
Getting Up
Getting up on the first legs of the morning,
waiting to remember I know how to walk,
as my body changes shifts
and I emerge from the dream-mist
not knowing if I'm stepping out of a lifeboat or a cocoon,
if yesterday's oars have turned into wings,
or the silver blood of the mud bone
greened like old copper
at the scene of a crime
or if my heart has finally congealed
like a suspicious scar
on the mood ring of the moon
as I resent the orthodoxy of the petty rituals
I have yet to perform with blades and foam and water
on a face that almost scares me
it is so diminishingly mine.
And it's radiant, and the sun
is reflected in every windshield,
in every palace of ice and hovel of glass,
and even the deepest eclipse within me
that weeps like a dragon
is remotely enhanced by the shining.
Today I will make money.
Today I will pay bills.
Today I will fix the car.
Today I will feed myself intelligently and exercise,
trying to prolong my bruising campaign against death;
I will walk in and out of banks and stores
and greet people with as much sincerity
as they are capable of, careful
not to pour the ocean into a teacup
or think a tear sufficient to mourn the dead seas of the moon.
I will be congenial, kind, and generous;
I will scatter tropical trail mix
in the parking lot of Pizza Hut for the birds
though I know it annoys people
who worry about shit on their cars,
and walk away feeling like an insurgent
who bombed the marketplace into life
with dried pineapple not shrapnel,
though it's a pathetic protest to offend
the protocols of their chronic opprobrium
by feeding a few birds more
than made it through the freezing night before
and excuses nothing in me that I often fear is worse
when I consider what I could be doing and don't
because the picket up my intimate ass is the universe
and everything turns on that
like the paddlewheel of a Mississippi showboat.
All day long I will apply Buddhas and Zen masters like poultices
to draw the infection of the world out of my blood
like the noxious fume of a festering rose,
and then upbraid myself insightfully,
confessing to a delegation of mirrors
that it is my seeing, my eyes
that smear the view like slugs,
and that I am obsessively defeated by what I condemn
because I am them, I am them, I am them.
And that's when I pull the trigger on myself like a fire alarm,
knowing no one's coming to put me out,
because I haven't been tested for the right emergency
and there's never a pilot light on the mystic urgency
to at least be right about the way I know I'm wrong.
But no matter how you beat it,
you can't beat a violin concerto out of a gong
or labour the rime of light on the lips of a black hole into honey.
All day I will look upon small trees
chained like slaves to a square meter
of lonely earth in an asphalt parking lot
and profoundly lament
the intrusive derangement of my species
that abomination after abomination, shames the fly.
And the fate of a shopping mall sapling
may be the bathetic token
of something more profoundly unspoken,
but all day my spirit will be unmothered
by the existential complicity
of being here like rain on the blood of the roadkill
my karmic imbalance tries to unmean
as everything I cherish turns slightly obscene.
But I know a star cluster far away beyond my fingertips
with the body of a serpent woman
who charms the clay she caresses
by playing her fates and phases on the flutes of the moon
as if every breath were the wind in a gust of doves
she scatters like the sheet music of a liberated choir.
And all day I will taste the infinite constellation of her stars
unspooling the lifeline of the mystery I follow
through the labyrinth of the moon's horn gates
like cool transfusions of night through my blood
as I turn her image in my heart
like a mysterious jewel
that once wept her crown away
to lift a veil of water like an eye.
And I will smile through the day serenely within
remembering so many things, so many lives,
so many fireflies of tenderness that haven't happened yet,
and the unsayable passion of the lips that wake the dragon
like a flame to the wick that candles the volcano
into a fury of ecstasy that shocks
the starmaps billions of lightyears away,
and she will be my secret and my sail
and I will disappear over her five horizons like a treble clef
or the whole note of a fleeing night bird into its hidden nocturne.
All day she will flourish within me to heal the mystic herbalist
who knows beyond flower and frond
the dark virtue of the black honey
that pours from her own wounded root like time.
And I can be moved by women who are goblets
spilling over with wine, and women
who turn moonlight into glass
and stand sad and empty
against the vastness of the sky,
witching for mirrors, and those
who were Japanese plum tree blossoms in spring,
the dangerous wine of the rose,
now shattered on the ground
as if the moon had slipped its finger from the ring.
And I have loved the loveliest
and least attentive among them,
and those who were mortal and mad,
and the black peonies of the sexually bad
who have indulged me by shedding their eclipses
until we fell down exhausted beside each other,
two petals in the mud.
But she has stars in her blood
that spice the tongue of the snake,
the grail horns of the divining rod
and the tine of the lightning
that tunes the ashes of the burnt guitar
as if it were still a tree
to the tears of the willow,
and I am addicted by a muse
to a delirium of longing
that burns like a loveletter
written in light and blood and shadows
that slides me under her door
with every breath I take
and unfolds me like a sky or a bird,
a fossilized constellation
buried in the shale of a starmap,
to shine deep within all day long
beyond the light like stars
at the bottom of a well at noon
where she comes to drink like the moon.
PATRICK WHITE
poem by Patrick White

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In You
In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.
poem by Patrick White

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So Lifetime After Lifetime
So lifetime after lifetime, sorceress of shadows and dreams
you step out of the dark wood of yourself,
a shy doe, a mournful lighthouse and a warning off the coast
of your infinite solitude, you, the singing bird
on the green bough of your flute pouring yourself
like sorrow over the eye of the sea, your tears,
the ancient wells of an eternal longing unanswered by the secret stars
that have entrusted their radiance to you, fireflies
drowning their light in your black candles,
the blind music of your lonely flowing. Is your flute, a bone, then,
and this rose I bring you, this heart, this blood
that has turned into a goblet of luminous wine,
drunk on the wonder and the missing in your phantom music,
is this rose nothing but a wound, a coffin-flower,
the unmarked grave of a mystic embryo?
Do you fear the tenderness, the meeting? Does the moon
strike at her own reflection in the mirror of her midnight waters
to wander like an orphan along her lifeless shores?
Boy and man, you murder me on the steps of your serpent shrine,
your eyes, cold glass, eclipses of crystal, your spirit
that once drew in the light like breath,
now a slow glacier, an age of ice
pushing your heart before it like a boulder,
like a temple-stone that one night flew out of the abyss
and buried itself like a meteor, a charred jewel, the demon seed
of a religion without saviours, your implacable creed
scriptures of blood in a mouthless book
that only love can open. Once there were swallows in the tree of life,
asylums of celebrants greeting the morning in their madness,
in the garden, in Eden, hurled through that first dawn
like a young girl's heart trembling like a dropp of light on a blade of grass.
Now your voice is a gypsy-crow on a dead branch,
your music, confession without atonement, your flute
without leaves, without orchards, an eyeless spring,
buried in its manger-cloth for years, nothing
but a crib-death, a broken wand, a phoenix
that has lost its faith in fire under the weight of its own ashes.
Beloved, again and again you kill me
in this dance of slayer and slain, tear out
this page of love like a like a child's tongue, like a mute heresy
you are doomed to rewrite forever
in the indelible inks of your seeing.
Do you dip your pen like a water-bird drinking
from its own image, putting out your eyes
to deepen the darkness, the scars of your sin
the lightless letters of a hidden language
pricked out on your skin, black stars and braille tattoos?
The pages and the years may turn like wings and hinges,
and a thousand deaths, all your own,
tome the field with gravestones,
breathless flutes and hollow bones, ancient futures;
and you the only mistress of those solitary realms; still,
your legend will remain moonless and sunless,
the story of a night sky, the eyelid of a black rose,
that couldn't break into light. Until
love stands beside the heartwell of another
as if it were its own sacred fountain,
one blood, one wind-mingled music
playing the waves like plectra, and raises the rim
of the single goblet to its lips and tastes,
only silence answers the terrible vastness,
only death graces the obscenity of these loveless wastes.
poem by Patrick White

