The Nizam’s Daughter
SHE is yet a child in years,
Twelve springs are on her face,
Yet in her slender form appears
The woman's perfect grace.
Her silken hair, that glossy black,
But only to be found
There, or upon the raven's back,
Falls sweeping to the ground.
'Tis parted in two shining braids
With silver and with gold,
And one large pearl by contrast aids
The darkness of each fold.
And for she is so young, that flowers
Seem natural to her now,
There wreaths the champac's snowy showers
Around her sculptured brow.
Close to her throat the silvery vest
By shining clasps is bound,
Scarce may her graceful shape be guest,
Mid drapery floating round.
But the small curve of that veined throat,
Like marble, but more warm,
The fairy foot and hand denote
How perfect is the form.
Upon the ankle and the wrist
There is a band of gold,
No step by Grecian fountain kiss'd,
Was of diviner mould.
In the bright girdle round her waist,
Where the red rubies shine,
The kandjar's glittering hilt is placed,
To mark her royal line.
Her face is like the moonlight pale,
Strangely and purely fair,
For never summer sun nor gale
Has touched the softness there.
There are no colours of the rose,
Alone the lip is red;
No blush disturbs the sweet repose
Which o'er that cheek is shed.
And yet the large black eyes, like night,
Have passion and have power;
Within their sleepy depths is light
For some wild wakening hour.
A world of sad and tender dreams
'Neath those long lashes sleep,
A native pensiveness that seems
Too still and sweet to weep.
Of such seclusion know we nought:
Yet surely woman here
Grows shrouded from all common thought,
More delicate and dear.
And love, thus made a thing apart,
Must seem the more divine,
When the sweet temple of the heart
Is a thrice-veiled shrine.
poem by Letitia Elizabeth Landon
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A Suttee
GATHER her raven hair in one rich cluster,
Let the white champac light it, as a star
Gives to the dusky night a sudden lustre,
Shining afar.
Shed fragrant oils upon her fragrant bosom,
Until the breathing air around grows sweet;
Scatter the languid jasmine's yellow blossom
Beneath her feet.
Those small white feet are bare—too soft are they
To tread on aught but flowers; and there is roll'd
Round the slight ankle, meet for such display,
The band of gold.
Chains and bright stones are on her arms and neck;
What pleasant vanities are linked with them,
Of happy hours, which youth delights to deck
With gold and gem.
She comes! So comes the Moon, when she has found
A silvery path wherein thro' heaven to glide.
Fling the white veil—a summer cloud—around;
She is a bride!
And yet the crowd that gather at her side
Are pale, and every gazer holds his breath.
Eyes fill with tears unbidden, for the bride—
The bride of Death!
She gives away the garland from her hair,
She gives the gems that she will wear no more;
All the affections, whose love-signs they were,
Are gone before.
The red pile blazes—let the bride ascend,
And lay her head upon her husband's heart,
Now in a perfect unison to blend—
No more to part.
poem by Letitia Elizabeth Landon
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My Irish Love
Beside the saffron of a curtain, lit
With broidered flowers, below a golden fringe
That on her silver shoulder made a glow,
Like the sun kissing lilies in the dawn;
She sat--my Irish love--slim, light and tall.
Between his mighty paws her stag-hound held,
(Love-jealous he) the foam of her pale robes,
Rare laces of her land, and his red eyes,
Half lov'd me, grown familiar at her side,
Half pierc'd me, doubting my soul's right to stand
His lady's wooer in the courts of Love.
Above her, knitted silver, fell a web
Of light from waxen tapers slipping down,
First to the wide-winged star of em'ralds set
On the black crown with its blue burnish'd points
Of raven light; thence, fonder, to the cheek
O'er which flew drifts of rose-leaves wild and rich,
With lilied pauses in the wine-red flight;
For when I whispered, like a wind in June,
My whisper toss'd the roses to and fro
In her dear face, and when I paus'd they lay
Still in her heart. Then lower fell the light.
