Nancy of the Vale
The western sky was purpled o'er
With every pleasing ray;
And flocks reviving felt no more
The sultry heats of day;
When from an hazel's artless bower
Soft warbled Strephon's tongue;
He blest the scene, he blest the hour,
While Nancy's praise he sung.
'Let fops with fickle falsehood range
The paths of wanton love,
While weeping maids lament their change,
And sadden every grove:
'But endless blessings crown the day
I saw fair Esham's dale!
And every blessing find its way
To Nancy of the Vale.
''Twas from Avona's banks the maid
Diffused her lovely beams,
And every shining glance display'd
The Naiad of the streams.
'Soft as the wild-duck's tender young,
That float on Avon's tide;
Bright as the water-lily, sprung,
And glittering near its side
'Fresh as the bordering flowers her bloom,
Her eye all mild to view;
The little halcyon's azure plume
Was never half so blue.
'Her shape was like the reed so sleek,
So taper, strait, and fair;
Her dimpled smile, her blushing cheek,
How charming sweet they were!
'Far in the winding vale retired,
This peerless bud I found,
And shadowing rocks and woods conspired
To fence her beauties round.
'That Nature in so lone a dell
Should form a nymph so sweet!
Or Fortune to her secret cell
Conduct my wandering feet!
'Gay lordlings sought her for their bride,
But she would ne'er incline:
'Prove to your equals true,' she cried,
'As I will prove to mine.
''Tis Strephon, on the mountain's brow,
Has won my right good will;
To him I gave my plighted vow,
With him I'll climb the hill.'
'Struck with her charms and gentle truth,
I clasp'd the constant fair;
To her alone I gave my youth,
And vow my future care.
'And when this vow shall faithless prove,
Or I those charms forego;
The stream that saw our tender love,
That stream shall cease to flow.'
poem by William Shenstone
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Eclogue the Third Abra
SCENE, a forest TIME, the Evening
In Georgia's land, where Tefflis' towers are seen,
In distant view along the level green,
While evening dews enrich the glittering glade,
And the tall forests cast a longer shade,
Amidst the maids of Zagen's peaceful grove,
Emyra sung the pleasing cares of love.
Of Abra first began the tender strain,
Who led her youth with flocks upon the plain.
At morn she came those willing flocks to lead,
Where lilies rear them in the watery mead;
From early dawn the livelong hours she told,
Till late at silent ev'n she penned the fold.
Deep in the grove beneath the secret shade,
A various wreath of odorous flowers she made.
Gay-motleyed pinks and sweet jonquils she chose,
The violet-blue that on the moss-bank grows;
All-sweet to sense, the flaunting rose was there;
The finished chaplet well-adorned her hair.
Great Abbas chanced that fated morn to stray,
By love conducted from the chase away;
Among the vocal vales he heard her song,
And sought the vales and echoing groves among.
At length he found and wooed the rural maid:
She knew the monarch, and with fear obeyed.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
The royal lover bore her from the plain,
Yet still her crook and bleating flock remain:
Oft as she went, she backward turned her view,
And bade that crook and bleating flock adieu.
Fair happy maid! to other scenes remove,
To richer scenes of golden power and love!
Go leave the simple pipe and shepherd's strain,
With love delight thee, and with Abbas reign.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
Yet midst the blaze of courts she fixed her love
On the cool fountain or the shady grove;
Still with the shepherd's innocence her mind
To the sweet vale and flowery mead inclined,
And oft as spring renewed the plains with flowers,
Breathed his soft gales and led the fragrant hours,
With sure return she sought the sylvan scene,
The breezy mountains and the forests green.
Her maids around her moved, a duteous band!
Each bore a crook all-rural in her hand.
Some simple lay of flocks and herds they sung;
With joy the mountain and the forest rung.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
And oft the royal lover left the care
And thorns of state, attendant on the fair:
Oft to the shades and low-roofed cots retired,
Or sought the vale where first his heart was fired;
A russet mantle, like a swain, he wore,
And thought of crowns and busy courts no more.
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
Blest was the life that royal Abbas led:
Sweet was his love and innocent his bed.
What if in wealth the noble maid excel;
The simple shepherd girl can love as well.
Let those who rule on Persia's jewelled throne,
Be famed for love and gentlest love alone:
Or wreathe, like Abbas, full of fair renown,
The lover's myrtle with the warrior's crown.
Oh happy days! the maids around her say,
Oh haste, profuse of blessings, haste away!
Be every youth like royal Abbas moved,
And every Georgian maid like Abra loved.
poem by William Taylor Collins
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Eclogue the First Selim
SCENE, a Valley near Bagdat TIME, the Morning
`Ye Persian maids, attend your poet's lays,
And hear how shepherds pass their golden days:
Not all are blest, whom fortune's hand sustains
With wealth in courts, nor all that haunt the plains:
Well may your hearts believe the truths I tell;
'Tis virtue makes the bliss, where'er we dwell.'
Thus Selim sung, by sacred Truth inspired;
No praise the youth, but hers alone, desired.
Wise in himself, his meaning songs conveyed
Informing morals to the shepherd maid,
Or taught the swains that surest bliss to find,
What groves nor streams bestow, a virtuous mind.
When sweet and odorous, like an eastern bride,
The radiant morn resumed her orient pride,
When wanton gales along the valleys play,
Breathe on each flower, and bear their sweets away:
By Tigris' wandering waves he sat, and sung
This useful lesson for the fair and young.
`Ye Persian dames,' he said, `to you belong,
Well may they please, the morals of my song;
No fairer maids, I trust, than you are found,
Graced with soft arts, the peopled world around!
