Griselda: A Society Novel In Verse - Chapter IV
How shall I take up this vain parable
And ravel out its issue? Heaven and Hell,
The principles of good and evil thought,
Embodied in our lives, have blindly fought
Too long for empire in my soul to leave
Much for its utterance, much that it can grieve.
A soldier on the battlefield of life,
I have grown callous to the signs of strife,
And feel the wounds of others and my own
With scarce a tremor and without a groan.
I have seen many perish in their sins,
Known much of frailty and inconsequence,
And if I laughed once, now I dare not be
Other than sad at man's insanity.
Therefore, in all humility of years,
Colder and wiser for hopes drowned in tears,
And seeking no more quarries for my mirth,
Who most need pity of the sons of earth,
I dip in kindlier ink my chastened pen,
And fill of my lost tale what leaves remain.
Years passed. Griselda from my wandering sight
Had waned and vanished, like a meteor bright,
Leaving no pathway in my manhood's heaven
Save only memories vaguely unforgiven
Of something fair and sad, which for a day
Had lit its zenith and had gone its way.
Rome and the Prince, the tale that I had heard,
Griselda's beauty--all that once had stirred
My curious thought to wonder and regret,
In the vexed problem of her woman's fate,
Had yielded place to the world's work--day cares,
The wealth it covets and the toil it dares.
I was no more a boy, when idle chance
And that light favour which attends romance
Brought me once more within the transient spell
Of other days, and dreams of Lady L.
'Twas in September--(I have always found
That month in my life's record dangerous ground,
Whether it be due to some unreasoned stress
Of the mad stars which dog our happiness,
Or whether, since in truth most things are due
To natural causes, if our blindness knew,
To the strong law of Nature's first decay,
Warning betimes of time that cannot stay,
And summer perishing, and hours to come,
Lit by less hope in the year's martyrdom;
And so we needs must seize at any cost
Fleet pleasure's hem lest all our day be lost)--
'Twas in September, at a country house
In the Midland shires, where I had come, God knows,
Without a fancy but of such light sort
As manhood ventures in the realms of sport
With that dear god of slaughter England's sons
Adore with incense--smoke and roar of guns,
That this new chapter opens. Who had guessed
So rare a phoenix housed in such a nest?
For we, in truth, were no wise company,
Men strong and joyous, keen of hand and eye,
And shrewd for pleasure, but whose subtlest wit
Was still to jest at life while using it,
And jest at love, as at a fruit low hung
To all men's lips, no matter whence it sprung.
A fool's philosophy, yet dear to youth
Bred without knowledge of the nobler truth,
And seeming wisdom, till the bitter taste
Of grief has come to cure its overhaste.
Naught was there, in the scene nor in the parts
Played by the actors, worthy serious hearts,
Or worthy her whose passion trod a stage
High o'er the frailties of our prurient age,
Griselda and her unattained fair dream
Of noble deeds and griefs unknown to them.
How came she there? Our hostess was a woman
Less famed for wisdom than a heart all human
Rich in life's gifts, a wealthy generous soul,
But still too fair and still too bountiful.
The rest, mad hoydens of the world, whose worth
Lay mired with folly, earthiest of the earth.
How came she there? When I, unconscious all
Of such high presence at our festival,
Heard her name bandied in the general hum
Of hungry tongues, which told the guests had come,
And saw in converse with our host the form,
Familiar once in sunshine and in storm,
Of her who was to me the type and sign
Of all things noble, not to say Divine,
Breathing the atmosphere of that vain house,
My heart stopped beating. Half incredulous,
I looked and questioned in my neighbours' eyes,
Seeking the sense of this supreme surprise.
My thought took words, as at the table set
Men's lips were loosed, discoursing while they ate,
And each to each. Beside me, of the crew
Of gilded youths who swelled the retinue
Of our fair hostess in her daily lot
Of hunting laughter when field sports were not,
Sat one, a joyous boy, whom fashion's freak,
A mad--cap purse--string and a beardless cheek,
Had set pre--eminent in pleasure's school
To play the hero and to play the fool
For those few years which are the summer's day
Of fashion's foils ere they are cast away.
Young Jerry Manton! Happy fortune's son!
What heights of vanity your creed had won,
Creed of adventure, and untiring words
And songs and loves as brainless as a bird's.
Who would not envy you your lack of sense,
Your lawless jibes, your wealth of insolence,
The glory of your triumphs unconcealed
In pleasure's inmost and most sacred field?
Who would not share the sunshine of your mirth,
Your god--like smile, your consciousness of worth,
The keenness of your wit in the world's ways,
Your heart so callous to its blame or praise?
Him I addressed, in pursuance of my doubt
How such a prodigy had come about.
Young Manton eyed me. ``Every road,'' he said,
``Leads--well--to Rome.'' He laughed and shook his head,
As if in censure of a thought less sage.
``My lady's thirty is a dangerous age,
And of the three where most misfortunes come
Is the worst strewn with wrecks in Christendom.''
``You see,'' he added, ``we are not all wise
In all dilemmas and all companies,
And there are times and seasons when the best
Has need of an hour's frolic with the rest,
If only to set free the importunate load
Of trouble pressing on an uphill road.
Women's first snare is vanity. At twenty
Praises are pleasant, be they ne'er so plenty;
And some, the foolish ones, are thus soon caught
Seeking to justify the flattery taught.
These are the spendthrifts, dear ingenuous souls,
Whose names emblazoned stand on pleasure's rolls,
Manning the hosts of mirth. Apart from them,
More serious or less eager in their aim,
The wise ones wait like birds that hold aloof,
Conscious of danger and the cloven hoof.
Yet there are times.'' He paused awhile and sighed.
``The second snare,'' said he ``is set less wide;
It stands midway between the dawn of youth
And beauty's sunset, with its naked truth,
A danger hidden cunningly in flowers
And the wild drowsing of the noontide hours.
Here fall the elect, the chosen virtuous few,
Who have outlived the worst the storm could do,
But faint when it is over, through mere stress
Of their mortality's first weariness.
'Tis hard to see youth perish, even when
Ourselves to the mad warrant have set pen;
And for the wisest there are days of grief
And secret doubts and hours of unbelief
In all things but the one forbidden bliss
Churchmen forbid and poets call a kiss.
Why should we wonder? 'Tis a kindlier fate
At least than that, the last, which comes too late,
The old fool's folly nursed at forty--five.
Griselda is an angel, but alive,
Believe me, to her wings.'' A fatuous flush
Mantled his face, not quite perhaps a blush,
But something conscious, as of one who knows.
``Virtue and pleasure are not always foes,''
He sighed. ``And much depends upon the man.''
I turned impatient. There, behind her fan,
At the far table's end, Griselda's eyes
Were watching us, half hid by its disguise,
But conscious too, as if a secret string
Had vibrated 'twixt her and that vain thing.
The cynic boy, whose word was in my ear,
Dishonouring to me and him and her.
Our eyes met, and hers fell; a sudden pain
Touched me of memory, and in every vein
Ran jealous anger at young Manton's wit,
While, half aloud, I flung my curse on it.
Later, I found Griselda gravely gay,
And glad to see me in the accustomed way
Of half affection my long zeal had won,
Her face no older, though the years had spun
Some threads unnoticed in her fair brown hair
Of lighter hue than I remembered there,
Less silver streaked than gold. All else had grown
Fairer with time, and tenderer in its tone,
As when in August woods a second burst
Of leaves is seen more golden than the first.
A woman truly to be loved--but loving?
There was the riddle wit despaired of proving,
For who can read the stars? I sat with her
The evening through, and rose up happier.
In all that crowd there was no single face
Worthy her notice, not to say her grace,
And once again her charm was on my soul.
``If she love any''--this was still the goal
Of my night thoughts in argument with fear--
``Say what they will, the lover is not here.''
Not here! And yet, at parting, she had pressed
Manton's sole hand, and nodded to the rest.
Four days I lived in my fool's paradise,
Importuning Griselda's changing eyes
With idle flattery. I found her mood
Softer than once in her young womanhood,
Yet restless and uncertain. There were hours
Of a wild gaiety, when all the powers
Of her keen mind were in revolt with folly,
Others bedimmed with wordless melancholy.
Once too or twice she shocked me with a phrase
Of doubtful sense, revealing thoughts and ways
New to her past, an echo of the noise
Of that mad world we lived in and its joys:
Such things were sacrilege. I could not see
Unmoved my angel smirched with vanity,
Even though, it seemed at moments, for my sake.
Her laughter, when she laughed, made my heart ache,
And I had spared some pain to see her sad
Rather than thus unseasonably glad.
Who would have dreamed it? Each new idle day,
When, tired with sport, we rested from the fray,
Five jovial shooters, jaded by the sun,
Seeking refreshment at the stroke of noon,--
There, with the luncheon carts all trimly dight,
Stood Lady L., to the fool crowd's delight.
You would have thought her life had always been
Passed in the stubbles, as, with questions keen,
She eyed the bags and parleyed with the ``guns'';
Rome's matron she with us the Goths and Huns.
Young Manton proudly spread for her his coat
Under a hedge, and she resented not.
Resented! Why resent? Nay, smiles were there,
And a swift look of pleasure, still more rare,
Pleasure and gratitude, as though the act
Had been of chivalry in form and fact
Transcending Raleigh's. Ay, indeed! Resent!
That eye were blind which doubted what it meant.
And still I doubted. Vanity dies hard.
And love, however starving of reward,
And youth's creed of belief. It seemed a thing
Monstrous, impossible, bewildering,
As tales of dwarfs and giants gravely told
By men of science, and transmuted gold,
And magic potions turning men to beasts,
And lewd witch Sabbaths danced by unfrocked priests.
Griselda! Manton! In what mood or tense
Could folly conjugate such dreams to sense,
Or draw the contract not in terms absurd
Of such a friendship or of act or word?
Where was the common thought between the two--
Even of partridges--the other knew?
Manton--Griselda! Nay 'twere fabulous,
A mere profanity, to argue thus;
Only I watched them closer when they strayed
To gather blackberries, as boy and maid
In a first courting, and her eager eyes
Turned as he spoke, and laughter came unwise
Before she answered, and an hour was flown,
Before he joined the rest and she was gone.
O Love! what an absurdity thou art,
How heedless of proportion, whole or part!
Time, place, occasion, what are they to thee?
Thou playest the wanton with Solemnity,
The prince with Poverty, the rogue with Worth,
The fool with all the Wisdoms of the Earth.
Thou art a leveller, more renowned than Death,
For he, when in his rage he stops our breath,
Leaves us at least the harvest of our years,
The right to be heroic in our tears.
But thou dost only mock. Thou art a king
Dealing with slaves, who waits no questioning
But gives--to this a province and a crown,
To that a beggar's staff and spangled gown;
And when some weep their undeserved disgrace,
Plucks at their cheeks and smites them in the face.
Thou hast no reverence, no respect for right.
Virtue to thee is a lewd appetite,
Remorse a pastime, modesty a lure,
And love, the malady, love's only cure.
Griselda, in her love at thirty--three
Was the supreme fool of felicity.
Reason and she had taken separate roads,
A spectacle of mirth for men and gods.
And the world laughed--discreetly in its sleeves--
At her poor artless shifts and make--believes.
For it was true, true to the very text,
This whispered thing that had my soul perplexed,
Manton was her beloved--by what art,
What mute equation of the human heart,
What blind jibe of dame Fortune, who shall say?
The road of passion is no king's highway,
Mapped out with finger--posts for all to see,
But each soul journeys on it separately,
And only those who have walked its mazes through
Remember on what paths the wild flowers grew.
Ay, who shall say? Nor had the truth been sung,
Save for the incontinence of Manton's tongue,
Wagging in argument on certain themes,
With boast of craft in pleasure's stratagems.
``For Love'' ('twas thus he made his parable
In cynic phrase, as hero of his tale,
One evening when the others were abed,
And we two sat on smoking, head to head,
Discoursing in that tone of men scarce friends,
Who prate philosophy to candle ends),
``Love, though its laws have not as yet been written
By any Balzac for our modern Britain,
And though perhaps there is no strategy
Youth can quite count upon or argue by,
Is none the less an art, with some few rules
Wise men observe, who would outrun the fools.
Now, for myself'' (here Manton spread his hands
With professorial wave in white wrist--bands)
``I hold it as a maxim always wise
In making love to deal with contraries.
Colours, books tell us, to be strongly blent,
Need opposite colours for their complement,
And so too women whose ill--reasoning mind
Requires some contradiction to be kind.
It is not enough in this late year of grace
To answer fools with their own foolishness--
Rather with your best wisdom. You will need
Your folly to perplex some wiser head.
And so my maxim is, whatever least
Women expect, that thing will serve you best.
Thus, with young souls in their first unfledged years,
Ask their opinion as philosophers:
Consult their knowledge in the ways of life.
The repute of sin will please a too chaste wife.
Your deference keep for harlots: these you touch
Best by your modesty, which makes them blush.
With a proud beauty deal out insolence,
And bear her fence down with a stronger fence.
She will be angry, but a softer cheek
Turn to the smiter who has proved her weak.
And so with wisdom: meet it with surprise,
Laugh at it idly gazing in its eyes,
Leave it no solid ground for its fair feet,
And lead it lightly where love's waters meet.
Even virtue--virtue of the noblest type,
The fair sad woman, whose romance is ripe,
Needs but a little knowledge to be led,
Perhaps less than the rest if truth be said.
You must not parley with her. Words are vain,
And you might wake some half forgotten pain.
Avoid her soul. It is a place too strong
For your assaulting, and a siege were long.
Others have failed before it. Touch it not,
But march beyond, nor fire a single shot.
The fields of pleasure less defended lie:
These are your vantage--ground for victory.
Strike boldly for possession and command;
An hour may win it, if you hold her hand.
I knew one once:'' . . . I would have stopped him here
But for the shame which held me prisoner;
And his undaunted reassuring smile,
Commanding confidence. ``I knew once on a while,''
He said, ``a woman whom the world called proud,
A saintly soul, untouched by the vain crowd,
Who had survived all battle, siege, and sack,
Love ever led with armies at his back,
Yet fell at last to the mere accident
Of a chance meeting, for another meant,
Her lover had not dared it, had he known,
But faces in the dark are all as one.
You know the rhyme.'' But at this point I rose,
Fearing what worse his folly might disclose,
And having learned my lesson of romance,
A sadder man and wiser for the chance,
Bade him good night: (it was in truth good--bye,
For pretexting next morning some small lie
Of business calling me in haste to town,
I fled the house). He looked me up and down,
Yawned, rose to light his candle at the lamp,
Pressed with warm hand my own hand which was damp,
And as he sauntered cheerily to bed,
I heard him sing--they linger in my head--
The first staves of a ballad, then the fashion
With the young bloods who shape their love and passion
At the music--halls of the Metropolis;
What I remember of the song was this:
But, no, I cannot write it. There are things
Too bitter in their taste, and this one stings
My soul to a mad anger even yet.
I seem to hear the voices of the pit
Lewdly discoursing of incestuous scenes,
Bottom the weaver's and the enamoured queen's.
Alas, Titania! thou poor soul, alas!
How art thou fallen, and to what an ass!
poem by Wilfrid Scawen Blunt

