Room 4: The Painter Chap
He gives me such a bold and curious look,
That young American across the way,
As if he'd like to put me in a book
(Fancies himself a poet, so they say.)
Ah well! He'll make no "document" of me.
I lock my door. Ha! ha! Now none shall see. . . .
Pictures, just pictures piled from roof to floor,
Each one a bit of me, a dream fulfilled,
A vision of the beauty I adore,
My own poor glimpse of glory, passion-thrilled . . .
But now my money's gone, I paint no more.
For three days past I have not tasted food;
The jeweled colors run . . . I reel, I faint;
They tell me that my pictures are no good,
Just crude and childish daubs, a waste of paint.
I burned to throw on canvas all I saw --
Twilight on water, tenderness of trees,
Wet sands at sunset and the smoking seas,
The peace of valleys and the mountain's awe:
Emotion swayed me at the thought of these.
I sought to paint ere I had learned to draw,
And that's the trouble. . . .
Ah well! here am I,
Facing my failure after struggle long;
And there they are, my croutes that none will buy
(And doubtless they are right and I am wrong);
Well, when one's lost one's faith it's time to die. . . .
This knife will do . . . and now to slash and slash;
Rip them to ribands, rend them every one,
My dreams and visions -- tear and stab and gash,
So that their crudeness may be known to none;
Poor, miserable daubs! Ah! there, it's done. . . .
And now to close my little window tight.
Lo! in the dusking sky, serenely set,
The evening star is like a beacon bright.
And see! to keep her tender tryst with night
How Paris veils herself in violet. . . .
Oh, why does God create such men as I? --
All pride and passion and divine desire,
Raw, quivering nerve-stuff and devouring fire,
Foredoomed to failure though they try and try;
Abortive, blindly to destruction hurled;
Unfound, unfit to grapple with the world. . . .
And now to light my wheezy jet of gas;
Chink up the window-crannies and the door,
So that no single breath of air may pass;
So that I'm sealed air-tight from roof to floor.
There, there, that's done; and now there's nothing more. . . .
Look at the city's myriad lamps a-shine;
See, the calm moon is launching into space . . .
There will be darkness in these eyes of mine
Ere it can climb to shine upon my face.
Oh, it will find such peace upon my face! . . .
City of Beauty, I have loved you well,
A laugh or two I've had, but many a sigh;
I've run with you the scale from Heav'n to Hell.
Paris, I love you still . . . good-by, good-by.
Thus it all ends -- unhappily, alas!
It's time to sleep, and now . . . blow out the gas. . . .
Now there's that little midinette
Who goes to work each morning daily;
I choose to call her Blithe Babette,
Because she's always humming gaily;
And though the Goddess "Comme-il-faut"
May look on her with prim expression,
It's Pagan Paris where, you know,
The queen of virtues is Discretion.
poem by Robert William Service
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Good-Bye, Little Cabin
O dear little cabin, I've loved you so long,
And now I must bid you good-bye!
I've filled you with laughter, I've thrilled you with song,
And sometimes I've wished I could cry.
Your walls they have witnessed a weariful fight,
And rung to a won Waterloo:
But oh, in my triumph I'm dreary to-night --
Good-bye, little cabin, to you!
Your roof is bewhiskered, your floor is a-slant,
Your walls seem to sag and to swing;
I'm trying to find just your faults, but I can't --
You poor, tired, heart-broken old thing!
I've seen when you've been the best friend that I had,
Your light like a gem on the snow;
You're sort of a part of me -- Gee! but I'm sad;
I hate, little cabin, to go.
Below your cracked window red raspberries climb;
A hornet's nest hangs from a beam;
Your rafters are scribbled with adage and rhyme,
And dimmed with tobacco and dream.
"Each day has its laugh", and "Don't worry, just work".
Such mottoes reproachfully shine.
Old calendars dangle -- what memories lurk
About you, dear cabin of mine!