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The Guardian and BloodRose
BloodRose,
Rose of my love,
My love for Dark moon,
Dark as my heart,
Black as my soul,
And gave me my rose.
The rose of blood,
With petals soft and black,
Never as a rose so beautiful,
Grown not in light,
But under a dark moon lit sky.
Guardian,
Yes a guardian of BloodRose,
With teeth long and sharp,
Claws hard as diamonds,
Scales as dark as night.
My dear sweet guardian,
Guardian black as my heart,
Fire in your eyes,
Shadows in your soul,
A dragon of the dark moon.
A single rose,
With petals so fare,
As dark as my heart,
I now hold in my hand,
The rose of blood.
You are my darkness,
Fear of this love,
This love for you,
Love for darkness,
The cold shadows in my heart
That makes me yearn for you.
Now as you lay dying,
I hold a single rose,
The rose you gave me,
And as I hold it tight,
The thorns slice my hand,
Covered with blood,
My blood.
I have one fear,
The fear of death,
Symbol of my lost love,
Rose as dark as me,
Laying in a pool of blood,
Blood from me.
As I lay dying,
I remember my name,
BloodRose,
I am the rose of blood,
And I died of my own creation.
A creation of perfect beauty,
Petals dark black,
Thorns like small daggers,
Grown from my love,
My love for a dragon,
A dragon as dark as my heart.
Even in my death,
I think of you,
And the rose you gave me,
The rose that killed me,
The Rose of Blood.
poem by Nicolette Gonzalez

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Small, Warm Birds
Small, warm birds of feeling,
a profound tenderness,
something to cherish
in the loneliness of being human
in these vast, cold spaces,
as I read your words
like poppies in my blood again.
What stars could I call upon,
what roses could I ask for their skin,
what darkness charge with radiance,
what ploy of dancing buddhas
could I summon
to let you know
you are all my sky within,
and the assent of my soul in the morning
and the bough of my homing at night,
that there is within me a blind fire,
an invisible flame
that consumes me in the ferocious beauty
of its unseen flowering
even in a flurry of faces
and the business tugging the donkey of the day
braying like a knot in a stream of wood,
and all the objects and forms of the world
are burning mirrors I look into to see
the black pearl of your mystic presence within me,
the irridescent luster of your shining,
how you are a message in a bottle from ultimacy,
and a dark shrine of desire
that can wake the valley dragons
with the fragrance of your eyes on the wind.
I want to kiss your kneecaps;
I want to crush cool mushrooms against your lips
and feel my kisses break like bread,
I want to feel my mouth
blossoming on the nape of your neck
and my breath blowing across the shy wheatfields
of the softest gestures of hair on your skin,
I want to taste the silk
of the inside of your thighs
as if it were the flavour of an intimate paradise,
and approach your breasts like crowns,
and under a full moon
tenderly turn the sacred soil of your sex with my tongue
like a stranger in the doorway
of an infinite longing to make you shudder
like the void into light
with sexual eclipses on the back of your eyelids
that will fill you like a palace of water with stars.
I am the luminosity and shadow
of your green lamp that glows like the sea,
and my voice wants to bleed like black cherries
over the alluvial plain of your stomach
and touch you like a prophet
running his fingertips slowly over the pages of a holy book,
savouring the revelations
that throb like a pulse in space;
and there are storms that want to exhaust themselves
over the blue thresholds of your hills
and root their lightning in your body
like a tree of light, a new map of rivers
for your blood to follow back to me
like the echo of thunder in a well.
And all through the day
with its curbs and functions
I imagine the lilt of your fingers
on the rim of a coffee cup,
the cougar in the glance of your eyes,
the way you put a knife down on the table
like a smile without a script
and what it would be like
to circumnavigate the equator of your waist
with a rosary of kisses
to raise you like a sunken continent
out of your depths
and explore all your tides and passages
with the fervour of a dolphin in a bay of wine.
I want to be tangled like a kite
in the turmoil of your hair,
the night watchman of your dreams,
the one who notices
what no one else looks for,
the stone of the small grave
you sweep with your eyelashes
when the leaves of autumn
lie down with the shadows of spring
and the virgin windows of your tears
that no one has ever looked through
weep like glass over the secret root
of a flower only a child could see.
Beyond reason, gates, words,
where the bridges take off their shoes
to admire their feet in the water
and the waterlilies kiss the thorn
of the star that tore them like skin
and whisper ancient pollens to the night
softer than flour and saffron,
and everything I say to you
isn’t a wound in the light,
a mouthful of shadows,
a bell of water with a fish for a tongue,
fleets of butterflies
learning how to sail the oceans of the rose
like the keels and wings
of love-letters you can read in the dark,
I want to fold you in my arms like the moon
and pan the nocturnal urgencies of your eyes
for a gold rush of fireflies
in the all night boomtowns
of a heart that struck it rich
digging a hole to bury its dead.
poem by Patrick White

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Sit Warmly Here With Me Awhile
Sit warmly here with me awhile
and I will smother you in fireflies
until your aura looks like
a dandelion constellation
or a globular cluster of first magnitude stars.
My scars have exhumed the knives of old wounds.
And though I confide in the void
like an echo returning to its own voice
or a breath to the sacred groves of the lungs at sunset
and superseded my quota of regrets
to make an expandable universe liveable
every firefly of insight's
got the engine of a dragon behind it
and it burns like a dark clarity within me.
Wrap your silence and mystery around me
like a chrysalis or cloak
and let me rest in your indivisibility awhile
until I disappear deep in your eyes
like a nightbird into its longing.
Let me sit around the lonely fire of your heart
as if I were the only house of the zodiac
who comes to you like an illicit love affair
with its lights still on
long after all the others have gone out.
My solitude is bruised by an abyss
that keeps digging deeper into me
and sometimes it feels as if
it's looking for water and a well
and then other times it's a midnight burial
of someone I can only catch a glimpse of
once and a while under a full moon
that looks like an undertaker
through the leafless veils of the weeping willows
digging his own grave
but feels just like a spade hitting my skull
like a strange form of paydirt
buried like the black pearl of the new moon
in a hope chest of star mud.
Take the coin from under my tongue
like the last sacred syllable
of my unconditional humanity
and throw it down this black hole in my heart
like the moon in a wishing well
and embrace me as if I were not dead awhile.
Out of the ashes the smoke and the flames
like two candles under the stars
let's make up myths of origin
where the gods have no names
until the wildflowers that have outgrown
the gates of the Garden of Eden
look back at where they come from
like a long way away
and give them one
like the elders of an Ojibway tribe
decide on the names of the new born
each according to the totem of a dream.
Pull this thorn from my eye
like the eyelash of the last crescent of the moon
and let me see you face to face
without a thousand and one tears between us.
I shall glorify you like a mosque in lapis lazuli
that can no more contain your image
than the day the night
or one constellation
the whole of the Milky Way.
I shall paint your portrait in picture-music
like the moon reflected on the black water gardens
of the Taj Mahal in mystic hues
of nocturnal waterlilies and cobalt blues
to highlight your eyelids when you sleep
and on your lips rose drops of blood
to wake you like a kiss from your dream
when the waterbirds rise from the lake.
Receive me like a sword into your depths
I throw in tribute from a bridge that crosses over
to the other side of myself
as if you were the far shore of my mindstream
come near to sit with me here awhile
and reminisce like water
on the things that have been and passed
as we listen to the tender laughter of the waves.
I will lift up my shirt
and show you the scars of all the holy wars
I've fought with myself like a faithful heretic
who knew he was doomed to lose
and the spots where the spearheads of insight
penetrated my heart like a voodoo doll
baptized in hot whiskey and cold blood
to take a message to the gods
about human suffering
in a language they could understand
wasn't just the echo of their own voices.
Sit with me here awhile like a face beside a mirror
looking out upon the same starfields
without a trace of our own reflections in the view
and I will teach you
the healing powers of a wounded mouth
like the secret grammar of a grail that seeks itself.
poem by Patrick White

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I Can't Say
I can’t say that my breath
isn’t the lengthening shadow
of a tree burning its leaves
like a candlabra in the sunset,
or the moon hasn’t broken its tooth
trying to open the lotus of marrow
I motherlode in the lockets of my bones
like silver and bread
for the long, lean journey ahead.
Sometimes when I look at the stars and wonder
I feel like a cigarette-butt
in a glass of mystic wine,
my little humanity, a grain of dust
on a sidereal windowsill, if that,
and I remember the ignorant sincerity
of the orchards that sweetened their apples
like a windfall of hearts
under my eyelids as I dreamed
night after night
of unknown thresholds
I might cross like a smile or a shadow
down this blood-road of blossoms and storms
that I have carried everywhere with me
like a snake in a bag.
There was a silence at the end of my fingertips
when I reached out to touch a cheek or flower,
so beautiful, so intense
I am certain I felt the pulse of God
throbbing like a bird in her vastness,
that I could almost forgive time
the bridge of cornerstones
that trampled me like a grape
in a stampede of asteroids
and buried me like water on the moon
in an avalanche of skulls.
My tears fall from the eaves of my sorrows
indifferently as rain
trying to wake seeds
like the eye of a needle
to patch the wounded earth with roots.
And I am still demonic enough
to prefer the clarity of the flame
to the pillars of smoke that pass for wisdom,
though I know it means
sailing off the edge of the world
like a galaxy on its own event horizon
with the empty hand of the wind
on a rudder it mistakes for a wing.
I don’t think I’ll go very far when I die.
I’ll pour my snake out like wine, like a candle
like music from the flutes of my bones
and charm my way
like the fragrance of a stone rose
through the dark, nameless gate
I’ve been walking through since I was born.
poem by Patrick White

