The Story of Phœbus and Daphne, Applied
Thyrsis, a youth of the inspired train,
Fair Sacharissa lov'd, but lov'd in vain;
Like Phœbus sung the no less amorous boy;
Like Daphne she, as lovely, and as coy;
With numbers he the flying nymph pursues,
With numbers such as Phœbus' self might use;
Such is the chase when Love and Fancy leads,
O'er craggy mountains, and through flow'ry meads;
Invok'd to testify the lover's care,
Or form some image of his cruel fair:
Urg'd with his fury, like a wounded deer,
O'er these he fled; and now approaching near,
Had reach'd the nymph with his harmonious lay,
Whom all his charms could not incline to stay.
Yet what he sung in his immortal strain,
Though unsuccessful, was not sung in vain;
All but the nymph that should redress his wrong,
Attend his passion, and approve his song.
Like Phœbus thus, acquiring unsought praise,
He catch'd at love, and fill'd his arm with bays.
poem by Edmund Waller
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In Imitation Of Anacreon
Let 'em Censure: what care I?
The Herd of Criticks I defie.
Let the Wretches know, I write
Regardless of their Grace, or Spight.
No, no: the Fair, the Gay, the Young
Govern the Numbers of my Song.
All that They approve is sweet:
And All is Sense, that They repeat.
Bid the warbling Nine retire:
Venus, String thy Servant's Lyre:
Love shall be my endless Theme:
Pleasure shall triumph over Fame:
And when these Maxims I decline,
Apollo, may Thy Fate be Mine:
May I grasp at empty Praise;
And lose the Nymph, to gain the Bays.
poem by Matthew Prior
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A Song Thats Sung..
A song that's sung
tells more than a story
a song that's sung
is sung from the heart
a song that's sung
is a story from the soul
a song that's sung
is the greatest love
a song that's sung
is a give from above
a song that's sung
is an emotion in a melody
a song that's sung
can be whatever you want it to be
a song that's sung
can have a million meanings
a song that's sung
is a diary of emotions...
poem by Emily Summers
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By a dismal cypress lying: A Song from the Italian
By a dismal cypress lying,
Damon cried, all pale and dying,
Kind is death that ends my pain,
But cruel she I lov'd in vain.
The mossy fountains
Murmur my trouble,
And hollow mountains
My groans redouble:
Ev'ry nymph mourns me,
Thus while I languish;
She only scorns me,
Who caus'd my anguish.
No love returning me, but all hope denying;
By a dismal cypress lying,
Like a swan, so sung he dying:
Kind is death that ends my pain,
But cruel she I lov'd in vain.
poem by John Dryden
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To Lady Firebrace
At length must Suffolk beauties shine in vain,
So long renown'd in B-n's deathless strain?
Thy charms at least, fair Firebrace, might inspire
Some zealous bard to wake the sleeping lyre:
For such thy beauteous mind and lovely face,
Thou seem'st at once, bright nymph, a
Muse and Grace
.
poem by Samuel Johnson
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Phœbus Apollo
Hear us, Phœbus Apollo, who are shorn of contempt and pride,
Humbled and crushed in a world gone wrong since the smoke on thine altars died;
Hear us, Lord of the morning, King of the Eastern Flame,
Dawn on our doubts and darkness and the night of our later shame!
There are strange gods come among us, of passion, and scorn, and greed;
They are throned in our stately cities, our sons at their altars bleed:
The smoke of their thousand battles hath blinded thy children’s eyes,
And our hearts are sick for a ruler that answers us not with lies,
Sick for thy light unblemished, great fruit of Latona’s pain—
Hear us, Phœbus Apollo, and come to thine own again!
Our eyes, of earth grown weary, through the backward ages peer,
Till, wooed by our eager craving, the scent of thy birth grows clear
And across the calm Ægean, gray-green in the early morn,
We hear the cry of the circling swans that salute the god new-born—
The challenge of mighty Python, the song of thy shafts that go
Straight to the heart of the monster, sped from the loosened bow.
Again through the vale of Tempe a magical music rings
The songs of the marching muses, the ripple of fingered strings!
