Oscar Wilde

Canzonet

I have no store
Of gryphon-guarded gold;
Now, as before,
Bare is the shepherd's fold.
Rubies nor pearls
Have I to gem thy throat;
Yet woodland girls
Have loved the shepherd's note.

Then pluck a reed
And bid me sing to thee,
For I would feed
Thine ears with melody,
Who art more fair
Than fairest fleur-de-lys,
More sweet and rare
Than sweetest ambergris.

What dost thou fear?
Young Hyacinth is slain,
Pan is not here,
And will not come again.
No horned Faun
Treads down the yellow leas,
No God at dawn
Steals through the olive trees.

Hylas is dead,
Nor will he e'er divine
Those little red
Rose-petalled lips of thine.
On the high hill
No ivory dryads play,
Silver and still
Sinks the sad autumn day.

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Jonquil And Fleur-de-lys

i

Jonquil was a shepherd lad,
White he was as the curded cream,
Hair like the buttercups he had,
And wet green eyes like a full chalk stream.

ii

His teeth were as white as the stones that lie
Down in the depths of the sun-bright river,
And his lashes danced like a dragon-fly
With drops on the gauzy wings that quiver.

iii

His lips were as red as round ripe cherries,
And his delicate cheek's and his rose-pink neck
Were stained with the colour of dog-rose berries
When they lie on the snow like a crimson fleck.

iv

His feet were all stained with the cowslips and grass
To amber and verdigris,
And through his folds one day did pass
The young prince Fleur-de-lys.

v

Fleur-de-lys was the son of the king.
He was as white as an onyx stone,
His hair was curled like a daffodil ring,
And his eyes were like gems in the queen's blue zone.

vi

His teeth were as white as the white pearls set
Round the thick white throat of the queen in the hall,
And his lashes were like the dark silk net
That she binds her yellow hair withal.

vii

His lips were as red as the red rubies
The king's bright dagger-hilt that deck,
And pale rose-pink as the amethyst is
Were his delicate cheeks and his rose-pink neck.

viii

His feet were all shod in shoes of gold,
And his coat was as gold as a blackbird's bill is,
With jewel on jewel manifold,
And wrought with a pattern of golden lilies.

ix

When Fleur-de-lys espied Jonquil
He was as glad as a bird in May ;
He tripped right swiftly a-down the hill,
And called to the shepherd boy to play.

x

This fell out ere the sheep-shearing,
That these two lads did sport and toy,
Fleur-de-lys the son of the king,
And sweet Jonquil the shepherd boy.

xi

And after they had played awhile,
Thereafter they to talking fell,
And full an hour they did beguile
While each his state and lot did tell.

xii

For Jonquil spake of the little sheep,
And the tender ewes that know their names,
And he spake of his wattled hut for sleep,
And the country sports and the shepherds' games.

xiii

And he plucked a reed from the edge that girds
The river bank, and with his knife
Made a pipe, with a breath like the singing birds
When they flute to their loves in a musical strife.

xiv

And he told of the night so long and still
When he lay awake till he heard the feet
Of the goat-foot god coming over the hill,
And the rustling sound as he passed through the wheat.

xv

And Fleur-de-lys told of the king and the court,
And the stately dames and the slender pages,
Of his horse and his hawk and his mimic fort,
And the silent birds in their golden, cages.

xvi

And the jewelled sword with the damask blade
That should be his in his fifteenth spring ;
And the silver sound that the gold horns made,
And the tourney lists and the tilting ring.

xvii

And after that they did devise
For mirth and sport, that each should wear
The other's clothes, and in this guise
Make play each other's parts to bear.

xviii

Whereon they stripped off all their clothes,
And when they stood up in the sun,
They were as like as one white rose
On one green stalk, to another one.

xix

And when Jonquil as a prince was shown
And Fleur-de-lys as a shepherd lad,
Their mothers' selves would not have known
That each the other's habit had.

xx

And Jonquil walked like the son of a king
With dainty steps and proud haut look ;
And Fleur-de-lys, that sweet youngling,
Did push and paddle his feet in the brook.

xxi

And while they made play in this wise,
Unto them all in haste did run,
Two lords of the court, with joyful cries,
That long had sought the young king's son.