The morn that lights you to your loves supplies
Each gentler ray delicious to your eyes:
For you those flowers her fragrant hands bestow,
And yours the love that kings delight to know.
Yet think not these, all beauteous as they are,
The best kind blessings heaven can grant the fair!
Who trust alone in beauty's feeble ray,
Balsora's pearls have more of worth than they;
Drawn from the deep, they sparkle to the sight,
And all-unconscious shoot a lustrous light:
Such are the maids and such the charms they boast,
By sense unaided or to virtue lost.
Self-flattering sex! your hearts believe in vain
That love shall blind when once he fires the swain,
Or hope a lover by your faults to win,
As spots on ermine beautify the skin.
Who seeks secure to rule, be first her care
Each softer virtue that adorns the fair,
Each tender passion man delights to find,
The loved perfections of a female mind.
`Blest were the days when Wisdom held her reign,
And shepherds sought her on the silent plain;
With Truth she wedded in the secret grove,
The fair-eyed Truth, and daughters blessed their love.
`O haste, fair maids, ye Virtues, come away,
Sweet Peace and Plenty lead you on your way!
The balmy shrub for you shall love our shore,
By Ind excelled or Araby no more.
`Lost to our fields, for so the fates ordain,
The dear deserters shall return again.
O come thou, Modesty, as they decree,
The rose may then improve her blush by thee.
Here make thy court amidst our rural scene,
And shepherd-girls shall own thee for their queen.
With thee be Chastity, of all afraid,
Distrusting all, a wise suspicious maid,
But man the most -- not more the mountain doe
Holds the swift falcon for her deadly foe.
Cold is her breast, like flowers that drink the dew;
A silken veil conceals her from the view.
No wild desires amidst thy train be known,
But Faith, whose heart is fixed on one alone;
Desponding Meekness with her down-cast eyes,
And friendly Pity full of tender sighs;
And Love the last: by these your hearts approve,
These are the Virtues that must lead to love.'
Thus sung the swain, and eastern legends say
The maids of Bagdat verified the lay:
Dear to the plains, the Virtues came along,
The shepherds loved, and Selim blessed his song.
poem by William Taylor Collins
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Daphne's Visit
Ye birds! for whom I rear'd the grove,
With melting lay salute my love;
My Daphne with your notes detain,
Or I have rear'd my grove in vain.
Ye flowers! before her footsteps rise:
Display at once your brightest dyes;
That she your opening charms may see,
Or what are all your charms to me?
Kind Zephyr! brush each fragrant flower,
And shed its odours round my bower;
Or never more, O gentle Wind!
Shall I from thee refreshment find.
Ye Streams! if e'er your banks I loved,
If e'er your native sounds improved,
May each soft murmur soothe my fair,
Or oh! 'twill deepen my despair.
And thou, my Grot! whose lonely bounds
The melancholy pine surrounds,
May Daphne praise thy peaceful gloom,
Or thou shalt prove her Damon's tomb.
poem by William Shenstone
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Introductory Verses
OH! blest art thou, whose steps may rove
Through the green paths of vale and grove,
Or, leaving all their charms below,
Climb the wild mountain's airy brow;
And gaze afar o'er cultured plains,
And cities with their stately fanes,
And forests, that beneath thee lie,
And ocean mingling with the sky.
For man can show thee nought so fair,
As Nature's varied marvels there;
And if thy pure and artless breast
Can feel their grandeur, thou art blest!
For thee the stream in beauty flows,
For thee the gale of summer blows,
And, in deep glen and wood-walk free,
Voices of joy still breathe for thee.
But happier far, if then thy soul
Can soar to Him who made the whole,
If to thine eye the simplest flower
Portray His bounty and His power.
If, in whate'er is bright or grand,
Thy mind can trace His viewless hand,
If Nature's music bid thee raise
Thy song of gratitude and praise;
If heaven and earth, with beauty fraught,
Lead to His throne thy raptured thought,
If there thou lov'st His love to read,
Then, wanderer, thou art blest indeed.
poem by Felicia Dorothea Hemans
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Spring - The First Pastoral ; or Damon
First in these fields I try the sylvan strains,
Nor blush to sport on Windsor's blissful plains:
Fair Thames, flow gently from thy sacred spring,
While on thy banks Sicilian Muses sing;
Let vernal airs tho' trembling osiers play,
And Albion's cliffs resound the rural lay.
You, that too wise for pride, too good for pow'r,
Enjoy the glory to be great no more,
And carrying with you all the world can boast,
To all the world illustriously are lost!
O let my Muse her slender reed inspire,
Till in your native shades you tune the lyre:
So when the Nightingale to rest removes,
The Thrush may chant to the forsaken groves,
But, charm'd to silence, listens while she sings,
And all th' aerial audience clap their wings.
Soon as the flocks shook off the nightly dews,
Two Swains, whom Love kept wakeful, and the Muse
Pour'd o'er the whitening vale their fleecy care,
Fresh as the morn, and as the season fair:
The dawn now blushing on the mountain's side,
Thus Daphnis spoke, and Strephon thus reply'd.
Daphnis.
Hear how the birds, on ev'ry bloomy spray,
With joyous musick wake the dawning day!
Why sit we mute when early linnets sing,
When warbling Philomel salutes the spring?
Why sit we sad when Phosphor shines so clear,
And lavish nature paints the purple Year?
Strephon.
Sing, then, and Damon shall attend the strain,
While yon' slow oxen turn the furrow'd Plain.