But this is our dreaming only; we wait for a stronger strain:
Hear us, Phœbus Apollo, and come to thine own again!
There are some among us, Diviner, who know not thy way or will,
Some of thy rebel children who bow to the strange gods still;
Some that dream of oppression, and many that dream of gold,
Whose ears are deaf to the music that gladdened the world of old.
But we, the few and the faithful, we are weary of wars unjust,
There is left no god of our thousand gods that we love, believe, or trust;
In our courts is justice scoffed at, in our senates gold has sway,
And the deeds of our priests and preachers make mock of the words they say!
Cardinals, kings, and captains, there is left none fit to reign:
Hear us, Phœbus Apollo, and come to thine own again!
We have hearkened to creeds unnumbered, we have given them trial and test,
And the creed of thy Delphic temple is still of them all the best;
Thy clean-limbed, lithe disciples, slender, and strong, and young,
The swing of their long processions, the lilt of the songs they sung,
Thine own majestic presence, pursuing the nymph of dawn,
In thy chariot eastward blazing, by the swans and griffons drawn;
The spell of thy liquid music, once heard in the speeding year: —
These are the things, Great Archer, that we yearn to see and hear,
For beside thy creed untarnished all others are stale and vain!
Hear us, Phœbus Apollo, and come to thine own again!
Monarch of light and laughter, honor, and trust, and truth,
God of all inspiration, King of eternal youth,
Whose words are fitted to music as jewels are set in gold,
There is need of thy splendid worship in a world grown grim and old!
We have drunk the wine of the ages, we are come to the dregs and lees,
And the shrines are all unworthy where we bend reluctant knees;
The brand of the beast is on us, we grovel, and grope, and err,
Wake, Great god of the Morning, the moment has come to stir!
The stars of our night of evil on a wan horizon wane: —
Hear us, Phœbus Apollo, and come to thine own again!
poem by Guy Wetmore Carryl from The Garden of Years and Other Poems (1900)
Submitted by Veronica Serbanoiu
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To the Fair Clarinda
Fair lovely Maid, or if that Title be
Too weak, too Feminine for Nobler thee,
Permit a Name that more Approaches Truth:
And let me call thee, Lovely Charming Youth.
This last will justifie my soft complaint,
While that may serve to lessen my constraint;
And without Blushes I the Youth persue,
When so much beauteous Woman is in view.
Against thy Charms we struggle but in vain
With thy deluding Form thou giv'st us pain,
While the bright Nymph betrays us to the Swain.
In pity to our Sex sure thou wer't sent,
That we might Love, and yet be Innocent:
For sure no Crime with thee we can commit;
Or if we shou'd - thy Form excuses it.
For who, that gathers fairest Flowers believes
A Snake lies hid beneath the Fragrant Leaves.
Though beauteous Wonder of a different kind,
Soft Cloris with the dear Alexis join'd;
When e'er the Manly part of thee, wou'd plead
Though tempts us with the Image of the Maid,
While we the noblest Passions do extend
The Love to Hermes, Aphrodite the Friend.v
poem by Aphra Behn
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To A Young Lady, On Her Translation Of The Story Of Phoebus And Daphne, From Ovid
In Phœbus Wit (as Ovid said)
Enchanting Beauty woo'd;
In Daphne Beauty coily fled,
While vainly Wit pursu'd.
But when you trace what Ovid writ,
A diff'rent Turn we view;
Beauty no longer flies from Wit,
Since both are joyn'd in You.
Your Lines the wondrous Change impart,
From whence our Lawrels spring;
In Numbers fram'd to please the Heart,
And merit what they Sing.
Methinks thy Poet's gentle Shade
Its Wreath presents to Thee;
What Daphne owes you as a Maid,
She pays you as a Tree.
poem by Thomas Parnell
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Nancy of the Vale
The western sky was purpled o'er
With every pleasing ray;
And flocks reviving felt no more
The sultry heats of day;
When from an hazel's artless bower
Soft warbled Strephon's tongue;
He blest the scene, he blest the hour,
While Nancy's praise he sung.
