Griselda: A Society Novel In Verse - Chapter V
Griselda's madness lasted forty days,
Forty eternities! Men went their ways,
And suns arose and set, and women smiled,
And tongues wagged lightly in impeachment wild
Of Lady L.'s adventure. She was gone,
None knew by whom escorted or alone,
Or why or whither, only that one morning,
Without pretext, or subterfuge, or warning,
She had disappeared in silence from L. House,
Leaving her lord in multitudinous
And agonised conjecture of her fate:
So the tale went. And truly less sedate
Than his wont was in intricate affairs,
Such as his Garter or his lack of heirs,
Lord L. was seen in this new tribulation.
Griselda long had been his life's equation,
The pivot of his dealings with the world,
The mainstay of his comfort, all now hurled
To unforeseen confusion by her flight:
There was need of action swift and definite.
Where was she? Who could tell him? Divers visions
Passed through his fancy--thieves, and street collisions,
And all the hundred accidents of towns,
From broken axle trees to broken crowns.
In vain he questioned; no response was made
More than the fact that, as already said,
My lady, unattended and on foot,
(A sad imprudence here Lord L. took note),
Had gone out dressed in a black morning gown
And dark tweed waterproof, 'twixt twelve and one,
Leaving no orders to her maid, or plan
About her carriage to or groom or man.
Such was in sum the downstairs' evidence.
The hall porter, a man of ponderous sense,
Averred her ladyship had eastward turned
From the front door, and some small credit earned
For the suggestion that her steps were bent
To Whitechapel on merciful intent,
A visit of compassion to the poor,
A clue which led to a commissioner
Being sent for in hot haste from Scotland Yard.
And so the news was bruited abroad.
It reached my ears among the earliest,
And from Lord L. himself, whose long suppressed
Emotion found its vent one afternoon
On me, the only listener left in town.
His thoughts now ran on ``a religious craze
Of his poor wife's,'' he said, ``in these last days
Indulged beyond all reason.'' The police
Would listen to no talk of casualties,
Still less of crime, since they had nothing found
In evidence above or under ground,
But held the case to be of simpler kind,
Home left in a disordered state of mind.
Lord L. had noticed, now they talked of it,
Temper less equable and flightier wit,
``A craving for religious services
And sacred music.'' Something was amiss,
Or why were they in London in September?
Griselda latterly, he could remember,
Had raved of a conventual retreat
In terms no Protestant would deem discreet
As the sole refuge in a world of sin
For human frailty, grief's best anodyne.
``The Times was right. Rome threatened to absorb us:
The convents must be searched by habeas corpus.''
And so I came to help him. I had guessed
From his first word the vainness of his quest,
And half was moved to serve him in a strait
Where her fair fame I loved was in debate,
Yet held my peace, nor hazarded a word
Save of surprise at the strange case I heard,
Till, fortune aiding, I should find the clue
My heart desired to do what I would do.
And not in vain. Night found me duly sped,
Lord L.'s ambassador accredited,
With fullest powers to find and fetch her home,
If need should be, from the Pope's jaws in Rome.
Gods! what a mission! First my round I went
Through half the slums of Middlesex and Kent,
Surrey and Essex--this to soothe Lord L.,
Though witless all, as my heart told too well;
The hospitals no less and casual wards,
Each house as idly as his House of Lords,
And only at the week's end dared to stop
At the one door I knew still housing hope,
Young Manton's chambers. There, with reddened cheek
I heard the answer given I came to seek.
Manton was gone, his landlady half feared
He too, in some mishap, and disappeared,--
Proof all too positive. His letters lay
A fortnight deep untouched upon the tray.
She could not forward them or risk a guess
As to his last or likeliest address.
He was in Scotland often at this season,
``But not without his guns''--a cogent reason.
And leaving, too, his valet here in town,
Perplexed of what to do or leave undone.
Abroad? Perhaps. If so, his friends might try
As a best chance the Paris Embassy.
He had been there last Spring, and might be now.
Paris! It was enough, I made my bow,
And took my leave. I seemed to touch the thread
Of the blind labyrinth 'twas mine to tread.
Where should they be, in truth, these too fond lovers,
But in the land of all such lawless rovers?
The land of Gautier, Bourget, Maupassant,
Where still ``you can'' makes answer to ``I can't.''
The fair domain where all romance begins
In a light borderland of venial sins,
But deepening onwards, till the fatal day
Vice swoops upon us, plead we as we may.
Griselda's bonnet o'er the windmills thrown,
Had surely crossed the Seine ere it came down.
And I, if I would find and win her back,
Must earliest search the boulevards for her track.
And so to Paris in my zeal I passed,
Breaking my idol, mad Iconoclast.
There is a little inn by Meudon wood
Dear to Parisians in their amorous mood,
A place of rendezvous, where bourgeois meet
Their best beloved in congregation sweet;
Clandestine, undisturbed, illicit loves,
Made half romantic by the adjoining groves,
So beautiful in Spring, with the new green
Clothing the birch stems scattered white between,
Nor yet, in Autumn, when the first frosts burn
And the wind rustles in the reddening fern,
Quite robbed of sentiment for lovers' eyes,
Who seek Earth's blessing on a bliss unwise,
And find the happy sanction for their state
In nature's face, unshocked by their debate,
As who should say ``Let preachers frown their fill,
Here one approves. 'Tis Eden with us still.''
Such fancy, may be, in her too fond heart
Had led Griselda--with her friend--apart,
Yet not apart, from the world's curious gaze,
To this secluded, ill--frequented place:
A compromise of wills and varying moods,
His for gay crowds, her own for solitudes.
Manton knew Paris well, and loved its noise,
Its mirthful parody of serious joys,
Its pomp and circumstance. His wish had been
To flaunt the boulevards with his captured queen,
And make parade of a last triumph won
In the chaste field of prudish Albion,
Outscandalising scandal. Love and he
In any sense but of male vanity,
And the delirium of adventures new
In the world's eye--the thing he next should do--
Were terms diverse and incompatible.
Griselda, to his eyes was Lady L.,
The fair, the chaste, the unapproached proud name
Men breathed in reverence, woman, all the same,
And not as such, and when the truth was said,
Worth more than others lightlier credited.
It all had been a jest from the beginning,
A tour de force, whose wit was in the winning,
A stroke of fortune and of accident,
The embrace he had told of for another meant,
While she stood grieving for a first grey hair
(A psychologic moment) on the stair,
And, kneeling down, he had adored her foot,
The one weak spot where her self--love had root,
And laughed at her, and told her she was old,
Yet growing tenderer as he grew more bold.
And so from jest to jest, and chance to chance,
To that last scene at the mad country dance
Where she had played the hoyden, he the swain,
Pretending love till love was in their brain,
And he had followed to her chamber door,
And helped her to undo the dress she wore.
Then the elopement. That had been her doing,
Which he accepted to make good his wooing,
And careless what to both the result might be,
So it but served his end of vanity.
It all had been to this vain boy a whim,
Something grotesque, a play, a pantomime,
Where nothing had been serious but her heart,
And that was soon too tearful for its part.
He wearied in a week of her mature
Old maidish venturings in ways obscure,
Her agony of conscience dimly guessed,
The silences she stifled in her breast,
Her awkwardness--it was his word--in all
That love could teach; her sighs funereal,
And more the unnatural laughter she essayed
To meet the doubtful sense of things he said.
She was at once too tender and too prim,
Too prudish and too crazed with love and him.
At a month's end his flame had leaped beyond
Already to friends frailer and less fond;
The light Parisian world of venal charms
Which welcomed him with wide and laughing arms:
There he was happier, more at home, more gay,
King of the ``High Life,'' hero of the day.
Griselda, in her sad suburban nook
Watched his departures with a mute rebuke,
Yet daring not to speak. The choice was hers
To stay at home or run the theatres
With her young lover in such company
As her soul loathed. She had tried despairingly
To be one, even as these, for his loved sake,
And would have followed spite of her heart's ache,
But that he hardly further cared to press,
After one failure stamped with ``dowdiness.''
That too had been his word, a bitter word,
Biting and true, which smote her like a sword,
Or rather a whip's sting to her proud cheek,
Leaving her humbled, agonised and weak.
Poor beautiful Griselda! What was now
The value of thy beauty, chaste as snow
In thy youth's morning, the unchallenged worth
Of thy eyes' kindness, queenliest of the earth;
The tradition of thy Fra--angelic face,
Blessed as Mary's, and as full of grace;
The fame which thou despisedst, yet which made
A glory for thee meet for thy dear head?
What, if in this last crisis of thy fate,
When all a Heaven and Hell was in debate,
And thy archangel, with the feet of clay,
Stood mocking there in doubt to go or stay,
The unstable fabric of thy woman's dower,
Thy beauty, failed and left thee in their power
Whose only law of beauty was the sting
Lent to man's lust by light bedizening?
What use was in thy beauty, if, alas!
Thou gavest them cause to mock (those tongues of brass)
At thy too crude and insular attire,
Thy naïvetés of colour, the false fire
Of thy first dallyings with the red and white,
Thy sweet pictorial robe, Pre--Raphaelite,
Quaint in its tones and outré in design,
Thy lack of unity and shape and line,
Thy English angularity--who knows,
The less than perfect fitting of thy shoes?
Griselda, in her flight, had left behind
All but the dress she stood in, too refined,
In her fair righteousness of thought and deed,
To make provision for a future need,
However dire. She was no Israelite
To go forth from her Pharaoh in the night,
With spoils of the Egyptians in her hands,
And had thrown herself on Manton and on France,
With a full courage worth a nobler cause,
Grandly oblivious of prudential laws.
Her earliest trouble, marring even the bliss
Of love's first ecstasy, had come of this,
Her want of clothes--a worse and weightier care
At the mere moment than her soul's despair
For its deep fall from virtuous estate.
How should she dress herself, she asked of Fate,
With neither maid, nor money, nor a name?
It was her first experiment in shame.
Now, after all her poor economies,
This was the ending read in his vexed eyes,
And spoken by his lips: her utmost art
Had failed to please that idle thing, his heart,
Or even to avert his petulant scorn
For one so little to love's manner born.
And thus I found them, at the angry noon
Of their ``red month,'' the next to honeymoon:
Two silent revellers at a loveless feast,
Scared by hate's morning breaking in their East--
A dawn which was of penance and despair,
With pleasure's ghost to fill the vacant chair.
I took it, and was welcomed rapturously,
As a far sail by shipwrecked souls at sea,
An opportune deliverer, timely sent
To break the autumn of their discontent,
And give a pretext to their need grown sore
Of issue from joys dead by any door.
Manton, all confidential from the first,
Told me the tale of his last sins and worst,
As meriting a sympathy not less
Than the best actions virtuous men confess.
He was overwhelmed with women and with debt--
Women who loved him, bills which must be met.
What could he do? Her ladyship was mad--
It was her fault, not his, this escapade.
He had warned her from the first, and as a friend,
That all such frolics had a serious end,
And that to leave her home was the worst way
A woman would who wanted to be gay.
``For look,'' said he, ``we men, who note these things,
And how the unthinking flutterers burn their wings,
Know that a woman, be she what she will,
The fairest, noblest, most adorable,
Dowered in her home with all seraphic charms,
Whom heaven itself might envy in your arms,
A paragon of pleasure undenied
At her own chaste respectable fireside,
Becomes, what shall I say, when she steps down
From the high world of her untouched renown?
A something differing in no serious mood
From the sad rest of the light sisterhood;
Perhaps indeed more troublesome than these,
Because she keenlier feels the agonies:
A wounded soul, who has not even the wit
To hide its hurt and make a jest of it;
A maid of Astolat, launched in her barge,
A corpse on all the world, a femme à charge.''
``'Tis not,'' he argued, ``our poor human sins
That make us what we are when shame begins,
But the world pointing at our naked state:
Then we are shocked and humbled at our fate,
Silent and shamed in all we honour most--
For what is virtue but the right to boast?
A married woman's love, three weeks from home,
Is the absurdest thing in Christendom,
Dull as a ménage in the demi--monde
And dismaller far by reason of the bond.
All this I told my lady ere we went,
But warning wasted is on sentiment.
You see the net result here in one word,
A crying woman and a lover bored.''
So far young Manton. She for whom I came,
Griselda's self, sweet soul, in her new shame
Essayed awhile to hide from me the truth
Of this last hap of her belated youth,
Her disillusion with her graceless lover.
She made sad cloaks for him which could not cover
His great unworthiness and her despair,
All with a frightened half--maternal air,
Most pitiful and touching. To my plea,
Urging her home, she answered mournfully,
That she was bound now to her way of life,
And owed herself no less than as his wife
To him she had chosen out of all mankind.
'Twas better to be foolish, even blind,
If he had faults, so she could serve him still--
And this had been her promise and her will.
She would not hear of duties owed elsewhere:
What was she to Lord L., or he to her?
I need not speak of it. And yet she clung
To my protecting presence in her wrong;
And once, when Manton's jibes made bitterer play,
Implored me with appealing eyes to stay.
And so I lingered on. Those autumn days,
Spent with Griselda in the woodland ways
Of Meudon with her lover, or alone,
When his mad fancies carried him to town,
Remain to me an unsubstantial act
Of dreaming fancy, rather than the fact
Of any waking moment in my past,
The sweetest, saddest and with her the last--
For suddenly they ended. We had been
One Sunday for a jaunt upon the Seine,
We two--in Manton's absence, now prolonged
To a third night--and in a steamboat, thronged
With idle bourgeois folk, whom the last glory,
Of a late autumn had sent forth in foray
To Passy and St. Cloud, from stage to stage
Had made with heavy souls our pilgrimage;
And homeward turning and with little zest,
The fair day done, to love's deserted nest
Had come with lagging feet and weary eyes,
Expectant still of some new dark surprise,
When the blow fell unsparing on her head,
Already by what fortunes buffeted.
How did it happen, that last tragedy?--
For tragedy it was, let none deny,
Though all ignoble. Every soul of us
Touches one moment in death's darkened house
The plane of the heroic, and compels
Men's laughter into tears--ay, Heaven's and Hell's.
How did it happen? There was that upon
Their faces at the door more than the tone
Of their replies, that warned us of the thing
We had not looked for in our questioning;
And our lips faltered, and our ears, afraid,
Shrank from more hearing. What was it they said
In their fool's jargon, that he lay upstairs?
He? Manton? The dispenser of our cares?
The mounteback young reveller? Suffering? Ill?
And she, poor soul, that suffered at his will!
A sinister case? Not dying? Pitiful God!
Truly Thou smitest blindly with Thy rod.
For Manton was not worthy to die young,
Beloved by her with blessings on her tongue.
And such a cause of death! She never heard
The whole truth told, for each one spared his word,
And he lay mute for ever. But to me
The thing was storied void of mystery,
And thus they told it. Hardly had we gone
On our sad river outing, when from town
Manton had come with a gay troop of friends,
Such as the coulisse of the opera lends,
To breakfast at the inn and spend the day
In mirthful noise, as was his vagrant way.
A drunken frolic, and most insolent
To her whose honour with his own was blent,
To end in this last tragedy. None knew
Quite how it happened, or a cause could shew
Further than this, that, rising from the table,
The last to go with steps perhaps unstable--
For they had feasted freely, and the stair
Was steep and iron--edged, and needed care;
And singing, as he went, the selfsame song,
Which I remembered, to the laughing throng,
He had slipped his length, and fallen feet--first down.
When they picked him up his power to move was gone,
Though he could speak. They laid him on a bed,
Her bed, Griselda's, and called in with speed
Such help of doctors and commissioners
As law prescribed, and medicine for their fears.
'Twas his last night. There, in Griselda's hands,
Young Jerry Manton lay with the last sands
Of his life's hour--glass trickling to its close,
Griselda watching, with what thoughts, God knows.
We did not speak. But her lips moved in prayer,
And mine too, in the way of man's despair.
I did not love him, yet a human pity
Softened my eyes. Afar, from the great city,
The sound came to us of the eternal hum,
Unceasing, changeless, pregnant with all doom
Of insolent life that rises from its streets,
The pulse of sin which ever beats and beats,
Wearying the ears of God. O Paris, Paris!
What doom is thine for every soul that tarries
Too long with thee, a stranger in thy arms.
Thy smiles are incantations, thy brave charms
Death to thy lovers. Each gay mother's son,
Smitten with love for thee, is straight undone.
And lo the chariot wheels upon thy ways!
And a new garland hung in Père la Chaise!
Poor soul! I turned and looked into the night,
Through the uncurtained windows, and there bright
Saw the mute twinkle of a thousand stars.
One night! the least in all time's calendars,
Yet fraught with what a meaning for this one!
One star, the least of all that million!
One room in that one city! Yet for him
The universe there was of space and time.
What were his thoughts? In that chaotic soul,
Home of sad jests, obscene, unbeautiful,
Mired with the earthiest of brute desires,
And lit to sentience only with lewd fires,
Was there no secret, undisturbed, fair place
Watered with love and favoured with God's grace
To which the wounded consciousness had fled
For its last refuge from a world of dread?
Was his soul touched to tenderness, to awe,
To softer recollection? All we saw
Was the maimed body gasping forth its breath,
A rigid setting of the silent teeth,
And the hands trembling. Death was with us there.
But where was he? O Heaven of pity! where?
We watched till morning by the dying man,
She weeping silently, I grieved and wan,
And still he moved not. But with the first break
Of day in the window panes we saw him make
A sign as if of speaking. Pressing near--
For his lips moved, Griselda deemed, in prayer--
We heard him make profession of his faith,
As a man of pleasure face to face with death,
A kind of gambler's Athanasian Creed,
Repeated at the hour of his last need.
``Five sovereigns,'' said he, steadying his will,
As in defiance of death's power to kill,
And with that smile of a superior mind,
Which was his strength in dealing with mankind,
The world of sporting jargon and gay livers.
``Five sovereigns is a fiver, and five fivers
A pony, and five ponies are a hundred--
No, four,'' he added, seeing he had blundered.
``Four to the hundred and five centuries
Make up the monkey.'' From his dying eyes
The smile of triumph faded. ``There, I've done it,''
He said, ``but there was no great odds upon it,
You see with a broken back.'' He spoke no more,
And in another hour had passed the door
Which shuts the living from eternity.
Where was he? God of pity, where was he?
This was the end of Lady L.'s romance.
When we had buried him (as they do in France,
In a tomb inscribed ``à perpétuité,''
Formally rented till the Judgment Day),
She put off black, and shed no further tears;
Her face for the first time showed all its years,
But not a trace beyond. Without demur
She gave adhesion to my plans for her,
And we went home to London and Lord L.,
Silent together, by the next night's mail.
She had been six weeks away. The interview
Between them was dramatic. I, who knew
Her whole mad secret, and had seen her soul
Stripped of its covering, and without control,
Bowed down by circumstance and galled with shame,
Yielding to wounds and griefs without a name,
Had feared for her a wild unhappy scene.
I held Lord L. for the least stern of men,
And yet I dared not hope even he would crave
No explanation ere he quite forgave.
I was with them when they met, unwilling third,
In their mute bandying of the unspoken word.
Lord L. essayed to speak. I saw his face
Made up for a high act of tragic grace
As he came forward. It was grave and mild,
A father's welcoming a truant child,
Forgiving, yet intent to mark the pain
With hope ``the thing should not occur again.''
His lips began to move as to some speech
Framed in this sense, as one might gently preach
A word in season to too gadding wives
Of duties owed, at least by those whose lives
Moved in high places. But it died unsaid.
There was that about Griselda that forbade
Marital questionings. Her queenly eyes
Met his with a mute answer of surprise,
Marking the unseemliness of all display
More strongly than with words, as who should say
Noblesse oblige. She took his outstretched hand,
And kissed his cheek, but would not understand
A word of his reproaches. Even I,
With my full knowledge and no more a boy,
But versed by years in the world's wickedness,
And open--eyed to her, alas! no less
Than to all womanhood, even I felt shame,
And half absolved her in my mind from blame.
And he, how could he less? He was but human,
The fortunate husband of how fair a woman!
He stammered his excuses. What she told
When I had left them (since all coin is gold
To those who would believe, and who the key
Hold of their eyes, in blind faith's alchemy)
I never learned. I did not linger on,
Seeing her peril past and the day won,
But took my leave. She led me to the door
With her old kindness of the days of yore,
And thanked me as one thanks for little things.
``You have been,'' she said, ``an angel without wings,
And I shall not forget,--nor will Lord L.;
And yet,'' she said, with an imperceptible
Change in her voice, ``there are things the world will say
Which are neither just nor kind, and, if to--day
We part awhile, remember we are friends,
If not now later. Time will make amends,
And we shall meet again.'' I pressed her hand
A moment to my lips. ``I understand,''
I said, and gazed a last time in her eyes;
``Say all you will. I am your sacrifice.''
And so, in truth, it was. Henceforth there lay
A gulf between us, widening with delay,
And which our souls were impotent to pass,
The gulf of a dead secret; and, alas!
Who knows what subtle treacheries within,
For virtue rends its witnesses of sin,
And hearts are strangely fashioned by their fears.
We met no more in friendship through the years,
Although I held her secret as my own,
And fought her battles, her best champion,
On many a stricken field in scandal's war,
Till all was well forgotten. From afar
I watched her fortunes still with tenderness,
Yet sadly, as cast out of Paradise.
For ever, spite her promise, from that day,
When I met L., he looked another way;
And she, Griselda, was reserved and chill.
I had behaved, her women friends said, ill,
And caused a needless scandal in her life,
--They told not what. Enough, that as a wife
She had been compelled to close her doors on me,
And that her lord knew all the iniquity.
And so I bore the burden of her sin.
What more shall I relate? The cynic vein
Has overwhelmed my tale, and I must stop.
Its heroine lived to justify all hope
Of her long--suffering lord, that out of pain
Blessings would grow, and his house smile again
With the fulfilled expectance of an heir.
Griselda sat no longer in despair,
Nor wasted her full life on dreams of folly;
She had little time for moods of melancholy,
Or heart to venture further in love's ways;
She was again the theme of all men's praise,
And suffered no man's passion. Once a year,
In the late autumn, when the leaves grew sere
She made retreat to a lay sisterhood,
And lived awhile there for her soul's more good,
In pious meditation, fasts and prayer.
Some say she wore concealed a shirt of hair
Under her dresses, even at court balls,
And certain 'tis that all Rome's rituals
Were followed daily at the private Mass
In her new chauntry built behind Hans Place.
Lord L. approved of all she did, even this,
Strange as it seemed to his old--fashionedness.
He, gentle soul, grown garrulous with years,
Prosed of her virtues to all listeners,
And of their son's, the child of his old age,
A prodigy of beauty and ways sage.
It was a vow, he said, once made in Rome,
Had brought them their chief treasure of their home.
A vow! The light world laughed--for miracles
Are not believed in now, except as Hell's.
And yet the ways of God are passing strange.
And this is certain (and therein the range
Of my long tale is reached, and I am free),
--There is at Ostia, close beside the sea,
A convent church, the same where years ago
Griselda kneeled in tears and made her vow;
And in that shrine, beneath the crucifix,
They show a votive offering, candlesticks
Of more than common workmanship and size,
And underneath inscribed the votary's
Name in initials, and the date, all told,
Hall--marked in England, and of massive gold.
poem by Wilfrid Scawen Blunt