xxii

And to Jonquil they reverence made
And said, ' My lord, we are come from the king,
Who is sore vexed that thou hast strayed
So far without a following.'

xxiii

Then unto them said Fleur-de-lys
' You do mistake, my lords, for know
That I am the son of the king, and this
Is sweet Jonquil, my playfellow.'

xxiv

Whereat one of these lords replied,
' Thou lying knave, I'll make thee rue
Such saucy words.' But Jonquil cried,
' Nay, nay, my lord, 'tis even true.'

xxv

Whereat these lords were sore distressed,
And one made answer bending knee,
' My lord the prince is pleased to jest.'
But Jonquil answered, ' Thou shalt see.'

xxvi

Sure never yet so strange a thing
As this before was seen,
That a shepherd was thought the son of a king,
And a prince a shepherd boy to have been.

xxvii

' Now mark me well, my noble lord,
A shepherd's feet go bare and cold,
Therefore they are all green from the sward,
And the buttercup makes a stain of gold.

xxviii

' That I am Jonquil thus thou shalt know,
And that this be very Fleur-de-lys
If his feet be like the driven snow,
And mine like the amber and verdigris.'

xxix

He lifted up the shepherd's frock
That clothed the prince, and straight did show
That his naked feet all under his smock
Were whiter than the driven snow.

xxx

He doffed the shoes and the clothes of silk
That he had gotten from Fleur-de-lys,
And all the rest was as white as milk,
But his feet were like amber and verdigris.

xxxi

With that they each took back his own,
And when his second change was done,
As a shepherd boy was Jonquil shown
And Fleur-de-lys the king's true son.

xxxii

By this the sun was low in the heaven,
And Fleur-de-lys must ride away,
But ere he left, with kisses seven,
He vowed to come another day.

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Oscar Wilde

Pan

1.

O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?

No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!

Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold,
And what remains to us of thee?

And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-foot God of Arcady!

Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?

Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?

2.

Ah, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.

No nymph of Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!

This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!

A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady.

This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!

Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!

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Oscar Wilde

Double Villanelle

I.
O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?

No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!

Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold
And what remains to us of thee?

And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-loot God of Arcady!

Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,
And what remains to us of thee?

Though many an unsung elegy
Sleeps in the reeds our rivers hold,
O goat-foot God of Arcady!
Ah, what remains to us of thee?


II.


Ah, leave the hills of Arcady,
Thy satyrs and their wanton play,
This modern world hath need of thee.

No nymph or Faun indeed have we,
For Faun and nymph are old and grey,
Ah, leave the hills of Arcady!

This is the land where liberty
Lit grave-browed Milton on his way,
This modern world hath need of thee!

A land of ancient chivalry
Where gentle Sidney saw the day,
Ah, leave the hills of Arcady!

This fierce sea-lion of the sea,
This England lacks some stronger lay,
This modern world hath need of thee!

Then blow some trumpet loud and free,
And give thine oaten pipe away,
Ah, leave the hills of Arcady!
This modern world hath need of thee!

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Song Of Proserpine While Gathering Flowers On The Plain Of Enna

Sacred Goddess, Mother Earth,
Thou from whose immortal bosom
Gods and men and beasts have birth,
Leaf and blade, and bud and blossom,
Breathe thine influence most divine
On thine own child, Proserpine.

If with mists of evening dew
Thou dost nourish these young flowers
Till they grow in scent and hue
Fairest children of the Hours,
Breathe thine influence most divine
On thine own child, Proserpine.

poem by Percy Bysshe ShelleyReport problemRelated quotes
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The Snail

Wise emblem of our politic world,
Sage snail, within thine own self curl'd;
Instruct me softly to make haste,
Whilst these my feet go slowly fast.

Compendious snail! thou seem'st to me,
Large Euclid's strict epitome;
And in each diagram dost fling
Thee from the point unto the ring;
A figure now triangular,
An oval now, and now a square;
And then a serpentine dost crawl,
Now a straight line, now crook'd, now all.

Preventing rival of the day,
Th'art up and openest thy ray,
And ere the morn cradles the moon
Th'art broke into a beauteous noon.
Then when the sun sups in the deep,
Thy silver horns ere Cynthia's peep;
And thou from thine own liquid bed
New Phoebus heav'st thy pleasant head.

