Crossing The River On Thin Ice
Crossing the river on thin ice, the next step
the beginning, and the one after that
the end and the whole of the rest of your life.
I’m listening for cracks in a mirror.
I’m jumping from rock to rock
like prophetic skulls
cobbling the yellow brick road
with glacial i.e.d.s
playing chess with my nerves
like the wicked witch of the east
laying bets against my afterlife
should I break through
and be swept under
to look at the stars as I used to do
on summer nights flat on my back
when I was young
only to find, older, I still do,
through a broken window in a palace of ice
like an acid flashback of my whole life
seen through an ice-age cataract
over my third eye
like flowers in the sky
strewn over the dangerous path I took
to get to the other side.
As I do. With the uncanny feeling
I’ve been mountain climbing on the moon.
I can trust the river like an instinct.
It’s purging to risk now and again
falling through something
to get to the other side of it
as if life had given you a pass
and you think, maybe, just maybe
it wanted you here for something
that would be made abundantly clear later
though for now, it’s more than enough
to feel the glee
of having gotten away with something
like the simple bliss of just being alive
to celebrate your victory against the odds.
But it’s crucial not to gloat.
Gloating makes you arrogant.
Arrogance makes you stupid.
Stupid makes a mistake.
And the river, like a country road,
will teach you to respect its leniency
on the way back without any.
So for the next half mile
through the intermittent field hospitals
of the birch groves overwhelmed
by the number of the fallen amputees
the beavers have chewed down to pencil stubs,
I remember Walter de la Mare’s imperative
about treading softly,
for you tread on my dreams,
and take great care not to wake anyone up
grasping stray branches I use
like crutches, walking sticks, and canes
as I place each foot down gently and deliberately
crossing a minefield covered in snow
to make absolutely sure that I don’t.
Because if you don’t let things dream
of whatever they’re dreaming about,
and walk softly whenever you’ve got
a big stick in your hand
like a dead tree trying to help you
get a leg up on crossing it like a threshold,
it could be you that wakes up to the nightmare
on the nasty side of Walter de la Mare.
The leaves claw at the ice-glazed snow
like bats at a glass-blown window,
frozen waves of a tide on the moon
flexing the neck muscles of a maneless horse,
or even more bizarrely
because life is more surrealistic
in the deep end
than it is sane in the shallows,
the mummified feet of Canada geese
who’ve lost their footing in the snow.
Brush wolves off in the distance
baiting the farmyard dogs
to howl at the end of their leashes
like the domesticated pets
that became of the dogs of war,
commissionaires at the door,
or come out and be torn to pieces
like the calves and the lambs
and those who fell for the ruse
and wandered out alone
and had their necks broken
for taking their instincts off the chain
to be something they weren’t anymore.
For accepting the challenge
of their old wild adversarial selves
like the French at Agincourt
only to be found in the fall
like the skeleton of a favourite dog
in hunting season south of Highway 7
when the white-tailed deer
are culled by the locals
to keep the population down
and the brush wolves at a distance
looking on with a hard winter ahead
in their strategic hearts
and pups to feed
learning from their persecutors
how to the steal the farm back
one sheep, one cat,
one calf, one chicken,
one foolish dog off its turf at a time.
As I am with a National Geographic
sixty millimetre refracting telescope
strapped to my back like the easel
I used to bring here in the summer,
as if I were out to cull the stars of Orion
by myself in a wild place
in the middle of the night
in a clearing in the woods
where the wolves watched what I painted
fascinated, warily tolerant, and sated
without treading on my dreams
and waking me up to the danger I was in
if they hadn’t recognized
the same voice that called to me
called to them like the sorceress
of a moonlit summer night
and in the winter,
the spell-binding stars
of a wizard of ice
that indentured us all
wolf, human, dog, deer
river, birch, hill, and telescope alike
to the crazy wisdom of an essential insight
that makes anyone whose blood
has ever risked running
like paint with the wolves,
or dared being driven into
deeper snow like a telescope at bay
or descended into a dangerous darkness
to clarify a wolf’s-eye view
of the millions of grazing stars
moving slowing across the heavens,
an apprentice of the light for life
when life isn’t a chore on the farm
you’ve been brought up to endure
securing a board on a barn door
to keep it shut like your mouth
when you know you should
but a calling you can’t ignore
to risk it all on thin ice
like Hannibal or Lao Tzu
crossing the Alps
like elephants in the dark
with one throw
of the constellations
that bite into the dice down to the bone
just to see what you’re made of
when you’re on your own
far from home
and there’s lots to be afraid of.
poem by Patrick White
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Related quotes
Snow wolves
I can hear the wolves
Howl in the distance
The howl is suddenly
Dampened by the falling snow
In a clearing
I see the wolves howl
Perched on the slanted rock
They cry to the moon
The moon cries back
It cries with agony
It cries because of death
Death witnessed beneath it's glow
The wolves turn and howl
The snow doesn't let up
But blows harder
Through blind panic
i run
I hear the wolves howl
Only it isn't in the distance
poem by Eric Ripley
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Rubies Of Blood Running Like Ruptured Cherries
Rubies of blood running like ruptured cherries
down my arms. The night swarms
like a feeding frenzy of junkies
all in for a little taste. The heat hangs
like something dangerous in the air
as if the atmosphere were on a short fuse
and you can feel the fangs of its potential bared.
Like a bear to berries, I come here for stars.
It's a lair of sorts for wounded wolf hearts
gored by the moon, and it's healing
to look upon the waters when you're in pain.
There's nothing undisciplined about the chaos here.
Everything just seems to fall into place
of its own accord without anyone having
to explain anything to the animated silence
about how it all works effortlessly
in an unintended harmony of living and dying.
The trees understand like an alphabet
that's never gone out of use, what it means
when the wind skims through their leaves
like the synopsis for a serialized book of wisdom
with an ambivalent happy ending
that takes your breath away in awe.
And the waterlilies show their poems to the stars.
The serenity here could almost seem offensive
in its aloofness, as the genetics of random chance
get on with fate, and if you're noticed at all,
it's as a possible threat the beavers choose to ignore.
And the white-tailed deer cue off of them.
Not one of the wild irises clustered
like the indigo fires of the Pleiades
where the river slows down to pay homage in passing
to the decimated groves of the fallen birch
that lie like wrecked wharves in the water
the turtles and the frogs could sun themselves on
like happy freaks with no concern at all for their downfall.
