Aurora Borealis

    A crystallization of color spreads from the upper regions of the dark sky towards the trembling nipples of the waves. The feathering fringes of clouds fade behind pillars of green light. Transparent curtains tremble every-where. In the arctic temple, the hidden Samson of light shakes the moon-green pillars of the night.
    Color these crystals with sudden blood; it is dawn, or else the last consumptive saliva of the dying day. Heartless hard light!
    In the crisp light of the frozen tinkling stars, no waters flow. The ice-stars are icebergs in this black ocean. When the green glass cathedrals crash, the light and the pillars of light and the green pillars of moon-green crystallized light are reflected through space and finally settle like sharp blades above the trembling nipples of the waves.
    Samson moves in the glass cathedrals. Samson and the bull and Samson and the sun and the sun is the bull and Samson is the sun and is the bull.
    Let crackling twigs of green-white light weave fantastic tree-patterns on the mirror of the sea. Let the deceptive sky celebrate the fall of its ice-cathedrals and its icebergs and its ice-stars when darkness hardens the black waters into the sullen black ice-pack of night.
    Red Samson the arctic red sun is moving in the groves of green pillars. There is the red tinge of consumptive blood flickering behind the moon-green glass pillars of light. Blood of red Samson, red blood of Samson, the red thief is sprinkling blood on the slanting pillars of the falling sanctuary of light that is doomed to succumb soon to the black ice-pack of night. Then there will be night and, suddenly thrust into dark night, the red sex of the Samson-sun must later rise out of eastern whiteness and destroy the night.
    Then the pillars of the black shattered temple of night glow with a white light and a red light of consumptive blood, but again later comes night then again the same Samson as the temples crash each time when the red thief scatters blood on the pillars of the light or the pillars of the night. And the thief is Samson and the red sun is Samson and Samson is the thief and Samson is the sun.

poem by Edouard RoditiReport problemRelated quotes
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People at Night

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.       & nbsp;  We won't
      &nbs p;         ;     look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
               & nbsp;     under movie signs,
      &nb sp;       &nbs p;     pictures made of a million lights,
      &n bsp;       &nb sp;     giants that move and again move
        ;              again, above a cloud of thick smells,
      &n bsp;       &nb sp;     franks, roasted nutmeats-

Or going up to some apartment, yours
      &nbs p;         ;     or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
       &n bsp;  But you won't see.

The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
      &nbs p;         ;     You  &nb sp;and   you and I   repeat
   &n bsp;       &nb sp;       &nbs p;gestures that make do when speech
      &nb sp;       &nbs p;     has failed       & nbsp;  and talk
        ;              and talk, laughing, saying
      &nb sp;       &nbs p;     'I', and 'I',
meaning 'Anybody'.
       ;                 & nbsp;       No one.

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The Words

Clouds scattered across the sky       &nbs p;all so far away
and then the space between         this strange 'distance'
What does 'normal' mean, after all?       &nb sp;you move
toward the window       & nbsp;lights marking the headland
and the night becomes a milestone      &nbs p; though
I         the fog rolls up the hill from the sea
in waves the town       &nb sp;desperate?
Whichever way we look       &nb sp;though so much at hand
only held back by obsessions
but 'home' is so long ago       &nbs p;don't cry
the light's a very pale blue       &nb sp;then maybe       &n bsp;the next time too
a faint glimmer across the bay       &nbs p;neither moon
nor stars
and your letter making signs       &n bsp;concerning 'understanding'
and 'the magic tortoise'      &nbs p; what then?       &n bsp;or just tiredness

At each alternative      &n bsp; the colours in the sky
gradually changing        ; until you're lulled into believing
you've seen this before       & nbsp;but not quite
The wood-cut of a lone horseman
riding through a deathly countryside      &n bsp; raped

'You're very brave'       & nbsp;I clean the table-top
and you sat in that chair       &n bsp;two red poppies
in the garden below       &n bsp;at dawn
This apparent clumsiness is far from true