I hear the world-call and the clang of the fight;
I hear the hoarse cry of my kind;
Yet well do I know, as I quit you to-night,
It's Youth that I'm leaving behind.
And often I'll think of you, empty and black,
Moose antlers nailed over your door:
Oh, if I should perish my ghost will come back
To dwell in you, cabin, once more!
How cold, still and lonely, how weary you seem!
A last wistful look and I'll go.
Oh, will you remember the lad with his dream!
The lad that you comforted so.
The shadows enfold you, it's drawing to-night;
The evening star needles the sky:
And huh! but it's stinging and stabbing my sight --
God bless you, old cabin, good-bye!
poem by Robert William Service
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Psalm 50 part 1
v.1-6
C. M.
The last judgment
The Lord, the Judge, before his throne
Bids the whole earth draw nigh,
The nations near the rising sun,
And near the western sky.
No more shall bold blasphemers say,
"Judgment will ne'er begin;"
No more abuse his long delay
To impudence and sin.
Throned on a cloud our God shall come,
Bright flames prepare his way;
Thunder and darkness, fire and storm,
Lead on the dreadful day.
Heav'n from above his call shall hear,
Attending angels come,
And earth and hell shall know and fear
His justice and their doom.
"But gather all my saints," he cries,
"That made their peace with God
By the Redeemer's sacrifice,
And sealed it with his blood.
"Their faith and works, brought forth to light
Shall make the world confess,
My sentence of reward is right,
And heav'n adore my grace."
poem by Isaac Watts
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No Lilies For Lisette
Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.
Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.
Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.
Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.
Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.
"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .
Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.
poem by Robert William Service
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Astrophel And Stella-Eleventh Song
"Who is it that this dark night
Underneath my window plaineth?"
'It is one who from thy sight
Being, ah! exiled, disdaineth
Every other vulgar light.'
"Why, alas! and are you he?
Be not yet those fancies changed?"
'Dear, when you find change in me,
Though from me you be estranged,
Let my change to ruin be.'
"Well, in absence this will die;
Leave to see, and leave to wonder."
'Absence sure will help, If I
Can learn how myself to sunder
From what in my heart doth lie.'
"But time will these thoughts remove:
Time doth work what no man knoweth."
'Time doth as the subject prove,
With time still the affection groweth
In the faithful turtle dove.'
"What if you new beauties see?
Will not they stir new affection?"
'I will think they pictures be,
Image-like of saint's perfection,
Poorly counterfeiting thee.'
"But your reason's purest light
Bids you leave such minds to nourish."
'Dear, do reason no such spite,—
Never doth thy beauty flourish
More than in my reason's sight.'
"But the wrongs love bears will make
Love at length leave undertaking."
'No, the more fools do it shake
In a ground of so firm making,
Deeper still they drive the stake.'
"Peace! I think that some give ear;
Come no more, lest I get anger."
'Bliss, I will my bliss forbear,
Fearing, sweet, you to endanger;
But my soul shall harbour there.'
Well, begone, begone, I say,
Lest that Argus' eyes perceive you."
'O unjust Fortune's sway,
Which can make me thus to leave you,
And from louts to run away!'
poem by Philip Sidney
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Indian Reservation
Of late he likes the whole bed
and moves me over so I'm on the edge.
I go next door for peace, for quiet.
I sleep on the floor, on two mattresses,
I don't mind, except for the mornings
when my bones ache.
There are pictures on these walls
of Red Indians with menacing faces
and totem poles.
The big chief watches over me
in his fine feathered head dress.
as though I'm his squaw. He protects me.
My lover's doing war dances beneath the duvet.
"Come back to me" he cries
"I need you close to me"
He won't come in; the pictures spook him.
Now, this room is my domain, my Indian reservation.
Some day - I'll reclaim my land.
poem by Ruth Walters
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The Pencil Seller
A pencil, sir; a penny -- won't you buy?
I'm cold and wet and tired, a sorry plight;
Don't turn your back, sir; take one just to try;
I haven't made a single sale to-night.
