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The Spellin'-Bee

I NEVER shall furgit that night when father hitched up Dobbin,
An' all us youngsters clambered in an' down the road went bobbin'
To school where we was kep' at work in every kind o' weather,
But where that night a spellin'-bee was callin' us together.
'Twas one o' Heaven's banner nights, the stars was all a glitter,
The moon was shinin' like the hand o' God had jest then lit her.
The ground was white with spotless snow, the blast was sort o' stingin';
But underneath our round-abouts, you bet our hearts was singin'.
That spellin'-bee had be'n the talk o' many a precious moment,
The youngsters all was wild to see jes' what the precious show meant,
An' we whose years was in their teens was little less desirous
O' gittin' to the meetin' so's our sweethearts could admire us.
So on we went so anxious fur to satisfy our mission
That father had to box our ears, to smother our ambition.
But boxin' ears was too short work to hinder our arrivin',
He jest turned roun' an' smacked us all, an' kep' right on a-drivin'.
Well, soon the schoolhouse hove in sight, the winders beamin' brightly;
The sound o' talkin' reached our ears, and voices laffin' lightly.
It puffed us up so full an' big 'at I'll jest bet a dollar,
There wa'n't a feller there but felt the strain upon his collar.
So down we jumped an' in we went ez sprightly ez you make 'em,
But somethin' grabbed us by the knees an' straight began to shake 'em.
Fur once within that lighted room, our feelin's took a canter,
An' scurried to the zero mark ez quick ez Tam O'Shanter.
'Cause there was crowds o' people there, both sexes an' all stations;
It looked like all the town had come an' brought all their relations.
The first I saw was Nettie Gray, I thought that girl was dearer
'N' gold; an' when I got a chance, you bet I aidged up near her.
An' Farmer Dobbs's girl was there, the one 'at Jim was sweet on,
An' Cyrus Jones an' Mandy Smith an' Faith an' Patience Deaton.
Then Parson Brown an' Lawyer Jones were present — all attention,
An' piles on piles of other folks too numerous to mention.
The master rose an' briefly said: 'Good friends, dear brother Crawford,
To spur the pupils' minds along, a little prize has offered.
To him who spells the best to-night — or 't may be 'her' — no tellin' —
He offers ez a jest reward, this precious work on spellin'.'
A little blue-backed spellin'-book with fancy scarlet trimmin';
We boys devoured it with our eyes — so did the girls an' women.
He held it up where all could see, then on the table set it,
An' ev'ry speller in the house felt mortal bound to get it.
At his command we fell in line, prepared to do our dooty,
Outspell the rest an' set 'em down, an' carry home the booty.
'Twas then the merry times began, the blunders, an' the laffin',
The nudges an' the nods an' winks an' stale good-natured chaffin'.
Ole Uncle Hiram Dane was there, the clostest man a-livin',
Whose only bugbear seemed to be the dreadful fear o' givin'.
His beard was long, his hair uncut, his clothes all bare an' dingy;
It wasn't 'cause the man was pore, but jest so mortal stingy.
An' there he sot by Sally Riggs a-smilin' an' a-smirkin',
An' all his childern lef' to home a diggin' an' a-workin'.
A widower he was, an' Sal was thinkin' 'at she'd wing him;
I reckon he was wond'rin' what them rings o' hern would bring him.
An' when the spellin'-test commenced, he up an' took his station,
A-spellin' with the best o' them to beat the very nation.
An' when he'd spell some youngster down, he'd turn to look at Sally,
An' say: 'The teachin' nowadays can't be o' no great vally.'
But true enough the adage says, 'Pride walks in slipp'ry places,'
Fur soon a thing occurred that put a smile on all our faces.
The laffter jest kep' ripplin' 'roun' an' teacher couldn't quell it,
Fur when he give out 'charity' ole Hiram couldn't spell it.
But laffin' 's ketchin' an' it throwed some others off their bases,
An' folks 'u'd miss the very word that seemed to fit their cases.
Why, fickle little Jessie Lee come near the house upsettin'
By puttin' in a double 'kay' to spell the word 'coquettin'.'
An' when it come to Cyrus Jones, it tickled me all over —
Him settin' up to Mandy Smith an' got sot down on 'lover.'
But Lawyer Jones of all gone men did shorely look the gonest,
When he found out that he'd furgot to put the 'h' in 'honest.'
An' Parson Brown, whose sermons were too long fur toleration,
Caused lots o' smiles by missin' when they give out 'condensation.'
So one by one they giv' it up — the big words kep' a-landin',
Till me an' Nettie Gray was left, the only ones a-standin',
An' then my inward strife began — I guess my mind was petty! —
I did so want that spellin'-book; but then to spell down Nettie
Jest sort o' went ag'in my grain — I somehow couldn't do it,
An' when I git a notion fixed, I'm great on stickin' to it.
So when they giv' the next word out — I hadn't otter tell it,
But then 't was all fur Nettie's sake — I missed so's she could spell it.
She spelt the word, then looked at me so lovin'-like an' mello',
I tell you 't sent a hunderd pins a-shootin' through a fello'.
O' course I had to stand the jokes an' chaffin' of the fello's,
But when they handed her the book I vow I wasn't jealous.
We sung a hymn, an' Parson Brown dismissed us like he otter,
Fur, la! he'd learned a thing er two an' made his blessin' shorter.
'Twas late an' cold when we got out, but Nettie liked cold weather,
An' so did I, so we agreed we 'd jest walk home together.
We both wuz silent, fur of words we nuther had a surplus,
'Till she spoke out quite sudden like, 'You missed that word on purpose.'
Well, I declare it frightened me; at first I tried denyin',
But Nettie, she jest smiled an' smiled, she knowed that I was lyin'.
Sez she: 'That book is yourn by right;' sez I: 'It never could be —
I — I — you — ah — ' an' there I stuck, an' well she understood me.
So we agreed that later on when age had giv' us tether,
We'd jine our lots an' settle down to own that book together.

poem by Paul Laurence Dunbar
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The Rivals

'TWAS three an' thirty year ago,
I When I was ruther young, you know,
I had my last an' only fight
About a gal one summer night.
'Twas me an' Zekel Johnson; Zeke
'N' me 'd be'n spattin' 'bout a week,
Each of us tryin' his best to show
That he was Liza Jones's beau.
We couldn't neither prove the thing,
Fur she was fur too sharp to fling
One over fur the other one
An' by so doin' stop the fun
That we chaps didn't have the sense
To see she got at our expense,
But that's the way a feller does,
Fur boys is fools an' allus was.
An' when they's females in the game
I reckon men's about the same.
Well, Zeke an' me went on that way
An' fussed an' quarrelled day by day;
While Liza, mindin' not the fuss,
Jest kep' a-goin' with both of us,
Tell we pore chaps, that's Zeke an' me,
Was jest plum mad with jealousy.
Well, fur a time we kep' our places,
An' only showed by frownin' faces
An' looks 'at well our meanin' boded
How full o' fight we both was loaded.
At last it come, the thing broke out,
An' this is how it come about.
One night ('t was fair, you'll all agree)
I got Eliza's company,
An' leavin' Zekel in the lurch,
Went trottin' off with her to church.
An' jest as we had took our seat
(Eliza lookin' fair an' sweet),
Why, I jest couldn't help but grin
When Zekel come a-bouncin' in
As furious as the law allows.
He'd jest be'n up to Liza's house,
To find her gone, then come to church
To have this end put to his search.
I guess I laffed that meetin' through,
An' not a mortal word I knew
Of what the preacher preached er read
Er what the choir sung er said.
Fur every time I'd turn my head
I couldn't skeercely help but see
'At Zekel had his eye on me.
An' he 'ud sort o' turn an' twist
An' grind his teeth an' shake his fist.
I laughed, fur la! the hull church seen us,
An' knowed that suthin' was between us.
Well, meetin' out, we started hum,
I sorter feelin' what would come.
We'd jest got out, when up stepped Zeke,
An' said, 'Scuse me, I'd like to speak
To you a minute.' 'Cert,' said I —
A-nudgin' Liza on the sly
An' laughin' in my sleeve with glee,
I asked her, please, to pardon me.
We walked away a step er two,
Jest to git out o' Liza's view,
An' then Zeke said, 'I want to know
Ef you think you're Eliza's beau,
An' 'at I'm goin' to let her go
Hum with sich a chap as you?'
An' I said bold, 'You bet I do.'
Then Zekel, sneerin', said 'at he
Didn't want to hender me.
But then he 'lowed the gal was his
An' 'at he guessed he knowed his biz,
An' wasn't feared o' all my kin
With all my friends an' chums throwed in.
Some other things he mentioned there
That no born man could no ways bear
Er think o' ca'mly tryin' to stan'
Ef Zeke had be'n the bigges' man
In town, an' not the leanest runt
'At time an' labor ever stunt.
An' so I let my fist go 'bim,'
I thought I'd mos' nigh finished him.
But Zekel didn't take it so.
He jest ducked down an' dodged my blow
An' then come back at me so hard,
I guess I must 'a' hurt the yard,
Er spilet the grass plot where I fell,
An' sakes alive it hurt me; well,
It wouldn't be'n so bad, you see,
But he jest kep' a-hittin' me.
An' I hit back an' kicked an' pawed,
But 't seemed 'twas mostly air I clawed,
While Zekel used his science well
A-makin' every motion tell.
He punched an' hit, why, goodness lands,
Seemed like he had a dozen hands.
Well, afterwhile they stopped the fuss,
An' some one kindly parted us.
All beat an' cuffed an' clawed an' scratched,
An' needin' both our faces patched,
Each started hum a different way;
An' what o' Liza, do you say,
Why, Liza — little humbug — dern her,
Why, she'd gone home with Hiram Turner.