Everything acceptable as a matter of course
with equanimity. A kind of impersonal poise
sustained even beyond death
in the way all living things
give themselves back to things as if
they were returning to the source of their own lives
to lavish the watershed with inexhaustible gifts.
Moonlight on the blades of silver swords
forged among the stars, surrendered
from a bridge between life and death
in a wordless tribute to the crossing of the river.
Or the unsayable insights of the rocks around here
that keep the epics of the glaciers
like enlightened haikus to themselves,
or a poet retreating into his solitude
to see if he can still remember all the names
of the stars that were the herbs and flowers
in the chalice of the ailing kingdom of his childhood
and if they still had the power to heal
what the man in me has left for the boy to feel.
poem by Patrick White
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A Winter of Discontent
I remember a winter a few decades ago.
Where our dear England was covered in snow.
It started on Boxing Day with a blizzard from hell
then in the course of a week the snow just fell.
This once green paradise was now a shroud of white
and everyone was suffering from chillblains and frostbite.
Outdoor life was like an indoor fridge
where everything had frozen like a mountain ridge.
Abandon lorries on the side of the road
men were freezing even their load.
Villages cut off all over the land
so in came the troops to lend a hand.
This was the winter of discontent that lasted from
Christmas, and way past Lent.
As one lot of snow cleared, it would return again
to bring freezing cold tempretures and a lot of pain.
Wind would blow both night and day, and still the snow
never went away.Drifts of snow standing six foot high
just being topped up with snow from a winter sky.
So what of this winter of ice and snow
one that happened a few decades ago.
I remember it as one that was cold and wild
because in the summer God presented me
with my first born child.
In this year, where snow fell in December
it was the coldest winter I will ever remember.
poem by Sylvia Spencer
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The Nightwind
The nightwind is dancing with the leafless trees
under a new moon
as if they were crutches
that couldn't keep up with its moves.
April night.
All potential.
Lilac month in the valley
and blue hyacinth soon
in the corners of forgotten yards
and for the first time today
down by the Tay where the willows
are going blonde
that bruise of a flower
that looks like a cross
between a broken egg and the moon.
A crocus
like a dab of violet paint
in the foreground of a drab impression.
The apple-trees are waiting for their brides like blossoms.
Saturn's in Virgo
and I'm out for stars
on my hobby-horse of a telescope
that's jealous of the easel I paint on
because it thinks it's the unheralded genius
and can do more with light
than that other moron.
More Copernicus for the moment
than van Gogh
I cut through fields
that look like November all over again
now that the snow's gone
to keep from being blinded
by the blazing of the town
attentive as a doe to the barking
of distant farmyard dogs.
I'm a one man band of snapping twigs
and slashing branches
moving deeper into the silence
away from windows and doors.
My telescope sneers at the vanity
of birches posing in the nude
because they've heard I'm a painter
into feminine nocturnal effects.
And I've been here before
looking for suitable subjects
but tonight I'm out for stars
and the wounded mystery of being alone
in a place that everything's adapted to
but where nothing feels it belongs
to judge by the way they keep to themselves.
Wherever I am
the stars have always reminded me of home
as if this were the place of exile
and the testing ground
of life on earth
to see who makes it back
and I am stilled and mindbound
by such a commingling
of longing wonder and sadness
my blood burns like a lovesong
to the great absence that keeps us apart
and how much time and distance it takes
to abandon a heart that clings
like colour to the clouds.
How much darkness
must be intensified by a human
into black matter
before the ore
is prodigal with light.
All the good stars are going down with Taurus
though I can see the snakes
still flaring lethally in Al Gol
like the Medusa's severed head
and there's that poor man's chandelier
the Pleiades
still enchanted with the charms
of Alcyone and her sisters
though like me
they're getting on in years.
Longer wavelengths
Longer shadows
shifting into infrared.
All the blue-white fury
that was the frequency of my youth
the mellow yellow of the autumnal truth
that the seeing might be as ageless
as the perennial insight
into the beginningless birth of the mind
but my eyes are estranged from the light
like two drops of water on a starless night
ripening like bells
sweetened by thoughts of perishing
above the abyss below them.
Hanging from the tip of a blade of stargrass
they're trying to remember
without crying
what became of the wedding
that wore them like an orchard up the aisle
before they're lowered
like the eyelids of a crocus
and disappear
into the source of themselves
like a well that can't hold back its tears
when it remembers
light on the mindstream
like a voice in a dream
they haven't heard for years.
What can you say?
Life is a breathful.
And if I were to guess
it's probably better that way.
Don't wear the silver off the mirror
with too much looking
but glance at it out of the corner of your eye
in passing
as if to say under your breath
o.k. you've got my attention
what now?
You should stay alert to things
without crowding them out of their eyes
the way a snakecharmer
listens to the cobra
not his flute
and maintains his dangerous distance.
And don't judge things by their magnitude.
Sometimes it's the dim stars
like the pale one above the middle
of the brightest three in Andromeda
that can lead you to a galaxy.
But there too you have to look askance
even to see hundreds of billions of stars
shining at such a great distance
right next door.
When everything in the knowable world is relative
it's because of the interdependence of its origins
on everything else
and blood is thicker than water
except when it's not
but when all is said and done
we're all the seventh son of the seventh son
of an identity theft.
Muddy Waters
there's another mule
kickin in your stall.
Born of fire without smoke
you're a jinn.
Born of water without ice
you shine like a sea urchin.
Born of earth without roots
there's starmud on your boots.
Born of air without clouds
you're welcome everywhere.
Born of stars without eyes
you come as quite a surprise to them.
poem by Patrick White
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Lupus
The Lupus
Wolf, feared animal in folktales, is back in north Europe
it was eradicated, or so we thought, but they have been
observed in woodlands wiser than before, they don’t
like sheep and rabbits avoid humans and dislike dogs.
prefer deer though, and wild boars. As historians tell us
never did wolves kill man. But you can’t beat the power
of fairytales, they eat little children and prowling cats.
If this goes on hunters say there will be no wild animals
For us to kill, get rid of them “grey foot” is our enemy.
And dark tales fill the papers, a wolf has been observed
near a kindergarten, spots of lamb blood in the snow.
Wolves are always seen in the mist just like in folklores
Let’s kill them now before it is too late our children get
eaten by those shadowy four legged, satanic monsters.
A question remains thought, why don’t wolves like sheep?
poem by Oskar Hansen
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Wolverine
'Yes, sir, it's quite a story, though you won't believe it's true,
But such things happened often when I lived beyond the Soo.'