Here the bright crocus and blue vi'let glow;
Here western winds on breathing roses blow.
I'll stake yon' lamb, that near the fountain plays,
And from the brink his dancing shade surveys.
Daphnis.
And I this bowl, where wanton Ivy twines,
And swelling clusters bend the curling vines:
Four figures rising from the work appear,
The various seasons of the rolling year;
And what is that, which binds the radiant sky,
Where twelve fair Signs in beauteous order lie?
Damon.
Then sing by turns, by turns the Muses sing,
Now hawthorns blossom, now the daisies spring,
Now leaves the trees, and flow'rs adorn the ground,
Begin, the vales shall ev'ry note rebound.
Inspire me, Phoebus, in my Delia's praise
With Waller's strains, or Granville's moving lays!
A milk-white bull shall at your altars stand,
That threats a fight, and spurns the rising sand.
Daphnis.
O Love! for Sylvia let me gain the prize,
And make my tongue victorious as her eyes;
No lambs or sheep for victims I'll impart,
Thy victim, Love, shall be the shepherd's heart.
Strephon.
Me gentle Delia beckons from the plain,
Then hid in shades, eludes her eager swain;
But feigns a laugh, to see me search around,
And by that laugh the willing fair is found.
Daphnis.
The sprightly Sylvia trips along the green,
She runs, but hopes she does not run unseen;
While a kind glance at her pursuer flies,
How much at variance are her feet and eyes!
Strephon.
O'er golden sands let rich Pactolus flow,
And trees weep amber on the banks of Po;
Blest Thames's shores the brightest beauties yield,
Feed here my lambs, I'll seek no distant field.
Daphnis.
Celestial Venus haunts Idalia's groves;
Diana Cynthus, Ceres Hybla loves;
If Windsor-shades delight the matchless maid,
Cynthus and Hybla yield to Windsor-shade.
Strephon.
All nature mourns, the Skies relent in show'rs,
Hush'd are the birds, and clos'd the drooping flow'rs;
If Delia smile, the flow'rs begin to spring,
The skies to brighten, and the birds to sing.
Daphnis.
All nature laughs, the groves are fresh and fair,
The Sun's mild lustre warms the vital air;
If Sylvia smiles, new glories gild the shore,
And vanquish'd nature seems to charm no more.
Strephon.
In spring the fields, in autumn hills I love,
At morn the plains, at noon the shady grove,
But Delia always; absent from her sight,
Nor plains at morn, nor groves at noon delight.
Daphnis.
Sylvia's like autumn ripe, yet mild as May,
More bright than noon, yet fresh as early day;
Ev'n spring displeases, when she shines not here;
But blest with her, 'tis spring throughout the year.
Strephon.
Say, Daphnis, say, in what glad soil appears,
A wond'rous Tree that sacred Monarchs bears:
Tell me but this, and I'll disclaim the prize,
And give the conquest to thy Sylvia's eyes.
Daphnis.
Nay tell me first, in what more happy fields
The Thistle springs, to which the Lily yields:
And then a nobler prize I will resign;
For Sylvia, charming Sylvia, shall be thine.
Damon.
Cease to contend, for, Daphnis, I decree,
The bowl to Strephon, and the lamb to thee:
Blest Swains, whose Nymphs in ev'ry grace excel;
Blest Nymphs, whose Swains those graces sing so well!
Now rise, and haste to yonder woodbine bow'rs,
A soft retreat from sudden vernal show'rs,
The turf with rural dainties shall be crown'd,
While op'ning blooms diffuse their sweets around.
For see! the gath'ring flocks to shelter tend,
And from the Pleiads fruitful show'rs descend.
poem by Alexander Pope
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The Landskip
How pleas'd within my native bowers
Erewhile I pass'd the day!
Was ever scene so deck'd with flowers?
Were ever flowers so gay?
How sweetly smil'd the hill, the vale,
And all the landskip round!
The river gliding down the dale!
The hill with beeches crown'd!
But now, when urg'd by tender woes,
I speed to meet my dear,
That hill and stream my zeal oppose,
And check my fond career.
No more, since Daphne was my theme,
Their wonted charms I see:
That verdant hill, and silver stream,
Divide my love and me.
poem by William Shenstone
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Song II. The Landscape
How pleased within my native bowers
Erewhile I pass'd the day!
Was ever scene so deck'd with flowers?
Were ever flowers so gay?
How sweetly smiled the hill, the vale,
And all the landscape round!
The river gliding down the dale,
The hill with beeches crown'd!
But now, when urged by tender woes,
I speed to meet my dear,
That hill and stream my zeal oppose,
And check my fond career.
No more, since Daphne was my theme,
Their wonted charms I see;
That verdant hill and silver stream,
Divide my love and me.
poem by William Shenstone
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Song XVIII. - Imitated from the French
Yes, these are the scenes where with Iris I stray'd,
But short was her sway for so lovely a maid!
In the bloom of her youth to a cloister she run,
In the bloom of her graces too fair for a nun!
Ill-grounded, no doubt, a devotion must prove,
So fatal to beauty, so killing to love!
Yes, these are the meadows, the shrubs, and the plains,
Once the scene of my pleasures, the scene of my pains;
How many soft moments I spent in this grove!
How fair was my nymph! and how fervent my love!
Be still though, my Heart! thine emotion give o'er;
Remember, the season of love is no more.
With her how I stray'd amid fountains and bowers
Or loiter'd behind, and collected the flowers!
Then breathless with ardour my fair one pursued,
And to think with what kindness my garland she view'd!