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Griselda: A Society Novel In Verse - Chapter I
An idle story with an idle moral!
Why do I tell it, at the risk of quarrel
With nobler themes? The world, alas! is so,
And who would gather truth must bend him low,
Nor fear to soil his knees with graveyard ground,
If haply there some flower of truth be found.
For human nature is an earthy fruit,
Mired at the stem and fleshy at the root,
And thrives with folly's mixon best o'erlaid,
Nor less divinely so, when all is said.
Brave lives are lived, and worthy deeds are done
Each virtuous day, 'neath the all--pitying sun;
But these are not the most, perhaps not even
The surest road to our soul's modern Heaven.
The best of us are creatures of God's chance
(Call it His grace), which works deliverance;
The rest mere pendulums 'twixt good and ill,
Like soldiers marking time while standing still.
'Tis all their strategy, who have lost faith
In things Divine beyond Man's life and death,
Pleasure and pain. Of Heaven what know we
Save as unfit for angels' company,
Say rather Hell's? We cling to sins confessed,
And say our prayers still hoping for the best.
We fear old age and ugliness and pain,
And love our lives, nor look to live again.
I do but parable the crowd I know,
The human cattle grazing as they go,
Unheedful of the heavens. Here and there
Some prouder, may be, or less hungry steer
Lifting his face an instant to the sky,
And left behind as the bent herd goes by,
Or stung to a short madness, tossing wild
His horns aloft, and charging the gay field,
Till the fence stops him, and he vanquished too,
Turns to his browsing--lost his Waterloo.
The moral of my tale I leave to others
More bold, who point the finger at their brothers,
And surer know than I which way is best
To virtue's goal, where all of us find rest,
Whether in stern denial of things sweet,
Or yielding timely, lest life lose its feet
And fall the further. A plain tale is mine
Of naked fact, unconscious of design,
Told of the world in this last century
Of Man's (not God's) disgrace, the XIXth. We
Have made it all a little as it is
In our own images and likenesses,
And need the more forgiveness for our sin.
Therefore, my Muse, impatient to begin,
I bid thee fearless forward on thy road.
Steer thou thy honest course 'twixt bad and good:
Know this, in art that thing alone is evil
Which shuns the one plain word that shames the Devil.
Tell truth without preamble or excuse,
And all shall be forgiven thee--all, my Muse!
In London then not many years ago
There lived a lady of high fashion, who
For her friends' sake, if any still there be
Who hold her virtues green in memory,
Shall not be further named in this true tale
Than as Griselda or the Lady L.
Such, if I err not, was the second name
Her parents gave when to the font she came,
And such the initial letter bravely set
On her coach door, beneath the coronet
Which bore her and her fortunes--bore, alas!
For, as in this sad world all things must pass,
However great and nobly framed and fair:
Griselda, too, is of the things that were.
But while she lived Griselda had no need
Of the world's pity. She was proudly bred
And proudly nurtured. Plenty her full horn
Had fairly emptied out when she was born,
And dowered her with all bounties. She was fair
As only children of the noblest are,
And brave and strong and opulent of health,
Which made her take full pleasure of her wealth.
She had a pitying scorn of little souls
And little bodies, levying heavy tolls
On all the world which was less strong than she.
She used her natural strength most naturally,
And yet with due discretion, so that all
Stood equally in bondage to her thrall.
She was of that high godlike shape and size
Which has authority in all men's eyes:
Her hair was brown, her colour white and red,
Nor idly moved to blush. She held her head
Straight with her back. Her body, from the knee
Tall and clean shaped, like some well--nurtured tree,
Rose finely finished to the finger tips.
She had a noble carriage of the hips,
And that proportionate waist which only art
Dares to divine, harmonious part with part.
But of this more anon, or rather never.
All that the world could vaunt for its endeavour
Was the fair promise of her ankles set
Upon a pair of small high--instepped feet,
In whose behalf, though modestly, God wot,
As any nun, she raised her petticoat
One little inch more high than reason meet
Was for one crossing a well--besomed street.
This was the only tribute she allowed
To human folly and the envious crowd;
Nor for my part would I be found her judge
For her one weakness, nor appear to grudge
What in myself, as surely in the rest,
Bred strange sweet fancies such as feet suggest.
We owe her all too much. This point apart,
Griselda, modesty's own counterpart,
Moved in the sphere of folly like a star,
Aloof and bright and most particular.
By girlish choice and whim of her first will
She had espoused the amiable Lord L.,
A worthy nobleman, in high repute
For wealth and virtue, and her kin to boot;
A silent man, well mannered and well dressed,
Courteous, deliberate, kind, sublimely blessed
With fortune's favours, but without pretence,
Whom manners almost made a man of sense.
In early life he had aspired to fame
In the world of letters by the stratagem
Of a new issue, from his private press,
Of classic bards in senatorial dress,
``In usum Marchionis.'' He had spent
Much of his youth upon the Continent,
Purchasing marbles, bronzes, pictures, gems,
In every town from Tiber unto Thames,
And gaining store of curious knowledge too
On divers subjects that the world least knew:
Knowledge uncatalogued, and overlaid
With dust and lumber somewhere in his head.
A slumberous man, in whom the lamp of life
Had never quite been lighted for the strife
And turmoil of the world, but flickered down,
In an uncertain twilight of its own,
With an occasional flash, that only made
A deeper shadow for its world of shade.
When he returned to England, all admired
The taste of his collections, and inquired
To whose fair fortunate head the lot should fall
To wear these gems and jewels after all.
But years went by, and still unclaimed they shone,
A snare and stumbling--block to more than one,
Till in his fiftieth year 'twas vaguely said,
Lord L. already had too long delayed.
Be it as it may, he abdicated life
The day he took Griselda to his wife.
And then Griselda loved him. All agreed,
The world's chief sponsors for its social creed,
That, whether poor Lord L. was or was not
The very fool some said and idiot,
Or whether under cloak of dulness crass,
He veiled that sense best suited to his case,
Sparing his wit, as housewives spare their light,
For curtain eloquence and dead of night;
And spite of whispered tales obscurely spread,
Doubting the fortunes of her nuptial bed,
Here at this word all sides agreed to rest:
Griselda did her duty with the best.
Yet, poor Griselda! When in lusty youth
A love--sick boy I stood unformed, uncouth,
And watched with sad and ever jealous eye
The vision of your beauty passing by,
Why was it that that brow inviolate,
That virginal courage yet unscared by fate,
That look the immortal queen and huntress wore
To frightened shepherds' eyes in days of yore
Consoled me thus, and soothed unconsciously,
And stilled my jealous fears I knew not why?
How shall I tell the secret of your soul
Which then I blindly guessed, or how cajole
My boyhood's ancient folly to declare
Now in my wisdom the dear maid you were,
Though such the truth? Griselda's early days
Of married life were not that fitful maze
Of tears and laughter which betoken aught,
Changed or exchanged, of pain with pleasure bought,
Of maiden freedom conquered and subdued,
Of hopes new born and fears of womanhood.
Those who then saw Griselda saw a child
Well pleased and happy, thoughtlessly beguiled
By every simplest pleasure of her age,
Gay as a bird just issued from its cage,
When every flower is sweet. No eye could trace
Doubt or disquiet written on her face,
Where none there was. And, if the truth be told,
Griselda grieved not that Lord L. was old.
She found it well that her sweet seventeen
Should live at peace with fifty, and was seen
Just as she felt, contented with her lot,
Pleased with what was and pleased with what was not
She held her husband the more dear that he
Was kind within the bounds of courtesy,
And love was not as yet within her plan,
And life was fair, and wisdom led the van.
For she was wise--oh, wise! She rose at eight
And played her scales till breakfast, and then sat
The morning through with staid and serious looks,
Counting the columns of her household books,
Her daily labour, or with puzzled head
Bent over languages alive and dead,
Wise as alas! in life those only are
Who have not yet beheld a twentieth year.
Wealth had its duties, time its proper use,
Youth and her marriage should be no excuse;
Her education must be made complete!
Lord L. looked on and quite approved of it.
The afternoons, in sense of duty done,
Went by more idly than the rest had gone.
If in the country, which Lord L. preferred,
She had her horse, her dogs, her favourite bird,
Her own rose--garden, which she loved to rake,
Her fish to feed with bread crumbs in the lake,
Her schools, old women, poor and almshouses,
Her sick to visit, or her church to dress.
Lord L. was pleased to see her bountiful:
They hardly found the time to find it dull.
In London, where they spent their second year,
Came occupations suited to the sphere
In which they lived; and to the just pretence
Of our Griselda's high--born consequence,
New duties to the world which no excuse
Admitted. She was mistress of L. House
And heir to its traditions. These must be
Observed by her in due solemnity.
Her natural taste, I think, repelled the noise,
The rush, and dust, and crush of London joys;
But habit, which becomes a second sense,
Had reconciled her to its influence
Even in girlhood, and she long had known
That life in crowds may still be life alone,
While mere timidity and want of ease
She never ranked among youth's miseries.
She had her parents too, who made demand
Upon her thoughts and time, and close at hand
Sisters and friends. With these her days were spent
In simple joys and girlish merriment.
She would not own that being called a wife
Should make a difference in her daily life.
Then London lacks not of attractions fit
For serious minds, and treasures infinite
Of art and science for ingenious eyes,
And learning for such wits as would be wise,
Lectures in classes, galleries, schools of art:
In each Griselda played conspicuous part--
Pupil and patron, ay, and patron--saint
To no few poor who live by pens and paint.
The world admired and flattered as a friend,
And only wondered what would be the end.
And so the days went by. Griselda's face,
Calm in its outline, of romantic grace,
Became a type even to the vulgar mind
Of all that beauty means when most refined,
The visible symbol of a soul within,
Conceived immaculate of human sin,
And only clothed in our humanity
That we may learn to praise and better be.
Where'er she went, instinctively the crowd
Made way before her, and ungrudging bowed
To one so fair as to a Queen of Earth,
Ruling by right of conquest and of birth.
And thus I first beheld her, standing calm
In the swayed crowd upon her husband's arm,
One opera night, the centre of all eyes,
So proud she seemed, so fair, so sweet, so wise.
Some one behind me whispered ``Lady L.!
His Lordship too! and thereby hangs a tale.''
His Lordship! I beheld a placid man,
With gentle deep--set eyes, and rather wan,
And rather withered, yet on whose smooth face
Time seemed to have been in doubt what lines to trace
Of youth or age, and so had left it bare,
As it had left its colour to his hair.
An old young man perhaps, or really old,
Which of the two could never quite be told.
I judged him younger than his years gave right,
His looks betrayed him least by candlelight.
Yet, young or old, that night he seemed to me
Sublime, the priest of her divinity
At whose new shrine I worshipped. But enough
Of me and my concerns! More pertinent stuff
My tale requires than this first boyish love,
Which never found the hour its fate to prove.
My Lady smiling motions with her hand;
The crowd falls back; his Lordship, gravely bland,
Leads down the steps to where his footmen stay
In state. Griselda's carriage stops the way!
And was Griselda happy? Happy?--Yes,
In her first year of marriage, and no less
Perhaps, too, in her second and her third.
For youth is proud, nor cares its last sad word
To ask of fate, and not unwilling clings
To what the present hour in triumph brings.
It was enough, as I have said, for her
That she was young and fortunate and fair.
The world that loved her was a lovely world,
The rest she knew not of. Fate had not hurled
A single spear as yet against her life.
She would not argue as 'twixt maid and wife,
Where both were Woman, Human Nature, Man,
Which held the nobler place in the world's plan.
Her soul at least was single, and must be
Unmated still through its eternity.
And, even here in life, what reason yet
To doubt or question or despair of Fate?
Her youth, an ample web, before her shone
For hope to weave its subtlest fancies on,
If she had cared to dream. Her lot was good
Beyond the common lot of womanhood,
And she would prove her fortune best in this,
That she would not repine at happiness.
Thus to her soul she argued as the Spring
Brought back its joy to each begotten thing--
Begotten and begetting. Who shall say
Which had the better reason, she or they?
In the fourth year a half acknowledged grief
Made its appearance in Griselda's life.
Her sisters married, younger both than she,
Mere children she had thought, and happily.
Each went her way engrossed by her new bliss,
Too gay to guess Griselda's dumb distress.
Her home was broken. In their pride they wrote
Things that like swords against her bosom smote,
The detail of their hopes, and loves, and fears.
Griselda read, and scarce restrained her tears.
Her mother too, the latest fledgling flown,
Had vanished from the world. She was alone.
When she returned to London, earlier
Than was her custom, in the following year,
She found her home a desert, dark and gaunt;
L. House looked emptier, gloomier than its wont.
Griselda sighed, for on the table lay
Two letters, which announced each in its way
The expected tidings of her sisters' joy.
Either was brought to bed--and with a boy.
Her generous heart leaped forth to these in vain,
It could not cheat a first sharp touch of pain,
But yielded to its sorrow. That same night,
Lord L., whose sleep was neither vexed nor light,
And who for many years had ceased to dream,
Beheld a vision. Slowly he became
Aware of a strange light which in his eyes
Shone to his vast discomfort and surprise;
And, while perplexed with vague mistrusts and fears,
He saw a face, Griselda's face, in tears
Before him. She was standing by his bed
Holding a candle. It was cold, she said,
And shivered. And he saw her wrap her shawl
About her shoulders closely like a pall.
Why was she there? Why weeping? Why this light,
Burning so brightly in the dead of night?
These riddles poor Lord L.'s half--wakened brain
Tried dimly to resolve, but tried in vain.
``I cannot sleep to--night,'' went on the voice,
``The streets disturb me strangely with their noise,
The cabs, the striking clocks.'' Lord L.'s distress
Struggled with sleep. He thought he answered ``Yes.''
``What can I do to make me sleep? I am ill,
Unnerv'd to--night. This house is like a well.
Do I disturb you here, and shall I go?''
Lord L. was moved. He thought he answered ``No.''
``If you would speak, perhaps my tears would stop.
Speak! only speak!'' Lord L. here felt a drop
Upon his hand. She had put down the light,
And sat upon his bed forlornly white
And pale and trembling. Her dark hair unbound
Lay on her knees. Her lips moved, but their sound
Came strangely to his ears and half--unheard.
He only could remember the last word:
``I am unhappy--listen L.!--alone.''
She touched his shoulder and he gave a groan.
``This is too much. You do not hear me. See,
I cannot stop these tears. Too much!'' And he
Now well awake, looked round him. He could catch
A gleam of light just vanished, and the latch
Seemed hardly silent. This was all he knew.
He sat some moments doubting what to do,
Rose, went out, shivered, hearing nothing, crept
Back to his pillow where the vision wept
Or seemed to weep awhile ago, and then
With some disquiet went to sleep again.
Next morning, thinking of his dream, Lord L.
Went down to breakfast in intent to tell
The story of his vision. But he met
With little sympathy. His wife was late,
And in a hurry for her school of art.
His lordship needed time to make a start
On any topic, and no time she gave.
Griselda had appointments she must save,
And could not stop to hear of rhyme or reason--
The dream must wait a more convenient season.
And so it was not told. Alas, alas!
Who shall foretell what wars shall come to pass,
What woes be wrought, what fates accomplishèd,
What new dreams dreamt, what new tears vainly shed,
What doubts, what anguish, what remorse, what fears
Begotten in the womb of what new years!--
And all because of this, that poor Lord L.
Was slow of speech, or that he slept too well!
poem by Wilfrid Scawen Blunt

