Room 6: The Little Workgirl
Three gentlemen live close beside me --
A painter of pictures bizarre,
A poet whose virtues might guide me,
A singer who plays the guitar;
And there on my lintel is Cupid;
I leave my door open, and yet
These gentlemen, aren't they stupid!
They never make love to Babette.
I go to the shop every morning;
I work with my needle and thread;
Silk, satin and velvet adorning,
Then luncheon on coffee and bread.
Then sewing and sewing till seven;
Or else, if the order I get,
I toil and I toil till eleven --
And such is the day of Babette.
It doesn't seem cheerful, I fancy;
The wage is unthinkably small;
And yet there is one thing I can say:
I keep a bright face through it all.
I chaff though my head may be aching;
I sing a gay song to forget;
I laugh though my heart may be breaking --
It's all in the life of Babette.
That gown, O my lady of leisure,
You begged to be "finished in haste."
It gives you an exquisite pleasure,
Your lovers remark on its taste.
Yet . . . oh, the poor little white faces,
The tense midnight toil and the fret . . .
I fear that the foam of its laces
Is salt with the tears of Babette.
It takes a brave heart to be cheery
With no gleam of hope in the sky;
The future's so utterly dreary,
I'm laughing -- in case I should cry.
And if, where the gay lights are glowing,
I dine with a man I have met,
And snatch a bright moment -- who's going
To blame a poor little Babette?
And you, Friend beyond all the telling,
Although you're an ocean away,
Your pictures, they tell me, are selling,
You're married and settled, they say.
Such happiness one wouldn't barter;
Yet, oh, do you never regret
The Springtide, the roses, Montmartre,
Youth, poverty, love and -- Babette?
That blond-haired chap across the way
With sunny smile and voice so mellow,
He sings in some cheap cabaret,
Yet what a gay and charming fellow!
His breath with garlic may be strong,
What matters it? his laugh is jolly;
His day he gives to sleep and song:
His night's made up of song and folly.
poem by Robert William Service
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Babette
My Lady is dancing so lightly,
The belle of the Embassy Ball;
I lied as I kissed her politely,
And hurried away from it all.
I'm taxiing up to Montmartre,
With never a pang of regret,
To toy for awhile with the garter
Of her whom I know as Babette.
My Lady's an exquisite creature,
As rare as a queen on a throne;
She's faultless in form and in feature,
But oh, she is cold as a stone.
And so from her presence I hurry,
Her iciness quick to forget
In sensuous joy as I bury
My face in the breast of Babette.
She's only a flower of the pavement;
With Paris and Spring in her eyes;
Yet I who foresaw what the grave meant
Of passion behold with surprise,
When she greets me as gay as a linnet,
Afar from life's fever and fret
I'm twenty years younger the minute
I enter the room of Babette.
The poor little supper she offers
Is more than a banquet to me;
A different bif-tik she proffers,
Pommes frit and a morsel of Brie;
We finish with coffee and kisses,
Then sit on the sofa and pet . . .
At the Embassy Mumm never misses,
But pinard's my drink with Babette.
Somehow and somewhere to my thinking,
There's a bit of apache in us all;
In bistros I'd rather be drinking,
Than dance at the Embassy Ball.
How often I feel I would barter
My place in the social set,
To roam in a moonlit Montmartre,
Alone with my little Babette.
I'm no longer young and I'm greying;
I'm tailored, top-hatted, kid-gloved,
And though in dark ways i be straying,
It's heaven to love and beloved;
The passion of youth to re-capture. . . .
My Lady's perfection and yet
When I kiss her I think of the rapture
I find in the charms of Babette -
Entwined in the arms of Babettte.
poem by Robert William Service
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Lady lorgnette
I
Lady Lorgnette, of the lifted lash,
The curling lip and the dainty nose,
The shell-like ear where the jewels flash,
The arching brow and the languid pose,
The rare old lace and the subtle scents,
The slender foot and the fingers frail,--
I may act till the world grows wild and tense,
But never a flush on your features pale.
The footlights glimmer between us two,--
You in the box and I on the boards,--
I am only an actor, Madame, to you,
A mimic king 'mid his mimic lords,
For you are the belle of the smartest set,
Lady Lorgnette.