poem by Paul Laurence Dunbar
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A Confidence

UNCLE JOHN, he makes me tired;
Thinks 'at he's jest so all-fired
Smart, 'at he kin pick up, so,
Ever'thing he wants to know.
Tried to ketch me up last night,
But you bet I wouldn't bite.
I jest kep' the smoothes' face,
But I led him sich a chase,
Couldn't corner me, you bet —
I skipped all the traps he set.
Makin' out he wan'ed to know
Who was this an' that girl's beau;
So's he'd find out, don't you see,
Who was goin' 'long with me.
But I answers jest ez sly,
An' I never winks my eye,
Tell he hollers with a whirl,
'Look here, ain't you got a girl?'
Y' ought 'o seen me spread my eyes,
Like he'd took me by surprise,
An' I said, 'Oh, Uncle John,
Never thought o' havin' one.'
An' somehow that seemed to tickle
Him an' he shelled out a nickel.
Then you ought to seen me leave
Jest a-laffin' in my sleeve.
Fool him — well, I guess I did;
He ain't on to this here kid.
Got a girl! well, I guess yes,
Got a dozen more or less,
But I got one reely one,
Not no foolin' ner no fun;
Fur I'm sweet on her, you see,
An' I ruther guess 'at she
Must be kinder sweet on me,
So we're keepin' company.
Honest Injun! this is true,
Ever' word I'm tellin' you!
But you won't be sich a scab
Ez to run aroun' an' blab.
Mebbe 't ain't the way with you,
But you know some fellers do.
Spoils a girl to let her know
'At you talk about her so.
Don't you know her? her name's Liz,
Nicest girl in town she is.
Purty? oh, git out, you gilly —
Liz 'ud purt 'nigh knock you silly.
Y' ought 'o see her when she's dressed
All up in her Sunday best,
All the fellers nudgin' me,
An' a-whisperin', gemunee!
Betcher life 'at I feel proud
When she passes by the crowd.
'T's kinder nice to be a-goin'
With a girl 'at makes some showin' —
One you know 'at hain't no snide,
Makes you feel so satisfied.
An' I'll tell you she's a trump,
Never even seen her jump
Like some silly girls 'ud do,
When I'd hide and holier 'Boo!'
She'd jest laff an' say 'Git out!
What you hollerin' about?'
When some girls 'ud have a fit
That 'un don't git skeered a bit,
Never makes a bit o' row
When she sees a worm er cow.
Them kind's few an' far between;
Bravest girl I ever seen.
Tell you 'nuther thing she'll do,
Mebbe you won't think it's true,
But if she's jest got a dime
She 'll go halvers ever' time.
Ah, you goose, you needn't laff;
That's the kinder girl to have.
If you knowed her like I do,
Guess you'd kinder like her too.
Tell you somep'n' if you'll swear
You won't tell it anywhere.
Oh, you got to cross yer heart
Earnest, truly, 'fore I start.
Well, one day I kissed her cheek;
Gee, but I felt cheap an' weak,
'Cause at first she kinder flared,
'N', gracious goodness! I was scared.
But I needn't been, fer la!
Why, she never told her ma.
That's what I call grit, don't you?
Sich a girl's worth stickin' to.

poem by Paul Laurence Dunbar
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Mylo Jones's Wife

'Mylo Jones's wife' was all
I heerd, mighty near, last Fall--
Visitun relations down
T'other side of Morgantown!
Mylo Jones's wife she does
This and that, and 'those' and 'thus'!--
Can't 'bide babies in her sight--
Ner no childern, day and night,
Whoopin' round the premises--
NER NO NOTHIN' ELSE, I guess!

Mylo Jones's wife she 'lows
She's the boss of her own house!--
Mylo--consequences is--
Stays whare things seem SOME like HIS,--
Uses, mostly, with the stock--
Coaxin' 'Old Kate' not to balk,
Ner kick hoss-flies' branes out, ner
Act, I s'pose, so much like HER!
Yit the wimmern-folks tells you
She's PERFECTION.--Yes they do!

Mylo's wife she says she's found
Home hain't home with MEN-FOLKS round
When they's work like HERN to do-
Picklin' pears and BUTCHERN, too,
And a-rendern lard, and then
Cookin' fer a pack of men
To come trackin' up the flore
SHE'S scrubbed TEL she'll scrub no MORE!--
Yit she'd keep things clean ef they
Made her scrub tel Jedgmunt Day!

Mylo Jones's wife she sews
Carpet-rags and patches clothes
Jest year IN and OUT!--and yit
Whare's the livin' use of it?
She asts Mylo that.--And he
Gits back whare he'd ruther be,
With his team;--jest PLOWS--and don't
Never sware--like some folks won't!
Think ef HE'D CUT LOOSE, I gum!
'D he'p his heavenly chances some!

Mylo's wife don't see no use,
Ner no reason ner excuse
Fer his pore relations to
Hang round like they allus do!
Thare 'bout onc't a year--and SHE--
She jest GA'NTS 'em, folks tells me,
On spiced pears!--Pass Mylo one,
He says 'No, he don't chuse none!'
Workin'men like Mylo they
'D ort to have MEAT ev'ry day!

Dad-burn Mylo Jones's wife!
Ruther rake a blame caseknife
'Crost my wizzen than to see
Sich a womern rulin' ME!--
Ruther take and turn in and
Raise a fool mule-colt by hand'
MYLO, though--od-rot the man!--
Jest keeps ca'm--like some folks CAN--
And 'lows sich as her, I s'pose,
Is MAN'S HE'PMEET'--Mercy knows!

poem by James Whitcomb Riley
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Bein' Back Home

HOME agin, an' home to stay —
Yes, it's nice to be away.
Plenty things to do an' see,
But the old place seems to me
Jest about the proper thing.
Mebbe 'ts 'cause the mem'ries cling
Closer 'round yore place o' birth
'N ary other spot on earth.
W'y it's nice jest settin' here,
Lookin' out an' seein' clear,
'Thout no smoke, ner dust, ner haze
In these sweet October days.
What's as good as that there lane,
Kind o' browned from last night's rain?
'Pears like home has got the start
When the goal's a feller's heart.
What's as good as that there jay
Screechin' up'ards towards the gray
Skies? An' tell me, what's as fine
As that full-leafed pumpkin vine?
Tow'rin' buildin's — yes, they're good;
But in sight o' field and wood,
Then a feller understan's
'Bout the house not made with han's
Let the others rant an' roam
When they git away from home;
Jest gi' me my old settee
An' my pipe beneath a tree;
Sight o' medders green an' still,
Now and then a gentle hill.
Apple orchards, full o' fruit,
Nigh a cider press to boot —
That's the thing jest done up brown;
D'want to be too nigh to town;
Want to have the smells an' sights,
An' the dreams o' long still nights,
With the friends you used to know
In the keerless long ago.—
Same old cronies, same old folks,
Same old cider, same old jokes.
Say, it's nice a-gittin' back,
When yore pulse is growin' slack,
An' yore breath begins to wheeze
Like a fair-set valley breeze;
Kind o' nice to set aroun'
On the old familiar groun',
Knowin' that when Death does come,
That he'll find you right at home.

poem by Paul Laurence Dunbar
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Farmer Whipple--Bachelor

It's a mystery to see me--a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more--
A-lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!