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It's Not Enough
It's not enough to hinge a new door to your heart
when the house is built on flowerless quicksand
and the chimneys have acquired a taste for books;
poems are the birthmarks of stairwells climbing themselves,
of hawks and serpents boring into the corks of wine
to get at the heart, the passions, the dreams, the rage
of the vine that set out like a road that got carried away
and fell in love with the intimate strangers who took it home
and danced all night among the swords as if they were thresholds.
Born in the shadows of unbearable bells, early I found
they were bound to the cord of my spine, like the moon
among the kelp that oils its tides with the black sperms of creation,
and I learned to pull on their iron parachutes to ease
my harsh, hot descents into wingless, mute oblivions;
I discovered there was a voice beyond mine
that could gather and disperse, celebrate and divine
the secret weddings and deaths of the bridal ghosts that came
like castaway bouquets to the refugee altars of their torn veils.
And there's an indelible secret as old as the eyes of the wind
that can whisper sand into pyramids, that won't receive
the vows of the petty and clever who traffic in the shadows
of the great, wild dead who wore their battered crowns like fire.
Let them crib their poems on the back of another man's eyelids,
real constellations don't shine like this and the wells are mute
whose waters taste of fireflies; and there isn't a river on the moon
that knows how to plead with the sea for a widow that mourns,
that knows whose prodigy of blood unravels on autumn's horns,
or how the waterlily in the mouth of the dragon
is more dangerous than a shrine full of blind snakes.
Behind every name, behind every door with a brass threshold
is a man who was forgotten by his own violated treaties
with the indentured mirrors he consulted to cheat the lakes,
who comes up over his horizons like the solemnities of the moon,
looking for the pillar of his lost reflection in chunks of coal,
in the underfed crematoria of his sacrificial backyard fire-pits
in the lifelines of the empty hands he misread like maps of smoke.
Poetry isn't an orphanage or asylum for the disenchanted,
though there is a deranged abyss under its relentless solitude;
not a showcase Colosseum for famished lions at a petting zoo,
though mauled minds and bodies litter the unwitnessed field;
there are no paths through its unanswerable distances
strewn with petals or thorns, no bridges or waystations,
no branches of hospitable trees to perch in for the night,
no dawns that can erase what's been written on your forehead,
nothing that can blind you to what you were born to see,
no rain that can douse the squandered fire of the poppy,
though the messenger is smashed like a bottle between
the tide and the rock; the star, the candle, the nightflower
snuffed by the morning, the last breath of the deathless moon.
And you must die enough to not be there
when the world picks up a pen like an axis
to spin in the direction of its wounded inclinations,
you must not walk into the house wearing a face,
your breath on the glacial windows of the furious stars
full of secret fingerprints, love-notes, names,
you must be more conversant than a ghost on a bridge
or a rose, or an empty mailbox, or a road that followed you
to where the river turns, with shapeshifting,
with pearling a body around a syllable of sand,
with showing a galaxy its shadow in eyelids and eclipses,
with standing like a scarecrow in the cornfield
that shucked the cob of a smile to batter you with birds,
with lying beside the dead like a lantern in a morgue
as if your blood crossed the threshold for them,
with waiting in the earth a long time, a root
that conceals orchards in the furrows of its dirty hands,
a buried boat that unfurls the blossoms of its sails,
the starcharts of the blind moles that shine underground,
like a voyage in search of the rudder of your tongue
to pilot it safely out of the ports of the moon,
a flame, a breath, a feather you've cradled for years,
the small measures of belief in an oceanic grave
that enrobes the flowing in the wake of severed waves.
Be stone, or be space; the emptiness is the same,
silver ore, or the motherlode of a black hole,
let your heart pan the long rivers of the night
for what the stars value, jewels of life in the light
that can be grown like a menagerie of blood and tears,
the eyes of the blackberries, eyes of the radiant bee
on the flutes of the wind that plays for a handful of seeds.
poem by Patrick White

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I Turn Out The Lights
I turn out the lights and lie down to sleep
and you open up within me like a lotus of fire
blooming in the darkness of a vast inner space
that has become my only skin, tattooed with stars
as I play solitaire with destiny, using your Tarot
of chameleonic constellations as a firing squad.
Little threads of joy and fear shudder through me,
revelation and lightning, fireflies going off,
the blasting caps of greater detonations yet to come,
and your face is before me, apparition and aurora,
the moon reflected on undulant water,
a jewel turning in the light of itself, blue eyes, full lips,
the blonde smoke of your hair on your cheek
disappearing somewhere as if a match had just been put out,
and your smile, your beautiful, wide, forgiving smile
that seems to flow from the warmest sugars
of an abundant heart; what dawn over a lake
has ever touched me silently like that?
One look at you and I am hurled into another more spiritual dawn
like a bird bewildered into singing by the strange joy
that threatens to consume him in the soaring radiance.
And though I cannot say you, you are the secret
I discern in the stars when they stop to whisper through the trees
to the bones of the holy man humbled on the hill
of his own insignificance; and then you are the only exaltation
that can raise him up again to shine above the night.
Always within me you summon like a bell; you
draw me out of myself like a genie torn from a lamp; my blood
heaves helplessly to the urgent clock of your tides,
teems with life and washes up on the shores
of mysterious realms where you are always the enchantress of the island;
what man or creature could I not become for you,
immersed as I am in the wine of your being? You are
the fullness of woman in the prime of her mystery, the vase of your body,
the shrine of a human divinity that generation after generation
inspires adoration from the brute
that comes, awed and shy of first fire, to lay pink tulips on the staircase,
grails and goblets gathered to be filled by the reeling honey
of your presence, the fire that burns without burning
and leaves even the wind love-sick and longing for ashes. Human,
you are five petals of fire; divine, one flower.
Break, then, if I must; in loving you, I'll break.
And should you never love me back and the air turn glass
and shatter
into a million splinters of emotion that settle at the bottom of the heart,
the broken wineglass, the crippled flower,
severed from its stem, or the moon,
scoured from its reflection on the eyeless river by clouds,
never know the laughter of your fountain, still
in every fractured piece of me
the whole of your face, in time and out, would shine
as it did in the dark before the light began. You are not a mirage
shimmering over vipers in these circumstantial sands
and I am not a candle in a hurricane. Though I love,
I know the world, its gardens and atrocities, its wounded doors
and urgent windows flowing with lace and longing.
It doesn't have much time for itself, busy as it is,
trying to hide the loss; it's looking for its eyes with its eyes,
its head with its head, its feet with its feet.
I've pulled the thorn from my heart, the worm from the rose,
the nail from my hand. I've gone mad and madder still,
looked up at hell out of the depths of my despair
and envied such exalted heights. And then it's all turned radiant
for no more reason than a dream, something nameless changes,
even as we plan a way into ourselves, or out,
suddenly an unknown light breaks through, and we have our eyes.
One moment of you, one firefly, in the vastness
I was falling through and galaxies ignited all around me;
the dead branch blossomed, the singing bird came
and the day was no longer a spoonful of ashes. Call it
what you will, pour it into any cup, plastic, crystal, or clay,
or drink it from your hands: it's still the wine, it's still the moon; it's still
always and only you that makes this confusion of stars and birds
in the treetops, this picture-music, this drunk dream, this tavern
that is an outcast's shrine to joy
raise a glass
to the sun in his blood that shines at midnight.
poem by Patrick White

