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Look at The Clock!' : Patty Morgan The Milkmaid's Story

FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,
Her gown was a flower'd one, her petticoat green,
Her buckles were bright as her milking cans,
And her hat was a beaver, and made like a man's;
Her little red eyes were deep set in their socket-holes,
Her gown-tail was turn'd up, and tuck'd through the pocket-holes:
A face like a ferret
Betoken'd her spirit:
To conclude, Mrs. Pryce was not over young,
Had very short legs, and a very long tongue.

Now David Pryce
Had one darling vice;
Remarkably partial to anything nice,
Nought that was good to him came amiss,
Whether to eat, or to drink, or to kiss!
Especially ale --
If it was not too stale
I really believe he'd have emptied a pail;
Not that in Wales
They talk of their Ales;
To pronounce the word they make use of might trouble you,
Being spelt with a C, two Rs, and a W.

That particular day,
As I've heard people say,
Mr. David Pryce had been soaking his clay,
And amusing himself with his pipe and cheroots,
The whole afternoon at the Goat in Boots,
With a couple more soakers,
Thoroughbred smokers,
Both, like himself, prime singers and jokers;
And, long after day had drawn to a close,
And the rest of the world was wrapp'd in repose,
They were roaring out 'Shenkin!' and 'Ar hydd y nos;'
While David himself, to a Sassenach tune,
Sang, 'We've drunk down the Sun, boys! let's drink down the Moon!'
What have we with day to do?
Mrs. Winifred Pryce, 'twas made for you!'--
At length, when they couldn't well drink any more,
Old 'Goat-in-Boots' show'd them the door;
And then came that knock,
And the sensible shock
David felt when his wife cried, 'Look at the Clock!'

For the hands stood as crooked as crooked might be,
The long at the Twelve, and the short at the Three!
This self-same Clock had long been a bone
Of contention between this Darby and Joan;
And often among their pother and rout,
When this otherwise amiable couple fell out,
Pryce would drop a cool hint,
With an ominous squint
At its case, of an 'Uncle' of his, who'd a 'Spout.'
That horrid word 'Spout'
No sooner came out,
Than Winifred Pryce would turn her about,
And with scorn on her lip,
And a hand on each hip,
'Spout' herself till her nose grew red at the tip.
'You thundering willain,
I know you'd be killing
Your wife,-- ay, a dozen of wives,-- for a shilling!
You may do what you please,
You may sell my chemise,
(Mrs. P. was too well-bred to mention her stock,)
But I never will part with my Grandmother's Clock!'

Mrs. Pryce's tongue ran long and ran fast;
But patience is apt to wear out at last,
And David Pryce in temper was quick,
So he stretch'd out his hand, and caught hold of a stick;
Perhaps in its use he might mean to be lenient,
But walking just then wasn't very convenient,
So he threw it, instead,
Direct at her head.
It knock'd off her hat;
Down she fell flat;
Her case, perhaps, was not much mended by that:
But, whatever it was,-- whether rage and pain
Produced apoplexy, or burst a vein,
Or her tumble induced a concussion of brain,
I can't say for certain,-- but this I can,
When, sober'd by fright, to assist her he ran,
Mrs. Winifred Pryce was as dead as Queen Anne!

The fearful catastrophe
Named in my last strophe
As adding to grim Death's exploits such a vast trophy,
Soon made a great noise; and the shocking fatality
Ran over, like wild-fire, the whole Principality.
And then came Mr. Ap Thomas, the Coroner,
With his jury to sit, some dozen or more, on her.
Mr. Pryce to commence
His 'ingenious defence,'
Made a 'powerful appeal' to the jury's 'good sense,'
'The world he must defy
Ever to justify
Any presumption of 'Malice Prepense;'
The unlucky lick
From the end of his stick
He 'deplored,' he was 'apt to be rather too quick;'
But, really, her prating
Was so aggravating:
Some trifling correction was just what he meant; all
The rest, he assured them, was 'quite accidental!'

Then he called Mr. Jones,
Who deposed to her tones,
And her gestures, and hints about 'breaking his bones.'
While Mr. Ap Morgan, and Mr. Ap Rhys
Declared the Deceased
Had styled him 'a Beast,'
And swore they had witness'd, with grief and surprise,
The allusions she made to his limbs and his eyes.
The jury, in fine, having sat on the body
The whole day, discussing the case, and gin-toddy,
Return'd about half-past eleven at night
The following verdict, 'We find, Sarve her right!'
Mr. Pryce, Mrs. Winifred Pryce being dead,
Felt lonely, and moped; and one evening he said
He would marry Miss Davis at once in her stead.

Not far from his dwelling,
From the vale proudly swelling,
Rose a mountain; it's name you'll excuse me from telling,
For the vowels made use of in Welsh are so few
That the A and the E, the I, O, and the U,
Have really but little or nothing to do;
And the duty, of course, falls the heavier by far
On the L, and the H, and the N, and the R.
Its first syllable, 'Pen,'
Is pronounceable;-- then
Come two L Ls, and two H Hs, two F Fs, and an N;
About half a score Rs, and some Ws follow,
Beating all my best efforts at euphony hollow:
But we shan't have to mention it often, so when
We do, with your leave, we'll curtail it to 'Pen.'

