Parody of a Translation from the Medea of Euripides
Ere shall they not, who resolute explore
Times gloomy backward with judicious eyes;
And scanning right the practice of yore,
Shall deem our hoar progenitors unwise.
They to the dome where smoke with curling play
Announced the dinner to the regions round,
Summon'd the singer blithe, and harper gay,
And aided wine with dulcet-streaming sound.
The better use of notes, or sweet or shrill,
By quivering string or modulated wind;
Trumpet or lyre - to their harsh bosoms chill
Admission ne'er had sought, or could not find.
Oh! send them to the sullen mansions dun,
Her baleful eyes where sorrow rolls around;
Where gloom-enamour'd mischief loves to dwell
And murder, all blood-bolter'd, schemes the wound.
When cates luxuriant pile the spacious dish,
And purple nectar glads the festive hour;
The guest, without a want, without a wish,
Can yield no room to music's soothing power.
poem by Samuel Johnson
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Come hither, child
Come hither, child--who gifted thee
With power to touch that string so well?
How darest thou rouse up thoughts in me,
Thoughts that I would--but cannot quell?
Nay, chide not, lady; long ago
I heard those notes in Ula's hall,
And had I known they'd waken woe
I'd weep their music to recall.
But thus it was: one festal night
When I was hardly six years old
I stole away from crowds and light
And sought a chamber dark and cold.
I had no one to love me there,
I knew no comrade and no friend;
And so I went to sorrow where
Heaven, only heaven saw me bend.
Loud blew the wind; 'twas sad to stay
From all that splendour barred away.
I imaged in the lonely room
A thousand forms of fearful gloom.
And with my wet eyes raised on high
I prayed to God that I might die.
Suddenly in that silence drear
A sound of music reached my ear,
And then a note, I hear it yet,
So full of soul, so deeply sweet,
I thought that Gabriel's self had come
To take me to thy father's home.
Three times it rose, that seraph strain,
Then died, nor breathed again;
But still the words and still the tone
Dwell round my heart when all alone.
poem by Emily Jane Brontë
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Come Hither, Child
Come hither, child; who gifted thee
With power to touch that string so well?
How darest thou rouse up thoughts in me,
Thoughts that I would--but cannot quell?
Nay, chide not, lady; long ago
I heard those notes in Elbe hall,
And had I known they'd waken woe
I'd weep their music to recall.
But thus it was: one festal night
When I was hardly six years old
I stole away from crowds and light
And sought a chamber dark and cold.
I had no one to love me there,
I knew no comrade and no friend;
And so I went to sorrow where
Heaven, only heaven saw me bend.
Loud blew the wind. 'Twas sad to stay
From all that splendour barred away.
I imaged in the lonely room
A thousand forms of fearful gloom.
And with my wet eyes raised on high
I prayed to God that I might die.
Suddenly in that silence drear
A sound of music reached my ear:
And then a note, I hear it yet,
So full of soul, so deeply sweet,
I thought that Gabriel's self had come
To take me to thy father's home.
Three times it rose, that seraph strain,
Then died, nor breathed again;
But still the words and still the tone
Dwell round my heart when all alone.
poem by Emily Brontë from The Complete Poems of Emily Brontë (1908)
Submitted by Veronica Serbanoiu
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From the Medea of Euripides
The rites derived from ancient days
With thoughtless reverence we praise,
The rites that taught us to combine
The joys of music and of wine,
And bid the feast, and song and bowl
O'erfill the saturated soul:
But ne'er the flute or lyre applied
To cheer despair or soften pride;
Nor call them to the gloomy cells
Where Wants repines and Vengeance swells;
Where Hate sits musing to betray,
And murder meditates his prey!
To dens of guilt and shades of care,
Ye sons of melody, repair;
Nor deign the festive dome to cloy
With superfluity of joy,
Ah! little needs the minstrel's power
To speed the light convivial hour,
The board with varied plenty crown'd
May spare the luxuries of sound.
poem by Samuel Johnson
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Musical magic a logarhyme
The ancient harper starts to play.
All background noises fade away.
We sit spell bound
We are transported to the past.
Times iron rule is overcast
by his sweet sounds.
The present ceases to exist.
The silver notes will long persist
to be profound.