I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife--
Kindo' 'crawfish' from the Present to the Springtime of my life!

I was brought up in the country: Of a family of five--
Three brothers and a sister--I'm the only one alive,--
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.

The sweetest little thing she was, with rosy cheeks, and fat--
We was little chunks o' shavers then about as high as that!
But someway we sort a' SUITED-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair

Than WE was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!--
W'y, even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!

I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on ME now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up--and workin', with a mighty smilin'
face.--

Fer SOMEPIN' ELSE was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,--
'Some day I'd maybe marry, and a BROTHER'S love was one
Thing--a LOVER'S was another!' was the way the notion run!

I remember onc't in harvest, when the 'cradle-in' ' was done,
(When the harvest of my summers mounted up to twenty-one),
I was ridin' home with Mary at the closin' o' the day--
A-chawin' straws and thinkin', in a lover's lazy way!

And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well--when she turned and KISSED ME, WITH HER ARMS AROUND
ME--LAW!
I'd a bigger load o' Heaven than I had a load o' straw!

I don't p'tend to learnin', but I'll tell you what's a fac',
They's a mighty truthful sayin' somers in a' almanac--
Er SOMERS--'bout 'puore happiness'--perhaps some folks'll laugh
At the idy--'only lastin' jest two seconds and a half.'--

But it's jest as true as preachin'!--fer that was a SISTER'S
kiss,
And a sister's lovin' confidence a-tellin' to me this:--
'SHE was happy, BEIN' PROMISED TO THE SON O' FARMER BROWN.'--
And my feelin's struck a pardnership with sunset and went down!

I don't know HOW I acted, and I don't know WHAT I said,--
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kind o'glimmered before me in the road,
And the lines fell from my fingers--And that was all I knowed--

Fer--well, I don't know HOW long--They's a dim rememberence
Of a sound o' snortin' horses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' 'Murder!' and a-runnin' up to where

_I_ was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a-whirlin' roun'!
And I tried to raise and meet her, but I couldn't, with a vague
Sort o' notion comin' to me that I had a broken leg.

Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left ME worth livin' fer below,
When the girl I loved was married to another, don't you know!

And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married--Railly must 'a' been my MIND
Was kind o' out o' kilter!--fer I hated Brown, you see,
Worse'n PIZEN--and the feller whittled crutches out fer ME--

And done a thousand little ac's o' kindness and respec'--
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.

Then I went to work in airnest--I had nothin' much in view
But to drownd out rickollections--and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.

Then I'd think how little MONEY was, compared to happiness--
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm payin' half the taxes in the county, mighty near!

Well!--A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land--
'The feller that had owned it,' it went ahead to state,
'Had jest deceased, insolvent, leavin' chance to speculate,'--

And then it closed by sayin' that I'd 'better come and see.'--
I'd never been West, anyhow--a'most too wild fer ME,
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakend when I come to look around.

So I bids good-by to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again--
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd 'a' went along with me!

Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last:
And that night, at the tavern, I dreamp' I was a train
O' cars, and SKEERED at somepin', runnin' down a country lane!

Well, in the morning airly--after huntin' up the man--
The lawyer who was wantin' to swap the piece o' land--
We started fer the country; and I ast the history
Of the farm--its former owner--and so forth, etcetery!

And--well--it was interESTin'--I su'prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!--
But his su'prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the
door!--

IT WAS MARY: . . . They's a feelin' a-hidin' down in here--
Of course I can't explain it, ner ever make it clear.--
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o'nervous when I think about it yit!

I BOUGHT that farm, and DEEDED it, afore I left the town
With 'title clear to mansions in the skies,' to Mary Brown!
And fu'thermore, I took her and the CHILDERN--fer you see,
They'd never seed their Grandma--and I fetched 'em home with me.

So NOW you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more
Is a-lookin' glad and smilin'!--And I've jest come into town
To git a pair o' license fer to MARRY Mary Brown.

poem by James Whitcomb Riley
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Marthy Ellen

They's nothin' in the name to strike
A feller more'n common like!
'Taint liable to git no praise
Ner nothin' like it nowadays;
An' yit that name o' her'n is jest
As purty as the purtiest--
And more 'n that, I'm here to say
I'll live a-thinkin' thataway
And die far Marthy Ellen!

It may be I was prejudust
In favor of it from the fust--
'Cause I kin ricollect jest how
We met, and hear her mother now
A-callin' of her down the road--
And, aggervatin' little toad!--
I see her now, jes' sort o' half-
Way disapp'inted, turn and laugh
And mock her--'Marthy Ellen!'

Our people never had no fuss,
And yit they never tuck to us;
We neighbered back and foreds some;
Until they see she liked to come
To our house--and me and her
Were jest together ever'whur
And all the time--and when they'd see
That I liked her and she liked me,
They'd holler 'Marthy Ellen!'

When we growed up, and they shet down
On me and her a-runnin' roun'
Together, and her father said
He'd never leave her nary red,
So he'p him, ef she married me,
And so on--and her mother she
Jest agged the gyrl, and said she 'lowed
She'd ruther see her in her shroud,
I _writ_ to Marthy Ellen--

That is, I kindo' tuck my pen
In hand, and stated whur and when
The undersigned would be that night,
With two good hosses saddled right
Far lively travelin' in case
Her folks 'ud like to jine the race.
She sent the same note back, and writ
'The rose is red!' right under it--
'Your 'n allus, Marthy Ellen.'

That's all, I reckon--Nothin' more
To tell but what you've heerd afore--
The same old story, sweeter though
Far all the trouble, don't you know.
Old-fashioned name! and yit it's jest
As purty as the purtiest;
And more 'n that, I'm here to say
I'll live a-thinking thataway,
And die far Marthy Ellen!

poem by James Whitcomb Riley
Submitted by Poetry Lover
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Number 3 on the Docket

The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him. 'Twarn't me!
Somethin' got aholt o' me. I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I - I -
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say 'yes' and 'no'.
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it. I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)

poem by Amy Lowell
Submitted by Poetry Lover
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An Easy Goin' Feller

Ther' ain't no use in all this strife,
An' hurryin', pell-mell, right thro' life.
I don't believe in goin' too fast
To see what kind o' road you've passed.
It ain't no mortal kind o' good,
'N' I would n't hurry ef I could.
I like to jest go joggin' 'long,
To limber up my soul with song;
To stop awhile 'n' chat the men,
'N' drink some cider now an' then.
Do' want no boss a-standin' by
To see me work; I allus try
To do my dooty right straight up,
An' earn what fills my plate an' cup.
An' ez fur boss, I'll be my own,
I like to jest be let alone,
To plough my strip an' tend my bees,
An' do jest like I doggoned please.
My head's all right, an' my heart's meller,
But I'm a easy-goin' feller.

poem by Paul Laurence Dunbar
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The Tree-Toad

''Scurious-like,' said the tree-toad,
'I've twittered far rain all day;
And I got up soon,
And I hollered till noon--
But the sun, hit blazed away,
Till I jest clumb down in a crawfish-hole,
Weary at heart, and sick at soul!

'Dozed away far an hour,
And I tackled the thing agin;
And I sung, and sung,
Till I knowed my lung
Was jest about give in;
And then, thinks I, ef hit don't rain now.
There're nothin' in singin', anyhow!

'Once in awhile some
Would come a drivin' past;
And he'd hear my cry,
And stop and sigh--
Till I jest laid back, at last,
And I hollered rain till I thought my th'oat
Would bust right open at ever' note!