Who shall a name for thee create,
Deep riddle of mysterious state?
Bold Nature that gives common birth
To all products of seas and earth,
Of thee, as earthquakes, is afraid,
Nor will thy dire deliv'ry aid.

Thou thine own daughter then, and sire,
That son and mother art entire,
That big still with thy self dost go,
And liv'st an aged embryo;
That like the cubs of India,
Thou from thyself a while dost play;
But frighted with a dog or gun,
In thine own belly thou dost run,
And as thy house was thine own womb,
So thine own womb concludes thy tomb.

But now I must (analyz'd king)
Thy economic virtues sing;
Thou great stay'd husband still within,
Thou, thee, that's thine dost discipline;
And when thou art to progress bent,
Thou mov'st thy self and tenement,
As warlike Scythians travell'd, you
Remove your men and city too;
Then after a sad dearth and rain,
Thou scatterest thy silver train;
And when the trees grow nak'd and old,
Thou clothest them with cloth of gold,
Which from thy bowels thou dost spin,
And draw from the rich mines within.

Now hast thou chang'd thee saint; and made
Thy self a fane that's cupola'd;
And in thy wreathed cloister thou
Walkest thine own grey friar too;
Strict, and lock'd up, th'art hood all o'er,
And ne'er eliminat'st thy door.
On salads thou dost feed severe,
And 'stead of beads thou dropp'st a tear;
And when to rest, each calls the bell,
Thou sleep'st within thy marble cell,
Where in dark contemplation plac'd,
The sweets of nature thou dost taste;
Who now with time thy days resolve,
And in a jelly thee dissolve,
Like a shot star, which doth repair
Upward, and rarify the air.

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The Snayl

Wise emblem of our politick world,
Sage Snayl, within thine own self curl'd,
Instruct me softly to make hast,
Whilst these my feet go slowly fast.

Compendious Snayl! thou seem'st to me
Large Euclid's strict epitome;
And in each diagram dost fling
Thee from the point unto the ring.
A figure now trianglare,
An oval now, and now a square,
And then a serpentine, dost crawl,
Now a straight line, now crook'd, now all.

Preventing rival of the day,
Th' art up and openest thy ray;
And ere the morn cradles the moon,
Th' art broke into a beauteous noon.
Then, when the Sun sups in the deep,
Thy silver horns e're Cinthia's peep;
And thou, from thine own liquid bed,
New Phoebus, heav'st thy pleasant head.

Who shall a name for thee create,
Deep riddle of mysterious state?
Bold Nature, that gives common birth
To all products of seas and earth,
Of thee, as earth-quakes, is afraid,
Nor will thy dire deliv'ry aid.

Thou, thine own daughter, then, and sire,
That son and mother art intire,
That big still with thy self dost go,
And liv'st an aged embrio;
That like the cubbs of India,
Thou from thy self a while dost play;
But frighted with a dog or gun,
In thine own belly thou dost run,
And as thy house was thine own womb,
So thine own womb concludes thy tomb.

But now I must (analys'd king)
Thy oeconomick virtues sing;
Thou great stay'd husband still within,
Thou thee that's thine dost discipline;
And when thou art to progress bent,
Thou mov'st thy self and tenement,
As warlike Scythians travayl'd, you
Remove your men and city too;
Then, after a sad dearth and rain,
Thou scatterest thy silver train;
And when the trees grow nak'd and old,
Thou cloathest them with cloth of gold,
Which from thy bowels thou dost spin,
And draw from the rich mines within.

Now hast thou chang'd thee, saint, and made
Thy self a fane that's cupula'd;
And in thy wreathed cloister thou
Walkest thine own gray fryer too;
Strickt and lock'd up, th'art hood all ore,
And ne'r eliminat'st thy dore.
On sallads thou dost feed severe,
And 'stead of beads thou drop'st a tear,
And when to rest each calls the bell,
Thou sleep'st within thy marble cell,
Where, in dark contemplation plac'd,
The sweets of Nature thou dost tast,
Who now with time thy days resolve,
And in a jelly thee dissolve,
Like a shot star, which doth repair
Upward, and rarifie the air.