Submitted by Poetry Lover
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Griselda: A Society Novel In Verse - Chapter V
Griselda's madness lasted forty days,
Forty eternities! Men went their ways,
And suns arose and set, and women smiled,
And tongues wagged lightly in impeachment wild
Of Lady L.'s adventure. She was gone,
None knew by whom escorted or alone,
Or why or whither, only that one morning,
Without pretext, or subterfuge, or warning,
She had disappeared in silence from L. House,
Leaving her lord in multitudinous
And agonised conjecture of her fate:
So the tale went. And truly less sedate
Than his wont was in intricate affairs,
Such as his Garter or his lack of heirs,
Lord L. was seen in this new tribulation.
Griselda long had been his life's equation,
The pivot of his dealings with the world,
The mainstay of his comfort, all now hurled
To unforeseen confusion by her flight:
There was need of action swift and definite.
Where was she? Who could tell him? Divers visions
Passed through his fancy--thieves, and street collisions,
And all the hundred accidents of towns,
From broken axle trees to broken crowns.
In vain he questioned; no response was made
More than the fact that, as already said,
My lady, unattended and on foot,
(A sad imprudence here Lord L. took note),
Had gone out dressed in a black morning gown
And dark tweed waterproof, 'twixt twelve and one,
Leaving no orders to her maid, or plan
About her carriage to or groom or man.
Such was in sum the downstairs' evidence.
The hall porter, a man of ponderous sense,
Averred her ladyship had eastward turned
From the front door, and some small credit earned
For the suggestion that her steps were bent
To Whitechapel on merciful intent,
A visit of compassion to the poor,
A clue which led to a commissioner
Being sent for in hot haste from Scotland Yard.
And so the news was bruited abroad.
It reached my ears among the earliest,
And from Lord L. himself, whose long suppressed
Emotion found its vent one afternoon
On me, the only listener left in town.
His thoughts now ran on ``a religious craze
Of his poor wife's,'' he said, ``in these last days
Indulged beyond all reason.'' The police
Would listen to no talk of casualties,
Still less of crime, since they had nothing found
In evidence above or under ground,
But held the case to be of simpler kind,
Home left in a disordered state of mind.
Lord L. had noticed, now they talked of it,
Temper less equable and flightier wit,
``A craving for religious services
And sacred music.'' Something was amiss,
Or why were they in London in September?
Griselda latterly, he could remember,
Had raved of a conventual retreat
In terms no Protestant would deem discreet
As the sole refuge in a world of sin
For human frailty, grief's best anodyne.
``The Times was right. Rome threatened to absorb us:
The convents must be searched by habeas corpus.''
And so I came to help him. I had guessed
From his first word the vainness of his quest,
And half was moved to serve him in a strait
Where her fair fame I loved was in debate,
Yet held my peace, nor hazarded a word
Save of surprise at the strange case I heard,
Till, fortune aiding, I should find the clue
My heart desired to do what I would do.
And not in vain. Night found me duly sped,
Lord L.'s ambassador accredited,
With fullest powers to find and fetch her home,
If need should be, from the Pope's jaws in Rome.
Gods! what a mission! First my round I went
Through half the slums of Middlesex and Kent,
Surrey and Essex--this to soothe Lord L.,
Though witless all, as my heart told too well;
The hospitals no less and casual wards,
Each house as idly as his House of Lords,
And only at the week's end dared to stop
At the one door I knew still housing hope,
Young Manton's chambers. There, with reddened cheek
I heard the answer given I came to seek.
Manton was gone, his landlady half feared
He too, in some mishap, and disappeared,--
Proof all too positive. His letters lay
A fortnight deep untouched upon the tray.
She could not forward them or risk a guess
As to his last or likeliest address.
He was in Scotland often at this season,
``But not without his guns''--a cogent reason.
And leaving, too, his valet here in town,
Perplexed of what to do or leave undone.
Abroad? Perhaps. If so, his friends might try
As a best chance the Paris Embassy.
He had been there last Spring, and might be now.
Paris! It was enough, I made my bow,
And took my leave. I seemed to touch the thread
Of the blind labyrinth 'twas mine to tread.
Where should they be, in truth, these too fond lovers,
But in the land of all such lawless rovers?
The land of Gautier, Bourget, Maupassant,
Where still ``you can'' makes answer to ``I can't.''
The fair domain where all romance begins
In a light borderland of venial sins,
But deepening onwards, till the fatal day
Vice swoops upon us, plead we as we may.
Griselda's bonnet o'er the windmills thrown,
Had surely crossed the Seine ere it came down.
And I, if I would find and win her back,
Must earliest search the boulevards for her track.
And so to Paris in my zeal I passed,
Breaking my idol, mad Iconoclast.
There is a little inn by Meudon wood
Dear to Parisians in their amorous mood,
A place of rendezvous, where bourgeois meet
Their best beloved in congregation sweet;
Clandestine, undisturbed, illicit loves,
Made half romantic by the adjoining groves,
So beautiful in Spring, with the new green
Clothing the birch stems scattered white between,
Nor yet, in Autumn, when the first frosts burn
And the wind rustles in the reddening fern,
Quite robbed of sentiment for lovers' eyes,
Who seek Earth's blessing on a bliss unwise,
And find the happy sanction for their state
In nature's face, unshocked by their debate,
As who should say ``Let preachers frown their fill,
Here one approves. 'Tis Eden with us still.''
Such fancy, may be, in her too fond heart
Had led Griselda--with her friend--apart,
Yet not apart, from the world's curious gaze,
To this secluded, ill--frequented place:
A compromise of wills and varying moods,
His for gay crowds, her own for solitudes.
Manton knew Paris well, and loved its noise,
Its mirthful parody of serious joys,
Its pomp and circumstance. His wish had been
To flaunt the boulevards with his captured queen,
And make parade of a last triumph won
In the chaste field of prudish Albion,
Outscandalising scandal. Love and he
In any sense but of male vanity,
And the delirium of adventures new
In the world's eye--the thing he next should do--
Were terms diverse and incompatible.
Griselda, to his eyes was Lady L.,
The fair, the chaste, the unapproached proud name
Men breathed in reverence, woman, all the same,
And not as such, and when the truth was said,
Worth more than others lightlier credited.
It all had been a jest from the beginning,
A tour de force, whose wit was in the winning,
A stroke of fortune and of accident,
The embrace he had told of for another meant,
While she stood grieving for a first grey hair
(A psychologic moment) on the stair,
And, kneeling down, he had adored her foot,
The one weak spot where her self--love had root,
And laughed at her, and told her she was old,
Yet growing tenderer as he grew more bold.
And so from jest to jest, and chance to chance,
To that last scene at the mad country dance
Where she had played the hoyden, he the swain,
Pretending love till love was in their brain,
And he had followed to her chamber door,
And helped her to undo the dress she wore.
Then the elopement. That had been her doing,
Which he accepted to make good his wooing,
And careless what to both the result might be,
So it but served his end of vanity.
It all had been to this vain boy a whim,
Something grotesque, a play, a pantomime,
Where nothing had been serious but her heart,
And that was soon too tearful for its part.
He wearied in a week of her mature
Old maidish venturings in ways obscure,
Her agony of conscience dimly guessed,
The silences she stifled in her breast,
Her awkwardness--it was his word--in all
That love could teach; her sighs funereal,
And more the unnatural laughter she essayed
To meet the doubtful sense of things he said.
She was at once too tender and too prim,
Too prudish and too crazed with love and him.
At a month's end his flame had leaped beyond
Already to friends frailer and less fond;
The light Parisian world of venal charms
Which welcomed him with wide and laughing arms:
There he was happier, more at home, more gay,
King of the ``High Life,'' hero of the day.
Griselda, in her sad suburban nook
Watched his departures with a mute rebuke,
Yet daring not to speak. The choice was hers
To stay at home or run the theatres
With her young lover in such company
As her soul loathed. She had tried despairingly
To be one, even as these, for his loved sake,
And would have followed spite of her heart's ache,
But that he hardly further cared to press,
After one failure stamped with ``dowdiness.''
That too had been his word, a bitter word,
Biting and true, which smote her like a sword,
Or rather a whip's sting to her proud cheek,
Leaving her humbled, agonised and weak.
Poor beautiful Griselda! What was now
The value of thy beauty, chaste as snow
In thy youth's morning, the unchallenged worth
Of thy eyes' kindness, queenliest of the earth;
The tradition of thy Fra--angelic face,
Blessed as Mary's, and as full of grace;
The fame which thou despisedst, yet which made
A glory for thee meet for thy dear head?
What, if in this last crisis of thy fate,
When all a Heaven and Hell was in debate,
And thy archangel, with the feet of clay,
Stood mocking there in doubt to go or stay,
The unstable fabric of thy woman's dower,
Thy beauty, failed and left thee in their power
Whose only law of beauty was the sting
Lent to man's lust by light bedizening?
What use was in thy beauty, if, alas!
Thou gavest them cause to mock (those tongues of brass)
At thy too crude and insular attire,
Thy naïvetés of colour, the false fire
Of thy first dallyings with the red and white,
Thy sweet pictorial robe, Pre--Raphaelite,
Quaint in its tones and outré in design,
Thy lack of unity and shape and line,
Thy English angularity--who knows,
The less than perfect fitting of thy shoes?
Griselda, in her flight, had left behind
All but the dress she stood in, too refined,
In her fair righteousness of thought and deed,
To make provision for a future need,
However dire. She was no Israelite
To go forth from her Pharaoh in the night,
With spoils of the Egyptians in her hands,
And had thrown herself on Manton and on France,
With a full courage worth a nobler cause,
Grandly oblivious of prudential laws.
Her earliest trouble, marring even the bliss
Of love's first ecstasy, had come of this,
Her want of clothes--a worse and weightier care
At the mere moment than her soul's despair
For its deep fall from virtuous estate.
How should she dress herself, she asked of Fate,
With neither maid, nor money, nor a name?
It was her first experiment in shame.
Now, after all her poor economies,
This was the ending read in his vexed eyes,
And spoken by his lips: her utmost art
Had failed to please that idle thing, his heart,
Or even to avert his petulant scorn
For one so little to love's manner born.
And thus I found them, at the angry noon
Of their ``red month,'' the next to honeymoon:
Two silent revellers at a loveless feast,
Scared by hate's morning breaking in their East--
A dawn which was of penance and despair,
With pleasure's ghost to fill the vacant chair.
I took it, and was welcomed rapturously,
As a far sail by shipwrecked souls at sea,
An opportune deliverer, timely sent
To break the autumn of their discontent,
And give a pretext to their need grown sore
Of issue from joys dead by any door.
Manton, all confidential from the first,
Told me the tale of his last sins and worst,
As meriting a sympathy not less
Than the best actions virtuous men confess.
He was overwhelmed with women and with debt--
Women who loved him, bills which must be met.
What could he do? Her ladyship was mad--
It was her fault, not his, this escapade.
He had warned her from the first, and as a friend,
That all such frolics had a serious end,
And that to leave her home was the worst way
A woman would who wanted to be gay.
``For look,'' said he, ``we men, who note these things,
And how the unthinking flutterers burn their wings,
Know that a woman, be she what she will,
The fairest, noblest, most adorable,
Dowered in her home with all seraphic charms,
Whom heaven itself might envy in your arms,
A paragon of pleasure undenied
At her own chaste respectable fireside,
Becomes, what shall I say, when she steps down
From the high world of her untouched renown?
A something differing in no serious mood
From the sad rest of the light sisterhood;
Perhaps indeed more troublesome than these,
Because she keenlier feels the agonies:
A wounded soul, who has not even the wit
To hide its hurt and make a jest of it;
A maid of Astolat, launched in her barge,
A corpse on all the world, a femme à charge.''
``'Tis not,'' he argued, ``our poor human sins
That make us what we are when shame begins,
But the world pointing at our naked state:
Then we are shocked and humbled at our fate,
Silent and shamed in all we honour most--
For what is virtue but the right to boast?
A married woman's love, three weeks from home,
Is the absurdest thing in Christendom,
Dull as a ménage in the demi--monde
And dismaller far by reason of the bond.
All this I told my lady ere we went,
But warning wasted is on sentiment.
You see the net result here in one word,
A crying woman and a lover bored.''
So far young Manton. She for whom I came,
Griselda's self, sweet soul, in her new shame
Essayed awhile to hide from me the truth
Of this last hap of her belated youth,
Her disillusion with her graceless lover.
She made sad cloaks for him which could not cover
His great unworthiness and her despair,
All with a frightened half--maternal air,
Most pitiful and touching. To my plea,
Urging her home, she answered mournfully,
That she was bound now to her way of life,
And owed herself no less than as his wife
To him she had chosen out of all mankind.
'Twas better to be foolish, even blind,
If he had faults, so she could serve him still--
And this had been her promise and her will.
She would not hear of duties owed elsewhere:
What was she to Lord L., or he to her?
I need not speak of it. And yet she clung
To my protecting presence in her wrong;
And once, when Manton's jibes made bitterer play,
Implored me with appealing eyes to stay.
And so I lingered on. Those autumn days,
Spent with Griselda in the woodland ways
Of Meudon with her lover, or alone,
When his mad fancies carried him to town,
Remain to me an unsubstantial act
Of dreaming fancy, rather than the fact
Of any waking moment in my past,
The sweetest, saddest and with her the last--
For suddenly they ended. We had been
One Sunday for a jaunt upon the Seine,
We two--in Manton's absence, now prolonged
To a third night--and in a steamboat, thronged
With idle bourgeois folk, whom the last glory,
Of a late autumn had sent forth in foray
To Passy and St. Cloud, from stage to stage
Had made with heavy souls our pilgrimage;
And homeward turning and with little zest,
The fair day done, to love's deserted nest
Had come with lagging feet and weary eyes,
Expectant still of some new dark surprise,
When the blow fell unsparing on her head,
Already by what fortunes buffeted.
How did it happen, that last tragedy?--
For tragedy it was, let none deny,
Though all ignoble. Every soul of us
Touches one moment in death's darkened house
The plane of the heroic, and compels
Men's laughter into tears--ay, Heaven's and Hell's.
How did it happen? There was that upon
Their faces at the door more than the tone
Of their replies, that warned us of the thing
We had not looked for in our questioning;
And our lips faltered, and our ears, afraid,
Shrank from more hearing. What was it they said
In their fool's jargon, that he lay upstairs?
He? Manton? The dispenser of our cares?
The mounteback young reveller? Suffering? Ill?
And she, poor soul, that suffered at his will!
A sinister case? Not dying? Pitiful God!
Truly Thou smitest blindly with Thy rod.
For Manton was not worthy to die young,
Beloved by her with blessings on her tongue.
And such a cause of death! She never heard
The whole truth told, for each one spared his word,
And he lay mute for ever. But to me
The thing was storied void of mystery,
And thus they told it. Hardly had we gone
On our sad river outing, when from town
Manton had come with a gay troop of friends,
Such as the coulisse of the opera lends,
To breakfast at the inn and spend the day
In mirthful noise, as was his vagrant way.
A drunken frolic, and most insolent
To her whose honour with his own was blent,
To end in this last tragedy. None knew
Quite how it happened, or a cause could shew
Further than this, that, rising from the table,
The last to go with steps perhaps unstable--
For they had feasted freely, and the stair
Was steep and iron--edged, and needed care;
And singing, as he went, the selfsame song,
Which I remembered, to the laughing throng,
He had slipped his length, and fallen feet--first down.
When they picked him up his power to move was gone,
Though he could speak. They laid him on a bed,
Her bed, Griselda's, and called in with speed
Such help of doctors and commissioners
As law prescribed, and medicine for their fears.
'Twas his last night. There, in Griselda's hands,
Young Jerry Manton lay with the last sands
Of his life's hour--glass trickling to its close,
Griselda watching, with what thoughts, God knows.
We did not speak. But her lips moved in prayer,
And mine too, in the way of man's despair.
I did not love him, yet a human pity
Softened my eyes. Afar, from the great city,
The sound came to us of the eternal hum,
Unceasing, changeless, pregnant with all doom
Of insolent life that rises from its streets,
The pulse of sin which ever beats and beats,
Wearying the ears of God. O Paris, Paris!
What doom is thine for every soul that tarries
Too long with thee, a stranger in thy arms.
Thy smiles are incantations, thy brave charms
Death to thy lovers. Each gay mother's son,
Smitten with love for thee, is straight undone.
And lo the chariot wheels upon thy ways!
And a new garland hung in Père la Chaise!
Poor soul! I turned and looked into the night,
Through the uncurtained windows, and there bright
Saw the mute twinkle of a thousand stars.
One night! the least in all time's calendars,
Yet fraught with what a meaning for this one!
One star, the least of all that million!
One room in that one city! Yet for him
The universe there was of space and time.
What were his thoughts? In that chaotic soul,
Home of sad jests, obscene, unbeautiful,
Mired with the earthiest of brute desires,
And lit to sentience only with lewd fires,
Was there no secret, undisturbed, fair place
Watered with love and favoured with God's grace
To which the wounded consciousness had fled
For its last refuge from a world of dread?
Was his soul touched to tenderness, to awe,
To softer recollection? All we saw
Was the maimed body gasping forth its breath,
A rigid setting of the silent teeth,
And the hands trembling. Death was with us there.
But where was he? O Heaven of pity! where?
We watched till morning by the dying man,
She weeping silently, I grieved and wan,
And still he moved not. But with the first break
Of day in the window panes we saw him make
A sign as if of speaking. Pressing near--
For his lips moved, Griselda deemed, in prayer--
We heard him make profession of his faith,
As a man of pleasure face to face with death,
A kind of gambler's Athanasian Creed,
Repeated at the hour of his last need.
``Five sovereigns,'' said he, steadying his will,
As in defiance of death's power to kill,
And with that smile of a superior mind,
Which was his strength in dealing with mankind,
The world of sporting jargon and gay livers.
``Five sovereigns is a fiver, and five fivers
A pony, and five ponies are a hundred--
No, four,'' he added, seeing he had blundered.
``Four to the hundred and five centuries
Make up the monkey.'' From his dying eyes
The smile of triumph faded. ``There, I've done it,''
He said, ``but there was no great odds upon it,
You see with a broken back.'' He spoke no more,
And in another hour had passed the door
Which shuts the living from eternity.
Where was he? God of pity, where was he?
This was the end of Lady L.'s romance.
When we had buried him (as they do in France,
In a tomb inscribed ``à perpétuité,''
Formally rented till the Judgment Day),
She put off black, and shed no further tears;
Her face for the first time showed all its years,
But not a trace beyond. Without demur
She gave adhesion to my plans for her,
And we went home to London and Lord L.,
Silent together, by the next night's mail.
She had been six weeks away. The interview
Between them was dramatic. I, who knew
Her whole mad secret, and had seen her soul
Stripped of its covering, and without control,
Bowed down by circumstance and galled with shame,
Yielding to wounds and griefs without a name,
Had feared for her a wild unhappy scene.
I held Lord L. for the least stern of men,
And yet I dared not hope even he would crave
No explanation ere he quite forgave.
I was with them when they met, unwilling third,
In their mute bandying of the unspoken word.
Lord L. essayed to speak. I saw his face
Made up for a high act of tragic grace
As he came forward. It was grave and mild,
A father's welcoming a truant child,
Forgiving, yet intent to mark the pain
With hope ``the thing should not occur again.''
His lips began to move as to some speech
Framed in this sense, as one might gently preach
A word in season to too gadding wives
Of duties owed, at least by those whose lives
Moved in high places. But it died unsaid.
There was that about Griselda that forbade
Marital questionings. Her queenly eyes
Met his with a mute answer of surprise,
Marking the unseemliness of all display
More strongly than with words, as who should say
Noblesse oblige. She took his outstretched hand,
And kissed his cheek, but would not understand
A word of his reproaches. Even I,
With my full knowledge and no more a boy,
But versed by years in the world's wickedness,
And open--eyed to her, alas! no less
Than to all womanhood, even I felt shame,
And half absolved her in my mind from blame.
And he, how could he less? He was but human,
The fortunate husband of how fair a woman!
He stammered his excuses. What she told
When I had left them (since all coin is gold
To those who would believe, and who the key
Hold of their eyes, in blind faith's alchemy)
I never learned. I did not linger on,
Seeing her peril past and the day won,
But took my leave. She led me to the door
With her old kindness of the days of yore,
And thanked me as one thanks for little things.
``You have been,'' she said, ``an angel without wings,
And I shall not forget,--nor will Lord L.;
And yet,'' she said, with an imperceptible
Change in her voice, ``there are things the world will say
Which are neither just nor kind, and, if to--day
We part awhile, remember we are friends,
If not now later. Time will make amends,
And we shall meet again.'' I pressed her hand
A moment to my lips. ``I understand,''
I said, and gazed a last time in her eyes;
``Say all you will. I am your sacrifice.''
And so, in truth, it was. Henceforth there lay
A gulf between us, widening with delay,
And which our souls were impotent to pass,
The gulf of a dead secret; and, alas!
Who knows what subtle treacheries within,
For virtue rends its witnesses of sin,
And hearts are strangely fashioned by their fears.
We met no more in friendship through the years,
Although I held her secret as my own,
And fought her battles, her best champion,
On many a stricken field in scandal's war,
Till all was well forgotten. From afar
I watched her fortunes still with tenderness,
Yet sadly, as cast out of Paradise.
For ever, spite her promise, from that day,
When I met L., he looked another way;
And she, Griselda, was reserved and chill.
I had behaved, her women friends said, ill,
And caused a needless scandal in her life,
--They told not what. Enough, that as a wife
She had been compelled to close her doors on me,
And that her lord knew all the iniquity.
And so I bore the burden of her sin.
What more shall I relate? The cynic vein
Has overwhelmed my tale, and I must stop.
Its heroine lived to justify all hope
Of her long--suffering lord, that out of pain
Blessings would grow, and his house smile again
With the fulfilled expectance of an heir.
Griselda sat no longer in despair,
Nor wasted her full life on dreams of folly;
She had little time for moods of melancholy,
Or heart to venture further in love's ways;
She was again the theme of all men's praise,
And suffered no man's passion. Once a year,
In the late autumn, when the leaves grew sere
She made retreat to a lay sisterhood,
And lived awhile there for her soul's more good,
In pious meditation, fasts and prayer.
Some say she wore concealed a shirt of hair
Under her dresses, even at court balls,
And certain 'tis that all Rome's rituals
Were followed daily at the private Mass
In her new chauntry built behind Hans Place.
Lord L. approved of all she did, even this,
Strange as it seemed to his old--fashionedness.
He, gentle soul, grown garrulous with years,
Prosed of her virtues to all listeners,
And of their son's, the child of his old age,
A prodigy of beauty and ways sage.
It was a vow, he said, once made in Rome,
Had brought them their chief treasure of their home.
A vow! The light world laughed--for miracles
Are not believed in now, except as Hell's.
And yet the ways of God are passing strange.
And this is certain (and therein the range
Of my long tale is reached, and I am free),
--There is at Ostia, close beside the sea,
A convent church, the same where years ago
Griselda kneeled in tears and made her vow;
And in that shrine, beneath the crucifix,
They show a votive offering, candlesticks
Of more than common workmanship and size,
And underneath inscribed the votary's
Name in initials, and the date, all told,
Hall--marked in England, and of massive gold.
poem by Wilfrid Scawen Blunt

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A Love Secret
Love has its secrets, joy has its revealings.
How shall I speak of that which love has hid?
If my beloved shall return to greet me,
Deeds shall be done for her none ever did.
My beloved loved me. How shall I reveal it?
We were alone that morning in the street.
She looked down at the ground, and blushed, and trembled.
She stopped me with her eyes when these did meet.
``What wouldst thou, sweet one? What wouldst thou with sorrow,
Thou, the new morning star with me, the night?
What are those flowers thou holdest to thy bosom?
What are the thoughts thou hidest from my sight?''
``Thine are these flowers,'' she said, ``these foolish roses,
And thine the thoughts, if thus it be thy will.
I hold them close for fear that thou shouldst mock me,
I hold them to my heart for fear of ill.''
``Nay, what of ill? 'Tis only age is evil,
Only forgetfulness and grief and pain;
What dost thou know of grief, that thou shouldst fear it?
Mine is the grief who cannot love again.''
She raised her eyes, she looked at me in wonder,
``The ache is here,'' she said, ``by night and day;
I cannot teach my heart to bear its burden,
I cannot turn my silence from its way.''
``Speak to me, child. I am thy wise physician,
A man acquainted with all grief can teach;
There is no sorrow but has joy for sister,
No silence but finds counterpart in speech.''
My beloved laughed. She saw through my dissembling;
She held to me her hand, that I might kiss,
The inside of her hand. 'Twas like a petal
Of her own roses, but more dear than this.
I felt its pulses, like a bird in prison;
``Sweet child,'' I said, ``what wouldst thou I should prove?
I cannot make thee wiser than thy wisdom,
Who knowest all things since thou knowest love.''
How shall I tell it? How shall I reveal it?
I led her by the hand, as thus I said,
Back from the street to where it stood, my dwelling,
And closed the door on where it stood, my bed.
Her laughter stopped. ``Nay, use not thou unkindly.
Thine is the hand to deal or spare the blame;
I dare not be to thee thus uninvited,
Thou dost not know me, hast not learned my name.''
How shall I tell it? How shall I reveal it?
Love in that instant found its latest birth,
``Soul of my soul,'' I cried, ``thy name is Pleasure,
The sweetest thing to love on this sad Earth.''
I held her in my arms, I pressed her fastly.
``Ah, if thou lovedst me indeed,'' she cried.
``I love thee, and I love thee,'' was my answer,
``My sister, my beloved one, my bride!''
Love has its secrets. Joy has its revealings.
I speak of this which love in vain has hid;
If my beloved shall return to greet me,
Deeds shall be done for her none ever did.
poem by Wilfrid Scawen Blunt