II
Little Babette, with your eyes of jet,
Your midnight hair and your piquant chin,
Your lips whose odours of violet
Drive men to madness and saints to sin,--
I see you over the footlights' glare
Down in the pit 'mid the common mob,--
Your throat is burning, and brown, and bare,
You lean, and listen, and pulse, and throb;
The viols are dreaming between us two,
And my gilded crown is no make-believe,
I am more than an actor, dear, to you,
For you called me your king but yester eve,
And your heart is my golden coronet,
Little Babette.
poem by Emily Pauline Johnson
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Babette's Love
BABETTE she was a fisher gal,
With jupon striped and cap in crimps.
She passed her days inside the Halle,
Or catching little nimble shrimps.
Yet she was sweet as flowers in May,
With no professional bouquet.
JACOT was, of the Customs bold,
An officer, at gay Boulogne,
He loved BABETTE - his love he told,
And sighed, "Oh, soyez vous my own!"
But "Non!" said she, "JACOT, my pet,
Vous etes trop scraggy pour BABETTE.
"Of one alone I nightly dream,
An able mariner is he,
And gaily serves the Gen'ral Steam-
Boat Navigation Companee.
I'll marry him, if he but will -
His name, I rather think, is BILL.
"I see him when he's not aware,
Upon our hospitable coast,
Reclining with an easy air
Upon the PORT against a post,
A-thinking of, I'll dare to say,
His native Chelsea far away!"
"Oh, mon!" exclaimed the Customs bold,
"Mes yeux!" he said (which means "my eye")
"Oh, chere!" he also cried, I'm told,
"Par Jove," he added, with a sigh.
"Oh, mon! oh, chere! mes yeux! par Jove!
Je n'aime pas cet enticing cove!"
The PANTHER'S captain stood hard by,
He was a man of morals strict
If e'er a sailor winked his eye,
Straightway he had that sailor licked,
Mast-headed all (such was his code)
Who dashed or jiggered, blessed or blowed.
He wept to think a tar of his
Should lean so gracefully on posts,
He sighed and sobbed to think of this,
On foreign, French, and friendly coasts.
"It's human natur', p'raps - if so,
Oh, isn't human natur' low!"
He called his BILL, who pulled his curl,
He said, "My BILL, I understand
You've captivated some young gurl
On this here French and foreign land.
Her tender heart your beauties jog -
They do, you know they do, you dog.
"You have a graceful way, I learn,
Of leaning airily on posts,
By which you've been and caused to burn
A tender flame on these here coasts.
A fisher gurl, I much regret, -
Her age, sixteen - her name, BABETTE.
"You'll marry her, you gentle tar -
Your union I myself will bless,
And when you matrimonied are,
I will appoint her stewardess."
But WILLIAM hitched himself and sighed,
And cleared his throat, and thus replied:
"Not so: unless you're fond of strife,
You'd better mind your own affairs,
I have an able-bodied wife
Awaiting me at Wapping Stairs;
If all this here to her I tell,
She'll larrup you and me as well.
"Skin-deep, and valued at a pin,
Is beauty such as VENUS owns -
HER beauty is beneath her skin,
And lies in layers on her bones.
The other sailors of the crew
They always calls her 'Whopping Sue!'"
"Oho!" the Captain said, "I see!
And is she then so very strong?"
"She'd take your honour's scruff," said he
"And pitch you over to Bolong!"
"I pardon you," the Captain said,
"The fair BABETTE you needn't wed."
Perhaps the Customs had his will,
And coaxed the scornful girl to wed,
Perhaps the Captain and his BILL,
And WILLIAM'S little wife are dead;
Or p'raps they're all alive and well:
I cannot, cannot, cannot tell.
poem by William Schwenck Gilbert
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The Song of the Shirt
The Song of the Shirt
With fingers weary and worn,
With eyelids heavy and red,
A woman sat, in unwomanly rags,
Plying her needle and thread--
Stitch! stitch! stitch!
In poverty, hunger, and dirt,
And still with a voice of dolorous pitch
She sang the "Song of the Shirt."
