Wash Lowry's Reminiscence
And you're the poet of this concern?
I've seed your name in print
A dozen times, but I'll be dern
I'd 'a' never 'a' took the hint
O' the size you are--fer I'd pictured you
A kind of a tallish man--
Dark-complected and sallor too,
And on the consumpted plan.
'Stid o' that you're little and small,
With a milk-and-water face--
'Thout no snap in your eyes at all,
Er nothin' to suit the case!
Kind o'look like a--I don't know--
One o' these fair-ground chaps
That runs a thingamajig to blow,
Er a candy-stand perhaps.
'Ll I've allus thought that poetry
Was a sort of a--some disease--
Fer I knowed a poet once, and he
Was techy and hard to please,
And moody-like, and kindo' sad
And didn't seem to mix
With other folks--like his health was bad,
Er his liver out o' fix.
Used to teach fer a livelihood--
There's folks in Pipe Crick yit
Remembers him--and he was good
At cipherin' I'll admit--
And posted up in G'ography
But when it comes to tact,
And gittin' along with the school, you see,
He fizzled, and that's a fact!
Boarded with us fer fourteen months
And in all that time I'll say
We never catched him a-sleepin' once
Er idle a single day.
But shucks! It made him worse and worse
A-writin' rhymes and stuff,
And the school committee used to furse
'At the school warn't good enough.
He warn't as strict as he ought to been,
And never was known to whip,
Or even to keep a scholard in
At work at his penmanship;
'Stid o' that he'd learn 'em notes,
And have 'em every day,
Spilin' hymns and a-splittin' th'oats
With his 'Do-sol-fa-me-ra!'
Tel finally it was jest agreed
We'd have to let him go,
And we all felt bad--we did indeed,
When we come to tell him so;
Fer I remember, he turned so white,
And smiled so sad, somehow,
I someway felt it wasn't right,
And I'm shore it wasn't now!
He hadn't no complaints at all--
He bid the school adieu,
And all o' the scholards great and small
Was mighty sorry too!
And when he closed that afternoon
They sung some lines that he
Had writ a purpose, to some old tune
That suited the case, you see.
And then he lingered and delayed
And wouldn't go away--
And shet himself in his room and stayed
A-writin' from day to day;
And kep' a-gittin' stranger still,
And thinner all the time,
You know, as any feller will
On nothin' else but rhyme.
He didn't seem adzactly right,
Er like he was crossed in love,
He'd work away night after night,
And walk the floor above;
We'd hear him read and talk, and sing
So lonesome-like and low,
My woman's cried like ever'thing--
'Way in the night, you know.
And when at last he tuck to bed
He'd have his ink and pen;
'So's he could coat the muse' he said,
'He'd die contented then';
And jest before he past away
He read with dyin' gaze
The epitaph that stands to-day
To show you where he lays.
And ever sence then I've allus thought
That poetry's some disease,
And them like you that's got it ought
To watch their q's and p's ;
And leave the sweets of rhyme, to sup
On the wholesome draughts of toil,
And git your health recruited up
By plowin' in rougher soil.
poem by James Whitcomb Riley

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Marthy Ellen
They's nothin' in the name to strike
A feller more'n common like!
'Taint liable to git no praise
Ner nothin' like it nowadays;
An' yit that name o' her'n is jest
As purty as the purtiest--
And more 'n that, I'm here to say
I'll live a-thinkin' thataway
And die far Marthy Ellen!
It may be I was prejudust
In favor of it from the fust--
'Cause I kin ricollect jest how
We met, and hear her mother now
A-callin' of her down the road--
And, aggervatin' little toad!--
I see her now, jes' sort o' half-
Way disapp'inted, turn and laugh
And mock her--'Marthy Ellen!'
Our people never had no fuss,
And yit they never tuck to us;
We neighbered back and foreds some;
Until they see she liked to come
To our house--and me and her
Were jest together ever'whur
And all the time--and when they'd see
That I liked her and she liked me,
They'd holler 'Marthy Ellen!'
When we growed up, and they shet down
On me and her a-runnin' roun'
Together, and her father said
He'd never leave her nary red,
So he'p him, ef she married me,
And so on--and her mother she
Jest agged the gyrl, and said she 'lowed
She'd ruther see her in her shroud,
I _writ_ to Marthy Ellen--
That is, I kindo' tuck my pen
In hand, and stated whur and when
The undersigned would be that night,
With two good hosses saddled right
Far lively travelin' in case
Her folks 'ud like to jine the race.
She sent the same note back, and writ
'The rose is red!' right under it--
'Your 'n allus, Marthy Ellen.'
That's all, I reckon--Nothin' more
To tell but what you've heerd afore--
The same old story, sweeter though
Far all the trouble, don't you know.
Old-fashioned name! and yit it's jest
As purty as the purtiest;
And more 'n that, I'm here to say
I'll live a-thinking thataway,
And die far Marthy Ellen!
poem by James Whitcomb Riley