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Giacinta
Giacinta sat upon the garden wall
Among the autumn lilies, and let fall
Their crimson petals on her lover's head,
And laughed because her little hands were red.
She was the fairest child of Italy,
And it was well the lilies thus should die.
But Giulio shuddered when she made him kiss
The stains away in her pride's wantonness
And held them up between him and the sun
That he might see the red blood flame and run
In the long finger--clefts from root to tip,
And still she pressed them closer to his lip,
And still she laughed. But Giulio looked at her
And it was half in love and half in fear.
And, when she saw him tremble, childishly
She laid both hands in his, and with a sigh
Told him to pity them. And he in vain
Hid them in his and would have hid his pain,
And tried to speak but could not for the weight
Upon his breast. And so the lovers sat
In a hard silence, while Giacinta's laugh
Rang in his ears like the discordant half
Of some fair carol from a tavern flung,
She watching him above, the flowers among,
First with her smile and then with a hurt pride
Kindling to wrath. And ``Fool'' at last she cried,
``You think because this hand of mine is white
And smooth to touch and wise in love's delight
It had not dared to dabble in such red,
The blood--of these dead flowers--for dead is dead;
And you sit dumb and tremble and turn pale
Because I laugh to see the lilies fall.
Why not laugh with me, since you have the heart
To say you love me in my tragic part?
Think you that blood can make a hand less white,
Or all the ink of heaven blot out to--night
The innocent stars, or kisses steal away
The sweetness of red lips, or memory
Drive laughter from the world? The moon grows wan
And wastes and fades and shrivels to a span,
Yet men watch on beyond the hills at even,
And lo there is a new moon in the heaven!
Look in my eyes. Are they less pure and keen
For all the passion which their depths have seen?
Is there a stain upon my brows? My cheek
Is it less fair for what it dares not speak?
Oh, Simon's blood was not so red a thing
But it has left my face its colouring.
Or think you drops from any vein of his
Could make my fingers blush as deep as this?''
And Giulio's courage sickened when he heard
Giacinta suddenly speak out this word.
She was the fairest child of Italy,
But Giulio thought it had been well to die.
``yet, had it left me pale,'' she said, ``I know
It had been all as one to Giulio
To love a pale face. You will love me yet
Though I have told you how my hands are wet,
And when I hold them out to you to kiss
Your lips will burn to drink away the lees.
Oh, lovers, lovers! Wherefore will you preach,
When women laugh at what you dare to teach
Of truth and honour? Is there one of you,
One honourable friend, one bosom true,
That will not sell his virtue for a kiss
Though the mouth that gave it were a nest of lies,
And will not soothe his soul with the deceit
Which swears a rose is not a whit less sweet
Because an angry bee was in its cell
An hour ago?--Oh, lovers reason well!
So take the flower and deign forget the bee.
But Giulio, do not bid me stop and see
How beautiful a thing your virtue is,
And do not cry to the unheeding skies
`Did I not love her?' See, I hate your love
More than I hate yourself.'' And Giulio strove
With his weak heart and could not bear the pain.
And so he took Giacinta's hand again,
Without more word. But she in softened mood
Looked on the boy her beauty had subdued,
And said ``Poor Giulio! I have never shown
Much hate to you, and this you needs must own,
Only beware of loving me. 'Tis strange
That men are wise, yet cannot take the range
Of a silly woman's mind, but still devise
Of their fool's love, as if it were the prize
For which a woman might forget the cost
Of her undoing and a world well lost,
And cannot see that love is only this,
A pretty word to whisper in a kiss,
As when one says, `God bless you' with `Good--night.'
But Giulio, who would ever suffer it
A man should always have the name of God
Upon his lips?'' Her lover only trod
The lilies with his heel. At last he sighed,
``And Simon loved you, and for this he died?''
They sat till dusk upon the garden wall,
And she began to sing a madrigal
About the falling leaves and quite forgot
To answer him. But Giulio heeded not
Because he held her hand. He could not flee.
She was the fairest child of Italy.
poem by Wilfrid Scawen Blunt

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The Days Of Our Youth
These are the days of our youth, our days of glory and honour.
Pleasure begotten of strength is ours, the sword in our hand.
Wisdom bends to our will, we lead captivity captive,
Kings of our lives and love, receiving gifts from men.
Why do I speak of wisdom? The prize is not for the wisest.
Reason, the dull ox, ploughs a soil which no joy shall reap.
Folly is fleeter far 'neath the heel of the fearless rider,
Folly the bare--backed steed we bestride, the steed of the plains.
Mine is a lofty ambition, as wide as the world I covet.
Vast is the empire I claim for thee, thou spouse of my soul.
Show me new lands to win, and, by God in heaven, I swear it:
These shall be mine and thine to--night for all time to hold.
Time is our slave and Fortune's. We need not years for fruition.
Here in our hands behold a key which unlocks the world.
Each new day is a life. For us there is no to--morrow.
Love no yesterday knows nor we, but to--day is ours.
See, what a wealth I bring thee, what treasure of myrrh and spices!
Every kingdom of Earth have I sacked to procure thee gold.
All the knowledge that fools have learned at the feet of women,
All that the wise have been taught in tears for thy sake I know.
Give thyself up to Love. There is naught divine but madness.
Give thyself up to me Love's priest in his inmost shrine.
Shut thy eyes on the world, sublime in thy abnegation.
Only the wise who have bowed their will shall receive the prize.
Shut thy eyes on the light. I have nobler dreams to read thee,
Here in the shades of this darkened room, than the sun can show.
Is there not light in my eyes to--night more light than the dreamlight?
See it breaks in streams on thy face; it illumes thy soul.
Let me persuade thy weakness. I sue thee here with my reason.
Let me convince thee of love with my lips till thou cease to think.
Let me enfold thee with words more sweet than the prayers of angels,
Speaking thus with my hand on thy heart till it cease to beat.
Let me assuage thy grief with laughter, thy fear with kisses.
Let me cajole thy doubts with surprise, thy pride with tears.
Let me outshame the shame of thy face, outblush thy blushes.
Let me teach thee what Love can dare and yet dream no shame.
Let me uncover thy bosom and prove to thee its glory.
Let me preach to thee of thyself the live night long.
Let me chaunt new hymns to thy praise as I kneel and worship,
Rising still like a god from my knees from eve till morn.
Let me discourse of love with my hands and lips and bosom.
Let me explain with my limbs the joy that a soul can feel.
Let me unveil to thy bodily sense thy god incarnate
Taking flesh in a visible form for thy body's need.
Lo, on the mount of Love, the holiest place of holies,
Incense and prayer and the people's shout and the fires have risen.
Love descends on the feast. He mounts the pyre in silence,
Victim and priest and god in one, to thy dreams revealed.
There, the rite is accomplished. Whatever Love knows thou knowest.
Sudden the victim staggers and falls. In the dust it lies.
See the hot blood flows for thy sake, it o'erflows the altar.
Dost thou not feel it stream in thy veins? It still lives in thee.
These are the days of our youth, the days of our dominion.
All the rest is a dream of death and a doubtful thing.
Here we at least have lived, for love is all life's wisdom,
Joy of joys for an hour to--day; then away, farewell!
poem by Wilfrid Scawen Blunt

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Les Noyades
WHATEVER a man of the sons of men
Shall say to his heart of the lords above,
They have shown man verily, once and again,
Marvellous mercies and infinite love.
In the wild fifth year of the change of things,
When France was glorious and blood-red, fair
With dust of battle and deaths of kings,
A queen of men, with helmeted hair,
Carrier came down to the Loire and slew,
Till all the ways and the waves waxed red:
Bound and drowned, slaying two by two,
Maidens and young men, naked and wed.
They brought on a day to his judgment-place
One rough with labour and red with fight,
And a lady noble by name and face,
Faultless, a maiden, wonderful, white.
She knew not, being for shame’s sake blind,
If his eyes were hot on her face hard by.
And the judge bade strip and ship them, and bind
Bosom to bosom, to drown and die.
The white girl winced and whitened; but he
Caught fire, waxed bright as a great bright flame
Seen with thunder far out on the sea,
Laughed hard as the glad blood went and came.
Twice his lips quailed with delight, then said,
“I have but a word to you all, one word;
Bear with me; surely I am but dead;”
And all they laughed and mocked him and heard.
“Judge, when they open the judgment-roll,
I will stand upright before God and pray:
‘Lord God, have mercy on one man’s soul,
For his mercy was great upon earth, I say.
“‘Lord, if I loved thee—Lord, if I served—
If these who darkened thy fair Son’s face
I fought with, sparing not one, nor swerved
A hand’s-breadth, Lord, in the perilous place—
“‘I pray thee say to this man, O Lord,
Sit thou for him at my feet on a throne.
I will face thy wrath, though it bite as a sword,
And my soul shall burn for his soul, and atone.
“‘For, Lord, thou knowest, O God most wise,
How gracious on earth were his deeds towards me.
Shall this be a small thing in thine eyes,
That is greater in mine than the whole great sea?’
“I have loved this woman my whole life long,
And even for love’s sake when have I said
‘I love you’? when have I done you wrong,
Living? but now I shall have you dead.
“Yea, now, do I bid you love me, love?
Love me or loathe, we are one not twain.
But God be praised in his heaven above
For this my pleasure and that my pain!
“For never a man, being mean like me,
Shall die like me till the whole world dies.
I shall drown with her, laughing for love; and she
Mix with me, touching me, lips and eyes.
“Shall she not know me and see me all through,
Me, on whose heart as a worm she trod?
You have given me, God requite it you,
What man yet never was given of God.”
O sweet one love, O my life’s delight,
Dear, though the days have divided us,
Lost beyond hope, taken far out of sight,
Not twice in the world shall the gods do thus.
Had it been so hard for my love? but I,
Though the gods gave all that a god can give,
I had chosen rather the gift to die,
Cease, and be glad above all that live.
For the Loire would have driven us down to the sea,
And the sea would have pitched us from shoal to shoal;
And I should have held you, and you held me,
As flesh holds flesh, and the soul the soul.
Could I change you, help you to love me, sweet,
Could I give you the love that would sweeten death,
We should yield, go down, locked hands and feet,
Die, drown together, and breath catch breath;
But you would have felt my soul in a kiss,
And known that once if I loved you well;
And I would have given my soul for this
To burn for ever in burning hell.
poem by Algernon Charles Swinburne

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Mother And Son
Now sleeps the land of houses,
and dead night holds the street,
And there thou liest, my baby,
and sleepest soft and sweet;
My man is away for awhile,
but safe and alone we lie,
And none heareth thy breath but thy mother,
and the moon looking down from the sky
On the weary waste of the town,
as it looked on the grass-edged road
Still warm with yesterday’s sun,
when I left my old abode;
Hand in hand with my love,
that night of all nights in the year;
When the river of love o’erflowed
and drowned all doubt and fear,
And we two were alone in the world,
and once if never again,
We knew of the secret of earth
and the tale of its labour and pain.
Lo amidst London I lift thee,
and how little and light thou art,
And thou without hope or fear
thou fear and hope of my heart!
Lo here thy body beginning,
O son, and thy soul and thy life;
But how will it be if thou livest,
and enterest into the strife,
And in love we dwell together
when the man is grown in thee,
When thy sweet speech I shall hearken,
and yet ’twixt thee and me
Shall rise that wall of distance,
that round each one doth grow,
And maketh it hard and bitter
each other’s thought to know.
Now, therefore, while yet thou art little
and hast no thought of thine own,
I will tell thee a word of the world;
of the hope whence thou hast grown;
Of the love that once begat thee,
of the sorrow that hath made
Thy little heart of hunger,
and thy hands on my bosom laid.
Then mayst thou remember hereafter,
as whiles when people say
All this hath happened before
in the life of another day;
So mayst thou dimly remember
this tale of thy mother’s voice,
As oft in the calm of dawning
I have heard the birds rejoice,
As oft I have heard the storm-wind
go moaning through the wood;
And I knew that earth was speaking,
and the mother’s voice was good.
Now, to thee alone will I tell it
that thy mother’s body is fair,
In the guise of the country maidens
Who play with the sun and the air;
Who have stood in the row of the reapers
in the August afternoon,
Who have sat by the frozen water
in the high day of the moon,
When the lights of the Christmas feasting
were dead in the house on the hill,
And the wild geese gone to the salt-marsh
had left the winter still.
Yea, I am fair, my firstling;
if thou couldst but remember me!
The hair that thy small hand clutcheth
is a goodly sight to see;
I am true, but my face is a snare;
soft and deep are my eyes,
And they seem for men’s beguiling
fulfilled with the dreams of the wise.
Kind are my lips, and they look
as though my soul had learned
Deep things I have never heard of,
my face and my hands are burned
By the lovely sun of the acres;
three months of London town
And thy birth-bed have bleached them indeed,
“But lo, where the edge of the gown”
(So said thy father) “is parting
the wrist that is white as the curd
From the brown of the hand that I love,
bright as the wing of a bird.”
Such is thy mother, O firstling,
yet strong as the maidens of old,
Whose spears and whose swords were the warders
of homestead, of field and of fold.
Oft were my feet on the highway,
often they wearied the grass;
From dusk unto dusk of the summer
three times in a week would I pass
To the downs from the house on the river
through the waves of the blossoming corn.
Fair then I lay down in the even,
and fresh I arose on the morn,
And scarce in the noon was I weary.
Ah, son, in the days of thy strife,
If thy soul could but harbour a dream
of the blossom of my life!
It would be as the sunlit meadows
beheld from a tossing sea,
And thy soul should look on a vision
of the peace that is to be.
Yet, yet the tears on my cheek!
and what is this doth move
My heart to thy heart, beloved,
save the flood of yearning love?
For fair and fierce is thy father,
and soft and strange are his eyes
That look on the days that shall be
with the hope of the brave and the wise.
It was many a day that we laughed,
as over the meadows we walked,
And many a day I hearkened
and the pictures came as he talked;
It was many a day that we longed,
and we lingered late at eve
Ere speech from speech was sundered,
and my hand his hand could leave.
Then I wept when I was alone,
and I longed till the daylight came;
And down the stairs I stole,
and there was our housekeeping dame
(No mother of me, the foundling)
kindling the fire betimes
Ere the haymaking folk went forth
to the meadows down by the limes;
All things I saw at a glance;
the quickening fire-tongues leapt
Through the crackling heap of sticks,
and the sweet smoke up from it crept,
And close to the very hearth
the low sun flooded the floor,
And the cat and her kittens played
in the sun by the open door.
The garden was fair in the morning,
and there in the road he stood
Beyond the crimson daisies
and the bush of southernwood.
Then side by side together
through the grey-walled place we went,
And O the fear departed,
and the rest and sweet content!
Son, sorrow and wisdom he taught me,
and sore I grieved and learned
As we twain grew into one;
and the heart within me burned
With the very hopes of his heart.
Ah, son, it is piteous,
But never again in my life
shall I dare to speak to thee thus;
So may these lonely words
about thee creep and cling,
These words of the lonely night
in the days of our wayfaring.
Many a child of woman
to-night is born in the town,
The desert of folly and wrong;
and of what and whence are they grown?
Many and many an one
of wont and use is born;
For a husband is taken to bed
as a hat or a ribbon is worn.
Prudence begets her thousands;
“good is a housekeeper’s life,
So shall I sell my body
that I may be matron and wife.”
“And I shall endure foul wedlock
and bear the children of need.”
Some are there born of hate,
many the children of greed.
“I, I too can be wedded,
though thou my love hast got.”
“I am fair and hard of heart,
and riches shall be my lot.”
And all these are the good and the happy,
on whom the world dawns fair.
O son, when wilt thou learn
of those that are born of despair,
As the fabled mud of the Nile
that quickens under the sun
With a growth of creeping things,
half dead when just begun?
E’en such is the care of Nature
that man should never die,
Though she breed of the fools of the earth,
and the dregs of the city sty.
But thou, O son, O son,
of very love wert born,
When our hope fulfilled bred hope,
and fear was a folly outworn.
On the eve of the toil and the battle
all sorrow and grief we weighed,
We hoped and we were not ashamed,
we knew and we were not afraid.
Now waneth the night and the moon;
ah, son, it is piteous
That never again in my life
shall I dare to speak to thee thus.
But sure from the wise and the simple
shall the mighty come to birth;
And fair were my fate, beloved,
if I be yet on the earth
When the world is awaken at last,
and from mouth to mouth they tell
Of thy love and thy deeds and thy valour,
and thy hope that nought can quell.
poem by William Morris