'Let fops with fickle falsehood range
The paths of wanton love,
While weeping maids lament their change,
And sadden every grove:
'But endless blessings crown the day
I saw fair Esham's dale!
And every blessing find its way
To Nancy of the Vale.
''Twas from Avona's banks the maid
Diffused her lovely beams,
And every shining glance display'd
The Naiad of the streams.
'Soft as the wild-duck's tender young,
That float on Avon's tide;
Bright as the water-lily, sprung,
And glittering near its side
'Fresh as the bordering flowers her bloom,
Her eye all mild to view;
The little halcyon's azure plume
Was never half so blue.
'Her shape was like the reed so sleek,
So taper, strait, and fair;
Her dimpled smile, her blushing cheek,
How charming sweet they were!
'Far in the winding vale retired,
This peerless bud I found,
And shadowing rocks and woods conspired
To fence her beauties round.
'That Nature in so lone a dell
Should form a nymph so sweet!
Or Fortune to her secret cell
Conduct my wandering feet!
'Gay lordlings sought her for their bride,
But she would ne'er incline:
'Prove to your equals true,' she cried,
'As I will prove to mine.
''Tis Strephon, on the mountain's brow,
Has won my right good will;
To him I gave my plighted vow,
With him I'll climb the hill.'
'Struck with her charms and gentle truth,
I clasp'd the constant fair;
To her alone I gave my youth,
And vow my future care.
'And when this vow shall faithless prove,
Or I those charms forego;
The stream that saw our tender love,
That stream shall cease to flow.'
poem by William Shenstone
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An Elegy on Parting
It was a sad, ay 'twas a sad farewell,
I still afresh the pangs of parting feel;
Against my breast my heart impatient beat,
And in deep sighs bemoan'd its cruel fate;
Thus with the object of my love to part,
My life! my joy! 'twould rend a rocky heart.
Where'er I turn myself, where'er I go,
I meet the image of my lovely foe;
With witching charms the phantom still appears,
And with her wanton smiles insults my tears;
Still haunts the places where we used to walk,
And where with raptures oft I heard her talk:
Those scenes I now with deepest sorrow view,
And sighing bid to all delight adieu.
While I my head upon this turf recline,
Officious sun, in vain on me you shine;
In vain unto the smiling fields I hie;
In vain the flowery meads salute my eye;
In vain the cheerful birds and shepherds sing,
And with their carols make the valleys ring;
Yea, all the pleasure that the country yield
Can't me from sorrow for her absence shield;
With divine pleasure books which one inspire,
Yea, books themselves I do not now admire.
But hark! methinks some pitying power I hear,
This welcome message whisper in my ear:
‘Forget thy groundless griefs, dejected swain,
You and the nymph you love shall meet again;
No more your muse shall sing such mournful lays,
But bounteous heaven and your kind mistress praise.’
poem by James Thomson
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A Pastoral Dialogue Between Two Shepherdesses
[Silvia] Pretty Nymph! within this Shade,
Whilst the Flocks to rest are laid,
Whilst the World dissolves in Heat,
Take this cool, and flow'ry Seat:
And with pleasing Talk awhile
Let us two the Time beguile;
Tho' thou here no Shepherd see,
To encline his humble Knee,
Or with melancholy Lays
Sing thy dangerous Beauty's Praise.
[Dorinda] Nymph! with thee I here wou'd stay,
But have heard, that on this Day,
Near those Beeches, scarce in view,
All the Swains some Mirth pursue:
To whose meeting now I haste.
Solitude do's Life but waste.
[Silvia] Prithee, but a Moment stay.
[Dorinda] No! my Chaplet wou'd decay;
Ev'ry drooping Flow'r wou'd mourn,
And wrong the Face, they shou'd adorn.
[Silvia] I can tell thee, tho' so Fair,
And dress'd with all that rural Care,
Most of the admiring Swains
Will be absent from the Plains.