Well,-- the moon shone bright
Upon 'Pen' that night,
When Pryce, being quit of his fuss and his fright,
Was scaling its side
With that sort of stride
A man puts out when walking in search of a bride,
Mounting higher and higher,
He began to perspire,
Till, finding his legs were beginning to tire,
And feeling opprest
By a pain in his chest,
He paused, and turn'd round to take breath, and to rest;
A walk all up hill is apt, we know,
To make one, however robust, puff and blow,
So he stopp'd, and look'd down on the valley below.

O'er fell, and o'er fen,
Over mountain and glen,
All bright in the moonshine, his eye roved, and then
All the Patriot rose in his soul, and he thought
Of Wales, and her glories, and all he'd been taught
Of her Heroes of old,
So brave and so bold,--
Of her Bards with long beards, and harps mounted in gold;
Of King Edward the First,
Of memory accurst;
And the scandalous manner in which he behaved,
Killing Poets by dozens,
With their uncles and cousins,
Of whom not one in fifty had ever been shaved.
Of the Court Ball, at which by a lucky mishap,
Owen Tudor fell into Queen Katherine's lap;
And how Mr. Tudor
Successfully woo'd her
Till the Dowager put on a new wedding ring,
And so made him Father-in-law to the King.

He thought upon Arthur, and Merlin of yore,
On Gryffth ap Conan, and Owen Glendour;
On Pendragon, and Heaven knows how many more.
He thought of all this, as he gazed, in a trice,
And on all things, in short, but the late Mrs. Pryce;
When a lumbering noise from behind made him start,
And sent the blood back in full tide to his heart,
Which went pit-a-pat
As he cried out, 'What's that?'--
That very queer sound?
Does it come from the ground?
Or the air,-- from above or below, or around?
It is not like Talking,
It is not like Walking,
It's not like the clattering of pot or of pan,
Or the tramp of a horse,-- or the tread of a man,--
Or the hum of a crowd,-- or the shouting of boys,--
It's really a deuced odd sort of a noise!
Not unlike a Cart's,-- but that can't be; for when
Could 'all the King's horses and all the King's men,'
With Old Nick for a waggoner, drive one up 'Pen?'

Pryce, usually brimful of valour when drunk,
Now experienced what schoolboys denominate 'funk.'
In vain he look'd back
On the whole of the track
He had traversed; a thick cloud, uncommonly black,
At this moment obscured the broad disc of the moon,
And did not seem likely to pass away soon;
While clearer and clearer,
'Twas plain to the hearer,
Be the noise what it might, it drew nearer and nearer,
And sounded, as Pryce to this moment declares,
Very much 'like a Coffin a-walking up stairs.'

Mr. Pryce had begun
To 'make up' for a run,
As in such a companion he saw no great fun,
When a single bright ray
Shone out on the way
He had pass'd, and he saw, with no little dismay,
Coming after him, bounding o'er crag and o'er rock,
The deceased Mrs. Winifred's 'Grandmother's Clock!!'
'Twas so!-- it had certainly moved from its place,
And come, lumbering on thus, to hold him in chase;
'Twas the very same Head, and the very same Case,
And nothing was alter'd at all -- but the Face!
In that he perceived, with no little surprise,
The two little winder-holes turn'd into eyes
Blazing with ire,
Like two coals of fire;
And the 'Name of the Maker' was changed to a Lip,
And the Hands to a Nose with a very red tip.
No!-- he could not mistake it,--' twas She to the life!
The identical Face of his poor defunct Wife!

One glance was enough,
Completely 'Quant. suff.'
As the doctors write down when they send you their 'stuff,'--
Like a Weather-cock whirl'd by a vehement puff,
David turn'd himself round;
Ten feet of ground
He clear'd, in his start, at the very first bound!

I've seen people run at West-End Fair for cheeses,
I've seen Ladies run at Bow Fair for chemises,
At Greenwich Fair twenty men run for a hat,
And one from a Bailiff much faster than that;
At foot-ball I've seen lads run after the bladder,
I've seen Irish Bricklayers run up a ladder,
I've seen little boys run away from a cane,
And I've seen (that is, read of) good running in Spain;
But I never did read
Of, or witness, such speed
As David exerted that evening.-- Indeed
All I ever have heard of boys, women, or men,
Falls far short of Pryce, as he ran over 'Pen!'

He reaches its brow,--
He has past it, and now
Having once gain'd the summit, and managed to cross it, he
Rolls down the side with uncommon velocity;
But, run as he will,
Or roll down the hill,
That bugbear behind him is after him still!
And close at his heels, not at all to his liking,
The terrible Clock keeps on ticking and striking,
Till, exhausted and sore,
He can't run any more,
But falls as he reaches Miss Davis's door,
And screams when they rush out, alarm'd at his knock,
'Oh! Look at the Clock!-- Do!-- Look at the Clock!!'