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The Moon's Minion

Thine eyes are like the sea, my dear,
The wand'ring waters, green and grey;
Thine eyes are wonderful and clear,
And deep, and deadly, even as they;
The spirit of the changeful sea
Informs thine eyes at night and noon,
She sways the tides, and the heart of thee,
The mystic, sad, capricious Moon!

The Moon came down the shining stair
Of clouds that fleck the summer sky,
She kissed thee, saying, 'Child, be fair,
And madden men's hearts, even as I;
Thou shalt love all things strange and sweet,
That know me and are known of me;
The lover thou shalt never meet,
The land where thou shalt never be!'

She held thee in her chill embrace,
She kissed thee with cold lips divine,
She left her pallor on thy face,
That mystic ivory face of thine;
And now I sit beside thy feet,
And all my heart is far from thee,
Dreaming of her I shall not meet,
And of the land I shall not see!

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Said The Skylark

'O soft, small cloud, the dim, sweet dawn adorning,
Swan-like a-sailing on its tender grey;
Why dost thou, dost thou float,
So high, the wing'd, wild note
Of silver lamentation from my dark and pulsing throat
May never reach thee,
Tho' every note beseech thee
To bend thy white wings downward thro' the smiling of the morning,
And by the black wires of my prison lightly stray?

'O dear, small cloud, when all blue morn is ringing
With sweet notes piped from other throats than mine;
If those glad singers please
The tall and nodding trees--
If to them dance the pennants of the swaying columbine,
If to their songs are set
The dance of daffodil and trembling violet--
Will they pursue thee
With tireless wings as free and bold as thine?
Will they woo thee
With love throbs in the music of their singing?
Ah, nay! fair Cloud, ah, nay!
Their hearts and wings will stay
With yellow bud of primrose and soft blush of the May;
Their songs will thrill and die,
Tranc'd in the perfume of the rose's breast.
While I must see thee fly
With white, broad, lonely pinions down the sky.

'O fair, small cloud, unheeding o'er me straying,
Jewell'd with topaz light of fading stars;
Thy downy edges red
As the great eagle of the Dawn sails high
And sets his fire-bright head
And wind-blown pinions towards thy snowy breast;
And thou canst blush while I
Must pierce myself with song and die
On the bald sod behind my prison bars;
Nor feel upon my crest
Thy soft, sunn'd touches delicately playing!

'O fair, small cloud, grown small as lily flow'r!
Even while I smite the bars to see thee fade;
The wind shall bring thee
The strain I sing thee--
I, in wired prison stay'd,
Worse than the breathless primrose glade.
That in my morn,
I shrilly sang to scorn;
I'll burst my heart up to thee in this hour!

'O fair, small cloud, float nearer yet and hear me!
A prison'd lark once lov'd a snowy cloud,
Nor did the Day
With sapphire lips, and kiss
Of summery bliss,
Draw all her soul away;
Vainly the fervent East
Deck'd her with roses for their bridal feast;
She would not rest
In his red arms, but slipp'd adown the air
And wan and fair,
Her light foot touch'd a purple mountain crest,
And touching, turn'd
Into swift rain, that like to jewels burn'd;
In the great, wondering azure of the sky;
And while a rainbow spread
Its mighty arms above, she, singing, fled
To the lone-feather'd slave,
In his sad weird grave,
Whose heart upon his silver song had sped
To her in days of old,
In dawns of gold,
And murmuring to him, said:
'O love, I come! O love, I come to cheer thee--
Love, to be near thee!''

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The Sheperd Boy

LIKE some vision olden
Of far other time,
When the age was golden,
In the young world's prime
Is thy soft pipe ringing,
O lonely shepherd boy,
What song art thou singing,
In thy youth and joy?

Or art thou complaining
Of thy lowly lot,
And thine own disdaining
Dost ask what thou hast not?
Of the future dreaming,
Weary of the past,
For the present scheming,
All but what thou hast.

No, thou art delighting
In thy summer home;
Where the flowers inviting
Tempt the bee to roam;
Where the cowslip bending,
With its golden bells,
Of each glad hour's ending
With a sweet chime tells.

All wild creatures love him
When he is alone,
Every bird above him
Sings its softest tone.
Thankful to high Heaven,
Humble in thy joy,
Much to thee is given,
Lowly shepherd boy.