And the trapper tilted back his chair and filled his pipe anew.
'I ain't thought of it neither fer this many 'n many a day,
Although it used to haunt me in the years that's slid away,
The years I spent a-trappin' for the good old Hudson's Bay.
'Wild? You bet, 'twas wild then, an' few an' far between
The squatters' shacks, for whites was scarce as furs when things is green,
An' only reds an' 'Hudson's' men was all the folk I seen.
'No. Them old Indyans ain't so bad, not if you treat 'em square.
Why, I lived in amongst 'em all the winters I was there,
An' I never lost a copper, an' I never lost a hair.
'But I'd have lost my life the time that you've heard tell about;
I don't think I'd be settin' here, but dead beyond a doubt,
If that there Indyan 'Wolverine' jest hadn't helped me out.
''Twas freshet time, 'way back, as long as sixty-six or eight,
An' I was comin' to the Post that year a kind of late,
For beaver had been plentiful, and trappin' had been great.
'One day I had been settin' traps along a bit of wood,
An' night was catchin' up to me jest faster 'an it should,
When all at once I heard a sound that curdled up my blood.
'It was the howl of famished wolves-I didn't stop to think
But jest lit out across for home as quick as you could wink,
But when I reached the river's edge I brought up at the brink.
'That mornin' I had crossed the stream straight on a sheet of ice
An' now, God help me! There it was, churned up an' cracked to dice,
The flood went boiling past-I stood like one shut in a vice.
'No way ahead, no path aback, trapped like a rat ashore,
With naught but death to follow, and with naught but death afore;
The howl of hungry wolves aback-ahead, the torrent's roar.
'An' then-a voice, an Indyan voice, that called out clear and clean,
'Take Indyan's horse, I run like deer, wolf can't catch Wolverine.'
I says, 'Thank Heaven.' There stood the chief I'd nicknamed Wolverine.
'I leapt on that there horse, an' then jest like a coward fled,
An' left that Indyan standin' there alone, as good as dead,
With the wolves a-howlin' at his back, the swollen stream ahead.
'I don't know how them Indyans dodge from death the way they do,
You won't believe it, sir, but what I'm tellin' you is true,
But that there chap was 'round next day as sound as me or you.
'He came to get his horse, but not a cent he'd take from me.
Yes, sir, you're right, the Indyans now ain't like they used to be;
We've got 'em sharpened up a bit an'
now
they'll take a fee.
'No, sir, you're wrong, they ain't no 'dogs.' I'm not through tellin' yet;
You'll take that name right back again, or else jest out you get!
You'll take that name right back when you hear all this yarn, I bet.
'It happened that same autumn, when some Whites was comin' in,
I heard the old Red River carts a-kickin' up a din,
So I went over to their camp to see an English skin.
'They said, 'They'd had an awful scare from Injuns,' an' they swore
That savages had come around the very night before
A-brandishing their tomahawks an' painted up for war.
'But when their plucky Englishmen had put a bit of lead
Right through the heart of one of them, an' rolled him over, dead,
The other cowards said that they had come on peace instead.
''That they (the Whites) had lost some stores, from off their little pack,
An' that the Red they peppered dead had followed up their track,
Because he'd found the packages an' came
to give them back
.'
''Oh!' they said, 'they were quite sorry, but it wasn't like as if
They had killed a decent Whiteman by mistake or in a tiff,
It was only some old Injun dog that lay there stark an' stiff.'
'I said, 'You are the meanest dogs that ever yet I seen,'
Then I rolled the body over as it lay out on the green;
I peered into the face-My God! 'twas poor old Wolverine.'
poem by Emily Pauline Johnson
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Father Winter
Welcome back home Father Winter
we have waited all year for you.
Your lovely trees, so tall
their branches now bare
they stand there waving you
back home you brought with you
your winter jewels, now they hang
on those naked branches.
The summer flowers, have
now laid down for a long winters
nap their waiting for you to cover
them with your winter blanket.
Your blanket will keep them
warm till spring then they'll
all pop up and sing.
Now all the small animals have
laid their heads down too sweet
dreams every thing will awake to
fresh new season.
You have dressed everything for
Christmas. your ice snow flakes
have landed on our pond it looks
looks like big white frosted glass
mirror it also created beautiful
glass like ornaments that
hang on the ever green trees.
Your cold fluffy snow lays upon
their branches it drapes like a
pearl necklace among their branches
they all look so lovely.
The winter clouds that you have blown
in float beneath the stars so bright
the full moon shines down upon the
hill tops all covered in your beauty.
The fresh snow glistens like stars
and silver gliter it looks like
millions of diamondseen have been
scattered on the beaten paths.
Your winter air smell so crisp
and cold as you speak, you can
see your breath in \the cold air
the only lights are from the new
full winter moon.
As you can see Father Winter has
blown, in with such briskness.
Every where you now look,
now looks bright and fresh.
Little children have started the
count down.To that special
night which is not to far off in sight.
And like ''SANTA'
You'll be gone, in the wink
of an eye.
We thank you for all the beauty
that you have given us, you'll
only last a while upon you I'll
walk a brisk mile.
We'll love you as long as you'll
last..Upon your snow we'll
dance and play.
We'll do this each cold day..
Until you melt away.
and then we'll say a sad good-bye.,
GAYLE ANNE GOFF
DECEMBER
2008
poem by Gayle Anne Goff
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And Though It's Dark And Cold Now
And though it’s dark and cold now
in this ice palace of broken windows
that don’t know whether to bite their lips
or cut their wrists like a suicide
that took it one step too far
like an eclipse that went into exile
I remember the swell and release
of your breasts in moonlight,
rising and falling like a lunar tide.
I remember coiling my finger around
the soft chestnut tendrils of your hair
as if I were dialling a long distance call
to someone I knew light years from here
who was living her dream
like the black sheep of a shepherd moon
she was giving her life up to.
You were an atmosphere on the nightshift
on the intensive care unit of a hospital
applying a cool poultice of moonlight
to the volcanic burns
of more terminal passions
than I ever aroused in you.
Or thought I ever could.
Though time stopped
dead in its tracks like a coma
whenever I was around you
and everything the good doctors
found incurably bad about me
suddenly went into remission,
I knew I was merely
a minor miracle in your life.
Intermission. Time out. One day
every four years to tune up the calendar
A blue moon in late October
after the harvest’s in
and the small birds
are gleaning the rags of a garden.