'But _I fetched_ her! O _I fetched_ her!--
'Cause a little while ago,
As I kindo' set,
With one eye shet,
And a-singin' soft and low,
A voice drapped down on my fevered brain,
Sayin',--' Ef you'll jest hush I'll rain!''

poem by James Whitcomb Riley
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Off the Turnpike

Good ev'nin', Mis' Priest.
I jest stepped in to tell you Good-bye.
Yes, it's all over.
All my things is packed
An' every last one o' them boxes
Is on Bradley's team
Bein' hauled over to th' depot.
No, I ain't goin' back agin.
I'm stoppin' over to French's fer to-night,
And goin' down first train in th' mornin'.
Yes, it do seem kinder queer
Not to be goin' to see Cherry's Orchard no more,
But Land Sakes! When a change's comin',
Why, I al'ays say it can't come too quick.
Now, that's real kind o' you,
Your doughnuts is always so tasty.
Yes, I'm goin' to Chicago,
To my niece,
She's married to a fine man, hardware business,
An' doin' real well, she tells me.
Lizzie's be'n at me to go out ther for the longest while.
She ain't got no kith nor kin to Chicago, you know
She's rented me a real nice little flat,
Same house as hers,
An' I'm goin' to try that city livin' folks say's so pleasant.
Oh, yes, he was real generous,
Paid me a sight o' money fer the Orchard;
I told him 'twouldn't yield nothin' but stones,
But he ain't farmin' it.
Lor', no, Mis' Priest,
He's jest took it to set and look at the view.
Mebbe he wouldn't be so stuck on the view
Ef he'd seed it every mornin' and night for forty year
Same's as I have.
I dessay it's pretty enough,
But it's so pressed into me
I c'n see't with my eyes shut.
No. I ain't cold, Mis' Priest,
Don't shut th' door.
I'll be all right in a minit.
But I ain't a mite sorry to leave that view.
Well, mebbe 'tis queer to feel so,
An' mebbe 'taint.
My! But that tea's revivin'.
Old things ain't always pleasant things, Mis' Priest.
No, no, I don't cal'late on comin' back,
That's why I'd ruther be to Chicago,
Boston's too near.
It ain't cold, Mis' Priest,
It's jest my thoughts.
I ain't sick, only -
Mis' Priest, ef you've nothin' ter take yer time,
An' have a mind to listen,
Ther's somethin' I'd like ter speak about
I ain't never mentioned it,
But I'd like to tell yer 'fore I go.
Would you mind lowerin' them shades,
Fall twilight's awful grey,
An' that fire's real cosy with the shades drawed.
Well, I guess folks about here think I've be'n dret'ful onsociable.
You needn't say 'taint so, 'cause I know diff'rent.
An' what's more, it's true.
Well, the reason is I've be'n scared out o' my life.
Scared ev'ry minit o' th' time, fer eight year.
Eight mortal year 'tis, come next June.
'Twas on the eighteenth o' June,
Six months after I'd buried my husband,
That somethin' happened ter me.
Mebbe you'll mind that afore that
I was a cheery body.
Hiram was too,
Al'ays liked to ask a neighbor in,
An' ev'n when he died,
Barrin' low sperrits, I warn't averse to seein' nobody.
But that eighteenth o' June changed ev'rythin'.
I was doin' most o' th' farmwork myself,
With jest a hired boy, Clarence King, 'twas,
Comin' in fer an hour or two.
Well, that eighteenth o' June
I was goin' round,
Lockin' up and seein' to things 'fore I went to bed.
I was jest steppin' out t' th' barn,
Goin' round outside 'stead o' through the shed,
'Cause there was such a sight o' moonlight
Somehow or another I thought 'twould be pretty outdoors.
I got settled for pretty things that night, I guess.
I ain't stuck on 'em no more.
Well, them laylock bushes side o' th' house
Was real lovely.
Glitt'rin' and shakin' in the moonlight,
An' the smell o' them rose right up
An' most took my breath away.
The colour o' the spikes was all faded out,
They never keep their colour when the moon's on 'em,
But the smell fair 'toxicated me.
I was al'ays partial to a sweet scent,
An' I went close up t' th' bushes
So's to put my face right into a flower.
Mis' Priest, jest's I got breathin' in that laylock bloom
I saw, layin' right at my feet,
A man's hand!
It was as white's the side o' th' house,
And sparklin' like that lum'nous paint they put on gate-posts.
I screamed right out,
I couldn't help it,
An' I could hear my scream
Goin' over an' over
In that echo be'ind th' barn.
Hearin' it agin an' agin like that
Scared me so, I dar'sn't scream any more.
I jest stood ther,
And looked at that hand.
I thought the echo'd begin to hammer like my heart,
But it didn't.
There was only th' wind,
Sighin' through the laylock leaves,
An' slappin' 'em up agin the house.
Well, I guess I looked at that hand
Most ten minits,
An' it never moved,
Jest lay there white as white.
After a while I got to thinkin' that o' course
'Twas some drunken tramp over from Redfield.
That calmed me some,
An' I commenced to think I'd better git him out
From under them laylocks.
I planned to drag him in t' th' barn
An' lock him in ther till Clarence come in th' mornin'.
I got so mad thinkin' o' that all-fired brazen tramp
Asleep in my laylocks,
I jest stooped down and grabbed th' hand and give it an awful pull.
Then I bumped right down settin' on the ground.
Mis' Priest, ther warn't no body come with the hand.
No, it ain't cold, it's jest that I can't abear thinkin' of it,
Ev'n now.
I'll take a sip o' tea.
Thank you, Mis' Priest, that's better.
I'd ruther finish now I've begun.
Thank you, jest the same.
I dropped the hand's ef it'd be'n red hot
'Stead o' ice cold.
Fer a minit or two I jest laid on that grass
Pantin'.
Then I up and run to them laylocks
An' pulled 'em every which way.
True es I'm settin' here, Mis' Priest,
Ther warn't nothin' ther.
I peeked an' pryed all about 'em,
But ther warn't no man ther
Neither livin' nor dead.
But the hand was ther all right,
Upside down, the way I'd dropped it,
And glist'nin' fit to dazzle yer.
I don't know how I done it,
An' I don't know why I done it,
But I wanted to git that dret'ful hand out o' sight
I got in t' th' barn, somehow,
An' felt roun' till I got a spade.
I couldn't stop fer a lantern,
Besides, the moonlight was bright enough in all conscience.
Then I scooped that awful thing up in th' spade.
I had a sight o' trouble doin' it.
It slid off, and tipped over, and I couldn't bear
Ev'n to touch it with my foot to prop it,
But I done it somehow.
Then I carried it off be'ind the barn,
Clost to an old apple-tree
Where you couldn't see from the house,
An' I buried it,
Good an' deep.