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And It's Funny How
And it's funny how we carry each other
within ourselves like mingled waters
that taste of the moon,
that taste of bruised orchids
in the shadow of all those glass greenhouses,
Eden in a Mason jar,
that learned to throw stones,
and mysteriously engaging
that we go on creating each other as we have
forever inseparably each on his own
alone together with everyone
wondering why we exist
to know one day we won't.
Gates and roads and miles and whispers away
and a longing that can only be measured
in the lightyears of a star
and all the eras, all the trances of time
of passion and extinction,
of despair that turned on hope like a toxin
and hope that flared like the third man on a match
learning to brighten the stars
by deepening its darkness,
I have lived from eclipse to eclipse
like an unintelligible abyss who misses everyone
for the quality of breath and death and emptiness
that makes me me
when I want to be impossibly alone
and the memories have issues and agendas of their own
like a dead branch trying to witch for water at a window.
Where are you now?
Who were you?
Have I survived?
Whose ashes are these?
Now I am the tree. And you are the wind
and the pursuit of nothing flows on endlessly like life and water.
And all the lovely deserts that enhanced the moon
and coaxed me out of my old delirium
into a deeper one
by drinking the viper in the grail
they lifted to my lips like a gate
that everyone comes to like a stranger
prodigally returning to his own homelessness,
following the wind like a siren of sand
have slipped through my fingers like music,
though my voice still tastes of them
when I drink from their reflections,
not knowing whether I have become
a darkness in the light
or a light in the darkness
but grateful for the grander perspective
from the bottom of the well
where they showed me their stars at noon
and the sun at midnight
and how the fires that nourish love
cannot be put out like torches
in their own shadows
anymore than a bird can fall from its feathers.
poem by Patrick White

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The Night In The Wounded Mirror
The night in the wounded mirror
is only a childhood away from my face
and there's always a shattered window
between me and my starless shining,
and a dead bird upturned on the sill
as if the sky, too, had its quota of roadkill.
Looking back from all these
lightyears and constellations away,
on the black day I was born under an eclipse
like a flower clenched into a fist,
an eye without an iris darker than a shark's,
I suspect there was a lot more suffering back then
than I was able to live my way through,
estranged in the corner of a kitchen
that was a feeding frenzy of knives.
I still can't leave one out on the counter
without fearing it's just another punctuation mark,
the claw of a comma in a long sentence of blood.
At best, it's the silver scar of the moon
that slashed me open like a well-honed loveletter
that wasn't meant for me.
And I still don't know how to approach
the child I was, the child I still am
time-travelling through himself like a glacier
as if he could put a stop to evolution
or survive his extinction
by keeping to himself like ice.
I look upon his solitude and silence,
the unaccusing indictment of his face,
like a cold, brass plaque
commemorating the unidentifiable victims
of an atrocity that can't be understood.
He's still seven and I'm looping through sixty
like the spine of a calendar
shedding me like autumn,
a picture of turning leaves on every page,
until there's no way of telling what age we are
in this season out of time,
and I want to love him, I want
to say things that could heal us both like water
before I take him with me into my grave,
but I don't truly know how,
and there are secret vows of violation
that are taken without a mouth
and assassins of intimacy in the shadows
and children sleeping in snakepits
who make up their own bedtime stories
and dream of things that can't be told to anyone
who hasn't been devoured in their ancient infancy
by the furious innocence of the sea.
Dark-hearted jewel
of a child in the night,
older than light
who has made more of me
than I can make of him,
when I weep for what he knows
and will not say, what am I,
what are these words
in the inky shacks of the trees
but the lengthening shadow
of the darkness that pours out of him like blood,
or duct-tape like moonlight
over the mouth of a scream?
And if I come back now
like the legend I have made of his sorrow
to gather him up in my arms
like a harvest under a full moon,
and if I sit with him all night
without saying anything
here on this skull of a rock
until each of us is the memory of the other,
could it make anything better,
would it take the thorn of the moon
out of the eye of the dragon
that sheds its skin like childhood skies,
not knowing where things end, things begin?
poem by Patrick White

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I Am A Dragon
I am a dragon,
but I’ve got cloudy teeth.
You are a vase among jars,
a feather among scales.
Obviously you are the sea
and I am the seabed.
In the darkness you are the shining.
I come to you
like lead to an alchemist,
base metal to gold.
Already I am transformed
by your mirrors of fire.
There is a light, a glow,
invisible but more illuminating,
not of the moon, or sun, or a star,
but of the heart and mind,
the light of life itself
when it’s the only candle in the room
dancing behind its veil of shadows,
and in the least filament
of the down upon your thighs,
there are suffusions of fireflies and galaxies,
mystic lanterns
ripening like apricots
over the open doors of worlds within,
over eyes that bloom like wild asters
rooted in the earthly fields of the heart.
I have been a ghost
trying to say itself into existence;
and my bread and my blood
have been the whisper and breath of you.
Not the mountains, not
the mothering floors of the wheat seas,
not the forests or the hills or the rivers,
not the ladders or roads or miles between us,
nor the seasons of the threshing clock,
have kept us one eyelash apart;
we have been wings to each other;
we have been the secret tides of the rose
in a bay of blood to one another;
we have been the substance of a dream
that lingers like the impression in cool grass
of where the deer slept the night before.
In the flights of winter birds,
on moist winter days,
I have rehearsed endless summers to come,
when the sky whispered your eyes
in bells of sidereal fragrance
into the abyss of my longing for you
and love seemed a petal of light on the wind,
and you were that petal,
and I was that wind.
And though I have stood for eras
on this bridge of night alone
waiting for you like a letter, an afterlife,
a voice of fire in a well urgent with stars
I want to live with you,
we have always embraced, not two,
arrow and bow,
pilgrim and shrine,
release and enlightenment
reflected in these visions
the insistent palettes of the heart
paint on the impassioned waters
of the deepening lifestream.
I have been a storm of blood and stars;
I have drowned in the crypts of my own tears
and learned to breathe through a new medium,
set the crown of my fin on a rose of gills,
and bloom in a mythically enhanced
immensity of sorrows,
and the shadows under my eyes
have mourned for me
like black bells in a tower of thorns,
two horses of night chained to a heart
that dragged itself around like a hearse
looking for a lost grave.
I buried myself in women
who were torn like the satin lining
out of a coffin just
when they were about to give birth.
Their pain always tasted of an afterlife
that danced like lightning on the tip of my tongue
until my blood caught fire
like a rose with a voice of wine.
Black, apostate, madonnas
of body, heart, and mystery,
even the moon a bead of devotion
on a thread of their blood,
a dream vow under the eyelid of an eclipse.
I never knew what to say
that wasn’t a life shy
of an inadequate skeleton
trying to reflesh itself with the ashes
of its last sidereal cremation.
I was born again and again
like a sword drawn out of a stone
to hurl my humanity
like a sparrow
against the windows and eyes of the gods.
They knew I was right
to live the prophecy
written in the book of my wings by the wind,
but their tears fell like glass rice
on the stairwells of the bridal mirrors
that wept like silver serpents
at the heels of the moon
and whatever road I walked,
whatever direction I wandered in
like a drunken river
I passed through my own ribs
like an opening gate
to a sealess exile on the moon,
a lighthouse to the sail of a ghost in a desert.
Events of the spirit,
and the imported executioners
of tormented ecstasies
that made our bodies shudder with oblivion
until even our shadows glowed
like feathers of light
that glutted the abyss we pillowed like stone
to lay our heads down upon and dream,
every emotion,
keyed like a highwire
over the infinite emptiness
of a guitar in the corner of a tomb
eating the dust of a blackboard
that schooled the scrawl of the angels
into the writing on the wall.
How many lovers have perished in me
like the rings and eras of a tree,
and what enormities of childhood it takes
to sweeten a single ruby of fruit,
what tides of blood and light
collapsing like eyelids on the mystic circus
that pulled off miracles
under the sheets and skies and skin
of our lascivious tents:
now I am a dunce in a wizard’s hat,
a cone of light,
the pillar of a fallen shadow,
freeing the wings of wounded birds
from the nets and mesh of the stars.
I am a dragon
with the soul of a bridge to here and now,
a weed on the stairs of an unknown temple
to a god that sweeps me away like ashes
with the broom of my shadow,
and my face is the footprint of the wind
as flowers are the footprints of the light,
and my heart is a pebble
I keep dropping down a well
to listen for an echo from the depths,
for a whisper of fire on the water,
to deliver me like a burning dove
with a leaf of the moon in its beak,
a letter from you,
to say there is a south of the heart
that can thaw this arctic desolation
that overtakes me like an ageless night
as my thoughts fall away
like the flames of descending matches,
like angels and demons
tilted from heaven,
from the plane of their orbital hearts,
toppled like towers and lighthouses
by an urge to kiss their own reflections.
I am a dragon
chained to the nightrain
that inks the roots of the locust tree
with thorns and stars and flowers,
and my blood is a dusky mess of dawns and ancient sunsets.
My heart was scaled like the moon
by the phases of an empty cup,
my eyes were birdless skies
and nothing flew higher
than the feathered shadows of the trees
that roosted in the grass like water,
and there were no tears left
in the wineskin of the heart
withered like a lily that bloomed for a day,
the soft clarion of a bruised trumpet.
Now I think of you
so many nights and miles away,
and I walk like a bridge toward you,
and my wings are spread out
like the pages of ample skies
that have yet to be written on by the stars,
and I must blow on my longing to be with you
like a spoonful of hot diamonds
just to keep the deserts of my thought
from etherealizing the tropics of my blood,
my eyes evaporating like crucial oases
in the heat of these visions
that burn the air
with fountains of fire
in this tavern of mystic passions
where I drink alone to you,
the furnace of my blood
silked like a black poppy
when I reach out,
a tree in winter,
the afterlife of lightning,
to touch your face like the moon.
I have been a lonely crusade of one
fighting for the gravestone of a dead god
enthroned in the leaf-fire of his falling,
lost in his dream like salt in the sea of the world,
stars in the seed of the apple,
a shadow devoted to the cause of the wind.
I am an era of scars
inspired by the talons of the moon
seizing my heart like a rag of meat
in these elevated bone-bowls of birth and death.
I have been a poet among humans,
an indignant warrior of the heart
with an army of seasoned candles
reconnoitering distant fires in the night
that bloomed like the breath
of insurmountable divinities
gathering like birds
in the border hills of the darkness
that always took the form of a luminous woman
bathing naked in a sea of eyeless windows.
Crowned like an apple star
for the brilliance of my defeats,
I fall like a key of crazy sugar,
a mysterious elixir of midnight orchids,
a squall of renegade stars
into the transformative valleys and bays
of your forbidden paradise,
happier than a fireproof heretic in the flames,
singing into the abyss of an unknown god
that has robed my heart like a wounded boat,
a solitary on his island,
in these auroral tides
that play my blood like the pulse
of this keyboard of light
where I drown like a stone messiah
true to the excruciations of his faith
in these delinquent oceans of you.
All my poems, chalk-dust,
all my mystic nightbirds iron weathervanes
bent by the lightning toward earth
like the forlorn hope of a battered metal,
all my paintings a bleeding and bruising of snow,
and the sincerity of the ways I got lost
in this labyrinth of mirrors
unspooling like a thread of blood
from an immortally wounded star,
an agony of human fire
rooted in the voice of the wind like a bird
the abyss of a night without bounds
squanders on the supremacy
of the oldest silence
time ever distilled from the eyes of the dead,
the perjury of a perishing light,
if I did not love your ashes and orchards more,
the way you tear your constellations
on the thorns of the moon
and bleed like black silk
for an innocence that never found its way home.
I can taste the dark prophecies
and oracles of infernal delight
written in scars on the dangerous mushroom
of your nuclear body,
and flow like the silt of stars,
white mountain gold and night honey,
through the hives and deltas
that enshrine the ore of the rose.
I can prolong the dawn like the wishbone of a note
broken like a harp
in the throats of the singing masters of the flesh.
I can blood the night with a fever of poppies
and scoop weeping diamonds
from the black fountain
in the furnace-heart of an electric glacier.
I can wield ecstasy
like a blade of the moon bewitched by its wound.
I can untie the knots and nooses
in the spinal cord of the butterfly
pinned like a calendar of eclipses,
a quarantined blossom,
to a dead branch under a bell of glass
and wire Eden back
to the infernal nerve of the lightning
that severed the afterbirth of the moon
from the dark mother in the garden
like an angel with a slash of fire at the gate.
I know how to make love
like an embassy of shadows
to the most distant longings of a woman in exile.
I can pour the oil of winged serpents
into the lamp
and entice a ghost of snow
to dance naked in the fire.
I can lead the lost cloud
out of the mountains of the key
to the doorway of candles and stars
enshrined in the skulls of seeing.
And even when I turn my back
on the darkest flowers of fire in my roots
to rise up like rain
into the immeasurable wingspan
of these desert clarities
that bead me like a caravan
of nomadic moons,
no more than a breath of light
in a gust of stars,
I’m still only a ladder of thresholds away
from stealing you away
from the refugees and shadows
that crowd your room
like the night sky
through the astounded vowel of an open window.
poem by Patrick White