Canada geese in the cornfields
shredding the last documents
of an abandoned embassy heading south.
We were Indian summer
together for awhile both knowing
the frost would come soon enough
and one morning I would wake up
and look through the window
on your side of the bed
and say, hey, look, it’s snowing
and you wouldn’t be there.
And when the time came, you weren’t.
And I spent the next six years of my life
numb with understanding
in the snake pit of a Zen morphine drip
blessing the beauty of the knife
and the wound you left me with
like a thorn of light under the eyelids
of a new moon in full eclipse.
An eyepatch over the third eye
of an enlightened planet
that felt just like any other
starless night on earth without you.
And though I hurt like a lamp
that couldn’t see you
even when the sun shone at midnight
I knew enough about attachment even then
not to hold up hope
like a cage to the wind.
I never laid a trap line
along the path you took to leave.
I let the silence and the solitude
I returned to like a night bird
to a white-out deep in the woods
efface your footprints in the snow.
I knew I had to stay.
And I knew you had to go.
That one mile east is one mile west
like two feet going in opposite directions
down a road that doesn’t have any.
And though sometimes I look
at the moon these days
and say to myself
what a little scar it is
to cover so much
that’s dark and wounded
about the human heart,
I still haven’t changed the broken windows
I often find myself standing before
to take a long, good, hard,
dark, radiant look at life
to see if it’s still crying outside,
for a thermal-paned, fire-walled website
prophetically updating the virtual weather.
I’m still throwing stones
with loveletters attached to your absence
like the moon through the windows
of a glass palace in an ice-age
I know will thaw by itself in time
like the whirling Castle of Arianrhod,
the hot gem of Celtic heaven shining
in the afterlife of the Northern Crown
down upon these small human acts
of estranged encounters with our own kind
where we meet each other in passing
at the gate of a cosmic garden
that no one was tending at the time,
and long after the one has gone their way
and the other has gone inside.
Long after the flowers have died
that were strewn across
each others’s paths through life
like the spring on a windy night;
no matter how vulnerable it makes us
to being a prime candidate
among many with their sensible shoes on
to firewalk barefoot
on a starmap of burning thorns
into the darkness of enlightenment
to stay attached to the unattainable
the way we both were to the same stars.
Even when the morning glory
overruns the New England asters,
we leave the gates thereafter open
as if the whole heart of the dark matter
of why we love and suffer, bloom
and come to fruition
in the light of each other
as if the aurora borealis
that mystified our nights on earth
with the sheen of cool Persian silks of insight
blowing over the flesh and blood of mystic serpents
then die back into our brief lifespan
like a solar flare back into its sunspots
were still hanging
on one star
one eye
one wing
one prayer
one hinge.
poem by Patrick White
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Lords Of The Arctic
Two snow wolves stayed on pure white snow,
Like two rocks side-by-side...
As if they had no home to go,
No warm place to abide...
Yet heat can't feed the wolves by day
Or nurture them by night,
That's why the wolves must hunt for prey,
Before their food takes flight.
Two wolves await what God allows
To cross their paths once more...
For now, the hungry wolves must browse,
No movement to ignore...
No sound can stir without their ears
Locating that new source,
For even wild wolves have their fears,
As Nature takes its course.
Lords of the Arctic, yes, indeed...
Survivors striving still,
Their hunger pangs help them succeed,
We know they always will.
For who seeks hunger for a friend?
Or thirst that aches within?
That's why, the hunt can never end,
While they've got hope to win...
Denis Martindale, copyright, February 2011.
The poem is based on the magnificent painting
by Stephen Gayford called 'Lords Of The Arctic'.
More Stephen Gayford poems here:
denis-martindale-dot-blogspot-dot-com
poem by Denis Martindale
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One Day You Realize You're Looping
One day you realize you're looping,
Mars retrograde in Virgo,
through all the stations in life
you once progressed through,
and the door you return to
is a second innocence
more profoundly seasoned
than the one you first left by.
Everything else in the universe
is regressing ahead in accord with time
like a night sky doubling back on itself
to take its tail in its mouth
as a symbol of regenerative eternity.
Or moonrise. How likely is it
I'm not? That I'm
the only long-haired wavelength
that got straightened out
on a nineteen sixties ironing board
like the girlfriends
I was always waiting for back then.
That there's no twist in my stairwell?
No wheeling red-tailed hawks in my thermals?
No spirals in the sunflowers of my genomes?
No starfish in the bend of my galactic propellers?
No Sufis at the dance. Straight-laced crucifixions
of corkscrews and bottles of wine
that nailed it wrong
and turned back into sober water.
Not a chance. Or as they say in calculus
a straight line is just a special form of a curve.
Ask space. Ask the atoms.
I'm always one step behind my next birth
at an unexpected bend in the river.
You remember that old Etruscan god,
Vertumnus, whose name meant river's turning,
and later, adopted by the gullible Romans
turned into Morpheus, the shapeshifter?
I think the zodiacal kings of Etruria
got it more right
than the perfectionists who keep
trying to get it righter,
and water and light and dream
are closer to my original nature
than this snake of a road
I've been riding like black ice for light years
in a holy war of spurs and fangs,
the sacred thorns of a black rose
in a last duel with the first
and last crescents of the moon.
And as Lao-Tzu says in the Tao Te Ching
what isn't soft and supple
turns brittle and breaks
like a cataract of thin ice
over a flowing lens
it's easy enough to drown in
if you lose you're focus in the rapids.
Even glassblowers must need to cry
real tears now and again
that splinter like rain at their feet.
The fittest cornerstones all do Yoga.
Their twisted like the roots of trees
not a square uncarved block
of disciplined quicksand.
Look at the synchronous swimmers
in the undulation of an hourglass,
the S curve of a woman's figure,
the sign of a long distance snake in the desert
the Egyptians used as a glyph for intelligence.
Can you hear the same creek at midnight I do
whispering its way through the woods
as if it had no one to tell its secrets to but itself
taking the long way home like waterlilies
just coming into bloom
along the banks of the mindstream?
Makes me want to float poetic moonboats
like enlightened shipwrecks down river
when the fleet comes in
like Japanese plum blossoms in Atlantis
with a cargo of koans and haikus on board
that could be easily mistaken for loveletters.
And, hey, whether it's Cygnus above
in the Summer Triangle,
or a black swan on the Ottawa River,
I'm happy to take this trip alone
shooting the rapids of time
like an urgent waterclock
afraid of drowning in a flashback of its life
or a lifeboat full of moonlight
that came to the rescue of itself.