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Griselda: A Society Novel In Verse - Chapter IV
How shall I take up this vain parable
And ravel out its issue? Heaven and Hell,
The principles of good and evil thought,
Embodied in our lives, have blindly fought
Too long for empire in my soul to leave
Much for its utterance, much that it can grieve.
A soldier on the battlefield of life,
I have grown callous to the signs of strife,
And feel the wounds of others and my own
With scarce a tremor and without a groan.
I have seen many perish in their sins,
Known much of frailty and inconsequence,
And if I laughed once, now I dare not be
Other than sad at man's insanity.
Therefore, in all humility of years,
Colder and wiser for hopes drowned in tears,
And seeking no more quarries for my mirth,
Who most need pity of the sons of earth,
I dip in kindlier ink my chastened pen,
And fill of my lost tale what leaves remain.
Years passed. Griselda from my wandering sight
Had waned and vanished, like a meteor bright,
Leaving no pathway in my manhood's heaven
Save only memories vaguely unforgiven
Of something fair and sad, which for a day
Had lit its zenith and had gone its way.
Rome and the Prince, the tale that I had heard,
Griselda's beauty--all that once had stirred
My curious thought to wonder and regret,
In the vexed problem of her woman's fate,
Had yielded place to the world's work--day cares,
The wealth it covets and the toil it dares.
I was no more a boy, when idle chance
And that light favour which attends romance
Brought me once more within the transient spell
Of other days, and dreams of Lady L.
'Twas in September--(I have always found
That month in my life's record dangerous ground,
Whether it be due to some unreasoned stress
Of the mad stars which dog our happiness,
Or whether, since in truth most things are due
To natural causes, if our blindness knew,
To the strong law of Nature's first decay,
Warning betimes of time that cannot stay,
And summer perishing, and hours to come,
Lit by less hope in the year's martyrdom;
And so we needs must seize at any cost
Fleet pleasure's hem lest all our day be lost)--
'Twas in September, at a country house
In the Midland shires, where I had come, God knows,
Without a fancy but of such light sort
As manhood ventures in the realms of sport
With that dear god of slaughter England's sons
Adore with incense--smoke and roar of guns,
That this new chapter opens. Who had guessed
So rare a phoenix housed in such a nest?
For we, in truth, were no wise company,
Men strong and joyous, keen of hand and eye,
And shrewd for pleasure, but whose subtlest wit
Was still to jest at life while using it,
And jest at love, as at a fruit low hung
To all men's lips, no matter whence it sprung.
A fool's philosophy, yet dear to youth
Bred without knowledge of the nobler truth,
And seeming wisdom, till the bitter taste
Of grief has come to cure its overhaste.
Naught was there, in the scene nor in the parts
Played by the actors, worthy serious hearts,
Or worthy her whose passion trod a stage
High o'er the frailties of our prurient age,
Griselda and her unattained fair dream
Of noble deeds and griefs unknown to them.
How came she there? Our hostess was a woman
Less famed for wisdom than a heart all human
Rich in life's gifts, a wealthy generous soul,
But still too fair and still too bountiful.
The rest, mad hoydens of the world, whose worth
Lay mired with folly, earthiest of the earth.
How came she there? When I, unconscious all
Of such high presence at our festival,
Heard her name bandied in the general hum
Of hungry tongues, which told the guests had come,
And saw in converse with our host the form,
Familiar once in sunshine and in storm,
Of her who was to me the type and sign
Of all things noble, not to say Divine,
Breathing the atmosphere of that vain house,
My heart stopped beating. Half incredulous,
I looked and questioned in my neighbours' eyes,
Seeking the sense of this supreme surprise.
My thought took words, as at the table set
Men's lips were loosed, discoursing while they ate,
And each to each. Beside me, of the crew
Of gilded youths who swelled the retinue
Of our fair hostess in her daily lot
Of hunting laughter when field sports were not,
Sat one, a joyous boy, whom fashion's freak,
A mad--cap purse--string and a beardless cheek,
Had set pre--eminent in pleasure's school
To play the hero and to play the fool
For those few years which are the summer's day
Of fashion's foils ere they are cast away.
Young Jerry Manton! Happy fortune's son!
What heights of vanity your creed had won,
Creed of adventure, and untiring words
And songs and loves as brainless as a bird's.
Who would not envy you your lack of sense,
Your lawless jibes, your wealth of insolence,
The glory of your triumphs unconcealed
In pleasure's inmost and most sacred field?
Who would not share the sunshine of your mirth,
Your god--like smile, your consciousness of worth,
The keenness of your wit in the world's ways,
Your heart so callous to its blame or praise?
Him I addressed, in pursuance of my doubt
How such a prodigy had come about.
Young Manton eyed me. ``Every road,'' he said,
``Leads--well--to Rome.'' He laughed and shook his head,
As if in censure of a thought less sage.
``My lady's thirty is a dangerous age,
And of the three where most misfortunes come
Is the worst strewn with wrecks in Christendom.''
``You see,'' he added, ``we are not all wise
In all dilemmas and all companies,
And there are times and seasons when the best
Has need of an hour's frolic with the rest,
If only to set free the importunate load
Of trouble pressing on an uphill road.
Women's first snare is vanity. At twenty
Praises are pleasant, be they ne'er so plenty;
And some, the foolish ones, are thus soon caught
Seeking to justify the flattery taught.
These are the spendthrifts, dear ingenuous souls,
Whose names emblazoned stand on pleasure's rolls,
Manning the hosts of mirth. Apart from them,
More serious or less eager in their aim,
The wise ones wait like birds that hold aloof,
Conscious of danger and the cloven hoof.
Yet there are times.'' He paused awhile and sighed.
``The second snare,'' said he ``is set less wide;
It stands midway between the dawn of youth
And beauty's sunset, with its naked truth,
A danger hidden cunningly in flowers
And the wild drowsing of the noontide hours.
Here fall the elect, the chosen virtuous few,
Who have outlived the worst the storm could do,
But faint when it is over, through mere stress
Of their mortality's first weariness.
'Tis hard to see youth perish, even when
Ourselves to the mad warrant have set pen;
And for the wisest there are days of grief
And secret doubts and hours of unbelief
In all things but the one forbidden bliss
Churchmen forbid and poets call a kiss.
Why should we wonder? 'Tis a kindlier fate
At least than that, the last, which comes too late,
The old fool's folly nursed at forty--five.
Griselda is an angel, but alive,
Believe me, to her wings.'' A fatuous flush
Mantled his face, not quite perhaps a blush,
But something conscious, as of one who knows.
``Virtue and pleasure are not always foes,''
He sighed. ``And much depends upon the man.''
I turned impatient. There, behind her fan,
At the far table's end, Griselda's eyes
Were watching us, half hid by its disguise,
But conscious too, as if a secret string
Had vibrated 'twixt her and that vain thing.
The cynic boy, whose word was in my ear,
Dishonouring to me and him and her.
Our eyes met, and hers fell; a sudden pain
Touched me of memory, and in every vein
Ran jealous anger at young Manton's wit,
While, half aloud, I flung my curse on it.
Later, I found Griselda gravely gay,
And glad to see me in the accustomed way
Of half affection my long zeal had won,
Her face no older, though the years had spun
Some threads unnoticed in her fair brown hair
Of lighter hue than I remembered there,
Less silver streaked than gold. All else had grown
Fairer with time, and tenderer in its tone,
As when in August woods a second burst
Of leaves is seen more golden than the first.
A woman truly to be loved--but loving?
There was the riddle wit despaired of proving,
For who can read the stars? I sat with her
The evening through, and rose up happier.
In all that crowd there was no single face
Worthy her notice, not to say her grace,
And once again her charm was on my soul.
``If she love any''--this was still the goal
Of my night thoughts in argument with fear--
``Say what they will, the lover is not here.''
Not here! And yet, at parting, she had pressed
Manton's sole hand, and nodded to the rest.
Four days I lived in my fool's paradise,
Importuning Griselda's changing eyes
With idle flattery. I found her mood
Softer than once in her young womanhood,
Yet restless and uncertain. There were hours
Of a wild gaiety, when all the powers
Of her keen mind were in revolt with folly,
Others bedimmed with wordless melancholy.
Once too or twice she shocked me with a phrase
Of doubtful sense, revealing thoughts and ways
New to her past, an echo of the noise
Of that mad world we lived in and its joys:
Such things were sacrilege. I could not see
Unmoved my angel smirched with vanity,
Even though, it seemed at moments, for my sake.
Her laughter, when she laughed, made my heart ache,
And I had spared some pain to see her sad
Rather than thus unseasonably glad.
Who would have dreamed it? Each new idle day,
When, tired with sport, we rested from the fray,
Five jovial shooters, jaded by the sun,
Seeking refreshment at the stroke of noon,--
There, with the luncheon carts all trimly dight,
Stood Lady L., to the fool crowd's delight.
You would have thought her life had always been
Passed in the stubbles, as, with questions keen,
She eyed the bags and parleyed with the ``guns'';
Rome's matron she with us the Goths and Huns.
Young Manton proudly spread for her his coat
Under a hedge, and she resented not.
Resented! Why resent? Nay, smiles were there,
And a swift look of pleasure, still more rare,
Pleasure and gratitude, as though the act
Had been of chivalry in form and fact
Transcending Raleigh's. Ay, indeed! Resent!
That eye were blind which doubted what it meant.
And still I doubted. Vanity dies hard.
And love, however starving of reward,
And youth's creed of belief. It seemed a thing
Monstrous, impossible, bewildering,
As tales of dwarfs and giants gravely told
By men of science, and transmuted gold,
And magic potions turning men to beasts,
And lewd witch Sabbaths danced by unfrocked priests.
Griselda! Manton! In what mood or tense
Could folly conjugate such dreams to sense,
Or draw the contract not in terms absurd
Of such a friendship or of act or word?
Where was the common thought between the two--
Even of partridges--the other knew?
Manton--Griselda! Nay 'twere fabulous,
A mere profanity, to argue thus;
Only I watched them closer when they strayed
To gather blackberries, as boy and maid
In a first courting, and her eager eyes
Turned as he spoke, and laughter came unwise
Before she answered, and an hour was flown,
Before he joined the rest and she was gone.
O Love! what an absurdity thou art,
How heedless of proportion, whole or part!
Time, place, occasion, what are they to thee?
Thou playest the wanton with Solemnity,
The prince with Poverty, the rogue with Worth,
The fool with all the Wisdoms of the Earth.
Thou art a leveller, more renowned than Death,
For he, when in his rage he stops our breath,
Leaves us at least the harvest of our years,
The right to be heroic in our tears.
But thou dost only mock. Thou art a king
Dealing with slaves, who waits no questioning
But gives--to this a province and a crown,
To that a beggar's staff and spangled gown;
And when some weep their undeserved disgrace,
Plucks at their cheeks and smites them in the face.
Thou hast no reverence, no respect for right.
Virtue to thee is a lewd appetite,
Remorse a pastime, modesty a lure,
And love, the malady, love's only cure.
Griselda, in her love at thirty--three
Was the supreme fool of felicity.
Reason and she had taken separate roads,
A spectacle of mirth for men and gods.
And the world laughed--discreetly in its sleeves--
At her poor artless shifts and make--believes.
For it was true, true to the very text,
This whispered thing that had my soul perplexed,
Manton was her beloved--by what art,
What mute equation of the human heart,
What blind jibe of dame Fortune, who shall say?
The road of passion is no king's highway,
Mapped out with finger--posts for all to see,
But each soul journeys on it separately,
And only those who have walked its mazes through
Remember on what paths the wild flowers grew.
Ay, who shall say? Nor had the truth been sung,
Save for the incontinence of Manton's tongue,
Wagging in argument on certain themes,
With boast of craft in pleasure's stratagems.
``For Love'' ('twas thus he made his parable
In cynic phrase, as hero of his tale,
One evening when the others were abed,
And we two sat on smoking, head to head,
Discoursing in that tone of men scarce friends,
Who prate philosophy to candle ends),
``Love, though its laws have not as yet been written
By any Balzac for our modern Britain,
And though perhaps there is no strategy
Youth can quite count upon or argue by,
Is none the less an art, with some few rules
Wise men observe, who would outrun the fools.
Now, for myself'' (here Manton spread his hands
With professorial wave in white wrist--bands)
``I hold it as a maxim always wise
In making love to deal with contraries.
Colours, books tell us, to be strongly blent,
Need opposite colours for their complement,
And so too women whose ill--reasoning mind
Requires some contradiction to be kind.
It is not enough in this late year of grace
To answer fools with their own foolishness--
Rather with your best wisdom. You will need
Your folly to perplex some wiser head.
And so my maxim is, whatever least
Women expect, that thing will serve you best.
Thus, with young souls in their first unfledged years,
Ask their opinion as philosophers:
Consult their knowledge in the ways of life.
The repute of sin will please a too chaste wife.
Your deference keep for harlots: these you touch
Best by your modesty, which makes them blush.
With a proud beauty deal out insolence,
And bear her fence down with a stronger fence.
She will be angry, but a softer cheek
Turn to the smiter who has proved her weak.
And so with wisdom: meet it with surprise,
Laugh at it idly gazing in its eyes,
Leave it no solid ground for its fair feet,
And lead it lightly where love's waters meet.
Even virtue--virtue of the noblest type,
The fair sad woman, whose romance is ripe,
Needs but a little knowledge to be led,
Perhaps less than the rest if truth be said.
You must not parley with her. Words are vain,
And you might wake some half forgotten pain.
Avoid her soul. It is a place too strong
For your assaulting, and a siege were long.
Others have failed before it. Touch it not,
But march beyond, nor fire a single shot.
The fields of pleasure less defended lie:
These are your vantage--ground for victory.
Strike boldly for possession and command;
An hour may win it, if you hold her hand.
I knew one once:'' . . . I would have stopped him here
But for the shame which held me prisoner;
And his undaunted reassuring smile,
Commanding confidence. ``I knew once on a while,''
He said, ``a woman whom the world called proud,
A saintly soul, untouched by the vain crowd,
Who had survived all battle, siege, and sack,
Love ever led with armies at his back,
Yet fell at last to the mere accident
Of a chance meeting, for another meant,
Her lover had not dared it, had he known,
But faces in the dark are all as one.
You know the rhyme.'' But at this point I rose,
Fearing what worse his folly might disclose,
And having learned my lesson of romance,
A sadder man and wiser for the chance,
Bade him good night: (it was in truth good--bye,
For pretexting next morning some small lie
Of business calling me in haste to town,
I fled the house). He looked me up and down,
Yawned, rose to light his candle at the lamp,
Pressed with warm hand my own hand which was damp,
And as he sauntered cheerily to bed,
I heard him sing--they linger in my head--
The first staves of a ballad, then the fashion
With the young bloods who shape their love and passion
At the music--halls of the Metropolis;
What I remember of the song was this:
But, no, I cannot write it. There are things
Too bitter in their taste, and this one stings
My soul to a mad anger even yet.
I seem to hear the voices of the pit
Lewdly discoursing of incestuous scenes,
Bottom the weaver's and the enamoured queen's.
Alas, Titania! thou poor soul, alas!
How art thou fallen, and to what an ass!
poem by Wilfrid Scawen Blunt