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Number 3 on the Docket
The lawyer, are you?
Well! I ain't got nothin' to say.
Nothin'!
I told the perlice I hadn't nothin'.
They know'd real well 'twas me.
Ther warn't no supposin',
Ketchin' me in the woods as they did,
An' me in my house dress.
Folks don't walk miles an' miles
In the drifted snow,
With no hat nor wrap on 'em
Ef everythin's all right, I guess.
All right? Ha! Ha! Ha!
Nothin' warn't right with me.
Never was.
Oh, Lord! Why did I do it?
Why ain't it yesterday, and Ed here agin?
Many's the time I've set up with him nights
When he had cramps, or rheumatizm, or somethin'.
I used ter nurse him same's ef he was a baby.
I wouldn't hurt him, I love him!
Don't you dare to say I killed him. 'Twarn't me!
Somethin' got aholt o' me. I couldn't help it.
Oh, what shall I do! What shall I do!
Yes, Sir.
No, Sir.
I beg your pardon, I - I -
Oh, I'm a wicked woman!
An' I'm desolate, desolate!
Why warn't I struck dead or paralyzed
Afore my hands done it.
Oh, my God, what shall I do!
No, Sir, ther ain't no extenuatin' circumstances,
An' I don't want none.
I want a bolt o' lightnin'
To strike me dead right now!
Oh, I'll tell yer.
But it won't make no diff'rence.
Nothin' will.
Yes, I killed him.
Why do yer make me say it?
It's cruel! Cruel!
I killed him because o' th' silence.
The long, long silence,
That watched all around me,
And he wouldn't break it.
I tried to make him,
Time an' agin,
But he was terrible taciturn, Ed was.
He never spoke 'cept when he had to,
An' then he'd only say 'yes' and 'no'.
You can't even guess what that silence was.
I'd hear it whisperin' in my ears,
An' I got frightened, 'twas so thick,
An' al'ays comin' back.
Ef Ed would ha' talked sometimes
It would ha' driven it away;
But he never would.
He didn't hear it same as I did.
You see, Sir,
Our farm was off'n the main road,
And set away back under the mountain;
And the village was seven mile off,
Measurin' after you'd got out o' our lane.
We didn't have no hired man,
'Cept in hayin' time;
An' Dane's place,
That was the nearest,
Was clear way 'tother side the mountain.
They used Marley post-office
An' ours was Benton.
Ther was a cart-track took yer to Dane's in Summer,
An' it warn't above two mile that way,
But it warn't never broke out Winters.
I used to dread the Winters.
Seem's ef I couldn't abear to see the golden-rod bloomin';
Winter'd come so quick after that.
You don't know what snow's like when yer with it
Day in an' day out.
Ed would be out all day loggin',
An' I set at home and look at the snow
Layin' over everythin';
It 'ud dazzle me blind,
Till it warn't white any more, but black as ink.
Then the quiet 'ud commence rushin' past my ears
Till I most went mad listenin' to it.
Many's the time I've dropped a pan on the floor
Jest to hear it clatter.
I was most frantic when dinner-time come
An' Ed was back from the woods.
I'd ha' give my soul to hear him speak.
But he'd never say a word till I asked him
Did he like the raised biscuits or whatever,
An' then sometimes he'd jest nod his answer.
Then he'd go out agin,
An' I'd watch him from the kitchin winder.
It seemed the woods come marchin' out to meet him
An' the trees 'ud press round him an' hustle him.
I got so I was scared o' th' trees.
I thought they come nearer,
Every day a little nearer,
Closin' up round the house.
I never went in t' th' woods Winters,
Though in Summer I liked 'em well enough.
It warn't so bad when my little boy was with us.
He used to go sleddin' and skatin',
An' every day his father fetched him to school in the pung
An' brought him back agin.
We scraped an' scraped fer Neddy,
We wanted him to have a education.
We sent him to High School,
An' then he went up to Boston to Technology.
He was a minin' engineer,
An' doin' real well,
A credit to his bringin' up.
But his very first position ther was an explosion in the mine.
And I'm glad! I'm glad!
He ain't here to see me now.
Neddy! Neddy!
I'm your mother still, Neddy.
Don't turn from me like that.
I can't abear it. I can't! I can't!
What did you say?
Oh, yes, Sir.
I'm here.
I'm very sorry,
I don't know what I'm sayin'.
No, Sir,
Not till after Neddy died.
'Twas the next Winter the silence come,
I don't remember noticin' it afore.
That was five year ago,
An' it's been gittin' worse an' worse.
I asked Ed to put in a telephone.
I thought ef I felt the whisperin' comin' on
I could ring up some o' th' folks.
But Ed wouldn't hear of it.
He said we'd paid so much for Neddy
We couldn't hardly git along as 'twas.
An' he never understood me wantin' to talk.
Well, this year was worse'n all the others;
We had a terrible spell o' stormy weather,
An' the snow lay so thick
You couldn't see the fences even.
Out o' doors was as flat as the palm o' my hand,
Ther warn't a hump or a holler
Fer as you could see.
It was so quiet
The snappin' o' the branches back in the wood-lot
Sounded like pistol shots.
Ed was out all day
Same as usual.
An' it seemed he talked less'n ever.
He didn't even say `Good-mornin'', once or twice,
An' jest nodded or shook his head when I asked him things.
On Monday he said he'd got to go over to Benton
Fer some oats.
I'd oughter ha' gone with him,
But 'twas washin' day
An' I was afeared the fine weather'd break,
An' I couldn't do my dryin'.
All my life I'd done my work punctual,
An' I couldn't fix my conscience
To go junketin' on a washin'-day.
I can't tell you what that day was to me.
It dragged an' dragged,
Fer ther warn't no Ed ter break it in the middle
Fer dinner.
Every time I stopped stirrin' the water
I heerd the whisperin' all about me.
I stopped oftener'n I should
To see ef 'twas still ther,
An' it al'ays was.
An' gittin' louder
It seemed ter me.
Once I threw up the winder to feel the wind.
That seemed most alive somehow.
But the woods looked so kind of menacin'
I closed it quick
An' started to mangle's hard's I could,
The squeakin' was comfortin'.
Well, Ed come home 'bout four.
I seen him down the road,
An' I run out through the shed inter th' barn
To meet him quicker.
I hollered out, `Hullo!'
But he didn't say nothin',
He jest drove right in
An' climbed out o' th' sleigh
An' commenced unharnessin'.
I asked him a heap o' questions;
Who he'd seed
An' what he'd done.
Once in a while he'd nod or shake,
But most o' th' time he didn't do nothin'.
'Twas gittin' dark then,
An' I was in a state,
With the loneliness
An' Ed payin' no attention
Like somethin' warn't livin'.
All of a sudden it come,
I don't know what,
But I jest couldn't stand no more.
It didn't seem 's though that was Ed,
An' it didn't seem as though I was me.
I had to break a way out somehow,
Somethin' was closin' in
An' I was stiflin'.
Ed's loggin' axe was ther,
An' I took it.
Oh, my God!
I can't see nothin' else afore me all the time.
I run out inter th' woods,
Seemed as ef they was pullin' me;
An' all the time I was wadin' through the snow
I seed Ed in front of me
Where I'd laid him.
An' I see him now.
There! There!
What you holdin' me fer?
I want ter go to Ed,
He's bleedin'.
Stop holdin' me.
I got to go.
I'm comin', Ed.
I'll be ther in a minit.
Oh, I'm so tired!
(Faints)
poem by Amy Lowell