I don't rec'lect nothin' more o' that night.
Clarence woke me up in th' mornin',
Hollerin' fer me to come down and set th' milk.
When he'd gone,
I stole roun' to the apple-tree
And seed the earth all new turned
Where I left it in my hurry.
I did a heap o' gardenin'
That mornin'.
I couldn't cut no big sods
Fear Clarence would notice and ask me what I wanted 'em fer,
So I got teeny bits o' turf here and ther,
And no one couldn't tell ther'd be'n any diggin'
When I got through.
They was awful days after that, Mis' Priest,
I used ter go every mornin' and poke about them bushes,
An' up and down the fence,
Ter find the body that hand come off of.
But I couldn't never find nothin'.
I'd lay awake nights
Hearin' them laylocks blowin' and whiskin'.
At last I had Clarence cut 'em down
An' make a big bonfire of 'em.
I told him the smell made me sick,
An' that warn't no lie,
I can't abear the smell on 'em now;
An' no wonder, es you say.
I fretted somethin' awful 'bout that hand
I wondered, could it be Hiram's,
But folks don't rob graveyards hereabouts.
Besides, Hiram's hands warn't that awful, starin' white.
I give up seein' people,
I was afeared I'd say somethin'.
You know what folks thought o' me
Better'n I do, I dessay,
But mebbe now you'll see I couldn't do nothin' diff'rent.
But I stuck it out,
I warn't goin' to be downed
By no loose hand, no matter how it come ther
But that ain't the worst, Mis' Priest,
Not by a long ways.
Two year ago, Mr. Densmore made me an offer for Cherry's Orchard.
Well, I'd got used to th' thought o' bein' sort o' blighted,
An' I warn't scared no more.
Lived down my fear, I guess.
I'd kinder got used to th' thought o' that awful night,
And I didn't mope much about it.
Only I never went out o' doors by moonlight;
That stuck.
Well, when Mr. Densmore's offer come,
I started thinkin' 'bout the place
An' all the things that had gone on ther.
Thinks I, I guess I'll go and see where I put the hand.
I was foolhardy with the long time that had gone by.
I know'd the place real well,
Fer I'd put it right in between two o' the apple roots.
I don't know what possessed me, Mis' Priest,
But I kinder wanted to know
That the hand had been flesh and bone, anyway.
It had sorter bothered me, thinkin' I might ha' imagined it.
I took a mornin' when the sun was real pleasant and warm;
I guessed I wouldn't jump for a few old bones.
But I did jump, somethin' wicked.
Ther warn't no bones!
Ther warn't nothin'!
Not ev'n the gold ring I'd minded bein' on the little finger.
I don't know ef ther ever was anythin'.
I've worried myself sick over it.
I be'n diggin' and diggin' day in and day out
Till Clarence ketched me at it.
Oh, I know'd real well what you all thought,
An' I ain't sayin' you're not right,
But I ain't goin' to end in no county 'sylum
If I c'n help it.
The shiv'rin' fits come on me sudden like.
I know 'em, don't you trouble.
I've fretted considerable about the 'sylum,
I guess I be'n frettin' all the time I ain't be'n diggin'.
But anyhow I can't dig to Chicago, can I?
Thank you, Mis' Priest,
I'm better now. I only dropped in in passin'.
I'll jest be steppin' along down to French's.
No, I won't be seein' nobody in the mornin',
It's a pretty early start.
Don't you stand ther, Mis' Priest,
The wind'll blow yer lamp out,
An' I c'n see easy, I got aholt o' the gate now.
I ain't a mite tired, thank you.
Good-night.

poem by Amy Lowell
Submitted by Poetry Lover
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A' Old Played-Out Song

It's the curiousest thing in creation,
Whenever I hear that old song,
'Do They Miss Me at Home?' I'm so bothered,
My life seems as short as it's long!--
Far ever'thing 'pears like adzackly
It 'peared, in the years past and gone,--
When I started out sparkin', at twenty,
And had my first neckercher on!

Though I'm wrinkelder, older and grayer
Right now than my parents was then,
You strike up that song, 'Do They Miss Me?'
And I'm jest a youngster again!--
I'm a-standin' back there in the furries
A-wishin' far evening to come,
And a-whisperin' over and over
Them words, 'Do They Miss Me at Home?'

You see, Marthy Ellen she sung it
The first time I heerd it; and so,
As she was my very first sweetheart,
It reminds of her, don't you know,--
How her face ust to look, in the twilight,
As I tuck her to spellin'; and she
Kep' a-hummin' that song 'tel I ast her,
Pine-blank, ef she ever missed me!

I can shet my eyes now, as you sing it,
And hear her low answerin' words,
And then the glad chirp of the crickets
As clear as the twitter of birds;
And the dust in the road is like velvet,
And the ragweed, and fennel, and grass
Is as sweet as the scent of the lilies
Of Eden of old, as we pass.

'Do They Miss Me at Home?' Sing it lower--
And softer--and sweet as the breeze
That powdered our path with the snowy
White bloom of the old locus'-trees!
Let the whippoorwills he'p you to sing it,
And the echoes 'way over the hill,
'Tel the moon boolges out, in a chorus
Of stars, and our voices is still.

But, oh! 'They's a chord in the music
That's missed when _her_ voice is away!'
Though I listen from midnight 'tel morning,
And dawn, 'tel the dusk of the day;
And I grope through the dark, lookin' up'ards
And on through the heavenly dome,
With my longin' soul singin' and sobbin'
The words, 'Do They Miss Me at Home?'

poem by James Whitcomb Riley
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Vagabond

Dunno a heap about the what an' why,
Can't say's I ever knowed.
Heaven to me's a fair blue stretch of sky,
Earth's jest a dusty road.

Dunno the names o' things, nor what they are,
Can't say's I ever will.
Dunno about God - he's jest the noddin' star
Atop the windy hill.

Dunno about Life - it's jest a tramp alone,
From wakin'-time to doss.
Dunno about Death - it's jest a quiet stone
All over-grey wi' moss.

An' why I live, an' why the old world spins,
Are things I never knowed.
My mark's the gypsy fires, the lonely inns,
An' jest the dusty road.

poem by John Masefield (1902)
Submitted by anonym
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Tugg Martin

I.

Tugg Martin's tough.--No doubt o' that!
And down there at
The town he come from word's bin sent
Advisin' this-here Settle-ment
To kindo' _humor_ Tugg, and not
To git him hot--
Jest pass his imperfections by,
And he's as good as pie!

II.

They claim he's _wanted_ back there.--Yit
The officers they mostly quit
_Insistin'_ when
They notice Tugg's so _back'ard_, and
Sorto' gives 'em to understand
He druther not!--A Deputy
(The slickest one you ever see!)
Tackled him _last_--'disguisin' then,'
As Tugg says, 'as a gentlemen!'--
You 'd ort o' hear _Tugg_ tell it!--_My_!
I thought I'd _die_!

III.

The way it wuz;--Tugg and the rest
The boys wuz jest
A-kindo' gittin' thawed out, down
At 'Guss's Place,' fur-end o' town,
One night, when, first we knowed,
Some feller rode
Up in a buggy at the door,
And hollered fer some one to come
And fetch him some
Red-licker out--And whirped and swore
That colt he drove wuz '_Thompson's_' shore!

IV.

Guss went out, and come in agin
And filled a pint and tuck it out--
Stayed quite a spell--then peeked back in,
Half-hid-like where the light wuz dim,
And jieuked his head
At Tugg and said,--
'Come out a minute--here's a gent
Wants you to take a drink with him.'

V.

Well--Tugg laid down his cards and went--
In fact, _we all_
Got up, you know,
_Startin'_ to go--
When in reels Guss aginst the wall,
As white as snow,
Gaspin',--'_He's tuck Tugg!--wher's my gun_?'
And-sir, outside we heerd
The hoss snort and kick up his heels
Like he wuz skeerd,
And then the buggy-wheels
Scrape--and then Tugg's voice hollerun',--
'I'm bested!--Good-bye, fellers!' . . . 'Peared
S' all-fired suddent,
Nobody couldn't
Jest git it fixed,--tel hoss and man,
Buggy and Tugg, off through the dark
Went like the devil beatin' tan-
Bark!

VI.

What _could_ we do? . . . We filed back to
The bar: And Guss jest _looked_ at us,
And we looked back 'The same as you,'
Still sayin' nothin'--And the sap
It stood in every eye,
And every hat and cap
Went off, as we teched glasses solemnly,
And Guss says-he:
'Ef it's 'good-bye' with Tugg, fer _shore_,--I say
God bless him!--Er ef they
Aint railly no _need_ to pray,
I'm not reniggin!--board's the play,
And here's God bless him, anyway!'

VII.

It must a-bin an hour er so
We all set there,
Talkin o' pore
Old Tugg, you know,
'At never, wuz ketched up before--
When--all slow-like--the door-
Knob turned--and Tugg come shamblin' in,
Hand-cuffed'--'at's what he wuz, I swear!--
Yit smilin,' like he hadn't bin
Away at all! And when we ast him where
The _Deputy_ wuz at,--'I don't know where,' Tugg said,--
'All _I_ know is--he's dead.'

poem by James Whitcomb Riley
Submitted by Poetry Lover
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Farmer Downs Changes His Opinion Of Nature

'No,' said old Farmer Downs to me,
'I ain't the facts denyin',
That all young folks in love must be,
As birds must be a-flyin'.
Don't go agin sech facts, because
I'm one as re-specks Natur's laws.