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Black Fire
Evaporating in a black fire.
Don't want to drink the night from the window again.
Won't be a chain trying to escape itself
when I'm already free,
but what an affront of mirrors to be so diminished
because the lions of fire, the dragons
that flare from the eye of the black sun,
their shadows spanning the heartless abyss
of their ferocious lucidities,
pitched their wings like huge, black tents of night
at the gates of the wide-eyed gazelles of emotion
they could bed freely under the moon,
unspool in the blue grass silvered by the wind,
their eyelids waning like a glass of wine.
In the obvious light of the morning
they will run from lesser hunters
mistaking the truce of nightblood
on the horn of the moon
for a rag of surrender, a gesture of clarity
like a star in a well,
the signet of an ancient moment
when the abyss returns to itself
like the echo of a wounded voice
to heal at the foot of a throne of shadows.
Though I could have stung like a serpent,
I was the wind at your heel once, once
like the wind I would have sowed the path before you
with seeds that would have bloomed like the eyes of the stars,
I would have saturated the air with lachrymose diamonds,
and poured the oil of the only lantern of my afterlife out like rain
so you could have shone like a rainbow at night
and your roots were luminously charged
with vital urges of mystic lightning.
I would have come to you like a flashflood of silver on the moon
and run the labyrinth of dry creekbeds
that scar the lifelines on your palm.
I would have kissed the black rose awake from its dream
of being stoned for a miscreance of the light,
and held the nightsky up to its beauty
like the forbidden side of a mirror
to jewel the eclipse you wear like a face.
I would have lain down beside you
like the shore of an unmapped island beside the sea
and answered every wave of your incoming tide
with a nightbird in the mouth of a bell of blood
that ripened in a watchtower on the moon,
but every kiss was a translucent jellyfish,
the auroral rose of an ambivalent Medusa
rooted in the lethal snakepit,
the toxic electricity of her stoned hair,
the trawling storm of her decapitated tresses
when the truth struck like an unexpected fang of light.
Now you spend your time
trying to tie knots in your spinal cord
like the severed filament of the moon,
trying to wick amputated candles in the darkness
that might help you grope your way
back to your head
like the black hole that became of the star
that went looking for its lost planet
like a blind shepherd startled awake by the howling of wolves
running across the sky in a wilder freedom
above the timberline of your eyelashes,
tinkling in the glass womb of your brittle shining
like the tungsten crumbs of a burnt-out dream.
Even now you don't understand
how you can pour so much of yourself into yourself
like an ingrown hair, your love
merely an idea infatuated with itself
that your eyeshadow festers like a palette of gangrene
and like me the vision won't paint you again
in the vivid constellations and kells of braille
you insisted on reading backwards
in the troubled mirror of your own perversity.
No rose in the shadow of the black Pegasus
born from the blood that pours from the vase of your neck
like a dead bouquet of poppies, no inspiration
in the petrified skulls of your past lovers
scattered like the beads of a broken rosary at your feet
you once fingered carelessly
like the writing on the wall.
poem by Patrick White

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As If Beyond Death
As if beyond death today,
as if I lay already under the eyelid of the moon,
the echo of my heart
pumping shadows
through my perfectly preserved corpse
in a silence that's never known the wind,
a fallen wharf without arrivals or departures,
and sad enough not to care why,
blood on the dolphin in the black tide
that pours me out of the horseshoe of the bay
like a road from its boot,
wipes me like the pollen and dust of dark matter
off the windowsills of the constellations,
my unknown mass crucial
to the cosmic contractions
that might give birth to the world again,
and I'm here alone in the high field
drowning in the twilight with the wildflowers
and the sky a last exhalation of the blue-green luster
that flirts with the mystic violet
on a homing crow's head
as the shadows assemble the wings
of a total eclipse
and a new dragon is born of the pain
that shrieks like lightning in the mouth of the abyss,
a torn animal
peeled out of its own skin like an eye
to add its darkness to the furnace of the black rose
that roars in the night
to blood the hungry mirror
with the thorns and talons of clarity,
to feed the wound of its existence
its existence.
And when I walk to the end of myself
through the golden rod and waist-high asters,
the seed of the stars that sleep with the daughters of men,
some of the flowers close up like fists and kisses
and others grasp themselves like a key
to a door that the whole universe can walk through,
and there are strange birds
flying from the eyes
in the rising skull of the moon
that sing like the pyres of cremated guitars
that died like trees in their solitude
and even the gates are weeping like wild dogs.
And there's a wind, intelligent, dark
the ghost of an ancient serpent
horned without ears,
an ocean of mind that exceeds itself like a wave
that howls like a secret it can't tell itself,
like a root blind to its own flowers,
that wants to lead my voice away in chains,
that wants my tongue to try
like a leaf in the updraft of a fire storm
to scream its agony out in the night
so that even the furthest star shudders
with the horror of its final liberation
like an arrow through the throat of a caged hawk.
poem by Patrick White