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How John Quit The Farm
Nobody on the old farm here but Mother, me and John,
Except, of course, the extry he'p when harvest-time come on--
And then, I want to say to you, we _needed_ he'p about,
As you'd admit, ef you'd a-seen the way the crops turned out!
A better quarter-section, ner a richer soil warn't found
Than this-here old-home place o' ourn fer fifty miles around!--
The house was small--but plenty-big we found it from the day
That John--our only livin' son--packed up and went way.
You see, we tuck sich pride in John--his mother more 'n me--
That's natchurul; but _both_ of us was proud as proud could be;
Fer the boy, from a little chap, was most oncommon bright,
And seemed in work as well as play to take the same delight.
He allus went a-whistlin' round the place, as glad at heart
As robins up at five o'clock to git an airly start;
And many a time 'fore daylight Mother's waked me up to say--
'Jest listen, David!--listen!--Johnny's beat the birds to-day!'
High-sperited from boyhood, with a most inquirin' turn,--
He wanted to learn ever'thing on earth they was to learn:
He'd ast more plaguey questions in a mortal-minute here
Than his grandpap in Paradise could answer in a year!
And read! w'y, his own mother learnt him how to read and spell;
And 'The Childern of the Abbey'--w'y, he knowed that book as well
At fifteen as his parents!--and 'The Pilgrim's Progress,' too--
Jest knuckled down, the shaver did, and read 'em through and through!
At eighteen, Mother 'lowed the boy must have a better chance--
That we ort to educate him, under any circumstance;
And John he j'ined his mother, and they ding-donged and kep' on,
Tel I sent him off to school in town, half glad that he was gone.
But--I missed him--w'y of course I did!--The Fall and Winter through
I never built the kitchen-fire, er split a stick in two,
Er fed the stock, er butchered, er swung up a gambrel-pin,
But what I thought o' John, and wished that he was home agin.
He'd come, sometimes--on Sund'ys most--and stay the Sund'y out;
And on Thanksgivin'-Day he 'peared to like to be about:
But a change was workin' on him--he was stiller than before,
And did n't joke, ner laugh, ner sing and whistle any more.
And his talk was all so proper; and I noticed, with a sigh,
He was tryin' to raise side-whiskers, and had on a striped tie,
And a standin'-collar, ironed up as stiff and slick as bone;
And a breast-pin, and a watch and chain and plug-hat of his own.
But when Spring-weather opened out, and John was to come home
And he'p me through the season, I was glad to see him come;
But my happiness, that evening, with the settin' sun went down,
When he bragged of 'a position' that was offered him in town.
'But,' says I, 'you'll not accept it?' 'W'y, of course
I will,' says he.--
'This drudgin' on a farm,' he says, 'is not the life fer me;
I've set my stakes up higher,' he continued, light and gay,
'And town's the place fer me, and I'm a-goin' right away!'
And go he did!--his mother clingin' to him at the gate,
A-pleadin' and a-cryin'; but it hadn't any weight.
I was tranquiller, and told her 'twarn't no use to worry so,
And onclasped her arms from round his neck round mine--and let him go!
I felt a little bitter feelin' foolin' round about
The aidges of my conscience; but I didn't let it out;--
I simply retch out, trimbly-like, and tuck the boy's hand,
And though I did n't say a word, I knowed he'd understand.
And--well!--sence then the old home here was mighty lonesome, shore!
With me a-workin' in the field, and Mother at the door,
Her face ferever to'rds the town, and fadin' more and more---
Her only son nine miles away, a-clerkin' in a store!
The weeks and months dragged by us; and sometimes the boy would write
A letter to his mother, savin' that his work was light,
And not to feel oneasy about his health a bit--
Though his business was confinin', he was gittin' used to it.
And sometimes he would write and ast how _I_ was gittin' on,
And ef I had to pay out much fer he'p sence he was gone;
And how the hogs was doin', and the balance of the stock,
And talk on fer a page er two jest like he used to talk.
And he wrote, along 'fore harvest, that he guessed he would git home,
Fer business would, of course be dull in town.--But _didn't_ come:--
We got a postal later, sayin' when they had no trade
They filled the time 'invoicin' goods,' and that was why he staid.
And then he quit a-writin' altogether: Not a word--
Exceptin' what the neighbors brung who'd been to town and heard
What store John was clerkin' in, and went round to inquire
If they could buy their goods there less and sell their produce higher.
And so the Summer faded out, and Autumn wore away,
And a keener Winter never fetched around Thanksgivin'-Day!
The night before that day of thanks I'll never quite fergit,
The wind a-howlin' round the house--it makes me creepy yit!
And there set me and Mother--me a-twistin' at the prongs
Of a green scrub-ellum forestick with a vicious pair of tongs,
And Mother sayin', '_David! David!_' in a' undertone,
As though she thought that I was thinkin' bad-words unbeknown.
'I've dressed the turkey, David, fer to-morrow,' Mother said,
A-tryin' to wedge some pleasant subject in my stubborn head,--
'And the mince-meat I'm a-mixin' is perfection mighty nigh;
And the pound-cake is delicious-rich--' 'Who'll eat 'em?' I-says-I.
'The cramberries is drippin-sweet,' says Mother, runnin' on,
P'tendin' not to hear me;--'and somehow I thought of John
All the time they was a-jellin'--fer you know they allus was
His favour--he likes 'em so!' Says I, 'Well, s'pose he does?'
'Oh, nothin' much!' says Mother, with a quiet sort o' smile--
'This gentleman behind my cheer may tell you after while!'
And as I turned and looked around, some one riz up and leant
And put his arms round Mother's neck, and laughed in low content.
'It's _me_,' he says--'your fool-boy John, come back to shake your hand;
Set down with you, and talk with you, and make you understand
How dearer yit than all the world is this old home that we
Will spend Thanksgivin' in fer life--jest Mother, you and me!'
* * * * * *
Nobody on the old farm here but Mother, me and John,
Except of course the extry he'p, when harvest-time comes on;
And then, I want to say to you, we _need_ sich he'p about,
As you'd admit, ef you could see the way the crops turns out!
poem by James Whitcomb Riley

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Reaping
You want to know what's the matter with me, do yer?
My! ain't men blinder'n moles?
It ain't nothin' new, be sure o' that.
Why, ef you'd had eyes you'd ha' seed
Me changin' under your very nose,
Each day a little diff'rent.
But you never see nothin', you don't.
Don't touch me, Jake,
Don't you dars't to touch me,
I ain't in no humour.
That's what's come over me;
Jest a change clear through.
You lay still, an' I'll tell yer,
I've had it on my mind to tell yer
Fer some time.
It's a strain livin' a lie from mornin' till night,
An' I'm goin' to put an end to it right now.
An' don't make any mistake about one thing,
When I married yer I loved yer.
Why, your voice 'ud make
Me go hot and cold all over,
An' your kisses most stopped my heart from beatin'.
Lord! I was a silly fool.
But that's the way 'twas.
Well, I married yer
An' thought Heav'n was comin'
To set on the door-step.
Heav'n didn't do no settin',
Though the first year warn't so bad.
The baby's fever threw you off some, I guess,
An' then I took her death real hard,
An' a mopey wife kind o' disgusts a man.
I ain't blamin' yer exactly.
But that's how 'twas.
Do lay quiet,
I know I'm slow, but it's harder to say 'n I thought.
There come a time when I got to be
More wife agin than mother.
The mother part was sort of a waste
When we didn't have no other child.
But you'd got used ter lots o' things,
An' you was all took up with the farm.
Many's the time I've laid awake
Watchin' the moon go clear through the elm-tree,
Out o' sight.
I'd foller yer around like a dog,
An' set in the chair you'd be'n settin' in,
Jest to feel its arms around me,
So long's I didn't have yours.
It preyed on me, I guess,
Longin' and longin'
While you was busy all day, and snorin' all night.
Yes, I know you're wide awake now,
But now ain't then,
An' I guess you'll think diff'rent
When I'm done.
Do you mind the day you went to Hadrock?
I didn't want to stay home for reasons,
But you said someone 'd have to be here
'Cause Elmer was comin' to see t' th' telephone.
An' you never see why I was so set on goin' with yer,
Our married life hadn't be'n any great shakes,
Still marriage is marriage, an' I was raised God-fearin'.
But, Lord, you didn't notice nothin',
An' Elmer hangin' around all Winter!
'Twas a lovely mornin'.
The apple-trees was jest elegant
With their blossoms all flared out,
An' there warn't a cloud in the sky.
You went, you wouldn't pay no 'tention to what I said,
An' I heard the Ford chuggin' for most a mile,
The air was so still.
Then Elmer come.
It's no use your frettin', Jake,
I'll tell you all about it.
I know what I'm doin',
An' what's worse, I know what I done.
Elmer fixed th' telephone in about two minits,
An' he didn't seem in no hurry to go,
An' I don't know as I wanted him to go either,
I was awful mad at your not takin' me with yer,
An' I was tired o' wishin' and wishin'
An' gittin' no comfort.
I guess it ain't necessary to tell yer all the things.
He stayed to dinner,
An' he helped me do the dishes,
An' he said a home was a fine thing,
An' I said dishes warn't a home
Nor yet the room they're in.
He said a lot o' things,
An' I fended him off at first,
But he got talkin' all around me,
Clost up to the things I'd be'n thinkin',
What's the use o' me goin' on, Jake,
You know.
He got all he wanted,
An' I give it to him,
An' what's more, I'm glad!
I ain't dead, anyway,
An' somebody thinks I'm somethin'.
Keep away, Jake,
You can kill me to-morrer if you want to,
But I'm goin' to have my say.
Funny thing! Guess I ain't made to hold a man.
Elmer ain't be'n here for mor'n two months.
I don't want to pretend nothin',
Mebbe if he'd be'n lately
I shouldn't have told yer.
I'll go away in the mornin', o' course.
What you want the light fer?
I don't look no diff'rent.
Ain't the moon bright enough
To look at a woman that's deceived yer by?
Don't, Jake, don't, you can't love me now!
It ain't a question of forgiveness.
Why! I'd be thinkin' o' Elmer ev'ry minute;
It ain't decent.
Oh, my God! It ain't decent any more either way!
poem by Amy Lowell

