who can know I'm idle here, leaning on the rail.
Fragrant grass in slanting rays,
Fine mist on distant water,
One white egret flying from the Immortal Isle.
poem by Ouyang Xiu
Submitted by Dan Costinaş
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A Dream Of Death
WHERE shall we sail to-day?'--Thus said, methought,
A voice that only could be heard in dreams:
And on we glided without mast or oar,
A wondrous boat upon a wondrous sea.
Sudden, the shore curved inward to a bay,
Broad, calm, with gorgeous sea-weeds waving slow
Beneath the water, like rich thoughts that stir
In the mysterious deep of poets' hearts.
So still, so fair, so rosy in the dawn
Lay that bright bay: yet something seemed to breath,
Or in the air, or from the whispering waves,
Or from that voice, as near as one's own soul,
'There was a wreck last night.' A wreck? then where
The ship, the crew?--The all-entombing sea
On which is writ nor name nor chronicle
Laid itself o'er them with smooth crystal smile.
'Yet was the wreck last night.'. And gazing down
Deep down below the surface, we were ware
Of ghastly faces with their open eyes
Uplooking to the dawn they could not see.
One moved with moving sea-weeds: one lay prone,
The tinted fishes gliding o'er his breast;
One, caught by floating hair, rocked quietly
Upon his reedy cradle, like a child.
'The wreck has been'--said the melodious voice,
'Yet all is peace. The dead, that, while we slept,
Struggled for life, now sleep and fear no storms:
O'er them let us not weep when heaven smiles.'
So we sailed on above the diamond sands,
Bright sea-flowers, and white faces stony calm,
Till the waves bore us to the open main,
And the great sun arose upon the world.
poem by Dinah Maria Mulock Craik
Submitted by Poetry Lover
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Moments At The Beach
flowing water, cool breeze
waves washing a shore
birds drifting in the wind
boats sailing on the water
people strolling along the beach
children playing in the sand
sun bathers laying a shore
swimmers playing in the water
volleyball in the sand
family picnics under the trees
The lake so beautiful
The beach so free
people being friendly
the life so simple for a day at the beach
Strangers, friends and family enjoying the lake
the simple things in life is enjoy nature and ourselves
poem by Michael Peterson
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The Indian Hunter
When the summer harvest was gathered in,
And the sheaf of the gleaner grew white and thin,
And the ploughshare was in its furrow left,
Where the stubble land had been lately cleft,
An Indian hunter, with unstrung bow,
Looked down where the valley lay stretched below.
He was a stranger there, and all that day
Had been out on the hills, a perilous way,
But the foot of the deer was far and fleet,
And the wolf kept aloof from the hunter's feet.
And bitter feelings passed o'er him then,
As he stood by the populous haunts of men.
The winds of autumn came over the woods
As the sun stole out from their solitudes;
The moss was white on the maple's trunk,
And dead from its arms the pale vine shrunk.
And ripened the mellow fruit hung, and red
Were the tree's withered leaves round it shed.
The foot of the reaper moved slow on the lawn
And the sickle cut down the yellow core--
The mower sung loud by the meadow-side,
Where the mists of evening were spreading wide,
And the voice of the herdsmen came up the lea,
And the dance went round by the greenwood tree.
Then the hunter turned away from the scene,
Where the home of his fathers once had been,
And heard by the distant and measured stroke,
That the woodman hewed down the giant oak,
And burning thoughts flashed over his mind
Of the white man's faith, and love unkind.
The moon of the harvest grew high and bright,
As her golden horn pierced the cloud of white--
A footstep was heard in the rustling brake,
Where the beech overshadowed the misty lake,
And a mourning voice, and a plunge from shore,--
And the hunter was seen on the hills no more.