But be still, my fond Heart! this emotion give o'er;
Fain wouldst thou forget thou must love her no more.
poem by William Shenstone
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To a Lady, with Some Coloured Patterns of Flowers
Madam,-
Though rude the draughts, though artless seem the lines,
From one unskill'd in verse, or in designs;
Oft has good-nature been the fool's defence,
And honest meaning gilded want of sense.
Fear not, though flowers and beauty grace my lay,
To praise one fair, another shall decay.
No lily, bright with painted foliage, here,
Shall only languish, when Selinda's near:
A fate reversed no smiling rose shall know,
Nor with reflected lustre doubly glow.
Praises which languish when applied to you,
Where flattering schemes seem obviously true.
Yet sure your sex is near to flowers allied,
Alike in softness, and alike in pride:
Foes to retreat, and ever fond to shine,
Both rush to danger, and the shades decline;
Exposed, the short-lived pageants of a day,
To painted flies or glittering fops a prey:
Changed with each wind, nor one short day the same,
Each clouded sky affects their tender frame.
In glaring Chloe's man-like taste and mien,
Are the gross splendours of the tulip seen:
Distant they strike, inelegantly gay,
To the near view no pleasing charms display.
To form the nymph, a vulgar wit must join,
As coarser soils will most the flower refine.
Ophelia's beauties let the jasmine paint,
Too faintly soft, too nicely elegant.
Around with seeming sanctity endued,
The passion-flower may best express the prude.
Like the gay rose, too rigid Silvia shines,
While, like its guardian thorn, her virtue joins.
Happy the nymph from all their failures free!
Happy the nymph in whom their charms agree!
Faint these productions, till you bid disclose,
The pink new splendours, and fresh tints the rose:
And yet condemn not trivial draughts like these,
Form'd to improve, and make even trifles please.
A power like yours minuter beauties warms,
And yet can blast the most aspiring charms:
Thus, at the rays whence other objects shine,
The taper sickens, and its flames decline.
When by your art the purple violet lives,
And the pale lily sprightlier charms receives;
Garters to me shall glow inferior far,
And with less pleasing lustre shine the star.
Let serious triflers, fond of wealth or fame,
On toils like these bestow too soft a name;
Each gentler art with wise indifference view,
And scorn one trifle, millions to pursue:
More artful I their specious schemes deride
Fond to please you, by you in these employed;
A nobler task, or more sublime desire,
Ambition ne'er could form, nor pride inspire.
The sweets of tranquil life and rural ease
Amuse securely, nor less justly please.
Where gentle pleasure shows her milder power,
Or blooms in fruit, or sparkles in the flower;
Smiles in the groves, the raptured poet's theme;
Flows in the brook, his Naiad of the stream;
Dawns, with each happier stroke the pencil gives,
And, in each livelier image, smiling lives;
Is heard, when Silvia strikes the warbling strings,
Selinda speaks, or Philomela sings:
Breathes with the morn; attends, propitious maid,
The evening ramble, and the noon-day glade
Some visionary fair she cheats our view,
Then only vigorous when she seems like you.
Yet Nature some for sprightlier joys design'd,
For brighter scenes, with nicer care, refined.
When the gay jewel radiant streams supplies,
And vivid brilliants meet your brighter eyes;
When dress and pomp around the fancy play,
By fortune's dazzling beauties borne away;
When theatres for you the scenes forego,
And the box bows obsequiously low:
How dull the plan which indolence has drawn,
The mossy grotto, or the flowery lawn!
Though roseate scents in every wind exhale,
And sylvan warblers charm in every pale.
Of these be hers the choice whom all approve;
And whom but those who envy, all must love:
By nature modell'd, by experience taught,
To know and pity every female fault:
Pleased even to hear her sex's virtues shown,
And blind to none's perfections but her own:
Whilst, humble fair! of these too few she knows,
Yet owns too many for the world's repose;
From wit's wild petulance serenely free,
Yet blest in all that nature can decree.
Not like a fire, which, whilst it burns, alarms;
A modest flame, that gently shines and warms:
Whose mind, in every light, can charms display,
With wisdom serious, and with humour gay;
Just as her eyes in each bright posture warm,
And fiercely strike, or languishingly charm:
Such are your honours-mention'd to your cost,
Those least can hear them, who deserve them most:
Yet ah! forgive-the less inventive muse,
If e'er she sing, a copious theme must choose.
poem by William Shenstone
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Edwin and Angela, A Ballad
'Turn, gentle hermit of the dale,
And guide my lonely way,
To where yon taper cheers the vale
With hospitable ray.
'For here, forlorn and lost I tread,
With fainting steps and slow;
Where wilds immeasurably spread,
Seem length'ning as I go.'
'Forbear, my son,' the hermit cries,
'To tempt the dangerous gloom;
For yonder faithless phantom flies
To lure thee to thy doom.
'Here to the houseless child of want
My door is open still;
And though my portion is but scant,
I give it with good will.
'Then turn to-night, and freely share
Whate'er my cell bestows;
My rushy couch, and frugal fare,
My blessing and repose.
'No flocks that range the valley free
To slaughter I condemn:
Taught by that power that pities me,
I learn to pity them.
'But from the mountain's grassy side
A guiltless feast I bring;
A scrip with herbs and fruits supplied,
And water from the spring.
'Then, pilgrim, turn, thy cares forgo;
All earth-born cares are wrong:
Man wants but little here below,
Nor wants that little long.'
Soft as the dew from heav'n descends,
His gentle accents fell:
The modest stranger lowly bends,
And follows to the cell.