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The Rivals
'TWAS three an' thirty year ago,
I When I was ruther young, you know,
I had my last an' only fight
About a gal one summer night.
'Twas me an' Zekel Johnson; Zeke
'N' me 'd be'n spattin' 'bout a week,
Each of us tryin' his best to show
That he was Liza Jones's beau.
We couldn't neither prove the thing,
Fur she was fur too sharp to fling
One over fur the other one
An' by so doin' stop the fun
That we chaps didn't have the sense
To see she got at our expense,
But that's the way a feller does,
Fur boys is fools an' allus was.
An' when they's females in the game
I reckon men's about the same.
Well, Zeke an' me went on that way
An' fussed an' quarrelled day by day;
While Liza, mindin' not the fuss,
Jest kep' a-goin' with both of us,
Tell we pore chaps, that's Zeke an' me,
Was jest plum mad with jealousy.
Well, fur a time we kep' our places,
An' only showed by frownin' faces
An' looks 'at well our meanin' boded
How full o' fight we both was loaded.
At last it come, the thing broke out,
An' this is how it come about.
One night ('t was fair, you'll all agree)
I got Eliza's company,
An' leavin' Zekel in the lurch,
Went trottin' off with her to church.
An' jest as we had took our seat
(Eliza lookin' fair an' sweet),
Why, I jest couldn't help but grin
When Zekel come a-bouncin' in
As furious as the law allows.
He'd jest be'n up to Liza's house,
To find her gone, then come to church
To have this end put to his search.
I guess I laffed that meetin' through,
An' not a mortal word I knew
Of what the preacher preached er read
Er what the choir sung er said.
Fur every time I'd turn my head
I couldn't skeercely help but see
'At Zekel had his eye on me.
An' he 'ud sort o' turn an' twist
An' grind his teeth an' shake his fist.
I laughed, fur la! the hull church seen us,
An' knowed that suthin' was between us.
Well, meetin' out, we started hum,
I sorter feelin' what would come.
We'd jest got out, when up stepped Zeke,
An' said, 'Scuse me, I'd like to speak
To you a minute.' 'Cert,' said I —
A-nudgin' Liza on the sly
An' laughin' in my sleeve with glee,
I asked her, please, to pardon me.
We walked away a step er two,
Jest to git out o' Liza's view,
An' then Zeke said, 'I want to know
Ef you think you're Eliza's beau,
An' 'at I'm goin' to let her go
Hum with sich a chap as you?'
An' I said bold, 'You bet I do.'
Then Zekel, sneerin', said 'at he
Didn't want to hender me.
But then he 'lowed the gal was his
An' 'at he guessed he knowed his biz,
An' wasn't feared o' all my kin
With all my friends an' chums throwed in.
Some other things he mentioned there
That no born man could no ways bear
Er think o' ca'mly tryin' to stan'
Ef Zeke had be'n the bigges' man
In town, an' not the leanest runt
'At time an' labor ever stunt.
An' so I let my fist go 'bim,'
I thought I'd mos' nigh finished him.
But Zekel didn't take it so.
He jest ducked down an' dodged my blow
An' then come back at me so hard,
I guess I must 'a' hurt the yard,
Er spilet the grass plot where I fell,
An' sakes alive it hurt me; well,
It wouldn't be'n so bad, you see,
But he jest kep' a-hittin' me.
An' I hit back an' kicked an' pawed,
But 't seemed 'twas mostly air I clawed,
While Zekel used his science well
A-makin' every motion tell.
He punched an' hit, why, goodness lands,
Seemed like he had a dozen hands.
Well, afterwhile they stopped the fuss,
An' some one kindly parted us.
All beat an' cuffed an' clawed an' scratched,
An' needin' both our faces patched,
Each started hum a different way;
An' what o' Liza, do you say,
Why, Liza — little humbug — dern her,
Why, she'd gone home with Hiram Turner.
poem by Paul Laurence Dunbar

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Nothin' To Say
Nothin' to say, my daughter! Nothin' at all to say!
Gyrls that's in love, I've noticed, ginerly has their way!
Yer mother did, afore you, when her folks objected to me--
Yit here I am, and here you air; and yer mother--where is she?
You look lots like yer mother: Purty much same in size;
And about the same complected; and favor about the eyes:
Like her, too, about _livin_' here,--because _she_ couldn't stay:
It'll 'most seem like you was dead--like her!--But I hain't got nothin' to say!
She left you her little Bible--writ yer name acrost the page--
And left her ear bobs fer you, ef ever you come of age.
I've allus kep' 'em and gyuarded 'em, but ef yer goin' away--
Nothin' to say, my daughter! Nothin' at all to say!
You don't rikollect her, I reckon? No; you wasn't a year old then!
And now yer--how old _air_ you? W'y, child, not '_twenty_!' When?
And yer nex' birthday's in Aprile? and you want to git married that day?
... I wisht yer mother was livin'!--But--I hain't got nothin' to say!
Twenty year! and as good a gyrl as parent ever found!
There's a straw ketched onto yer dress there--I'll bresh it off--turn round.
(Her mother was jes' twenty when us two run away!)
Nothin' to say, my daughter! Nothin' at all to say!
poem by James Whitcomb Riley