'No, sir! Old Natur knows a thing
Or two, I'm calculatin',
She don't make cat-fish dance and sing,
Or sparrow-hawks go skatin';
She knows her business ev'ry time,
You bet your last an' lonely dime!

'I guess, I'm posted pooty fair
On that old gal's capers;
She allers acts upon the square
Spite o' skyentific papers.
(I borrows one most ev'ry week
From Jonses down to 'Pincher's Creek.')

'It sorter freshens up a man
To read the newest notions,
Tho' I don't freeze much tew that thar plan,
About the crops ratotions;
You jest leave Natur do her work,
She'll do it! she ain't one tew shirk!

'I'm all fur lettin Natur go
The way she's sot on choosin'.
Ain't that the figger of a beau
That's talkin' thar tew Susan?
Down by the orchard snake-fence? Yes.
All right, it's Squire Sims, I guess.

'He's jest the one I want tew see
Come sparkin'; guess they're lyin',
That say that of old age he be
Most sartinly a-dyin'--
He's no sech thing! Good sakes alive,
The man is only seventy-five!

'An' she's sixteen. I'm not the man
Tew act sort of inhuman,
An' meanly spile old Natur's plan
To jine a man and woman
In wedlock's bonds. Sirree, she makes,
This grand old Natur, no mistakes.

'They're standin' pooty clus; the leaves
Is round 'em like a bower,
The Squire's like the yaller sheaves
An' she's the Corn Flower,
Natur's the binder, allus true,
Tew make one heart of them thar two.

'Yas--as I was a-sayin', friend,
I'm all for Natur's teachins;
_She_ ain't one in the bitter end
Tew practice over-reachins.
You trust her, and she'll treat you well,
Don't doubt her by the leastest spell.

'I'm not quite clar but subsoil looks
Jest kinder not quite pious;
I sorter think them farmin' books,
Will in the long run sky us,
Right in the mud; the way they balk
Old Natur with thar darn fool talk!

'When Susie marries Squire Sims,
I'll lease his upland farm;
I'll get it cheap enough from him--
Jest see his long right arm
About her waist--looks orful big!
Why, gosh! he's bought a new brown wig!

'Wal, that's the way old Natur acts
When bald folks go a-sparkin';
The skyentists can't alter facts
With all their hard work larkin',
A sparkin man _will_ look his best--
That's Natur--tain't no silly jest!

'Old Natur, you and me is twins;
I never will git snarly
With you, old gal. Why, darn my shins!
That's only Jonses Charlie.
She's cuddlin' right agin his vest!
Eh? What? 'Old Natur knows what's best!'

'Oh, does she? Wal, p'raps 'tis so;
Jest see the rascal's arm
About her waist! You've got tew go
Young man, right off this farm;
Old Natur knows a pile, no doubt,
But you an' her hed best get out!

'You, Susie, git right hum. I'm mad
Es enny bilin' crater!
In futur, sick or well or sad
I'll take no stock in Natur.
I'm that disgusted with her capers
I'll run the farm by skyence papers.'

poem by Isabella Valancy Crawford
Submitted by Poetry Lover
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Wash Lowry's Reminiscence

And you're the poet of this concern?
I've seed your name in print
A dozen times, but I'll be dern
I'd 'a' never 'a' took the hint
O' the size you are--fer I'd pictured you
A kind of a tallish man--
Dark-complected and sallor too,
And on the consumpted plan.

'Stid o' that you're little and small,
With a milk-and-water face--
'Thout no snap in your eyes at all,
Er nothin' to suit the case!
Kind o'look like a--I don't know--
One o' these fair-ground chaps
That runs a thingamajig to blow,
Er a candy-stand perhaps.

'Ll I've allus thought that poetry
Was a sort of a--some disease--
Fer I knowed a poet once, and he
Was techy and hard to please,
And moody-like, and kindo' sad
And didn't seem to mix
With other folks--like his health was bad,
Er his liver out o' fix.

Used to teach fer a livelihood--
There's folks in Pipe Crick yit
Remembers him--and he was good
At cipherin' I'll admit--
And posted up in G'ography
But when it comes to tact,
And gittin' along with the school, you see,
He fizzled, and that's a fact!

Boarded with us fer fourteen months
And in all that time I'll say
We never catched him a-sleepin' once
Er idle a single day.
But shucks! It made him worse and worse
A-writin' rhymes and stuff,
And the school committee used to furse
'At the school warn't good enough.

He warn't as strict as he ought to been,
And never was known to whip,
Or even to keep a scholard in
At work at his penmanship;
'Stid o' that he'd learn 'em notes,
And have 'em every day,
Spilin' hymns and a-splittin' th'oats
With his 'Do-sol-fa-me-ra!'

Tel finally it was jest agreed
We'd have to let him go,
And we all felt bad--we did indeed,
When we come to tell him so;
Fer I remember, he turned so white,
And smiled so sad, somehow,
I someway felt it wasn't right,
And I'm shore it wasn't now!

He hadn't no complaints at all--
He bid the school adieu,
And all o' the scholards great and small
Was mighty sorry too!
And when he closed that afternoon
They sung some lines that he
Had writ a purpose, to some old tune
That suited the case, you see.

And then he lingered and delayed
And wouldn't go away--
And shet himself in his room and stayed
A-writin' from day to day;
And kep' a-gittin' stranger still,
And thinner all the time,
You know, as any feller will
On nothin' else but rhyme.

He didn't seem adzactly right,
Er like he was crossed in love,
He'd work away night after night,
And walk the floor above;
We'd hear him read and talk, and sing
So lonesome-like and low,
My woman's cried like ever'thing--
'Way in the night, you know.

And when at last he tuck to bed
He'd have his ink and pen;
'So's he could coat the muse' he said,
'He'd die contented then';
And jest before he past away
He read with dyin' gaze
The epitaph that stands to-day
To show you where he lays.

And ever sence then I've allus thought
That poetry's some disease,
And them like you that's got it ought
To watch their q's and p's ;
And leave the sweets of rhyme, to sup
On the wholesome draughts of toil,
And git your health recruited up
By plowin' in rougher soil.

poem by James Whitcomb Riley
Submitted by Poetry Lover
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How John Quit The Farm

Nobody on the old farm here but Mother, me and John,
Except, of course, the extry he'p when harvest-time come on--
And then, I want to say to you, we _needed_ he'p about,
As you'd admit, ef you'd a-seen the way the crops turned out!

A better quarter-section, ner a richer soil warn't found
Than this-here old-home place o' ourn fer fifty miles around!--
The house was small--but plenty-big we found it from the day
That John--our only livin' son--packed up and went way.

You see, we tuck sich pride in John--his mother more 'n me--
That's natchurul; but _both_ of us was proud as proud could be;
Fer the boy, from a little chap, was most oncommon bright,
And seemed in work as well as play to take the same delight.

He allus went a-whistlin' round the place, as glad at heart
As robins up at five o'clock to git an airly start;
And many a time 'fore daylight Mother's waked me up to say--
'Jest listen, David!--listen!--Johnny's beat the birds to-day!'

High-sperited from boyhood, with a most inquirin' turn,--
He wanted to learn ever'thing on earth they was to learn:
He'd ast more plaguey questions in a mortal-minute here
Than his grandpap in Paradise could answer in a year!

And read! w'y, his own mother learnt him how to read and spell;
And 'The Childern of the Abbey'--w'y, he knowed that book as well
At fifteen as his parents!--and 'The Pilgrim's Progress,' too--
Jest knuckled down, the shaver did, and read 'em through and through!

At eighteen, Mother 'lowed the boy must have a better chance--
That we ort to educate him, under any circumstance;
And John he j'ined his mother, and they ding-donged and kep' on,
Tel I sent him off to school in town, half glad that he was gone.

But--I missed him--w'y of course I did!--The Fall and Winter through
I never built the kitchen-fire, er split a stick in two,
Er fed the stock, er butchered, er swung up a gambrel-pin,
But what I thought o' John, and wished that he was home agin.