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Apparitions Of The Muse
Apparitions of the muse
hanging her stars
from the end of my nose
like an exotic fragrance of night
more revealing than the light.
There. That's mine.
The constellation of the donkey,
and there beside it, do you see
that red-haired star
blazing like a woman with a carrot and a stick?
I've followed that star for fifty years
always a mountain away from the valley
like a passionate Sisyphus
rolling the earth up a hill like a stone
happy with my own absurdity,
happy to go mad for her sake alone.
Elixirs of moonlight
mingled with strange waters
and I drank until I drowned
in the ferocity of my own delirium
like a myth that's forgotten
which stars it belongs to.
I've never been much of a martyr
and bored with lies
I've always been two hells shy of a messiah
but I have fallen on the thorns of the moon
more than once
after my long descent
down the burning ladders
of God's last word on the matter.
So there's no splinter of the true cross
to needle the issue
like a compass or a crucifix.
And it still puzzles me
why it's always my blood
that rushes to the end of my emergency
like a volunteer army
but it's always somebody else's flag
that gets raised above the rubble.
Pyrrhic victories at best
when I'm not feeling cursed or blessed
by any kind of mystic meaning
convincing me I can firewalk
barefoot on stars
when I can't even get
this blue pebble of a planet
out of my heart like a shoe.
But even letting go of all their leaves
like starmaps home from spiritual refugees
the trees can only go so far
as the wind and streams will let them.
And then there's a darkness that doesn't taste of stars.
And decisions that cut like the smiles of broken mirrors.
And turmoil in the snakepits of desire
that are thrown like angry acids
in the eyes of the seers
who saint the rain with their sorrows
like old calendars of crossed-out tomorrows
playing x's and o's with the moon.
It's a freak of enlightenment
to turn love into a discipline
inspiration into a law
and godless wonder into superstitious awe.
So I listen and say nothing,
see and don't reveal,
understand but never think I know
the gates that pass through me
when I call out to the wild geese in the fall
and I am startled by the loneliness of the answer.
I've seen you in the nightstream down the mountain,
the river and the sea
that sits below the salt
at her own table,
and I still suspect it was you
that turned my bitter tears
into the brittle chandeliers
that fell like ice-storms in a fountain
to silence the voices of the mirrors
the birds kept flying into
like windows at war with the sky.
I was out of the egg.
I was out of my mind at last
like a gift I didn't deserve
and the universe was full of your absence
because you were the embodiment of my longing,
the darkness in the light
that stood aloof from the meaning of everything
as if your only proof were your eyes
and that were enough
to answer the empty skies with stars.
You may put on flesh and blood
and in your human proportions confess
you don't believe this,
but you can never be attained,
never be embraced
never be contained
by any avatar of who you are
because like space in all directions
you are limitless
and even time is consumed
in the root fires that grabbed you by the ankle
and pulled you underground
to dress a goddess of light
in the nocturnal jewels of the dead.
And it is not a prerogative of the beatifically born
to be demonically wrong,
but I have heard the skulls in the song
that allures the unwary sailors
to the lunar horns of your fishbone harps
to smash them on the rocks
as if you took a tragic delight
in the sheer delinquency of your power
to arouse and extinguish desire.
Anyone can come up
with a meaning for life
but you are the muse
of meaning itself,
the meaning of meaning
when anyone asks
without expecting an answer.
What woman that I've loved
like a river reaching the sea
have you not been
over these long, intense years
of radiant tenderness
and creative commotion
and an ominous darkness out over the ocean
when the moon turned around
like a bride in bed
and revealed the far side
she kept to herself like stars?
And it's still a shock and a marvel to me
when you disappear into the air
like a breath someone neglected to take
when it bloomed on the window.
I don't doubt your capacity to devastate
and I have the urns and the burns
and the ashes to prove it
and know on a whim of your arrogance
you could leave the phoenix out in the cold
and douse the dragon like a torch
in your fire-proof waters.
But lately, out of the flesh,
I look for you behind the eyes
of every woman I meet
and it's rare that I find one
whose blood and passions
you've worn as your own,
whose mind is a jewel of yours
that flows like a star sapphire
down a dark mirror
older than the meaning of life
that relflects you in the light of a black sun.
And I know enough not to ask
about those lockets of blood
you hang like thorns
around the neck of your mystic rose
like the first and last crescents of the moon.
I opened one once to see
whose picture you carried inside
like a butterfly you were working on
like message in a bottle you never sent
like a ship to the rescue
and I'm still not certain
I was demon enough
to survive the miracles
you released upon me
like a hive of angry angels
but I came to know
what the loss of heaven meant
when I ran from the garden
through the closing gates
of the harp you stuck in my throat
like a voicebox of sacred syllables
and came up on the short end of a wishbone
like another rib I was happy to lose
like third on a match
in trench warfare with any muse of a woman
who catches me blindfolded out in the open
in the crosshairs of an inspiration
she knows I can't help but surrender to
like a white Russian iris of a poem
to a firing squad of stars aimed at my heart
just to see if I were as ready to die for her
when she put her finger
like a moment of truth
on the trigger of the moon
up to my temple
as I claimed in thousands
of Zen haikus and enlightened alibis
that fell like Japanese plum blossoms at her feet
I was ready and willing to die for any art
where she wasn't the medium
that fired me up with mystic urgency
to write long loveletters
like a moth in a window
to the candles she inspired in my heart
like the fairest flames of life I have ever expired in.
poem by Patrick White

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No Gravegoods In My Solitude
No gravegoods in my solitude, no trinkets
from any spiritual world inside or outside this one.
The totem belongs to the dream that's buried with it
as the flower's engendered by the root it's taken from.
Mind is matter. Matter is mind. And it isn't as if
one is blind to the other because one shore
isn't parted from the other by the flowing
of the mindstream in between. Try to separate
the reflection of the moon from water in a dream state.
The moon is a characteristic of water as the water
is a feature of the moon. If you want to mediate
until you turn the vertebrae of your spine into a bridge
to get to the other side of a life you're already standing on,
that's ok as long as it's burning. Otherwise it's just going
to obstruct your path when you're shooting the rapids
of the Milky Way like your own spring run off
trying to saddle a rush of stars with a rudderless liferaft
and oars for spurs. Better to be a waterbird
with wings of your own, but what a thrill
to ride the snake until you can fly like a dragon
among the stars like Alcor and Mizar, the horse and the rider,
in the handle of the Big Dipper like a warrior Bedouin
testing his eyes on the dune of a tribal hourglass to see
if he can tell what hour it is by the dance of a distant binary.
It's getting late. Nightwatch at the well. The town
unpeopled by sleep. A choir of train whistles
practising their inquisitive requiems at every crossing
like Canada geese migrating south when the autumn stars arise.
More lonely than mournful, I can taste the shadows
in the honey of life as readily as the light. I can smell
the fragrance of time like the first snowflakes
in a lover's hair, trying to turn her into a constellation
to sweeten the night air. And even in the ashes
of the starmaps the shining sets afire
and scatters like a library in the urn of the heart
on a wind that carries away the passions of this art
of exhuming more life out of a shallow grave than went into it,
I can still burn in the dark like the ore
of undisciplined diamonds. I can still squander my light
on the eyelids of the fallen flowers like a final kiss farewell.
Time wastes a death on me. Years ago the wind arose
and blew that candle out in the open window
of an abandoned house and ever since I've been
drifting like a ghost of smoke in a diaspora of stars.
I bequeath to the rose, the blood of my wounds.
To the thorns of the moon, my scars. To the night
I leave my eyes. To the wind, my breath. My voice
to the nightbird whose longing put my lyrics
to the picture-music that's haunted me all my life
like the song of someone who loved me once
before I was born and began to forget. But my heart
that I could judge the worth of like a bell bound to the earth,
or a feather of fire in hell, in the palm of my hand,
I give that to everyone like the windfall of a tree in a storm.
Black walnuts and wild apples. Solar systems
of peaches and pears in the leftover orchards
of organic gardens bearing the fruit of a habitable planet
at the autumn equinox of the New England asters
and modest suns of the Jerusalem artichokes
for the birds and the squirrels and the bears.
You can't keep what you won't give away
and it's no good to you in a grave when it comes time
to throw yourself overboard to stay afloat
and weather the squalls on your own sea of awareness
like an empty moonboat drifting through the fog
calling out to anyone who'll listen on the coast
of a new universe that discovers you like Atlantis
to a ghost of the old world looking for a passage
back to the more familiar labyrinth of home.
Liberation is freedom through creative form, not from it.
Liberation is life. And life is all entrance, no exit.
And you weren't asked at the door for any i.d.
And no one's going to stop you from lowering the fire escape
to get away from yourself. And if you were to ask
the mirrors of your own awareness, they'd stop staring at you
as if they'd never seen a new world savage before.
Everyone's going to leave an empty chair at the table
sooner or later. Like the skull cup of the moon
you've got to pour your prophetic lees out upon the earth
if you want to give your abundance another chance.
You can make lanterns out of fireflies in canning jars
or you can abandon them to the spiders
in the corners of your eyes like dreamcatchers and kites,
but if you want to shine of your own accord,
albino fish in the darkest depths with stars in their eyes,
you've got to see the sun flowering at midnight,
you've got to greet Venus in the Pleiades at dawn.
You've got to unsilver the mirror like a stripper
until you disappear like a bird in the house of life
through an open window like a crack in a cosmic egg
to feel the vastness of the sky that transcends
the limit of your wings. Despite the eye-witness
in the mirror, where time is always in arrears to eternity,
you've got to give it all up like your shining reflection
if you want to stay here for your own protection.
poem by Patrick White