A silver chisel cutting the round arm
Clear from the gloom; and dropped like dew
On the crisp lily, di'mond clasp'd, that lay
In happy kinship on her pure, proud breast,
And thence it sprang like Cupid, nimble-wing'd,
To the quaint love-ring on her finger bound
And set it blazing like a watch-fire, lit
To guard a treasure. Then up sprang the flame
Mad for her eyes, but those grey worlds were deep
In seas of native light: and when I spoke
They wander'd shining to the shining moon
That gaz'd at us between the parted folds
Of yellow, rich with gold and daffodils,
Dropping her silver cloak on Innisfail.
O worlds, those eyes! there Laughter lightly toss'd
His gleaming cymbals; Large and most divine
Pity stood in their crystal doors with hands
All generous outspread; in their pure depths
Mov'd Modesty, chaste goddess, snow-white of brow,
And shining, vestal limbs; rose-fronted stood
Blushing, yet strong; young Courage, knightly in
His virgin arms, and simple, russet Truth
Play'd like a child amongst her tender thoughts--
Thoughts white as daisies snow'd upon the lawn.
Unheeded, Dante on the cushion lay,
His golden clasps yet lock'd--no poet tells
The tale of Love with such a wizard tongue
That lovers slight dear Love himself to list.
Our wedding eve, and I had brought to her
The jewels of my house new set for her
(As I did set the immemorial pearl
Of our old honour in the virgin gold
Of her high soul) with grave and well pleased eyes,
And critic lips, and kissing finger tips,
She prais'd the bright tiara and its train
Of lesser splendours--nor blush'd nor smil'd:
They were but fitting pages to her state,
And had no tongues to speak between our souls.
But I would have her smile ripe for me then,
Swift treasure of a moment--so I laid
Between her palms a little simple thing,
A golden heart, grav'd with my name alone,
And round it, twining close, small shamrocks link'd
Of gold, mere gold: no jewels made it rich,
Until twin di'monds shatter'd from her eyes
And made the red gold rare. 'True Knight,' she said,
'Your English heart with Irish shamrocks bound!'
'A golden prophet of eternal truth,'
I said, and kissed the roses of her palms,
And then the shy, bright roses of her lips,
And all the jealous jewels shone forgot
In necklace and tiara, as I clasp'd
The gold heart and its shamrocks round her neck.
My fair, pure soul! My noble Irish love!
poem by Isabella Valancy Crawford
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After our Likeness.
Before me now a little picture lies—
A little shadow of a childish face,
Childishly sweet, yet with the dawning grace
Of thought and wisdom on her lips and eyes.
Fair, oval, broad-brow'd face—small, delicate head—
Transparent skin, with blue veins shining through—
All the soft outlines, beautiful and true,
Bring me the echo of the words “God said.”
Made “in our image”—sure 'tis that we see,
God's likeness, in the fair face of a child,
By the world's sin and passion undefiled—
Ay, as I look, it seems quite plain to me.
The light wherein the little features shine,
Strange, mystic light, so undefined and faint,
So far too pure for any words to paint—
'Tis a reflection of the Face divine.
Some day the earthly shadows will be cast
Across that sunshine—it may be to dim
A while the visible countenance of Him;
But 'twill be there—the likeness—to the last.
Some day the lucid waters, in which lie
Pictured those glorious lineaments, will be
Stirred up and troubled like a stormy sea;—
But they will yet re-settle—by-and-by.
They will re-settle when the soul is still'd,
Its passions, its wild longings, and its pain;
The pure reflection will shine out again
When earth's hopes are relinquish'd, unfulfill'd.
They will re-settle in those after-years
When life's hard lessons have been conned and learn'd;
Then this child's beauty will have all return'd,
More lovely for the trouble and the tears.
They will re-settle in the calm of death,
When the sweet eyes are laid asleep, and when
The heart is hush'd. Truly God's likeness then—
The mirror clear, unsullied by a breath.
Ah! while I look, and trace each tender line,
I think most of the day when I shall see
The dear face in that perfect purity,
Its mortal features clothed with the divine.
This self-same face, but with the image bright,
Nevermore undefined, and faint, and dim;
This self-same face, yet like the face of Him,
In glory and in beauty infinite.
poem by Ada Cambridge
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Sir Thomas Lawrence
DIVINEST art, the stars above
Were fated on thy birth to shine;
Oh, born of beauty and of love,
What early poetry was thine!