The ancient harper cannot see.
His eyes don’t work effectively
He can’t look round.
But we can see and we can hear.
We’re privileged to be here.
Applause resounds.
The harper starts to play again
A soft and gentle sweet refrain.
I am dumbfound.
As are the whole audience
The music holds us in suspense.
We are held bound
By the spell the harper weaves
and will be til the harper leaves.
We’re still spell bound.
Saturday,21 November 2009
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poem by Ivor Or Ivor.e Hogg
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Meditation On A Cold, Dark, And Rainy Night
Sweet on the house top falls the gentle shower,
When jet black darkness crowns the silent hour,
When shrill the owlet pours her hollow tone,
Like some lost child sequester'd and alone,
When Will's bewildering wisp begins to flare,
And Philomela breathes her dulcet air,
'Tis sweet to listen to her nightly tune,
Deprived of star-light or the smiling moon.
When deadly winds sweep round the rural shed,
And tell of strangers lost, without a bed,
Fond sympathy invokes her dol'rous lay,
And pleasure steals in sorrow's gloom away,
Till fost'ring Somnus bids my eyes to close,
And smiling visions open to repose;
Still on my soothing couch I lie at ease,
Still round my chamber flows the whistling breeze,
Still in the chain of sleep I lie confined,
To all the threat'ning ills of life resign'd,
Regardless of the wand'ring elf of night,
While phantoms break on my immortal sight.
The trump of morning bids my slumbers end,
While from a flood of rest I straight ascend,
When on a busy world I cast my eyes,
And think of nightly slumbers with surprise.
poem by George Moses Horton
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Polar Nights
Music :ulrich roth
Lyrics:ulrich roth
Down, down ...
Thats bringing me down
The stars in the sky
Seem to fall to the ground.
Time, time ...
Im chasing the time
The stars in the sky
Seem to be turning round.
Is that the wind in your eyes
That is soothing my mind?
Is that the night of your eyes
That is soothing my mind?
Round, round ...
My minds whirling round
The moons in the sky
Seem to burn on the ground.
Gone, gone ...
My mightmares are gone
The moons in the sky
Seemed to eat up the sun.
Is that the wind in your eyes
That is soothing my mind?
Is that the night in your eyes
That is soothing my mind?
Back from polar nights ...
I was down ...
I was out ...
The nights at the poleve been
So cold without you!
I was down ...
I was out ...
The pole-star was bringing me
Back home to you.
Is that the wind in your eyes
That is soothing my mind?
Is that the night in your eyes
That is soothing my mind?
song performed by by Scorpions
Submitted by Lucian Velea
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To Miss --,
{On her playing upon the harpsichord in
a room hung with flower-pieces of her own painting}.
When Stella strikes the tuneful string
In scenes of imitated Spring,
Where beauty lavishes her powers
On beds of never-fading flowers,
And pleasure propagates around
Each charm of modulated sound;
Ah! think not in the dangerous hour,
The nymph fictitious as the flower;
But shun, rash youth, the gay alcove,
Nor tempt the snares of wily love.
When charms thus press on every sense,
What thought of flight or of defence?
Deceitful hope, and vain desire,
For ever flutter o'er her lyre,
Delighting as the youth draws nigh,
To point the glances of her eye,
And forming with unerring art
New chains to hold the captive heart.
But on those regions of delight,
Might truth intrude with daring flight,
Could Stella, sprightly, fair, and young,
One moment hear the moral song,
Instruction with her flowers might spring,
And wisdom warble from her string.
Mark when from thousand mingled dyes
Thou seest one pleasing form arise,
How active light and thoughtful shade,
In greater scenes each other aid;
Mark when the different notes agree
In friendly contrariety,
How passion's well-accorded strife
Gives all the harmony of life.
Thy pictures shall thy conduct frame,
Consistent still, though not the same;
Thy music teach the nobler art,
To tune the regulated heart.
poem by Samuel Johnson
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How a Little Girl Sang
Ah, she was music in herself,
A symphony of joyousness.
She sang, she sang from finger tips,
From every tremble of her dress.
I saw sweet haunting harmony,
An ecstasy, an ecstasy,
In that strange curling of her lips,
That happy curling of her lips.