Far in a wilderness obscure
The lonely mansion lay;
A refuge to the neighbouring poor
And strangers led astray.
No stores beneath its humble thatch
Requir'd a master's care;
The wicket, opening with a latch,
Receiv'd the harmless pair.
And now, when busy crowds retire
To take their evening rest,
The hermit trimm'd his little fire,
And cheer'd his pensive guest:
And spread his vegetable store,
And gaily press'd, and smil'd;
And, skill'd in legendary lore,
The lingering hours beguil'd.
Around in sympathetic mirth
Its tricks the kitten tries;
The cricket chirrups in the hearth;
The crackling fag got flies.
But nothing could a charm impart
To soothe the stranger's woe;
For grief was heavy at his heart,
And tears began to flow.
His rising cares the hermit spied,
With answ'ring care oppress'd;
'And whence, unhappy youth,' he cried,
'The sorrows of thy breast?
'From better habitations spurn'd,
Reluctant dost thou rove;
Or grieve for friendship unreturn'd,
Or unregarded love?
'Alas! the joys that fortune brings
Are trifling, and decay;
And those who prize the paltry things,
More trifling still than they.
'And what is friendship but a name,
A charm that lulls to sleep;
A shade that follows wealth or fame,
But leaves the wretch to weep?
'And love is still an emptier sound,
The modern fair one's jest:
On earth unseen, or only found
To warm the turtle's nest.
'For shame, fond youth, thy sorrows hush,
And spurn the sex,' he said:
But, while he spoke, a rising blush
His love-lorn guest betray'd.
Surpris'd, he sees new beauties rise,
Swift mantling to the view;
Like colours o'er the morning skies,
As bright, as transient too.
The bashful look, the rising breast,
Alternate spread alarms:
The lovely stranger stands confess'd
A maid in all her charms.
'And, ah! forgive a stranger rude,
A wretch forlorn,' she cried;
'Whose feet unhallow'd thus intrude
Where heaven and you reside.
'But let a maid thy pity share,
Whom love has taught to stray;
Who seeks for rest, but finds despair
Companion of her way.
'My father liv'd beside the Tyne,
A wealthy lord was he;
And all his wealth was mark'd as mine,
He had but only me.
'To win me from his tender arms
Unnumber'd suitors came;
Who prais'd me for imputed charms,
And felt or feign'd a flame.
Each hour a mercenary crowd
With richest proffers strove:
Amongst the rest young Edwin bow'd,
But never talk'd of love.
'In humble, simplest habit clad,
No wealth nor power had he;
Wisdom and worth were all he had,
But these were all to me.
'And when beside me in the dale
He caroll'd lays of love;
His breath lent fragrance to the gale,
And music to the grove.
'The blossom opening to the day,
The dews of heaven refin'd,
Could nought of purity display,
To emulate his mind.
'The dew, the blossom on the tree,
With charms inconstant shine;
Their charms were his, but woe to me!
Their constancy was mine.
'For still I tried each fickle art,
Importunate and vain:
And while his passion touch'd my heart,
I triumph'd in his pain.
'Till quite dejected with my scorn,
He left me to my pride;
And sought a solitude forlorn,
In secret, where he died.
'But mine the sorrow, mine the fault,
And well my life shall pay;
I'll seek the solitude he sought,
And stretch me where he lay.
'And there forlorn, despairing, hid,
I'll lay me down and die;
'Twas so for me that Edwin did,
And so for him will I.'
'Forbid it, heaven!' the hermit cried,
And clasp'd her to his breast:
The wondering fair one turn'd to chide,
'Twas Edwin's self that prest.
'Turn, Angelina, ever dear,
My charmer, turn to see
Thy own, thy long-lost Edwin here,
Restor'd to love and thee.
'Thus let me hold thee to my heart,
And ev'ry care resign;
And shall we never, never part,
My life - my all that's mine?
'No, never from this hour to part,
We'll live and love so true;
The sigh that rends thy constant heart
Shall break thy Edwin's too.'
poem by Oliver Goldsmith
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The Meeting of the Waters
There is not in the wide world a valley so sweet
As that vale in whose bosom the bright waters meet;
Oh! the last rays of feeling and life must depart,
Ere the bloom of that valley shall fade from my heart.
Yet it was not that nature had shed o'er the scene
Her purest of crystal and brightest of green;
'Twas not her soft magic of streamlet or hill,
Oh! no, -- it was something more exquisite still.
'Twas that friends, the beloved of my bosom, were near,
Who made every dear scene of enchantment more dear,
And who felt how the best charms of nature improve,
When we see them reflected from looks that we love.
Sweet vale of Avoca! how calm could I rest
In thy bosom of shade, with the friends I love best,
Where the storms that we feel in this cold world should cease,
And our hearts, like thy waters, be mingled in peace.
poem by Thomas Moore
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To Sara
One kiss, dear maid! I said and sighed,
Your scorn the little boon denied.
Ah why refuse the blameless bliss?
Can danger lurk within a kiss?
Yon viewless wand'rer of the vale,
The spirit of the western gale,
At morning's break, at evening's close
Inhales the sweetness of the rose
And hovers o'er th' uninjured bloom
Sighing back the soft perfume.
Vigor to the zephyr's wing
Her nectar-breathing kisses fling;
And he the glitter of the dew
Scatters on the rose's hue.
Bashful, lo! she bends her head,
And darts a blush of deeper red!
Too well those lovely lips disclose
The triumphs of the op'ning rose:
O fair! O graceful! bid them prove
As passive to the breath of love.
In tender accents, faint and low,
Well-pleased I hear the whispered 'No!'
