Strada's Nightingale
The shepherd touch'd his reed; sweet Philomel
Essay'd, and oft essay'd to catch the strain,
And treasuring, as on her ear they fell,
The numbers, echo’d note for note again.
The peevish youth, who ne'er had foundbefore
A rival of his skill, indignant heard,
And soon (for various was his tuneful store)
In loftier tones defied the simple bird.
She dared the task, and, rising as he rose,
With all the force that passion gives inspired,
Return’d the sounds awhile, but in the close
Exhausted fell, and at his feet expired.
Thus strength, not skill prevail'd. O fatal strife,
By thee, poor songstress, playfully begun;
And, O sad victory, which cost thy life,
And he may wish that he had never won!
poem by William Cowper
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Related quotes
Colours Fly & Catherine Wheel
''belle
Never turn your back
Great times attack
Inexpensive thrills
And I said belle
Of all the friends who care
Some should be seen
But never heard
Colours fly and catherine wheels
Poor girls cry
In the beauty of both worlds
Catch a boy fell falling
Fall in love fell falling
Catch a boy fell falling
Fall in love fell falling
Catch a boy fell falling
Out of the sky
''belle
When the pulses rise
Love will tranquilize
Just before it kills
And I said belle
You turn them on
With your reflection
I know so well
Colours fly and catherine wheels
Poor girls cry
In the beauty of both worlds
Catch a boy fell falling
Fall in love fell falling
Catch a boy fell falling
Fall in love fell falling
Catch a boy fell falling
Out of the sky
Catch a boy fell falling
Fall in love fell falling
Catch a boy fell falling
Fall in love fell falling
Catch a boy fell falling
Out of the sky
Out of the sky
Colours fly and catherine wheels
Some girl cry
Over her boyfriend
When colours fly and catherine wheels
So when the colours fly
And when the catherine wheels...
Words & music : simple minds (c) emi publishing ltd reproduced without permission
song performed by by Simple Minds
Submitted by Lucian Velea
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Johnny One Note
Johnny could only sing one note
And the note he sings was this
Ah!
Poor johnny one-note
Sang out with gusto
And just overlorded the place
Poor johnny one-note
Yelled willy nilly
Until he was bleu in the face
For holding one note was his ace
Couldnt hear the brass
Couldnt hear the drum
He was in a class
By himself, by gum!
Poor johnny one-note
Got in aida
Indeed a great chance to be brave
He took his one note
Howled like the north wind
Brought forth wind that made critics rave,
While verdi turned round in his grave!
Couldnt hear the flute
Or the big trombone
Evry one was mute
Johnny stood alone.
Cats and dogs stopped yapping
Lions in the zoo
All were jealous of johnnys big trill
Thunder claps stopped clapping,
Traffic ceased its roar,
And they tell us niagra stood still.
He stopped the train whistles,
Boat whistles,
Steam whistles,
Cop whistles,
All whistles bowed to his skill
Sing johnny one-note,
Sing out with gusto and
Just overwhelm all the crowd
Ah!
So sing johnny one-note, out loud!!
Sing johnny one-note
Sing johnny one-note out loud!
song performed by by Ella Fitzgerald
Submitted by Lucian Velea
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Critic and Poet: an Epilogue
("Poetry must be simple, sensuous, or impassioned; this man is neither simple, sensuous, nor impassioned; therefore he is not a poet")
No man had ever heard a nightingale,
When once a keen-eyed naturalist was stirred
To study and define--what is a bird,
To classify by rote and book, nor fail
To mark its structure and to note the scale
Whereon its song might possibly be heard.
Thus far, no farther;--so he spake the word.
When of a sudden,--hark, the nightingale!
Oh deeper, higher than he could divine
That all-unearthly, untaught strain! He saw
The plain, brown warbler, unabashed. "Not mine"
(He cried) "the error of this fatal flaw.
No bird is this, it soars beyond my line,
Were it a bird, 'twould answer to my law."
poem by Emma Lazarus
Submitted by Poetry Lover
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Canzonet
I have no store
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd's fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd's note.
Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.
What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No horned Faun
Treads down the yellow leas,
No God at dawn
Steals through the olive trees.
Hylas is dead,
Nor will he e'er divine
Those little red
Rose-petalled lips of thine.