Submitted by Poetry Lover
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Griselda: A Society Novel In Verse - Chapter I
An idle story with an idle moral!
Why do I tell it, at the risk of quarrel
With nobler themes? The world, alas! is so,
And who would gather truth must bend him low,
Nor fear to soil his knees with graveyard ground,
If haply there some flower of truth be found.
For human nature is an earthy fruit,
Mired at the stem and fleshy at the root,
And thrives with folly's mixon best o'erlaid,
Nor less divinely so, when all is said.
Brave lives are lived, and worthy deeds are done
Each virtuous day, 'neath the all--pitying sun;
But these are not the most, perhaps not even
The surest road to our soul's modern Heaven.
The best of us are creatures of God's chance
(Call it His grace), which works deliverance;
The rest mere pendulums 'twixt good and ill,
Like soldiers marking time while standing still.
'Tis all their strategy, who have lost faith
In things Divine beyond Man's life and death,
Pleasure and pain. Of Heaven what know we
Save as unfit for angels' company,
Say rather Hell's? We cling to sins confessed,
And say our prayers still hoping for the best.
We fear old age and ugliness and pain,
And love our lives, nor look to live again.
I do but parable the crowd I know,
The human cattle grazing as they go,
Unheedful of the heavens. Here and there
Some prouder, may be, or less hungry steer
Lifting his face an instant to the sky,
And left behind as the bent herd goes by,
Or stung to a short madness, tossing wild
His horns aloft, and charging the gay field,
Till the fence stops him, and he vanquished too,
Turns to his browsing--lost his Waterloo.
The moral of my tale I leave to others
More bold, who point the finger at their brothers,
And surer know than I which way is best
To virtue's goal, where all of us find rest,
Whether in stern denial of things sweet,
Or yielding timely, lest life lose its feet
And fall the further. A plain tale is mine
Of naked fact, unconscious of design,
Told of the world in this last century
Of Man's (not God's) disgrace, the XIXth. We
Have made it all a little as it is
In our own images and likenesses,
And need the more forgiveness for our sin.
Therefore, my Muse, impatient to begin,
I bid thee fearless forward on thy road.
Steer thou thy honest course 'twixt bad and good:
Know this, in art that thing alone is evil
Which shuns the one plain word that shames the Devil.
Tell truth without preamble or excuse,
And all shall be forgiven thee--all, my Muse!
In London then not many years ago
There lived a lady of high fashion, who
For her friends' sake, if any still there be
Who hold her virtues green in memory,
Shall not be further named in this true tale
Than as Griselda or the Lady L.
Such, if I err not, was the second name
Her parents gave when to the font she came,
And such the initial letter bravely set
On her coach door, beneath the coronet
Which bore her and her fortunes--bore, alas!
For, as in this sad world all things must pass,
However great and nobly framed and fair:
Griselda, too, is of the things that were.
But while she lived Griselda had no need
Of the world's pity. She was proudly bred
And proudly nurtured. Plenty her full horn
Had fairly emptied out when she was born,
And dowered her with all bounties. She was fair
As only children of the noblest are,
And brave and strong and opulent of health,
Which made her take full pleasure of her wealth.
She had a pitying scorn of little souls
And little bodies, levying heavy tolls
On all the world which was less strong than she.
She used her natural strength most naturally,
And yet with due discretion, so that all
Stood equally in bondage to her thrall.
She was of that high godlike shape and size
Which has authority in all men's eyes:
Her hair was brown, her colour white and red,
Nor idly moved to blush. She held her head
Straight with her back. Her body, from the knee
Tall and clean shaped, like some well--nurtured tree,
Rose finely finished to the finger tips.
She had a noble carriage of the hips,
And that proportionate waist which only art
Dares to divine, harmonious part with part.
But of this more anon, or rather never.
All that the world could vaunt for its endeavour
Was the fair promise of her ankles set
Upon a pair of small high--instepped feet,
In whose behalf, though modestly, God wot,
As any nun, she raised her petticoat
One little inch more high than reason meet
Was for one crossing a well--besomed street.
This was the only tribute she allowed
To human folly and the envious crowd;
Nor for my part would I be found her judge
For her one weakness, nor appear to grudge
What in myself, as surely in the rest,
Bred strange sweet fancies such as feet suggest.
We owe her all too much. This point apart,
Griselda, modesty's own counterpart,
Moved in the sphere of folly like a star,
Aloof and bright and most particular.
By girlish choice and whim of her first will
She had espoused the amiable Lord L.,
A worthy nobleman, in high repute
For wealth and virtue, and her kin to boot;
A silent man, well mannered and well dressed,
Courteous, deliberate, kind, sublimely blessed
With fortune's favours, but without pretence,
Whom manners almost made a man of sense.
In early life he had aspired to fame
In the world of letters by the stratagem
Of a new issue, from his private press,
Of classic bards in senatorial dress,
``In usum Marchionis.'' He had spent
Much of his youth upon the Continent,
Purchasing marbles, bronzes, pictures, gems,
In every town from Tiber unto Thames,
And gaining store of curious knowledge too
On divers subjects that the world least knew:
Knowledge uncatalogued, and overlaid
With dust and lumber somewhere in his head.
A slumberous man, in whom the lamp of life
Had never quite been lighted for the strife
And turmoil of the world, but flickered down,
In an uncertain twilight of its own,
With an occasional flash, that only made
A deeper shadow for its world of shade.
When he returned to England, all admired
The taste of his collections, and inquired
To whose fair fortunate head the lot should fall
To wear these gems and jewels after all.
But years went by, and still unclaimed they shone,
A snare and stumbling--block to more than one,
Till in his fiftieth year 'twas vaguely said,
Lord L. already had too long delayed.
Be it as it may, he abdicated life
The day he took Griselda to his wife.
And then Griselda loved him. All agreed,
The world's chief sponsors for its social creed,
That, whether poor Lord L. was or was not
The very fool some said and idiot,
Or whether under cloak of dulness crass,
He veiled that sense best suited to his case,
Sparing his wit, as housewives spare their light,
For curtain eloquence and dead of night;
And spite of whispered tales obscurely spread,
Doubting the fortunes of her nuptial bed,
Here at this word all sides agreed to rest:
Griselda did her duty with the best.
Yet, poor Griselda! When in lusty youth
A love--sick boy I stood unformed, uncouth,
And watched with sad and ever jealous eye
The vision of your beauty passing by,
Why was it that that brow inviolate,
That virginal courage yet unscared by fate,
That look the immortal queen and huntress wore
To frightened shepherds' eyes in days of yore
Consoled me thus, and soothed unconsciously,
And stilled my jealous fears I knew not why?
How shall I tell the secret of your soul
Which then I blindly guessed, or how cajole
My boyhood's ancient folly to declare
Now in my wisdom the dear maid you were,
Though such the truth? Griselda's early days
Of married life were not that fitful maze
Of tears and laughter which betoken aught,
Changed or exchanged, of pain with pleasure bought,
Of maiden freedom conquered and subdued,
Of hopes new born and fears of womanhood.
Those who then saw Griselda saw a child
Well pleased and happy, thoughtlessly beguiled
By every simplest pleasure of her age,
Gay as a bird just issued from its cage,
When every flower is sweet. No eye could trace
Doubt or disquiet written on her face,
Where none there was. And, if the truth be told,
Griselda grieved not that Lord L. was old.
She found it well that her sweet seventeen
Should live at peace with fifty, and was seen
Just as she felt, contented with her lot,
Pleased with what was and pleased with what was not
She held her husband the more dear that he
Was kind within the bounds of courtesy,
And love was not as yet within her plan,
And life was fair, and wisdom led the van.
For she was wise--oh, wise! She rose at eight
And played her scales till breakfast, and then sat
The morning through with staid and serious looks,
Counting the columns of her household books,
Her daily labour, or with puzzled head
Bent over languages alive and dead,
Wise as alas! in life those only are
Who have not yet beheld a twentieth year.
Wealth had its duties, time its proper use,
Youth and her marriage should be no excuse;
Her education must be made complete!
Lord L. looked on and quite approved of it.
The afternoons, in sense of duty done,
Went by more idly than the rest had gone.
If in the country, which Lord L. preferred,
She had her horse, her dogs, her favourite bird,
Her own rose--garden, which she loved to rake,
Her fish to feed with bread crumbs in the lake,
Her schools, old women, poor and almshouses,
Her sick to visit, or her church to dress.
Lord L. was pleased to see her bountiful:
They hardly found the time to find it dull.
In London, where they spent their second year,
Came occupations suited to the sphere
In which they lived; and to the just pretence
Of our Griselda's high--born consequence,
New duties to the world which no excuse
Admitted. She was mistress of L. House
And heir to its traditions. These must be
Observed by her in due solemnity.
Her natural taste, I think, repelled the noise,
The rush, and dust, and crush of London joys;
But habit, which becomes a second sense,
Had reconciled her to its influence
Even in girlhood, and she long had known
That life in crowds may still be life alone,
While mere timidity and want of ease
She never ranked among youth's miseries.
She had her parents too, who made demand
Upon her thoughts and time, and close at hand
Sisters and friends. With these her days were spent
In simple joys and girlish merriment.
She would not own that being called a wife
Should make a difference in her daily life.
Then London lacks not of attractions fit
For serious minds, and treasures infinite
Of art and science for ingenious eyes,
And learning for such wits as would be wise,
Lectures in classes, galleries, schools of art:
In each Griselda played conspicuous part--
Pupil and patron, ay, and patron--saint
To no few poor who live by pens and paint.
The world admired and flattered as a friend,
And only wondered what would be the end.
And so the days went by. Griselda's face,
Calm in its outline, of romantic grace,
Became a type even to the vulgar mind
Of all that beauty means when most refined,
The visible symbol of a soul within,
Conceived immaculate of human sin,
And only clothed in our humanity
That we may learn to praise and better be.
Where'er she went, instinctively the crowd
Made way before her, and ungrudging bowed
To one so fair as to a Queen of Earth,
Ruling by right of conquest and of birth.
And thus I first beheld her, standing calm
In the swayed crowd upon her husband's arm,
One opera night, the centre of all eyes,
So proud she seemed, so fair, so sweet, so wise.
Some one behind me whispered ``Lady L.!
His Lordship too! and thereby hangs a tale.''
His Lordship! I beheld a placid man,
With gentle deep--set eyes, and rather wan,
And rather withered, yet on whose smooth face
Time seemed to have been in doubt what lines to trace
Of youth or age, and so had left it bare,
As it had left its colour to his hair.
An old young man perhaps, or really old,
Which of the two could never quite be told.
I judged him younger than his years gave right,
His looks betrayed him least by candlelight.
Yet, young or old, that night he seemed to me
Sublime, the priest of her divinity
At whose new shrine I worshipped. But enough
Of me and my concerns! More pertinent stuff
My tale requires than this first boyish love,
Which never found the hour its fate to prove.
My Lady smiling motions with her hand;
The crowd falls back; his Lordship, gravely bland,
Leads down the steps to where his footmen stay
In state. Griselda's carriage stops the way!
And was Griselda happy? Happy?--Yes,
In her first year of marriage, and no less
Perhaps, too, in her second and her third.
For youth is proud, nor cares its last sad word
To ask of fate, and not unwilling clings
To what the present hour in triumph brings.
It was enough, as I have said, for her
That she was young and fortunate and fair.
The world that loved her was a lovely world,
The rest she knew not of. Fate had not hurled
A single spear as yet against her life.
She would not argue as 'twixt maid and wife,
Where both were Woman, Human Nature, Man,
Which held the nobler place in the world's plan.
Her soul at least was single, and must be
Unmated still through its eternity.
And, even here in life, what reason yet
To doubt or question or despair of Fate?
Her youth, an ample web, before her shone
For hope to weave its subtlest fancies on,
If she had cared to dream. Her lot was good
Beyond the common lot of womanhood,
And she would prove her fortune best in this,
That she would not repine at happiness.
Thus to her soul she argued as the Spring
Brought back its joy to each begotten thing--
Begotten and begetting. Who shall say
Which had the better reason, she or they?
In the fourth year a half acknowledged grief
Made its appearance in Griselda's life.
Her sisters married, younger both than she,
Mere children she had thought, and happily.
Each went her way engrossed by her new bliss,
Too gay to guess Griselda's dumb distress.
Her home was broken. In their pride they wrote
Things that like swords against her bosom smote,
The detail of their hopes, and loves, and fears.
Griselda read, and scarce restrained her tears.
Her mother too, the latest fledgling flown,
Had vanished from the world. She was alone.
When she returned to London, earlier
Than was her custom, in the following year,
She found her home a desert, dark and gaunt;
L. House looked emptier, gloomier than its wont.
Griselda sighed, for on the table lay
Two letters, which announced each in its way
The expected tidings of her sisters' joy.
Either was brought to bed--and with a boy.
Her generous heart leaped forth to these in vain,
It could not cheat a first sharp touch of pain,
But yielded to its sorrow. That same night,
Lord L., whose sleep was neither vexed nor light,
And who for many years had ceased to dream,
Beheld a vision. Slowly he became
Aware of a strange light which in his eyes
Shone to his vast discomfort and surprise;
And, while perplexed with vague mistrusts and fears,
He saw a face, Griselda's face, in tears
Before him. She was standing by his bed
Holding a candle. It was cold, she said,
And shivered. And he saw her wrap her shawl
About her shoulders closely like a pall.
Why was she there? Why weeping? Why this light,
Burning so brightly in the dead of night?
These riddles poor Lord L.'s half--wakened brain
Tried dimly to resolve, but tried in vain.
``I cannot sleep to--night,'' went on the voice,
``The streets disturb me strangely with their noise,
The cabs, the striking clocks.'' Lord L.'s distress
Struggled with sleep. He thought he answered ``Yes.''
``What can I do to make me sleep? I am ill,
Unnerv'd to--night. This house is like a well.
Do I disturb you here, and shall I go?''
Lord L. was moved. He thought he answered ``No.''
``If you would speak, perhaps my tears would stop.
Speak! only speak!'' Lord L. here felt a drop
Upon his hand. She had put down the light,
And sat upon his bed forlornly white
And pale and trembling. Her dark hair unbound
Lay on her knees. Her lips moved, but their sound
Came strangely to his ears and half--unheard.
He only could remember the last word:
``I am unhappy--listen L.!--alone.''
She touched his shoulder and he gave a groan.
``This is too much. You do not hear me. See,
I cannot stop these tears. Too much!'' And he
Now well awake, looked round him. He could catch
A gleam of light just vanished, and the latch
Seemed hardly silent. This was all he knew.
He sat some moments doubting what to do,
Rose, went out, shivered, hearing nothing, crept
Back to his pillow where the vision wept
Or seemed to weep awhile ago, and then
With some disquiet went to sleep again.
Next morning, thinking of his dream, Lord L.
Went down to breakfast in intent to tell
The story of his vision. But he met
With little sympathy. His wife was late,
And in a hurry for her school of art.
His lordship needed time to make a start
On any topic, and no time she gave.
Griselda had appointments she must save,
And could not stop to hear of rhyme or reason--
The dream must wait a more convenient season.
And so it was not told. Alas, alas!
Who shall foretell what wars shall come to pass,
What woes be wrought, what fates accomplishèd,
What new dreams dreamt, what new tears vainly shed,
What doubts, what anguish, what remorse, what fears
Begotten in the womb of what new years!--
And all because of this, that poor Lord L.
Was slow of speech, or that he slept too well!
poem by Wilfrid Scawen Blunt