The whispered 'No' ---- how little meant!
Sweet falsehood, that endears consent!
For on those lovely lips the while
Dawns the soft relenting smile,
And tempts with feigned dissuasion coy
The gentle violence of joy.
poem by Samuel Taylor Coleridge
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The Chapel Royal St. James’s, On The 10th February, 1840
I.
ONCE more the people meet,
With glad expectant faces: once again
The fair young monarch and her lovely train,
With slow and gentle feet,
Move in a solemn ceremony on;
And jewels glitter in the morning sun!
II.
Not long, oh! Time, not long
It seems, since crown'd as Britain's welcome Queen,
The like fair sight in fair array was seen;
And the hush'd listening throng,
Watching those steps thro' Westminster's proud aisle,
Wept with full hearts, tho' joyous all the while.
III.
And they come forth anew,
In bridal white, that gentle virgin band,
The chosen flowers of Britain's happy land;
For holy love and true
Hath wrought an hour of hope without alloy--
A fairy sight of splendour and of joy.
IV.
There,--with her locks of light,
Gleaming like gold around her noble head,--
The orphan'd ELEANOR, with stately tread,
Went by, a vision bright;
Bidding sweet thoughts of love and triumph start
Into a father's nd a sister's heart.
V.
There,--in her beauty, pass'd
Young FRANCES COWPER; her transparent cheek
Blushing the greetings which she might not spea,
As on the crowd she cast
The shy soft glances of those dark-blue eyes,
In whose untom'd depth such sweetness lies!
VI.
There, with her spotless name,
The gentle HOWARD, good, and fair, and mild,
And bright-eyed BOUVERIE, noble Radnor's child,
And rose-bud VILLIERS came;
And, with her sweet frank smile, young IDA HAY,
Looking all gladness, like a morn in May.
VII.
There, brilliant LENNOX moved;
The Paget beauty shining from her brow,
And the dark, deer-like eyes that glanced below:
While, gentle and beloved,
Amid the glories of that courtly throng,
DELAWARE'S youthful daughter pass'd along.
VIII.
There, (theme for poet's praise!)
With swanlike throat, and clear majestic eye,
VERULAM's stately MARY glided by,
And, with her quiet gaze
Fixed smiling on the scene which she survey'd,
The soldier ANGLESEA'S bright ADELAIDE.
IX.
And she, whose orbs of blue,
Like mountain lakes beheld by moonlight, gleam
With all the shadowy softness of a dream
Such as Endymion knew:
Whose glossy locks with rich luxuriance twine
Around her brow: the Lady WILHELMINE.
X.
Young were they all--and fair,--
But thou, VICTORIA, held'st thy fitting place,
As amongst garden-flowers the lily's grace,
Blooms with a royal air;
And from that lovely various group, apart,
Dids't stand, and gently look the Queen thou art.
XI.
The smile thy young lip wore,
Spoke joy to Him, who, from his distant home,
Hath sped in wintry time o'er ocean's foam--
To seek our island shore,
With his frank heart, and brow so fair and true,
Claiming thy love-and England's welcome too.
XII.
Oh! may that welcome prove
The herald of deep gladness;--since in thee
Old England's brightest hopes renew'd we see,
All-hallow'd be thy love;
And still with proud content the day allied,
When Princely ALBERT claim'd his Royal Bride!
XIII.
May He, whose gifted hand,
Hath twined sweet wreaths of Poetry and Song;
Live happy among English heart so long
That, native to the land,
He shall forget that e'er his harp was strung
To any accents but our mother-tongue:
XIV.
And Thou,--Oh! may the Crown
Which in youth's freshest, earliest moment, graced
The brow, whose childhood's roses it replaced,
Ne'er weigh thy spirit down;
Nor tearful hours, nor careful thoughts, beguile
One ray of gladness from thy gracious smile:
XV.
But brightly to the last,
Fair Fortune shine, with calm and steady ray,
Upon the tenor of thy happy way;
A future like the past:
And every prayer by loyal subjects said,
Bring down a separate blessing on thy head!
poem by Caroline Elizabeth Sarah Norton
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The Spanish Chapel
I made a mountain-brook my guide
Thro' a wild Spanish glen,
And wandered, on its grassy side,
Far from the homes of men.
It lured me with a singing tone,
And many a sunny glance,
To a green spot of beauty lone,
A haunt for old romance.
A dim and deeply-bosom'd grove
Of many an aged tree,
Such as the shadowy violets love,
The fawn and forest-bee.
The darkness of the chestnut bough
There on the waters lay,
The bright stream reverently below,
Check'd its exulting play;
And bore a music all subdued,
And led a silvery sheen,
On thro' the breathing solitude
Of that rich leafy scene.
For something viewlessly around
Of solemn influence dwelt,
In the soft gloom and whispery sound,
Not to be told, but felt;
While sending forth a quiet gleam
Across the wood's repose,
And o'er the twilight of the stream,
A lowly chapel rose.
A pathway to that still retreat
Thro' many a myrtle wound,
And there a sight–how strangely sweet!
My steps in wonder bound.
For on a brilliant bed of flowers,
Even at the threshold made,
As if to sleep thro' sultry hours,
A young fair child was laid.
To sleep?–oh! ne'er on childhood's eye,
And silken lashes press'd,
Did the warm living slumber lie,
With such a weight of rest!
Yet still a tender crimson glow
Its cheek's pure marble dyed–
'Twas but the light's faint streaming flow
Thro' roses heap'd beside.