Gay Sylvander in the Dance
Meeting with a shrew'd Mischance,
To his Cabin's now confin'd
By Mopsus, who the Strain did bind:
Damon through the Woods do's stray,
Where his Kids have lost their way:
Young Narcissus iv'ry Brow
Rac'd by a malicious Bough,
Keeps the girlish Boy from sight,
Till Time shall do his Beauty right.
[Dorinda] Where's Alexis?
[Silvia] –He, alas!
Lies extended on the Grass;
Tears his Garland, raves, despairs,
Mirth and Harmony forswears;
Since he was this Morning shown,
That Delia must not be his Own.
[Dorinda] Foolish Swain! such Love to place.
[Silvia] On any but Dorinda's Face.
[Dorinda] Hasty Nymph! I said not so.
[Silvia] No–but I thy Meaning know.
Ev'ry Shepherd thou wou'd'st have
Not thy Lover, but thy Slave;
To encrease thy captive Train,
Never to be lov'd again.
But, since all are now away,
Prithee, but a Moment stay.
[Dorinda] No; the Strangers, from the Vale,
Sure will not this Meeting fail;
Graceful one, the other Fair.
He too, with the pensive Air,
Told me, ere he came this way
He was wont to look more Gay.
[Silvia] See! how Pride thy Heart inclines
To think, for Thee that Shepherd pines;
When those Words, that reach'd thy Ear,
Chloe was design'd to hear;
Chloe, who did near thee stand,
And his more speaking Looks command.
[Dorinda] Now thy Envy makes me smile.
That indeed were worth his while:
Chloe next thyself decay'd,
And no more a courted Maid.
[Silvia] Next myself! Young Nymph, forbear.
Still the Swains allow me Fair,
Tho' not what I was that Day,
When Colon bore the Prize away;
When–
[Dorinda] –Oh, hold! that Tale will last,
Till all the Evening Sports are past;
Till no Streak of Light is seen,
Nor Footstep prints the flow'ry Green.
What thou wert, I need not know,
What I am, must haste to show.
Only this I now discern
From the things, thou'd'st have me learn,
That Woman-kind's peculiar Joys
From past, or present Beauties rise.
poem by Anne Kingsmill Finch
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The Self Banished
It is not that I love you less
Than when before your feet I lay,
But to prevent the sad increase
Of hopeless love, I keep away.
In vain (alas!) for everything
Which I have known belong to you,
Your form does to my fancy bring,
And makes my old wounds bleed anew.
Who in the spring from the new sun
Already has a fever got,
Too late begins those shafts to shun,
Which Phœbus through his veins has shot.
Too late he would the pain assuage,
And to thick shadows does retire;
About with him he bears the rage,
And in his tainted blood the fire.
But vow'd I have, and never must
Your banish'd servant trouble you;
For if I break, you may distrust
The vow I made to love you, too.
poem by Edmund Waller
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Water Nymph (Fantasy Poem)
Water Nymph come swim with me,
in the deepest valleys of the sea.
Swim through the eddies,
flirt with the sea ladies.
Many treasures here for you and me.
sirens of the sea waving happily.
Water nymph, water nymph,
did you see, they waved at me.
Come water nymph come swim with me.
Enjoy the vastness of the deep blue sea.
There are sea monkeys, sirens, mermaids and more.
Maybe we can take some treasures back to shore.
Oh cmon water nymph, don’t be shy.
Come swim with me, watch the boats sail by.
(July 1,2007)
poem by Melvina Germain
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It's Just A Song (Lyric) :
You hear the sound of the song.
It's coming on real strong.
It gives you a sense of strength.
it filters through the air.
It lifts you off the ground.
We hear from town to town.
It's just a song-sung-long.
A sing-a-long-song-sung.
It's just a song.
it's just a song.
A sing-a-long-song-sung.
It's just a song.
It takes you out in space.
Closer to second base.
It follows through so cool.
The smoothest thing for you.
A sound that sounds so clear.
A sound you'll want to hear.
It's just a song-sung-long.
A sing-a-long-song-sung.
It's just a song.
It's just a song.
It's just a-song-sung-long.
A sing-a-long-song-sung.
It's just a song.
It sends you through the air.
A sound that makes you high.
It makes you feel so good.