And quivering with melody
Those eyes I saw, that tossing head.
And so I saw what music was,
Tho' still accursed with ears of lead.
poem by Vachel Lindsay
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A Tale
(_Epilogue to 'The Two Poets of Croisic.'_)
What a pretty tale you told me
Once upon a time
--Said you found it somewhere (scold me!)
Was it prose or was it rhyme,
Greek or Latin? Greek, you said,
While your shoulder propped my head.
Anyhow there's no forgetting
This much if no more,
That a poet (pray, no petting!)
Yes, a bard, sir, famed of yore,
Went where suchlike used to go,
Singing for a prize, you know.
Well, he had to sing, nor merely
Sing but play the lyre;
Playing was important clearly
Quite as singing: I desire,
Sir, you keep the fact in mind
For a purpose that's behind.
There stood he, while deep attention
Held the judges round,
--Judges able, I should mention,
To detect the slightest sound
Sung or played amiss: such ears
Had old judges, it appears!
None the less he sang out boldly,
Played in time and tune,
Till the judges, weighing coldly
Each note's worth, seemed, late or soon,
Sure to smile 'In vain one tries
Picking faults out: take the prize!'
When, a mischief! Were they seven
Strings the lyre possessed?
Oh, and afterwards eleven,
Thank you! Well, sir,--who had guessed
Such ill luck in store?--it happed
One of those same seven strings snapped.
All was lost, then! No! a cricket
(What 'cicada'? Pooh!)
--Some mad thing that left its thicket
For mere love of music--flew
With its little heart on fire,
Lighted on the crippled lyre.
So that when (Ah joy!) our singer
For his truant string
Feels with disconcerted finger,
What does cricket else but fling
Fiery heart forth, sound the note
Wanted by the throbbing throat?
Ay and, ever to the ending,
Cricket chirps at need,
Executes the hand's intending,
Promptly, perfectly,--indeed
Saves the singer from defeat
With her chirrup low and sweet.
Till, at ending, all the judges
Cry with one assent
'Take the prize--a prize who grudges
Such a voice and instrument?
Why, we took your lyre for harp,
So it shrilled us forth F sharp!'
Did the conqueror spurn the creature
Once its service done?
That's no such uncommon feature
In the case when Music's son
Finds his Lotte's power too spent
For aiding soul development.
No! This other, on returning
Homeward, prize in hand,
Satisfied his bosom's yearning:
(Sir, I hope you understand!)
--Said 'Some record there must be
Of this cricket's help to me!'
So, he made himself a statue:
Marble stood, life size;
On the lyre, he pointed at you,
Perched his partner in the prize;
Never more apart you found
Her, he throned, from him, she crowned.
That's the tale: its application?
Somebody I know
Hopes one day for reputation
Thro' his poetry that's--Oh,
All so learned and so wise
And deserving of a prize!
If he gains one, will some ticket
When his statue's built,
Tell the gazer ''Twas a cricket
Helped my crippled lyre, whose lilt
Sweet and low, when strength usurped
Softness' place i' the scale, she chirped?
'For as victory was nighest,
While I sang and played,--
With my lyre at lowest, highest,
Right alike,--one string that made
'Love' sound soft was snapt in twain
Never to be heard again,--
'Had not a kind cricket fluttered,
Perched upon the place
Vacant left, and duly uttered
'Love, Love, Love,' whene'er the bass
Asked the treble to atone
For its somewhat sombre drone.'
But you don't know music! Wherefore
Keep on casting pearls
To a--poet? All I care for
Is--to tell him that a girl's
'Love' comes aptly in when gruff
Grows his singing, (There, enough!)
poem by Robert Browning
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Premeditation
Oh blade you'll warm tonight!
Awash in crimson-purple flows,
Your sheen will dull with aching flesh:
Palpating anatomic mounds
Caressing, dancing, writhing round
Your metal form-
Whetted ‘gainst a lonely bone,
Then to probe the pounding, begging heart.
And all the while the prey will howl
Before they crumple; greet the mud-
A taut and unbelieving jowl
Will open out for giving blood-
A vent from down below,
Once a brutal show
Of metal in the man.