He'd come, sometimes--on Sund'ys most--and stay the Sund'y out;
And on Thanksgivin'-Day he 'peared to like to be about:
But a change was workin' on him--he was stiller than before,
And did n't joke, ner laugh, ner sing and whistle any more.

And his talk was all so proper; and I noticed, with a sigh,
He was tryin' to raise side-whiskers, and had on a striped tie,
And a standin'-collar, ironed up as stiff and slick as bone;
And a breast-pin, and a watch and chain and plug-hat of his own.

But when Spring-weather opened out, and John was to come home
And he'p me through the season, I was glad to see him come;
But my happiness, that evening, with the settin' sun went down,
When he bragged of 'a position' that was offered him in town.

'But,' says I, 'you'll not accept it?' 'W'y, of course
I will,' says he.--
'This drudgin' on a farm,' he says, 'is not the life fer me;
I've set my stakes up higher,' he continued, light and gay,
'And town's the place fer me, and I'm a-goin' right away!'

And go he did!--his mother clingin' to him at the gate,
A-pleadin' and a-cryin'; but it hadn't any weight.
I was tranquiller, and told her 'twarn't no use to worry so,
And onclasped her arms from round his neck round mine--and let him go!

I felt a little bitter feelin' foolin' round about
The aidges of my conscience; but I didn't let it out;--
I simply retch out, trimbly-like, and tuck the boy's hand,
And though I did n't say a word, I knowed he'd understand.

And--well!--sence then the old home here was mighty lonesome, shore!
With me a-workin' in the field, and Mother at the door,
Her face ferever to'rds the town, and fadin' more and more---
Her only son nine miles away, a-clerkin' in a store!

The weeks and months dragged by us; and sometimes the boy would write
A letter to his mother, savin' that his work was light,
And not to feel oneasy about his health a bit--
Though his business was confinin', he was gittin' used to it.

And sometimes he would write and ast how _I_ was gittin' on,
And ef I had to pay out much fer he'p sence he was gone;
And how the hogs was doin', and the balance of the stock,
And talk on fer a page er two jest like he used to talk.

And he wrote, along 'fore harvest, that he guessed he would git home,
Fer business would, of course be dull in town.--But _didn't_ come:--
We got a postal later, sayin' when they had no trade
They filled the time 'invoicin' goods,' and that was why he staid.

And then he quit a-writin' altogether: Not a word--
Exceptin' what the neighbors brung who'd been to town and heard
What store John was clerkin' in, and went round to inquire
If they could buy their goods there less and sell their produce higher.

And so the Summer faded out, and Autumn wore away,
And a keener Winter never fetched around Thanksgivin'-Day!
The night before that day of thanks I'll never quite fergit,
The wind a-howlin' round the house--it makes me creepy yit!

And there set me and Mother--me a-twistin' at the prongs
Of a green scrub-ellum forestick with a vicious pair of tongs,
And Mother sayin', '_David! David!_' in a' undertone,
As though she thought that I was thinkin' bad-words unbeknown.

'I've dressed the turkey, David, fer to-morrow,' Mother said,
A-tryin' to wedge some pleasant subject in my stubborn head,--
'And the mince-meat I'm a-mixin' is perfection mighty nigh;
And the pound-cake is delicious-rich--' 'Who'll eat 'em?' I-says-I.

'The cramberries is drippin-sweet,' says Mother, runnin' on,
P'tendin' not to hear me;--'and somehow I thought of John
All the time they was a-jellin'--fer you know they allus was
His favour--he likes 'em so!' Says I, 'Well, s'pose he does?'

'Oh, nothin' much!' says Mother, with a quiet sort o' smile--
'This gentleman behind my cheer may tell you after while!'
And as I turned and looked around, some one riz up and leant
And put his arms round Mother's neck, and laughed in low content.

'It's _me_,' he says--'your fool-boy John, come back to shake your hand;
Set down with you, and talk with you, and make you understand
How dearer yit than all the world is this old home that we
Will spend Thanksgivin' in fer life--jest Mother, you and me!'

* * * * * *

Nobody on the old farm here but Mother, me and John,
Except of course the extry he'p, when harvest-time comes on;
And then, I want to say to you, we _need_ sich he'p about,
As you'd admit, ef you could see the way the crops turns out!

poem by James Whitcomb Riley
Submitted by Poetry Lover
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Polyacrostic - Jest Gest

PLEASE NOTE:
PH formatting does not permit colour coding the palimpsests thus the different layouts of individual internal acrostics can for the moment only be identified in transposing every letter onto squared paper

The surface sonnet is thus online for the record as neither the vertical, diagonal or internal acrostics nor the anagrams are visible. A formatted version is online at http: //allpoetry.com/poem/2479961

The anagrams within the text are Dear dare a red read
other minor acrostic: Jane is found 4 times in adjacent letters in the text
3 Vertical Acrostics Jonathan Robin J
Double diagonal acrostic 1 Just a smile can J offer unto the Jest
Double diagonal acrostic 2 Just a smile can J offer readers Jaunt Jest

Enjoy!
_______________

J to J Jest Gest

Jingle verse to Jane luck's just jaunt jest.
Our expertise? - no orchestra in song,
no signature, as no fit joints run strong
as stars' graced art, for few see game addressed.
The care of each theme's wording to the test
here I spell out. Hark or read each line long.
A web admired, traced true, is set among
No word mixed Janus, your name's inset gest.
Reach soul. Oh dare to free the thread expressed.
Over all sweet sound, ends work to link, belong.
Best, ideas scan by. If thought inbinding's wrong
its warp reread in fairness, shriven guest.
Nut/kernel plan none smirk at, sense contest.
Judge, smile, hid joy glean from a jest red blessed.

26 December 2006
robi03_1529_robi03_0000 BSX_IXX

Jest Gest polyacrostic sonnet poem © Jonathan Robin

poem by Jonathan Robin
Submitted by Poetry Lover
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Reaping

You want to know what's the matter with me, do yer?
My! ain't men blinder'n moles?
It ain't nothin' new, be sure o' that.
Why, ef you'd had eyes you'd ha' seed
Me changin' under your very nose,
Each day a little diff'rent.
But you never see nothin', you don't.
Don't touch me, Jake,
Don't you dars't to touch me,
I ain't in no humour.
That's what's come over me;
Jest a change clear through.
You lay still, an' I'll tell yer,
I've had it on my mind to tell yer
Fer some time.
It's a strain livin' a lie from mornin' till night,
An' I'm goin' to put an end to it right now.
An' don't make any mistake about one thing,
When I married yer I loved yer.
Why, your voice 'ud make
Me go hot and cold all over,
An' your kisses most stopped my heart from beatin'.
Lord! I was a silly fool.
But that's the way 'twas.
Well, I married yer
An' thought Heav'n was comin'
To set on the door-step.
Heav'n didn't do no settin',
Though the first year warn't so bad.
The baby's fever threw you off some, I guess,
An' then I took her death real hard,
An' a mopey wife kind o' disgusts a man.
I ain't blamin' yer exactly.
But that's how 'twas.
Do lay quiet,
I know I'm slow, but it's harder to say 'n I thought.
There come a time when I got to be
More wife agin than mother.
The mother part was sort of a waste
When we didn't have no other child.
But you'd got used ter lots o' things,
An' you was all took up with the farm.
Many's the time I've laid awake
Watchin' the moon go clear through the elm-tree,
Out o' sight.
I'd foller yer around like a dog,
An' set in the chair you'd be'n settin' in,
Jest to feel its arms around me,
So long's I didn't have yours.
It preyed on me, I guess,
Longin' and longin'
While you was busy all day, and snorin' all night.
Yes, I know you're wide awake now,
But now ain't then,
An' I guess you'll think diff'rent
When I'm done.
Do you mind the day you went to Hadrock?
I didn't want to stay home for reasons,
But you said someone 'd have to be here
'Cause Elmer was comin' to see t' th' telephone.
An' you never see why I was so set on goin' with yer,
Our married life hadn't be'n any great shakes,
Still marriage is marriage, an' I was raised God-fearin'.
But, Lord, you didn't notice nothin',
An' Elmer hangin' around all Winter!
'Twas a lovely mornin'.
The apple-trees was jest elegant
With their blossoms all flared out,
An' there warn't a cloud in the sky.
You went, you wouldn't pay no 'tention to what I said,
An' I heard the Ford chuggin' for most a mile,
The air was so still.
Then Elmer come.
It's no use your frettin', Jake,
I'll tell you all about it.
I know what I'm doin',
An' what's worse, I know what I done.
Elmer fixed th' telephone in about two minits,
An' he didn't seem in no hurry to go,
An' I don't know as I wanted him to go either,
I was awful mad at your not takin' me with yer,
An' I was tired o' wishin' and wishin'
An' gittin' no comfort.
I guess it ain't necessary to tell yer all the things.
He stayed to dinner,
An' he helped me do the dishes,
An' he said a home was a fine thing,
An' I said dishes warn't a home
Nor yet the room they're in.
He said a lot o' things,
An' I fended him off at first,
But he got talkin' all around me,
Clost up to the things I'd be'n thinkin',
What's the use o' me goin' on, Jake,
You know.
He got all he wanted,
An' I give it to him,
An' what's more, I'm glad!
I ain't dead, anyway,
An' somebody thinks I'm somethin'.
Keep away, Jake,
You can kill me to-morrer if you want to,
But I'm goin' to have my say.
Funny thing! Guess I ain't made to hold a man.
Elmer ain't be'n here for mor'n two months.
I don't want to pretend nothin',
Mebbe if he'd be'n lately
I shouldn't have told yer.
I'll go away in the mornin', o' course.
What you want the light fer?
I don't look no diff'rent.
Ain't the moon bright enough
To look at a woman that's deceived yer by?
Don't, Jake, don't, you can't love me now!
It ain't a question of forgiveness.
Why! I'd be thinkin' o' Elmer ev'ry minute;
It ain't decent.
Oh, my God! It ain't decent any more either way!