A sound that always should.
Just lifts you off the ground.
We hear from town to town.
It's just a-song-sung-long.
A sing-a-long-song-sung.
It's just a song.
It's just a song.
It's just a-song-sung-long.
A sing-a-long-song-sung.
It's just a song.
it's just a song..
Song-Lyric-Poetry by Kim Robin Edwards
Copyright 1989,2009..
ALL rights reserved..
See>>www.edwardspoetry.com
poem by Kim Robin Edwards
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The Garland
The pride of every grove I chose,
The violet sweet and lily fair,
The dappled pink and blushing rose,
To deck my charming Cloe's hair.
At morn the nymph vouchsafed to place
Upon her brow the various wreath;
The flowers less blooming than her face,
The scent less fragrant than her breath.
The flowers she wore along the day,
And every nymph and shepherd said,
That in her hair they look'd more gay
Than glowing in their native bed.
Undress'd at evening, when she found
Their odours lost, their colours past,
She changed her look, and on the ground
Her garland and her eyes she cast.
That eye dropp'd sense distinct and clear
As any Muse's tongue could speak,
When from its lid a pearly tear
Ran trickling down her beauteous cheek.
Dissembling what I knew too well,
My love, my life, said I, explain
This change of humour; pr'ythee tell,
That falling tear - what does it mean?
She sigh'd, she smiled; and to the flowers
Pointing, the lovely moralist said,
See, friend, in some few fleeting hours,
See yonder what a change is made.
Ah me! the blooming pride of May
And that of Beauty are but one;
At morn both flourish bright and gay,
Both fade at evening, pale, and gone.
At dawn poor Stella danced and sung,
The amorous youth around her bow'd;
At night her fatal knell was rung;
I saw and kiss'd her in her shroud.
Such as she is who died to-day,
Such I, alas! may be to-morrow;
Go, Damon, bid thy Muse display
The justice of thy Cloe's sorrow.
poem by Matthew Prior
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Stella’s Birth-Day. 1724-5
As when a beauteous nymph decays,
We say she's past her dancing days;
So poets lose their feet by time,
And can no longer dance in rhyme.
Your annual bard had rather chose
To celebrate your birth in prose:
Yet merry folks, who want by chance
A pair to make a country dance,
Call the old housekeeper, and get her
To fill a place for want of better:
While Sheridan is off the hooks,
And friend Delany at his books,
That Stella may avoid disgrace,
Once more the Dean supplies their place.
Beauty and wit, too sad a truth!
Have always been confined to youth;
The god of wit and beauty's queen,
He twenty-one and she fifteen,
No poet ever sweetly sung,
Unless he were, like Phoebus, young;
Nor ever nymph inspired to rhyme,
Unless, like Venus, in her prime.
At fifty-six, if this be true,
Am I a poet fit for you?
Or, at the age of forty-three,
Are you a subject fit for me?
Adieu! bright wit, and radiant eyes!
You must be grave and I be wise.
Our fate in vain we would oppose:
But I'll be still your friend in prose:
Esteem and friendship to express,
Will not require poetic dress;
And if the Muse deny her aid
To have them sung, they may be said.
But, Stella, say, what evil tongue
Reports you are no longer young;
That Time sits with his scythe to mow
Where erst sat Cupid with his bow;
That half your locks are turn'd to gray?
I'll ne'er believe a word they say.
'Tis true, but let it not be known,
My eyes are somewhat dimmish grown;
For nature, always in the right,
To your decays adapts my sight;
And wrinkles undistinguished pass,
For I'm ashamed to use a glass:
And till I see them with these eyes,
Whoever says you have them, lies.
No length of time can make you quit
Honour and virtue, sense and wit;
Thus you may still be young to me,
While I can better hear than see.
O ne'er may Fortune show her spite,
To make me deaf, and mend my sight!
poem by Jonathan Swift
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A Pastoral Ballad IV: Disappointment
Ye shepherds give ear to my lay,
And take no more heed of my sheep:
They have nothing to do but to stray;
I have nothing to do but to weep.