On the high hill
No ivory dryads play,
Silver and still
Sinks the sad autumn day.
poem by Oscar Wilde
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Sonnet 13
XIII
To Mr. H. Lawes, on his Aires.
Harry whose tuneful and well measur'd Song
First taught our English Musick how to span
Words with just note and accent, not to scan
With Midas Ears, committing short and long;
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man,
That with smooth aire couldst humor best our tongue
Thou honour'st Verse, and Verse must send her wing
To honour thee, the Priest of Phoebus Quire
That tun'st their happiest lines in Hymn or Story
Dante shall give Fame leave to set thee higher
Then his Casella, whom he woo'd to sing
Met in the milder shades of Purgatory.
Note: 9 send] lend Cambridge Autograph MS.
poem by John Milton
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Philomel
At times a nightingale or swallow
visited me
singing sweetly
and with all the reckoning
that I did posses,
I tried to catch the words of it
and sorrowful was that gentle ode
telling about lovely Philomel
who did disappear
and how once she was young and beautiful,
so full of life, until her brother in law Tereus,
did his dirty deed
and then silenced her with a knife
and in the visiting bird there was something,
something lovely and sweet
while at times it pecked insects at my feet
as if Philomel, was coming back to life in it.
[Reference: "The Nymph's Reply to the Shepherd" by Sir Walter Raleigh.]
poem by Gert Strydom
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Home, Sweet Home
Sharers of a common country,
They had met in deadly strife;
Men who should have been as brothers
Madly sought each other's life.
In the silence of the even,
When the cannon's lips were dumb,
Thoughts of home and all its loved ones
To the soldier's heart would come.
On the margin of a river,
'Mid the evening's dews and damps,
Could be heard the sounds of music
Rising from two hostile camps.
One was singing of its section
Down in Dixie, Dixie's land,
And the other of the banner
Waved so long from strand to strand.
In the land where Dixie's ensign
Floated o'er the hopeful slave,
Rose the song that freedom's banner,
Starry-lighted, long might wave.
From the fields of strife and carnage,
Gentle thoughts began to roam,
And a tender strain of music
Rose with words of "Home, Sweet Home."
Then the hearts of strong men melted,
For amid our grief and sin
Still remains that "touch of nature,"
Telling us we all are kin.
In one grand but gentle chorus,
Floating to the starry dome,
Came the words that brought them nearer,
Words that told of "Home, Sweet Home."
For awhile, all strife forgotten,
They were only brothers then,
Joining in the sweet old chorus,
Not as soldiers, but as men.
Men whose hearts would flow together,
Though apart their feet might roam,
Found a tie they could not sever,
In the mem'ry of each home.
Never may the steps of carnage
Shake our land from shore to shore,
But may mother, home and Heaven,
Be our watchwords evermore.
poem by Frances Ellen Watkins Harper
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Elegy III. On the Untimely Death of a Certain Learned Acquainance
If proud Pygmalion quit his cumbrous frame,
Funereal pomp the scanty tear supplies;
Whilst heralds loud, with venal voice, proclaim,
Lo! here the brave and the puissant lies.
When humbler Alcon leaves his drooping friends,
Pageant nor plume distinguish Alcon's bier;
The faithful Muse with votive song attends,
And blots the mournful numbers with a tear.
He little knew the sly penurious art;
That odious art which Fortune's favourites know:
Form'd to bestow, he felt the warmest heart,
But envious Fate forbade him to bestow.
He little knew to ward the secret wound;
He little knew that mortals could ensnare:
Virtue he knew; the noblest joy he found
To sing her glories, and to paint her fair.
Ill was he skill'd to guide his wandering sheep;
And unforeseen disaster thinn'd his fold;
Yet at another's loss the swain would weep;
And, for his friend, his very crook was sold.
Ye sons of Wealth! protect the Muses' train;
From winds protect them, and with food supply:
Ah! helpless they, to ward the threaten'd pain,
The meagre famine, and the wintry sky!
He loved a nymph; amidst his slender store
He dared to love, and Cynthia was his theme:
He breathed his plaints along the rocky shore;
They only echo'd o'er the winding stream!
His nymph was fair! the sweetest bud that blows
Revives less lovely from the recent shower;
So Philomel enamour'd eyes the rose
Sweet bird! enamour'd of the sweetest flower.