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Griselda: A Society Novel In Verse - Chapter III
Who has not seen the falls of Tivoli,
The rocks, the foam--white water, and the three
Fair ruined temples which adorn the hill?
Who has not sat and listened to the shrill
Sweet melody of blackbirds, and the roar
Of Anio's voice rebounding from the shore,
Nor would have given his very soul to greet
Some passing vision of a white nymph's feet,
And waving arms, as the wild chasm's spray
Beat on his face, for ever answering ``Nay''?
Who has not turned away with sadder face,
Abashed before the genius of the place,
A wiser man, and owned upon his knees,
The dull transmontane Goth and boor he is?
Who that was born to feel? What sons of clay
Are these that stand among your shrines to--day,
Gods of the ancient rivers! and who set
The heavy impress of barbarian feet
Upon your classic shores, and dare to love
Your ruined homes in temple, rock, and grove!
What new rude sons of Japhet! What mad crew,
Whose only creed is what it dares to do
Through lack of knowledge, whose undoubting heart,
Here in the very temples of old art,
Brings out its little tribute, builds its shrines,
Wreathes its sad garlands of untutored lines,
Writes, paints, professes, sculptures its new gods,
And dares to have its home in your abodes!
Oh, if I had a soul oppressed with song,
A tongue on fire to prophesy among
My brother prophets, if I had a hand
Which needs must write its legend on life's sand
With brush or chisel, I at least would choose
Some soil less fair, less sacred to the Muse,
Some younger, wilder land, where no sad voice
Had ever stammered forth its tale of joys
And loves and sorrows, or in tones less rude
Than the brute pulsing of its human blood;
If I would build a temple, it should be
At least not here, not here in Italy,
Where all these temples stand. My thought should shape
Its fancies in rough granite on some cape
O'erlooking the Atlantic, from whose foam
No goddess ever leaped, and not in Rome,
Beneath the mockery of immortal eyes,
Gazing in marble down, so coldly wise!
Such was Griselda's thought, which, half aloud,
She uttered one May morning 'mid a crowd
Of pleasure--seekers, come from Rome to see
The wonder of these falls of Tivoli,
And Belgirate's villa, where the Prince
Was offering entertainment (for his sins),
And dancing, to all such as called him friend
That Spring in Rome, now nearly at an end;--
A thought suggested by the place and by
A German painter, who undauntedly
Was plying a huge canvas just begun,
With brush and palette seated in the sun.
She had hardly meant to speak, and when Lord L.
Objected (for he knew his classics well)
That landscape--painting was an unknown trade
In the days of Horace, blushed for her tirade,
And turned to Belgirate, who stood near,
Playing the host to all the world and her.
The Prince appealed to, though his care was less
With what was spoken than the speaker's face,
Took up the parable, confessed the truth
Of all each ventured, and agreed with both.
Nature, he said, and art, though now allied,
Had not in all times thus walked side by side.
Indeed the love of Nature, now so real,
Was alien to the love of the ideal,
The classic love which claimed as though of need
Some living presence for each fountain--head,
Each grove, each cavern, satyr, nymph, or god,
A human shape unseen yet understood.
This was the thought which lived in ancient art,
Eschewing the waste places of the heart,
And only on compulsion brought to face
Brute Nature's aspect in its nakedness.
Nature as Nature was a thought too rude
For these, untempered in its solitude.
It had no counterpart in our new love
Of mountain, sea, and forest. Then each grove
Asked for its statue, each perennial spring
Its fountain. Solitude itself must bring
Its echo. Every mountain top of Greece
Beheld fair temples rise. A law of peace
Reigned over art in protest at the mood
Of social life which drenched the world in blood.
All now had been reversed. Our modern creed
Scouted the law that men were born to bleed.
It turned from human nature, if untaught,
And wrought mankind, perhaps and overwrought
Into trim shapes, and then for its relief
Rushed to the wilderness to vent its grief
In lonely passion. Here it neither sought
Nor found a presence which it needed not.
It chose wild hills and barren seas. It saw
Beauty in tumult, in revolt a law.
Here it gave reins to its brute instincts. Here
It owned no god, no guide, no arbiter.
Its soul it must avenge of discipline,
And Nature had gone naked from the shrine.
This was its consolation. Of the score
Who stood around him and who praised his lore,
Perhaps no single listener understood
The thought which underlay the Prince's mood,
Or guessed its bitterness--not even she
Who lent the moral to his mockery.
Yet she was moved. In her too was a need
Of consolation for too fair a creed,
An impulse of rebellion. In her blood
There lived a germ of Nature unsubdued,
Which would not be appeased. She too had sought
A refuge from the tyranny of thought
In the brute impulses of sea and plain
And cloud and forest far from haunts of men.
A vain mad search. The fetters of her pride
Galled her like sores. Griselda turned and sighed.
That evening on the terrace, vaguely lit
With paper lanterns and the infinite
Display of those fair natural lamps, the stars,
And 'neath the influence of the planet Mars
Or Venus or another--which it was
We best may judge by that which came to pass--
The Prince essayed his fortune. From the hour
Of their first flash of eloquence, some power,
Some most persistent and ingenious fate
Of idle tongues had held them separate,
Griselda and the Prince--him in his part
Of host, with cares not wholly of the heart
Demanding his attention, while on her
Friends fastened more than dull and less than dear.
In vain they stopped, and loitered, and went on,
Leaving no trick untried, unturned no stone;
In vain they waited. Still the hope deferred
Failed of its object, one consoling word,
One little sigh as of relief thus given:
``Well, they are gone at last, and thanked be Heaven.''
But hour on hour went by, and accident
Seemed still at pains to frustrate their intent,
Piling up grief for them and poor Lord L.,
On whom, in fault of foes, their vengeance fell.
'Twas worst for her. She knew not whom to strike,
Lord L., her friends, the Prince? 'Twas now alike.
She had lost in fact her temper, if I dare
Thus speak of one so wise and one so fair,
And to the point that now there was no room
For other thought, but L. should take her home,
Away and speedily. The Prince, who knew
No word of what a storm Fate held in brew,
And who had sought, in innocence of all,
Griselda's hand to lead the opening ball,
And sought in vain, now found, to his despair,
My lady cloaked and standing on the stair.
She was alone. ``Lord L. had gone,'' she said,
``To bid the Prince good night. Her foolish head
Had played her false, and ached with the new heat
Of the May sun (even L. complained of it).
They must be home betimes. Next day was Sunday,
And they had much to do 'twixt that and Monday,
In view of their departure.'' ``Whither? whence?
In Heaven's name,'' exclaimed the astounded Prince.
``Why, home to England, she had thought he knew:
She must have told him. L. was more than due
In London, where his place in Parliament
Required his presence. He had missed the Lent,
And dared not miss the Easter session. She
Thought he was right, altho','' and suddenly
She burst in tears. The Prince, in dire distress,
Besought her to be calm. But she, with face
Hid in both hands, and turning from the light,
Broke from his arms, and rushed into the night.
Across the hall, beneath the portico,
And down the steps she fled, to where below
The garden lay all dim with starlit shade,
And the white glimmer of the main facade.
Here Belgirate found her on a seat,
Crouched in an angle of the parapet,
And sobbing as in terror. His surprise
Was changed to resolution. To his eyes
The world became transfigured. ``Lady L.,''
He whispered, ``what is this? You love me? Well,
Why do you weep?'' He took her hands in his
And pressed them to his lips; and at the kiss
Griselda started from the heap she was
And sat upright, with pale pathetic face
Turned to the night. By the dim starlight he
Beheld, half--awed and half in ecstasy,
The strange emotion of her countenance.
She made no gesture to withdraw her hands,
No sign of disagreement with his words.
Her eyes looked scared and troubled like a bird's
Caught in a net, and seemed to ask of Fate
Where the next blow should fall. 'Twas thus she sat
Speechless, inanimate, nor seemed to breathe.
The Prince could hear the chattering of her teeth,
And feel her shiver in the warm night wind,
And yet its touch was hardly thus unkind.
He too, poor soul, in hope and tenderness,
Still kissed her hands, and kissed her gloves and dress,
And kneeling at her feet embraced her knees
With soothing arms and soft cajoleries.
She dared not turn nor speak. The balustrade
Served as a pretext for her with its shade
Hiding his face. She would not seem to guess
All that his fondness asked of her distress:
A word might break the spell. She only knew
She was a poor sad woman, doomed to do
Sorrow to all who loved her, that the Prince
Had spoken truly, and her long pretence
Of innocence was o'er. She scorned to make
An idle protest now for honour's sake.
He had a right to ask for what he would
Now that she loved him, and her womanhood
Reserved one tearful right, and only one,
To hide her face an instant and be gone.
How long they sat thus silent who shall say?
Griselda knew not. Time was far away;
She wanted courage to prepare her heart
For that last bitterest word of all, ``We part.''
And he cared naught for time. His Heaven was there,
Nor needed thought, nor speech, nor even prayer.
A sound of music roused them. From the house
Voices broke in and strains tumultuous,
Proving the dance begun. Then with a sigh
Griselda turned her head, and piteously
Looked in his face. She moved as if to go,
And when he held her still, ``For pity, no,
Let me be gone,'' she cried. ``I ask it thus,''
Clasping her hands. ``You will not? No! alas!
You must not doubt me when I speak the truth;
This is a great misfortune for us both.''
``Griselda,'' he began. ``Oh, stop,'' she said,
``You know not what you ask.'' She bent her head
Close to his own. ``I am not what I seem,
A woman to be loved, not even by him
Whom I might choose to worship. Mine must be
An unfinished life, not quite a tragedy,
Even to my friends, an idle aimless life,
Not worth an argument, still less a strife.
You must forget, forgive me. We were friends,
Friends still perhaps; but, oh! this first day ends
Our love for ever. What you said was true,
Only I never guessed it.'' The Prince knew
That she was weeping, and a single sob
Broke from her lips. She seemed her wounds to probe.
``Yes, I have loved you, loved you from the first,
The day we met at Terni, when you burst
Like sunshine on the storm of my dark life--
You, wise and free--I, only the sad wife
Of one you called a friend. The fault was mine
And mine alone. In you there was no sin:
You stood too far from me, too high above
My woman's follies even to dream of love.
There, do not answer, you were kind to me,
Good, patient, wise--you could no other be--
But, oh! you never loved me.'' Here again
The Prince broke in protesting (but in vain):
Her words were madness and his heart was hers.
She would not listen nor control her tears.
``You never loved me. This one thought I hold
In consolation of my manifold
Deceits and errors. You at least are free
From all deceptions and remorse and me:
I cannot cause you sorrow, else it were
Indeed too pitiful, too hard to bear.''
She stooped and kissed his forehead reverently,
As one would kiss a relic; and when he
Still would have spoken, stopped him with a hand
Laid on his lips, half--prayer and half--command.
She would not let him speak. The prince, tho' mute,
Now pleaded with his hands and pressed his suit
With better eloquence, for this to her
Seemed less a crime than speech. Her ignorant fear
Had hardly fathomed yet the troubled sea
On which her lot was cast thus dangerously.
She only feared his words to prove him right,
And these caresses in the dim still night
Soothed and consoled her. They were too unreal,
Too strange to her experience, quite to feel
Or quite to question. She, with half--shut eyes,
And face averted, ceased to feel surprise,
And ceased to think. She was a child again,
Caressed and fondled. She forgot her pain,
And almost even his presence in the place.
He was too near and could not see her face.
Besides, Griselda loved him. Only once
She made a silent protest with her hands,
As one might make asleep, and in her dream
Opened her eyes, and seemed to question him
With the pathetic instinct as of doom.
The Prince in rapture judged his hour was come.
Alas! poor Prince. If thou hadst had thy bliss,
I would not then have grudged thy happiness,
Thine nor Griselda's. Happiness is not
A merchandise men buy or leave unbought
And find again. It is a wild bird winging
Its way through heaven, in joyous circles ringing,
Aloft, at its own will. Then, ere we wist,
It stooped and sat a moment on our wrist,
And fondled with our fingers, and made play
With jess and hood as if it meant to stay.
And we, if we were wise and fortunate,
And if the hour had been decreed of fate,
Seized the glad bird and held it in our hand,
And forced it to obey our least command,
Knowing that never more, if not made sure,
It would come again to voice, or sign, or lure.
Oh, such is happiness. That night for them
Fate stood, a genius, suppliant and tame,
Demanding to do service. Had they willed,
The treasure--house of Heaven had been unfilled
And emptied in their lap. They too, even they,
Mere mortals born, inheritors of clay,
Had known eternal life, and been as gods.
Only the will between them was at odds,
Only the word was wanting. What one thing
It was that frightened Fate to taking wing,
And scared for ever the celestial bird,
And left them desolate, if I have heard
I do not now remember nor would say
Even if I knew. 'Twas told me not to--day
Nor yesterday, but in a time long since,
By one of the two who knew, in confidence,
And then not quite perhaps the utter truth.
Whoever tells it? But there came to both
A moment when, as Belgirate knew,
There was no further power to plead or sue:
They had played with Fate too long. Their hour was over;
She was no more his love nor he her lover.
His courage was exhausted. One by one
His fingers, which still held Griselda's gown,
Relaxed their hold. His hands dropped by his side,
His head upon his bosom, and the pride,
Which was the reason of his being, quailed.
Grief in that hour and tenderness prevailed,
And tears rushed to his eyes, long strangers there,
And to his lips, Italian--like, a prayer,
While he lay prostrate, his face turned from heaven,
Under the stars. The tower clock struck eleven
And roused him. He had neither heard nor known
Griselda's going, but he was alone.
And she? Griselda? In a whirl of grief,
Tortured, distracted, hopeless of relief,
And careless now what eye should see her tears,
Whom none could mock with bitterer jibes than hers,
And speechless to all question of her lord,
Who sought to learn what portent had occurred,
And still reverted to the theme begun
Of Roman fever and the Roman sun;
She was driven back to Rome. Two days her door
Was shut to all the world, both rich and poor,
And on the third she went to Ostia,
Pleading a wild desire to see the sea.
The sea! What virtue is there in the sea
That it consoles us thus in misery?
In joy we do not love it, and our bliss
Scoffs at its tears and scorns its barrenness.
Our pride of life is in the fruitful Earth,
The mother of all joy, which gave us birth,
The Earth so touching in its hopes to be,
So green, so tender in its sympathy.
But when life turns to bitterness--ah! then,
Where is Earth's message to the sons of men?
How does she speak? What sound of grief is hers
To match our grief? What tale of pity stirs
Her jubilant heart? The laughing woods give back
Naught of their happiness to those who lack.
The beauty of the uplands bars relief,
The prosperous fields are insolent to grief;
There is no comfort in the lowing herds,
The hum of bees, the songs, the shouts of birds;
There is no sob in all the living earth,
Naught but the flutter of discordant mirth,
On which, as on a pageant, morn and even
The careless sun shines mockingly from heaven.
There is no grief in all the world save one,
The ocean's voice, as tearful as our own.
Then from the Earth we turn--too potent mother,
Too joyous in her offspring--to that other,
The childless, joyless, unproductive sea,
And mourn with her her dread virginity.
We clasp her naked rocks with our two hands,
Barefoot we tread her barren waste of sands,
Her breadths of shingle and her treeless shore,
Knowing her griefs are as our griefs, and more,
An eternal lack of love. 'Twas in this guise
Griselda cradled her soul's miseries,
And nursed it in its anguish like a child,
And soothed it to oblivion. The sea smiled
With its eternal smile upon her sorrow,
The selfsame yesterday, to--day, to--morrow,
And kept its tears in its own bosom sealed,
A mystery of passion unrevealed,
Save in the tremor of its voice at noon,
When the wind rose and played wild chords thereon.
So she. The memory of that place long stood
In her remembrance as a dream of good,
Dividing life as sleep divides the day,
A place of utter weakness. Let those say
Who will, that deeds of strength life's milestones are.
The dearest days are not the days of war,
And victory is forgotten in the peace
Of certain hours gone by in helplessness,
When the soul ceased to battle, and lay still
As on a deathbed dumb to good and ill.
These are its treasures. Nor was silence all
Griselda's ointment. Hard by the sea--wall,
Where daily her steps turned fresh peace to find,
A convent stood, inviting to the mind.
Here she found entrance at the chapel gate,
And knelt in prayer half--inarticulate,
Bowed to the earth. For patron saints it had
The Marys three--``two virtuous, and one bad,''
Griselda thought, ``like her own self''--who came
In flight together from Jerusalem,
And landed there; and these in her great need,
She suppliant asked for her soul's daily bread,
Using all fondest words her lips could frame,
To speak her secret wishes without blame.
Six candlesticks she vowed, to each a pair,
So they would listen to and grant her prayer.
The superstition pleased her. In her pride
She bowed and begged like any peasant's bride,
For what? for whom? she hardly could explain
Even to her, the dear St. Magdalen.
``And yet,'' she argued, ``she at least will know
And understand me if no other do.''
All this was folly, but it comforted
And gave her strength. Then with a calmer head,
If not a calmer heart, she turned once more
From love to life. Her first strong grief was o'er.
poem by Wilfrid Scawen Blunt

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Les Noyades
WHATEVER a man of the sons of men
Shall say to his heart of the lords above,
They have shown man verily, once and again,
Marvellous mercies and infinite love.
In the wild fifth year of the change of things,
When France was glorious and blood-red, fair
With dust of battle and deaths of kings,
A queen of men, with helmeted hair,
Carrier came down to the Loire and slew,
Till all the ways and the waves waxed red:
Bound and drowned, slaying two by two,
Maidens and young men, naked and wed.
They brought on a day to his judgment-place
One rough with labour and red with fight,
And a lady noble by name and face,
Faultless, a maiden, wonderful, white.
She knew not, being for shame’s sake blind,
If his eyes were hot on her face hard by.
And the judge bade strip and ship them, and bind
Bosom to bosom, to drown and die.
The white girl winced and whitened; but he
Caught fire, waxed bright as a great bright flame
Seen with thunder far out on the sea,
Laughed hard as the glad blood went and came.
Twice his lips quailed with delight, then said,
“I have but a word to you all, one word;
Bear with me; surely I am but dead;”
And all they laughed and mocked him and heard.
“Judge, when they open the judgment-roll,
I will stand upright before God and pray:
‘Lord God, have mercy on one man’s soul,
For his mercy was great upon earth, I say.
“‘Lord, if I loved thee—Lord, if I served—
If these who darkened thy fair Son’s face
I fought with, sparing not one, nor swerved
A hand’s-breadth, Lord, in the perilous place—
“‘I pray thee say to this man, O Lord,
Sit thou for him at my feet on a throne.
I will face thy wrath, though it bite as a sword,
And my soul shall burn for his soul, and atone.
“‘For, Lord, thou knowest, O God most wise,
How gracious on earth were his deeds towards me.
Shall this be a small thing in thine eyes,
That is greater in mine than the whole great sea?’
“I have loved this woman my whole life long,
And even for love’s sake when have I said
‘I love you’? when have I done you wrong,
Living? but now I shall have you dead.
“Yea, now, do I bid you love me, love?
Love me or loathe, we are one not twain.
But God be praised in his heaven above
For this my pleasure and that my pain!
“For never a man, being mean like me,
Shall die like me till the whole world dies.
I shall drown with her, laughing for love; and she
Mix with me, touching me, lips and eyes.
“Shall she not know me and see me all through,
Me, on whose heart as a worm she trod?
You have given me, God requite it you,
What man yet never was given of God.”
O sweet one love, O my life’s delight,
Dear, though the days have divided us,
Lost beyond hope, taken far out of sight,
Not twice in the world shall the gods do thus.
Had it been so hard for my love? but I,
Though the gods gave all that a god can give,
I had chosen rather the gift to die,
Cease, and be glad above all that live.
For the Loire would have driven us down to the sea,
And the sea would have pitched us from shoal to shoal;
And I should have held you, and you held me,
As flesh holds flesh, and the soul the soul.
Could I change you, help you to love me, sweet,
Could I give you the love that would sweeten death,
We should yield, go down, locked hands and feet,
Die, drown together, and breath catch breath;
But you would have felt my soul in a kiss,
And known that once if I loved you well;
And I would have given my soul for this
To burn for ever in burning hell.
poem by Algernon Charles Swinburne