Miss Davis look'd up, Miss Davis look'd down,
She saw nothing there to alarm her;-- a frown
Came o'er her white forehead,
She said, 'It was horrid
A man should come knocking at that time of night,
And give her Mamma and herself such a fright;
To squall and to bawl
About nothing at all,
She begg'd 'he'd not think of repeating his call,
His late wife's disaster
By no means had past her,'
She'd 'have him to know she was meat for his Master!'
Then, regardless alike of his love and his woes,
She turn'd on her heel and she turned up her nose.

Poor David in vain
Implored to remain,
He 'dared not,' he said, 'cross the mountain again.'
Why the fair was obdurate
None knows,-- to be sure, it
Was said she was setting her cap at the Curate;--
Be that as it may, it is certain the sole hole
Pryce could find to creep into that night was the Coal-hole!
In that shady retreat,
With nothing to eat,
And with very bruised limbs, and with very sore feet,
All night close he kept;
I can't say he slept;
But he sigh'd, and he sobb'd, and he groan'd, and he wept,
Lamenting his sins
And his two broken shins,
Bewailing his fate with contortions and grins,
And her he once thought a complete Rara Avis,
Consigning to Satan,-- viz. cruel Miss Davis!

Mr. David has since had a 'serious call,'
He never drinks ale, wine, or spirits, at all,
And they say he is going to Exeter Hall
To make a grand speech,
And to preach, and to teach
People that 'they can't brew their malt-liquor too small!'
That an ancient Welsh Poet, one Pyndar ap Tudor,
Was right in proclaiming 'Ariston men Udor!'
Which means 'The pure Element
Is for the belly meant!'
And that Gin's but a Snare of Old Nick the deluder!

And 'still on each evening when pleasure fills up,'
At the old Goat-in-Boots, with Metheglin, each cup,
Mr Pryce, if he's there,
Will get into 'the Chair,'

And make all his quondam associates stare
By calling aloud to the landlady's daughter,
'Patty! bring a cigar, and a glass of Spring Water!'
The dial he constantly watches; and when
The long hand's at the 'XII,' and the short at the 'X,'
He gets on his legs,
Drains his glass to the dregs,
Takes his hat and great-coat off their several pegs,
With his President's hammer bestows his last knock,
And says solemnly,--'Gentlemen!
'Look at the Clock!!!

poem by Richard Harris Barham
Submitted by Poetry Lover
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The Wife [Nobel Prize]

Glenn Close, Jonathan Pryce

by Jane Anderson from The Wife (2018)
Submitted by Veronica Serbanoiu
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Tommy's Dead

YOU may give over plough, boys,
You may take the gear to the stead,
All the sweat o' your brow, boys,
Will never get beer and bread.
The seed's waste, I know, boys,
There's not a blade will grow, boys,
'Tis cropped out, I trow, boys,
And Tommy's dead.

Send the colt to fair, boys,
He's going blind, as I said,
My old eyes can't bear, boys,
To see him in the shed;
The cow's dry and spare, boys,
She's neither here nor there, boys,
I doubt she's badly bread;
Stop the mill to-morn, boys,
There'll be no more corn, boys,
Neither white nor red;
There's no sign of grass, boys,
You may sell the goat and the ass, boys,
The land's not what it was, boys,
And the beasts must be fed:
You may turn Peg away, boys,
You may pay off old Ned,
We've had a dull day, boys,
And Tommy's dead.

Move my chair on the floor, boys,
Let me turn my head:
She's standing there in the door, boys,
Your sister Winifred!
Take her away from me, boys,
Your sister Winifred!
Move me round in my place, boys,
Let me turn my head,
Take her away from me, boys,
As she lay on here death-bed,
The bones of her thin face, boys,
As she lay on her death-bed!
I don't know how it be, boys,
When all's done and said,
But I see her looking at me, boys,
Whenever I turn my head;
Out of the big oak tree, boys,
Out of the garden-bed,
And the lily as pale as she, boys,
And the rose that used to be red.

There's something not right, boys,
But I think it's not in my head,
I've kept my precious sight, boys, --
The Lord be hallowéd!
Outside and in
The ground is cold to my tread,
The hills are wizen and thin,
The sky is shrivelled and shred,
The hedges down by the loan
I can count them bone by bone,
The leaves are open and spread,
But I see the teeth of the land,
And hands like a dead man's hand,
And the eyes of a dead man's head.
There's nothing but cinders and sand,
The rat and the mouse have fed,
And the summer's empty and cold;
Over valley and wold
Wherever I turn my head
There's a mildew and a mould,
The sun's going out overhead,
And I'm very old,
And Tommy's dead.

What am I staying for, boys,
You're all born and bred,
'Tis fifty years and more, boys,
Since wife and I were wed,
And she'd gone before, boys,
And Tommy's dead.

She was always sweet, boys,
Upon his curly head,
She knew she'd never see't, boys,
And she stole off to bed;
I've been siting up alone, boys,
For he'd come home, he said,
But it's time I was gone boys,
For Tommy's dead.

Put the shutters up, boys,
Bring out the beer and bread,
Make haste and sup, boys,
For my eyes are heavy as lead:
There's something wrong i' the cup, boys,
There's something ill wi' the bread,
I don't care to sup, boys,
And Tommy's dead.

I'm not right, I doubt, boys,
I've such a sleepy head,
I shall nevermore be stout, boys,
You may carry me to bed.
What are you about, boys?
The prayers are all said,
The fire's raked out, boys,
And Tommy's dead.