"Work! work! work!
While the cock is crowing aloof!
And work — work — work,
Till the stars shine through the roof!
It's Oh! to be a slave
Along with the barbarous Turk,
Where woman has never a soul to save,
If this is Christian work!
"Work — work — work
Till the brain begins to swim;
Work — work — work
Till the eyes are heavy and dim!
Seam, and gusset, and band,
Band, and gusset, and seam,
Till over the buttons I fall asleep,
And sew them on in a dream!
"Oh, Men, with Sisters dear!
Oh, Men, with Mothers and Wives!
It is not linen you're wearing out,
But human creatures' lives!
Stitch — stitch — stitch,
In poverty, hunger, and dirt,
Sewing at once with a double thread,
A Shroud as well as a Shirt.
But why do I talk of Death?
That Phantom of grisly bone,
I hardly fear its terrible shape,
It seems so like my own —
It seems so like my own,
Because of the fasts I keep;
Oh, God! that bread should be so dear,
And flesh and blood so cheap!
"Work — work — work!
My Labour never flags;
And what are its wages? A bed of straw,
A crust of bread — and rags.
That shatter'd roof — and this naked floor —
A table — a broken chair —
And a wall so blank, my shadow I thank
For sometimes falling there!
"Work — work — work!
From weary chime to chime,
Work — work — work!
As prisoners work for crime!
Band, and gusset, and seam,
Seam, and gusset, and band,
Till the heart is sick, and the brain benumb'd,
As well as the weary hand.
"Work — work — work,
In the dull December light,
And work — work — work,
When the weather is warm and bright —
While underneath the eaves
The brooding swallows cling
As if to show me their sunny backs
And twit me with the spring.
Oh! but to breathe the breath
Of the cowslip and primrose sweet —
With the sky above my head,
And the grass beneath my feet
For only one short hour
To feel as I used to feel,
Before I knew the woes of want
And the walk that costs a meal!
Oh! but for one short hour!
A respite however brief!
No blessed leisure for Love or Hope,
But only time for Grief!
A little weeping would ease my heart,
But in their briny bed
My tears must stop, for every drop
Hinders needle and thread!"
With fingers weary and worn,
With eyelids heavy and red,
A woman sat in unwomanly rags,
Plying her needle and thread —
Stitch! stitch! stitch!
In poverty, hunger, and dirt,
And still with a voice of dolorous pitch, —
Would that its tone could reach the Rich! —
She sang this "Song of the Shirt!"
poem by Thomas Hood
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Crying For Bread
"Please, lady! please pay my Ma for her sewing;
The suit fits you splendidly--that you'll allow.
Oh! don't say tomorrow! I see you are going;
But this will not hinder long--please pay me now.
Ma work'd all night for you! ev'ry minute;
Now she lies groaning with pain in her head;
And there by the pantry (with not a thing in it),
Sits poor little Theodore crying for bread!
Poor little Theodore crying for bread!"
"On! driver, on! they have all gone before us,
And I will not be late at the ball," Beauty said;
And wintry winds echoed her answer in chorus
With poor little Theodore crying for bread!
Poor little Theodore crying for bread!
"Please lady! please pay my Ma for her sewing;
I'll run and get change for you. Don't call me bold--
But how could you dance tonight all the time knowing
That we were left suffering, hungry and cold?
Ma looks so wild! she keeps calling for Daisy;
That was the name of my sister that's dead.
Oh! what shall I do, with my Ma going crazy,
And poor little Theodore cryiing for bread?
Poor little Theodore crying for bread!"
"Please lady! please pay my Ma for her sewing;
She must have some medicine--that let me buy.
Now, don't speak of beggars! 'tis money you're owing:
Do please, pay me part of it--else we must die."
On the wheels roll'd, and Fidele returned weeping;
Ah! in her absence a spirit had fled,
And morning light found her a weary watch keeping,
With poor little Theodore crying for bread!