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The Complaint of Lisa
There is no woman living who draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed.
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead.
And know not what thing evil I have done
That life should lay such heavy hand on me.
Alas! Love, what is this thou wouldst with me?
What honor shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart is harmless as my life's first day:
Seek out some false fair woman, and plague her
Till her tears even as my tears fill her bed:
I am the least flower in thy flowery way,
But till my time be come that I be dead,
Let me live out my flower-time in the sun,
Though my leaves shut before the sunflower.
O Love, Love, Love, the kingly sunflower!
Shall he the sun hath looked on look on me,
That live down here in shade, out of the sun,
Here living in the sorrow and shadow of death?
Shall he that feeds his heart full of the day
Care to give mine eyes light, or my lips breath?
Because she loves him, shall my lord love her
Who is as a worm in my lord's kingly way?
I shall not see him or know him alive or dead;
But thou, I know thee, O Love, and pray to thee
That in brief while my brief life-days be done,
And the worm quickly make my marriage-bed.
For underground there is no sleepless bed.
But here since I beheld my sunflower
These eyes have slept not, seeing all night and day
His sunlike eyes, and face fronting the sun.
Wherefore, if anywhere be any death,
I fain would find and fold him fast to me,
That I may sleep with the world's eldest dead,
With her that died seven centuries since, and her
That went last night down the night-wandering way.
For this is sleep indeed, when labor is done,
Without love, without dreams, and without breath,
And without thought, O name unnamed! of thee.
Ah! but, forgetting all things, shall I thee?
Wilt thou not be as now about my bed
There underground as here before the sun?
Shall not thy vision vex me alive and dead,
Thy moving vision without form or breath?
I read long since the bitter tale of her
Who read the tale of Launcelot on a day,
And died, and had no quiet after death,
But was moved ever along a weary way,
Lost with her love in the underworld; ah me,
O my king, O my lordly sunflower,
Would God to me, too, such a thing were done!
But if such sweet and bitter things be done,
Then, flying from life, I shall not fly from thee.
For in that living world without a sun
Thy vision will lay hold upon me dead,
And meet and mock me, and mar my peace in death.
Yet if being wroth, God had such pity on her,
Who was a sinner and foolish in her day,
That even in hell they twain should breathe one breath,
Why should he not in some wise pity me?
So if I sleep not in my soft strait bed,
I may look up and see my sunflower
As he the sun, in some divine strange way.
O poor my heart, well knowest thou in what way
This sore sweet evil unto us was done.
For on a holy and a heavy day
I was arisen out of my still small bed
To see the knights tilt, and one said to me
"The king;" and seeing him, somewhat stopped my breath;
And if the girl spake more, I heard her not,
For only I saw what I shall see when dead,
A kingly flower of knights, a sunflower,
That shone against the sunlight like the sun,
And like a fire, O heart, consuming thee,
The fire of love that lights the pyre of death.
Howbeit I shall not die an evil death
Who have loved in such a sad and sinless way,
That this my love, lord, was no shame to thee.
So when mine eyes are shut against the sun,
O my soul's sun, O the world's sunflower,
Thou nor no man will quite despise me dead.
And dying I pray with all my low last breath
That thy whole life may be as was that day,
That feast-day that made trothplight death and me,
Giving the world light of thy great deeds done;
And that fair face brightening thy bridal bed,
That God be good as God hath been to her.
That all things goodly and glad remain with her,
All things that make glad life and goodly death;
That as a bee sucks from a sunflower
Honey, when summer draws delighted breath,
Her soul may drink of thy soul in like way,
And love make life a fruitful marriage-bed
Where day may bring forth fruits of joy to day
And night to night till days and nights be dead.
And as she gives light of her love to thee,
Give thou to her the old glory of days long done;
And either give some heat of light to me,
To warm me where I sleep without the sun.
O sunflower make drunken with the sun,
O knight whose lady's heart draws thine to her,
Great king, glad lover, I have a word to thee.
There is a weed lives out of the sun's way,
Hid from the heat deep in the meadow's bed,
That swoons and whitens at the wind's least breath,
A flower star-shaped, that all a summer day
Will gaze her soul out on the sunflower
For very love till twilight finds her dead.
But the great sunflower heeds not her poor death,
Knows not when all her loving life is done;
And so much knows my lord the king of me.
Ay, all day long he has no eye for me;
With golden eye following the golden sun
From rose-colored to purple-pillowed bed,
From birthplace to the flame-lit place of death,
From eastern end to western of his way,
So mine eye follows thee, my sunflower,
So the white star-flower turns and yearns to thee,
The sick weak weed, not well alive or dead,
Trod under foot if any pass by her,
Pale, without color of summer or summer breath
In the shrunk shuddering petals, that have done
No work but love, and die before the day.
But thou, to-day, to-morrow, and every day,
Be glad and great, O love whose love slays me.
Thy fervent flower made fruitful from the sun
Shall drop its golden seed in the world's way,
That all men thereof nourished shall praise thee
For grain and flower and fruit of works well done;
Till thy shed seed, O shining sunflower,
Bring forth such growth of the world's garden-bed
As like the sun shall outlive age and death.
And yet I would thine heart had heed of her
Who loves thee alive; but not till she be dead.
Come, Love, then, quickly, and take her utmost breath.
Song, speak for me who am dumb as are the dead;
From my sad bed of tears I send forth thee,
To fly all day from sun's birth to sun's death
Down the sun's way after the flying sun,
For love of her that gave thee wings and breath
Ere day be done, to seek the sunflower.
poem by Algernon Charles Swinburne

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Giacinta
Giacinta sat upon the garden wall
Among the autumn lilies, and let fall
Their crimson petals on her lover's head,
And laughed because her little hands were red.
She was the fairest child of Italy,
And it was well the lilies thus should die.
But Giulio shuddered when she made him kiss
The stains away in her pride's wantonness
And held them up between him and the sun
That he might see the red blood flame and run
In the long finger--clefts from root to tip,
And still she pressed them closer to his lip,
And still she laughed. But Giulio looked at her
And it was half in love and half in fear.
And, when she saw him tremble, childishly
She laid both hands in his, and with a sigh
Told him to pity them. And he in vain
Hid them in his and would have hid his pain,
And tried to speak but could not for the weight
Upon his breast. And so the lovers sat
In a hard silence, while Giacinta's laugh
Rang in his ears like the discordant half
Of some fair carol from a tavern flung,
She watching him above, the flowers among,
First with her smile and then with a hurt pride
Kindling to wrath. And ``Fool'' at last she cried,
``You think because this hand of mine is white
And smooth to touch and wise in love's delight
It had not dared to dabble in such red,
The blood--of these dead flowers--for dead is dead;
And you sit dumb and tremble and turn pale
Because I laugh to see the lilies fall.
Why not laugh with me, since you have the heart
To say you love me in my tragic part?
Think you that blood can make a hand less white,
Or all the ink of heaven blot out to--night
The innocent stars, or kisses steal away
The sweetness of red lips, or memory
Drive laughter from the world? The moon grows wan
And wastes and fades and shrivels to a span,
Yet men watch on beyond the hills at even,
And lo there is a new moon in the heaven!
Look in my eyes. Are they less pure and keen
For all the passion which their depths have seen?
Is there a stain upon my brows? My cheek
Is it less fair for what it dares not speak?
Oh, Simon's blood was not so red a thing
But it has left my face its colouring.
Or think you drops from any vein of his
Could make my fingers blush as deep as this?''
And Giulio's courage sickened when he heard
Giacinta suddenly speak out this word.
She was the fairest child of Italy,
But Giulio thought it had been well to die.
``yet, had it left me pale,'' she said, ``I know
It had been all as one to Giulio
To love a pale face. You will love me yet
Though I have told you how my hands are wet,
And when I hold them out to you to kiss
Your lips will burn to drink away the lees.
Oh, lovers, lovers! Wherefore will you preach,
When women laugh at what you dare to teach
Of truth and honour? Is there one of you,
One honourable friend, one bosom true,
That will not sell his virtue for a kiss
Though the mouth that gave it were a nest of lies,
And will not soothe his soul with the deceit
Which swears a rose is not a whit less sweet
Because an angry bee was in its cell
An hour ago?--Oh, lovers reason well!
So take the flower and deign forget the bee.
But Giulio, do not bid me stop and see
How beautiful a thing your virtue is,
And do not cry to the unheeding skies
`Did I not love her?' See, I hate your love
More than I hate yourself.'' And Giulio strove
With his weak heart and could not bear the pain.
And so he took Giacinta's hand again,
Without more word. But she in softened mood
Looked on the boy her beauty had subdued,
And said ``Poor Giulio! I have never shown
Much hate to you, and this you needs must own,
Only beware of loving me. 'Tis strange
That men are wise, yet cannot take the range
Of a silly woman's mind, but still devise
Of their fool's love, as if it were the prize
For which a woman might forget the cost
Of her undoing and a world well lost,
And cannot see that love is only this,
A pretty word to whisper in a kiss,
As when one says, `God bless you' with `Good--night.'
But Giulio, who would ever suffer it
A man should always have the name of God
Upon his lips?'' Her lover only trod
The lilies with his heel. At last he sighed,
``And Simon loved you, and for this he died?''
They sat till dusk upon the garden wall,
And she began to sing a madrigal
About the falling leaves and quite forgot
To answer him. But Giulio heeded not
Because he held her hand. He could not flee.
She was the fairest child of Italy.
poem by Wilfrid Scawen Blunt

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The Sisters' Tragedy
A.D. 1670
AGLÄE, a widow.
MURIEL, her unmarried sister.
It happened once, in that brave land that lies
For half the twelvemonth wrapt in sombre skies,
Two sisters loved one man. He being dead,
Grief loosed the lips of her he had not wed,
And all the passion that through heavy years
Had masked in smiles unmasked itself in tears.
No purer love may mortals know than this,
The hidden love that guards another's bliss.
High in a turret's westward-facing room,
Whose painted window held the sunset's bloom,
The two together grieving, each to each
Unveiled her soul with sobs and broken speech.
Both were young, in life's rich summer yet;
And one was dark, with tints of violet
In hair and eyes, and one was blond as she
Who rose--a second daybreak--from the sea,
Gold-tressed and azure-eyed. In that lone place,
Like dusk and dawn, they sat there face to face.
She spoke the first whose strangely silvering hair
No wreath had worn, nor widow's weed might wear,
And told her blameless love, and knew no shame--
Her holy love that, like a vestal flame
Beside the body of some queen
Within a guarded crypt, had burned unseen
From weary year to year. And she who heard
Smiled proudly through her tears and said no word,
But, drawing closer, on the troubled brow
Laid one long kiss, and that was words enow!
MURIEL.
Be still, my heart! Grown patient with thine ache,
Thou shouldst be dumb, yet needs must speak, or break.
The world is empty now that he is gone.
AGLÄE.
Ay, sweetheart!
MURIEL.
None was like him, no, not one.
From other men he stood apart, alone
In honor spotless as unfallen snow.
Nothing all evil was it his to know;
His charity still found some germ, some spark
Of light in natures that seemed wholly dark.
He read men's souls; the lowly and the high
Moved on the self-same level in his eye.
Gracious to all, to none subservient,
Without offence he spake the word he meant--
His word no trick of tact or courtly art,
But the white flowering of the noble heart.
Careless he was of much the world counts gain,
Careless of self, too simple to be vain,
Yet strung so finely that for conscience-sake
He would have gone like Cranmer to the stake.
I saw--how could I help but love? And you--
AGLÄE.
At this perfection did I worship too . . .
'T was this that stabbed me. Heed not what I say!
I meant it not, my wits are gone astray,
With all that is and has been. No, I lie--
Had he been less perfection, happier I!
MURIEL.
Strange words and wild! 'T is the distracted mind
Breathes them, not you, and I no meaning find.
AGLÄE.
Yet 't were as plain as writing on a scroll
had you but eyes to read within my soul.--
How a grief hidden feeds on its own mood,
Poison's the healthful currents of the blood
With bitterness, and turns the heart to stone!
I think, in truth, 't were better to make moan,
And so be done with it. This many a year,
Sweetheart, have I laughed lightly and made cheer,
Pierced through with sorrow!
Then the widowed one
With sorrowfullest eyes beneath the sun,
Faltered, irresolute, and bending low
Her head, half whispered,
Dear, how could you know?
What masks are faces!--yours, unread by me
These seven long summers; mine, so placidly
Shielding my woe! No tremble of the lip,
No cheek's quick pallor let our secret slip!
Mere players we, and she that played the queen,
Now in her homespun, looks how poor and mean!
How shall I say it, how find words to tell
What thing it was for me made earth a hell
That else had been my heaven! 'T would blanch your cheek
Were I to speak it. Nay, but I will speak,
Since like two souls at compt we seem to stand,
Where nothing may be hidden. Hold my hand,
But look not at me! Noble 't was, and meet,
To hide your heart, nor fling it at his feet
To lie despised there. Thus saved you our pride
And that white honor for which earls have died.
You were not all unhappy, loving so!
I with a difference wore my weight of woe.
My lord was he. It was my cruel lot,
My hell, to love him--for he loved me not!
Then came a silence. Suddenly like death
The truth flashed on them, and each held her breath--
A flash of light whereby they both were slain,
She that was loved and she that loved in vain!
poem by Thomas Bailey Aldrich

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Lazarus
“No, Mary, there was nothing—not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen—or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did he wait
So long before he came? Why did he weep?
I thought he would be glad—and Lazarus—
To see us all again as he had left us—
All as it was, all as it was before.”
Mary, who felt her sister’s frightened arms
Like those of someone drowning who had seized her,
Fearing at last they were to fail and sink
Together in this fog-stricken sea of strangeness,
Fought sadly, with bereaved indignant eyes,
To find again the fading shores of home
That she had seen but now could see no longer
Now she could only gaze into the twilight,
And in the dimness know that he was there,
Like someone that was not. He who had been
Their brother, and was dead, now seemed alive
Only in death again—or worse than death;
For tombs at least, always until today,
Though sad were certain. There was nothing certain
For man or God in such a day as this;
For there they were alone, and there was he—
Alone; and somewhere out of Bethany,
The Master—who had come to them so late,
Only for love of them and then so slowly,
And was for their sake hunted now by men
Who feared Him as they feared no other prey—
For the world’s sake was hidden. “Better the tomb
For Lazarus than life, if this be life,”
She thought; and then to Martha, “No, my dear,”
She said aloud; “not as it was before.
Nothing is ever as it was before,
Where Time has been. Here there is more than Time;
And we that are so lonely and so far
From home, since he is with us here again,
Are farther now from him and from ourselves
Than we are from the stars. He will not speak
Until the spirit that is in him speaks;
And we must wait for all we are to know,
Or even to learn that we are not to know.
Martha, we are too near to this for knowledge,
And that is why it is that we must wait.
Our friends are coming if we call for them,
And there are covers we’ll put over him
To make him warmer. We are too young, perhaps,
To say that we know better what is best
Than he. We do not know how old he is.
If you remember what the Master said,
Try to believe that we need have no fear.
Let me, the selfish and the careless one,
Be housewife and a mother for tonight;
For I am not so fearful as you are,
And I was not so eager.”
Martha sank
Down at her sister’s feet and there sat watching
A flower that had a small familiar name
That was as old as memory, but was not
The name of what she saw now in its brief
And infinite mystery that so frightened her
That life became a terror. Tears again
Flooded her eyes and overflowed. “No, Mary,”
She murmured slowly, hating her own words
Before she heard them, “you are not so eager
To see our brother as we see him now;
Neither is he who gave him back to us.
I was to be the simple one, as always,
And this was all for me.” She stared again
Over among the trees where Lazarus,
Who seemed to be a man who was not there,
Might have been one more shadow among shadows,
If she had not remembered. Then she felt
The cool calm hands of Mary on her face,
And shivered, wondering if such hands were real.
“The Master loved you as he loved us all,
Martha; and you are saying only things
That children say when they have had no sleep.
Try somehow now to rest a little while;
You know that I am here, and that our friends
Are coming if I call.”
Martha at last
Arose, and went with Mary to the door,
Where they stood looking off at the same place,
And at the same shape that was always there
As if it would not ever move or speak,
And always would be there. “Mary, go now,
Before the dark that will be coming hides him.
I am afraid of him out there alone,
Unless I see him; and I have forgotten
What sleep is. Go now—make him look at you—
And I shall hear him if he stirs or whispers.
Go!—or I’ll scream and bring all Bethany
To come and make him speak. Make him say once
That he is glad, and God may say the rest.
Though He say I shall sleep, and sleep for ever,
I shall not care for that… Go!”
Mary, moving
Almost as if an angry child had pushed her,
Went forward a few steps; and having waited
As long as Martha’s eyes would look at hers,
Went forward a few more, and a few more;
And so, until she came to Lazarus,
Who crouched with his face hidden in his hands,
Like one that had no face. Before she spoke,
Feeling her sister’s eyes that were behind her
As if the door where Martha stood were now
As far from her as Egypt, Mary turned
Once more to see that she was there. Then, softly,
Fearing him not so much as wondering
What his first word might be, said, “Lazarus,
Forgive us if we seemed afraid of you;”
And having spoken, pitied her poor speech
That had so little seeming gladness in it,
So little comfort, and so little love.
There was no sign from him that he had heard,
Or that he knew that she was there, or cared
Whether she spoke to him again or died
There at his feet. “We love you, Lazarus,
And we are not afraid. The Master said
We need not be afraid. Will you not say
To me that you are glad? Look, Lazarus!
Look at my face, and see me. This is Mary.”
She found his hands and held them. They were cool,
Like hers, but they were not so calm as hers.
Through the white robes in which his friends had wrapped him
When he had groped out of that awful sleep,
She felt him trembling and she was afraid.
At last he sighed; and she prayed hungrily
To God that she might hear again the voice
Of Lazarus, whose hands were giving her now
The recognition of a living pressure
That was almost a language. When he spoke,
Only one word that she had waited for
Came from his lips, and that word was her name.
“I heard them saying, Mary, that he wept
Before I woke.” The words were low and shaken,
Yet Mary knew that he who uttered them
Was Lazarus; and that would be enough
Until there should be more… “Who made him come,
That he should weep for me?… Was it you, Mary?”
The questions held in his incredulous eyes
Were more than she would see. She looked away;
But she had felt them and should feel for ever,
She thought, their cold and lonely desperation
That had the bitterness of all cold things
That were not cruel. “I should have wept,” he said,
“If I had been the Master….”
Now she could feel
His hands above her hair—the same black hair
That once he made a jest of, praising it,
While Martha’s busy eyes had left their work
To flash with laughing envy. Nothing of that
Was to be theirs again; and such a thought
Was like the flying by of a quick bird
Seen through a shadowy doorway in the twilight.
For now she felt his hands upon her head,
Like weights of kindness: “I forgive you, Mary….
You did not know—Martha could not have known—
Only the Master knew…. Where is he now?
Yes, I remember. They came after him.
May the good God forgive him…. I forgive him.
I must; and I may know only from him
The burden of all this… Martha was here—
But I was not yet here. She was afraid….
Why did he do it, Mary? Was it—you?
Was it for you?… Where are the friends I saw?
Yes, I remember. They all went away.
I made them go away…. Where is he now?…
What do I see down there? Do I see Martha—
Down by the door?… I must have time for this.”
Lazarus looked about him fearfully,
And then again at Mary, who discovered
Awakening apprehension in his eyes,
And shivered at his feet. All she had feared
Was here; and only in the slow reproach
Of his forgiveness lived his gratitude.
Why had he asked if it was all for her
That he was here? And what had Martha meant?
Why had the Master waited? What was coming
To Lazarus, and to them, that had not come?
What had the Master seen before he came,
That he had come so late?
“Where is he, Mary?”
Lazarus asked again. “Where did he go?”
Once more he gazed about him, and once more
At Mary for an answer. “Have they found him?
Or did he go away because he wished
Never to look into my eyes again?…
That, I could understand…. Where is he, Mary?”
“I do not know,” she said. “Yet in my heart
I know that he is living, as you are living—
Living, and here. He is not far from us.
He will come back to us and find us all—
Lazarus, Martha, Mary—everything—
All as it was before. Martha said that.
And he said we were not to be afraid.”
Lazarus closed his eyes while on his face
A tortured adumbration of a smile
Flickered an instant. “All as it was before,”
He murmured wearily. “Martha said that;
And he said you were not to be afraid …
Not you… Not you… Why should you be afraid?
Give all your little fears, and Martha’s with them,
To me; and I will add them unto mine,
Like a few rain-drops to Gennesaret.”
“If you had frightened me in other ways,
Not willing it,” Mary said, “I should have known
You still for Lazarus. But who is this?
Tell me again that you are Lazarus;
And tell me if the Master gave to you
No sign of a new joy that shall be coming
To this house that he loved. Are you afraid?
Are you afraid, who have felt everything—
And seen…?”
But Lazarus only shook his head,
Staring with his bewildered shining eyes
Hard into Mary’s face. “I do not know,
Mary,” he said, after a long time.
“When I came back, I knew the Master’s eyes
Were looking into mine. I looked at his,
And there was more in them than I could see.
At first I could see nothing but his eyes;
Nothing else anywhere was to be seen—
Only his eyes. And they looked into mine—
Long into mine, Mary, as if he knew.”
Mary began to be afraid of words
As she had never been afraid before
Of loneliness or darkness, or of death,
But now she must have more of them or die:
“He cannot know that there is worse than death,”
She said. “And you…”
“Yes, there is worse than death.”
Said Lazarus; “and that was what he knew;
And that is what it was that I could see
This morning in his eyes. I was afraid,
But not as you are. There is worse than death,
Mary; and there is nothing that is good
For you in dying while you are still here.
Mary, never go back to that again.
You would not hear me if I told you more,
For I should say it only in a language
That you are not to learn by going back.
To be a child again is to go forward—
And that is much to know. Many grow old,
And fade, and go away, not knowing how much
That is to know. Mary, the night is coming,
And there will soon be darkness all around you.
Let us go down where Martha waits for us,
And let there be light shining in this house.”
He rose, but Mary would not let him go:
“Martha, when she came back from here, said only
That she heard nothing. And have you no more
For Mary now than you had then for Martha?
Is Nothing, Lazarus, all you have for me?
Was Nothing all you found where you have been?
If that be so, what is there worse than that—
Or better—if that be so? And why should you,
With even our love, go the same dark road over?”
“I could not answer that, if that were so,”
Said Lazarus,—“not even if I were God.
Why should He care whether I came or stayed,
If that were so? Why should the Master weep—
For me, or for the world,—or save himself
Longer for nothing? And if that were so,
Why should a few years’ more mortality
Make him a fugitive where flight were needless,
Had he but held his peace and given his nod
To an old Law that would be new as any?
I cannot say the answer to all that;
Though I may say that he is not afraid,
And that it is not for the joy there is
In serving an eternal Ignorance
Of our futility that he is here.
Is that what you and Martha mean by Nothing?
Is that what you are fearing? If that be so,
There are more weeds than lentils in your garden.
And one whose weeds are laughing at his harvest
May as well have no garden; for not there
Shall he be gleaning the few bits and orts
Of life that are to save him. For my part,
I am again with you, here among shadows
That will not always be so dark as this;
Though now I see there’s yet an evil in me
That made me let you be afraid of me.
No, I was not afraid—not even of life.
I thought I was…I must have time for this;
And all the time there is will not be long.
I cannot tell you what the Master saw
This morning in my eyes. I do not know.
I cannot yet say how far I have gone,
Or why it is that I am here again,
Or where the old road leads. I do not know.
I know that when I did come back, I saw
His eyes again among the trees and faces—
Only his eyes; and they looked into mine—
Long into mine—long, long, as if he knew.”
poem by Edwin Arlington Robinson