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Tugg Martin
I.
Tugg Martin's tough.--No doubt o' that!
And down there at
The town he come from word's bin sent
Advisin' this-here Settle-ment
To kindo' _humor_ Tugg, and not
To git him hot--
Jest pass his imperfections by,
And he's as good as pie!
II.
They claim he's _wanted_ back there.--Yit
The officers they mostly quit
_Insistin'_ when
They notice Tugg's so _back'ard_, and
Sorto' gives 'em to understand
He druther not!--A Deputy
(The slickest one you ever see!)
Tackled him _last_--'disguisin' then,'
As Tugg says, 'as a gentlemen!'--
You 'd ort o' hear _Tugg_ tell it!--_My_!
I thought I'd _die_!
III.
The way it wuz;--Tugg and the rest
The boys wuz jest
A-kindo' gittin' thawed out, down
At 'Guss's Place,' fur-end o' town,
One night, when, first we knowed,
Some feller rode
Up in a buggy at the door,
And hollered fer some one to come
And fetch him some
Red-licker out--And whirped and swore
That colt he drove wuz '_Thompson's_' shore!
IV.
Guss went out, and come in agin
And filled a pint and tuck it out--
Stayed quite a spell--then peeked back in,
Half-hid-like where the light wuz dim,
And jieuked his head
At Tugg and said,--
'Come out a minute--here's a gent
Wants you to take a drink with him.'
V.
Well--Tugg laid down his cards and went--
In fact, _we all_
Got up, you know,
_Startin'_ to go--
When in reels Guss aginst the wall,
As white as snow,
Gaspin',--'_He's tuck Tugg!--wher's my gun_?'
And-sir, outside we heerd
The hoss snort and kick up his heels
Like he wuz skeerd,
And then the buggy-wheels
Scrape--and then Tugg's voice hollerun',--
'I'm bested!--Good-bye, fellers!' . . . 'Peared
S' all-fired suddent,
Nobody couldn't
Jest git it fixed,--tel hoss and man,
Buggy and Tugg, off through the dark
Went like the devil beatin' tan-
Bark!
VI.
What _could_ we do? . . . We filed back to
The bar: And Guss jest _looked_ at us,
And we looked back 'The same as you,'
Still sayin' nothin'--And the sap
It stood in every eye,
And every hat and cap
Went off, as we teched glasses solemnly,
And Guss says-he:
'Ef it's 'good-bye' with Tugg, fer _shore_,--I say
God bless him!--Er ef they
Aint railly no _need_ to pray,
I'm not reniggin!--board's the play,
And here's God bless him, anyway!'
VII.
It must a-bin an hour er so
We all set there,
Talkin o' pore
Old Tugg, you know,
'At never, wuz ketched up before--
When--all slow-like--the door-
Knob turned--and Tugg come shamblin' in,
Hand-cuffed'--'at's what he wuz, I swear!--
Yit smilin,' like he hadn't bin
Away at all! And when we ast him where
The _Deputy_ wuz at,--'I don't know where,' Tugg said,--
'All _I_ know is--he's dead.'
poem by James Whitcomb Riley

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Bomb Threat
sitting in class
baking some food
when we were told
to leave the school
we had to go
on to the track
away from the school
and to not look back
a bomb threat was called
into the school
who would do this
they must be a fool
they searched the school
with stomachs in knots
while we watched anxiously
as it started getting hot
they thought they found it
behind the bleachers
but it was a false alarm
according to the teachers
a lot of the students
are scared to go back
they didn't even want
to leave the track
now that we're in
all still shaking
thinking to ourselves
if they were mistaking
what if it was real
and it happens again
the school would blow up
and that'd be the end
now it's the next day
students still in a roar
about the bomb threat
that opened the door
it made us realize
that the worse could happen
even in a small town
just like Washington
even small towns
can cause a big scandal
just remember not to panic
so you can handle.
poem by Shauna Stoltz

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In School
in school,
when i saw you
i intuited i have found
my lost world in you
i wish i could act
to be appreciated
by you in school.
in school,
it would be too sad
to narrate the ordeal
i have been through
i wonder if its best
i had met you
in the school.
in school,
though i had not said it
there has been so many ways
that i have shown it
my actions had done
whatever i wanted to say
at school.
in school,
i never thought
being in love
could take me to madness
well, it is better than
leaving me in sadness
in the school.
in school,
when i approached you
i knew i was silly
it was because
suddenly,
i forgot who i was
in school
in school,
why do you sneer
when i am near
it really breaks me
just tell me what to do
to get a room from you
in and out of school.
in school,
sometimes though it is hard
i guess i must let go
some things i wish to have
though good things also
could be found elsewhere
as it has been in school.
poem by Elorm Dogbo

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Remembering Misty
Sometimes it felt like you were my only friend,
And I was so upset when it all came to an end.
When I heard the news that you had died,
I'll readily admit the fact that I cried.
Racing towards me, you didn't seem to have a second to spare.
It was almost like your life depended on you getting there.
Upon arrival at my feet, you'd promptly turn away from me,
So as I could stroke the fur on your back very gently.
You trusted me, but if someone walked by,
Fear would set in and you'd run and hide.
From the safety of your garden, you would peer,
Then I'd coax you back out again when the coast was clear.
When you came running, my heart lifted and I felt glad
And when I was with you, I never felt sad.
When I was with you, the world seemed to disappear.
I was lost in my own little world, when you were near.
I didn't care if my neighbours thought I was mad,
As you cheered me up when I was feeling sad.
I remember once, as I was about to walk away,
You put your paw on my foot, gazing up at me, as if to say 'Please stay! '
You had the most gorgeous, long grey fur,
And, when contented, the happiest purr.
With your golden eyes, you'd gaze up at me
And sometimes place a paw upon my knee.
You weren't my cat, but of you I was very fond.
Over the years, we formed a very close bond.
I always smiled when I was with you,
And, in a funny way, I could feel that you were smiling to!
A few times, when you shot towards me in the dark at night,
I almost jumped out of my skin, as you gave me quite a fright!
If, at work, I'd had a particularly bad day,
Time spent with you would take the stress away.
Sometimes I passed your gate and just didn't see you there -
Lost in my own little world of worry and care,
But you always spotted me and would have something to say:
Quick as lightning, you'd rush past me, turn, and then stand in my way!
When I think of you, a smile creeps across my face.
I've made other feline friends, but you they can't replace.
We were friends a long time - ten years,
So I guess it's understandable that I shed some tears.
It's over four years now, since you went away,
But I still miss you every single day.
Now that I've captured your essence in this rhyme,
Your memory will live on for the rest of time.
poem by Angela Wybrow