Poor little Theodore crying for bread!"
poem by Henry Clay Work
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Sunny Boy
You smile like the sunshine beaming
Golden sparkle around our cheeks
star light deep into your eyes
A prince in dark appearance
A sunny boy
Smiling foreverly
poem by Babette Teeth
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The Sewing-Girl
The humble garret where I dwell
Is in that Quarter called the Latin;
It isn't spacious -- truth to tell,
There's hardly room to swing a cat in.
But what of that! It's there I fight
For food and fame, my Muse inviting,
And all the day and half the night
You'll find me writing, writing, writing.
Now, it was in the month of May
As, wrestling with a rhyme rheumatic,
I chanced to look across the way,
And lo! within a neighbor attic,
A hand drew back the window shade,
And there, a picture glad and glowing,
I saw a sweet and slender maid,
And she was sewing, sewing, sewing.
So poor the room, so small, so scant,
Yet somehow oh, so bright and airy.
There was a pink geranium plant,
Likewise a very pert canary.
And in the maiden's heart it seemed
Some fount of gladness must be springing,
For as alone I sadly dreamed
I heard her singing, singing, singing.
God love her! how it cheered me then
To see her there so brave and pretty;
So she with needle, I with pen,
We slaved and sang above the city.
And as across my streams of ink
I watched her from a poet's distance,
She stitched and sang . . . I scarcely think
She was aware of my existence.
And then one day she sang no more.
That put me out, there's no denying.
I looked -- she labored as before,
But, bless me! she was crying, crying.
Her poor canary chirped in vain;
Her pink geranium drooped in sorrow;
"Of course," said I, "she'll sing again.
Maybe," I sighed, "she will to-morrow."
Poor child; 'twas finished with her song:
Day after day her tears were flowing;
And as I wondered what was wrong
She pined and peaked above her sewing.
And then one day the blind she drew,
Ah! though I sought with vain endeavor
To pierce the darkness, well I knew
My sewing-girl had gone for ever.
And as I sit alone to-night
My eyes unto her room are turning . . .
I'd give the sum of all I write
Once more to see her candle burning,
Once more to glimpse her happy face,
And while my rhymes of cheer I'm ringing,
Across the sunny sweep of space
To hear her singing, singing, singing.
poem by Robert William Service
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Room 4: The Painter Chap
He gives me such a bold and curious look,
That young American across the way,
As if he'd like to put me in a book
(Fancies himself a poet, so they say.)
Ah well! He'll make no "document" of me.
I lock my door. Ha! ha! Now none shall see. . . .
Pictures, just pictures piled from roof to floor,
Each one a bit of me, a dream fulfilled,
A vision of the beauty I adore,
My own poor glimpse of glory, passion-thrilled . . .
But now my money's gone, I paint no more.
For three days past I have not tasted food;
The jeweled colors run . . . I reel, I faint;
They tell me that my pictures are no good,
Just crude and childish daubs, a waste of paint.
I burned to throw on canvas all I saw --
Twilight on water, tenderness of trees,
Wet sands at sunset and the smoking seas,
The peace of valleys and the mountain's awe:
Emotion swayed me at the thought of these.
I sought to paint ere I had learned to draw,
And that's the trouble. . . .
Ah well! here am I,
Facing my failure after struggle long;
And there they are, my croutes that none will buy
(And doubtless they are right and I am wrong);
Well, when one's lost one's faith it's time to die. . . .
This knife will do . . . and now to slash and slash;
Rip them to ribands, rend them every one,
My dreams and visions -- tear and stab and gash,
So that their crudeness may be known to none;
Poor, miserable daubs! Ah! there, it's done. . . .
And now to close my little window tight.
Lo! in the dusking sky, serenely set,
The evening star is like a beacon bright.
And see! to keep her tender tryst with night
How Paris veils herself in violet. . . .
Oh, why does God create such men as I? --
All pride and passion and divine desire,
Raw, quivering nerve-stuff and devouring fire,
Foredoomed to failure though they try and try;
Abortive, blindly to destruction hurled;
Unfound, unfit to grapple with the world. . . .
And now to light my wheezy jet of gas;
Chink up the window-crannies and the door,
So that no single breath of air may pass;
So that I'm sealed air-tight from roof to floor.
There, there, that's done; and now there's nothing more. . . .