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Your Eyes For Awhile
Your eyes for awhile
were the only eyes
I could see through
to catch a glimpse of god;
were windows into my own soul
that I could look through from the outside
without throwing the moon
through my reflection like a stone
in the hand of an angry boy.
And it was always as true
as the way your heart grew
that you could love strangers
easier than I do even now
after all these years of learning how
to talk to mirrors in their own language.
And you were not one woman
but all women forever
when I saw you once
bending down like the dusk
to touch the last of the flowers
as if you would never see them again.
As serene as the evening
there was no labour in your beauty
and I swear when I saw you that night
I felt as if I were the whole world watching
time put a finger to its lips
and pour its fountain
into the flow of your body
as if it were the sum of all passage.
And though I was your friend in all things
every evening since
the candle went out
in the lantern of a lost tomorrow
I have walked out into abandoned fields alone
and asked the saddest questions
of the most distant stars
knowing there is not enough light sometimes
even in the eyes of God
to be a companion of our sorrows.
And the questions grow longer
as the darkness deepens
the echo of my longing
in a well as dry as my skull
and closes its gates like scars.
And then those nights come
like a life or a day
or even just this moment
when I stop asking
why human suffering
is always indescribably true
and joyful as an irreproachable buffoon
sword-dancing alone with the moon
who writes me dangerous loveletters
as if she were the Lady of the Lake
receiving me back
like a funeral ship
into this mysterium of you,
I can almost believe that you know
even though the night mocks the crow
that pines for mercy
and turns its lightless face toward you
as if it could still feel
the warmth of the sun at midnight
in your eyes again
like the afterlife of light
playing with fireflies in the abyss
now that the summer constellations have gone down;
that somehow you must know
like a guitar
on the far side of a room
where someone is singing
as if they had their ear
to the womb
of your irrevocable absence
that binds me to you with every breath
I take for two
as if I had learned to live on death
to keep you alive in me
where you still flow through the seasons
on the nightstreams of my blood
like blossoms and leaves and stars
and the moon leaves no scars on the water;
must know. Or a demon’s a kinder face
to bestow on the darkness
than a black hole without eyes,
though it’s taken many, long, painful years
for the night to share the light with its jewels again
and as many schools as there are fools to fill them
that even just one
of those slightly compassionate smiles
you would send across the room
to cool the furnace of my heart
with the lightness of one snowflake,
one feather
gracing a change in the weather,
knew more about love
as a raindropp knows the sea
than all of us
who have been washed up
on this cold, lonely shore together
thinking we may have been saved
for something more
than this tidal longing
to brave the sea again
and even if doomed to drown
as I have learned
from this shale of pain
that has carbon-dated the eras
of my missing you
like a life that didn’t
flash before my eyes
as I went down for good with everything,
to thank-you, o, yes,
with nothing but love and light in my heart
and your face in the eye of my solitude
as I stand before the sea in gratitude
to thank-you
as you well knew one day I could
for the generosity of the wound
that has run like my life
down these eyes
these windows
this page
these empty mirrors
of autumn rain
that have wept for years without you
just to see you again
for one moment more
than the time I have left
to know that I never will.
poem by Patrick White

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Something Deeper Than Stars
Something deeper than tears to weep for you.
I weep blood. I weep the silence
on the backstairs with the screen door
that bangs like the sound of one hand clapping
all through the night at the slightest gust of wind
as if a constellation were trying
to strike up a insightful conversation
with a wet match, the sceptre of a spent blossom.
I need a moon deeper than water to drown in.
I need to dance the pain away
in a sword dance of serpents
that know how to carry a tune
like a well fledged arrow, a beautiful toxin,
straight to the heart of the mysterious apple
that's sitting on top of my head like a prophetic skull.
No flower can say. Not any number of song sparrows
returning to the budding tree in spring,
no green leaf of an innocent tongue,
not even this dry leaf of mine in autumn
writing lyrics on the wind no one can read,
not even among ghosts, can find a voice
that isn't already the dead language
of an absence that can't be adorned
by a seance of words.
I light no candles. I summon no gods.
No pretence of knowing where you've gone.
No black hole that's as empty as
your ring on the table, no halo
that ever fell as far from heaven.
Good-bye's too optimistic and farewell's
the rudder of a grave on the rocks.
And if I were to raise the paper sail
of another poem like the waxing phase
of the funereal moonboat
that carried you away,
I'd make it black. I'd raise it
like the shroud of a black magician
that can make things disappear,
like an eclipse at half mast
and patch it with the skull and crossbones
of a different phase of the moon on the dark side.
I wouldn't return your personal belongings
back to the morning like starlings and doves.
But there aren't enough sacred syllables
swimming like moonlit fish
in the watershed of the silence
to open this fountainmouth of grief
like an aviary of flightless birds.
Nor would I risk having you remember me,
and turn around like a false start,
supposing you can still recall anything at all,
like a light you left on in the hall
the night you left home for good.
You were magic while you were here to work it.
You were the black nun of an enlightened cult of one.
You were the black mass of the sun at midnight
and the blood sister of the moon
that nicked your finger
on both her crescent thorns at once
so one was the cure to the other's wound
like the eyes of a cat, the fangs of a snake.
Given how close to the moon you were
it didn't come as a surprise
when you started writing me loveletters
inscribed in bone as if you'd just invented
a whole new language out of your claws
to make love to a poet in the nude when the moon
didn't lay its silver sword down between us
to keep us a threshold apart from our fingertips.
And it wasn't long before the elixir began to work
and I lost count of the number
of consensual metaphors I had for your lips,
similitudes for the night skies
that surrounded your eyes in a delirium of stars
that revelled in the crazy wisdom
of their mystically inspired atmospheres.
As just as beautiful as they were,
so were they irresistibly dangerous.
How many light years now
have I poured this memory of them
like a love potion over my roots
and waited for you to bloom in my bloodstream
like stars and blossoms streaming
through the heartwood of an ageing tree
that has as many dead branches on it as it does leaves,
and like an orchard anticipating moonrise,
knew you weren't coming anymore,
and the night bird had no one to sing for?
But, hey, I'm still a better seance
than I am an exorcism and if you can hear me
calling the faithful to prayer
in all directions at once like a paper airplane
the boy in me has sent out to search for you
like a loveletter in a hurricane of razor wire,
dripping with clusters of blood
the size of hemorrhaging grapes,
fireflies caught in a spider-web
of starless constellations that aren't a sign
of anything except I miss you worst at night.
If you could sense the tremor
in even the slightest wavelength of light
I'm trying to shine on the darkness to find you,
I'd write you a holy book of sacred silence
inspired by the shadows in my blood
that overtake me like strangers from behind
with an urgent message not to return home
to what isn't there anymore.
I'd sit out here all night by myself
beside the black waters of this night creek
unravelling like a ribbon in mourning,
that's been talking to itself
as it walks in its sleep on the water,
and I would beseech the stars with my eyes
to let me know if they've seen you,
and in my heart I would entreat them
with the solo of a wounded wolf
raising its head up in a wild prayer
to catch a trace of you on the chilly night air,
to give me a starmap to when and where
I can see you face to face again
and touch your eyelids in your sleep
like crocuses coming up through the snow.
Like moonrise in the apple blow of the storm
that scattered us to winds like all these poems
I've tried to write for you ever since
as if you were still somewhere nearby
like another pair of eyes
in my pain and my solitude
watching from the woods
the stars, the water, the moon,
under the stones in the river
that mark your grave and name
above the flowing of this endless epitaph
of leaves and blossoms and poems
as if you alone could still read them,
like the comings and goings,
of waterbirds on the moon,
the first draft of words on the wind,
maple leaves and keys on the mindstream,
and still understand what I was trying to mean.
poem by Patrick White