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Written at Florence

O WORLD, in very truth thou art too young;
When wilt thou learn to wear the garb of age?
World, with thy covering of yellow flowers,
Hast thou forgot what generations sprung
Out of thy loins and loved thee and are gone?
Hast thou no place in all their heritage
Where thou dost only weep, that I may come
Nor fear the mockery of thy yellow flowers?
   O world, in very truth thou art too young.
The heroic wealth of passionate emprize
Built thee fair cities for thy naked plains:
How hast thou set thy summer growth among
The broken stones which were their palaces!
Hast thou forgot the darkness where he lies
Who made thee beautiful, or have thy bees
Found out his grave to build their honeycombs?

O world, in very truth thou art too young:
They gave thee love who measured out thy skies,
And, when they found for thee another star,
Who made a festival and straightway hung
The jewel on thy neck. O merry world,
Hast thou forgot the glory of those eyes
Which first look'd love in thine? Thou hast not furl'd
One banner of thy bridal car for them.
   O world, in very truth thou art too young.
There was a voice which sang about thy spring,
Till winter froze the sweetness of his lips,
And lo, the worms had hardly left his tongue
Before thy nightingales were come again.
O world, what courage hast thou thus to sing?
Say, has thy merriment no secret pain,
No sudden weariness that thou art young?

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Fragoletta

O LOVE! what shall be said of thee?
The son of grief begot by joy?
Being sightless, wilt thou see?
Being sexless, wilt thou be
Maiden or boy?

I dreamed of strange lips yesterday
And cheeks wherein the ambiguous blood
Was like a rose’s—yea,
A rose’s when it lay
Within the bud.

What fields have bred thee, or what groves
Concealed thee, O mysterious flower,
O double rose of Love’s,
With leaves that lure the doves
From bud to bower?

I dare not kiss it, lest my lip
Press harder than an indrawn breath,
And all the sweet life slip
Forth, and the sweet leaves drip,
Bloodlike, in death.

O sole desire of my delight!
O sole delight of my desire!
Mine eyelids and eyesight
Feed on thee day and night
Like lips of fire.

Lean back thy throat of carven pearl,
Let thy mouth murmur like the dove’s;
Say, Venus hath no girl,
No front of female curl,
Among her Loves.

Thy sweet low bosom, thy close hair,
Thy strait soft flanks and slenderer feet,
Thy virginal strange air,
Are these not over fair
For Love to greet?

How should he greet thee? what new name,
Fit to move all men’s hearts, could move
Thee, deaf to love or shame,
Love’s sister, by the same
Mother as Love?

Ah sweet, the maiden’s mouth is cold,
Her breast-blossoms are simply red,
Her hair mere brown or gold,
Fold over simple fold
Binding her head.

Thy mouth is made of fire and wine,
Thy barren bosom takes my kiss
And turns my soul to thine
And turns thy lip to mine,
And mine it is.

Thou hast a serpent in thine hair,
In all the curls that close and cling;
And ah, thy breast-flower!
Ah love, thy mouth too fair
To kiss and sting!

Cleave to me, love me, kiss mine eyes,
Satiate thy lips with loving me;
Nay, for thou shalt not rise;
Lie still as Love that dies
For love of thee.

Mine arms are close about thine head,
My lips are fervent on thy face,
And where my kiss hath fed
Thy flower-like blood leaps red
To the kissed place.

O bitterness of things too sweet!
O broken singing of the dove!
Love’s wings are over fleet,
And like the panther’s feet
The feet of Love.

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Liberty To M. Le Diplomate

Thou fool who treatest with the sword, and not
With the strong arm that wields it! Thou insane
Who seest the dew-drops on the lion's mane,
But dost forget the lion! Oh thou sot,
Hugging thy drunken dream! Thou idiot
Who makest a covenant against the rain
With autumn leaves! Thou atheist who dost chain
This miserable body that can rot,
And thinkest it Me! Fool! for the swordless arm
Shall strike thee dead. Madman, the lion wakes,
And with one shake is dry. Sot, the day breaks
Shall sober even thee. Idiot, one storm
And thou art bare. Atheist, the corse is thine,
But lo, the unfettered soul immortal and divine!