I won't beat the dust
out of the thread-bare wavelengths
of the flying carpets of life like stars
or houseflies that got in the way
of my broken window.
And o when I was young
I used to pray the day would never come
when I would talk like this,
but as the years turn into eras,
you can't help but see
a lot of things in life
some of which you wish you hadn't.
The beauty and the terror.
The candle in the dark doorway
at the back of the morgue,
whose light can go no further
than a prayer for the dead
behind closed eyelids.
Ferry, chariot, or limousine
it's still Charon at the toll gate.
No exit, no entrance,
thresholds of light upon light,
petals of a black rose
blooming in the shadows
on the far side of the moon
like the flight plan of a crow feather
that doesn't consult the tower anymore
for permission to take off and land
and leaves the trees to the night birds
to exorcise their longing
and by their singing,
as their fruits, be known.
Every step of the way
I've stood at the gate of a stranger
that looked a lot like me yesterday
without this death mask on
that doubles as a blossom
of the full moon on a dead branch.
Green bough. Dead branch.
Same song.
And the lights play on
long after the music's over.
You can see and hear it
in the picture-music of the stars
that shine over you even after
both you and they
ahead of your own light
by the time it gets
to where it's going are
are long gone, gone, gone,
altogether gone beyond
firewalking with virgins on Mars
like bridges and crosswalks in transit.
You can't pour the universe
out of the universe
like a fish in a waterclock
that jumps up into your moon boat
at the strike of midnight at noon
to tell you what hour it is
when you know that every hour
every step, every breath,
every river, road, gate and doorway
is a death in life experience of this one.
Not the wounded wavelength
of a heartbeat on crutches
come to a game of snakes and ladders
that can't find anything to lean on
on the opposite side of the river
because the mindstream has no banks
and the bridges go on forever
like the wavelengths of snakes
with their tails in their mouth
going the way they came
like bouquets and fountains,
tears in the valley
that echo on the mountain
like snow at the feet of the stars
back into their deep watersheds
where the dry seas of the dead mingle
with the ebb and neap of the living
like the moon on the waters of life.
And I mustn't forget
as I sometimes do
even when I'm drowning
like a starfish in my own waters
that this flash of life,
this brevity of a firefly,
this lifespan of an insight
into this life, this death,
unborn, unperishing,
is just a galaxy's way
of bringing me back down to earth
without forgetting where I come from.
poem by Patrick White
Submitted by Poetry Lover
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Broken Fairy Tales
Heres a little story that I made up
So let's play make believe
In my castle on the cliff
I look out to sea
I just wanna have some fun
I just wanns have a good time
My party is nothing special
I just can't seem to realize
In my little fairy tale book
That's where my dreams wait for me
In my little own world
My prince waits for me
Broken dreams and fairy tales
One of those things I know so well
My fantasy dreams aren't real anymore
They're just Broken Fairy Tales
The wicked witch dreams in her sleep
She is making green elephants for tea
She cackles and cries
The witch is alive and she's ready for the sun
A white horse rides the waves
His mane is silver and snow
The moon which rides
Along the great tides
Is living his life to the full
In my little fairy tale book
That's where my dreams wait for me
In my little own world
My prince waits for me
Broken dreams and fairy tales
One of those things I know so well
My fantasy dreams aren't real anymore
They're just Broken Fairy Tales
Walking through my winter wonderland
The pine tree's sway, glistened with snow
As we walk along, we hear Santa say
'Welcome to the book of Broken Fairy Tales.'
Broken dreams and fairy tales
One of those things I know so well
My fantasy dreams aren't real anymore
They're just Broken Fairy Tales
As I wake from my dream I realise
That this is my broken fairy tale
poem by AnneMarie Hewlett
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Crossing The Border
Hey, take it and run, child
Ill ask you no questions
We traded our fortunes
Crossing the border
I hope you got lucky
You needed a change
I--i made it without you
Crossing the border
We were like a couple of wetbacks running
Standin on the banks of some dangerous river
Lookin into a brave new country
Risky business
Crossing the border
Ahhh, you--you doubled my chances
I--i sure do want your freedom
I--Ill never forget you
Crossing the border
Back when we were out there
Crossing the border
Layin it on the line
Crossing the border
song performed by by Kris Kristofferson
Submitted by Lucian Velea
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A Winter Pack
The wolves run in the night
Searching for something thats just out of sight
They hunt together on this frigid winter's night
Searching for food that will take the hunger away
The alpha stops, followed by his pack
Along a frozen lake shore is an elk
Who plays alone in the deep winter snow
The wolves are hungry they're ready for attack
The wolves circle 'round without a sound
The elk doesn't notice at all
One sharp yap and the wolves charge
The elk has fallen and tonight will be a feast
The alpha eats with hungry gazes upon him
When the rest of the pack eat it is time for sleep
But first the alpha howls and it rises through the pack
This is not a mournful hungry howl, but a joyus happy one
The wolves go to sleep under the full moon
They are happy and filled with food
They dream dreams of the coming spring
When the toll of winter will leave this winter pack.
poem by Hannah Branz
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Affair With Various Endings
I. Kempton, Pennsylvania
Perhaps the last of the light
lifting this evening from the field of wheat
means something. Perhaps the view
includes us, and we are not errors
in the landscape
or meant to be erased. The painter, it's true,
prefers not to preserve
our figures in the brush
of hills layered into green. Perhaps he too
is careless with the truth. What lies
have you had to tell to land you here
outside Kempton, with the creek rising behind us?
How did the story sound? If I say your hand
on my thigh, the truck still idles
beneath us, tracks in the frozen road
that months from now will thaw
& heave. If I say your mouth
and the deer begin drifting
across the field, who's to say
we didn't call them out—their figures shadowy,
their eyes gem-like and glittering?
II. Undine
It was all too urgent being human.
You ordered drinks, gestured
with your hands, told stories
and the more I knew
the more I was frightened. Those evenings
the air came unpinned, got lost
in autumn & dusk, in the leaves
at the edge of the field. And weren't the edges themselves
vanishing? When you walked to the barn
where the cats had gone in,
taken to rafters. I heard your footsteps
moving the gravel, the ice
in your glass of vodka.
I listened like that
for the ends of things: the last of the cars, the headlights crossing
our bedroom. I listened
to your breathing.
but rooms kept turning in places
I could not ignore. I left because I loved you
without reserve. Because I would not be allowed
to keep you with me in the world.