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Old Woman

I see Senora Sanchez
along the river.
Black catfish
pop the silver
water surface,
waves unroll
as the gnarled
bronze face and
black eyes
remember
cool sea shells
and warm turquoise,
the turkey gobbling
behind bushes,
and the red skirt
hanging on boughs
as she bathed….
She pulls her black sweater
snug around her, folded arms
across her stomach.
She who remembers
cannot say amen
but smiles to sunrise
as she walks through the grass,
      &nb sp;       &nbs p;         ;       the tall,
      &nbs p;         ;                green grass,
grass that does not listen to
       & nbsp;       &n bsp;       &nb sp;      the priest
in black robes, blooms green
as she walks through the grass
and talks with them.

poem by Jimmy Santiago BacaReport problemRelated quotes
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A Revocation

WHAT should I say?
   --Since Faith is dead,
And Truth away
   From you is fled?
   Should I be led
   With doubleness?
   Nay! nay! mistress.

I promised you,
   And you promised me,
To be as true
   As I would be.
   But since I see
   Your double heart,
   Farewell my part!

Thought for to take
   'Tis not my mind;
But to forsake
   One so unkind;
   And as I find
   So will I trust.
   Farewell, unjust!

Can ye say nay
   But that you said
That I alway
   Should be obeyed?
   And--thus betrayed
   Or that I wist!
   Farewell, unkist!

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Amy Lowell

Apology

Be not angry with me that I bear
   Your colours everywhere,
   All through each crowded street,
   And meet
   The wonder-light in every eye,
   As I go by.

Each plodding wayfarer looks up to gaze,
   Blinded by rainbow haze,
   The stuff of happiness,
   No less,
   Which wraps me in its glad-hued folds
   Of peacock golds.

Before my feet the dusty, rough-paved way
   Flushes beneath its gray.
   My steps fall ringed with light,
   So bright,
   It seems a myriad suns are strown
   About the town.

Around me is the sound of steepled bells,
   And rich perfumed smells
   Hang like a wind-forgotten cloud,
   And shroud
   Me from close contact with the world.
   I dwell impearled.

You blazon me with jewelled insignia.
   A flaming nebula
   Rims in my life. And yet
   You set
   The word upon me, unconfessed
   To go unguessed.

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William Shakespeare

Fairy Land i

OVER hill, over dale,
   Thorough bush, thorough brier,
   Over park, over pale,
   Thorough flood, thorough fire,
   I do wander everywhere,
   Swifter than the moone's sphere;
   And I serve the fairy queen,
   To dew her orbs upon the green:
   The cowslips tall her pensioners be;
   In their gold coats spots you see;
   Those be rubies, fairy favours,
   In those freckles live their savours:
   I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.

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Music in an Empty House

The house was empty and
      the people of the house
      gone many months

Months for the weevil
      for the patient worm
      timbe r-mole softly tunnelling
       ;for the parliament of rats

Footsteps slink past
      damp walls
      down
      long
& nbsp;     corridors

Slow feet
      warily scuff
      bare boards
The much-bitten
     &nbs p;tapestry
       ;  holds
    &nb sp;     many
 &n bsp;    moths

In a certain curtain'd room
      the halting steps evade
      chai rs white shrouded

To twitch the winding-sheet
     &n bsp;around a grand piano
      thin phalanx of sound
      sharp rat's teeth edge yellow
      with decay

The much-bitten
     &nbs p;tapestry
       ;holds
      man y
      moths

On rat's teeth-edge
       ;fingers preparate
       hesitate

Then falling send
  as tenantry
    darnp-muffied chords
      rus ting strings
  a still-born song

Their fortissimoThe tattered   scarcetapestry   stirsholds   nearmany   cobwebsmoths

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Beauty Clear and Fair

BEAUTY clear and fair,
   Where the air
Rather like a perfume dwells;
   Where the violet and the rose
   Their blue veins and blush disclose,
And come to honour nothing else:

   Where to live near
   And planted there
Is to live, and still live new;
   Where to gain a favour is
   More than light, perpetual bliss--
Make me live by serving you!

Dear, again back recall
   To this light,
A stranger to himself and all!
   Both the wonder and the story
   Shall be yours, and eke the glory;
I am your servant, and your thrall.

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The Light of Other Days

OFT, in the stilly night,
   Ere slumber's chain has bound me,
Fond Memory brings the light
   Of other days around me:
   The smiles, the tears
   Of boyhood's years,
   The words of love then spoken;
   The eyes that shone,
   Now dimm'd and gone,
   The cheerful hearts now broken!
Thus, in the stilly night,
   Ere slumber's chain has bound me,
Sad Memory brings the light
   Of other days around me.