The stairs are too steep, boys,
You may carry me to the head,
The night's dark and deep, boys,
Your mother's long in bed,
'Tis time to go to sleep, boys,
And Tommy's dead.

I'm not used to a kiss, boys,
You may shake my hand instead.
All things go amiss, boys,
You may lay me where she is, boys,
And I'll rest my old head:
'Tis a poor world, this, boys,
And Tommy's dead.

poem by Sydney Thompson Dobell
Submitted by Poetry Lover
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The Wife

Max Irons, Glenn Close, Christian Slater, Harry Lloyd, Jonathan Pryce, Carolin Stoltz, Alix Wilton Regan, Karin Franz Korlof, Annie Starke

by Jane Anderson from The Wife (2017)
Submitted by Veronica Serbanoiu
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Hysteria

Maggie Gyllenhaal, Hugh Dancy, Jonathan Pryce, Felicity Jones, Rupert Everett, Ashley Jensen, Sheridan Smith

from Hysteria (2011)
Submitted by Veronica Serbanoiu
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The Salvation

Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, Eric Cantona, Mikael Persbrandt, Douglas Henshall, Michael Raymond-James, Jonathan Pryce

from The Salvation (2014)
Submitted by Veronica Serbanoiu
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Listen Up Philip

Jason Schwartzman, Elisabeth Moss, Jonathan Pryce, Krysten Ritter, Josephine de La Baume, Jess Weixler, Dree Hemingway

by Alex Ross Perry from Listen Up Philip (2014)
Submitted by Veronica Serbanoiu
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The Man Who Invented Christmas

Dan Stevens, Jonathan Pryce, Christopher Plummer, Simon Callow, Donald Sumpter, Miriam Margolyes, Ian McNeice, Bill Paterson, Annette Badland

by Susan Coyne from The Man Who Invented Christmas (2017)
Submitted by Veronica Serbanoiu
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G.I. Joe 2: Retaliation [trailer 2]

Channing Tatum, Dwayne Johnson, Ray Park, Bruce Willis, Adrianne Palicki, Ray Stevenson, Arnold Vosloo, Joseph Mazzello, Walton Goggins, Elodie Yung, Jonathan Pryce

from G.I. Joe 2: Retaliation (2012)
Submitted by Veronica Serbanoiu
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G.I. Joe 2: Retaliation [trailer 3]

Channing Tatum, Dwayne Johnson, Ray Park, Bruce Willis, Adrianne Palicki, Ray Stevenson, Arnold Vosloo, Joseph Mazzello, Walton Goggins, Elodie Yung, Jonathan Pryce

from G.I. Joe 2: Retaliation (2013)
Submitted by Veronica Serbanoiu
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G.I. Joe 2: Retaliation

Channing Tatum, Dwayne Johnson, Ray Park, Bruce Willis, Adrianne Palicki, Ray Stevenson, Arnold Vosloo, Joseph Mazzello, Walton Goggins, Elodie Yung, Jonathan Pryce

from G.I. Joe 2: Retaliation (2012)
Submitted by Veronica Serbanoiu
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The Ghost at the Second Bridge

You'd call the man a senseless fool,—
A blockhead or an ass,
Who’d dare to say he saw the ghost
Of Mount Victoria Pass;
But I believe the ghost is there,
For, if my eyes are right,
I saw it once upon a ne’er-
To-be-forgotten night.
’Twas in the year of eighty-nine—
The day was nearly gone,
The stars were shining, and the moon
Is mentioned further on;
I’d tramped as far as Hartley Vale,
Tho’ tired at the start,
But coming back I got a lift
In Johnny Jones’s cart.

’Twas winter on the mountains then—
The air was rather chill,
And so we stopped beside the inn
That stands below the hill.
A fire was burning in the bar,
And Johnny thought a glass
Would give the tired horse a spell
And help us up the Pass.

Then Jimmy Bent came riding up—
A tidy chap was Jim—
He shouted twice, and so of course
We had to shout for him.
And when at last we said good-night
He bet a vulgar quid
That we would see the “ghost in black”,
And sure enough we did.

And as we climbed the stony pinch
Below the Camel Bridge,
We talked about the “Girl in black”
Who haunts the Second Bridge.
We reached the fence that guards the cliff
And passed the corner post,
And Johnny like a senseless fool
Kept harping on the ghost.

“She’ll cross the moonlit road in haste
And vanish down the track;
Her long black hair hangs to her waist
And she is dressed in black;
Her face is white, a dull dead white—
Her eyes are opened wide—
She never looks to left or right,
Or turns to either side.”

I didn’t b’lieve in ghosts at all,
Tho’ I was rather young,
But still I wished with all my heart
That Jack would hold his tongue.
The time and place, as you will say,
(’Twas twelve o’clock almost)—
Were both historically fa-
Vourable for a ghost.

But have you seen the Second Bridge
Beneath the “Camel’s Back”?
It fills a gap that broke the ridge
When convicts made the track;
And o’er the right old Hartley Vale
In homely beauty lies,
And o’er the left the mighty walls
Of Mount Victoria rise.