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Farmer Whipple--Bachelor
It's a mystery to see me--a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more--
A-lookin' glad and smilin'! And they's none o' you can say
That you can guess the reason why I feel so good to-day!
I must tell you all about it! But I'll have to deviate
A little in beginnin', so's to set the matter straight
As to how it comes to happen that I never took a wife--
Kindo' 'crawfish' from the Present to the Springtime of my life!
I was brought up in the country: Of a family of five--
Three brothers and a sister--I'm the only one alive,--
Fer they all died little babies; and 'twas one o' Mother's ways,
You know, to want a daughter; so she took a girl to raise.
The sweetest little thing she was, with rosy cheeks, and fat--
We was little chunks o' shavers then about as high as that!
But someway we sort a' SUITED-like! and Mother she'd declare
She never laid her eyes on a more lovin' pair
Than WE was! So we growed up side by side fer thirteen year',
And every hour of it she growed to me more dear!--
W'y, even Father's dyin', as he did, I do believe
Warn't more affectin' to me than it was to see her grieve!
I was then a lad o' twenty; and I felt a flash o' pride
In thinkin' all depended on ME now to pervide
Fer Mother and fer Mary; and I went about the place
With sleeves rolled up--and workin', with a mighty smilin'
face.--
Fer SOMEPIN' ELSE was workin'! but not a word I said
Of a certain sort o' notion that was runnin' through my head,--
'Some day I'd maybe marry, and a BROTHER'S love was one
Thing--a LOVER'S was another!' was the way the notion run!
I remember onc't in harvest, when the 'cradle-in' ' was done,
(When the harvest of my summers mounted up to twenty-one),
I was ridin' home with Mary at the closin' o' the day--
A-chawin' straws and thinkin', in a lover's lazy way!
And Mary's cheeks was burnin' like the sunset down the lane:
I noticed she was thinkin', too, and ast her to explain.
Well--when she turned and KISSED ME, WITH HER ARMS AROUND
ME--LAW!
I'd a bigger load o' Heaven than I had a load o' straw!
I don't p'tend to learnin', but I'll tell you what's a fac',
They's a mighty truthful sayin' somers in a' almanac--
Er SOMERS--'bout 'puore happiness'--perhaps some folks'll laugh
At the idy--'only lastin' jest two seconds and a half.'--
But it's jest as true as preachin'!--fer that was a SISTER'S
kiss,
And a sister's lovin' confidence a-tellin' to me this:--
'SHE was happy, BEIN' PROMISED TO THE SON O' FARMER BROWN.'--
And my feelin's struck a pardnership with sunset and went down!
I don't know HOW I acted, and I don't know WHAT I said,--
Fer my heart seemed jest a-turnin' to an ice-cold lump o' lead;
And the hosses kind o'glimmered before me in the road,
And the lines fell from my fingers--And that was all I knowed--
Fer--well, I don't know HOW long--They's a dim rememberence
Of a sound o' snortin' horses, and a stake-and-ridered fence
A-whizzin' past, and wheat-sheaves a-dancin' in the air,
And Mary screamin' 'Murder!' and a-runnin' up to where
_I_ was layin' by the roadside, and the wagon upside down
A-leanin' on the gate-post, with the wheels a-whirlin' roun'!
And I tried to raise and meet her, but I couldn't, with a vague
Sort o' notion comin' to me that I had a broken leg.
Well, the women nussed me through it; but many a time I'd sigh
As I'd keep a-gittin' better instid o' goin' to die,
And wonder what was left ME worth livin' fer below,
When the girl I loved was married to another, don't you know!
And my thoughts was as rebellious as the folks was good and kind
When Brown and Mary married--Railly must 'a' been my MIND
Was kind o' out o' kilter!--fer I hated Brown, you see,
Worse'n PIZEN--and the feller whittled crutches out fer ME--
And done a thousand little ac's o' kindness and respec'--
And me a-wishin' all the time that I could break his neck!
My relief was like a mourner's when the funeral is done
When they moved to Illinois in the Fall o' Forty-one.
Then I went to work in airnest--I had nothin' much in view
But to drownd out rickollections--and it kep' me busy, too!
But I slowly thrived and prospered, tel Mother used to say
She expected yit to see me a wealthy man some day.
Then I'd think how little MONEY was, compared to happiness--
And who'd be left to use it when I died I couldn't guess!
But I've still kep' speculatin' and a-gainin' year by year,
Tel I'm payin' half the taxes in the county, mighty near!
Well!--A year ago er better, a letter comes to hand
Astin' how I'd like to dicker fer some Illinois land--
'The feller that had owned it,' it went ahead to state,
'Had jest deceased, insolvent, leavin' chance to speculate,'--
And then it closed by sayin' that I'd 'better come and see.'--
I'd never been West, anyhow--a'most too wild fer ME,
I'd allus had a notion; but a lawyer here in town
Said I'd find myself mistakend when I come to look around.
So I bids good-by to Mother, and I jumps aboard the train,
A-thinkin' what I'd bring her when I come back home again--
And ef she'd had an idy what the present was to be,
I think it's more'n likely she'd 'a' went along with me!
Cars is awful tejus ridin', fer all they go so fast!
But finally they called out my stoppin'-place at last:
And that night, at the tavern, I dreamp' I was a train
O' cars, and SKEERED at somepin', runnin' down a country lane!
Well, in the morning airly--after huntin' up the man--
The lawyer who was wantin' to swap the piece o' land--
We started fer the country; and I ast the history
Of the farm--its former owner--and so forth, etcetery!
And--well--it was interESTin'--I su'prised him, I suppose,
By the loud and frequent manner in which I blowed my nose!--
But his su'prise was greater, and it made him wonder more,
When I kissed and hugged the widder when she met us at the
door!--
IT WAS MARY: . . . They's a feelin' a-hidin' down in here--
Of course I can't explain it, ner ever make it clear.--
It was with us in that meetin', I don't want you to fergit!
And it makes me kind o'nervous when I think about it yit!
I BOUGHT that farm, and DEEDED it, afore I left the town
With 'title clear to mansions in the skies,' to Mary Brown!
And fu'thermore, I took her and the CHILDERN--fer you see,
They'd never seed their Grandma--and I fetched 'em home with me.
So NOW you've got an idy why a man o' fifty-four,
Who's lived a cross old bachelor fer thirty year' and more
Is a-lookin' glad and smilin'!--And I've jest come into town
To git a pair o' license fer to MARRY Mary Brown.
poem by James Whitcomb Riley

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A School Is So Not Cool
School Is Not So Cool
School, School, School,
A school is not cool
We're here 5 days a week
8 hours a day.
School, School, School,
A school is not cool.
People laugh when we fall
we just have to make a call.
School, School, School
A school is not cool.
We have to work hard to get good grades
I'm not going to do it no more
I do it every day.
We can’t go on the grass
We can’t bother another class
We can’t save spots at lunch
We have to go as a bunch.
We have 3 minutes in the hall
I'm always late what a ball.
We have to pay attention
if not we get detention.
School, School, School,
A school is not cool.
They have too many rules
they play us as fools
if we get A's
the parents jump Hip Hip Hooray.
If we get F's
we tell them we need to take a rest.
We always have homework
we never have class work
they have to many rules
they need to take it cool.
School, School, School,
A school is so not cool!
poem by Fahed Sharaf