III. "Kings River Canyon"
Because when you read it your voice shakes,
breaks over the last words,
Because in the Pennsylvania Hospital
at 8th and Spruce, surgeons have split open your chest
and with instruments
are cutting your heart,
and because I wanted to hurt them, because they never
get older, but return each year
refreshed, blond—
I read the poem, Rexroth walking back through the canyon
where twenty years before he had slept
with his new wife
at the beginning of autumn.
It was her birthday
and they lay there on the hard earth,
the stream running beside
and the walls soaring up
to hold them there. Maybe
he made love to her, the air
chilling the skin
or maybe that was the disease
beginning even then, gathering itself deep
inside her body, considering
the distance between itself
and the surface.
There was no path.
They'd cut their way into the canyon
where eighteen years later,
a highway's been blasted through. Eighteen years
he writes ground to pieces.
I am more alone that I ever imagined.
You are dead. And in the mechanical
cool of the classroom
I felt it grip me:
how it will be without you
when I'll be fifty-five, sixty,
in the beginning of winter, in the first
waves of snow. I'll watch the slow drag
of the Schulykill
or I'll go the garden where we met,
the leaves spinning down
into the empty fountain,
where I will never see you,
not again, not your hands, your face,
or hear aloud the way
you said my name. I'll turn
and turn again,
but you'll be gone, nothing filling up your place.
poem by Kate Northrop
Submitted by Poetry Lover
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The Lone White Wolf: The Hunt
As the first day of the new moon creeps into the trees, no wolf among the pack gathers to see the light overcome the darkness to bring in the new day except the lone white wolf. This peculiar wolf is almost solid white except for the black along the length of his nose. It watches over the pack as they peacefully sleep, unaware of his eyes that could protect everything that was soon to come.
Today was the first day of the long hunt for the white wolf. He must bring down an animal that could feed the whole pack for several days, so he could become an official member of the pack, but more importantly, he must prove himself to be one with the pack instead of running alone.
The leader of the wolf pack slowly raises his head like a turtle to look around to see who’s awake. He sees all the wolves are still asleep in a tight circle except the outcast. The leader doesn’t understand why this wolf sleeps alone nor does he understand why the wolf was born white instead of gray. The white wolf stirs from his wakeful sleep. The eyes of the self-proclaimed leader stay on him before moving off to look into the distance searching for all the answers to his questions among the countless trees.
The leader of the wolf pack slowly gets up and walks to the lone wolf and nudges him to sound the morning howl. It was customary for the leader of the wolf pack to do this, but for reasons unknown to any wolf besides the leader, the wolf chose the outcast to sound the howl. The white wolf understands and gives a howl to stir the remaining wolves out of their deep slumber.
Once all the wolves are fully awake and able to comprehend what today is and what it means for the outcast, they realize it is the first day of the new moon. It is the first day of the long hunt. All of the wolves first look to the leader, then to the outcast, then back to the leader wondering who is going to give the special howl to begin the long hunt. No wolf willingly howled the beginning of the long hunt because if the howl was bad, the hunt would go badly, but if the howl was good, the hunt would go smoothly and the hunt would be short. The answer is soon apparent when the eyes of the leader look over the pack to see whose eyes would meet his. None but one pair kept his gaze.
The leader gave a sign, and the wolf began to prepare to give the special howl that would determine the outcome of the hunt. A wolf could not open its muzzle and give an ordinary howl since the hunt would also go badly. To give the special howl the wolf must pull back its hind legs and brace itself to make sure all legs are securely anchored to the ground so that the wolf, while giving the special howl would not slide backwards during the middle of it.
The lone wolf was ready mentally and physically to give the special howl. Once his feet were securely on the ground, the wolf began the howl. The lone white wolf put everything in his howl: the pain of being an outcast his entire life, the anger at his individuality, everything was put into that howl. Wolves stepped back with their fur standing on end; birds flew away squawking bloody murder. The others started yipping and snapping at nothing in particular remembering everything they’d ever felt. After the lone wolf was done, he realized the effect his special howl had on the wolves and he noticed the disarray and confusion that he had caused.
The leader is satisfied and gets the pack into order; it was time to begin the hunt. The wolves began running, their muscles rippling beneath their skin. Nothing could stop them. Their destination was a mile and a half down the road where the large game was located. Running freely among the wolf pack, the lone wolf didn’t feel like an outcast, but whenever he began to get too close, a shallow snip on the shoulder would shove him away to a safer distance.
The game was just ahead; it was time for the lone wolf to prove himself to the pack. The lone wolf went ahead of the pack and picked one of the biggest caribou he could find and slowly approached while the pack followed. The wolves lurched like a bullet from a gun onto the caribou with the white wolf clinging to the exposed flesh of the neck bringing it to the ground but not before it got one last kick in. The kill was successful; the caribou was dead. It was then that the white wolf noticed the bloody mess of the leader of the pack. The last kick of the now dead caribou landed on the skull of the leader, and he was dead instantly. The sight was a grizzly one with his skull caved in and blood gushing out of the wound.
The self-proclaimed leader was dead with no next-in-line to follow. Every wolf looked to the now dead leader, then to the outcast, then back to the dead leader, and then back to the outcast. The white wolf met the eyes of each wolf and got an unspoken request from each one. It was unanimous; the previous outcast of the pack became the leader. For the first time in history, a white wolf was chosen to lead and will lead the wolves to a prosperity the wolves have never known.
2009 October
poem by Matthew Bresette
Submitted by Poetry Lover
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The Lament Of The Last Train Whistle
The lament of the last train whistle
has disappeared into the distance
mournfully looking for its lost child.
October night in the woods
around an old fire pit of prophetic skulls
blowing ghosts of smoke in my face
that bring me to tears, a neolithic calendar
of all the old and new moons that have passed.
So many, so much, that used to matter
doesn't anymore. Dream figures
that shed their skins like the longer wavelengths
of watersnakes in an infra-red mindscape
of serpent fire dying like the sun
that can tell the hour by the taste of its ashes.
I throw more well-dried thresholds on the fire
like branches that used to be green with the tears
of sweeter departures and arrivals over the years.
All the light's jumped from orbitals
of the tree rings that sag like bags
under the eyes knotted like islands
in the heartwood of their xylem and phloem.
Here where the river parts like long hair
on the skull of a stone, I sit like a demon
in a sacred place, clarified, alert, and alone
as any nocturnal animal in the woods.