I stoop'd–the smooth round arm was chill,
The soft lip's breath was fled,
And the bright ringlets hung so still–
The lovely child was dead!
'Alas!' I cried, 'fair faded thing!
Thou hast wrung bitter tears,
And thou hast left a wo, to cling
Round yearning hearts for years!'
But then a voice came sweet and low–
I turn'd, and near me sate
A woman with a mourner's brow,
Pale, yet not desolate.
And in her still, clear, matron face,
All solemnly serene,
A shadow'd image I could trace
Of that young slumberer's mien.
'Stranger! thou pitiest me,' she said,
With lips that faintly smil'd,
'As here I watch beside my dead,
My fair and precious child.
'But know, the time-worn heart may be
By pangs in this world riven,
Keener than theirs who yield, like me,
An angel thus to Heaven!'
poem by Felicia Dorothea Hemans
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Grey-eyed mabel
I gazed on orbs of flashing black;
I met the glow of hazel light;
I marked the hue of laughing blue,
That sparkled in the festive night.
But none could fling a lasting spell
To hold me with unchanging power--
The chains they cast were never fast
Beyond the gay and fleeting hour--
Till Grey-eyed Mabel's gentle glance,
With blushing sense and beauty rife,
Bade my soul cry with burning sigh,
'I'm thine, and only thine, for life.'
Black, blue, and hazel stars have set,
But Mabel's grey eyes lead me yet.
What was it in sweet Mabel's eyes
That told me what no others told,
That roused the dull, that pleased the wise,
That charmed the young and cheered the old?
What was it held my world-worn breast
In holy thrall--unknown before?
What was it those grey eyes expressed
That made me worship and adore?
It was the pure and tender ray
That filled those eyes in joy or woe;
It was the beam that could not play
Without the fountain stream below;
It was the beam of simple truth,
Of Woman's faith and trusting Youth.
Those soft, grey eyes were watched by mine
With earnest, deep, and secret prayer;
I knew, I felt, my earthly shrine
Was found and fixed for ever--there.
I poured my heart one moonlit night
Into sweet Mabel's listening ear;
Our mutual vow, from then till now,
Bound each to each--fond, firm, and dear.
Our boys and girls are growing round,
And all give promise, brave and fair,
But one, young cherub form is found
First in my love, my hope, my care.
And why?--ah! why? My soul replies,
'She has dear Mabel's soft, grey eyes.'
poem by Eliza Cook
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Elegy I. He Arrives at His Retirement in the Country
He Arrives at His Retirement in the Country, and Takes Occasion To Expatiate in Praise of Simplicity.
To a Friend
For rural virtues, and for native skies,
I bade Augusta's venal sons farewell;
Now 'mid the trees I see my smoke arise,
Now hear the fountains bubbling round my cell.
O may that Genius, which secures my rest,
Preserve this villa for a friend that's dear!
Ne'er may my vintage glad the sordid breast,
Ne'er tinge the lip that dares be insincere!
Far from these paths, ye faithless Friends, depart!
Fly my plain board, abhor my hostile name!
Hence the faint verse that flows not from the heart,
But mourns, in labour'd strains, the price of fame!
O loved Simplicity! be thine the prize!
Assiduous Art correct her page in vain!
His be the palm, who, guiltless of disguise,
Contemns the power the dull resource to feign!
Still may the mourner, lavish of his tears
For lucre's venal need, invite my scorn!
Still may the bard, dissembling doubts and fears,
For praise, for flattery sighing, sigh forlorn!
Soft as the line of lovesick Hammond flows,
'Twas his fond heart effused the melting theme;
Ah! never could Aonia's hill disclose
So fair a fountain, or so loved a stream.
Ye loveless Bards! intent with artful pains
To form a sigh, or to contrive a tear!
Forego your Pindus, and on - plains
Survey Camilla's charms, and grow sincere.
But thou, my Friend! while in thy youthful soul
Love's gentle tyrant seats his awful throne,
Write from thy bosom-let not art control
The ready pen, that makes his edicts known.
Pleasing, when youth is long expired, to trace
The forms our pencil or our pen design'd!
'Such was our youthful air, and shape, and face!
Such the soft image of our youthful mind!'
Soft, whilst we sleep beneath the rural bowers,
The Loves and Graces steal unseen away;
And where the turf diffused its pomp of flowers,
We wake to wintry scenes of chill decay!
Curse the sad fortune that detains thy fair;
Praise the soft hours that gave thee to her arms;
Paint thy proud scorn of every vulgar care,
When hope exalts thee, or when doubt alarms.
Where with Oenone thou hast worn the day,
Near fount or stream, in meditation, rove;
If in the grove Oenone loved to stray,
The faithful Muse shall meet thee in the grove.
poem by William Shenstone
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Retirement
When in the crimson cloud of Even,
The lingering light decays,
And Hesper on the front of Heaven
His glittering gem displays!
Deep in the silent vale, unseen,
Beside a lulling stream,
A pensive Youth of placid mien,
Indulged this tender theme.
Ye cliffs, in hoary grandeur piled
High o'er the glimmering dale;
Ye woods, along whose windings wild
Murmurs the solemn gale;
Where Melancholy strays forlorn,
And Wo retires to weep,
What time the wan moon's yellow horn
Gleams on the western deep:
To you, ye wastes, whose artless charms
Ne'er drew Ambition's eye,
'Scaped a tumultuous world's alarms,
To your retreats I fly.
Deep in your most sequester'd bower
Let me at last recline,
Where Solitude, mild, modest Power,
Leans on her ivy'd shrine.
How shall I woo thee, matchless Fair!