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Not Quite Dawn
Not quite dawn, night seeping out of the blue,
troubled sleep, no stars, and you, a week gone,
the whole universe applying its laws to your absence
which is the silence everything returns to like water.
I have never touched you, so my fingertips
can still play you into existence on a keyboard,
though the loss of your voice is a dead bird,
and I am a loose thread of blood in a labyrinth
of motherboards and micro-chips like me
who can’t find a way out of themselves without
turning away like a planet from its own stars.
How quickly the light comes, and the darkness
bleeds away like a love-letter under the door.
No eyes. No hands. No skin. No hair. I am
not even the ashes of a cleft witching wand
that went looking for water and caught fire instead,
and we have shared only the light of the mind
that paints a world with the shadows of a ghost,
and might only be the last habit of an amputee to leave,
a mere mime of the way our eyes make us see.
And yet the heart hurts as if you once were flesh,
and I am awake as if another bed denied me my own,
and I am angry and sad, scared and alone as if
the universe were shy one comet, one bead,
one firefly among billions who shone for me
and that light was brighter somehow than a galaxy.
The day grows a new skin over your absence,
and I am as out of place, out of time, as a streetlamp
still shining down on its feet in the morning.
And there could be a thousand and one reasons
you don’t write back, why the black crow caws,
the sky is a concrete rose, the blood of the poppy
runs along the gypsy blade of its undulant smile.
From the heights, I can see a small, blue egg
smashed on the rocks below, a gesture of ruin;
from the depths, the remnants of a shattered star,
and all I can do is stare into the relentless images,
a word without a mouth, like the new moon
shucked from my tongue like a black pearl.
poem by Patrick White

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When I'm Alone
When I'm alone
I want to be with someone,
and when I am with someone,
I'm twice as alone.
My unhappiness
is a snake-pit
I dangle my heart over
like a mouse by the tail
and when joy does show up,
a butterfly with resplendent wings,
it slowly adapts its palette
to the slag and soot and oilslicks
of the black orchard
shedding its petals everywhere
like micro-eclipses in hell.
And all the poems
I gathered like asters
from the autumn starfields,
all these skies that opened above me
as I walked down a long road alone
in darkness and light,
obedient to the wind and the shadows
that whispered move on, move on
beyond the journey and the arrival,
are merely a leaf,
a tattoo on the back
of a serpent of water
sliding downstream
like rain like mind in search of a course
that isn't the cracked map
of last year's desiccated creek bed.
My body is scarred, my heart
a voodoo doll
pierced by a thousand fangs
as it burns like a bee
in a rose of heretical fire
for refusing to turn my honey into venom
or conform to any magic but its own.
And there is no heaven
to appeal to as a last resort.
I endure what I endure
for the dignity
of my indefensible humanity,
knowing the pain
that sometimes turns my nerves
into stand-ins for the lightning
that keeps crackling my cosmic egg
like the paint of my last masterpiece,
also schools my blood like the wine
I pour out joyously
into the empty goblet of the mystery
whenever I host the moon.
Life is neither fair nor unfair
and the seeing, a vision, a poem
is always a bird
born and breaking free of your eyes
opening like a threshold
like a flower
like a crack of lightning,
like the world that hangs,
a veil of water,
from the ends of your eyelashes now.
Love is great, love is much, maybe all,
and the being here incomparable,
and the mystery always
whispering in a field beyond its own compass,
and the wind that tastes of birds,
and the light that tastes of flowers,
and the fountains of darkness
where God washes the stars off her face,
will always urge the extinguished branch
of an astonished pen
to blossom into a poet.
Are the dead any less creative
than the living?
If they don't come from anywhere
how can you ask where they go?
If everything is the unborn energy
of a dancing god
with worlds in her blood
how can even a blade of grass perish?
This world, this life,
this ungraspable now of awareness
is the passion of a goddess, not a passing thought.
Beyond this riot of blessing and anathema,
this racket of loss and acquisition,
of birth and murder,
there is a silence
deeper than the space
between breaths,
an abyss without longing
that knows you from within
as the fire knows the flame,
or a woman,
the haste of her lover.
If you think you know something,
cast the thought down
as you would a venomous serpent
or let it strike;
even the poisons
can unspool you like wine
in this delirium of life.
And isn't it more than could have been asked for
just to be here
under a sky
spun finer than the silk of diamonds,
breathing the stars in and out
like trees?
I have been silently and eloquently
stupefied by the wonder
all my life;
and urgently moved to explore
the great ocean of awareness
that intrigued me to experience myself
as the world,
I put to sea with a leaf for a sail.
We must become
more intimate with our vastness, learn
to listen to the whisper
that has always been us
in our own depths.
We have depleted our preludes of awe,
the spirit slags in the pit mines
of our complacent arrogance.
Our own creations
amaze and lull us away
from the sustaining abundance
of what was given spontaneously.
What do we know?
Why water?
Why stars?
Who is it that asks the question?
The fluid continuum of the mystery
is a waterclock
and every receptacle, an era.
And science can advance the shadows of life,
but the answers eventually fall like leaves
and no one knows how to account
for the stars that root in the duff.
What each of us sees
when we see deeper than blood
over the course of a lifetime
are the eyes of the goddess
when she looks at us.
What we are is our own creation,
curse and blessing alike.
You created heaven.
You created hell.
Experience is just the metal
shaped on the anvil of our hearts
into edges that kill like life,
the plough drawn from the stone,
not the sword,
or blades behind the door
that wound like serpents.
You can enlighten or eclipse
the iron in the ore
by pouring it
into a heart or a bullet.
You can make a nail
and build a house
or crucify a teacher.
poem by Patrick White

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Aurora Borealis
A crystallization of color spreads from the upper regions of the dark sky towards the trembling nipples of the waves. The feathering fringes of clouds fade behind pillars of green light. Transparent curtains tremble every-where. In the arctic temple, the hidden Samson of light shakes the moon-green pillars of the night.
Color these crystals with sudden blood; it is dawn, or else the last consumptive saliva of the dying day. Heartless hard light!
In the crisp light of the frozen tinkling stars, no waters flow. The ice-stars are icebergs in this black ocean. When the green glass cathedrals crash, the light and the pillars of light and the green pillars of moon-green crystallized light are reflected through space and finally settle like sharp blades above the trembling nipples of the waves.
Samson moves in the glass cathedrals. Samson and the bull and Samson and the sun and the sun is the bull and Samson is the sun and is the bull.
Let crackling twigs of green-white light weave fantastic tree-patterns on the mirror of the sea. Let the deceptive sky celebrate the fall of its ice-cathedrals and its icebergs and its ice-stars when darkness hardens the black waters into the sullen black ice-pack of night.
Red Samson the arctic red sun is moving in the groves of green pillars. There is the red tinge of consumptive blood flickering behind the moon-green glass pillars of light. Blood of red Samson, red blood of Samson, the red thief is sprinkling blood on the slanting pillars of the falling sanctuary of light that is doomed to succumb soon to the black ice-pack of night. Then there will be night and, suddenly thrust into dark night, the red sex of the Samson-sun must later rise out of eastern whiteness and destroy the night.
Then the pillars of the black shattered temple of night glow with a white light and a red light of consumptive blood, but again later comes night then again the same Samson as the temples crash each time when the red thief scatters blood on the pillars of the light or the pillars of the night. And the thief is Samson and the red sun is Samson and Samson is the thief and Samson is the sun.
poem by Edouard Roditi

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