Look at the city's myriad lamps a-shine;
See, the calm moon is launching into space . . .
There will be darkness in these eyes of mine
Ere it can climb to shine upon my face.
Oh, it will find such peace upon my face! . . .
City of Beauty, I have loved you well,
A laugh or two I've had, but many a sigh;
I've run with you the scale from Heav'n to Hell.
Paris, I love you still . . . good-by, good-by.
Thus it all ends -- unhappily, alas!
It's time to sleep, and now . . . blow out the gas. . . .
Now there's that little midinette
Who goes to work each morning daily;
I choose to call her Blithe Babette,
Because she's always humming gaily;
And though the Goddess "Comme-il-faut"
May look on her with prim expression,
It's Pagan Paris where, you know,
The queen of virtues is Discretion.
poem by Robert William Service
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My Longing
I wonder if you could share with me
The happiness of what you are with
And after what I have shared
With whatever I ever offered
Except pains and sorrows
Some sweetness remains
I wonder if you could share with me
The happiness of what you're with
For I've been sharing you the very thing
I have ever enjoyed
And what other people all can share
I also want to share your happiness
poem by Babette Teeth
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A Song Of Comfort
"Sleep, weary ones, while ye may --
Sleep, oh, sleep!"
Eugene Field.
Thro' May time blossoms, with whisper low,
The soft wind sang to the dead below:
"Think not with regret on the Springtime's song
And the task ye left while your hands were strong.
The song would have ceased when the Spring was past,
And the task that was joyous be weary at last."
To the winter sky when the nights were long
The tree-tops tossed with a ceaseless song:
"Do ye think with regret on the sunny days
And the path ye left, with its untrod ways?
The sun might sink in a storm cloud's frown
And the path grow rough when the night came down."
In the grey twilight of the autumn eves,
It sighed as it sang through the dying leaves:
"Ye think with regret that the world was bright,
That your path was short and your task was light;
The path, though short, was perhaps the best
And the toil was sweet, that it led to rest."
poem by John McCrae
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When I foreverly leave
When I foreverly leave
with no notice of you
or no farewell of me
you will know what the longing is
for my staying
You have to devote for the deservings
not for the nonsense
So I leave
with no notice of you
with no farewell of me
poem by Babette Teeth
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My Friend
MY Friend wears a cheerful smile of his own,
And a musical tongue has he;
We sit and look in each other's face,
And are very good company.
A heart he has, full warm and red
As ever a heart I see;
And as long as I keep true to him,
Why, he'll keep true to me.
When the wind blows high and the snow falls fast
And we hear the wassailers' roar--
My Friend and I, with a right good-will
We bolt the chamber door:
I smile at him and he smiles at me
In a dreamy calm profound,
Till his heart leaps up in the midst of him
With a comfortable sound.
His warm breath kisses my thin gray hair
And reddens my ashen cheeks;
He knows me better than you all know,
Though never a word he speaks:--
Knows me as well as some had known
Were things--not as things be.
But hey, what matters? my Friend and I
Are capital company.
At dead of night, when the house is still,
He opens his pictures fair;
Faces that are, that used to be,
And faces that never were:
My wife sits sewing beside my hearth,
My little ones frolic wild,
Though--Lilian's married these twenty years,
And I never had a child.
But hey, what matters? When those who laugh
May weep to-morrow, and they
Who weep be as those that wept not--all
Their tears long wiped away.
I shall burn out, like you, my Friend,
With a bright warm heart and bold,
That flickers up to the last--then drops
Into quiet ashes cold.
And when you flicker on me, old Friend,
In the old man's elbow-chair,
Or--something easier still, where we
Lie down, to arise up fair
And young, and happy--why then, my Friend,
Should other friends ask of me,
Tell them I lived and loved and died
In the best of all company.
poem by Dinah Maria Mulock Craik
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Young Fellow My Lad
"Where are you going, Young Fellow My Lad,
On this glittering morn of May?"
"I'm going to join the Colours, Dad;
They're looking for men, they say."
"But you're only a boy, Young Fellow My Lad;
You aren't obliged to go."
"I'm seventeen and a quarter, Dad,
And ever so strong, you know."