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Astrophel's Song Of Phyllida And Corydon

Fair in a morn (O fairest morn!),
Was never morn so fair,
There shone a sun, though not the sun
That shineth in the air.
For the earth, and from the earth,
(Was never such a creature!)
Did come this face (was never face
That carried such a feature).
Upon a hill (O blessèd hill!
Was never hill so blessèd),
There stood a man (was never man
For woman so distressed):
This man beheld a heavenly view,
Which did such virtue give
As clears the blind, and helps the lame,
And makes the dead man live.
This man had hap (O happy man!
More happy none than he);
For he had hap to see the hap
That none had hap to see.
This silly swain (and silly swains
Are men of meanest grace):
Had yet the grace (O gracious gift!)
To hap on such a face.
He pity cried, and pity came
And pitied so his pain,
As dying would not let him die
But gave him life again.
For joy whereof he made such mirth
As all the woods did ring;
And Pan with all his swains came forth
To hear the shepherd sing;
But such a song sung never was,
Nor shall be sung again,
Of Phyllida the shepherds' queen,
And Corydon the swain.
Fair Phyllis is the shepherds' queen,
(Was never such a queen as she,)
And Corydon her only swain
(Was never such a swain as he):
Fair Phyllis hath the fairest face
That ever eye did yet behold,
And Corydon the constant'st faith
That ever yet kept flock in fold;
Sweet Phyllis is the sweetest sweet
That ever yet the earth did yield,
And Corydon the kindest swain
That ever yet kept lambs in field.
Sweet Philomel is Phyllis' bird,
Though Corydon be he that caught her,
And Corydon doth hear her sing,
Though Phyllida be she that taught her:
Poor Corydon doth keep the fields
Though Phyllida be she that owes them,
And Phyllida doth walk the meads,
Though Corydon be he that mows them:
The little lambs are Phyllis' love,
Though Corydon is he that feeds them,
The gardens fair are Phyllis' ground,
Though Corydon is he that weeds them.
Since then that Phyllis only is
The only shepherd's only queen;
And Corydon the only swain
That only hath her shepherd been,--
Though Phyllis keep her bower of state,
Shall Corydon consume away?
No, shepherd, no, work out the week,
And Sunday shall be holiday.

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Beauty's Metempsychosis

That beauty such as thine
Can die indeed,
Were ordinance too wantonly malign:
No wit may reconcile so cold a creed
With beauty such as thine.

From wave and star and flower
Some effluence rare
Was lent thee, a divine but transient dower:
Thou yield'st it back from eyes and lips and hair
To wave and star and flower.

Shouldst thou to-morrow die,
Thou still shalt be
Found in the rose and met in all the sky:
And from the ocean's heart shalt sing to me,
Shouldst thou to-morrow die.

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John Donne

Holy Sonnet XVII: Since She Whom I Loved

Since she whom I loved hath paid her last debt
To Nature, and to hers, and my good is dead,
And her soul early into heaven ravished,
Wholly on heavenly things my mind is set.
here the admiring her my mind did whet
To seek thee, God; so streams do show the head;
But though I have found thee, and thou my thirst hast fed,
a holy thristy dropsy melts me yet.
But why should I beg more love, whenas thou
Dost woo my soul, for hers offering all thine:
And dost not only fear lest I allow
My love to saints and angels, things divine,
but in they tender jealousy dost doubt
lest the world, flesh, yea, devil put thee out.

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Ella Wheeler Wilcox

Thou Dost Not Know

Thou dost not know it! but to hear
One word of praise from thee,
There is no pain I would not bear,
No task too great for me.

My hands could tireless toil all day,
My feet could tireless run,
If at the close thy lips would say,
'Brave, noble heart, well done.'

* * * * *

Thou dost not know it! but to win
Approval from thine eyes,
My soul has conquered many a sin,
And conquering neared the skies.

And though the reward may not be given,
In all my earthly days,
I feel that after death, in heaven,
Thy lips will give me praise.

* * * * *

Thou dost not know, may never know,
That all I strive to be,
All things praiseworthy that I do,
I strive, and do, for thee.

And though I seldom see thy face,
Or touch thy hand, my friend,
Those meetings are the means of grace,
That help me to the end.