Copyright © Mark R Slaughter 2010
murder
murder murder
murder murder
murder murder murder murder murder murder
murder murder murder murder murder murder murder
murder murder murder murder murder murder
murder murder
murder murder
murder
poem by Mark R Slaughter
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Ah, Winter!
chill breeze
blowing into
nose eyes n ears
clogged nostrils
watery eyes
choked breathing
ah, but the denuded
trees bearing
bunches of flowers
at each stem
purple orange
white yellows
feasting eyes
through a veil
of watering eyes
colors spraying
perfume forced into
blocked nostrils
chilled winds
pouring dulcet
winter notes
into dumb ears
lungs fail to draw
full cycle of breath!
ah, winter
pleasantly chilling
ah, winter...!
aaachoooooooooooo!
poem by Indira Babbellapati
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I passed by the house
I passed by the house one summer day,
Morning sunshine upon it lay;
Toward the windows that blood-red burned
Flaming my soul was turned, was turned.
There spring had found me
And captive bound me
To lissome hands and soft lips enthralling,
To smiles now stained by the teardrops falling.
Till the view from my vision dies,
To it backward I send my eyes;
All that was becomes new and near,
The forgotten grows warm and dear;
Mem'ries wander,
While this I ponder,
And from the springtime all love's sweet dreaming
Forward and back in my soul is streaming.
Joyous that time and joyous now,
Sorrow that time and .sorrow now.
Sun on meadows bedewed appears,
Soul in mem'ries of smiles and tears.
When they waking
Their bounds are breaking,
When streams their ebbing with sinking power,
The soul bears poetry's bud and flower.
poem by Bjørnstjerne Bjørnson
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Sorrow In The Wind
(jean ritchie)
I hear the soft wind sighing
In every bush and tree
The sound of my heart crying
When you are far from me
When were apart, my darlin
Theres sorrow in the wind
When were apart, my darlin
Sweet sorrow in the wind
You leave me in the morning
Your footsteps die away
Tho not a leaf is stirring
I hear the wind all day
When were apart, my darlin
Theres sorrow in the wind
When were apart, my darlin
Sweet sorrow in the wind
They say when love grows older
It dies and fades away
Yet all our life together
One ever brightening day
When were apart, my darlin
Theres sorrow in the wind
When were apart, my darlin
Sweet sorrow in the wind
When were apart, my darlin
Theres sorrow in the wind
When were apart, my darlin
Sweet sorrow in the wind
Sweet sorrow in the wind
song performed by by Emmylou Harris
Submitted by Lucian Velea
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A Song for St. Cecilia's Day
FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.
What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?
The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, 'tis too late to retreat!
The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.
Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.
But O, what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,
Notes that wing their heavenly ways
To mend the choirs above.
Orpheus could lead the savage race;
And trees unrooted left their place,
Sequacious of the lyre;
But bright Cecilia rais'd the wonder higher:
When to her organ vocal breath was given,
An angel heard, and straight appear'd
Mistaking Earth for Heaven.
GRAND CHORUS.
As from the power of sacred lays
The spheres began to move,
And sung the great Creator's praise
To all the Blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And Music shall untune the sky!
poem by John Dryden
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Murder In Her Eyes
Some say she's bitter,
some say she's sweet.
They know her by her shimmer,
Oh how sometimes her crime can be so neat.
She makes her enemies real slick,
she makes her friends so easily.
Although her enemies slaughter is real quick,
but she's a generous person, really.
The murder in her eyes
reveals her disguise,
The taste of her enemies blood,
she cannot recognize.
She seeks for revenge
For only those who caused her agony and avenge.
The murder shows who she truly is.
The sweet girl with a bloody blade in her hand.
Her enemies dead body laying on the floor
as she laughs and hounds as her enemies body rots to the core.
The murder in her eyes is severe...
Something that nobody dares to conquer
They laughed at her in the past,
She knew their life's wouldn't last.
The murder in her eyes hides the tides of her personality
for her enemy's, she loves to rec their reality.
No one ever thought she could do that.
Until they saw her true disguise which showed the murder...