And there’s a spot above the bridge,
Just where the track is steep,
From which poor Convict Govett rode
To christen Govett’s Leap;
And here a teamster killed his wife—
For those old days were rough—
And here a dozen others had
Been murdered, right enough.

The lonely moon was over all
And she was shining well,
At angles from the sandstone wall
The shifting moonbeams fell.
In short, the shifting moonbeams beamed,
The air was still as death,
Save when the listening silence seemed
To speak beneath its breath.

The tangled bushes were not stirred
Because there was no wind,
But now and then I thought I heard
A startling noise behind.
Then Johnny Jones began to quake;
His face was like the dead.
“Don’t look behind, for heaven’s sake!
The ghost is there!” he said.

He stared ahead—his eyes were fixed;
He whipped the horse like mad.
“You fool!” I cried, “you’re only mixed;
A drop too much you’ve had.
I’ll never see a ghost, I swear,
But I will find the cause.”
I turned to see if it was there,
And sure enough it was!

Its look appeared to plead for aid
(As far as I could see),
Its hands were on the tailboard laid,
Its eyes were fixed on me.
The face, it cannot be denied
Was white, a dull dead white,
The great black eyes were opened wide
And glistened in the light.

I stared at Jack; he stared ahead
And madly plied the lash.
To show I wasn’t scared, I said—
“Why, Jack, we’ve made a mash.”
I tried to laugh; ’twas vain to try.
The try was very lame;
And, tho’ I wouldn’t show it, I
Was frightened, all the same.

“She’s mashed,” said Jack, “I do not doubt,
But ’tis a lonely place;
And then you see it might turn out
A breach of promise case.”
He flogged the horse until it jibbed
And stood as one resigned,
And then he struck the road and ran
And left the cart behind.

Now, Jack and I since infancy
Had shared our joys and cares,
And so I was resolved that we
Should share each other’s scares.
We raced each other all the way
And never slept that night,
And when we told the tale next day
They said that we were—intoxicated.

poem by Henry Lawson
Submitted by Poetry Lover
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Alternative Song For The Severd head In "The King Of The Great Clock Tower"

SADDLE and ride, I heard a man say,
Out of Ben Bulben and Knocknarea,
i{What says the Clock in the Great Clock Tower?}
All those tragic characters ride
But turn from Rosses' crawling tide,
The meet's upon the mountain-side.
i{A slow low note and an iron bell.}
What brought them there so far from their home.
Cuchulain that fought night long with the foam,
i{What says the Clock in the Great Clock Tower?}
Niamh that rode on it; lad and lass
That sat so still and played at the chess?
What but heroic wantonness?
i{A slow low note and an iron bell.}
Aleel, his Countess; Hanrahan
That seemed but a wild wenching man;
i{What says the Clock in the Great Clock Tower?}
And all alone comes riding there
The King that could make his people stare,
Because he had feathers instead of hair.
i{A slow low note and an iron bell.}

poem by William Butler Yeats
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Fate

There once lived an olive green frog
in the back of a half-rotten log.
He was killed in his sleep
well, the log wasn't deep
and the killer was simply a hog.

As for truffles the hog searched in vain
it was clearer than glass and quite plain,
in his terrible mood
he came wholly unglued
but he later was hit by a train.

Thus the hog and the frog bought the farm,
it was sad that there was no alarm,
though the frog owned a clock
which went tick and then tock
'till the sun was well past the yardarm.

But one night there was Ezel the lizard,
he was known in the woods as a wizard.
Called to fix for the frog
his small clock in the log
a small spring disappeared in his gizzard.

Since no parts were on hand for the clock
they marked North and then South on a rock.
It would show them the time
(the idea was sublime)
'till the clock parts again were in stock.

But, the sun let them down and slept in.
(It is said she is partial to Gin) ,
thus two critters lost big
through no fault of the pig
but the lizard's huge overbite chin.

poem by Herbert Nehrlich
Submitted by Poetry Lover
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I Must Have Been Sleeping

'Where are you going, ' I heard her say
As the dream took me straight to the core,
We parked at the side of a very long road
And I got out the driver's door;
'I've never known that, ' I replied, and she sat
On her hands, with the pain of surprise,
'So what you've been saying has never been true! '
The tears rose up in her eyes!

'The road has been long, the road has been wide,
I never knew where I could turn.'
'I thought you were happy with me, ' she said;
There was nothing to say in return.
'I must have been sleeping for seventeen years, '
My voice sounded foreign and coarse,
But I couldn't handle the sighs and the lies,
Or the terrible sound of - 'divorce! '

I walked to the wood at the side of the road,
And followed the pathway around,
I couldn't look back now I'd made up my mind
Though I walked unfamiliar ground,
The clearing was quiet, the birds didn't sing,
A mountain rose up in my view,
I suddenly saw there was no going back
To the comfortable life that I knew.

I cast off my shackles and took a deep breath,
To breathe in both freedom and pride,
My strength was returning, and clearer my eye,
I walked with a bounce in my stride,
The years fell away, I was thirty again,
I stopped then, and sat on a stone,
For darkness was gathering there in the gloom
With that terrible feeling - alone!