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The Desolate City
DARK to me is the earth. Dark to me are the heavens.
Where is she that I loved, the woman with eyes like stars?
Desolate are the streets. Desolate is the city.
A city taken by storm, where none are left but the slain.
Sadly I rose at dawn, undid the latch of my shutters,
Thinking to let in light, but I only let in love.
Birds in the boughs were awake; I listen'd to their chaunting;
Each one sang to his love; only I was alone.
This, I said in my heart, is the hour of life and of pleasure.
Now each creature on earth has his joy, and lives in the sun,
Each in another's eyes finds light, the light of compassion,
This is the moment of pity, this is the moment of love.
Speak, O desolate city! Speak, O silence in sadness!
Where is she that I loved in my strength, that spoke to my soul?
Where are those passionate eyes that appeal'd to my eyes in passion?
Where is the mouth that kiss'd me, the breast I laid to my own?
Speak, thou soul of my soul, for rage in my heart is kindled.
Tell me, where didst thou flee in the day of destruction and fear?
See, my arms still enfold thee, enfolding thus all heaven,
See, my desire is fulfill'd in thee, for it fills the earth.
Thus in my grief I lamented. Then turn'd I from the window,
Turn'd to the stair, and the open door, and the empty street,
Crying aloud in my grief, for there was none to chide me,
None to mock my weakness, none to behold my tears.
Groping I went, as blind. I sought her house, my beloved's.
There I stopp'd at the silent door, and listen'd and tried the
latch.
Love, I cried, dost thou slumber? This is no hour for slumber,
This is the hour of love, and love I bring in my hand.
I knew the house, with its windows barr'd, and its leafless fig-tree,
Climbing round by the doorstep, the only one in the street;
I knew where my hope had climb'd to its goal and there encircled
All that those desolate walls once held, my beloved's heart.
There in my grief she consoled me. She loved me when I loved not.
She put her hand in my hand, and set her lips to my lips.
She told me all her pain and show'd me all her trouble.
I, like a fool, scarce heard, hardly return'd her kiss.
Love, thy eyes were like torches. They changed as I beheld them.
Love, thy lips were like gems, the seal thou settest on my life.
Love, if I loved not then, behold this hour thy vengeance;
This is the fruit of thy love and thee, the unwise grown wise.
Weeping strangled my voice. I call'd out, but none answer'd;
Blindly the windows gazed back at me, dumbly the door;
See whom I love, who loved me, look'd not on my yearning,
Gave me no more her hands to kiss, show'd me no more her soul.
Therefore the earth is dark to me, the sunlight blackness,
Therefore I go in tears and alone, by night and day;
Therefore I find no love in heaven, no light, no beauty,
A heaven taken by storm, where none are left but the slain!
poem by Wilfrid Scawen Blunt

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The Emigrant Mother
ONCE in a lonely hamlet I sojourned
In which a Lady driven from France did dwell;
The big and lesser griefs with which she mourned,
In friendship she to me would often tell.
This Lady, dwelling upon British ground,
Where she was childless, daily would repair
To a poor neighbouring cottage; as I found,
For sake of a young Child whose home was there.
Once having seen her clasp with fond embrace
This Child, I chanted to myself a lay,
Endeavouring, in our English tongue, to trace
Such things as she unto the Babe might say:
And thus, from what I heard and knew, or guessed,
My song the workings of her heart expressed.
I
'Dear Babe, thou daughter of another,
One moment let me be thy mother!
An infant's face and looks are thine,
And sure a mother's heart is mine:
Thy own dear mother's far away,
At labour in the harvest field:
Thy little sister is at play;--
What warmth, what comfort would it yield
To my poor heart, if thou wouldst be
One little hour a child to me!
II
'Across the waters I am come,
And I have left a babe at home:
A long, long way of land and sea!
Come to me--I'm no enemy:
I am the same who at thy side
Sate yesterday, and made a nest
For thee, sweet Baby!--thou hast tried,
Thou know'st the pillow of my breast;
Good, good art thou:--alas! to me
Far more than I can be to thee.
III
'Here, little Darling, dost thou lie;
An infant thou, a mother I!
Mine wilt thou be, thou hast no fears;
Mine art thou--spite of these my tears.
Alas! before I left the spot,
My baby and its dwelling-place;
The nurse said to me, 'Tears should not
Be shed upon an infant's face,
It was unlucky'--no, no, no;
No truth is in them who say so!
IV
'My own dear Little-one will sigh,
Sweet Babe! and they will let him die.
'He pines,' they'll say, 'it is his doom,
And you may see his hour is come.'
Oh! had he but thy cheerful smiles,
Limbs stout as thine, and lips as gay,
Thy looks, thy cunning, and thy wiles,
And countenance like a summer's day,
They would have hopes of him;--and then
I should behold his face again!
V
''Tis gone--like dreams that we forget;
There was a smile or two--yet--yet
I can remember them, I see
The smiles, worth all the world to me.
Dear Baby! I must lay thee down;
Thou troublest me with strange alarms;
Smiles hast thou, bright ones of thy own;
I cannot keep thee in my arms;
For they confound me;--where--where is
That last, that sweetest smile of his?
VI
'Oh! how I love thee!--we will stay
Together here this one half day.
My sister's child, who bears my name,
From France to sheltering England came;
She with her mother crossed the sea;
The babe and mother near me dwell:
Yet does my yearning heart to thee
Turn rather, though I love her well:
Rest, little Stranger, rest thee here!
Never was any child more dear!
VII
'--I cannot help it; ill intent
I've none, my pretty Innocent!
I weep--I know they do thee wrong,
These tears---and my poor idle tongue.
Oh, what a kiss was that! my cheek
How cold it is! but thou art good;
Thine eyes are on me--they would speak,
I think, to help me if they could.
Blessings upon that soft, warm face,
My heart again is in its place!
VIII
'While thou art mine, my little Love,
This cannot be a sorrowful grove;
Contentment, hope, and mother's glee,
I seem to find them all in thee:
Here's grass to play with, here are flowers;
I'll call thee by my darling's name;
Thou hast, I think, a look of ours,
Thy features seem to me the same;
His little sister thou shalt be;
And, when once more my home I see,
I'll tell him many tales of Thee.'
poem by William Wordsworth

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A Tightwad Tooth Fairy Called Griselda
There was a tightwad tooth fairy
and Griselda was her name.
When you had your teeth out
and put them under the pillow
she would come along and pinch them
and leave nothing in return.
You would wake up in the morning;
look under your pillow for some dosh,
but under your pillow was empty there.
As you looked at the empty space,
you knew straight away
that Griselda the tightwad tooth fairy
had been about.
Complaints followed complaints
to fairly land
about this tightwad tooth fairy.
The fairy council
had never heard of such a thing.
A tightwad tooth fairy.
Oh, this could never be.
They had never had a case
of a tooth fairy leaving no money.
Something had to be done.
Griselda was called
and stood before the council
and asked to explain why
she was a tightwad
and left no money behind.
The miserly tooth fairy
thought for a moment.
She was saving some money
to buy herself a fairy yacht,
only it took a lot of teeth
to purchase one of them.
For her crimes,
she was sent to work with Santa’s Elves.
She sits in the toy factory
banging happily away,
because if the truth were known
she didn’t want to be a tooth fairy anyway.
5 May 2008
poem by David Harris

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St. Thomas' Day
We were not by when Jesus came,
But round us, far and near,
We see His trophies, and His name
In choral echoes hear.
In a fair ground our lot is cast,
As in the solemn week that past,
While some might doubt, but all adored,
Ere the whole widowed Church had seen her risen Lord.
Slowly, as then, His bounteous hand
The golden chain unwinds,
Drawing to Heaven with gentlest band
Wise hearts and loving minds.
Love sought Him first--at dawn of morn
From her sad couch she sprang forlorn,
She sought to weep with Thee alone,
And saw Thine open grave, and knew that thou wert gone.
Reason and Faith at once set out
To search the SAVIOUR'S tomb;
Faith faster runs, but waits without,
As fearing to presume,
Till Reason enter in, and trace
Christ's relics round the holy place -
"Here lay His limbs, and here His sacred head,
And who was by, to make His new-forsaken bed?"
Both wonder, one believes--but while
They muse on all at home,
No thought can tender Love beguile
From Jesus' grave to roam.
Weeping she stays till He appear -
Her witness first the Church must hear -
All joy to souls that can rejoice
With her at earliest call of His dear gracious voice.
Joy too to those, who love to talk
In secret how He died,
Though with sealed eyes awhile they walk,
Nor see him at their side:
Most like the faithful pair are they,
Who once to Emmaus took their way,
Half darkling, till their Master shied
His glory on their souls, made known in breaking bread.
Thus, ever brighter and more bright,
On those He came to save
The Lord of new-created light
Dawned gradual from the grave;
Till passed th' enquiring day-light hour,
And with closed door in silent bower
The Church in anxious musing sate,
As one who for redemption still had long to wait.
Then, gliding through th' unopening door,
Smooth without step or sound,
"Peace to your souls," He said--no more -
They own Him, kneeling round.
Eye, ear, and hand, and loving heart,
Body and soul in every part,
Successive made His witnesses that hour,
Cease not in all the world to show His saving power.
Is there, on earth, a spirit frail,
Who fears to take their word,
Scarce daring, through the twilight pale,
To think he sees the Lord?
With eyes too tremblingly awake
To bear with dimness for His sake?
Read and confess the Hand Divine
That drew thy likeness here so true in every line.
For all thy rankling doubts so sore,
Love thou thy Saviour still,
Him for thy Lord and God adore,
And ever do His will.
Though vexing thoughts may seem to last,
Let not thy soul be quite o'ercast; -
Soon will He show thee all His wounds, and say,
"Long have I known Thy name--know thou My face alway."
poem by John Keble

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Confessional, The
[SPAIN.]
I.
It is a lie---their Priests, their Pope,
Their Saints, their ... all they fear or hope
Are lies, and lies---there! through my door
And ceiling, there! and walls and floor,
There, lies, they lie---shall still be hurled
Till spite of them I reach the world!
II.
You think Priests just and holy men!
Before they put me in this den
I was a human creature too,
With flesh and blood like one of you,
A girl that laughed in beauty's pride
Like lilies in your world outside.
III.
I had a lover---shame avaunt!
This poor wrenched body, grim and gaunt,
Was kissed all over till it burned,
By lips the truest, love e'er turned
His heart's own tint: one night they kissed
My soul out in a burning mist.
IV.
So, next day when the accustomed train
Of things grew round my sense again,
``That is a sin,'' I said: and slow
With downcast eyes to church I go,
And pass to the confession-chair,
And tell the old mild father there.
V.
But when I falter Beltran's name,
``Ha?'' quoth the father; ``much I blame
``The sin; yet wherefore idly grieve?
``Despair not---strenuously retrieve!
``Nay, I will turn this love of thine
``To lawful love, almost divine;
VI.
``For he is young, and led astray,
``This Beltran, and he schemes, men say,
``To change the laws of church and state
``So, thine shall be an angel's fate,
``Who, ere the thunder breaks, should roll
``Its cloud away and save his soul.
VII.
``For, when he lies upon thy breast,
``Thou mayst demand and be possessed
``Of all his plans, and next day steal
``To me, and all those plans reveal,
``That I and every priest, to purge
``His soul, may fast and use the scourge.''
VIII.
That father's beard was long and white,
With love and truth his brow seemed bright;
I went back, all on fire with joy,
And, that same evening, bade the boy
Tell me, as lovers should, heart-free,
Something to prove his love of me.
IX.
He told me what he would not tell
For hope of heaven or fear of hell;
And I lay listening in such pride!
And, soon as he had left my side,
Tripped to the church by morning-light
To save his soul in his despite.
X.
I told the father all his schemes,
Who were his comrades, what their dreams;
``And now make haste,'' I said, ``to pray
``The one spot from his soul away;
``To-night he comes, but not the same
``Will look!'' At night he never came.
XI.
Nor next night: on the after-morn,
I went forth with a strength new-born.
The church was empty; something drew
My steps into the street; I knew
It led me to the market-place:
Where, lo, on high, the father's face!
XII.
That horrible black scaffold dressed,
That stapled block ... God sink the rest!
That head strapped back, that blinding vest,
Those knotted hands and naked breast,
Till near one busy hangman pressed,
And, on the neck these arms caressed ...
XIII.
No part in aught they hope or fear!
No heaven with them, no hell!---and here,
No earth, not so much space as pens
My body in their worst of dens
But shall bear God and man my cry,
Lies---lies, again---and still, they lie!
poem by Robert Browning

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The Confessional
I
It is a lie—their Priests, their Pope,
Their Saints, their . . . all they fear or hope
Are lies, and lies—there! through my door
And ceiling, there! and walls and floor,
There, lies, they lie—shall still be hurled
Till spite of them I reach the world!
II
You think Priests just and holy men!
Before they put me in this den
I was a human creature too,
With flesh and blood like one of you,
A girl that laughed in beauty's pride
Like lilies in your world outside.
III
I had a lover—shame avaunt!
This poor wrenched body, grim and gaunt,
Was kissed all over till it burned,
By lips the truest, love e'er turned
His heart's own tint: one night they kissed
My soul out in a burning mist.
IV
So, next day when the accustomed train
Of things grew round my sense again,
"That is a sin," I said: and slow
With downcast eyes to church I go,
And pass to the confession-chair,
And tell the old mild father there.
V
But when I falter Beltran's name,
"Ha?" quoth the father; "much I blame
"The sin; yet wherefore idly grieve?
"Despair not—strenuously retrieve!
"Nay, I will turn this love of thine
"To lawful love, almost divine;
VI
"For he is young, and led astray,
"This Beltran, and he schemes, men say,
"To change the laws of church and state
"So, thine shall be an angel's fate,
"Who, ere the thunder breaks, should roll
"Its cloud away and save his soul.
VII
"For, when he lies upon thy breast,
"Thou mayst demand and be possessed
"Of all his plans, and next day steal
"To me, and all those plans reveal,
"That I and every priest, to purge
"His soul, may fast and use the scourge."
VIII
That father's beard was long and white,
With love and truth his brow seemed bright;
I went back, all on fire with joy,
And, that same evening, bade the boy
Tell me, as lovers should, heart-free,
Something to prove his love of me.
IX
He told me what he would not tell
For hope of heaven or fear of hell;
And I lay listening in such pride!
And, soon as he had left my side,
Tripped to the church by morning-light
To save his soul in his despite.
X
I told the father all his schemes,
Who were his comrades, what their dreams;
"And now make haste," I said, "to pray
"The one spot from his soul away;
"To-night he comes, but not the same
"Will look!" At night he never came.
XI
Nor next night: on the after-morn,
I went forth with a strength new-born.
The church was empty; something drew
My steps into the street; I knew
It led me to the market-place:
Where, lo, on high, the father's face!
XII
That horrible black scaffold dressed,
That stapled block . . . God sink the rest!
That head strapped back, that blinding vest,
Those knotted hands and naked breast,
Till near one busy hangman pressed,
And, on the neck these arms caressed . . .
XIII
No part in aught they hope or fear!
No heaven with them, no hell!—and here,
No earth, not so much space as pens
My body in their worst of dens
But shall bear God and man my cry,
Lies—lies, again—and still, they lie!
poem by Robert Browning from Dramatic Romances and Lyrics (1845)