* * * *
"So you're off to France, Young Fellow My Lad,
And you're looking so fit and bright."
"I'm terribly sorry to leave you, Dad,
But I feel that I'm doing right."
"God bless you and keep you, Young Fellow My Lad,
You're all of my life, you know."
"Don't worry. I'll soon be back, dear Dad,
And I'm awfully proud to go."
* * * *
"Why don't you write, Young Fellow My Lad?
I watch for the post each day;
And I miss you so, and I'm awfully sad,
And it's months since you went away.
And I've had the fire in the parlour lit,
And I'm keeping it burning bright
Till my boy comes home; and here I sit
Into the quiet night.
* * * *
"What is the matter, Young Fellow My Lad?
No letter again to-day.
Why did the postman look so sad,
And sigh as he turned away?
I hear them tell that we've gained new ground,
But a terrible price we've paid:
God grant, my boy, that you're safe and sound;
But oh I'm afraid, afraid."
* * * *
"They've told me the truth, Young Fellow My Lad:
You'll never come back again:
(Oh God! the dreams and the dreams I've had,
and the hopes I've nursed in vain!)
For you passed in the night, Young Fellow My Lad,
And you proved in the cruel test
Of the screaming shell and the battle hell
That my boy was one of the best.
"So you'll live, you'll live, Young Fellow My Lad,
In the gleam of the evening star,
In the wood-note wild and the laugh of the child,
In all sweet things that are.
And you'll never die, my wonderful boy,
While life is noble and true;
For all our beauty and hope and joy
We will owe to our lads like you."
poem by Robert William Service
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The Lunger
Jack would laugh an' joke all day;
Never saw a lad so gay;
Singin' like a medder lark,
Loaded to the Plimsoll mark
With God's sunshine was that boy;
Had a strangle-holt on Joy.
Held his head 'way up in air,
Left no callin' cards on Care;
Breezy, buoyant, brave and true;
Sent his sunshine out to you;
Cheerfulest when clouds was black --
Happy Jack! Oh, Happy Jack!
Sittin' in my shack alone
I could hear him in his own,
Singin' far into the night,
Till it didn't seem just right
One man should corral the fun,
Live his life so in the sun;
Didn't seem quite natural
Not to have a grouch at all;
Not a trouble, not a lack --
Happy Jack! Oh, Happy Jack!
He was plumbful of good cheer
Till he struck that low-down year;
Got so thin, so little to him,
You could most see day-light through him.
Never was his eye so bright,
Never was his cheek so white.
Seemed as if somethin' was wrong,
Sort o' quaver in his song.
Same old smile, same hearty voice:
"Bless you, boys! let's all rejoice!"
But old Doctor shook his head:
"Half a lung," was all he said.
Yet that half was surely right,
For I heard him every night,
Singin', singin' in his shack --
Happy Jack! Oh, Happy Jack!
Then one day a letter came
Endin' with a female name;
Seemed to get him in the neck,
Sort o' pile-driver effect;
Paled his lip and plucked his breath,
Left him starin' still as death.
Somethin' had gone awful wrong,
Yet that night he sang his song.
Oh, but it was good to hear!
For there clutched my heart a fear,
So that I quaked listenin'
Every night to hear him sing.
But each day he laughed with me,
An' his smile was full of glee.
Nothin' seemed to set him back --
Happy Jack! Oh, Happy Jack!
Then one night the singin' stopped . . .
Seemed as if my heart just flopped;
For I'd learned to love the boy
With his gilt-edged line of joy,
With his glorious gift of bluff,
With his splendid fightin' stuff.
Sing on, lad, and play the game!
O dear God! . . . no singin' came,
But there surged to me instead --
Silence, silence, deep and dread;
Till I shuddered, tried to pray,
Said: "He's maybe gone away."
Oh, yes, he had gone away,
Gone forever and a day.
But he'd left behind him there,
In his cabin, pinched and bare,
His poor body, skin and bone,
His sharp face, cold as a stone.
An' his stiffened fingers pressed
Somethin' bright upon his breast:
Locket with a silken curl,
Poor, sweet portrait of a girl.