Yet do not my folly reprove;
She was fair -- and my passion begun;
She smil'd -- and I could not but love;
She is faithless -- and I am undone.
Perhaps I was void of all thought:
Perhaps it was plain to foresee,
That a nymph so compleat would be sought
By a swain more engaging than me.
Ah! love ev'ry hope can inspire;
It banishes wisdom the while;
And the lip of the nymph we admire
Seems for ever adorn'd with a smile.
She is faithless, and I am undone;
Ye that witness the woes I endure;
Let reason instruct you to shun
What it cannot instruct you to cure.
Beware how you loiter in vain
Amid nymphs of an higher degree:
It is not for me to explain
How fair, and how fickle they be.
Alas! from the day that we met,
What hope of an end to my woes?
When I cannot endure to forget
The glance that undid my repose.
Yet time may diminish the pain:
The flow'r, and the shrub, and the tree,
Which I rear'd for her pleasure in vain,
In time may have comfort for me.
The sweets of a dew-sprinkled rose,
The sound of a murmuring stream,
The peace which from solitude flows,
Henceforth shall be Corydon's theme.
High transports are shewn to the sight,
But we are not to find them our own;
Fate never bestow'd such delight,
As I with my Phyllis had known.
O ye woods, spread your branches apace;
To your deepest recesses I fly;
I would hide with the beasts of the chace;
I would vanish from every eye.
Yet my reed shall resound thro' the grove
With the same sad complaint it begun;
How she smil'd, and I could not but love;
Was faithless, and I am undone!
poem by William Shenstone
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Till The Last Song Is Sung
TILL THE LAST SONG IS SUNG
You’re welcome to stay
Please don’t go away
We’re open till
The last song is sung
There’s dancing on the floor
We won’t close the door
You can leave tips at the bar
The walk isn’t far
After the last song
Is sung
We’re just up the street
A place where you can plant your feet
Where the drinks are so good
You can’t remember where you stood
You can leave if you like
Be careful on the pike
Remember you came here for fun
Till the last song is sung
4/20/08
poem by Paul Klobusicky
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Song Sung Blue
Written by: neil diamond
Song sung blue
Everybody knows one
Song sung blue
Every garden grows one
Me and you are subject to the blues now and then
But when you take the blues and make a song
You sing them out again
Sing them out again
Song sung blue
Weeping like a willow
Song sung blue
Sleeping on my pillow
Funny thing, but you can sing it with a cry in your voice
And before you know it, start to feeling good
You simply got no choice
Song sung blue
Everybody knows one
Song sung blue
Every garden grows one
song performed by by Neil Diamond
Submitted by Lucian Velea
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I Am ... I Said
Written by: neil diamond
Song sung blue
Everybody knows one
Song sung blue
Every garden grows one
Me and you are subject to the blues now and then
But when you take the blues and make a song
You sing them out again
Sing them out again
Song sung blue
Weeping like a willow
Song sung blue
Sleeping on my pillow
Funny thing, but you can sing it with a cry in your voice
And before you know it, start to feeling good
You simply got no choice
Song sung blue
Everybody knows one
Song sung blue
Every garden grows one
song performed by by Neil Diamond
Submitted by Lucian Velea
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Elegy XXVI. Describing the Sorrow of An Ingeneous Mind
Why mourns my friend? why weeps his downcast eye,
That eye where mirth, where fancy, used to shine?
Thy cheerful meads reprove that swelling sigh;
Spring ne'er enamell'd fairer meads than thine.
Art thou not lodged in Fortune's warm embrace?
Wert thou not form'd by Nature's partial care?
Bless'd in thy song, and bless'd in every grace
That wins the friend, or that enchants the fair?
'Damon,' said he, 'thy partial praise restrain;
Not Damon's friendship can my peace restore:
Alas! his very praise awakes my pain,
And my poor wounded bosom bleeds the more.
'For, O that Nature on my birth had frown'd,
Or Fortune fix'd me to some lowly cell!
Then had my bosom 'scaped this fatal wound,
Nor had I bid these vernal sweets farewell.