When years had passed on, by that still lakeside
The fisher looked down through the silver tide,
And there, on the smooth yellow sand displayed,
A skeleton wasted and white was laid,
And 't was seen, as the waters moved deep and slow,
That the hand was still grasping a hunter's bow.
poem by Henry Wadsworth Longfellow
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Lonely brothers
Across the lake I stare
Across through the morning fog
I hear the lonely call of my brother
His black white body
breaches the surface of the calm lake
His red eyes meet the green of mine
The call of our loneliness ring out across the water
To be swallowed by the fog
As my lonely brother dives ounce again
Never again to rise
Across the lake I stare
Across through the morning fog
Now I am truly alone.
poem by Matthew Ladin
Submitted by Poetry Lover
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Coole Park And Ballylee, 1931
Under my window-ledge the waters race,
Otters below and moor-hens on the top,
Run for a mile undimmed in Heaven's face
Then darkening through 'dark' Raftery's 'cellar' drop,
Run underground, rise in a rocky place
In Coole demesne, and there to finish up
Spread to a lake and drop into a hole.
What's water but the generated soul?
Upon the border of that lake's a wood
Now all dry sticks under a wintry sun,
And in a copse of beeches there I stood,
For Nature's pulled her tragic buskin on
And all the rant's a mirror of my mood:
At sudden thunder of the mounting swan
I turned about and looked where branches break
The glittering reaches of the flooded lake.
Another emblem there! That stormy white
But seems a concentration of the sky;
And, like the soul, it sails into the sight
And in the morning's gone, no man knows why;
And is so lovely that it sets to right
What knowledge or its lack had set awry,
So atrogantly pure, a child might think
It can be murdered with a spot of ink.
Sound of a stick upon the floor, a sound
From somebody that toils from chair to chair;
Beloved books that famous hands have bound,
Old marble heads, old pictures everywhere;
Great rooms where travelled men and children found
Content or joy; a last inheritor
Where none has reigned that lacked a name and fame
Or out of folly into folly came.
A spot whereon the founders lived and died
Seemed once more dear than life; ancestral trees,
Or gardens rich in memory glorified
Marriages, alliances and families,
And every bride's ambition satisfied.
Where fashion or mere fantasy decrees
We shift about - all that great glory spent -
Like some poor Arab tribesman and his tent.
We were the last romantics - chose for theme
Traditional sanctity and loveliness;
Whatever's written in what poets name
The book of the people; whatever most can bless
The mind of man or elevate a rhyme;
But all is changed, that high horse riderless,
Though mounted in that saddle Homer rode
Where the swan drifts upon a darkening flood.
poem by William Butler Yeats
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The Weed
I dreamed that dead, and meditating,
I lay upon a grave, or bed,
(at least, some cold and close-built bower).
In the cold heart, its final thought
stood frozen, drawn immense and clear,
stiff and idle as I was there;
and we remained unchanged together
for a year, a minute, an hour.
Suddenly there was a motion,
as startling, there, to every sense
as an explosion. Then it dropped
to insistent, cautious creeping
in the region of the heart,
prodding me from desperate sleep.
I raised my head. A slight young weed
had pushed up through the heart and its
green head was nodding on the breast.
(All this was in the dark.)
It grew an inch like a blade of grass;
next, one leaf shot out of its side
a twisting, waving flag, and then
two leaves moved like a semaphore.
The stem grew thick. The nervous roots
reached to each side; the graceful head
changed its position mysteriously,
since there was neither sun nor moon
to catch its young attention.
The rooted heart began to change
(not beat) and then it split apart
and from it broke a flood of water.
Two rivers glanced off from the sides,
one to the right, one to the left,
two rushing, half-clear streams,
(the ribs made of them two cascades)
which assuredly, smooth as glass,
went off through the fine black grains of earth.
The weed was almost swept away;
it struggled with its leaves,
lifting them fringed with heavy drops.
A few drops fell upon my face
and in my eyes, so I could see
(or, in that black place, thought I saw)
that each drop contained a light,
a small, illuminated scene;
the weed-deflected stream was made
itself of racing images.
(As if a river should carry all
the scenes that it had once reflected
shut in its waters, and not floating
on momentary surfaces.)
The weed stood in the severed heart.
"What are you doing there?" I asked.
It lifted its head all dripping wet
(with my own thoughts?)
and answered then: "I grow," it said,
"but to divide your heart again."
poem by Elizabeth Bishop
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