The chalkdust of my bones trying
to connect the stars to their constellations
snagged in the trees like the rags of spiderwebs
on the blackboard of a starmap as wide as the sky
and deep as the subconscious of the Burgess Shale.
It's not a betrayal to let go of your faith
when you had none in the first place
and you don't need a parachute on the edge of space
to plunge from paradise, or a weather balloon
of a bad Christian poet to shepherd Dante
like a moon out of hell. Be yourself,
especially when nobody's watching
except that same drone in the sky
that occasionally flashes a flake of silver off
its stone cold third eye to flint your awareness
that it's still there in the cosmic background
like a witness to your dreams and schemes
for a luxuriously appointed life of enlightenment.
Be yourself. The direct copulative imperative
that has supplanted the light as the first word
out of the mouth of creation. Be yourself.
And then let there be light by the side of a good fire
to let you see who that is as acutely
as you can see in the dark who that is not.
The migration of the Canada geese might seem
a broken rosary of new moons calling out
the names of God to you, and one unknown,
or silhouetted against the moon they might
suggest the afterbirth attached to a cut umbilical cord
and your heart might feel reborn somewhere
in the autumn of your life, a child of the fire,
a flower in the full bloom of its solitude
dancing with its own mercurial apparition
on the waters of life in the mindstream
always out of season enough to lag behind
so it can tell the time by the widening gaps in its passage
as it's waiting for the night to catch up to its own shining
like a thief of fire unchained from the rock
that broke the glass window of its transfixed seeing
with a meteor in the hands of an enlightened delinquent.
Or you might read the falling leaves as occult lifelines
on a Tarot deck of overlapping lifespans
like the scales of a dragon playing solitaire
beside the small inferno of a signal fire to the stars,
to let them know you're coming faster
than the time it takes for a thought to make it
all the way to death and back to birth again
as if you were pinging your emotions
like stray wavelengths from the oceans of your awareness
off the horns of the moon the way
you used to skip rocks out over the sea as a boy
to see how long they would keep on going
like a waterclock of stone before they sank
like the flying fish of the hard, cold facts of life back into
the numinous depths of your collective unknowing
where the stars aren't fixed to anything that isn't
flowing along with them like the wind on the mindstream
or a small fire catching its breath in the silence and the solitude
of so much radiance, before it's on its way again for good.
poem by Patrick White
Submitted by Poetry Lover
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And You Shall Forever Be
And you shall forever be
all that could not be said of me
though I spoke for myself as long as I could
to answer your absence in paint and words
like this night creek talking in tongues to itself.
I see the maple leaves rotting in manuscript
like the dead civilization of a mummified language
that never made it into print.
And though I know every name
of the wildflowers that did, and of the stars,
their perennial myths of origin,
and of the fireflies, their efflorescent haikus,
tonight I walk among bones and pelvises of ice,
the desecration of forms, limbs lobbed off
like the right arms of offended trees and the eyes
of small skulls plucked out like stillborn moons
that never made it through the winter.
Alone with this emptiness which yet remains
the biggest clue I've ever found
to the whereabouts of myself,
I am not estranged by my usual compassion
for outcast things with no voice of their own.
There is no pillow of snow over the mouth
of what can't be said without me.
The dead don't hold their fingers
up to their lips to bid me keep silent.
They're all dancing wildly to lyrics of their own
in a winter carnival of deathmasks
that have shed their bodies
like the hags of the withered waterlilies
trying to wash the brown out of their gowns
like sunspots from the memory of the stars.
As if there were an eloquence
in the radiance of their rags
that overwhelmed the silence
with the sacred syllables of a mother-tongue
that has no word for time or death.
No word for life that distinguishes them from me.
Not just moonlight on the barkless limbs of mannequins
that have shed their skin seductively.
Not the dead of a northern Pompey
frozen in ash and ice and snow
catastrophically posed for generations to come
but the hymns of the homeless
who've finally found common ground
with the tent cities of the stars high overhead
and the gypsy moths in the Dutch elms.
The long vowels of the living joining hands
with the skeletal consonants of the dead
to make one whole word we can say in our sleep
like a secret we keep between ourselves.
And for the moment I feel almost complete here
like the first draft of a book
that the dead have yet to rewrite.
And though I've said it thousands of times before
in as many ways as I was inspired to,
like a fire that reared up at the mere shadow of the whip
to outrun the starlight for the sheer spirit
of challenging the will of this body
dug like a spur in its own ribs,
it was clear from the very beginning,
as clear as poppies and marigolds
in the summer of their oral traditions,
no more can be said in the dead of winter
than can be said by the living
to coax the wild crocuses out in spring.
You might be a lone night bird
that inhabits the woods like a magus
with too many stars to follow
to follow any one of them
and gratify your life by stargazing
and calling the faithful to prayer
like a muezzin in the morning
with the voice of an underground river.
And for all your lucidity you might never find
the long shadows of your ancestors
erecting the waterlilies of their tents
along the riverbanks of those rivers and lifelines
you keep returning to every year like waterbirds.
Or you could find no sign of anyone
for light years who could recognize you
for who you are even as you change time-zones
like a child with ageing eyes
who was raised by the alone with the Alone
in an incomprehensible solitude that included everyone.
Here where distinctions break down
and the dead and the living both draw
from the same source as they've always done
each is known to the other
by attributes that neither of them have.
The warm heart of a black rose
looking back over its shoulder
at a bend in the night creek,
the moon rising up over the valley,
a pearl in partial eclipse,
taking one long, last look
at the broken cages of ghostly tree limbs
and shattered ladders of lifeboat wing bones
that drowned on the way to their own rescue.
Is one side of a window truer than another?
Inner and outer, I and the other
truly separated by this mere hole in my eye?
Do the stars streaming through my mind
feel a subtle change in the nature of the sky
when they do, a different feel to the darkness,
something strange about the flowers
they open like loveletters, sensing someone
has been tampering with their mail
as if the message were still the medium
but with a different return address?
Is my absence any less baffling than my presence?
These with the hearts of departed things
any less whole or real or displaced
or death any less of a prelude to time
than any other point in its passage is?
Even in death, even when the sun
shines at midnight it's always dawn.
The waterbirds go. The waterbirds come back.
Like an ongoing dialogue in an hourglass
where content is the same as timing
and the most enduring of things
are the things that most readily pass
between the bright vacancy
and dark abundance of life
like the moon that keeps growing
without coming or going like a journey
standing in the doorway
of its own unending threshold.
poem by Patrick White
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Fairy Tale
Now this is the story of Olaf
Who ages and ages ago
Lived right on the top of a mountain,
A mountain all covered with snow.