I thought of the woman I'd left on the road,
Who'd always been faithful to me,
The tears that she'd shed for a love that was dead
Made me sad, and ashamed to be free,
I thought of the comfort she'd given me when
All my world started going insane,
She'd cooked and she'd cared, and she'd loved and she'd shared
And I'd given her nothing but pain.

I turned on the track, and I made my way back
But I couldn't see where I had been,
I stumbled through thickets and walked into trees
And I fell on my knees on the green.
'I am lost, I am lost, ' I cried into the night
Then I heard her voice, dim, by a tree
And woke to her stroking my face and my brow
As I cried… She was waiting for me!

9 March 2008

poem by David Lewis Paget
Submitted by Poetry Lover
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The Clock Keeps Ticking

I want alone to be
I want to drown in lonely sea
But the clock keeps ticking

I want to stop
I want to forever halt
But the clock keeps beating

I want to run
I want far away from land
But the clock keeps pursuing

I want to hide
I no more want to think of fight
But the clock keeps shouting

I want to rest
I want in dream hibernate
But the clock keeps breaking

I want to sing
I want to strengthen the spring
But the clock keeps shaking

I want to only follow
I no longer want to know
But the clock keeps pumping

I want to hurt
I don’t care if I should hate
But the clock keeps moving

poem by Maria Sudibyo
Submitted by Poetry Lover
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The Grandfather Clock

The old Tudor house was half-timbered and gaunt,
Was gloomy and dim in the hall,
And time had stood still, since my father was born,
In the clock that had stood by the wall.
Its pendulum hung, never making a sound
I'd never so much heard it chime,
But then, on the day that my Dad passed away,
Its tick had begun to keep time.

My mother was dead and my father was gone,
The half-timbered house passed to me,
I wandered its passages, sad and distraught,
As lonely as one man could be!
I'd sit in the lounge and I'd read by a lamp
With the rest of the house cloaked in gloom,
And heard the dread tick of that grandfather clock
As it echoed in time through the room!

Each tick was a portent, the passing of life,
Each tock brought me nearer to death,
I'd listen for noises, the timber that creaked,
Sit terrified, holding my breath!
The warm summer showers pit-pattered the thatch,
The wind would sough-sough at the eaves,
And summer passed quickly to autumn that year
In a thick golden carpet of leaves.

I never once wound up that grandfather clock,
I waited for it to wind down,
But like a tap dripping, it never would stop
I felt I was starting to drown.
I found in the library's masses of books
An ancient collection of tomes,
And one that was covered in leather, I looked,
And read, and I wished that I'd known!

Sir Richard FitzWalter had lived in that house,
And he it was, ordered the clock,
He'd fought against Cromwell for Charlie the First
‘Til Charles lost his head on the block!
He'd fled to the country, was caught in the house,
And hanged on the tree by the gate,
His wife, Lady Mary, had begged for his life
But the Roundheads had jeered: ‘You're too late! '

She left them, went sobbing back into the hall
And she clung to the grandfather clock,
But just as her husband, his heart ceased to beat,
She heard that the ticking had stopped.
That clock never ran for the rest of her life,
But showed just a quarter to four,
The time that Sir Richard was pinioned and hung
At the gate, on the tree by his door.

The clock began ticking when Mary had died,
Had taken her grief to the grave,
And each generation it stopped or began
When the master was born, or was saved!
I knew then the clock had been ticking for me
And I wanted it never to stop,
I'd wake in the night and I'd tremble to hear
If my heart was still pounding, or not.

Then one winter's night I was restless, and rose
From my sleep, and walked down to the hall,
A Cavalier soldier stood facing the clock,
Adjusting the pendulum pawl;
Resetting the weights on that grandfather clock
So my heart would continue to beat,
From that time to this, I have lived here content
While Sir Richard returns as I sleep.

6 August,2012

poem by David Lewis Paget
Submitted by Poetry Lover
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Lubie (Come Back Home)

Down at the Astoria the scene was changing,
Bingo and rock were pushing out X-rating,
We were the first band to vomit in the bar,
And find the distance to the stage too far,
Meanwhile it's getting late at ten o'clock,
Rock is dead they say,
Long live rock.
Long live rock, I need it every night,
Long live rock, come on and join the line,
Long live rock, be it dead or alive.
People walk in sideways pretending that they're leaving,
We put on our makeup and work out all the lead-ins,
Jack is in the alley selling tickets made in Hong Kong,
Promoter's in the pay box wondering where the band's gone,
Back in the pub the governor stops the clock,
Rock is dead, they say,
Long live rock.
Long live rock, I need it every night,
Long live rock, come on and join the line,
Long live rock, be it dead or alive.
Landslide, rocks are falling,
Falling down 'round our very heads,
We tried but you were yawning,
Look again, rock is dead, rock is dead, rock is dead.
The place is really jumping to the high-watt amps,
'Til a 20-inch cymbal fell and cut the lamps,
In the blackout they dance right into the aisle,
And as the doors fly open even the promoter smiles,
Someone takes his pants off and the rafters knock,
Rock is dead, they say,
Long live rock, long live rock, long live rock.
Long live rock, long live rock, long live rock,
Long live rock, long live rock, long live rock.
Long live rock, I need it every night,
Long live rock, come on and join the line,
Long live rock, be it dead or alive.