Murder in her eyes.
poem by Katellyne Baker
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The Serenade
The midnight is not more bewildering
To her drowsed eyes, than to her ears, the sound
Of dim, sweet singing voices, interwound
With purl of flute and subtle twang of string,
Strained through the lattice, where the roses cling
And, with their fragrance, waft the notes around
Her haunted senses. Thirsting beyond bound
Of her slow-yielding dreams, the lilt and swing
Of the mysterious delirious tune,
She drains like some strange opiate, with awed eyes
Upraised against her casement, where aswoon,
The stars fail from her sight, and up the skies
Of alien azure rolls the full round moon
Like some vast bubble blown of summer noon.
poem by James Whitcomb Riley
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Nunc Dimmitus For Friend Chandra
The deep notes of the organ sound,
The choirboys look slyly round
to see what mischief they can find.
They look like angels but I find.
They’re really demons in disguise
a choirmaster must be wise.
They seem to have endless supplies
of mischief hid behind their eyes.
But I forgive them when they sing.
The treble voices echoing
high in the roofspace where they bring
pleasure to all those listening.
I love and hate them equally.
But now and then I can still see.
They’re not so different from me,
When I recall I used to be
a naughty little choirboy.
Full of tricks meant to annoy.
The mischief all small boys enjoy.
This knowledge which I now employ.
To keep my choirboys in line
Ensuring that they sound divine.
They do respond to discipline
just as I did when I was nine.
Each one posses a fine voice
sufficient reason to rejoice
I don’t regret I made the choice
to teach cathedral choirboys.
06/07/2009
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poem by Ivor Or Ivor.e Hogg
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The Captive Knight
The prisoned thrush may brook the cage,
The captive eagle dies for rage.
Lady of the Lake.
'Twas a trumpet's pealing sound!
And the knight look'd down from the Paynim's tower,
And a Christian host, in its pride and power,
Thro' the pass beneath him wound.
Cease awhile, clarion! Clarion, wild and shrill,
Cease! let them hear the captive's voice–be still!
'I knew 'twas a trumpet's note!
And I see my brethren's lances gleam,
And their pennons wave by the mountain stream,
And their plumes to the glad wind float!
Cease awhile, clarion! Clarion, wild and shrill,
Cease! let them hear the captive's voice–be still!
'I am here, with my heavy chain!
And I look on a torrent sweeping by,
And an eagle rushing to the sky,
And a host, to its battle-plain!
Cease awhile, clarion! Clarion, wild and shrill,
Cease! let them hear the captive's voice–be still!
'Must I pine in my fetters here?
With the wild wave's foam, and the free bird's flight,
And the tall spears glancing on my sight,
And the trumpet in mine ear?
Cease awhile, clarion! Clarion, wild and shrill,
Cease! let them hear the captive's voice–be still!
'They are gone! they have all pass'd by!
They in whose wars I had borne my part,
They that I lov'd with a brother's heart,
They have left me here to die!
Sound again, clarion! Clarion, pour thy blast!
Sound! for the captive's dream of hope is past.'
poem by Felicia Dorothea Hemans
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Voices of the Air
But then there comes that moment rare
When, for no cause that I can find,
The little voices of the air
Sound above all the sea and wind.
The sea and wind do then obey
And sighing, sighing double notes
Of double basses, content to play
A droning chord for the little throats--
The little throats that sing and rise
Up into the light with lovely ease
And a kind of magical, sweet surprise
To hear and know themselves for these--
For these little voices: the bee, the fly
The leaf that taps, the pod that breaks,
The breeze on the grass-tops bending by,
The shrill quick sound that insect makes.
poem by Katherine Mansfield
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Love
What's wrong with you, with us,
what's happening to us?
Ah our love is a harsh cord
that binds us wounding us
and if we want
to leave our wound,
to separate,
it makes a new knot for us and condemns us
to drain our blood and burn together.
What's wrong with you? I look at you
and I find nothing in you but two eyes
like all eyes, a mouth
lost among a thousand mouths that I have kissed, more beautiful,
a body just like those that have slipped
beneath my body without leaving any memory.
And how empty you went through the world
like a wheat-colored jar
without air, without sound, without substance!
I vainly sought in you
depth for my arms
that dig, without cease, beneath the earth:
beneath your skin, beneath your eyes,
nothing,
beneath your double breast scarcely
raised
a current of crystalline order
that does not know why it flows singing.
Why, why, why,
my love, why?
poem by Pablo Neruda
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