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Sonnet: Future of Poetry
Poems I thought had good rhythm and Rhyme,
And a moral good at the end of each;
Good Poems I thought should the test of time,
And remained well within the masses’ reach.
Poems I thought had nice music in them,
With apt words placed in right place in each case;
It was a time for Poetry’s Anthem;
Alas, the art is in for a rat-race!
Modern Poetry that is being writ,
From Prose is hard to ever from it sift;
Slang, vulgarities somehow find a place;
’Tis doomsday for poetry at this pace!
Turned has the Wheel of Time almost fully;
’Tis time to draw water with the pulley!
poem by John Celes

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Old School Memories
I guess we all have old memories
Way back when we were in school
We tried our best to get passing grades
To prove to our folks we weren’t a fool
Remember those old-fashion desks?
There was an ink well right at the top
Some boys didn’t last too long at school
For they stayed home to pick the crops
Long walks home right after school
The stack of books made a heavy load
Kicking rocks but hurrying along
Down that dusty red dirt road
After all, there were always chores to do
Once a kid got back home
Gather the eggs and slop the hogs
Didn’t have a lot of time to roam
Yep, those were good old days, my friend
Nowadays seems school is a breeze
But it sure is fun to look behind us
To the wonderful old school memories!
poem by Marilyn Lott

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I think a lot of young kids at school are very conscious of trying to keep credibility in case they kind of stand out in a crowd and get bullied by trying to stay cool and stuff. And my whole thing, all the way through school, was I was just a goof... I didn't care.
quote by Dominic Monaghan

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Bein' Back Home
HOME agin, an' home to stay —
Yes, it's nice to be away.
Plenty things to do an' see,
But the old place seems to me
Jest about the proper thing.
Mebbe 'ts 'cause the mem'ries cling
Closer 'round yore place o' birth
'N ary other spot on earth.
W'y it's nice jest settin' here,
Lookin' out an' seein' clear,
'Thout no smoke, ner dust, ner haze
In these sweet October days.
What's as good as that there lane,
Kind o' browned from last night's rain?
'Pears like home has got the start
When the goal's a feller's heart.
What's as good as that there jay
Screechin' up'ards towards the gray
Skies? An' tell me, what's as fine
As that full-leafed pumpkin vine?
Tow'rin' buildin's — yes, they're good;
But in sight o' field and wood,
Then a feller understan's
'Bout the house not made with han's
Let the others rant an' roam
When they git away from home;
Jest gi' me my old settee
An' my pipe beneath a tree;
Sight o' medders green an' still,
Now and then a gentle hill.
Apple orchards, full o' fruit,
Nigh a cider press to boot —
That's the thing jest done up brown;
D'want to be too nigh to town;
Want to have the smells an' sights,
An' the dreams o' long still nights,
With the friends you used to know
In the keerless long ago.—
Same old cronies, same old folks,
Same old cider, same old jokes.
Say, it's nice a-gittin' back,
When yore pulse is growin' slack,
An' yore breath begins to wheeze
Like a fair-set valley breeze;
Kind o' nice to set aroun'
On the old familiar groun',
Knowin' that when Death does come,
That he'll find you right at home.
poem by Paul Laurence Dunbar

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The Tree-Toad
''Scurious-like,' said the tree-toad,
'I've twittered far rain all day;
And I got up soon,
And I hollered till noon--
But the sun, hit blazed away,
Till I jest clumb down in a crawfish-hole,
Weary at heart, and sick at soul!
'Dozed away far an hour,
And I tackled the thing agin;
And I sung, and sung,
Till I knowed my lung
Was jest about give in;
And then, thinks I, ef hit don't rain now.
There're nothin' in singin', anyhow!
'Once in awhile some
Would come a drivin' past;
And he'd hear my cry,
And stop and sigh--
Till I jest laid back, at last,
And I hollered rain till I thought my th'oat
Would bust right open at ever' note!
'But _I fetched_ her! O _I fetched_ her!--
'Cause a little while ago,
As I kindo' set,
With one eye shet,
And a-singin' soft and low,
A voice drapped down on my fevered brain,
Sayin',--' Ef you'll jest hush I'll rain!''
poem by James Whitcomb Riley

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School Is Not So Cool
School, School, School,
A school is not so cool
We're here 5 days a week
8 hours a day.
School, School, School,
A school is not so cool.
People laugh when we fall
we just have to make a call.
School, School, School
A school is not so cool.
We have to work hard to get good grades
I'm not going to do it no more
I do it everyday.
We cant go on the grass
We cant bother another class
We cant save spots at lunch
We have to go as a bunch.
We have 3 minutes in the hall
I'm always late what a ball.
We have to pay attention
if not we get detention.
School, School, School,
A school is not so cool.
They have to many rules
they play us as fools
if we get A's
the parents jump Hip Hip Hooray.
If we get F's
we tell them we need to take a rest.
We always have homework
we never have classwork
they have to many rules
they need to take it cool.
School, School, School,
A school is so not cool!
poem by Chantel Braatz