* * * * *

Thou dost not know that thy grand life
Has been my beacon light.
I aim to conquer in the strife,
That I may reach thy height.

I strive to live, so that my feet
May walk the fields most fair,
For the after-life, seems, oh! so sweet,
Because thou wilt be there.

* * * * *

Thou dost not know how brave and strong
A woman's heart can be.
But few could hide so well and long
What mine has hid from thee.

So well, that should this idyl chance
To meet thine eye, my friend,
Thou'd scan it with a careless glance,
Nor dream to whom 'twas penned.

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Thomas Hardy

I Said to Love.

I said to Love,
"It is not now as in old days
When men adored thee and thy ways
All else above;
Named thee the Boy, the Bright, the One
Who spread a heaven beneath the sun,"
I said to Love.

I said to him,
"We now know more of thee than then;
We were but weak in judgment when,
With hearts abrim,
We clamoured thee that thou would'st please
Inflict on us thine agonies,"
I said to him.

I said to Love,
"Thou art not young, thou art not fair,
No faery darts, no cherub air,
Nor swan, nor dove
Are thine; but features pitiless,
And iron daggers of distress,"
I said to Love.

"Depart then, Love! . . .
- Man's race shall end, dost threaten thou?
The age to come the man of now
Know nothing of? -
We fear not such a threat from thee;
We are too old in apathy!
Mankind shall cease.--So let it be,"
I said to Love.

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Corydon's Supplication To Phyllis

Sweet Phyllis, if a silly swain
May sue to thee for grace,
See not thy loving shepherd slain
With looking on thy face;
But think what power thou hast got
Upon my flock and me;
Thou seest they now regard me not,
But all do follow thee.
And if I have so far presumed,
With prying in thine eyes,
Yet let not comfort be consumed
That in thy pity lies;
But as thou art that Phyllis fair,
That fortune favour gives,
So let not love die in despair
That in thy favour lives.
The deer do browse upon the briar,
The birds do pick the cherries;
And will not Beauty grant Desire
One handful of her berries?
If it be so that thou hast sworn
That none shall look on thee,
Yet let me know thou dost not scorn
To cast a look on me.
But if thy beauty make thee proud,
Think then what is ordain'd;
The heavens have never yet allow'd
That love should be disdain'd.
Then lest the fates that favour love
Should curse thee for unkind,
Let me report for thy behoof,
The honour of thy mind;
Let Corydon with full consent
Set down what he hath seen,
That Phyllida with Love's content
Is sworn the shepherds' queen.

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John Donne

Holy Sonnet 17

Since she whom I loved hath paid her last debt
To Nature, and to hers, and my good is dead,
And her soul early into heaven ravishèd,
Wholly on heavenly things my mind is set.
Here the admiring her my mind did whet
To seek thee, God; so streams do show the head;
But though I have found thee, and thou my thirst hast fed,
A holy thirsty dropsy melts me yet.
But why should I beg more love, whenas thou
Dost woo my soul, for hers offering all thine:
And dost not only fear lest I allow
My love to saints and angels, things divine,
But in thy tender jealousy dost doubt
Lest the world, flesh, yea, devil put thee out.

poem by John Donne from Holy SonnetsReport problemRelated quotes
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Go Where Glory Waits Thee

Go where glory waits thee,
But while fame elates thee,
Oh! still remember me.
When the praise thou meetest
To thine ear is sweetest,
Oh! then remember me.
Other arms may press thee,
Dearer friends caress thee,
All the joys that bless thee,
Sweeter far may be;
But when friends are nearest,
And when joys are dearest,
Oh! then remember me!

When, at eve, thou rovest
By the star thou lovest,
Oh! then remember me.
Think, when home returning,
Bright we've seen it burning,
Oh! thus remember me.
Oft as summer closes,
When thine eye reposes
On its lingering roses,
Once so loved by thee,
Think of her who wove them,
Her who made thee love them,
Oh! then remember me.

When, around thee dying,
Autumn leaves are lying,
Oh! then remember me.
And, at night, when gazing
On the gay hearth blazing,
Oh! still remember me.
Then should music, stealing
All the soul of feeling,
To thy heart appealing,
Draw one tear from thee;
Then let memory bring thee
Strains I used to sing thee, --
Oh! then remember me.

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