When I remember all
   The friends, so link'd together,
I've seen around me fall
   Like leaves in wintry weather,
   I feel like one
   Who treads alone
   Some banquet-hall deserted,
   Whose lights are fled,
   Whose garlands dead,
   And all but he departed!
Thus, in the stilly night,
   Ere slumber's chain has bound me.
Sad Memory brings the light
   Of other days around me.

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Bridal Song

CYNTHIA, to thy power and thee
   We obey.
Joy to this great company!
   And no day
Come to steal this night away
   Till the rites of love are ended,
And the lusty bridegroom say,
   Welcome, light, of all befriended!

Pace out, you watery powers below;
   Let your feet,
Like the galleys when they row,
   Even beat;
Let your unknown measures, set
   To the still winds, tell to all
That gods are come, immortal, great,
   To honour this great nuptial!

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Elizabeth of Bohemia

YOU meaner beauties of the night,
   That poorly satisfy our eyes
More by your number than your light,
   You common people of the skies;
   What are you when the moon shall rise?

You curious chanters of the wood,
   That warble forth Dame Nature's lays,
Thinking your passions understood
   By your weak accents; what 's your praise
   When Philomel her voice shall raise?

You violets that first appear,
   By your pure purple mantles known
Like the proud virgins of the year,
   As if the spring were all your own;
   What are you when the rose is blown?

So, when my mistress shall be seen
   In form and beauty of her mind,
By virtue first, then choice, a Queen,
   Tell me, if she were not design'd
   Th' eclipse and glory of her kind.

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Thomas Hardy

A Spot

In years defaced and lost,
   Two sat here, transport-tossed,
   Lit by a living love
The wilted world knew nothing of:
   Scared momently
   By gaingivings,
   Then hoping things
   That could not be.

   Of love and us no trace
   Abides upon the place;
   The sun and shadows wheel,
Season and season sereward steal;
   Foul days and fair
   Here, too, prevail,
   And gust and gale
   As everywhere.

   But lonely shepherd souls
   Who bask amid these knolls
   May catch a faery sound
On sleepy noontides from the ground:
   "O not again
   Till Earth outwears
   Shall love like theirs
   Suffuse this glen!"

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From the Roof

This wild night, gathering the washing as if it were flowers
      &n bsp;   animal vines twisting over the line and
           slapping my face lightly, soundless merriment
           in the gesticulations of shirtsleeves,
I recall out of my joy a night of misery

walking in the dark and the wind over broken earth,
      &nb sp;   halfmade foundations and unfinished
       ;    drainage trenches and the spaced-out
       ;               circles of glaring light
      &nbs p;   marking streets that were to be
walking with you but so far from you,

and now alone in October's
first decision towards winter, so close to you--
      &nbs p;   my arms full of playful rebellious linen, a freighter
           going down-river two blocks away, outward bound,
      &nb sp;   the green wolf-eyes of the Harborside Terminal
      & nbsp;       &n bsp;     glittering on the Jersey shore,
and a train somewhere under ground bringing you towards me
to our new living-place from which we can see

a river and its traffic (the Hudson and the
hidden river, who can say which it is we see, we see
something of both. Or who can say
the crippled broom-vendor yesterday, who passed
just as we needed a new broom, was not
one of the Hidden Ones?)
      &nb sp;   Crates of fruit are unloading
           across the street on the cobbles,
      & nbsp;   and a brazier flaring
      &n bsp;   to warm the men and burn trash. He wished us
luck when we bought the broom. But not luck
brought us here. By design

clean air and cold wind polish
the river lights, by design
we are to live now in a new place.

poem by Denise LevertovReport problemRelated quotes
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Soft White

When the sea is as grey as her eyes
On these days for sure       &nb sp;the soft white
mist blown in from the ocean       &n bsp;the town dissolving
It all adds up         ;her bare shoulders

Nakedness     ;    rolling in from the sea
on winter afternoons - a fine rain
looking down on the sand       &nb sp;& shingle
the waves breaking on the shore       &n bsp;& white