Oh, thank you, sir; but take the pencil too;
I'm not a beggar, I'm a business man.
Pencils I deal in, red and black and blue;
It's hard, but still I do the best I can.
Most days I make enough to pay for bread,
A cup o' coffee, stretching room at night.
One needs so little -- to be warm and fed,
A hole to kennel in -- oh, one's all right . . .
Excuse me, you're a painter, are you not?
I saw you looking at that dealer's show,
The croûtes he has for sale, a shabby lot --
What do I know of Art? What do I know . . .
Well, look! That David Strong so well displayed,
"White Sorcery" it's called, all gossamer,
And pale moon-magic and a dancing maid
(You like the little elfin face of her?) --
That's good; but still, the picture as a whole,
The values, -- Pah! He never painted worse;
Perhaps because his fire was lacking coal,
His cupboard bare, no money in his purse.
Perhaps . . . they say he labored hard and long,
And see now, in the harvest of his fame,
When round his pictures people gape and throng,
A scurvy dealer sells this on his name.
A wretched rag, wrung out of want and woe;
A soulless daub, not David Strong a bit,
Unworthy of his art. . . . How should I know?
How should I know? I'm Strong -- I painted it.
There now, I didn't mean to let that out.
It came in spite of me -- aye, stare and stare.
You think I'm lying, crazy, drunk, no doubt --
Think what you like, it's neither here nor there.
It's hard to tell so terrible a truth,
To gain to glory, yet be such as I.
It's true; that picture's mine, done in my youth,
Up in a garret near the Paris sky.
The child's my daughter; aye, she posed for me.
That's why I come and sit here every night.
The painting's bad, but still -- oh, still I see
Her little face all laughing in the light.
So now you understand. -- I live in fear
Lest one like you should carry it away;
A poor, pot-boiling thing, but oh, how dear!
"Don't let them buy it, pitying God!" I pray!
And hark ye, sir -- sometimes my brain's awhirl.
Some night I'll crash into that window pane
And snatch my picture back, my little girl,
And run and run. . . .
&n bsp; &nb sp; &nbs p;
I 'm talking wild again;
A crab can't run. I'm crippled, withered, lame,
Palsied, as good as dead all down one side.
No warning had I when the evil came:
It struck me down in all my strength and pride.
Triumph was mine, I thrilled with perfect power;
Honor was mine, Fame's laurel touched my brow;
Glory was mine -- within a little hour
I was a god and . . . what you find me now.
My child, that little, laughing girl you see,
She was my nurse for all ten weary years;
Her joy, her hope, her youth she gave for me;
Her very smiles were masks to hide her tears.
And I, my precious art, so rich, so rare,
Lost, lost to me -- what could my heart but break!
Oh, as I lay and wrestled with despair,
I would have killed myself but for her sake. . . .
By luck I had some pictures I could sell,
And so we fought the wolf back from the door;
She painted too, aye, wonderfully well.
We often dreamed of brighter days in store.
And then quite suddenly she seemed to fail;
I saw the shadows darken round her eyes.
So tired she was, so sorrowful, so pale,
And oh, there came a day she could not rise.
The doctor looked at her; he shook his head,
And spoke of wine and grapes and Southern air:
"If you can get her out of this," he said,
"She'll have a fighting chance with proper care."
"With proper care!" When he had gone away,
I sat there, trembling, twitching, dazed with grief.
Under my old and ragged coat she lay,
Our room was bare and cold beyond belief.
"Maybe," I thought, "I still can paint a bit,
Some lilies, landscape, anything at all."
Alas! My brush, I could not steady it.
Down from my fumbling hand I let it fall.
"With proper care" -- how could I give her that,
Half of me dead? . . . I crawled down to the street.
Cowering beside the wall, I held my hat
And begged of every one I chanced to meet.
I got some pennies, bought her milk and bread,
And so I fought to keep the Doom away;
And yet I saw with agony of dread
My dear one sinking, sinking day by day.