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Griselda: A Society Novel In Verse - Chapter III
Who has not seen the falls of Tivoli,
The rocks, the foam--white water, and the three
Fair ruined temples which adorn the hill?
Who has not sat and listened to the shrill
Sweet melody of blackbirds, and the roar
Of Anio's voice rebounding from the shore,
Nor would have given his very soul to greet
Some passing vision of a white nymph's feet,
And waving arms, as the wild chasm's spray
Beat on his face, for ever answering ``Nay''?
Who has not turned away with sadder face,
Abashed before the genius of the place,
A wiser man, and owned upon his knees,
The dull transmontane Goth and boor he is?
Who that was born to feel? What sons of clay
Are these that stand among your shrines to--day,
Gods of the ancient rivers! and who set
The heavy impress of barbarian feet
Upon your classic shores, and dare to love
Your ruined homes in temple, rock, and grove!
What new rude sons of Japhet! What mad crew,
Whose only creed is what it dares to do
Through lack of knowledge, whose undoubting heart,
Here in the very temples of old art,
Brings out its little tribute, builds its shrines,
Wreathes its sad garlands of untutored lines,
Writes, paints, professes, sculptures its new gods,
And dares to have its home in your abodes!
Oh, if I had a soul oppressed with song,
A tongue on fire to prophesy among
My brother prophets, if I had a hand
Which needs must write its legend on life's sand
With brush or chisel, I at least would choose
Some soil less fair, less sacred to the Muse,
Some younger, wilder land, where no sad voice
Had ever stammered forth its tale of joys
And loves and sorrows, or in tones less rude
Than the brute pulsing of its human blood;
If I would build a temple, it should be
At least not here, not here in Italy,
Where all these temples stand. My thought should shape
Its fancies in rough granite on some cape
O'erlooking the Atlantic, from whose foam
No goddess ever leaped, and not in Rome,
Beneath the mockery of immortal eyes,
Gazing in marble down, so coldly wise!
Such was Griselda's thought, which, half aloud,
She uttered one May morning 'mid a crowd
Of pleasure--seekers, come from Rome to see
The wonder of these falls of Tivoli,
And Belgirate's villa, where the Prince
Was offering entertainment (for his sins),
And dancing, to all such as called him friend
That Spring in Rome, now nearly at an end;--
A thought suggested by the place and by
A German painter, who undauntedly
Was plying a huge canvas just begun,
With brush and palette seated in the sun.
She had hardly meant to speak, and when Lord L.
Objected (for he knew his classics well)
That landscape--painting was an unknown trade
In the days of Horace, blushed for her tirade,
And turned to Belgirate, who stood near,
Playing the host to all the world and her.
The Prince appealed to, though his care was less
With what was spoken than the speaker's face,
Took up the parable, confessed the truth
Of all each ventured, and agreed with both.
Nature, he said, and art, though now allied,
Had not in all times thus walked side by side.
Indeed the love of Nature, now so real,
Was alien to the love of the ideal,
The classic love which claimed as though of need
Some living presence for each fountain--head,
Each grove, each cavern, satyr, nymph, or god,
A human shape unseen yet understood.
This was the thought which lived in ancient art,
Eschewing the waste places of the heart,
And only on compulsion brought to face
Brute Nature's aspect in its nakedness.
Nature as Nature was a thought too rude
For these, untempered in its solitude.
It had no counterpart in our new love
Of mountain, sea, and forest. Then each grove
Asked for its statue, each perennial spring
Its fountain. Solitude itself must bring
Its echo. Every mountain top of Greece
Beheld fair temples rise. A law of peace
Reigned over art in protest at the mood
Of social life which drenched the world in blood.
All now had been reversed. Our modern creed
Scouted the law that men were born to bleed.
It turned from human nature, if untaught,
And wrought mankind, perhaps and overwrought
Into trim shapes, and then for its relief
Rushed to the wilderness to vent its grief
In lonely passion. Here it neither sought
Nor found a presence which it needed not.
It chose wild hills and barren seas. It saw
Beauty in tumult, in revolt a law.
Here it gave reins to its brute instincts. Here
It owned no god, no guide, no arbiter.
Its soul it must avenge of discipline,
And Nature had gone naked from the shrine.
This was its consolation. Of the score
Who stood around him and who praised his lore,
Perhaps no single listener understood
The thought which underlay the Prince's mood,
Or guessed its bitterness--not even she
Who lent the moral to his mockery.
Yet she was moved. In her too was a need
Of consolation for too fair a creed,
An impulse of rebellion. In her blood
There lived a germ of Nature unsubdued,
Which would not be appeased. She too had sought
A refuge from the tyranny of thought
In the brute impulses of sea and plain
And cloud and forest far from haunts of men.
A vain mad search. The fetters of her pride
Galled her like sores. Griselda turned and sighed.
That evening on the terrace, vaguely lit
With paper lanterns and the infinite
Display of those fair natural lamps, the stars,
And 'neath the influence of the planet Mars
Or Venus or another--which it was
We best may judge by that which came to pass--
The Prince essayed his fortune. From the hour
Of their first flash of eloquence, some power,
Some most persistent and ingenious fate
Of idle tongues had held them separate,
Griselda and the Prince--him in his part
Of host, with cares not wholly of the heart
Demanding his attention, while on her
Friends fastened more than dull and less than dear.
In vain they stopped, and loitered, and went on,
Leaving no trick untried, unturned no stone;
In vain they waited. Still the hope deferred
Failed of its object, one consoling word,
One little sigh as of relief thus given:
``Well, they are gone at last, and thanked be Heaven.''
But hour on hour went by, and accident
Seemed still at pains to frustrate their intent,
Piling up grief for them and poor Lord L.,
On whom, in fault of foes, their vengeance fell.
'Twas worst for her. She knew not whom to strike,
Lord L., her friends, the Prince? 'Twas now alike.
She had lost in fact her temper, if I dare
Thus speak of one so wise and one so fair,
And to the point that now there was no room
For other thought, but L. should take her home,
Away and speedily. The Prince, who knew
No word of what a storm Fate held in brew,
And who had sought, in innocence of all,
Griselda's hand to lead the opening ball,
And sought in vain, now found, to his despair,
My lady cloaked and standing on the stair.
She was alone. ``Lord L. had gone,'' she said,
``To bid the Prince good night. Her foolish head
Had played her false, and ached with the new heat
Of the May sun (even L. complained of it).
They must be home betimes. Next day was Sunday,
And they had much to do 'twixt that and Monday,
In view of their departure.'' ``Whither? whence?
In Heaven's name,'' exclaimed the astounded Prince.
``Why, home to England, she had thought he knew:
She must have told him. L. was more than due
In London, where his place in Parliament
Required his presence. He had missed the Lent,
And dared not miss the Easter session. She
Thought he was right, altho','' and suddenly
She burst in tears. The Prince, in dire distress,
Besought her to be calm. But she, with face
Hid in both hands, and turning from the light,
Broke from his arms, and rushed into the night.
Across the hall, beneath the portico,
And down the steps she fled, to where below
The garden lay all dim with starlit shade,
And the white glimmer of the main facade.
Here Belgirate found her on a seat,
Crouched in an angle of the parapet,
And sobbing as in terror. His surprise
Was changed to resolution. To his eyes
The world became transfigured. ``Lady L.,''
He whispered, ``what is this? You love me? Well,
Why do you weep?'' He took her hands in his
And pressed them to his lips; and at the kiss
Griselda started from the heap she was
And sat upright, with pale pathetic face
Turned to the night. By the dim starlight he
Beheld, half--awed and half in ecstasy,
The strange emotion of her countenance.
She made no gesture to withdraw her hands,
No sign of disagreement with his words.
Her eyes looked scared and troubled like a bird's
Caught in a net, and seemed to ask of Fate
Where the next blow should fall. 'Twas thus she sat
Speechless, inanimate, nor seemed to breathe.
The Prince could hear the chattering of her teeth,
And feel her shiver in the warm night wind,
And yet its touch was hardly thus unkind.
He too, poor soul, in hope and tenderness,
Still kissed her hands, and kissed her gloves and dress,
And kneeling at her feet embraced her knees
With soothing arms and soft cajoleries.
She dared not turn nor speak. The balustrade
Served as a pretext for her with its shade
Hiding his face. She would not seem to guess
All that his fondness asked of her distress:
A word might break the spell. She only knew
She was a poor sad woman, doomed to do
Sorrow to all who loved her, that the Prince
Had spoken truly, and her long pretence
Of innocence was o'er. She scorned to make
An idle protest now for honour's sake.
He had a right to ask for what he would
Now that she loved him, and her womanhood
Reserved one tearful right, and only one,
To hide her face an instant and be gone.
How long they sat thus silent who shall say?
Griselda knew not. Time was far away;
She wanted courage to prepare her heart
For that last bitterest word of all, ``We part.''
And he cared naught for time. His Heaven was there,
Nor needed thought, nor speech, nor even prayer.
A sound of music roused them. From the house
Voices broke in and strains tumultuous,
Proving the dance begun. Then with a sigh
Griselda turned her head, and piteously
Looked in his face. She moved as if to go,
And when he held her still, ``For pity, no,
Let me be gone,'' she cried. ``I ask it thus,''
Clasping her hands. ``You will not? No! alas!
You must not doubt me when I speak the truth;
This is a great misfortune for us both.''
``Griselda,'' he began. ``Oh, stop,'' she said,
``You know not what you ask.'' She bent her head
Close to his own. ``I am not what I seem,
A woman to be loved, not even by him
Whom I might choose to worship. Mine must be
An unfinished life, not quite a tragedy,
Even to my friends, an idle aimless life,
Not worth an argument, still less a strife.
You must forget, forgive me. We were friends,
Friends still perhaps; but, oh! this first day ends
Our love for ever. What you said was true,
Only I never guessed it.'' The Prince knew
That she was weeping, and a single sob
Broke from her lips. She seemed her wounds to probe.
``Yes, I have loved you, loved you from the first,
The day we met at Terni, when you burst
Like sunshine on the storm of my dark life--
You, wise and free--I, only the sad wife
Of one you called a friend. The fault was mine
And mine alone. In you there was no sin:
You stood too far from me, too high above
My woman's follies even to dream of love.
There, do not answer, you were kind to me,
Good, patient, wise--you could no other be--
But, oh! you never loved me.'' Here again
The Prince broke in protesting (but in vain):
Her words were madness and his heart was hers.
She would not listen nor control her tears.
``You never loved me. This one thought I hold
In consolation of my manifold
Deceits and errors. You at least are free
From all deceptions and remorse and me:
I cannot cause you sorrow, else it were
Indeed too pitiful, too hard to bear.''
She stooped and kissed his forehead reverently,
As one would kiss a relic; and when he
Still would have spoken, stopped him with a hand
Laid on his lips, half--prayer and half--command.
She would not let him speak. The prince, tho' mute,
Now pleaded with his hands and pressed his suit
With better eloquence, for this to her
Seemed less a crime than speech. Her ignorant fear
Had hardly fathomed yet the troubled sea
On which her lot was cast thus dangerously.
She only feared his words to prove him right,
And these caresses in the dim still night
Soothed and consoled her. They were too unreal,
Too strange to her experience, quite to feel
Or quite to question. She, with half--shut eyes,
And face averted, ceased to feel surprise,
And ceased to think. She was a child again,
Caressed and fondled. She forgot her pain,
And almost even his presence in the place.
He was too near and could not see her face.
Besides, Griselda loved him. Only once
She made a silent protest with her hands,
As one might make asleep, and in her dream
Opened her eyes, and seemed to question him
With the pathetic instinct as of doom.
The Prince in rapture judged his hour was come.
Alas! poor Prince. If thou hadst had thy bliss,
I would not then have grudged thy happiness,
Thine nor Griselda's. Happiness is not
A merchandise men buy or leave unbought
And find again. It is a wild bird winging
Its way through heaven, in joyous circles ringing,
Aloft, at its own will. Then, ere we wist,
It stooped and sat a moment on our wrist,
And fondled with our fingers, and made play
With jess and hood as if it meant to stay.
And we, if we were wise and fortunate,
And if the hour had been decreed of fate,
Seized the glad bird and held it in our hand,
And forced it to obey our least command,
Knowing that never more, if not made sure,
It would come again to voice, or sign, or lure.
Oh, such is happiness. That night for them
Fate stood, a genius, suppliant and tame,
Demanding to do service. Had they willed,
The treasure--house of Heaven had been unfilled
And emptied in their lap. They too, even they,
Mere mortals born, inheritors of clay,
Had known eternal life, and been as gods.
Only the will between them was at odds,
Only the word was wanting. What one thing
It was that frightened Fate to taking wing,
And scared for ever the celestial bird,
And left them desolate, if I have heard
I do not now remember nor would say
Even if I knew. 'Twas told me not to--day
Nor yesterday, but in a time long since,
By one of the two who knew, in confidence,
And then not quite perhaps the utter truth.
Whoever tells it? But there came to both
A moment when, as Belgirate knew,
There was no further power to plead or sue:
They had played with Fate too long. Their hour was over;
She was no more his love nor he her lover.
His courage was exhausted. One by one
His fingers, which still held Griselda's gown,
Relaxed their hold. His hands dropped by his side,
His head upon his bosom, and the pride,
Which was the reason of his being, quailed.
Grief in that hour and tenderness prevailed,
And tears rushed to his eyes, long strangers there,
And to his lips, Italian--like, a prayer,
While he lay prostrate, his face turned from heaven,
Under the stars. The tower clock struck eleven
And roused him. He had neither heard nor known
Griselda's going, but he was alone.
And she? Griselda? In a whirl of grief,
Tortured, distracted, hopeless of relief,
And careless now what eye should see her tears,
Whom none could mock with bitterer jibes than hers,
And speechless to all question of her lord,
Who sought to learn what portent had occurred,
And still reverted to the theme begun
Of Roman fever and the Roman sun;
She was driven back to Rome. Two days her door
Was shut to all the world, both rich and poor,
And on the third she went to Ostia,
Pleading a wild desire to see the sea.
The sea! What virtue is there in the sea
That it consoles us thus in misery?
In joy we do not love it, and our bliss
Scoffs at its tears and scorns its barrenness.
Our pride of life is in the fruitful Earth,
The mother of all joy, which gave us birth,
The Earth so touching in its hopes to be,
So green, so tender in its sympathy.
But when life turns to bitterness--ah! then,
Where is Earth's message to the sons of men?
How does she speak? What sound of grief is hers
To match our grief? What tale of pity stirs
Her jubilant heart? The laughing woods give back
Naught of their happiness to those who lack.
The beauty of the uplands bars relief,
The prosperous fields are insolent to grief;
There is no comfort in the lowing herds,
The hum of bees, the songs, the shouts of birds;
There is no sob in all the living earth,
Naught but the flutter of discordant mirth,
On which, as on a pageant, morn and even
The careless sun shines mockingly from heaven.
There is no grief in all the world save one,
The ocean's voice, as tearful as our own.
Then from the Earth we turn--too potent mother,
Too joyous in her offspring--to that other,
The childless, joyless, unproductive sea,
And mourn with her her dread virginity.
We clasp her naked rocks with our two hands,
Barefoot we tread her barren waste of sands,
Her breadths of shingle and her treeless shore,
Knowing her griefs are as our griefs, and more,
An eternal lack of love. 'Twas in this guise
Griselda cradled her soul's miseries,
And nursed it in its anguish like a child,
And soothed it to oblivion. The sea smiled
With its eternal smile upon her sorrow,
The selfsame yesterday, to--day, to--morrow,
And kept its tears in its own bosom sealed,
A mystery of passion unrevealed,
Save in the tremor of its voice at noon,
When the wind rose and played wild chords thereon.
So she. The memory of that place long stood
In her remembrance as a dream of good,
Dividing life as sleep divides the day,
A place of utter weakness. Let those say
Who will, that deeds of strength life's milestones are.
The dearest days are not the days of war,
And victory is forgotten in the peace
Of certain hours gone by in helplessness,
When the soul ceased to battle, and lay still
As on a deathbed dumb to good and ill.
These are its treasures. Nor was silence all
Griselda's ointment. Hard by the sea--wall,
Where daily her steps turned fresh peace to find,
A convent stood, inviting to the mind.
Here she found entrance at the chapel gate,
And knelt in prayer half--inarticulate,
Bowed to the earth. For patron saints it had
The Marys three--``two virtuous, and one bad,''
Griselda thought, ``like her own self''--who came
In flight together from Jerusalem,
And landed there; and these in her great need,
She suppliant asked for her soul's daily bread,
Using all fondest words her lips could frame,
To speak her secret wishes without blame.
Six candlesticks she vowed, to each a pair,
So they would listen to and grant her prayer.
The superstition pleased her. In her pride
She bowed and begged like any peasant's bride,
For what? for whom? she hardly could explain
Even to her, the dear St. Magdalen.
``And yet,'' she argued, ``she at least will know
And understand me if no other do.''
All this was folly, but it comforted
And gave her strength. Then with a calmer head,
If not a calmer heart, she turned once more
From love to life. Her first strong grief was o'er.
poem by Wilfrid Scawen Blunt