He loved the Muse; she taught him to complain;
He saw his timorous loves on her depend:
He loved the Muse, although she taught in vain;
He loved the Muse, for she was Virtue's friend.
She guides the foot that treads on Parian floors;
She wins the ear when formal pleas are vain;
She tempts Patricians from the fatal doors
Of Vice's brothel, forth to Virtue's fane.
He wish'd for wealth, for much he wish'd to give;
He grieved that virtue might not wealth obtain:
Piteous of woes, and hopeless to relieve,
The pensive prospect sadden'd all his strain.
I saw him faint! I saw him sink to rest!
Like one ordain'd to swell the vulgar throng;
As though the Virtues had not warm'd his breast,
As though the Muses not inspired his tongue.
I saw his bier ignobly cross the plain;
Saw peasant hands the pious rite supply:
The generous rustics mourn'd the friendly swain,
But Power and Wealth's unvarying cheek was dry!
Such Alcon fell; in meagre want forlorn!
Where were ye then, ye powerful Patrons, where?
Would ye the purple should your limbs adorn?
Go wash the conscious blemish with a tear.
poem by William Shenstone
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Your Love Is My Passion
when i see you
see our future
when touch you
i feel like that i am in the paradise
when i look at you eyes
i fell down in your love
when i think of you
i fell like that you are a dream me
i will never catch it
All The Night
All the days
All the hours
and every minute past
i think of you
on you about you
because you are my passion
you are the raison of sitting me alive
you are the way of my life
because you are my love
Your Love Is My Passion
poem by Marie Armany
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A Garden-Seat At Home
Oh, no; I would not leave thee, my sweet home,
Decked with the mantling woodbine and the rose,
And slender woods that the still scene inclose,
For yon magnificent and ample dome
That glitters in my sight! yet I can praise
Thee, Arundel, who, shunning the thronged ways
Of glittering vice, silently dost dispense
The blessings of retired munificence.
Me, a sequestered cottage, on the verge
Of thy outstretched domain, delights; and here
I wind my walks, and sometimes drop a tear
O'er Harriet's urn, scarce wishing to emerge
Into the troubled ocean of that life,
Where all is turbulence, and toil, and strife.
Calm roll the seasons o'er my shaded niche;
I dip the brush, or touch the tuneful string,
Or hear at eve the unscared blackbirds sing;
Enough if, from their loftier sphere, the rich
Deign my abode to visit, and the poor
Depart not, cold and hungry, from my door.
poem by William Lisle Bowles
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Sent To Mr. Haley, On Reading His Epistles On Epic Poetry
What blooming garlands shall the Muses twine,
What verdant laurels weave, what flowers combine,
To crown their favorite Son whose generous heart
Has check'd the arrogance of Critic Art,
And shewn that still in their exhaustless mine
The purest gems of radiant Genius shine,
To grace the venturous Poets who explore
The unsun'd treasures of their sacred store?
Nor this the Syren note of flattering praise,
Or the fond tribute partial friendship pays;
A voice unknown to fame, to thee unknown,
But wak'd by thy superior worth alone,
Attempts, perhaps with too officious zeal,
Thy thoughts awhile from higher cares to steal,
And in presumptuous numbers dares essay
To hail the glories of thy matchless lay.
O fairest hope of Britain's tuneful Choir!
Why yield to other hands the Epic Wire?
Say who of all her Bards like thee shall swell
To strains of extasy th' Heroic shell?
When the long series of connecting rhime
Denies the raptur'd flight or march sublime
Who shall the interval so well beguile
With each rich ornament of polish'd style?
Who o'er the thrilling heart such forms shall throw
Of frantic horror, or pathetic woe?
Or when the notes from Freedom's clarion blown
Chill the pale Despot on his trembling throne,
What manly son of Britain's warbling throng
Shall join the Pæan with so bold a song?
And if inventive Fancy love to stray
'Mid the wild tracts of Fiction's faery way,
Say who shall mate those magic powers that stole
The nightly vision o'er Serena's soul?
Then let, illustrious Bard!—though rude her voice,
A Muse of humble mien divert thy choice.—
With timid hand snatch no reflected grace
From the sweet Maniac of Hesperian race.