And then I was awakened in the night:
"Please take my hands, I'm cold," I heard her sigh;
And soft she whispered, as she held me tight:
"Oh daddy, we've been happy, you and I!"
I do not think she suffered any pain,
She breathed so quietly . . . but though I tried,
I could not warm her little hands again:
And so there in the icy dark she died. . . .
The dawn came groping in with fingers gray
And touched me, sitting silent as a stone;
I kissed those piteous lips, as cold as clay --
I did not cry, I did not even moan.
At last I rose, groped down the narrow stair;
An evil fog was oozing from the sky;
Half-crazed I stumbled on, I knew not where,
Like phantoms were the folks that passed me by.
How long I wandered thus I do not know,
But suddenly I halted, stood stock-still --
Beside a door that spilled a golden glow
I saw a name, my name, upon a bill.
"A Sale of Famous Pictures," so it read,
"A Notable Collection, each a gem,
Distinguished Works of Art by painters dead."
The folks were going in, I followed them.
I stood upon the outskirts of the crowd,
I only hoped that none might notice me.
Soon, soon I heard them call my name aloud:
"A `David Strong', his Fete in Brittany."
(A brave big picture that, the best I've done,
It glowed and kindled half the hall away,
With all its memories of sea and sun,
Of pipe and bowl, of joyous work and play.
I saw the sardine nets blue as the sky,
I saw the nut-brown fisher-boats put out.)
"Five hundred pounds!" rapped out a voice near by;
"Six hundred!" "Seven!" "Eight!" And then a shout:
"A thousand pounds!" Oh, how I thrilled to hear!
Oh, how the bids went up by leaps, by bounds!
And then a silence; then the auctioneer:
"It's going! Going! Gone! Three thousand pounds!"
Three thousand pounds! A frenzy leapt in me.
"That picture's mine," I cried; "I'm David Strong.
I painted it, this famished wretch you see;
I did it, I, and sold it for a song.
And in a garret three small hours ago
My daughter died for want of Christian care.
Look, look at me! . . . Is it to mock my woe
You pay three thousand for my picture there?" . . .
O God! I stumbled blindly from the hall;
The city crashed on me, the fiendish sounds
Of cruelty and strife, but over all
"Three thousand pounds!" I heard; "Three thousand pounds!"
There, that's my story, sir; it isn't gay.
Tales of the Poor are never very bright . . .
You'll look for me next time you pass this way . . .
I hope you'll find me, sir; good-night, good-night.
poem by Robert William Service
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In The Moonlight
"O lonely workman, standing there
In a dream, why do you stare and stare
At her grave, as no other grave where there?"
"If your great gaunt eyes so importune
Her soul by the shine of this corpse-cold moon,
Maybe you'll raise her phantom soon!"
"Why, fool, it is what I would rather see
Than all the living folk there be;
But alas, there is no such joy for me!"
"Ah - she was one you loved, no doubt,
Through good and evil, through rain and drought,
And when she passed, all your sun went out?"
"Nay: she was the woman I did not love,
Whom all the other were ranked above,
Whom during her life I thought nothing of."
poem by Thomas Hardy
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Moon Song
A child saw in the morning skies
The dissipated-looking moon,
And opened wide her big blue eyes,
And cried: "Look, look, my lost balloon!"
And clapped her rosy hands with glee:
"Quick, mother! Bring it back to me."
A poet in a lilied pond
Espied the moon's reflected charms,
And ravished by that beauty blonde,
Leapt out to clasp her in his arms.
And as he'd never learnt to swim,
Poor fool! that was the end of him.
A rustic glimpsed amid the trees
The bluff moon caught as in a snare.
"They say it do be made of cheese,"
Said Giles, "and that a chap bides there. . . .
That Blue Boar ale be strong, I vow --
The lad's a-winkin' at me now."
Two lovers watched the new moon hold
The old moon in her bright embrace.
Said she: "There's mother, pale and old,
And drawing near her resting place."
Said he: "Be mine, and with me wed,"
Moon-high she stared . . . she shook her head.