Thy heavenly smile how win!
Thy smile, that smoothes the brow of Care,
And stills the storm within.
O wilt thou to thy favourite grove
Thine ardent votary bring,
And bless his hours, and bid them move
Serene, on silent wing.
Oft let remembrance soothe his mind
With dreams of former days,
When in the lap of Peace reclined
He framed his infant lays;
When Fancy roved at large, nor Care
Nor cold Distrust alarm'd,
Nor Envy with malignant glare
His simple youth had harm'd.
'Twas then, O Solitude, to thee
His early vows were paid,
From heart sincere, and warm, and free,
Devoted to the shade.
Ah why did Fate his steps decoy
In stormy paths to roam,
Remote from all congenial joy! -
O take the wanderer home.
Thy shades, thy silence, now be mine,
Thy charms my only theme;
My haunt the hollow cliff, whose pine
Waves o'er the gloomy stream,
Whence the sacred owl on pinions gray
Breaks from the lone vale sails away
To more profound repose.
O while to thee the woodland pours
Its wildly-warbling song,
And balmy from the banks of flowers
The zephyr breathes along;
Let no rude sounds invade from far,
No vagrant foot be nigh,
No ray from Grandeur's gilded car,
Flash on the startled eye.
But if some pilgrim through the glade
Thy hallow'd bowers explore,
O guard from harm his hoary head,
And listen to his lore:
For he of joys divine shall tell
That wean from earthly wo,
And triumph o'er the mighty spell
That chains this heart below.
For me no more the path invites
Ambition loves to tread;
No more I climb those toilsome heights
By guileful Hope misled;
Leaps my fond fluttering heart no more
To mirth's enlivening strain;
For present pleasure soon is o'er,
And all the past is vain.
poem by James Beattie
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The Emigrant
FAREWELL, ah, happy shades! ah, scenes belov'd,
Of infant sports and bright unclouded hours!
Where oft in childhood's happy days I rov'd,
Thro' forest-walks, and wild secluded bow'rs!
Far from your woods, and sweet romantic glades,
A wand'ring emigrant I'm doom'd to roam,
Yet oft will memory, ling'ring in your shades,
Recal the dear, regretted charms of home!
Her magic pencil oft shall fondly trace
The mournful pictures of departed joy;
To ev'ry image give a pensive grace,
Which time may soften—but can ne'er destroy.
Ah! scenes belov'd! again delightful spring
In vernal beauty decks your smiling vales;
With balmy odour scents the zephyr's wing,
And wafts from heav'n the soft Favonian gales.
With transport once, to hail her blest return,
I tun'd my artless reed, my numbers wild,
Then all was new in life's bewitching morn,
And hope—ah, fair enchantress! gaily smil'd.
Oh! then, what airy visions of delight,
Beguil'd my youthful heart in ev'ry grove;
Deluding fancy pictur'd to my sight
The fairy-land of happiness and love!
But now, for me in vain the flow'rs expand,
And leaves unfolding, dress the woods anew;
I go, a wanderer, to some distant land,
And bid my native hills—a last adieu!
Farewell the hermit-cell, the lov'd retreat,
The cottage mantled o'er with clustering vine;
Where mild content had found a tranquil seat,
And peace and calm domestic joys were mine.
Dear, lovely scenes! how oft, at dawn of day,
My pipe has wak'd your mountain-echoes sound;
How oft at evening's hour I lov'd to stray,
Beside the river's bank, with osiers crown'd.
Ye woodland-streams, ye peaceful, happy shades,
Oft on your charms will pensive memory dwell;
Ah, native vales! ah, sweet embow'ring glades,
Scenes of my early youth!—a last farewell!
poem by Felicia Dorothea Hemans
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My Days Have Been So Wondrous Free
My days have been so wondrous free,
The little birds that fly
With careless ease from tree to tree,
Were but as bless'd as I.
Ask gliding waters, if a tear
Of mine increas'd their stream?
Or ask the flying gales, if e'er
I lent one sigh to them?
But now my former days retire,
And I'm by beauty caught;
The tender chains of sweet desire
Are fix'd upon my thought.
Ye nightingales, ye twisting pines!
Ye swains that haunt the grove!
Ye gentle echoes, breezy winds!
Ye close retreats of love!
With all of nature, all of art,
Assist the dear design;
Oh teach a young, unpractic'd heart
To make my Nancy mine!
The very thought of change I hate,
As much as of despair;
Nor ever covet to be great,
Unless it be for her.
'Tis true, the passion in my mind
Is mix'd with soft distress;
Yet while the fair I love is kind,
I cannot wish it less.
poem by Thomas Parnell
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Song: My Days Have Been So Wondrous Free
My days have been so wondrous free,
The little birds that fly
With careless ease from tree to tree,
Were but as bless'd as I.
Ask gliding waters, if a tear
Of mine increas'd their stream?
Or ask the flying gales, if e'er
I lent one sigh to them?
But now my former days retire,
And I'm by beauty caught;
The tender chains of sweet desire
Are fix'd upon my thought.
Ye nightingales, ye twisting pines!
Ye swains that haunt the grove!
Ye gentle echoes, breezy winds!
Ye close retreats of love!
With all of nature, all of art,
Assist the dear design;
Oh teach a young, unpractic'd heart
To make my Nancy mine!
The very thought of change I hate,
As much as of despair;
Nor ever covet to be great,
Unless it be for her.
'Tis true, the passion in my mind
Is mix'd with soft distress;
Yet while the fair I love is kind,
I cannot wish it less.
poem by Thomas Parnell
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