Since Genius' keenest rays thy bosom fire
O strike with native force the British Lyre,
That, while such virtuous chiefs adorn thy strain
As Greece and Rome shall emulate in vain,
Albion may consecrate thy deathless name,
And found her Epic pride on Hayley's fame.
poem by Henry James Pye
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The Swamp
FOR one whole day and a long night through
We made our camp
In a she-oak grove by a coastal swamp.
Our tent gleamed white in the she-oak trees,
Whose falling hair
Made a soft, brown mist in the sweet blue air.
A sound subdued from their tresses rose —
A moan, a sigh
As of unseen seas, when the breeze went by.
'Twas wattle-time, and the scented bloom,
New lit and young,
In a mass of gold from the still trees hung.
There music dwelt, and a splendour moved
Through all the day
From the green of dawn to the twilight gray.
For careless ever, like one who goes
Where Joyance leads,
Sang the little reed-bird in the tall, green reeds.
Blue, swift and slender the dragonflies
A-hawking flew,
And a hawk hung poised in the burning blue.
A crane, slow-flapping its great wings, passed
Across the scene,
And a parrot jewelled the leafy screen.
In twos and threes from the hills around
The peewits came,
And the brush-flower burnt like a crimson flame.
On ti-tree trunk and on frond and log
The lizards slept,
While the sun moved west, and the shadows crept.
The sun moved west, and the tall hills sent
Broad shadows east,
And the reed-bird's song in the reed-beds ceased.
Then fell a hush, and within that hush
Rose, clear and shrill,
A cicada note on a distant hill.
A note of farewell, it seemed to us,
Its singing bore;
And the night came down, and it sang no more.
Night came with shadows and fitful gleams
And mist and damp,
And our fire burned red by the coastal swamp.
Then life not known of the daytime woke —
That life that preys
On the feathered things of the leafy ways.
We heard feet moving, and velvet wings
On swamp and height,
And a dingo howling across the night.
As, faces lit by the red camp-fire,
We mused enthralled.
Like a lone, lost spirit a curlew called;
Brown crickets sang in the moisty mould,
And every breeze
Drew a moaning note from the she-oak trees.
And all night long, as they swayed and moaned,
Strange fancies woke,
And we could not rest for the things they spoke.
Thus much and more through the hours we saw;
Thus much we heard
In that place of blossom and tree and bird.
Since then gold wattles have bloomed and bloomed,
And moons aloft
In the sky have wizened and waned full oft.
And yet, at times, when the night is still,
In dreams I tramp
Through the white sand-dunes to that coastal camp.
poem by Roderic Quinn
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Rose-Mary of the Angels
Little Sister Rose-Marie,
Will thy feet as willing-light
Run through Paradise, I wonder,
As they run the blue skies under,
Willing feet, so airy-light?
Little Sister Rose-Marie
Will thy voice as bird-note clear
Lift and ripple over Heaven
As its mortal sound is given,
Swift bird-voice, so young and clear?
How God will be glad of thee,
Little Sister Rose-Marie!'
poem by Adelaide Crapsey
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Rose-Mary of the Angels
Little Sister Rose-Marie,
Will thy feet as willing-light
Run through Paradise, I wonder,
As they run the blue skies under,
Willing feet, so airy-light?
Little Sister Rose-Marie
Will thy voice as bird-note clear
Lift and ripple over Heaven
As its mortal sound is given,
Swift bird-voice, so young and clear?
How God will be glad of thee,
Little Sister Rose-Marie!'
poem by Adelaide Crapsey
Submitted by Poetry Lover
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In high school, I won a prize for an essay on tuberculosis. When I got through writing the essay, I was sure I had the disease.