'But, led by Fortune's hand, her darling child,
My youth her vain licentious bliss admired;
In Fortune's train the syren Flattery smiled,
And rashly hallow'd all her queen inspired.
'Of folly studious, even of vices vain,
Ah, vices gilded by the rich and gay!
I chased the guileless daughters of the plain,
Nor dropp'd the chase till Jessy was my prey.
'Poor artless maid! to stain thy spotless name,
Expense, and Art, and Toil united strove;
To lure a breast that felt the purest flame,
Sustain'd by Virtue, but betray'd by Love.
'School'd in the science of Love's mazy wiles,
I clothed each feature with affected scorn;
I spoke of jealous doubts, and fickle smiles,
And, feigning, left her anxious and forlorn.
'Then while the fancied rage alarm'd her care,
Warm to deny, and zealous to disprove,
I bade my words the wonted softness wear,
And seized the minute of returning love.
'To thee, my Damon, dare I paint the rest?
Will yet thy love a candid ear incline?
Assured that virtue, by misfortune press'd,
Feels not the sharpness of a pang like mine.
'Nine envious moons matured her growing shame,
Erewhile to flaunt it in the face of day,
When scorn'd of Virtue, stigmatized by Fame,
Low at my feet desponding Jessy lay.
''Henry,' she said, 'by thy dear form subdued,
See the sad relics of a nymph undone!
I find, I find this rising sob renew'd;
I sigh in shades, and sicken at the sun.
''Amid the dreary gloom of night, I cry,
When will the morn's once pleasing scenes return?
Yet what can morn's returning ray supply,
But foes that triumph, or but friends that mourn?
''Alas! no more that joyous morn appears
That led the tranquil hours of spotless fame,
For I have steep'd a father's couch in tears,
And tinged a mother's glowing cheek with shame.
''The vocal birds that raise their matin strain,
The sportive lambs, increase my pensive moan;
All seem to chase me from the cheerful plain,
And talk of truth and innocence alone.
''If through the garden's flowery tribes I stray,
Where bloom the jasmines that could once allure,
'Hope not to find delight in us,' they say,
'For we are spotless, Jessy; we are pure.'
''Ye flowers! that well reproach a nymph so frail,
Say, could you with my virgin fame compare?
The brightest bud that scents the vernal gale
Was not so fragrant; and was not so fair.
''Now the grave old alarm the gentler young,
And all my fame's abhorr'd contagion flee;
Trembles each lip, and falters every tongue,
That bids the morn propitious smile on me.
''Thus for your sake I shun each human eye,
I bid the sweets of blooming youth adieu:
To die I languish, but I dread to die,
Lest my sad fate should nourish pangs for you.
''Raise me from earth; the pains of want remove,
And let me, silent, seek some friendly shore;
There only, banish'd from the form I love,
My weeping virtue shall relapse no more.
''Be but my friend; I ask no dearer name;
Be such the meed of some more artful fair;
Nor could it heal my peace, or chase my shame,
That Pity gave what Love refused to share.
''Force not my tongue to ask its scanty bread,
Nor hurl thy Jessy to the vulgar crew;
Not such the parent's board at which I fed!
Not such the precepts from his lips I drew!
''Haply, when age has silver'd o'er my hair,
Malice may learn to scorn so mean a spoil;
Envy may slight a face no longer fair,
And Pity welcome to my native soil.'
'She spoke-nor was I born of savage race,
Nor could these hands a niggard boon assign;
Grateful she clasp'd me in a last embrace,
And vow'd to waste her life in prayers for mine.
'I saw her foot the lofty bark ascend,
I saw her breast with every passion heave;
I left her-torn from every earthly friend;
Oh, my hard bosom! which could bear to leave!
'Brief let me be: the fatal storm arose;
The billows raged, the pilot's art was vain;
O'er the tall mast the circling surges close;
My Jessy-floats upon the watery plain!
'And-see my youth's impetuous fires decay:
Seek not to stop Reflection's bitter tear;
But warn the frolic, and instruct the gay,
From Jessy floating on her watery bier.'
poem by William Shenstone
Submitted by Poetry Lover
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