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What Smith Knew About Farming
There wasn't two purtier farms in the state
Than the couple of which I'm about to relate;--
Jinin' each other--belongin' to Brown,
And jest at the edge of a flourishin' town.
Brown was a man, as I understand,
That allus had handled a good 'eal o' land,
And was sharp as a tack in drivin' a trade--
For that's the way most of his money was made.
And all the grounds and the orchards about
His two pet farms was all tricked out
With poppies and posies
And sweet-smellin' rosies;
And hundreds o' kinds
Of all sorts o' vines,
To tickle the most horticultural minds
And little dwarf trees not as thick as your wrist
With ripe apples on 'em as big as your fist:
And peaches,--Siberian crabs and pears,
And quinces--Well! ANY fruit ANY tree bears;
And th purtiest stream--jest a-swimmin' with fish,
And--JEST O'MOST EVERYTHING HEART COULD WISH!
The purtiest orch'rds--I wish you could see
How purty they was, fer I know it 'ud be
A regular treat!--but I'll go ahead with
My story! A man by the name o' Smith--
(A bad name to rhyme,
But I reckon that I'm
Not goin' back on a Smith! nary time!)
'At hadn't a soul of kin nor kith,
And more money than he knowed what to do with,--
So he comes a-ridin' along one day,
And HE says to Brown, in his offhand way--
Who was trainin' some newfangled vines round a bay-
Winder--'Howdy-do--look-a-here--say:
W hat'll you take fer this property here?--
I'm talkin' o' leavin' the city this year,
And I want to be
Where the air is free,
And I'll BUY this place, if it ain't too dear!'--
Well--they grumbled and jawed aroun'--
'I don't like to part with the place,' says Brown;
'Well,' says Smith, a-jerkin' his head,
'That house yonder--bricks painted red--
Jest like this'n--a PURTIER VIEW--
Who is it owns it?' 'That's mine too,'
Says Brown, as he winked at a hole in his shoe,
'But I'll tell you right here jest what I KIN do:--
If you'll pay the figgers I'll sell IT to you.,'
Smith went over and looked at the place--
Badgered with Brown, and argied the case--
Thought that Brown's figgers was rather too tall,
But, findin' that Brown wasn't goin' to fall,
In final agreed,
So they drawed up the deed
Fer the farm and the fixtures--the live stock an' all.
And so Smith moved from the city as soon
As he possibly could--But 'the man in the moon'
Knowed more'n Smith o' farmin' pursuits,
And jest to convince you, and have no disputes,
How little he knowed,
I'll tell you his 'mode,'
As he called it, o' raisin' 'the best that growed,'
In the way o' potatoes--
Cucumbers--tomatoes,
And squashes as lengthy as young alligators.
'Twas allus a curious thing to me
How big a fool a feller kin be
When he gits on a farm after leavin' a town!--
Expectin' to raise himself up to renown,
And reap fer himself agricultural fame,
By growin' of squashes--WITHOUT ANY SHAME--
As useless and long as a technical name.
To make the soil pure,
And certainly sure,
He plastered the ground with patent manure.
He had cultivators, and double-hoss plows,
And patent machines fer milkin' his cows;
And patent hay-forks--patent measures and weights,
And new patent back-action hinges fer gates,
And barn locks and latches, and such little dribs,
And patents to keep the rats out o' the cribs--
Reapers and mowers,
And patent grain sowers;
And drillers
And tillers
And cucumber hillers,
And horries;--and had patent rollers and scrapers,
And took about ten agricultural papers.
So you can imagine how matters turned out:
But BROWN didn't have not a shadder o' doubt
That Smith didn't know what he was about
When he said that 'the OLD way to farm was played out.'
But Smith worked ahead,
And when any one said
That the OLD way o' workin' was better instead
O' his 'modern idees,' he allus turned red,
And wanted to know
What made people so
INFERNALLY anxious to hear theirselves crow?
And guessed that he'd manage to hoe his own row.
Brown he come onc't and leant over the fence,
And told Smith that he couldn't see any sense
In goin' to such a tremendous expense
Fer the sake o' such no-account experiments
'That'll never make corn!
As shore's you're born
It'll come out the leetlest end of the horn!'
Says Brown, as he pulled off a big roastin'-ear
From a stalk of his own
That had tribble outgrown
Smith's poor yaller shoots, and says he, 'Looky here!
THIS corn was raised in the old-fashioned way,
And I rather imagine that THIS corn'll pay
Expenses fer RAISIN' it!--What do you say?'
Brown got him then to look over his crop.--
HIS luck that season had been tip-top!
And you may surmise
Smith opened his eyes
And let out a look o' the wildest surprise
When Brown showed him punkins as big as the lies
He was stuffin' him with--about offers he's had
Fer his farm: 'I don't want to sell very bad,'
He says, but says he,
'Mr. Smith, you kin see
Fer yourself how matters is standin' with me,
I UNDERSTAND FARMIN' and I'd better stay,
You know, on my farm;--I'm a-makin' it pay--
I oughtn't to grumble!--I reckon I'll clear
Away over four thousand dollars this year.'
And that was the reason, he made it appear,
Why he didn't care about sellin' his farm,
And hinted at his havin' done himself harm
In sellin' the other, and wanted to know
If Smith wouldn't sell back ag'in to him.--So
Smith took the bait, and says he, 'Mr. Brown,
I wouldn't SELL out but we might swap aroun'--
How'll you trade your place fer mine?'
(Purty sharp way o' comin' the shine
Over Smith! Wasn't it?) Well, sir, this Brown
Played out his hand and brought Smithy down--
Traded with him an', workin' it cute,
Raked in two thousand dollars to boot
As slick as a whistle, an' that wasn't all,--
He managed to trade back ag'in the next fall,--
And the next--and the next--as long as Smith stayed
He reaped with his harvests an annual trade.--
Why, I reckon that Brown must 'a' easily made--
On an AVERAGE--nearly two thousand a year--
Together he made over seven thousand--clear.--
Till Mr. Smith found he was losin' his health
In as big a proportion, almost, as his wealth;
So at last he concluded to move back to town,
And sold back his farm to this same Mr. Brown
At very low figgers, by gittin' it down.
Further'n this I have nothin' to say
Than merely advisin' the Smiths fer to stay
In their grocery stores in flourishin' towns
And leave agriculture alone--and the Browns.
poem by James Whitcomb Riley

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Deacon Jones' Grievance
I'VE been watchin' of 'em parson,
An' I'm sorry fur to say
'At my mind is not contented
With the loose an' keerless way
'At the young folks treat the music;
'Tain't the proper sort o' choir.
Then I don't believe in Christuns
A-singin' hymns for hire.
But I never would 'a' murmured
An' the matter might 'a' gone
Ef it wasn't fur the antics
'At I've seen 'em kerry on;
So I thought it was my dooty
Fur to come to you an' ask
Ef you wouldn't sort o' gently
Take them singin' folks to task.
Fust, the music they're be'n singin'
Will disgrace us mighty soon;
It's a cross between a opry
An' a ol' cotillion tune.
With its dashes an' its quavers
An' its hifalutin style —
Why, it sets my head to swimmin'
When I'm comin' down the aisle.
Now it might be almost decent
Ef it wasn't fur the way
'At they git up there an' sing it,
Hey dum diddle, loud and gay.
Why, it shames the name o' sacred
In its brazen worldliness,
An' they're even got 'Ol' Hundred'
In a bold, new-fangled dress.
You'll excuse me, Mr. Parson,
Ef I seem a little sore;
But I've sung the songs of Isr'el
For threescore years an' more,
An ' it sort o' hurts my feelin's
Fur to see 'em put away
Fur these harum-scarum ditties
'At is capturin' the day.
There's anuther little happ'nin'
'At I'll mention while I'm here,
Jes' to show 'at my objections
All is offered sound and clear.
It was one day they was singin'
An' was doin' well enough —
Singin' good as people could sing
Sich an awful mess o' stuff —
When the choir give a holler,
An' the organ give a groan,
An' they left one weak-voiced feller
A-singin' there alone!
But he stuck right to the music,
Tho' 't was tryin' as could be;
An' when I tried to help him,
Why, the hull church scowled at me.
You say that's so-low singin',
Well, I pray the Lord that I
Growed up when folks was willin'
To sing their hymns so high.
Why, we never had sich doin's
In the good ol' Bethel days,
When the folks was all contented
With the simple songs of praise.
Now I may have spoke too open,
But 't was too hard to keep still,
An' I hope you'll tell the singers
'At I bear 'em no ill-will.
'At they all may git to glory
Is my wish an' my desire,
But they'll need some extry trainin'
'Fore they jine the heavenly choir.
poem by Paul Laurence Dunbar

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