Yet I reckon at the last
How defiant-like he passed;
For there sat upon his lips
Smile that death could not eclipse;
An' within his eyes lived still
Joy that dyin' could not kill.
An' now when the nights are long,
How I miss his cheery song!
How I sigh an' wish him back!
Happy Jack! Oh, Happy Jack!
poem by Robert William Service
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Cornish Lullaby
Out on the mountain over the town,
All night long, all night long,
The trolls go up and the trolls go down,
Bearing their packs and crooning a song;
And this is the song the hill-folk croon,
As they trudge in the light of the misty moon,--
This is ever their dolorous tune:
"Gold, gold! ever more gold,--
Bright red gold for dearie!"
Deep in the hill the yeoman delves
All night long, all night long;
None but the peering, furtive elves
See his toil and hear his song;
Merrily ever the cavern rings
As merrily ever his pick he swings,
And merrily ever this song he sings:
"Gold, gold! ever more gold,--
Bright red gold for dearie!"
Mother is rocking thy lowly bed
All night long, all night long,
Happy to smooth thy curly head
And to hold thy hand and to sing her song;
'T is not of the hill-folk, dwarfed and old,
Nor the song of the yeoman, stanch and bold,
And the burden it beareth is not of gold;
But it's "Love, love!--nothing but love,--
Mother's love for dearie!"
poem by Eugene Field
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The Poet and his Song
A SONG is but a little thing,
And yet what joy it is to sing!
In hours of toil it gives me zest,
And when at eve I long for rest;
When cows come home along the bars,
And in the fold I hear the bell,
As Night, the shepherd, herds his stars,
I sing my song, and all is well.
There are no ears to hear my lays,
No lips to lift a word of praise;
But still, with faith unfaltering,
I live and laugh and love and sing.
What matters yon unheeding throng?
They cannot feel my spirit's spell,
Since life is sweet and love is long,
I sing my song, and all is well.
My days are never days of ease;
I till my ground and prune my trees.
When ripened gold is all the plain,
I put my sickle to the grain.
I labor hard, and toil and sweat,
While others dream within the dell;
But even while my brow is wet,
I sing my song, and all is well.
Sometimes the sun, unkindly hot,
My garden makes a desert spot;
Sometimes a blight upon the tree
Takes all my fruit away from me;
And then with throes of bitter pain
Rebellious passions rise and swell;
But - life is more than fruit or grain,
And so I sing, and all is well.
poem by Paul Laurence Dunbar
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The Boys
HAS there any old fellow got mixed with the boys?
If there has, take him out, without making a noise.
Hang the Almanac's cheat and the Catalogue's spite!
Old Time is a liar! We're twenty to-night!
We're twenty! We're twenty! Who says we are more?
He's tipsy,-- young jackanapes!-- show him the door!
"Gray temples at twenty?"-- Yes ! white if we please;
Where the snow-flakes fall thickest there's nothing can freeze!
Was it snowing I spoke of? Excuse the mistake!
Look close,-- you will see not a sign of a flake!
We want some new garlands for those we have shed,--
And these are white roses in place of the red.
We've a trick, we young fellows, you may have been told,
Of talking (in public) as if we were old:--
That boy we call "Doctor," and this we call "Judge;"
It's a neat little fiction,-- of course it's all fudge.
That fellow's the "Speaker,"-- the one on the right;
"Mr. Mayor," my young one, how are you to-night?
That's our "Member of Congress," we say when we chaff;
There's the "Reverend" What's his name?-- don't make me laugh.
That boy with the grave mathematical look
Made believe he had written a wonderful book,
And the ROYAL SOCIETY thought it was true!
So they chose him right in; a good joke it was, too!
There's a boy, we pretend, with a three-decker brain,
That could harness a team with a logical chain;
When he spoke for our manhood in syllabled fire,
We called him "The Justice," but now he's "The Squire."
And there's a nice youngster of excellent pith,--
Fate tried to conceal him by naming him Smith;
But he shouted a song for the brave and the free,
Just read on his medal, "My country," "of thee!"