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To A Youthful Friend
Few years have pass'd since thou and I
Were firmest friends, at least in name,
And childhood's gay sincerity
Preserved our feelings long the same.
But now, like me, too well thou know'st
What trifles oft the heart recall;
And those who once have loved the most
Too soon forget they loved at all.
And such the change the heart displays,
So frail is early friendship's reign,
A month's brief lapse, perhaps a day's,
Will view thy mind estranged again.
If so, it never shall be mine
To mourn the loss of such a heart;
The fault was Nature's fault, not thine
Which made thee fickle as thou art.
As rolls the ocean's changing tide,
So human feelings ebb and flow;
And who would in a breast confide
Where stormy passions ever glow?
It boots not that, together bred,
Our childish days were days of joy:
My spring of life has quickly fled;
Thou, too, hast ceased to be a boy.
And when we bid adieu to youth,
Slaves to the specious world's control,
We sigh a long farewell to truth;
That world corrupts the noblest soul.
Ah, joyous season! when the mind
Dares all things boldly but to lie;
When thought ere spoke is unconfined,
And sparkles in the placid eye.
Not so in Man's maturer years,
When Man himself is but a tool;
When interest sways our hopes and fears,
And all must love and hate by rule.
With fools in kindred vice the same,
We learn at length our faults to blend;
And those, and those alone, may claim
The prostituted name of friend.
Such is the common lot of man:
Can we then 'scape from folly free?
Can we reverse the general plan,
Nor be what all in turn must be?
No; for myself, so dark my fate
Through every turn of life hath been;
Man and the world so much I hate,
I care not when I quit the scene.
But thou, with spirit frail and light,
Wilt shine awhile, and pass away;
As glow-worms sparkle through the night,
But dare not stand the test of day.
Alas! whenever folly calls
Where parasites and princes meet
(For cherish'd first in royal halls,
The welcome vices kindly greet),
Ev'n now thou'rt nightly seen to add
One insect to the fluttering crowd;
And still thy trifling heart is glad
To join the vain and court the proud.
There dost thou glide from fair to fair,
Still simpering on with eager haste,
As flies along the gay parterre
That taint the flowers they scarcely taste.
But say, what nymph will prize the flame
Which seems, as marshy vapours move,
To flit along from dame to dame,
An ignis‑fatuus gleam of love?
What friend for thee, howe'er inclined,
Will deign to own a kindred care?
Who will debase his manly mind,
For friendship every fool may share?
In time forbear; amidst the throng
No more so base a thing be seen;
No more so idly pass along;
Be something, anything, but--mean.
A Rhapsody
There is a God most surely in the heavens,
Who smileth always, though His face be hid.
And young Joy cometh as His messenger
Upon the Earth, like to a rushing wind,
Scattering the dead leaves of our discontent
Ere yet we see him. Then he setteth us
Upon his back and flieth to God's presence,
Till on our faces there is seen the light
Which streameth from His brows for evermore.
There is a God. Ay, by this breath of dawn,
I swear there is a God, even here on Earth.
And see, a blush upon the edge of heaven,
Bearing me witness! There is something changed
About these woods since yesterday; a look
Of shame on Nature's face; a consciousness
In the bent flowers; a troubled tell--tale gleam
On the lake's brim. This morning, as I passed
Over the lawn, there was an instant's hush
Among the trees, and then a whispering
Which woke the birds; and of a sudden, lo!
A thousand voices breathed conspiracy;
And now a silence. There are listening ears
In all these bushes waiting till I speak.
There is a God. I swear it on the truth
Of my new joy, which is not of the Earth,
But grows within my hand, a thing of strength,
A wonder to the Earth, whose old worn heart
Has long been joyless. Listen, while I speak,
Ye autumn woods. Ye ancient forest trees,
Lend me your ears. Thou little brook, be still
Till I have spoken, for I have a tale
For the morning's ear; and O! thou Nature's voice,
Be silent this one day and hear of joy
Newer than thine. You friends whom I have loved,
Listen, and stop me not with word or sign
Till I have poured my heart into your ears,
For if you spoke to me I should not hear,
And if you wept with me I should not see,
And if you mocked me I should not suspect,
Being this day the fool of happiness.
And all my blood is full of dancing motes;
And in my brain are chords of silver tone
Divinely struck to statelier harmonies
Than Heaven's own harping; and my eyes have tears
Which brim and quiver, but they will not fall,
For they are far too happy in my eyes.
Tears,--what of tears? which are but new delights,
New visions of new joys which none have seen,
And which are mine. Such only Solomon
Saw when he sat upon his ivory throne,
And lo! the pageantry of Sheba came,
Bearing its queen upon a sandal bed,
And laid her at his feet. These even I,
Who live and speak with you, have seen to--night.
And mark, how simply wonders come about
And take our hearts by storm, as in the night
Fate creeps upon a city. I had fled
Four months ago, when July nights were young,
Out to the wilderness to be alone.
Four months, four summer months among the hills,
So far from my old life I had forgot
All to my name. None knew me but my dog,
And he was secret. Thus, in pedlar's guise,
With pack and staff, and bartering such small wares
Of pills and ointments as the vulgar love,
And gathering simples, I had worked my way
Through every valley of the Candriote hills.
Four summer months of silence, and the balm
Of the green pastures where the cattle go
In the long droughts; among the giant rocks
Which are the walls of heaven, the ibex' home;
Among the dells where the green lizards lurk,
Waiting for sunrise. Oh, I knew them all,
The speckled birds which live among the stones.
I made new friendship with each grass and weed,
Each moss and lichen. Every flower became
Like a familiar face, and as I passed
The harebell nodded to me from her stem,
The gentian opened wide her sapphire eyes,
And the Alp--roses blushed. But, most of all,
The butterflies were mine. I marked each one,
As he came sailing down upon the wind,
A furlong off. The Argus looked at me
Out of his hundred eyes and did not move.
I could have counted you the purple spots
On great Apollo's wings. The shepherds came,
And brought their sick, that I might heal their woes
With my poor knowledge, and I learned in turn
Much weather--wisdom, and some wisdom too
Fresh from their human hearts 'twas wealth to know.
And thus I lived and dreamed and drank the wind
Which snows had cooled; and often I have stood
On some tall pinnacle above the plain,
And watched the clouds come flying on the breeze
To tear their fleeces on the jagged rocks,
Until they caught and folded me about
In their damp garments; and, when these were gone,
And the sun broke through the rain, my very soul
Laughed with the sun, washed white as a christened child,
And all was clean forgotten but its joy.
Such life was mine the short sweet summer through;
But when the August days were fled away
And nights grew chill, I came to Bannastal
On the Uranian sea, and there my fate
Was waiting for me, though I knew it not.
My fate, and what a fate! Oh, Lytton, now
I see my life transfigured like a seer's.
My eyes are open. I read plain the meaning
Of all that I beheld and heard and knew
Through the past summer, as in words of fire:
The sadness of my soul, my pilgrimage
Among the hills, each flower upon my way,
The sun, the stars, the passionate face of heaven,
The virtue of the earth, which expectation
Peopled for me with signs and prophecies,
All, all foretold the coming of a god.
Nay more, each hope, each fancy, each desire,
Each separate thought which I have thought, each sorrow
Laid on my heart, each unseen accident
Met in my road, each word, each look, each choice,
Each idle dream that I have dreamt in folly,
From my first hour till now, I do acknowledge
As the great forecast of a glorious fate,
Of hope made ecstasy and life made love.
And thus it is I learned the very truth
That God is on this earth. For twenty days
Are come and gone, and twenty nights have been
More sunny than those days, since these things were;
And I still ride upon the back of joy,
Which bears me bravely. Still the flowers blow.
St. Martin's summer has brought back the birds
To sing in these old gardens as in June.
--Listen. I hear one like the nightingale,
But sweeter and less sad, and thus she sings:
Oh fly not, Pleasure, pleasant--hearted Pleasure.
Fold me thy wings, I prithee, yet and stay.
For my heart no measure
Knows nor other treasure
To buy a garland for my love to--day.
And thou too, Sorrow, tender--hearted Sorrow.
Thou grey--eyed mourner, fly not yet away.
For I fain would borrow
Thy sad weeds to--morrow
To make a mourning for love's yesterday.
The voice of Pity, Time's divine dear Pity,
Moved me to tears. I dared not say them nay,
But went forth from the city
Making thus my ditty
Of fair love lost for ever and a day.
poem by Wilfrid Scawen Blunt

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The Desolate City
DARK to me is the earth. Dark to me are the heavens.
Where is she that I loved, the woman with eyes like stars?
Desolate are the streets. Desolate is the city.
A city taken by storm, where none are left but the slain.
Sadly I rose at dawn, undid the latch of my shutters,
Thinking to let in light, but I only let in love.
Birds in the boughs were awake; I listen'd to their chaunting;
Each one sang to his love; only I was alone.
This, I said in my heart, is the hour of life and of pleasure.
Now each creature on earth has his joy, and lives in the sun,
Each in another's eyes finds light, the light of compassion,
This is the moment of pity, this is the moment of love.
Speak, O desolate city! Speak, O silence in sadness!
Where is she that I loved in my strength, that spoke to my soul?
Where are those passionate eyes that appeal'd to my eyes in passion?
Where is the mouth that kiss'd me, the breast I laid to my own?
Speak, thou soul of my soul, for rage in my heart is kindled.
Tell me, where didst thou flee in the day of destruction and fear?
See, my arms still enfold thee, enfolding thus all heaven,
See, my desire is fulfill'd in thee, for it fills the earth.
Thus in my grief I lamented. Then turn'd I from the window,
Turn'd to the stair, and the open door, and the empty street,
Crying aloud in my grief, for there was none to chide me,
None to mock my weakness, none to behold my tears.
Groping I went, as blind. I sought her house, my beloved's.
There I stopp'd at the silent door, and listen'd and tried the
latch.
Love, I cried, dost thou slumber? This is no hour for slumber,
This is the hour of love, and love I bring in my hand.
I knew the house, with its windows barr'd, and its leafless fig-tree,
Climbing round by the doorstep, the only one in the street;
I knew where my hope had climb'd to its goal and there encircled
All that those desolate walls once held, my beloved's heart.
There in my grief she consoled me. She loved me when I loved not.
She put her hand in my hand, and set her lips to my lips.
She told me all her pain and show'd me all her trouble.
I, like a fool, scarce heard, hardly return'd her kiss.
Love, thy eyes were like torches. They changed as I beheld them.
Love, thy lips were like gems, the seal thou settest on my life.
Love, if I loved not then, behold this hour thy vengeance;
This is the fruit of thy love and thee, the unwise grown wise.
Weeping strangled my voice. I call'd out, but none answer'd;
Blindly the windows gazed back at me, dumbly the door;
See whom I love, who loved me, look'd not on my yearning,
Gave me no more her hands to kiss, show'd me no more her soul.
Therefore the earth is dark to me, the sunlight blackness,
Therefore I go in tears and alone, by night and day;
Therefore I find no love in heaven, no light, no beauty,
A heaven taken by storm, where none are left but the slain!
poem by Wilfrid Scawen Blunt

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A Dialogue, Between the Resolved Soul, And Created Pleasure
Courage my Soul, now learn to wield
The weight of thine immortal Shield.
Close on thy Head thy Helmet bright.
Ballance thy Sword against the Fight.
See where an Army, strong as fair,
With silken Banners spreads the air.
Now, if thou bee'st that thing Divine,
In this day's Combat let it shine:
And shew that Nature wants an Art
To conquer one resolved Heart.
Pleasure
Welcome the Creations Guest,
Lord of Earth, and Heavens Heir.
Lay aside that Warlike Crest,
And of Nature's banquet share:
Where the Souls of fruits and flow'rs
Stand prepar'd to heighten yours.
Soul
I sup above, and cannot stay
To bait so long upon the way.
Pleasure
On these downy Pillows lye,
Whose soft Plumes will thither fly:
On these Roses strow'd so plain
Lest one Leaf thy Side should strain.
Soul
My gentler Rest is on a Thought,
Conscious of doing what I ought.
Pleasure
If thou bee'st with Perfumes pleas'd,
Such as oft the Gods appeas'd,
Thou in fragrant Clouds shalt show
Like another God below.
Soul
A Soul that knowes not to presume
Is Heaven's and its own perfume.
Pleasure
Every thing does seem to vie
Which should first attract thine Eye:
But since none deserves that grace,
In this Crystal view thy face.
Soul
When the Creator's skill is priz'd,
The rest is all but Earth disguis'd.
Pleasure
Heark how Musick then prepares
For thy Stay these charming Aires ;
Which the posting Winds recall,
And suspend the Rivers Fall.
Soul
Had I but any time to lose,
On this I would it all dispose.
Cease Tempter. None can chain a mind
Whom this sweet Chordage cannot bind.
Chorus
Earth cannot shew so brave a Sight
As when a single Soul does fence
The Batteries of alluring Sense,
And Heaven views it with delight.
Then persevere: for still new Charges sound:
And if thou overcom'st thou shalt be crown'd.
Pleasure
All this fair, and cost, and sweet,
Which scatteringly doth shine,
Shall within one Beauty meet,
And she be only thine.
Soul
If things of Sight such Heavens be,
What Heavens are those we cannot see?
Pleasure
Where so e're thy Foot shall go
The minted Gold shall lie;
Till thou purchase all below,
And want new Worlds to buy.
Soul
Wer't not a price who 'ld value Gold?
And that's worth nought that can be sold.
Pleasure
Wilt thou all the Glory have
That War or Peace commend?
Half the World shall be thy Slave
The other half thy Friend.
Soul
What Friends, if to my self untrue?
What Slaves, unless I captive you?
Pleasure
Thou shalt know each hidden Cause;
And see the future Time:
Try what depth the Centre draws;
And then to Heaven climb.
Soul
None thither mounts by the degree
Of Knowledge, but Humility.
Chorus
Triumph, triumph, victorious Soul;
The World has not one Pleasure more:
The rest does lie beyond the pole,
And is thine everlasting Store.
poem by Andrew Marvell

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Queen Mary’s Letter To Bothwell
Pitiful gods! Have pity on my passion.
Teach me the road how I a certain proving
Shall make to him I love of my great loving,
My faith unchanged, nor plead it in fool's fashion.
Ah, is he weary of too full possession,
Of this poor body's zeal which naught denied him,
Of a Queen's pride enthroned too near beside him,
Her parliament of joy in too long session?
Nay, but she held as naught for him her honour,
Naught her friends' loyalty, their wrath her foemen.
Less than as naught the proud eyes of her women,
The load of a realm's anger laid upon her.
If it might vantage him! Behold me dying,
To prove my constancy, bequeathing all,
Fame, fortune, faith, my life's memorial,
The one son born to me, nor ought denying.
Queen am I with no subjects. Subject I
To my sole king. My country? 'Tis his pleasure.
There would I reign, who find in it my treasure,
For treasure--house his arms, and there would lie.
Without those frontiers would I wander never.
I am no vagrant to take ship and go.
This is my haven. Whatso winds shall blow,
They shall not tempt me to a new endeavour.
And yet he doubteth! Lo, the proof I offer:
Not tears, not prayers; a manlier test is mine.
Let others plead in weakness; my soul's wine
Has a strong logic which shall find no scoffer.
She, thy right lady for her own pride's sake,
Vowed thee obedience. 'Twas her debt of duty.
I for my shame made free gift of my beauty,
Holding it royaller to give than take.
She to her profit bindeth thee her lover,
Being thus mistress of thy wealth and name;
I to my hurt, in peril of my fame,
And dreading all men should my shame discover.
She dreadeth nothing; I have lost my daring.
She of her parents took thee proud to give;
I in despite of mine, who still must live
Fearing worse fortune through my too much caring.
And thou believest her! Although she reapeth
All her delight of thee, her place, her glory,
Her noble name who had no name in story,
(And I a queen!) Half of thy love she keepeth,
Love which was mine! And in exchange for what?
A girl's fool fancy for a boy aspirant.
How should she love thee not, thou master tyrant,
Her wedded lord, in room of that sad sot?
Mad were she else, since thou of all art master,
Supreme in valour, beauty and men's praise,
Thee in whose light I live out all my days.
How should I pity her her soul's disaster?
When first you wooed her, it was she the colder,
You the more fierce; your flame raged as a furnace,
She shrank from you abashed at love's sweet harness,
Raised a maid's finger as your zeal grew bolder.
No pleasure took she in your strength. She doubted
Naught of your constancy who least could care.
Small joy she made for you of braided hair
Or happy raiment, going meanly clouted.
Why should she deck herself? Her heart no faster
Beat, nor when even at death's door you lay.
Calmly she watched you in that disarray,
Nor trembled for you till Fate's fear had passed her.
And she lamenteth now, and moan she maketh,
Noting the petulance of her first folly,
Waileth aloud in wifely melancholy,
And blindeth thee with feint of that she lacketh.
What tales are hers! What flatteries now she weaveth,
In her false letters, as one more than I
Vowed to thy worship in long constancy
To a loved paramour! And he believeth!
Lies all! tales taken from some alien rhymer
Richer than she in words to cozen you.
Her woes are painted every week anew
On her green cheeks, each than the last sublimer.
And you give faith to her, to me light credence,
Though all my joy, my constancy is yours,
A flame which needs no kindling and endures,
Claiming its place by right of long precedence.
Too plain, alas, it is you hold me lightly,
Deem me with heart of wax, with words of wind,
A woman indiscreet and all too kind
To all the world, with a new lover nightly.
This is your ill thought which the more inflames me,
Humbling my pride, till I no longer crave
More than a share to--day of that you gave
So wholly yesterday. Your doubting shames me.
To--day I ask but this, to do you reverence,
To heap you worship and make full your fame,
To work for you the building of your name
Joined to my own. For this I bar our severance.
It is for you I supplicate my fortune,
My health restored, my strength, that you may learn
The fullness of my love and sweet concern
So dear to serve you. Thus do I importune;
Since that no wish have I but still to merit
Your life's companionship, who first of men
Possessed my body though less wholly then
My joy of heart which I of you inherit.
How many tears for you have I not wasted,
How much of anguish suffered and disgrace!
That day I saw the blood flow on your face
I knew you mine; 'twas my own death I tasted.
A day that was the last of my high queenship,
Of my life's honour held to--day in scorn,
Of my friends' faith even here where I was born
With those that nursed me or were near in kinship.
To--day I put aside their tried alliance.
Yours only do I seek, which shall sustain
My woman's weakness and make strong my reign,
And give meet answer to my foes' defiance.
This my presumption is, my reckoning this is,
The one desire of her who is your friend,
Who would your mistress be to her life's end
And serve you with her tenderest tendernesses,
You who to her are as her soul's sole brother,
A woman in subjection to your will,
To live and die for you your servant still,
You only of all men and not another.
Take it, my heart, my life, my blood, my all,
The pleasure of my days, my nights of anguish,
The lovelessness of hours where lone I languish,
And build them with me to a festival.
For now my heart is palsied with long fearings
Of this, of that, the fear lest you forget,
Lest tales be told of me, lest snares be set
To lure you from my arms to new endearings,
Some pitiful sad accident of sorrow,
Which may God shield us from with his good grace.
My fears I write who cannot see your face
Yet know my love as yesterday to--morrow.
And so farewell. Nay answer not in censure.
Be bountiful of praise nor count the cost.
Learn that that man is king who dareth most,
And his the victory who most shall venture.
poem by Wilfrid Scawen Blunt

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De Profundis
Come let us curse our Master ere we die,
For all our hopes in endless ruin lie.
The good is dead. Let us curse God most High.
Four thousand years of toil and hope and thought
Wherein man laboured upward and still wrought
New worlds and better, Thou hast made as naught.
We built us joyful cities, strong and fair,
Knowledge we sought and gathered wisdom rare.
And all this time you laughed upon our care,
And suddenly the earth grew black with wrong,
Our hope was crushed and silenced was our song,
The heaven grew loud with weeping. Thou art strong.
Come then and curse the Lord. Over the earth
Gross darkness falls, and evil was our birth
And our few happy days of little worth.
Even if it be not all a dream in vain
—The ancient hope that still will rise again—
Of a just God that cares for earthly pain,
Yet far away beyond our labouring night,
He wanders in the depths of endless light,
Singing alone his musics of delight;
Only the far, spent echo of his song
Our dungeons and deep cells can smite along,
And Thou art nearer. Thou art very strong.
O universal strength, I know it well,
It is but froth of folly to rebel;
For thou art Lord and hast the keys of Hell.
Yet I will not bow down to thee nor love thee,
For looking in my own heart I can prove thee,
And know this frail, bruised being is above thee.
Our love, our hope, our thirsting for the right,
Our mercy and long seeking of the light,
Shall we change these for thy relentless might?
Laugh then and slay. Shatter all things of worth,
Heap torment still on torment for thy mirth—
Thou art not Lord while there are Men on earth.
poem by Clive Staples Lewis