Submitted by Veronica Serbanoiu
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Christmas Antiphones
I -- In Church
Thou whose birth on earth
Angels sang to men,
While thy stars made mirth,
Saviour, at thy birth,
This day born again;
As this night was bright
With thy cradle-ray,
Very light of light,
Turn the wild world's night
To thy perfect day.
God whose feet made sweet
Those wild ways they trod,
From thy fragrant feet
Staining field and street
With the blood of God;
God whose breast is rest
In the time of strife,
In thy secret breast
Sheltering souls opprest
From the heat of life;
God whose eyes are skies
Love-lit as with spheres
By the lights that rise
To thy watching eyes,
Orbed lights of tears;
God whose heart hath part
In all grief that is,
Was not man's the dart
That went through thine heart,
And the wound not his?
Where the pale souls wail,
Held in bonds of death,
Where all spirits quail,
Came thy Godhead pale
Still from human breath -
Pale from life and strife,
Wan with manhood, came
Forth of mortal life,
Pierced as with a knife,
Scarred as with a flame.
Thou the Word and Lord
In all time and space
Heard, beheld, adored,
With all ages poured
Forth before thy face,
Lord, what worth in earth
Drew thee down to die?
What therein was worth,
Lord, thy death and birth?
What beneath thy sky?
Light above all love
By thy love was lit,
And brought down the Dove
Feathered from above
With the wings of it.
From the height of night,
Was not thine the star
That led forth with might
By no worldly light
Wise men from afar?
Yet the wise men's eyes
Saw thee not more clear
Than they saw thee rise
Who in shepherd's guise
Drew as poor men near.
Yet thy poor endure,
And are with us yet;
Be thy name a sure
Refuge for thy poor
Whom men's eyes forget.
Thou whose ways we praised,
Clear alike and dark,
Keep our works and ways
This and all thy days
Safe inside thine ark.
Who shall keep thy sheep,
Lord, and lose not one?
Who save one shall keep,
Lest the shepherds sleep?
Who beside the Son?
From the grave-deep wave,
From the sword and flame,
Thou, even thou, shalt save
Souls of king and slave
Only by thy Name.
Light not born with morn
Or her fires above,
Jesus virgin-born,
Held of men in scorn,
Turn their scorn to love.
Thou whose face gives grace
As the sun's doth heat,
Let thy sunbright face
Lighten time and space
Here beneath thy feet.
Bid our peace increase,
Thou that madest morn;
Bid oppressions cease;
Bid the night be peace;
Bid the day be born.
II--OUTSIDE CHURCH
We whose days and ways
All the night makes dark,
What day shall we praise
Of these weary days
That our life-drops mark?
We whose mind is blind,
Fed with hope of nought;
Wastes of worn mankind,
Without heart or mind,
Without meat or thought;
We with strife of life
Worn till all life cease,
Want, a whetted knife,
Sharpening strife on strife,
How should we love peace?
Ye whose meat is sweet
And your wine-cup red,
Us beneath your feet
Hunger grinds as wheat,
Grinds to make you bread.
Ye whose night is bright
With soft rest and heat,
Clothed like day with light,
Us the naked night
Slays from street to street.
Hath your God no rod,
That ye tread so light?
Man on us as God,
God as man hath trod,
Trod us down with might.
We that one by one
Bleed from either's rod.
What for us hath done
Man beneath the sun,
What for us hath God?
We whose blood is food
Given your wealth to feed,
From the Christless rood
Red with no God's blood,
But with man's indeed;
How shall we that see
Nightlong overhead
Life, the flowerless tree,
Nailed whereon as we
Were our fathers dead -
We whose ear can hear,
Not whose tongue can name,
Famine, ignorance, fear,
Bleeding tear by tear
Year by year of shame,
Till the dry life die
Out of bloodless breast,
Out of beamless eye,
Out of mouths that cry
Till death feed with rest -
How shall we as ye,
Though ye bid us, pray?
Though ye call, can we
Hear you call, or see,
Though ye show us day?
We whose name is shame,
We whose souls walk bare,
Shall we call the same
God as ye by name,
Teach our lips your prayer?
God, forgive and give,
For His sake who died?
Nay, for ours who live,
How shall we forgive
Thee, then, on our side?
We whose right to light
Heaven's high noon denies,
Whom the blind beams smite
That for you shine bright,
And but burn our eyes,
With what dreams of beams
Shall we build up day,
At what sourceless streams
Seek to drink in dreams
Ere they pass away?
In what street shall meet,
At what market-place,
Your feet and our feet,
With one goal to greet,
Having run one race?
What one hope shall ope
For us all as one
One same horoscope,
Where the soul sees hope
That outburns the sun?
At what shrine what wine,
At what board what bread,
Salt as blood or brine,
Shall we share in sign
How we poor were fed?
In what hour what power
Shall we pray for morn,
If your perfect hour,
When all day bears flower,
Not for us is born?
III--BEYOND CHURCH
Ye that weep in sleep,
Souls and bodies bound,
Ye that all night keep
Watch for change, and weep
That no change is found;
Ye that cry and die,
And the world goes on
Without ear or eye,
And the days go by
Till all days are gone;
Man shall do for you,
Men the sons of man,
What no God would do
That they sought unto
While the blind years ran.
Brotherhood of good,
Equal laws and rights,
Freedom, whose sweet food
Feeds the multitude
All their days and nights
With the bread full-fed
Of her body blest
And the soul's wine shed
From her table spread
Where the world is guest,
Mingling me and thee,
When like light of eyes
Flashed through thee and me
Truth shall make us free,
Liberty make wise;
These are they whom day
Follows and gives light
Whence they see to slay
Night, and burn away
All the seed of night.
What of thine and mine,
What of want and wealth,
When one faith is wine
For my heart and thine
And one draught is health?
For no sect elect
Is the soul's wine poured
And her table decked;
Whom should man reject
From man's common board?
Gods refuse and choose,
Grudge and sell and spare;
None shall man refuse,
None of all men lose,
None leave out of care.
No man's might of sight
Knows that hour before;
No man's hand hath might
To put back that light
For one hour the more.
Not though all men call,
Kneeling with void hands,
Shall they see light fall
Till it come for all
Tribes of men and lands.
No desire brings fire
Down from heaven by prayer,
Though man's vain desire
Hang faith's wind-struck lyre
Out in tuneless air.
One hath breath and saith
What the tune shall be -
Time, who puts his breath
Into life and death,
Into earth and sea.
To and fro years flow,
Fill their tides and ebb,
As his fingers go
Weaving to and fro
One unfinished web.
All the range of change
Hath its bounds therein,
All the lives that range
All the byways strange
Named of death or sin.
Star from far to star
Speaks, and white moons wake,
Watchful from afar
What the night's ways are
For the morning's sake.
Many names and flames
Pass and flash and fall,
Night-begotten names,
And the night reclaims,
As she bare them, all.
But the sun is one,
And the sun's name Right;
And when light is none
Saving of the sun,
All men shall have light.
All shall see and be
Parcel of the morn;
Ay, though blind were we,
None shall choose but see
When that day is born.
poem by Algernon Charles Swinburne

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Two Christmas Eves
I
THE white snow veils the earth's brown face,
Strong frost has bound the veil in place--
Under the wide, clear, dark-blue sky
All choked with snow the hollows lie,
Dead-white the fields--once summer sweet--
And woodlands where we used to meet:
We don't meet now, we never part.
Ever together, heart to heart,
We've worked, lost often, seldom won,
Seen pleasures ended, pains begun,
Have done our best, and faced, we two,
Almost the worst that Fate could do--
Yet not Fate's uttermost of ill,
Since here we are--together still!
For me you left, my dearest, best,
Your girlhood's safe warm sheltered nest;
For me gave up all else that could
Have made your woman-life seem good.
You thought a man's whole heart was worth
Just all the other wealth of earth;
I thought my painter's brush would be
A magic wand for you and me.
What dreams we had of fame and gold,
Of Art-that never could withhold
From me, who loved her so, full powers
To make my love for her serve ours,
To shape and build a palace fair
Of radiant hours, and place you there!
Art turned away her face from us,
And all the dreaming's ended--thus!
Our garret's cold; the wind is keen,
And cuts these rotten boards between.
There is no lock upon the door,
No carpet on the uneven floor,
No curtain to the window where
Through frost-blanched panes the moon's cold stare
Fronts us. She's careless--used to see
This world of ours, and misery!
Why, how you shiver! Oh, my sweet,
How cold your hands are, and your feet!
How hot this face of yours I kiss!
How could our love have led to this?
What devil is there over all
That lets such things as this befall?
It was not want of striving. Love,
Bear witness for me how I strove,
Worked till I grew quite sick and faint,
Worked till I could not see to paint
Because my eyes were sore and wet,
Yet never sold one picture yet.
We would have worked--yes, there's the sting--
We would have worked at anything!
Our hands asked work. There's work somewhere,
That makes it all more hard to bear;
Yet we could never understand
Where is the work that asks our hand!
There's no more firing, and the cold
Is biting through your shawl's thin fold,
And both the blankets have been sold.
Nestle beside me, in my arm,
And let me try to keep you warm.
We pawned the table and the bed,
To get our last week's fire and bread,
And now the last crust's eaten. Well,
There's nothing left to pawn or sell!
Our rent is due on Monday too,
How can we pay it--I and you?
What shall we do? What shall we do?
And we are--what was that you said?
You are so tired ? Your dearest head
Is burning hot, and aching so?
Ah, yes! I know it is--I know!
You're tired and weak and faint and ill,
And fevers burn and shiverings chill
This world of mine I'm holding here.
If I could suffer only, dear--
But all the burdens on you fall,
And I sit here, and bear it all!
And other men and other wives,
Who never worked in all their lives--
No, nor yet loved as we have, sweet--
Are wrapped in furs, warm hands and feet,
And feast to-night in homes made bright
With blazing logs and candle-light;
Not dark like this, where we two sit,
Who chose to work, and starve for it!
Don't go to sleep; you mustn't sleep
Here on the frozen floor! Yes, creep
Closer to me. Oh, if I knew
What is this something left to do!
Listen to me! It's Christmas Eve,
When hearts grow warmer, I believe,
And friends forget and friends forgive.
What if we stifled down my pride,
And put your bitter thoughts aside,
And asked your father's help once more?
True, when we asked for it before,
He turned and cursed us both, and swore
That he disowned you. You and I
Had made our bed, and there must lie;
That he would help us not one whit,
Though we should die for want of it.
Now I shall ask his help again.
It's colder now than it was then;
The cold creeps closer to life's core--
Death's nearer to us than before;
And when your father sees how near,
He may relent, and save you, dear.
For my sake, love! I am too weak
To bear your tears upon my cheek,
Your sobs against my heart, to bear
Those eyes of yours, and their despair!
Not faltering, my own pain I bore--
I cannot bear yours any more!
Stand up. You're stiff? That will not last!
The stairs are dark? They'll soon be passed!
You're tired? My sweet, I know you are;
But try to walk--it isn't far.
Oh, that the Christ they say was born
On that dream-distant Christmas morn
May hear and help us now! Be strong!
Yes, lean on me. Perhaps ere long,
All this, gone by, will only seem
A half-remembered evil dream.
Come; I will help you walk. We'll try
Just this last venture, you and I!
II
Failed! Back again in the ice-gloom
Of our bare, bleak, rat-haunted room!
The moon still looks--what does she care
To see my moon-flower lying there?
My rose, once red and white and fair,
Now white and wan, and pinched and thin,
Cold, through the coat I've wrapped her in,
And shivering, even in her sleep,
To hear how wakeful rats can keep.
We dragged our weary faltering feet
Through the bright noisy crowded street,
And reached the square where, stern in stone,
Her father's town-house sulks alone.
Sick, stupid, helpless, wretched, poor,
We waited at her father's door.
They let us in. Then let us tread
Through the warm hall with soft furs spread.
Next, 'Name and business.' Oh, exact
Were the man's orders how to act,
If e'er his master's child should come
To cross the threshold of her home!
I told our name. The man 'would see
If any message was' for me.
We waited there without a word.
How warm the whole house was! We heard
Soft music with soft voices blent,
And smelt sweet flowers with mingled scent,
And heard the wine poured out--that chink
That glass makes as the diners drink--
The china clatter. We, at least,
Appreciated that night's feast.
Then some one gave a note to me
With insolent smile. I read: 'When she
Is tired of love and poverty,
And chooses to return to what
She left, the duties she forgot,
And never see again this man,
And be here as before--she can.'
We came away: that much is clear;
I don't know how we got back here--
I must have carried her somehow,
And have been strong enough. And now
She lies asleep--and I, awake,
Must do this something for her sake--
The only possible thing to do,
Oh, love! to cut our soul in two,
And take 'this man' away from you!
If now I let your father know
My choice is made, and that I go
And you are here--oh, love! oh, wife!
I break my heart and save your life.
Doubt what to do? All doubt's about
The deeds that are not worth a doubt!
This deed takes me, and I obey,
And there is nothing left to say.
Good-bye, dear eyes I cannot see--
Weep only gently, eyes, for me;
Dear lips, I've kissed and kissed again,
Lose those encircling lines of pain;
Dear face, so thin and faded now,
Win back youth's grace, and light, and glow;
Oh, hands I hold in mine--oh, heart
That holds mine in it--we must part!
When you wake up, and find me fled,
And find your father here instead,
Will you not wonder how my feet
Ever could turn from you, my sweet?
Ah, no! your heart and mine are one;
Our heart will tell you how 'twas done.
No more we meet until I've won
Enough to dare be happy on;
And if I fail--I have known bliss,
And bliss has bred an hour like this.
I am past Fate's harming--all her power
Could mix nought bitterer than this hour.
Good-bye--our room--our marriage life!--
Oh, kiss me through your dreams, my wife!
III
I have grown rich! I have found out
The thing men break their hearts about!
I have dug gold, and gold, and sold
My diggings, and reaped in more gold--
Sowed that, and reaped again, and played
For stakes, and always won, and made
More money than we'll ever spend,
And have forborne one word to send.
It has been easier for her so:
To wait one year, and then to know
How all is well, and how we two
Shall part no more our whole lives through.
It had been harder to have heard
Some incomplete, imperfect word
Of how I prospered, how despaired,
How well I strove, how ill I fared,
Or strove well and fared well, nor know
Each day which way the scale would go;
Rejoice, and grieve, and hope, and fear,
As I have done throughout the year.
The year is over now--the prize
Is--all our lives of Paradise!
Through all the year her lips and hands
Have drawn me on with passion-bands,
Her soul has held my soul, and taught
The way of storming Fortune's fort.
My little love, those days of ours,
Our dear delight, our sacred hours
Have wrapped me round in all the year;
And brought the gold and brought me here,
And brought this hour than all more fair--
Our triumph hour! What shall we care
For all the past's most maddening pain
When you are in my arms again?
The yellow dust I loved to hold
Was like your hair's less heavy gold;
The clear, deep sea, that bore me hence,
Was like your eyes' grey innocence;
And not one fair thing could I see
But somehow seemed yourself to me.
The very work I had to do
Easier than rest was, done for you.
And through my dreams you walked all night
And filled sleep's byways with delight!
How I have wondered every day
How you would look, and what would say
On that same day! 'Perhaps she paints,
Thinks of our lessons--prays to saints
With my name in her prayers--or goes
Through gardens, heaping rose on rose.
How I love roses! Or mayhap
Sits with some work dropped in her lap,
And dreams and dreams--what could there be
For her to dream about but me?'
This London--how I hated it
A year ago! It now seems fit
Even to be our meeting-place.
It holds the glory of her face,
The wonder of her eyes, the grace
Of lovely lines and curves--in fine,
The soul of sweetness that is mine!
I'll seek her at her father's; say,
'I claim my wife. I will repay
A hundredfold all you have spent
On keeping me in banishment,
On keeping her in affluence,
At her heart's dearest coin's expense!
That is past now, and I have come
To take my wife and sweetheart home,
To show her all my golden store,
My heart, hers to the very core,
And never leave her any more!'
But just before that hour supreme,
Close here our old house is, that dream
And daylight have been showing me
The year through. I would like to see
That room I found so hard to leave,
So hard to keep, last Christmas Eve.
Faith's easy now! There is a God
Who trod the earth we two have trod;
He pays me for our pain last year,
For all these months of longing, fear,
Doubt and uncertainty--outright,
By letting me come here to-night
And just contrast that dead despair
With the Earth-Heaven we two shall share!
Just one look at the old room's door,
If I can get no chance of more;
Yet gold will buy most things--may buy
The leave to see that room. We'll try!
May I go up? Just once to see
The room that sheltered her and me?--
My God! the rapture of to-day
Has sent me mad;--you did not say
She died the night I went away!
poem by Edith Nesbit

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She Sat Alone Beside Her Hearth
SHE sat alone beside her hearth—
For many nights alone;
She slept not on the pleasant couch
Where fragrant herbs were strewn.
At first she bound her raven hair
With feather and with shell;
But then she hoped; at length, like night,
Around her neck it fell.
They saw her wandering mid the woods,
Lone, with rite cheerless dawn,
And then they said, 'Can this be her
We called 'The Startled Fawn?' '
Her heart was in her large sad eyes,
Half sunshine and half shade;
And love, as love first springs to life,
Of every thing afraid.
The red leaf far more heavily
Fell down to autumn earth,
Than her light feet, which seemed to move
To music and to mirth.
With the light feet of early youth,
What hopes and joys depart,
Ah! nothing like the heavy step
Betrays the heavy heart.
It is a usual history
That Indian girl could tell;
Fate sets apart one common doom
For all who love too well.
The proud—the shy—the sensitive,—
Life has not many such;
They dearly buy their happiness,
By feeling it too much.
A stranger to her forest home,
That fair young stranger came;
They raised for him the funeral song—
For him the funeral flame.
Love sprang from pity,—and her arms
Around his arms she threw;
She told her father, 'If he dies,
Your daughter dieth too.'
For her sweet sake they set him free—
He lingered at her side;
And many a native song yet tells
Of that pale stranger's bride.
Two years have passed—how much two years
Have taken in their flight!
They've taken from the lip its smile,
And from the eye its light.
Poor child! she was a child in years—
So timid and so young;
With what a fond and earnest faith
To desperate hope she clung!
His eyes grew cold—his voice grew strange—
They only grew more dear.
She served him meekly, anxiously,
With love—half faith—half fear.
And can a fond and faithful heart
Be worthless in those eyes
For which it beats?—Ah! wo to those
Who such a heart despise.
Poor child! what lonely days she passed,
With nothing to recall
But bitter taunts, and careless words,
And looks more cold than all.
Alas! for love, that sits at home,
Forsaken, and yet fond;
The grief that sits beside the hearth—
Life has no grief beyond.
He left her, but she followed him—
She thought he could not bear,
When she had left her home for him,
To look on her despair.
Adown the strange and mighty stream
She took her lonely way;
The stars at night her pilots were,
As was the sun by day.
Yet mournfully—how mournfully!—
The Indian looked behind,
When the last sound of voice or step
Died on the midnight wind,
Yet still adown the gloomy stream
She plied her weary oar;
Her husband—he had left their home,
And it was home no more.
She found him—but she found in vain—
He spurned her from his side;
He said, her brow was all too dark,
For her to be his bride.
She grasped his hands,—her own were cold,—
And silent turned away,
As she had not a tear to shed,
And not a word to say.
And pale as death she reached her boat,
And guided it along;
With broken voice she strove to raise
A melancholy song.
None watched the lonely Indian girl,—
She passed unmarked of all,
Until they saw her slight canoe
Approach the mighty Fall!
Upright, within that slender boat
They saw the pale girl stand,
Her dark hair streaming far behind—
Upraised her desperate hand.
The air is filled with shriek and shout—
They call, but call in vain;
The boat amid the waters dash'd—
'Twas never seen again!
poem by Letitia Elizabeth Landon