You hear that boy laughing?-- You think he's all fun;
But the angels laugh, too, at the good he has done;
The children laugh loud as they troop to his call,
And the poor man that knows him laughs loudest of all!
Yes, we're boys, --always playing with tongue or with pen,--
And I sometimes have asked,-- Shall we ever be men?
Shall we always be youthful, and laughing, and gay,
Till the last dear companion drops smiling away?
Then here's to our boyhood, its gold and its gray!
The stars of its winter, the dews of its May!
And when we have done with our life-lasting toys,
Dear Father, take care of thy children, THE BOYS!
poem by Oliver Wendell Holmes
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Its Not A Song
Day turns to night, and I turn into bed.
Cant get to sleep; somethings in my head.
Pacing the floor, I try to force a rhyme.
Why do I fear this time?
Its not a song till it touches your heart.
Its not a song till it tears you apart.
After whats left of whats right and whats wrong,
Till it gets through to you,
Its not a song.
Now close your eyes; look into your hand.
What do you see?
Life is our song, to give and learn to take.
Time will not wait.
Oh, wont you please come dance,
While the songs still playing,
Wont be long till the silence falls.
Its not a song till it touches your heart. (its not a song.)
Its not a song till it tears you apart.
After whats left of whats right and whats wrong,
Till it gets through to you,
Its not a song.
Its not a song till it touches your heart. (its not a song.)
Its not a song till it tears you apart.
After whats left of whats right and whats wrong,
Till it gets through to you,
Its not a song.
Its not a song till it touches your heart. (its not a song.)
Its not a song till it tears you apart.
After whats left of whats right and whats wrong,
Till it gets through to you,
Its not a song.
Its not a song till it touches your heart. (its not a song.)
Its not a song till it tears you apart.
After whats left of whats right and whats wrong,
Till it gets through to you,
Its not a song.
song performed by by Amy Grant
Submitted by Lucian Velea
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A Poet's Wooing
I woo'd a woman once,
But she was sharper than an eastern wind.
Tennyson
"What may I do to make you glad,
To make you glad and free,
Till your light smiles glance
And your bright eyes dance
Like sunbeams on the sea?
Read some rhyme that is blithe and gay
Of a bright May morn and a marriage day?"
And she sighed in a listless way she had,--
"Do not read--it will make me sad!"
"What shall I do to make you glad--
To make you glad and gay,
Till your eyes gleam bright
As the stars at night
When as light as the light of day
Sing some song as I twang the strings
Of my sweet guitar through its wanderings?"
And she sighed in the weary way she had,--
"Do not sing--it will make me sad!"
"What can I do to make you glad--
As glad as glad can be,
Till your clear eyes seem
Like the rays that gleam
And glint through a dew-decked tree?--
Will it please you, dear, that I now begin
A grand old air on my violin?"
And she spoke again in the following way,--
"Yes, oh yes, it would please me, sir;
I would be so glad you'd play
Some grand old march--in character,--
And then as you march away
I will no longer thus be sad,
But oh, so glad--so glad--so glad!"
poem by James Whitcomb Riley
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The Doughboy's Horace
Horace: Book III, Ode 9
"Donec eram gratus tibi--"
HORACE, PVT. --TH INFANTRY, A.E.F., WRITES:
While I was fussing you at home
You put the notion in my dome
That I was the Molasses Kid.
I batted strong. I'll say I did.
LYDIA, ANYBURG U.S.A., WRITES:
While you were fussing me alone
To other boys my heart was stone.
When I was all that you could see
No girl had anything on me.
HORACE:
Well, say, I'm having some romance
With one Babette, of Northern France.
If that girl gave me the command
I'd dance a jig in No-Man's Land.
LYDIA:
I, too, have got a young affair
With Charley--say, that boy is there!
I'd just as soon go out and die
If I thought it'd please that guy
HORACE:
Suppose I can this foreign wren
And start things up with you again?
Suppose I promise to be good?
I'd love you Lyd. I'll say I would.
LYDIA:
Though Charley's good and handsome--oh, boy!
And you're a stormy fickle doughboy,
So give the Hun his final whack,
And I'll marry you when you come back.
poem by Franklin P. Adams
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