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The Dream
It was the morning; through the shutters closed,
Along the balcony, the earliest rays
Of sunlight my dark room were entering;
When, at the time that sleep upon our eyes
Its softest and most grateful shadows casts,
There stood beside me, looking in my face,
The image dear of her, who taught me first
To love, then left me to lament her loss.
To me she seemed not dead, but sad, with such
A countenance as the unhappy wear.
Her right hand near my head she sighing placed;
'Dost thou still live,' she said to me, 'and dost
Thou still remember what we _were_ and are?'
And I replied: 'Whence comest thou, and how,
Beloved and beautiful? Oh how, how I
Have grieved, still grieve for thee! Nor did I think
Thou e'er couldst know it more; and oh, that thought
My sorrow rendered more disconsolate!
But art thou now again to leave me?
I fear so. Say, what hath befallen thee?
Art thou the same? What preys upon thee thus?'
'Oblivion weighs upon thy thoughts, and sleep
Envelops them,' she answered; 'I am dead,
And many months have passed, since last we met.'
What grief oppressed me, as these words I heard!
And she continued: 'In the flower of youth
Cut off, when life is sweetest, and before
The heart that lesson sad and sure hath learnt,
The utter vanity of human hope!
The sick man may e'en covet, as a boon,
That which withdraws him from all suffering;
But to the young, Death comes, disconsolate;
And hard the fate of hope, that in the grave
Is quenched! And yet, how vain that knowledge is,
That Nature from the inexperienced hides!
And a blind sorrow is to be preferred
To wisdom premature!'--'Hush, hush!' I cried,
'Unhappy one, and dear! My heart is crushed
With these thy words! And art thou dead, indeed,
O my beloved? and am I still alive?
And was it, then, in heaven decreed, that this,
Thy tender body the last damps of death
Should feel, and my poor, wretched frame remain
Unharmed? Oh, often, often as I think
That thou no longer livest, and that I
Shall never see thee on the earth again,
Incredible it seems! Alas, alas!
What _is_ this thing, that they call death? Oh, would
That I, this day, the mystery could solve,
And my defenceless head withdraw from Fate's
Relentless hate! I still am young, and still
Feel all the blight and misery of age,
Which I so dread; and distant far it seems;
But, ah, how little different from age,
The flower of my years!'--'We both were born,'
She said, 'to weep; unhappy were our lives,
And heaven took pleasure in our sufferings.'
'Oh if my eyes with tears,' I added, 'then,
My face with pallor veiled thou seest, for loss
Of thee, and anguish weighing on my heart;
Tell me, was any spark of pity or of love
For the poor lover kindled in thy heart,
While thou didst live? I, then, between my hope
And my despair, passed weary nights and days;
And now, my mind is with vain doubts oppressed.
Oh if but once compassion smote thee for
My darkened life, conceal it not from me,
I pray thee; let the memory console me,
Since of their future our young days were robbed!'
And she: 'Be comforted, unhappy one!
I was not churlish of my pity whilst
I lived, and am not now, myself so wretched!
Oh, do not chide this most unhappy child!'
'By all our sufferings, and by the love
Which preys upon me,' I exclaimed, 'and by
Our youth, and by the hope that faded from
Our lives, O let me, dearest, touch thy hand!'
And sweetly, sadly, she extended it.
And while I covered it with kisses, while
With sorrow and with rapture quivering,
I to my panting bosom fondly pressed it,
With fervent passion glowed my face and breast,
My trembling voice refused its utterance,
And all things swam before my sight; when she,
Her eyes fixed tenderly on mine, replied:
'And dost thou, then, forget, dear friend, that I
Am of my beauty utterly deprived?
And vainly thou, unhappy one, dost yield
To passion's transports. Now, a last farewell!
Our wretched minds, our feeble bodies, too,
Eternally are parted. Thou to me
No longer livest, nevermore shall live.
Fate hath annulled the faith that thou hast sworn.'
Then, in my anguish as I seemed to cry
Aloud, convulsed, my eyes o'erflowing with
The tears of utter, helpless misery,
I started from my sleep. The image still
Was seen, and in the sun's uncertain light
Above my couch she seemed to linger still.
poem by Count Giacomo Leopardi

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To A Happy Warrior
Glory to God who made a man like this!
To God be praise who in the empty heaven
Set Earth's gay globe
With its green vesture given
And nuptial robe
To be the home enthroned of happiness!
Who from the silences
Of the dumb Universe,
For listening ears,
Constructed song
And fashioned the first note
Of the first linnet's throat,
His audible whisper the deep woods among!
Who, with His dance--masters,
The dappled deer
And their fleet fawns,
With rhythmic beat
Of their light feet
Upon the thyme--sweet lawns,
Framed the free gamut of the wakening year
And gave command to mirth His minister
That all things young and glad
And mad,
In this fair world's expanse
Should dance!
Praise be! and most for these,
The lyric ecstasies
Sublime in each least lot,
The passionate plot
Subtly contrived to propagate their kind
By beast and bird and in Man's livelier mind
To make of life new life,
Of joy new joy, in corporal bliss
Entwined,
Man's who is man and wife,
Though neither he have thought
Nor she, in their love blind,
Of that child's smile
Half hers half his
Unborn, the while
They clasp and kiss!
These are the vastnesses
That bid us give God glory for his depths of guile.
And he? The ultimate man,
The heir of their delight,
Whose keener sight
Grasped the full vision of Time's master--plan,
And who, because he knew,
Found power to do
What the rest dared not and was thus the priest
Of the divine high feast
Of Love on Earth? Poet, whose prosody
Embraced heaven's infinite blue
And the white light of stars,
The moon's proud chastity
And the sea beating on its prison bars;
Whose ritual
Was the procession of the months and days
In ordered praise
Of ceremonial flowers, Earth's virginal
Patchwork of shredded colours in the grass;
Whose incense was
The mist of morning, and whose sacrifice
The sun in splendour by whose light all live?
How shall we give
To one thus wise
Our homage who so loved him and alas
Now weep for him with unavailing eyes?
For what is wisdom more than this one thought,
To harvest happiness? Time has its wheat,
Its rule of life discreet,
By scholars taught,
For daily bread; and its weeds too,
Its wild crop of the woods which is not bought,
Its way that fools call folly,
Choke--pear, crab, holly,
All the riot
Of the bird's diet,
For maid and boy,
Their winter--pick of joy,
If they but knew!
And these to learn and gather in their prime
Is youth's sublime.
Here lay his victory. Not flowers alone
Nor fruits were his,
But the world's sadnesses
He gathered also, its loves lost and gone,
The tragic things that are
As the maple leaves
Of the fast dying year,
Crowning its funeral car,
The glory of its passing set on fire
In the late hedges,
The wreathed bryony
Black with the Autumn saltings of the Sea,
And those lone sedges at the lake's edges
Which winter winds have whitened on the mere.
These, as the symbols of his Soul's romance
In antique lands,
He bound into the sheaves
Of his desire,
A wreath,
Nobler for death.
Of these he fashioned a new chivalry
For days to be,
Incorporate with the glories of all Time,
The immortal rhyme
Of Roland and the paladins of France,
Of Charlemagne,
The Cid Bivar of Spain,
And those pround questers of the Holy Grail
Who rode with Arthur cap à pie in mail,
Till in his hands
It seemed the actual lance
Of Lancelot trembled and took edge and shook
Defiance at his foes in Lyonnesse,
No less than those
Of whom it is written in the old French book
That he pursued and slew and scattering rent
Their ranks in fear,
While the Earth trembled his glad shout to hear.
So he in his high rage in Parliament.
Anon, too, at the feasts
Where with the knights and ladies crowned he sat,
Their laureate
Of that famed Table Round, its pleasure's lord,
His was the tongue
To celebrate their praise,
Theirs the adored,
With virile minstrelsy and mirth and song,
And generous wine
Outpoured
In draughts divine from flagons
Rich with the mellow fruitage of the vine;
His was the tongue
To tell of valorous deeds
Done for high honour's needs
On pestilent dragons in dank forest places
Vanquished and slain, and felon knights laid low,
For fair loved faces
In days long ago;
Amorous sad tales of dolorous mistakes
At hands that sought to save;
Ancient heart--aches,
Each laid to rest in its forgotten grave.
And with them griefs, which venturing found their hour,
Fruitage and flower,
And were fulfilled of joy;--and chiefly hers,
Royal sad Guinevere's
Noblest of all among the tragic dead.
Of her he loved to tell.
And he did well;
For she, the lady of his dreams, one night,
As it is said,
In Glastonbury,
Hearing his young steps hurry
As to a goal,
To kneel at her dead feet,
Where as she lay with her sleep--folded palms
In the long calms
Of a passed soul,
Did from her cerements white
Awake,
And feel her passionate heart beat
To his desire,
And in new bride's attire
Arise and live a woman for his sake,
A woman and no dream.
These were the rhapsodies of life to him,
The things that his heart's zeal
Made real.
And who shall wonder if to--day we weep
Our Prince of happiness,
Our warrior dead?
If we, who saw
These wonders beyond law,
And his proud soul's essay
To live the great life of the Fellowship
In our late day,
Should mourn him fled,
Yet, none the less,
Give praise
To God, with chastened but undoubting lip,
For this exemplar of His works and ways?
Since that we know that in His scheme of bliss
No permanent anguish is,
But beauty only and high ruth and truth,
And that Life's law is this:
Pleasure is duty, duty pleasure
In equal measure;
And Time's happiness
God's all--sufficient reason with the wise,
As with this man
Who sleeps in Paradise.
poem by Wilfrid Scawen Blunt

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Discretion
AH, turn your pretty eyes away!
You would not have me love again?
Love's pleasure does not live a day,
Immortal is Love's pain,
And I am tired of pain.
I have loved once--aye, once or twice;
The pleasure died, the pain lives here;
I will not look in your sweet eyes,
I will not love you, Dear,
Lest you should grow too dear.
For I am weary and afraid.
Have I not seen why life was fair,
And known how good a world God made,
How sweet the blossoms were,
How dear the green fields were?
And I have found how life was gray,
A mist-hung road, a quest in vain,
Until once more Love smiled my way
And fooled me once again,
And taught me grief again.
Now I will gather no more grief;
I only ask to see the sky,
The budding flower, the budding leaf,
And put old dreamings by,
The dreams Love tortures by.
For, being wise, I love no more;
You, if you will, snare with those eyes
Some fool who never loved before,
And teach him to be wise!
For why should you be wise?
poem by Edith Nesbit