A soldier saw with dying eyes
The bleared moon like a ball of blood,
And thought of how in other skies,
So pearly bright on leaf and bud
Like peace its soft white beams had lain;
Like Peace! . . . He closed his eyes again.
Child, lover, poet, soldier, clown,
Ah yes, old Moon, what things you've seen!
I marvel now, as you look down,
How can your face be so serene?
And tranquil still you'll make your round,
Old Moon, when we are underground.
poem by Robert William Service
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Insomnia
Heigh ho! to sleep I vainly try;
Since twelve I haven't closed an eye,
And now it's three, and as I lie,
From Notre Dame to St. Denis
The bells of Paris chime to me;
"You're young," they say, "and strong and free."
I do not turn with sighs and groans
To ease my limbs, to rest my bones,
As if my bed were stuffed with stones,
No peevish murmur tips my tongue --
Ah no! for every sound upflung
Says: "Lad, you're free and strong and young."
And so beneath the sheet's caress
My body purrs with happiness;
Joy bubbles in my veins. . . . Ah yes,
My very blood that leaps along
Is chiming in a joyous song,
Because I'm young and free and strong.
Maybe it is the springtide. I am so happy I am afraid.
The sense of living fills me with exultation. I want to sing,
to dance; I am dithyrambic with delight.
I think the moon must be to blame:
It fills the room with fairy flame;
It paints the wall, it seems to pour
A dappled flood upon the floor.
I rise and through the window stare . . .
Ye gods! how marvelously fair!
From Montrouge to the Martyr's Hill,
A silver city rapt and still;
Dim, drowsy deeps of opal haze,
And spire and dome in diamond blaze;
The little lisping leaves of spring
Like sequins softly glimmering;
Each roof a plaque of argent sheen,
A gauzy gulf the space between;
Each chimney-top a thing of grace,
Where merry moonbeams prank and chase;
And all that sordid was and mean,
Just Beauty, deathless and serene.
O magic city of a dream!
From glory unto glory gleam;
And I will gaze and pity those
Who on their pillows drowse and doze . . .
And as I've nothing else to do,
Of tea I'll make a rousing brew,
And coax my pipes until they croon,
And chant a ditty to the moon.
There! my tea is black and strong. Inspiration comes with
every sip. Now for the moon.
The moon peeped out behind the hill
As yellow as an apricot;
Then up and up it climbed until
Into the sky it fairly got;
The sky was vast and violet;
The poor moon seemed to faint in fright,
And pale it grew and paler yet,
Like fine old silver, rinsed and bright.
And yet it climbed so bravely on
Until it mounted heaven-high;
Then earthward it serenely shone,
A silver sovereign of the sky,
A bland sultana of the night,
Surveying realms of lily light.
poem by Robert William Service
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Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
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Picture Dealer
There were twin artists A. and B.
Who painted pictures two,
And hung them in my galley
For everyone to view;
The one exhibited by A.
The name "A Sphere" did bear,
While strangely brother B's display
Was catalogued: "A Square".
Now although A. (and this is queer)
Could squeeze a pretty tube,
The picture that he called a Sphere
Was blocky as a cube;
While B. (though no hint he disclosed
To pull the public leg)
The Square he placidly exposed
Was oval as an egg.
Thought I: To sell these pictures two
I never will be able;
There's only one thing I can do,
That's change around the label.
The rotund one I called a Sphere,
The cornered one a Square . . .
And yet, I thought: It's very queer,
Unbought they linger there.
Then strange as it may well appear,
Derision did I bare,
And blandly dubbed the Square a Sphere
And tabbed the Sphere a Square.
Behold the answer I had found,
For to my glad dismay
The curious came crowding round:
A sold the daubs next day.
Well, maybe A. and B. were right,
Not mugs like you and me,
With something missing in our sight
That only artists see.
So what it is and what it ain't
I'll never more discuss . . .