song performed by by Who
Submitted by Lucian Velea
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Fire In The Sky

All alone in a sleepless night
Passing time with a runaway moon
talkin' to myself
Wishing I was somewhere else
It's been too long since I held you girl
Twice a thousand miles
But my heart won't beat alone
I need the love I left behind
Hold back the dawn awhile
This will all work out
Don't let this dream die
There's a fire in the sky
It's like the light in your eyes
Thinkin' of you
And I won't give up till your in my arms
Never give up till what's lost is found
Won't give up on your sweet, sweet love again
Now the night is dark with diamonds
And I'm standing inside the rain
Giving up your love
Was the worst mistake I made
There's a sound I hear in the distance
Seems it's calling out my name
Well I'll pay most any price
I just hope I'm not too late
Turn back the clock awhile
Things will all work out
That's what the dream is all about
There's a fire in the sky
It's like the light in your eyes
Oh, it's true
That I won't give up till your in my arms
Never give up till what's lost is found
Won't give up on your sweet, sweet love
Turn back the clock awhile
Things will all work out
That's what the dream is all about
I see a fire in the sky
Just like the light in your eyes
Thinkin' of you
That I won't give up till your in my arms
Never give up till what's lost is found
Won't give up on your sweet, sweet love

song performed by by Nitty Gritty Dirt Band
Submitted by Lucian Velea
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I Saw A New World

I SAW a new world in my dream,
Where all the folks alike did seem:
There was no Child, there was no Mother,
There was no Change, there was no Other.

For everything was Same, the Same;
There was no praise, there was no blame;
There was neither Need nor Help for it;
There was nothing fitting or unfit.

Nobody laugh’d, nobody wept;
None grew weary, so none slept;
There was nobody born, and nobody wed;
This world was a world of the living-dead.

I long’d to hear the Time-Clock strike
In the world where people were all alike;
I hated Same, I hated Forever;
I long’d to say Neither, or even Never.

I long’d to mend, I long’d to make;
I long’d to give, I long’d to take;
I long’d for a change, whatever came after,
I long’d for crying, I long’d for laughter.

At last I heard the Time-Clock boom,
And woke from my dream in my little room;
With a smile on her lips my Mother was nigh,
And I heard the Baby crow and cry.

And I thought to myself, How nice it is
For me to live in a world like this,
Where things can happen, and clocks can strike,
And none of the people are made alike;

Where Love wants this, and Pain wants that,
Where all our hearts want Tit for Tat
In the jumbles we make with our heads and our hands,
In a world that nobody understands,
But with work, and hope, and the right to call
Upon Him who sees it and knows us all!

poem by William Brighty Rands
Submitted by Poetry Lover
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The Dukite Snake

Well, mate, you’ve asked about a fellow
You met to-day, in a black-and-yellow
Chain-gang suit, with a peddler’s pack,
Or with some such burden, strapped to his back.
Did you meet him square? No, passed you by?
Well, if you had, and had looked in his eye,
You’d have felt for your irons then and there;
For the light in his eye is a madman’s glare.
Ay, mad, poor fellow! I know him well,
And if you’re not sleepy just yet, I’ll tell
His story,—a strange one as ever you heard
Or read; but I’ll vouch for it, every word.

You just wait a minute, mate: I must see
How that damper’s doing, and make some tea.
You smoke? That’s good; for there’s plenty of weed
In that wallaby skin. Does your horse feed
In the hobbles? Well, he’s got good feed here,
And my own old bush mare won’t interfere.
Done with that meat? Throw it there to the dogs,
And fling on a couple of banksia logs.

And now for the story. That man who goes
Through the bush with the pack and the convict’s clothes
Has been mad for years; but he does no harm,
And our lonely settlers feel no alarm
When they see or meet him. Poor Dave Sloane
Was a settler once, and a friend of my own.
Some eight years back, in the spring of the year,
Dave came from Scotland, and settled here.
A splendid young fellow he was just then,
And one of the bravest and truest men
That I ever met: he was kind as a woman
To all who needed a friend, and no man—
Not even a convict—met with his scorn,
For David Sloane was a gentleman born.
Ay, friend, a gentleman, though it sounds queer:
There’s plenty of blue blood flowing out here,
And some younger sons of your “upper ten”
Can be met with here, first-rate bushmen.
Why, friend, I—Bah! curse that dog! you see
This talking so much has affected me.

Well, Sloane came here with an axe and a gun;
He bought four miles of a sandal-wood run.
This bush at that time was a lonesome place,
So lonesome the sight of a white man’s face
Was a blessing, unless it came at night,
And peered in your hut, with the cunning fright
Of a runaway convict; and even they
Were welcome, for talk’s sake, while they could stay.
Dave lived with me here for a while, and learned
The tricks of the bush,—how the snare was laid
In the wallaby track, how traps were made,
How ’possums and kangaroo rats were killed,
And when that was learned, I helped him to build
From mahogany slabs a good bush hut,
And showed him how sandal-wood logs were cut.
I lived up there with him days and days,
For I loved the lad for his honest ways.
I had only one fault to find: at first
Dave worked too hard; for a lad who was nursed,
As he was, in idleness, it was strange
How he cleared that sandal-wood off his range.
From the morning light till the light expired
He was always working, he never tired;
Till at length I began to think his will
Was too much settled on wealth, and still
When I looked at the lad’s brown face, and eye
Clear open, my heart gave such thought the lie.
But one day—for he read my mind—he laid
His hand on my shoulder: “Don’t be afraid,”
Said he, “that I’m seeking alone for pelf.
I work hard, friend; but ’tis not for myself.”