It is impossible to deny what
taken by surprise        ; then wonder
the many details of her body
to be held first now       &nbs p;then later

In body & mind       &nb sp;the fine rain outside
on winter afternoons      &nb sp; the nakedness
of her bare shoulders      &nbs p; as grey as her eyes
the sea rushing up the beach as white as

The whole outline called 'geography'
meeting at a set of erotic points
lips    shoulders&n bsp;   breasts   &n bsp;stomach
the town dissolves      &nbs p; sex    thighs &n bsp;  legs

Outside  &n bsp;     then across her nakedness
it rains in the afternoon      &nbs p; then the wonder
her body so young & firm       &nb sp;dissolves the town
in winter       & nbsp;grey as her eyes

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William Shakespeare

Fairy Land iii

COME unto these yellow sands,
   And then take hands:
Court'sied when you have, and kiss'd,--
   The wild waves whist,--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
   Hark, hark!
   Bow, wow,
   The watch-dogs bark:
   Bow, wow.
   Hark, hark! I hear
   The strain of strutting chanticleer
   Cry, Cock-a-diddle-dow!

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Before a Fall

And what was the big room he walked in?
  The big room he walked in,
  Over the smooth floor,
  Under the sky light,
  Was his own brain.

And what was it he admired there?
  He admired there
  The oval mirror.

And what was it the oval mirror showed him there?
  It showed him the roots
  Through the ceiling,
  The gross armchair, the bookcase
  Shuttered with glass,
  The Hymns bound in velvet,
  The porcelain oven,
  The giant egg cups,
  The hairy needles,
  And the silence

  And the smell of smouldering dung
  Hung between the walls
  (Which were yellow as dandelion).

And how did he leave?
  On the smooth floor
  His neat feet jarred
  And his teeth grew down
  To his heart, and he slipped
  On the white stairhead -

Which ended?
  Which ended in coldness
  And darkness,
  Through which he fell
  (So they tell)
  With little hope, and slowly.

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John Bunyan

The Shepherd Boy sings in the Valley of Humiliation

HE that is down needs fear no fall,
   He that is low, no pride;
He that is humble ever shall
   Have God to be his guide.

I am content with what I have,
   Little be it or much:
And, Lord, contentment still I crave,
   Because Thou savest such.

Fullness to such a burden is
   That go on pilgrimage:
Here little, and hereafter bliss,
   Is best from age to age.

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Wedding-Ring

My wedding-ring lies in a basket
as if at the bottom of a well.
Nothing will come to fish it back up
and onto my finger again.
       &nb sp;       &nbs p;    It lies
among keys to abandoned houses,
nails waiting to be needed and hammered
into some wall,
telephone numbers with no names attached,
idle paperclips.
       &nb sp;  It can't be given away
for fear of bringing ill-luck.
       &nb sp;  It can't be sold
for the marriage was good in its own
time, though that time is gone.
       &nb sp;  Could some artificer
beat into it bright stones, transform it
into a dazzling circlet no one could take
for solemn betrothal or to make promises
living will not let them keep? Change it
into a simple gift I could give in friendship?

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Thomas Hardy

Wives in the Sere

I

Never a careworn wife but shows,
   If a joy suffuse her,
Something beautiful to those
   Patient to peruse her,
Some one charm the world unknows
   Precious to a muser,
Haply what, ere years were foes,
   Moved her mate to choose her.

II

But, be it a hint of rose
   That an instant hues her,
Or some early light or pose
   Wherewith thought renews her -
Seen by him at full, ere woes
   Practised to abuse her -
Sparely comes it, swiftly goes,
   Time again subdues her.

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Thomas Hardy

Song of Hope

O sweet To-morrow! -
   After to-day
   There will away
This sense of sorrow.
Then let us borrow
Hope, for a gleaming
Soon will be streaming,
   Dimmed by no gray -
   No gray!

While the winds wing us
   Sighs from The Gone,
   Nearer to dawn
Minute-beats bring us;
When there will sing us
Larks of a glory
Waiting our story
   Further anon -
   Anon!

Doff the black token,
   Don the red shoon,
   Right and retune
Viol-strings broken;
Null the words spoken
In speeches of rueing,
The night cloud is hueing,
   To-morrow shines soon -
   Shines soon!

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