And he was quite pretty and tiny
With beautiful curling fair hair
And small hands like delicate flowers--
Cheeks kissed by the cold mountain air.
He lived in a hut made of pinewood
Just one little room and a door
A table, a chair, and a bedstead
And animal skins on the floor.
Now Olaf was partly fairy
And so never wanted to eat;
He thought dewdrops and raindrops were plenty
And snowflakes and all perfumes sweet.
In the daytime when sweeping and dusting
And cleaning were quite at an end,
He would sit very still on the doorstep
And dream--O, that he had a friend!
Somebody to come when he called them,
Somebody to catch by the hand,
Somebody to sleep with at night time,
Somebody who'd quite understand.
One night in the middle of Winter
He lay wide awake on his bed,
Outside there was fury of tempest
And calling of wolves to be fed--
Thin wolves, grey and silent as shadows;
And Olaf was frightened to death.
He had peeped through a crack in the doorpost,
He had seen the white smoke of their breath.
But suddenly over the storm wind
He heard a small voice pleadingly
Cry, "I am a snow fairy, Olaf,
Unfasten the window for me."
So he did, and there flew through the opening
The daintiest, prettiest sprite
Her face and her dress and her stockings,
Her hands and her curls were all white.
And she said, "O you poor little stranger
Before I am melted, you know,
I have brought you a valuable present,
A little brown fiddle and bow.
So now you can never be lonely,
With a fiddle, you see, for a friend,
But all through the Summer and Winter
Play beautiful songs without end."
And then,--O she melted like water,
But Olaf was happy at last;
The fiddle he tucked in his shoulder,
He held his small bow very fast.
So perhaps on the quietest of evenings
If you listen, you may hear him soon,
The child who is playing the fiddle
Away up in the cold, lonely moon.
poem by Katherine Mansfield
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Spiders In Bubbles Plumbing The Depths
Spiders in bubbles plumbing the depths
of a new medium. Looking up from the bottom
the stars aren't stars, they're water-striders.
And me? I'm walking on the surface of my mind
like a very light-footed telescope. An antelope
who's just woken up from a dream
of a touring ballet company run by lions.
I'm sitting on a skull of rock close to the river
like some bare-footed prophecy
eating locusts and honey in the wilderness
that doesn't know whether to make heads or tails of me.
Anxieties of surviving the way I am mingle
with lyrics of longing to change
like the metamorphic passage of the river
flowing by me like the not so Milky Way
of my mindstream trying to clarify itself
in the course of its own running. But it's
as hard to part the waters with the wind
as it is with a sword, and I'm not looking
for any anomaly of nature to lead me to the Promised Land.
And I've been to PsychoBabylon and back.
And I had no eyes, I was blind, and I had to
follow my own Orphic skull up out of hell
like a song someone was whistling in the dark.
You live too long with ghosts, you start
asserting your wilfulness for all of them
and pretty soon the seance turns into an exorcism.
The fire that burned of its own accord,
stops crying like a candle and begins scrying
which way it's going on any one of these Roads of Smoke.
I'm a pilgrimage of one to a shrine I've never heard of
who would like to walk part way with you,
heart to heart until you couldn't tell
the new moon apart from the full
and like the snaking of this river
around these islands of birch groves
falling like pencils the beavers have chewed through
down to their stubs, we realize inseparably
it was always the right door to enter by, the entrance,
not this inseparable exit that keeps
stuffing the mouth of the oracle
like the three bells and all's well of a seashell
with oceanic starmaps as to where
we've buried the lost treasures of our hearts and minds
that we've been looking for as if they weren't
hiding out in the open where they've always been.
The hidden harmony of deep love is the dark bond
that ensures there can be no discontinuity
anywhere in the bubble-blowing multiverse
whether there are spiders on the moon in diving bells
that look like Schiaparelli's canali on Mars,
or the peculiar scars on a third eye with a detached retina,
or a neuronic crossroads in the roots of a nervous system
waiting for the wind to show up whirling like a Sufi
to tell it which way to go to transcend its spiritual vertigo
like a computer message from earth to a space rover
exploring the possibility of finding love and life
like mirages gathered around the house wells of a deserted planet
witnessing the return journey of life like a prodigal
to the first threshold it ever crossed over with a smile into exile.
poem by Patrick White
Submitted by Poetry Lover
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The Sun, The Moon And Stars
Ah-ooh, ah-ah-ooh, ah-ah-ooh, ah-ah-oh-ooh {2x}
It's late and i'm running out of clever things 2 say
The kind that will bring a girl like u 2 tears
There's only one more glass of this ros
Let's throw it on the fire with our past
And dance the night away until...
The sun, the moon and stars
Don't seem as far as they did yesterday
The sun, the moon and stars
In love we r - 4ever, always
It's late and i think it's about time 4 u and me 2 get closer...
2 get closer than we ever did before (ooh)
Whenever there's a tide u can let it ride inside your interior
Lay back, relax upon my shore (ooh)
Ooh-ooh baby, i wanna make love 2 u right here
One inside the other one - no fear, we're here until...
The sun, the moon and stars
Don't seem as far as they did yesterday
The sun, the moon and stars
In love we r - 4ever, always
Blow out this candle sunlight
And come lay down next 2 me
And paint another rainbow - ooh-wee (ooh-wee)
Eclipse this light with extasy
[...]
Come on, come on
Let's lay down
I'm walking out of what to say
That kind of lucky rhyme
Make a chippy wanna say:
whisper in the belly
2 me rocking ros?
Do u like i do
Come on and dance the night away
Let's lay before they get to close the door
U and me, we got 2 get down on the floor
Come on, let the tide ride in and off the shore
I wanna love u once again - and then some more
Lay your head back i got my hand behind your head
Like u do the limbo supple on the bouncy bed
Let's bouncing on the summer spring
And when u start 2 fall
U come like a cold winter due in montreal
(come on baby)
(the sun, the moon and stars) - hey-hey, hey-hey
(the tide ride) - hey-hey, hoo-hoo
(the tide ride - hou)
The sun, the moon and stars
Don't seem as far as they did yesterday
The sun, the moon and stars
In love we r - 4ever, always
The sun, the moon and stars
Don't seem as far as they did yesterday
The sun, the moon and stars
In love we r - 4ever, always
song performed by by Prince
Submitted by Lucian Velea
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