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The Last Oracle
eipate toi basilei, xamai pese daidalos aula.
ouketi PHoibos exei kaluban, ou mantida daphnen,
ou pagan laleousan . apesbeto kai lalon udor.
Years have risen and fallen in darkness or in twilight,
Ages waxed and waned that knew not thee nor thine,
While the world sought light by night and sought not thy light,
Since the sad last pilgrim left thy dark mid shrine.
Dark the shrine and dumb the fount of song thence welling,
Save for words more sad than tears of blood, that said:
Tell the king, on earth has fallen the glorious dwelling,
And the watersprings that spake are quenched and dead.
Not a cell is left the God, no roof, no cover
In his hand the prophet laurel flowers no more.
And the great king's high sad heart, thy true last lover,
Felt thine answer pierce and cleave it to the core.
And he bowed down his hopeless head
In the drift of the wild world's tide,
And dying, Thou hast conquered, he said,
Galilean; he said it, and died.
And the world that was thine and was ours
When the Graces took hands with the Hours
Grew cold as a winter wave
In the wind from a wide-mouthed grave,
As a gulf wide open to swallow
The light that the world held dear.
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!
Age on age thy mouth was mute, thy face was hidden,
And the lips and eyes that loved thee blind and dumb;
Song forsook their tongues that held thy name forbidden,
Light their eyes that saw the strange God's kingdom come.
Fire for light and hell for heaven and psalms for pæans
Filled the clearest eyes and lips most sweet of song,
When for chant of Greeks the wail of Galileans
Made the whole world moan with hymns of wrath and wrong.
Yea, not yet we see thee, father, as they saw thee,
They that worshipped when the world was theirs and thine,
They whose words had power by thine own power to draw thee
Down from heaven till earth seemed more than heaven divine.
For the shades are about us that hover
When darkness is half withdrawn
And the skirts of the dead night cover
The face of the live new dawn.
For the past is not utterly past
Though the word on its lips be the last,
And the time be gone by with its creed
When men were as beasts that bleed,
As sheep or as swine that wallow,
In the shambles of faith and of fear.
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!
Yet it may be, lord and father, could we know it,
We that love thee for our darkness shall have light
More than ever prophet hailed of old or poet
Standing crowned and robed and sovereign in thy sight.
To the likeness of one God their dreams enthralled thee,
Who wast greater than all Gods that waned and grew;
Son of God the shining son of Time they called thee,
Who wast older, O our father, than they knew.
For no thought of man made Gods to love or honour
Ere the song within the silent soul began,
Nor might earth in dream or deed take heaven upon her
Till the word was clothed with speech by lips of man.
And the word and the life wast thou,
The spirit of man and the breath;
And before thee the Gods that bow
Take life at thine hands and death.
For these are as ghosts that wane,
That are gone in an age or twain;
Harsh, merciful, passionate, pure,
They perish, but thou shalt endure;
Be their flight with the swan or the swallow,
They pass as the flight of a year.
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!
Thou the word, the light, the life, the breath, the glory,
Strong to help and heal, to lighten and to slay,
Thine is all the song of man, the world's whole story;
Not of morning and of evening is thy day.
Old and younger Gods are buried or begotten
From uprising to downsetting of thy sun,
Risen from eastward, fallen to westward and forgotten,
And their springs are many, but their end is one.
Divers births of godheads find one death appointed,
As the soul whence each was born makes room for each;
God by God goes out, discrowned and disanointed,
But the soul stands fast that gave them shape and speech.
Is the sun yet cast out of heaven?
Is the song yet cast out of man?
Life that had song for its leaven
To quicken the blood that ran
Through the veins of the songless years
More bitter and cold than tears,
Heaven that had thee for its one
Light, life, word, witness, O sun,
Are they soundless and sightless and hollow,
Without eye, without speech, without ear?
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!
Time arose and smote thee silent at his warning,
Change and darkness fell on men that fell from thee;
Dark thou satest, veiled with light, behind the morning,
Till the soul of man should lift up eyes and see.
Till the blind mute soul get speech again and eyesight,
Man may worship not the light of life within;
In his sight the stars whose fires grow dark in thy sight
Shine as sunbeams on the night of death and sin.
Time again is risen with mightier word of warning,
Change hath blown again a blast of louder breath;
Clothed with clouds and stars and dreams that melt in morning,
Lo, the Gods that ruled by grace of sin and death!
They are conquered, they break, they are stricken,
Whose might made the whole world pale;
They are dust that shall rise not or quicken
Though the world for their death's sake wail.
As a hound on a wild beast's trace,
So time has their godhead in chase;
As wolves when the hunt makes head,
They are scattered, they fly, they are fled;
They are fled beyond hail, beyond hollo,
And the cry of the chase, and the cheer.
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!
Day by day thy shadow shines in heaven beholden,
Even the sun, the shining shadow of thy face:
King, the ways of heaven before thy feet grow golden;
God, the soul of earth is kindled with thy grace.
In thy lips the speech of man whence Gods were fashioned,
In thy soul the thought that makes them and unmakes;
By thy light and heat incarnate and impassioned,
Soul to soul of man gives light for light and takes.
As they knew thy name of old time could we know it,
Healer called of sickness, slayer invoked of wrong,
Light of eyes that saw thy light, God, king, priest, poet,
Song should bring thee back to heal us with thy song.
For thy kingdom is past not away,
Nor thy power from the place thereof hurled;
Out of heaven they shall cast not the day,
They shall cast not out song from the world.
By the song and the light they give
We know thy works that they live;
With the gift thou hast given us of speech
We praise, we adore, we beseech,
We arise at thy bidding and follow,
We cry to thee, answer, appear,
O father of all of us, Paian, Apollo,
Destroyer and healer, hear!
poem by Algernon Charles Swinburne

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Queen Mary’s Letter To Bothwell
Pitiful gods! Have pity on my passion.
Teach me the road how I a certain proving
Shall make to him I love of my great loving,
My faith unchanged, nor plead it in fool's fashion.
Ah, is he weary of too full possession,
Of this poor body's zeal which naught denied him,
Of a Queen's pride enthroned too near beside him,
Her parliament of joy in too long session?
Nay, but she held as naught for him her honour,
Naught her friends' loyalty, their wrath her foemen.
Less than as naught the proud eyes of her women,
The load of a realm's anger laid upon her.
If it might vantage him! Behold me dying,
To prove my constancy, bequeathing all,
Fame, fortune, faith, my life's memorial,
The one son born to me, nor ought denying.
Queen am I with no subjects. Subject I
To my sole king. My country? 'Tis his pleasure.
There would I reign, who find in it my treasure,
For treasure--house his arms, and there would lie.
Without those frontiers would I wander never.
I am no vagrant to take ship and go.
This is my haven. Whatso winds shall blow,
They shall not tempt me to a new endeavour.
And yet he doubteth! Lo, the proof I offer:
Not tears, not prayers; a manlier test is mine.
Let others plead in weakness; my soul's wine
Has a strong logic which shall find no scoffer.
She, thy right lady for her own pride's sake,
Vowed thee obedience. 'Twas her debt of duty.
I for my shame made free gift of my beauty,
Holding it royaller to give than take.
She to her profit bindeth thee her lover,
Being thus mistress of thy wealth and name;
I to my hurt, in peril of my fame,
And dreading all men should my shame discover.
She dreadeth nothing; I have lost my daring.
She of her parents took thee proud to give;
I in despite of mine, who still must live
Fearing worse fortune through my too much caring.
And thou believest her! Although she reapeth
All her delight of thee, her place, her glory,
Her noble name who had no name in story,
(And I a queen!) Half of thy love she keepeth,
Love which was mine! And in exchange for what?
A girl's fool fancy for a boy aspirant.
How should she love thee not, thou master tyrant,
Her wedded lord, in room of that sad sot?
Mad were she else, since thou of all art master,
Supreme in valour, beauty and men's praise,
Thee in whose light I live out all my days.
How should I pity her her soul's disaster?
When first you wooed her, it was she the colder,
You the more fierce; your flame raged as a furnace,
She shrank from you abashed at love's sweet harness,
Raised a maid's finger as your zeal grew bolder.
No pleasure took she in your strength. She doubted
Naught of your constancy who least could care.
Small joy she made for you of braided hair
Or happy raiment, going meanly clouted.
Why should she deck herself? Her heart no faster
Beat, nor when even at death's door you lay.
Calmly she watched you in that disarray,
Nor trembled for you till Fate's fear had passed her.
And she lamenteth now, and moan she maketh,
Noting the petulance of her first folly,
Waileth aloud in wifely melancholy,
And blindeth thee with feint of that she lacketh.
What tales are hers! What flatteries now she weaveth,
In her false letters, as one more than I
Vowed to thy worship in long constancy
To a loved paramour! And he believeth!
Lies all! tales taken from some alien rhymer
Richer than she in words to cozen you.
Her woes are painted every week anew
On her green cheeks, each than the last sublimer.
And you give faith to her, to me light credence,
Though all my joy, my constancy is yours,
A flame which needs no kindling and endures,
Claiming its place by right of long precedence.
Too plain, alas, it is you hold me lightly,
Deem me with heart of wax, with words of wind,
A woman indiscreet and all too kind
To all the world, with a new lover nightly.
This is your ill thought which the more inflames me,
Humbling my pride, till I no longer crave
More than a share to--day of that you gave
So wholly yesterday. Your doubting shames me.
To--day I ask but this, to do you reverence,
To heap you worship and make full your fame,
To work for you the building of your name
Joined to my own. For this I bar our severance.
It is for you I supplicate my fortune,
My health restored, my strength, that you may learn
The fullness of my love and sweet concern
So dear to serve you. Thus do I importune;
Since that no wish have I but still to merit
Your life's companionship, who first of men
Possessed my body though less wholly then
My joy of heart which I of you inherit.
How many tears for you have I not wasted,
How much of anguish suffered and disgrace!
That day I saw the blood flow on your face
I knew you mine; 'twas my own death I tasted.
A day that was the last of my high queenship,
Of my life's honour held to--day in scorn,
Of my friends' faith even here where I was born
With those that nursed me or were near in kinship.
To--day I put aside their tried alliance.
Yours only do I seek, which shall sustain
My woman's weakness and make strong my reign,
And give meet answer to my foes' defiance.
This my presumption is, my reckoning this is,
The one desire of her who is your friend,
Who would your mistress be to her life's end
And serve you with her tenderest tendernesses,
You who to her are as her soul's sole brother,
A woman in subjection to your will,
To live and die for you your servant still,
You only of all men and not another.
Take it, my heart, my life, my blood, my all,
The pleasure of my days, my nights of anguish,
The lovelessness of hours where lone I languish,
And build them with me to a festival.
For now my heart is palsied with long fearings
Of this, of that, the fear lest you forget,
Lest tales be told of me, lest snares be set
To lure you from my arms to new endearings,
Some pitiful sad accident of sorrow,
Which may God shield us from with his good grace.
My fears I write who cannot see your face
Yet know my love as yesterday to--morrow.
And so farewell. Nay answer not in censure.
Be bountiful of praise nor count the cost.
Learn that that man is king who dareth most,
And his the victory who most shall venture.
poem by Wilfrid Scawen Blunt

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The King Of Denmark's Sons
In Denmark gone is many a year,
So fair upriseth the rim of the sun,
Two sons of Gorm the King there were,
So grey is the sea when day is done.
Both these were gotten in lawful bed
Of Thyrre Denmark’s Surety-head.
Fair was Knut of face and limb
As the breast of the Queen that suckled him.
But Harald was hot of hand and heart
As lips of lovers ere they part.
Knut sat at home in all men’s love,
But over the seas must Harald rove.
And for every deed by Harald won,
Gorm laid more love on Knut alone.
On a high-tide spake the King in hall,
“Old I grow as the leaves that fall.
“Knut shall reign when I am dead,
So shall the land have peace and aid.
“But many a ship shall Harald have,
For I deem the sea well wrought for his grave.”
Then none spake save the King again,
“If Knut die all my days be vain.
“And whoso the tale of his death shall tell,
Hath spoken a word to gain him hell.
“Lo here a doom I will not break,”
So fair upriseth the rim of the sun.
“For life or death or any man’s sake,”
So grey is the sea when the day is done.
O merry days in the summer-tide!
So fair upriseth the rim of the sun.
When the ships sail fair and the young men ride.
So grey is the sea when day is done.
Now Harald has got him east away,
And each morrow of fight was a gainful day.
But Knut is to his fosterer gone
To deal in deeds of peace alone.
So wear the days, and well it is
Such lovely lords should dwell in bliss.
O merry in the winter-tide
When men to Yule-feast wend them wide.
And here lieth Knut in the Lima-firth
When the lift is low o’er the Danish earth.
“Tell me now, Shipmaster mine,
What are yon torches there that shine?”
“Lord, no torches may these be
But golden prows across the sea.
“For over there the sun shines now
And the gold worms gape from every prow.”
The sun and the wind came down o’er the sea,
“Tell them over how many they be!”
“Ten I tell with shield-hung sides.
Nought but a fool his death abides.”
“Ten thou tellest, and we be three,
Good need that we do manfully.
“Good fellows, grip the shield and spear,
For Harald my brother draweth near.
“Well breakfast we when night is done,
And Valhall’s cock crows up the sun.”
Up spoke Harald in wrathful case:
“I would have word with this waxen face!
“What wilt thou pay, thou hucksterer,
That I let thee live another year?
“For oath that thou wilt never reign
Will I let thee live a year or twain.”
“Kisses and love shalt thou have of me
If yet my liegeman thou wilt be.
“But stroke of sword, and dint of axe,
Or ere thou makest my face as wax.”
As thick the arrows fell around
As fall sere leaves on autumn ground.
In many a cheek the red did wane
No maid might ever kiss again.
“Lay me aboard,” Lord Harald said,
“The winter day will soon be dead!
“Lay me aboard the bastard’s ship,
And see to it lest your grapnels slip!”
Then some they knelt and some they drowned,
And some lay dead Lord Knut around.
“Look here at the wax-white corpse of him,
As fair as the Queen in face and limb!
“Make now for the shore, for the moon is bright,
And I would be home ere the end of night.
“Two sons last night had Thyrre the Queen,
So fair upriseth the rim of the sun.
And both she may lack ere the woods wax green,”
So grey is the sea when day is done.
A little before the morning tide,
So fair upriseth the rim of the sun,
Queen Thyrre looked out of her window-side,
So grey is the sea when day is done.
“O men-at-arms, what men be ye?”
“Harald thy son come over the sea.”
“Why is thy face so pale, my son?”
“It may be red or day is done.”
“O evil words of an evil hour!
Come, sweet son, to thy mother’s bower!”
None from the Queen’s bower went that day
Till dark night over the meadows lay.
None thenceforth heard wail or cry
Till the King’s feast was waxen high.
Then into the hall Lord Harald came
When the great wax lights were all aflame.
“What tidings, son, dost thou bear to me?
Speak out before I drink with thee.”
“Tidings small for a seafarer.
Two falcons in the sea-cliff’s were;
“And one was white and one was grey
And they fell to battle on a day;
“They fought in the sun, they fought in the wind,
No boot the white fowl’s wounds to bind.
“They fought in the wind, they fought in the sun,
And the white fowl died when the play was done.”
“Small tidings these to bear o’er the sea!
Good hap that nothing worser they be!
“Small tidings for a travelled man!
Drink with me, son, whiles yet ye can!
“Drink with me ere thy day and mine,
So fair upriseth the rim of the sun,
Be nought but a tale told over the wine.”
So grey is the sea when day is done.
Now fareth the King with his men to sleep,
So fair upriseth the rim of the sun,
And dim the maids from the Queen’s bower creep,
So grey is the sea when day is done.
And in the hall is little light,
And there standeth the Queen with cheeks full white.
And soft the feet of women fall
From end to end of the King’s great hall.
These bear the gold-wrought cloths away,
And in other wise the hall array;
Till all is black that hath been gold
So heavy a tale there must be told.
The morrow men looked on King Gorm and said
“Hath he dreamed a dream or beheld the dead?
“Why is he sad who should be gay?
Why are the old man’s lips so grey?”
Slow paced the King adown the hall,
Nor looked aside to either wall,
Till in high-seat there he sat him down,
And deadly old men deemed him grown.
“O Queen, what thrall’s hands durst do this,
To strip my hall of mirth and bliss?”
“No thrall’s hands in the hangings were,
No thrall’s hands made the tenters bare.
“King’s daughters’ hands have done the deed,
The hands of Denmark’s Surety-head.”
“Nought betters the deed thy word unsaid.
Tell me that Knut my son is dead!”
She said: “The doom on thee, O King!
For thine own lips have said the thing.”
Men looked to see the King arise,
The death of men within his eyes.
Men looked to see his bitter sword
That once cleared ships from board to board.
But in the hall no sword gleamed wide,
His hand fell down along his side.
No red there came into his cheek,
He fell aback as one made weak.
His wan cheek brushed the high-seat’s side,
And in the noon of day he died.
So lieth King Gorm beneath the grass,
But from mouth to mouth this tale did pass.
And Harald reigned and went his way,
So fair upriseth the rim of the sun.
And still is the story told to-day,
So grey is the sea when day is done.
poem by William Morris

Submitted by Poetry Lover
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