poem by Amy Lowell
Submitted by Poetry Lover
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To My Old Friend, William Leachman

Fer forty year and better you have been a friend to me,
Through days of sore afflictions and dire adversity,
You allus had a kind word of counsul to impart,
Which was like a healin' 'intment to the sorrow of my hart.

When I burried my first womern, William Leachman, it was you
Had the only consolation that I could listen to--
Fer I knowed you had gone through it and had rallied from the blow,
And when you said I'd do the same, I knowed you'd ort to know.

But that time I'll long remember; how I wundered here and thare--
Through the settin'-room and kitchen, and out in the open air--
And the snowflakes whirlin', whirlin', and the fields a frozen glare,
And the neghbors' sleds and wagons congergatin' ev'rywhare.

I turned my eyes to'rds heaven, but the sun was hid away;
I turned my eyes to'rds earth again, but all was cold and gray;
And the clock, like ice a-crackin', clickt the icy hours in two--
And my eyes'd never thawed out ef it hadn't been fer you!

We set thare by the smoke-house--me and you out thare alone--
Me a-thinkin'--you a-talkin' in a soothin' undertone--
You a-talkin'--me a-thinkin' of the summers long ago,
And a-writin' 'Marthy--Marthy' with my finger in the snow!

William Leachman, I can see you jest as plane as I could then;
And your hand is on my shoulder, and you rouse me up again,
And I see the tears a-drippin' from your own eyes, as you say:
'Be rickonciled and bear it--we but linger fer a day!'

At the last Old Settlers' Meetin' we went j'intly, you and me--
Your hosses and my wagon, as you wanted it to be;
And sence I can remember, from the time we've neghbored here,
In all sich friendly actions you have double-done your sheer.

It was better than the meetin', too, that nine-mile talk we had
Of the times when we first settled here and travel was so bad;
When we had to go on hoss-back, and sometimes on 'Shanks's mare,'
And 'blaze' a road fer them behind that had to travel thare.

And now we was a-trottin' 'long a level gravel pike,
In a big two-hoss road-wagon, jest as easy as you like--
Two of us on the front seat, and our wimmern-folks behind,
A-settin' in theyr Winsor-cheers in perfect peace of mind!

And we pinted out old landmarks, nearly faded out of sight:--
Thare they ust to rob the stage-coach; thare Gash Morgan had the fight
With the old stag-deer that pronged him--how he battled fer his life,
And lived to prove the story by the handle of his knife.

Thare the first griss-mill was put up in the Settlement, and we
Had tuck our grindin' to it in the Fall of Forty-three--
When we tuck our rifles with us, techin' elbows all the way,
And a-stickin' right together ev'ry minute, night and day.

Thare ust to stand the tavern that they called the 'Travelers' Rest,'
And thare, beyent the covered bridge, 'The Counter-fitters' Nest'--
Whare they claimed the house was ha'nted--that a man was murdered thare,
And burried underneath the floor, er 'round the place somewhare.

And the old Plank-road they laid along in Fifty-one er two--
You know we talked about the times when that old road was new:
How 'Uncle Sam' put down that road and never taxed the State
Was a problem, don't you rickollect, we couldn't _dim_-onstrate?

Ways was devius, William Leachman, that me and you has past;
But as I found you true at first, I find you true at last;
And, now the time's a-comin' mighty nigh our jurney's end,
I want to throw wide open all my soul to you, my friend.

With the stren'th of all my bein', and the heat of hart and brane,
And ev'ry livin' drop of blood in artery and vane,
I love you and respect you, and I venerate your name,
Fer the name of William Leachman and True Manhood's jest the same!

poem by James Whitcomb Riley
Submitted by Poetry Lover
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Breaking The Charm

Caught Susanner whistlin'; well,
It's most nigh too good to tell.
'Twould 'a' b'en too good to see
Ef it had n't b'en fur me,
Comin' up so soft an' sly
That she didn' hear me nigh.
I was pokin' 'round that day,
An' ez I come down the way,
First her whistle strikes my ears,--
Then her gingham dress appears;
So with soft step up I slips.
Oh, them dewy, rosy lips!
Ripe ez cherries, red an' round,
Puckered up to make the sound.
She was lookin' in the spring,
Whistlin' to beat anything,--
'Kitty Dale' er 'In the Sweet.'
I was jest so mortal beat
That I can't quite ricoleck
What the toon was, but I 'speck
'T was some hymn er other, fur
Hymny things is jest like her.
Well she went on fur awhile
With her face all in a smile,
An' I never moved, but stood
Stiller 'n a piece o' wood--
Would n't wink ner would n't stir,
But a-gazin' right at her,
Tell she turns an' sees me--my!
Thought at first she 'd try to fly.
But she blushed an' stood her ground.
Then, a-slyly lookin' round,
She says: 'Did you hear me, Ben?'
'Whistlin' woman, crowin' hen,'
Says I, lookin' awful stern.
Then the red commenced to burn
In them cheeks o' hern. Why, la!
Reddest red you ever saw--
Pineys wa'n't a circumstance.
You 'd 'a' noticed in a glance
She was pow'rful shamed an' skeart;
But she looked so sweet an' peart,
That a idee struck my head;
So I up an' slowly said:
'Woman whistlin' brings shore harm,
Jest one thing 'll break the charm.'
'And what's that?' 'Oh, my!' says I,
'I don't like to tell you.' 'Why?'
Says Susanner. 'Well, you see
It would kinder fall on me.'
Course I knowed that she 'd insist,--
So I says: 'You must be kissed
By the man that heard you whistle;
Everybody says that this 'll
Break the charm and set you free
From the threat'nin' penalty.'
She was blushin' fit to kill,
But she answered, kinder still:
'I don't want to have no harm,
Please come, Ben, an' break the charm.'
Did I break that charm?--oh, well,
There's some things I must n't tell.
I remember, afterwhile,
Her a-sayin' with a smile:
'Oh, you quit,--you sassy dunce,
You jest caught me whistlin' _once_.'
Ev'ry sence that when I hear
Some one whistlin' kinder clear,
I most break my neck to see
Ef it 's Susy; but, dear me,
I jest find I 've b'en to chase
Some blamed boy about the place.
Dad 's b'en noticin' my way,
An' last night I heerd him say:
'We must send fur Dr. Glenn,
Mother; somethin 's wrong with Ben!'

poem by Paul Laurence Dunbar
Submitted by Poetry Lover
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