quote by Constance Baker Motley
Submitted by Lucian Velea
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As long as its music
Please play me a symphony
Make a simple cheerful harmony
Please play me a chord from a guitar
For me, it does not matter
If I’m the only audience of your theatre
Give me some instrumental vibes
All rhythms and tunes are musically ripe
There is no need to take precaution
While playing the Banjo or flamenco percussion
As long as its music
We can all heal
As long as its music
We can all feel
We can sing out our hearts and soul
We can let this music take control
Please play me the drums
We can sing or we can hum
Please play me a CD or a hit record
We could sing to the tunes of an ipod
With the sounds of music we can compose a song
Maybe sing to the town’s bells chiming ding-dong
Please play me the sweet keys of a piano
Hit a sweet note that is a major or minor
As long as its music
We can all heal or cry
As long as its music
We can all feel or fly high
And I will be lost in your voice and eyes
Holding on to each minute that flies
Whatever sounds or instruments
I shall feel good in the moment
Please play me a note from a flute
Those peaceful sounds tend to soothe
I want to hear sweet, sweet music
Choose your lyrics, take your pick
My heart will dance, till she is weak
Get out that guitar, acoustic or electric
Please play me the violins of an orchestra night
String me some melodies in broad daylight
And we can rap to melodious sense or crap
While our feet’s playfully tap, tap and tap
As long as its music
We can dance along the shore
As long as its music
We can all take to the dance floor
And I say once more, once more!
As long as its music, I will only ask for more
poem by Sylvia Chidi
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The Last Rose Of Summer
That strain again? It seems to tell
Of something like a joy departed;
I love its mourning accents well,
Like voice of one, ah! broken-hearted.
That note that pensive dies away,
And can each answering thrill awaken,
It sadly, wildly, seems to say,
Thy meek heart mourns its truth forsaken.
Or there was one who never more
Shall meet thee with the looks of gladness,
When all of happier life was o'er,
When first began thy night of sadness.
Sweet mourner, cease that melting strain,
Too well it suits the grave's cold slumbers;
Too well the heart that loved in vain
Breathes, lives, and weeps in those wild numbers.
poem by Charles Wolfe
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A Wayward Rose
Mischievous rose from the rose-tree swaying,
Can I not bind thee nor hold thee?
Can I not weave thee nor fold thee
In with thy sisters to staying?
Vain is my passion or praying,
Rose from the rose-tree swaying.
Wayward sweet rose from the rose-tree swinging,
Can I not pass thee, forget thee?
Can I not see to regret thee?
In—'mid thy kindred's close ringing,
Out—to my heart she comes winging,
Rose from the rose-tree swinging.
Cruel red rose from the rose-tree swaying,
Ever to worship thee, throne thee,
Never to lose thee or own thee,
Thy beauty to keep me from straying,
Thy thorns for my passionate praying,
Rose from the rose-tree swaying.
poem by Dora Sigerson Shorter
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A Sweet Pastoral
Good Muse, rock me asleep
With some sweet harmony:
The weary eye is not to keep
Thy wary company.
Sweet Love, begone awhile,
Thou knowest my heaviness:
Beauty is born but to beguile
My heart of happiness.
See how my little flock,
That loved to feed on high,
Do headlong tumble down the rock,
And in the valley die.
The bushes and the trees
That were so fresh and green,
Do all their dainty colour leese,
And not a leaf is seen.
The blackbird and the thrush,
That made the woods to ring,
With all the rest, are now at hush,
And not a note they sing.
Sweet Philomel, the bird
That hath the heavenly throat,
Doth now alas! not once afford
Recording of a note.
The flowers have had a frost,
Each herb hath lost her savour;
And Phyllida the fair hath lost
The comfort of her favour.
Now all these careful sights
So kill me in conceit,
That how to hope upon delights
It is but mere deceit.
And therefore, my sweet Muse,
Thou know'st what help is best;
Do now thy heavenly cunning use
To set my heart at rest;
And in a dream bewray
What fate shall be my friend;
Whether my life shall still decay,
Or when my sorrow end.
poem by Nicholas Breton
Submitted by anonym
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To Mr. H. Lawes on His Airs
Harry, whose tuneful and well-measured song
First taught our English music how to span
Words with just note and accent, not to scan
With Midas’ ears, committing short and long,
Thy worth and skill exempts thee from the throng,
With praise enough for Envy to look wan;
To after age thou shalt be writ the man
That with smooth air couldst humour best our tongue.
Thou honour’st Verse, and Verse must lend her wing
To honour thee, the priest of Phœbus’ quire,
That tunest their happiest lines in hymn or story.
Dante shall give Fame leave to set thee higher
Than his Casella, whom he wooed to sing,
Met in the milder shades of Purgatory.
poem by John Milton
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