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The Wisdom Of Merlyn
These are the time--words of Merlyn, the voice of his age recorded,
All his wisdom of life, the fruit of tears in his youth, of joy in his manhood hoarded,
All the wit of his years unsealed, to the witless alms awarded.
These are his time--gifts of song, his help to the heavy--laden,
Words of an expert of life, who has gathered its sins in his sack, its virtues to grieve and gladden,
Speaking aloud as one who is strong to the heart of man, wife and maiden.
For he is Merlyn of old, the once young, the still robed in glory,
Ancient of days though he be, with wisdom only for wealth and the crown of his locks grown hoary,
Yet with the rage of his soul untamed, the skill of his lips in story.
He dares not unhouselled die, who has seen, who has known, who has tasted
What of the splendours of Time, of the wise wild joys of the Earth, of the newness of pleasures quested,
All that is neither of then nor now, Truth's naked self clean--breasted,
Things of youth and of strength, the Earth with its infinite pity,
Glories of mountain and plain, of streams that wind from the hills to the insolent human city,
Dark with its traders of human woe enthroned in the seats of the mighty.
Fair things nobler than Man before the day of his ruling,
Free in their ancient peace, ere he came to change, to destroy, to hinder with his schooling,
Asking naught that was his to give save freedom from his fooling.
Beautiful, wonderful, wise, a consonant law--ruled heaven,
Garden ungardened yet, in need yet hardly of God to walk there noon or even,
Beast and bird and flower in its place, Earth's wonders more than seven.
Of these he would speak and confess, to the young who regard not their heirship,
Of beauty to boys who are blind, of might to the impotent strong, to the women who crowd Time's fair ship,
Of pearls deep hid in Love's Indian seas, the name of the God they worship.
Thus let it be with Merlyn before his daylight is ended,
One last psalm of his life, the light of it lipped with laughter, the might of it mixed and blended
Still with the subtle sweet need of tears than Pleasure's self more splendid,
Psalm and hymn of the Earth expounding what Time teaches,
Creed no longer of wrath, of silent issueless hopes, of a thing which beyond Man's reach is,
Hope deferred till the heart grows sick, while the preacher vainly preaches.
Nay but a logic of life, which needeth no deferring,
Life with its birthright love, the sun the wind and the rain in multiple pleasure stirring
Under the summer leaves at noon, with no sad doubt of erring,
No sad legend of sin, since his an innocent Eden
Is, and a garden of grace, its gateway clear of the sword, its alleys not angel--ridden,
Its tree of life at the lips of all and never a fruit forbidden.
Merlyn is no vain singer to vex men's ears in the street,
Nay, nor a maid's unbidden. He importuneth none with his song, be it never so wild and sweet.
She that hath ears to hear, let her hear; he will not follow her feet.
Merlyn makes no petition. He asketh of no man alms.
Prince and prophet is he, a monarch, a giver of gifts, a lord of the open plams,
Sueth he naught, not at God's own hand, though he laudeth the Lord in psalms.
Merlyn would speak his message only to hearts that are strong,
To him that hath courage to climb, who would gather time's samphire flowers, who would venture the crags among.
To her who would lesson her soul to fear, with love for sermon and song.
Merlyn hath arms of pity, the weak he would hold to his soul,
Make them partakers of truth, of the ancient weal of the Earth, of the life--throb from Pole to Pole.
He would hold them close; he would dry their tears; with a kiss he would make them whole.
Thus would he sing and to thee, thou child with the eyes of passion
Watching his face in the dark, in the silent light of the stars, while he in his godlike fashion
Maketh his mock at the fears of men, nor spareth to lay the lash on.
Thus would thy Merlyn devise, ere the days of his years be numbered,
Now at threescore and ten. He would leave his word to the world, his soul of its load uncumbered.
Then would he lay his ear to the grave, and sleep as his childhood slumbered.
What is the fruit of Wisdom? To learn the proportion of things;
To know the ant from the lion, the whale from the crest of the wave, the ditty the grasshopper sings
From the chaunt of the full--fledged Paradise bird as he shakes the dew from his wings.
There is one thing more than knowledge, a harvest garnered by few:
To tutor the heart to achieve, to fashion the act to the hand, to do and not yearn to do,
To say to the wish of the soul ``I will,'' to have gathered the flower where it grew.
I was young, and they told me ``Tarry. The rash in the nets are taken.
If there be doubt of thy deed, abstain, lest the day of danger behold thee by these forsaken,
Lest thou lie in the lion's den thou hast roused, with the eyes thou hast dared to waken.''
They spake, but I answered ``Nay, who waiteth shall take no quarry.
Pleasure is fleet as the roe; in the vales he feedeth to--day, but at nightwhen the eyes grow weary
Lo, he hath passed to the desolate hills; he is gone. Nay, he may not tarry.''
For Joy too needeth a net. He cometh tame to thy hand,
Asketh an alms of thy life, to serve thee, thy jubilant slave, if thou wouldst but understand.
Then is thy moment, O Man, for the noose, be it steel or a silken band.
Therefore, where doubt is, do! Thou shalt stumble in thine endeavour,
Ay, till thy knees be sore, thy back with the arrows of grief, and thou stand with an empty quiver.
Yet shall thy heart prevail through its pain, for pain is a mastering lever.
Wouldst thou be wise, O Man? At the knees of a woman begin.
Her eyes shall teach thee thy road, the worth of the thing called pleasure, the joy of the thing called sin.
Else shalt thou go to thy grave in pain for the folly that might have been.
For know, the knowledge of women the beginning of wisdom is.
Who had seven hundred wives and concubines hundreds three, as we read in the book of bliss?
Solomon, wisest of men and kings, and ``all of them princesses.''
Yet, be thou stronger than they. To be ruled of a woman is ill.
Life hath an hundred ways, beside the way of her arms, to give thee of joy thy fill.
Only is love of thy life the flower. Be thine the ultimate will.
A right way is to be happy, a wrong way too. Then beware.
Leave the colt in his stall, he shall grow to a thankless jade, be he never so fat and fair.
Sloth is a crime. Rise up, young fool, and grasp thy joy by the hair.
What is the motto of youth? There is only one. Be thou strong.
Do thy work and achieve, with thy brain, with thy hands, with thy heart, the deeds which to strength belong.
Strike each day thy blow for the right, or failing strike for the wrong.
He that would gain let him give. The shut hand hardly shall win.
Open thy palms to the poor, O thou of the indigent heart. There shall pleas ure be poured therein.
Use thy soul to the cord of joy. If thou sin must, strongly sin.
Cast thy whole heart away. The Earth, philosophers tell,
Leaps to a pebble thrown, be it never so little; it moved to the bidding of that which fell.
Throw thy heart! Thou shalt move the world, though thou fall on the floor of Hell.
Few have the courage of loving. Faint hearts! The loss is theirs.
Few of their idlest whims. ``I would win to Rome ere I die,'' one cried in his daily cares,
Yet plods on on 'Change to his grave, the slave of his stocks and shares.
Learn to appraise thy desires, to weigh the wares of thy heart.
If thou wouldst play with pleasure, avoid Love's passionate tides, its perilous Ocean chart,
Hug the shores of Love's inland seas, and buy thy joys in the mart.
Love lightly, but marry at leisure. Wild Love is a flower of the field
Waiting all hands to gather and ours. If we leave it another will win it and kneel where we kneeled.
Marriage is one tame garden rose in a garden fenced and sealed.
O thou who art sitting silent! Youth, with the eyelids of grief!
How shall I rouse thee to wit? Thou hast stolen the joy of our world. Thouscornest its vain relief.
Nay, she is here. Be thy tongue set free. Play up, thou eloquent thief.
Doubt not thy absolution, sinner, who darest to sin.
So thou prevail in the end, she shall hold thee guiltless of guile, a hero, a paladin.
The end in her eyes hath thee justified, whatever thy means have been.
Love is of body and body, the physical passion of joy;
The desire of the man for the maid, her nakedness strained to his own; the mother's who suckles her boy
With the passionate flow of her naked breast. All else is a fraudulent toy.
Of the house where Love is the master thy beauty may hold the key.
It shall open the hall--door wide, shout loud thy name to its lord. Yet, wouldst thou its full guest be,
Bring with thee other than beauty, wit. Then sit at the feast made free.
``To talk of love is to make love.'' Truly, a maxim of price.
Nathless the noblest soul, shouldst thou tell her of passionate things and fail to gaze in her eyes,
Shall hold thee cheap in her woman's pride, a clown for thy courtesies.
Love hath two mountain summits, the first where pleasure was born
Faint in the cloud--land of light, a vision of possible hope; the second a tempest--torn
Crag where passion is lord and king. Betwixt them what vales forlorn!
Happiness needs to be learned. In youth the ideal woman
Gazed at afar was a dream, a priceless untouchable prize, while she in your arms, too human,
Mocked you with love. 'Tis an art learned late; alas, and the whole by no man.
O! thou in the purple gendered. Thou needst pain for thy case.
Lose thy health or thy heart. Be bowed in thy soul's despond. Be whelmed in a world's disgrace.
So shall thy eyes be unsealed of pride and see Love face to face.
If thou wouldst win love, speak. She shall read the truth on thy lips.
Spoken vows shall prevail, the spell of thy eloquent hand, the flame of thy finger--tips.
Write? She is reading another's eyes while thy sad pen dips and dips.
Thou hast ventured a letter of passion, in ease of thy passionate heart?
Nay, be advised; there is fear, mischance in the written word, when lovers are far apart.
Pain is betrayed by the subtle pen where lips prevailed without art.
Love is a fire. In the lighting, it raiseth a treacherous smoke,
Telling its tale to the world; but anon, growing clear in its flame, may be hid by an old wife's cloak,
And the world learn nothing more and forget the knowledge its smouldering woke.
Comes there a trouble upon thee? Be silent, nor own the debt.
Friendship kicks at the goda; thy naked state is its shame; thou hast angered these with thy fret.
Wait. The world shall forgive thy sin. It asks but leave to forget.
The world is an indolent house--shrew. It scolds but cares not to know
Whether in fancy or fact. What it thinks we have done, that it scourges; the true thing we did it lets go.
What matter? We fare less ill than our act, ay, all of us; more be our woe!
There are days when wisdom is witless, when folly is noble, sublime.
Let us thank the dear gods for our madness, the rush of the blood in our veins, the exuberant pulsings of Time,
And pray, while we sin the forbidden sin, we be spared our penance of crime.
There are habits and customs of passion. Long loves are a tyrannous debt.
But to some there is custom of change, the desire of the untrodden ways, with sunshine of days that were wet,
Of the four fair wives of love's kindly law by licence of Mahomet.
Experience all is of use, save one, to have angered a friend.
Break thy heart for a maid; another shall love thee anon. The gold shall return thou didst spend,
Ay, and thy beaten back grow whole. But friendship's grave is the end.
Why do I love thee, brother? We have shared what things in our youth,
Battle and siege and triumph, together, always together, in wanderings North and South.
But one thing shared binds nearer than all, the kisses of one sweet mouth.
He that hath loved the mother shall love the daughter no less,
Sister the younger sister. There are tones how sweet to his ear, gestures that plead and press,
Echoes fraught with remembered things that cry in the silences.
Fly from thy friend in his fortune, his first days of wealth, of fame;
Or, if thou needest to meet him, do thou as the children of Noah, walk back wards and guard thee from blame.
He who saw found forgiveness none. With thee it were haply the same.
Bridegroom, thy pride is unseemly. Thou boastest abroad, with a smile,
Thou hast read our humanity's riddle. Nay, wait yet a year with thy bride; she shall lesson thee wiser the while.
Then shalt thou blush for thy words to--day, the shame of thy innocent guile.
The love of a girl is a taper lit on a windy night.
Awhile it lightens our darkness, consoles with its pure sudden flame, and the shadows around it grow white.
Anon with a rain--gust of tears it is gone, and we blink more blind for the light.
Sage, thou art proud of thy knowledge, what mountains and marvels seen!
Thou hast loved how madly, how often! hast known what wiles of the heart, what ways of maid, wife and quean!
Yet shalt thou still be betrayed by love, befooled like a boy on the green.
Oh, there is honour in all love. Have lips once kissed thee, be dumb,
Save in their only praise. To cheapen the thing thou hast loved is to bite at thyself thy thumb,
To shout thy own fool's fault to the world, and beat thy shame on a drum.
Who hath dared mock at thy beauty, Lady? Who deemeth thee old?
If he had seen thee anon in the tender light of thine eyes, as I saw thee, what tales had he told
Of ruined kingdoms and kings for one, of misers spending their gold!
Friendship or Love? You ask it: which binds with the stronger tether?
Friendship? Thy comrade of youth, who laughed with thee on thy road? What ailed him in that rough weather,
When to thy bosom Love's angel crept, twin tragedies locked together?
Friendship is fostered with gifts. Be it so; little presents? Yes.
Friendship! But ah, not Love, since love is itself Love's gift and it angereth him to have less.
Woe to the lover who dares to bring more wealth than his tenderness.
This to the woman: Forbear his gifts, the man's thou wouldst hold.
Cheerfully he shall give and thou nothing guess, yet anon he shall weigh thee in scales of his gold.
Woe to thee then if the charge be more than a heartache's cost all told.
Thou art tempted, a passion unworthy? Long struggle hath dulled thy brain?
How shalt thou save thee, poor soul? How buy back the peace of thy days? If of rest thou be fain,
Oft is there virtue in yielding all; thou shalt not be tempted again.
Sacrifice truly is noble. Yet, Lady, ponder thy fate.
Many a victory, won in tears by her who forbore, hath ruined her soul's estate.
Virtue's prize was too dear a whim, the price agreed to too great.
Virtue or vice? Which, think you, should need more veil for her face?
Virtue hath little fear; she goeth in unchaste guise; she ventureth all disgrace.
Poor Vice hid in her shame sits dumb while a stranger taketh her place.
Chastity? Who is unchaste? The church--wed wife, without blame
Yielding her body nightly, a lack--love indolent prize, to the lord of her legal shame?
Or she, the outlawed passionate soul? Their carnal act is the same.
In youth it is well thou lovest. The fire in thee burneth strong.
Choose whom thou wilt, it kindleth; a beggar--maid or a queen, she shall carry the flame along.
Only in age to be loved is best; her right shall repair thy wrong.
Lady, wouldst fly with thy lover? Alas, he loves thee to--day.
How shall it be to--morrow? He saw thee a bird in the air, a rose on its thorny spray.
He would take thee? What shalt thou be in his hand? A burden to bear alway.
Women love beauty in women, a thing to uphold, to adore,
To vaunt for all womanhood's fame, a seemly sweet fitness of body, adorned with all virtuous lore.
Beauty, but not of the kind men prize. On that they would set small store.
What is there cruel as fear? A falcon rending her prey
Showeth an evil eye, but to him she loveth is kind; her rage she shall put away.
But a frightened woman hath pity none. Though she love thee, yet shall she slay.
Show not thy sin to thy son. He shall judge thee harder than these.
All the servants of Noah beheld his shame in the house and loyally held their peace.
Ham alone at his father laughed, made jest of his nakedness.
Cast not loose thy religion, whether believing or no.
Heavy it is with its rule, a burden laid on thy back, a sombre mask at the show.
Yet shall it cloak thee in days of storm, a shield when life's whirlwinds blow.
As to the tree its ivy, so virtue is to the soul.
All the winter long it clothed us in leafage green, and the forest paid us its toll.
Now it is Spring and the rest rejoice while we stand drear in our dole.
Thy love of children is well. Yet a peril lurketh therein.
See lest thy sloth take excuse of thy fondness. Nay, coward art thou, and thine is the pestilent sin.
Shift wouldst thou thy burden of life, the blame of thy ``might have been.''
Courage we all find enough to bear the mischance of our friends.
How many tortured souls have gone to their self--made graves through wreck of their own mad ends:
But no man yet hath his weazand slit for his neighbour's pain in amends.
Fear not to change thy way, since change is of growth, life's sign.
The Child in his growing body, the Sage in his gathered lore, the Saint in his growths divine,
All find pleasure but Age which weeps the unchanging years' decline.
Whence is our fountain of tears? We weep in childhood for pain,
Anon for triumph in manhood, the sudden glory of praise, the giant mastered and slain.
Age weeps only for love renewed and pleasure come back again.
What is our personal self? A fading record of days
Held in our single brain, memory linked with memory back to our childhood's ways.
Beyond it what? A tradition blurred of gossip and nursemaid says.
Why dost thou plain of thine age, O thou with the beard that is thin?
Art thou alone in thy home? Is there none at thy side, not one, to deem thee a man among men?
Nay, thou art young while she holds thy hand, be thy years the threescore and ten.
The world is untimely contrived. It gives us our sunshine in summer,
Its laughing face in our youth, when we need it not to be gay, being each one his own best mummer.
All its frown is for life that goes, its smile for the last new comer.
Europe a horologe is, ill mounted and clogged with grime,
Asia a clock run down. Its hands on the dial are still; its hours are toldby no chime.
Nathless, twice in the twenty--four, it shall tell thee exactly the time.
What is the profit of knowledge? Ah none, though to know not is pain!
We grieve like a child in the dark; we grope for a chink at the door, for a way of escape from the chain;
We beat on life's lock with our bleeding hands, till it opens. And where is the gain?
I have tried all pleasures but one, the last and sweetest; it waits.
Childhood, the childhood of age, to totter again on the lawns, to have done with the loves and the hates,
To gather the daisies, and drop them, and sleep on the nursing knees of the Fates.
I asked of the wise man ``Tell me, what age is the age of pleasure?
Twenty years have I lived. I have spread my meshes in vain. I have taken a paltry treasure.
Where is the heart of the gold?'' And he, ``I will tell thee anon at leisure.''
I pleaded at thirty ``Listen. I have played, I have lost, I have won.
I have loved in joy and sorrow. My life is a burden grown with the thought of its sands outrun.
Where is the joy of our years? At forty?'' ``Say it is just begun.''
At forty I made love's mourning. I stood alone with my foes,
Foot to foot with my Fate, as a man at grips with a man, returning blows for blows.
In the joy of battle ``'Tis here'' I cried. But the wise man, ``Nay, who knows?''
At fifty I walked sedately. At sixty I took my rest.
I had learned the good with the evil. I troubled my soul no more, I had reached the Isles of the Blest.
The sage was dead who had warned my fears. I was wise, I too, with the best.
What do we know of Being? Our own? How short lived, how base!
That which is not our own? The eternal enrolment of stars, the voids and the silences!
The enormous might of the mindless globes whirling through infinite space!
The infinite Great overhead, the infinite Little beneath!
The turn of the cellular germ, the giddy evolving of life in the intricate struggle for breath,
The microbe, the mote alive in the blood, the eyeless atom of death!
Yet which is the greater Being? We have dreamed of a life--giving God,
Him, the mind of the Sun, the conscious brain--flower of Space, with a cosmic form and abode,
With thought and pity and power of will, Humanity's ethical code.
We have dreamed, but we do not believe. Be He here, be He not, 'tis as one.
His Godhead, how does it help? He is far. He is blind to our need. Nay, nay, He is less than the Sun,
Less than the least of the tremulous stars, than our old scorned idols of stone.
For He heareth not, nor seeth. As we to the motes in our blood,
So is He to our lives, a possible symbol of power, a formula half understood.
But the voice of Him, where? the hand grip, where? A child's cry lost in a wood.
Therefore is Matter monarch, the eternal the infinite Thing,
The ``I that am'' which reigneth, which showeth no shadow of change, while humanities wane and spring,
Which saith ``Make no vain Gods before me, who only am Lord and King.''
What then is Merlyn's message, his word to thee weary of pain,
Man, on thy desolate march, thy search for an adequate cause, for a thread, for a guiding rein,
Still in the maze of thy doubts and fears, to bring thee thy joy again?
Thou hast tried to climb to the sky; thou hast called it a firmament;
Thou hast found it a thing infirm, a heaven which is no haven, a bladder punctured and rent,
A mansion frail as the rainbow mist, as thy own soul impotent.
Thou hast clung to a dream in thy tears; thou hast stayed thy rage with a hope;
Thou hast anchored thy wreck to a reed, a cobweb spread for thy sail, with sand for thy salvage rope;
Thou hast made thy course with a compass marred, a toy for thy telescope.
What hast thou done with thy days? Bethink thee, Man, that alone,
Thou of all sentient things, hast learned to grieve in thy joy, hast earned thee the malison
Of going sad without cause of pain, a weeper and woebegone.
Why? For the dream of a dream of another than this fair life
Joyous to all but thee, by every creature beloved in its spring--time of passion rife,
By every creature but only thee, sad husband with sadder wife,
Scared at thought of the end, at the simple logic of death,
Scared at the old Earth's arms outstretched to hold thee again, thou child of an hour, of a breath,
Seeking refuge with all but her, the mother that comforteth.
Merlyn's message is this: he would bid thee have done with pride.
What has it brought thee but grief, thy parentage with the Gods, thy kinship with beasts denied?
What thy lore of a life to come in a cloud--world deified?
O thou child which art Man, distraught with a shadow of ill!
O thou fool of thy dreams, thou gatherer rarely of flowers but of fungi ofevil smell,
Posion growths of the autumn woods, rank mandrake and mort--morell!
Take thy joy with the rest, the bird, the beast of the field,
Each one wiser than thou, which frolic in no dismay, which seize what the seasons yield,
And lay thee down when thy day is done content with the unrevealed.
Take the thing which thou hast. Forget thy kingdom unseen.
Lean thy lips on the Earth; she shall bring new peace to thy eyes with her healing vesture green.
Drink once more at her fount of love, the one true hippocrene.
O thou child of thy fears! Nay, shame on thy childish part
Weeping when called to thy bed. Take cheer. When the shadows come, when the crowd is leaving the mart,
Then shalt thou learn that thou needest sleep, Death's kindly arms for thy heart.
poem by Wilfrid Scawen Blunt

Submitted by Poetry Lover
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Too Late
Too late the prize is drawn, the goal attained.
Too late, too late, our heart's desire is gained.
Wealth's use is past; Fame's crown of laurel mocks
The downward drooping head and grizzled locks.
The end is reached — the end of toil and strife —
The end of life.
Love flowers and fades like grass, and flowers again,
And strong young hearts spend all their strength in vain.
The fiery passions burn out, one by one,
And then, too late, when our best days are done,
Spirit and body find their perfect mate —
Too late, too late!
Long sought, long seeking, through the lonely years,
We meet at last to weep our useless tears
For time and chance irrevocably flown,
For dreams outlived and fervent hopes outgrown,
For babes unborn, for myriad joys unseen,
That might have been.
Too late, too late! And yet the priceless boon
Might ne'er have come to bless us, late or soon;
And only comes, like Holy Grail, to those
Made wise and pure by bitter needs and woes.
We learn the worth of life when life is o'er,
And not before.
Not for the spring and morning time of youth
The perfect flower of slow- unfolding truth —
The perfect love, deep, passionate, and strong,
That comes of wanting much and waiting long.
This glorious fire is of the setting sun
When day is done.
This harvest wealth, this crowning gift of fate,
This fruit of suffering years, must aye come late;
And only seeking spirit and ripe mind —
Only a few — the matchless treasure find,
And find, despite all time and chances lost,
'Twas worth the cost.
Ah me! To stand upon this height at last,
Ere eyes are dim or daylight overpast;
To see one aim achieved, one dream fulfilled,
Ere striving brain and hoping heart are stilled;
To know that we have borne a lifelong pain
Not all in vain!
O, not too late, if once we reach the goal —
If once we satisfy this hungry soul —
If only for a year, a day, an hour,
We drink our fill of life's true bliss and power.
If we but touch that point, we conquer fate
Not quite too late!
poem by Ada Cambridge

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Good Night
1.
Love, thou hast wandered far and wide,
But here thy wanderings cease;
Thy long- sought mate is by thy side,
And thou canst sleep in peace.
2.
Night moans outside our window- pane,
And weeps from dripping eaves;
The air is thick with falling rain
Upon dead autumn leaves.
3.
The winds of winter rave and chafe
Around thy tranquil nest,
But I am here, and thou art safe —
Thy very soul may rest.
4.
The wild surf- thunder swells and falls
Upon the seething beach —
Thy world within thy chamber- walls
Nor winds nor waves can reach.
5.
Sleep, fired eyes! Sleep well, dear heart,
That ached so long for me!
No sudden hand shall tear apart
These arms that shelter thee
6.
Sleep well, though late- found joys be brief,
And bought with tears and pain;
Shut out the memory of thy grief —
Thou didst not grieve in vain.
7.
Think of our treasure, kept in store,
And not the price it cost —
Those precious years, that come no more,
Which thou and I have lost.
8.
O, wasted years, that lie behind
Hush — what is past is past.
Enough that we have lived to find
What life is worth at last.
9.
Though Fate has robbed us of so much,
We know not what we miss;
All ills are recompensed in such
A priceless good as this.
10.
Sleep,dear! The hours are passing on —
The midnight bells have tolled;
Think not how much of life is gone,
But how much more we hold.
11.
Yes, more — as wise men reckon life —
Though no wise man can tell
How soon, for husband and for wife,
The stroke of doom will knell.
12.
No echo of that solemn chime
Break through thy perfect peace!
No forecast of that awful time
When time for us will cease:
13.
When happier worlds shall shine in space,
For other eyes to see,
And none have any more a place
For thy true love and thee.
14.
Be blind to all, and deaf, and dumb,
In thy quick heart's despite!
Content thee — though the end must come,
It will not come to- night.
15.
This night let never thought of ill
Disturb thy slumber deep;
To- morrow I shall have thee still,
So thou canst safely sleep:
16.
Reprieved from that appalling fear,
As from thy long regret —
Be our last parting far or near,
We have not reached it yet.
17.
Thy head lies pillowed on my breast —
My cheek upon thy brow —
Dear love, good night! Thou art at rest
From Past and Future now.
poem by Ada Cambridge

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