And he told me then, in his quiet tone,
Of a girl in Scotland, who was his own,—
His wife,—’twas for her: ’twas all he could say,
And his clear eye brimmed as he turned away.
After that he told me the simple tale:
They had married for love, and she was to sail
For Australia when he wrote home and told
The oft-watched-for story of finding gold.

In a year he wrote, and his news was good:
He had bought some cattle and sold his wood.
He said, “Darling, I’ve only a hut,—but come.”
Friend, a husband’s heart is a true wife’s home;
And he knew she’d come. Then he turned his hand
To make neat the house, and prepare the land
For his crops and vines; and he made that place
Put on such a smiling and homelike face,
That when she came, and he showed her round
His sandal-wood and his crops in the ground,
And spoke of the future, they cried for joy,
The husband’s arm clasping his wife and boy.

Well, friend, if a little of heaven’s best bliss
Ever comes from the upper world to this,
It came into that manly bushman’s life,
And circled him round with the arms of his wife.
God bless that bright memory! Even to me,
A rough, lonely man, did she seem to be,
While living, an angel of God’s pure love,
And now I could pray to her face above.
And David he loved her as only a man
With a heart as large as was his heart can.
I wondered how they could have lived apart,
For he was her idol, and she his heart.

Friend, there isn’t much more of the tale to tell:
I was talking of angels awhile since. Well,
Now I’ll change to a devil,—ay, to a devil!
You needn’t start: if a spirit of evil
Ever came to this world its hate to slake
One mankind, it came as a Dukite Snake.

Like? Like the pictures you’ve seen of Sin,
A long red snake,—as if what was within
Was fire that gleamed through his glistening skin.
And his eyes!—if you could go down to hell
And come back to your fellows here and tell
What the fire was like, you could find no thing,
Here below on the earth, or up in the sky,
To compare it to but a Dukite’s eye!

Now, mark you, these Dukites don’t go alone:
There’s another near when you see but one;
And beware you of killing that one you see
Without finding the other; for you may be
More than twenty miles from the spot that night,
When camped, but you’re tracked by the lone Dukite,
That will follow your trail like Death or Fate,
And kill you as sure as you killed its mate!

Well, poor Dave Sloane had his young wife here
Three months,—’twas just this time of the year.
He had teamed some sandal-wood to the Vasse,
And was homeward bound, when he saw in the grass
A long red snake: he had never been told
Of the Dukite’s ways,—he jumped to the road,
And smashed its flat head with the bullock-goad!

He was proud of the red skin, so he tied
Its tail to the cart, and the snake’s blood dyed
The bush on the path he followed that night.

He was early home, and the dead Dukite
Was flung at the door to be skinned next day.
At sunrise next morning he started away
To hunt up his cattle. A three hours’ ride
Brought him back: he gazed on his home with pride
And joy in his heart; he jumped from his horse
And entered—to look on his young wife’s corse,
And his dead child clutching his mother’s clothes
As in fright; and there, as he gazed, arose
From her breast, where ’twas resting, the gleaming head
Of the terrible Dukite, as if it said,
“I’ve had vengeance, my foe: you took all I had.”

And so had the snake—David Sloane was mad!
I rode to his hut just by chance that night,
And there on the threshold the clear moonlight
Showed the two snakes dead. I pushed in the door
With an awful feeling of coming woe:
The dead was stretched on the moonlit floor,
The man held the hand of his wife,—his pride,
His poor life’s treasure,—and crouched by her side.
O God! I sank with the weight of the blow.

I touched and called him: he heeded me not,
So I dug her grave in a quiet spot,
And lifted them both,—her boy on her breast,—
And laid them down in the shade to rest.
Then I tried to take my poor friend away,
But he cried so woefully, “Let me stay
Till she comes again!” that I had no heart
To try to persuade him then to part
From all that was left to him here,—her grave;
So I stayed by his side that night, and, save
One heart-cutting cry, he uttered no sound,—
O God! that wail—like the wail of a hound!

’Tis six long years since I heard that cry,
But ’twill ring in my ears till the day I die.
Since that fearful night no one has heard
Poor David Sloane utter sound or word.
You have seen to-day how he always goes:
He’s been given that suit of convict’s clothes
By some prison officer. On his back
You noticed a load like a peddler’s pack?
Well, that’s what he lives for: when reason went,
Still memory lived, for the days are spent
In searching for Dukites; and year by year
That bundle of skins is growing. ’Tis clear
That the Lord out of evil some good still takes;
For he’s clearing this bush of the Dukite snakes.

poem by John Boyle O'Reilly
Submitted by Poetry Lover
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