These guys believe in what they paint,
Or . . . are they spoofing us?
poem by Robert William Service
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Houses
(For Aline)
When you shall die and to the sky
Serenely, delicately go,
Saint Peter, when he sees you there,
Will clash his keys and say:
"Now talk to her, Sir Christopher!
And hurry, Michelangelo!
She wants to play at building,
And you've got to help her play!"
Every architect will help erect
A palace on a lawn of cloud,
With rainbow beams and a sunset roof,
And a level star-tiled floor;
And at your will you may use the skill
Of this gay angelic crowd,
When a house is made you will throw it down,
And they'll build you twenty more.
For Christopher Wren and these other men
Who used to build on earth
Will love to go to work again
If they may work for you.
"This porch," you'll say, "should go this way!"
And they'll work for all they're worth,
And they'll come to your palace every morning,
And ask you what to do.
And when night comes down on Heaven-town
(If there should be night up there)
You will choose the house you like the best
Of all that you can see:
And its walls will glow as you drowsily go
To the bed up the golden stair,
And I hope you'll be gentle enough to keep
A room in your house for me.
poem by Joyce Kilmer
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The Contented Man
"How good God is to me," he said;
"For have I not a mansion tall,
With trees and lawns of velvet tread,
And happy helpers at my call?
With beauty is my life abrim,
With tranquil hours and dreams apart;
You wonder that I yield to Him
That best of prayers, a grateful heart?"
"How good God is to me," he said;
"For look! though gone is all my wealth,
How sweet it is to earn one's bread
With brawny arms and brimming health.
Oh, now I know the joy of strife!
To sleep so sound, to wake so fit.
Ah yes, how glorious is life!
I thank Him for each day of it."
"How good God is to me," he said;
"Though health and wealth are gone, it's true;
Things might be worse, I might be dead,
And here I'm living, laughing too.
Serene beneath the evening sky
I wait, and every man's my friend;
God's most contented man am I . . .
He keeps me smiling to the End."
poem by Robert William Service
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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Room 6: The Little Workgirl
Three gentlemen live close beside me --
A painter of pictures bizarre,
A poet whose virtues might guide me,
A singer who plays the guitar;
And there on my lintel is Cupid;
I leave my door open, and yet
These gentlemen, aren't they stupid!
They never make love to Babette.
I go to the shop every morning;
I work with my needle and thread;
Silk, satin and velvet adorning,
Then luncheon on coffee and bread.
Then sewing and sewing till seven;
Or else, if the order I get,
I toil and I toil till eleven --
And such is the day of Babette.
It doesn't seem cheerful, I fancy;
The wage is unthinkably small;
And yet there is one thing I can say:
I keep a bright face through it all.
I chaff though my head may be aching;
I sing a gay song to forget;
I laugh though my heart may be breaking --
It's all in the life of Babette.
That gown, O my lady of leisure,
You begged to be "finished in haste."
It gives you an exquisite pleasure,
Your lovers remark on its taste.
Yet . . . oh, the poor little white faces,
The tense midnight toil and the fret . . .
I fear that the foam of its laces
Is salt with the tears of Babette.
It takes a brave heart to be cheery
With no gleam of hope in the sky;
The future's so utterly dreary,
I'm laughing -- in case I should cry.
And if, where the gay lights are glowing,
I dine with a man I have met,
And snatch a bright moment -- who's going
To blame a poor little Babette?
And you, Friend beyond all the telling,
Although you're an ocean away,
Your pictures, they tell me, are selling,
You're married and settled, they say.
Such happiness one wouldn't barter;
Yet, oh, do you never regret
The Springtide, the roses, Montmartre,
Youth, poverty, love and -- Babette?
That blond-haired chap across the way
With sunny smile and voice so mellow,
He sings in some cheap cabaret,
Yet what a gay and charming fellow!
His breath with garlic may be strong,
What matters it? his laugh is jolly;
His day he gives to sleep and song:
His night's made up of song and folly.
poem by Robert William Service
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Young Fellow My Lad
"Where are you going, Young Fellow My Lad,
On this glittering morn of May?"
"I'm going to join the Colours, Dad;
They're looking for men, they say."
"But you're only a boy, Young Fellow My Lad;
You aren't obliged to go."
"I'm seventeen and a quarter, Dad,
And ever so strong, you know."
* * * *
"So you're off to France, Young Fellow My Lad,
And you're looking so fit and bright."
"I'm terribly sorry to leave you, Dad,
But I feel that I'm doing right."
"God bless you and keep you, Young Fellow My Lad,
You're all of my life, you know."
"Don't worry. I'll soon be back, dear Dad,
And I'm awfully proud to go."
* * * *
"Why don't you write, Young Fellow My Lad?
I watch for the post each day;
And I miss you so, and I'm awfully sad,
And it's months since you went away.
And I've had the fire in the parlour lit,
And I'm keeping it burning bright
Till my boy comes home; and here I sit
Into the quiet night.
* * * *
"What is the matter, Young Fellow My Lad?
No letter again to-day.
Why did the postman look so sad,
And sigh as he turned away?
I hear them tell that we've gained new ground,
But a terrible price we've paid:
God grant, my boy, that you're safe and sound;
But oh I'm afraid, afraid."
* * * *
"They've told me the truth, Young Fellow My Lad:
You'll never come back again:
(Oh God! the dreams and the dreams I've had,
and the hopes I've nursed in vain!)
For you passed in the night, Young Fellow My Lad,
And you proved in the cruel test
Of the screaming shell and the battle hell
That my boy was one of the best.
"So you'll live, you'll live, Young Fellow My Lad,
In the gleam of the evening star,
In the wood-note wild and the laugh of the child,
In all sweet things that are.
And you'll never die, my wonderful boy,
While life is noble and true;
For all our beauty and hope and joy
We will owe to our lads like you."
poem by Robert William Service
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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Our Love
Just "us" and "we"
For we are one
Not "you" and "me"
Or we are done
There for always
Every moment
Good and bad days
That's our intent
As we embark
On this journey
Out of the dark
Where we can see
And live each day
Giving it all
I pray we stay
And do not fall
So hold on tight
And don't let go
We'll make it right
Our love will grow
poem by Paul H Nelson
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Another Imitation Of Anacreon
PRONE, on my couch I calmly slept
Against my wont. A little child
Awoke me as he gently crept
And beat my door. A tempest wild
Was raging-dark and cold the night.
"Have pity on my naked plight,"
He begged, "and ope thy door".--"Thy name?"
I asked admitting him.--"The same
"Anon I'll tell, but first must dry
"My weary limbs, then let me try
"My mois'ened bow."--Despite my fear
The hearth I lit, then drew me near
My guest, and chafed his fingers cold.
"Why fear?" I thought. "Let me be bold
"No Polyphemus he; what harm
"In such a child?--Then I'll be calm!"
The playful boy drew out a dart,
Shook his fair locks, and to my heart
His shaft he launch'd.--"Love is my name,"
He thankless cried, "I hither came
"To tame thee. In thine ardent pain
"Of Cupid think and young Climene."--
"Ah! now I know thee, little scamp,
"Ungrateful, cruel boy! Decamp!"
Cupid a saucy caper cut,
Skipped through the door, and as it shut,
"My bow," he taunting cried, "is sound,
"Thy heart, poor comrade, feels the wound."
poem by La Fontaine
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The Masked Face
I found me in a great surging space,
At either end a door,
And I said: "What is this giddying place,
With no firm-fixéd floor,
That I knew not of before?"
"It is Life," said a mask-clad face.
I asked: "But how do I come here,
Who never wished to come;
Can the light and air be made more clear,
The floor more quietsome,
And the doors set wide? They numb
Fast-locked, and fill with fear."
The mask put on a bleak smile then,
And said, "O vassal-wight,
There once complained a goosequill pen
To the scribe of the Infinite
Of the words it had to write
Because they were past its ken."
poem by Thomas Hardy
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