The softness of Ionian night
Upon Ionian summer lay,
One planet gave its vesper light,
Enough to guide a lover's way;
And gave the fountain as it played
The semblance of a silvery shower,
And as its waters fell, they made
A music meet for such an hour;
That, and the tones the gentle wind
Won from the leaf, as from a lute,
In natural melody combined,
Now that all ruder sound was mute;
And odours floated on the air,
As many a nymph had just unbound
The wreath that bound their raven hair,
And flung the fragrant tresses round.
Pillowed on violet leaves, which prest
Filled the sweet chamber with their sighs,
Lulled by the lyre's low notes to rest,
A Grecian youth in slumber lies;
And at his side a maiden stands,
The dark hair braided on her brow,
The lute within her slender hands,
But hushed is all its music now.
She would not wake him from his dreams,
Although she has so much to say,
Although the morning's earliest beams
Will see her warrior torn away.
How fond and earnest is the gaze
Upon these sleeping features thrown,
She who yet never dared to raise
Her timid eyes to meet his own.
She bends her lover's rest above,
Thoughtful with gentle hopes and fears,
And that unutterable love
Which never yet spoke but in tears;
She would not that those tears should fall
Upon the cherished sleeper's face,
She turns, and sees upon the wall
Its imaged shade, its perfect grace;
With eager hand she marked each line,
The shadowy brow, the arching head,
Till some creative power divine,
Love's likeness o'er love's shadow spread:
Since then, what passion and what power
Has dwelt upon the painter's art;
How has it soothed the absent hour,
With looks that wear life's loveliest part.
Oh, painter of our English isle,
Whose name is now upon my line,
Who gave to beauty's blush and smile
All that could make them most divine;
The fair Ionian's ancient claim
Was never paid, till paid by thee,
And thou didst honour to her name,
By showing what her sex can be.
poem by Letitia Elizabeth Landon
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Midnight Canto
Young, you weep the falling moon,
Luminous willow, beside the black river
Where I drown in your pale ghost,
Each small wave, the eyelid
Of a scattered rose, silvered by the light.
You are everything that time could steal
From me, brought back, an afterlife
I had not thought possible, a birth
Beyond the debt I owe to anyone,
These hauntings, these crucial exorcisms.
In me, wheat, honey, white gold,
Your sad summer made mystery
By night, in me, when perfect solitude
Paints your face upon its raven waters
And the watching stars discuss conspiracies
Of love that terrify the sleepless hour.
Servant of the dream that spins the world
Through the languishing ages into yesterday,
I am resurrected like the wind to comb
Your hair, and play upon your cheek,
A memory of fire, to let you know,
Though alone, I am near and now,
The music of your shining leaves,
Companion, sage, fool, or poet,
The soft, mad music of your shining leaves.
poem by Patrick White
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The Spanish Chapel
I made a mountain-brook my guide
Thro' a wild Spanish glen,
And wandered, on its grassy side,
Far from the homes of men.
It lured me with a singing tone,
And many a sunny glance,
To a green spot of beauty lone,
A haunt for old romance.
A dim and deeply-bosom'd grove
Of many an aged tree,
Such as the shadowy violets love,
The fawn and forest-bee.
The darkness of the chestnut bough
There on the waters lay,
The bright stream reverently below,
Check'd its exulting play;
And bore a music all subdued,
And led a silvery sheen,
On thro' the breathing solitude
Of that rich leafy scene.
For something viewlessly around
Of solemn influence dwelt,
In the soft gloom and whispery sound,
Not to be told, but felt;
While sending forth a quiet gleam
Across the wood's repose,
And o'er the twilight of the stream,
A lowly chapel rose.
A pathway to that still retreat
Thro' many a myrtle wound,
And there a sight–how strangely sweet!
My steps in wonder bound.
For on a brilliant bed of flowers,
Even at the threshold made,
As if to sleep thro' sultry hours,
A young fair child was laid.
To sleep?–oh! ne'er on childhood's eye,
And silken lashes press'd,
Did the warm living slumber lie,
With such a weight of rest!
Yet still a tender crimson glow
Its cheek's pure marble dyed–
'Twas but the light's faint streaming flow
Thro' roses heap'd beside.
I stoop'd–the smooth round arm was chill,
The soft lip's breath was fled,
And the bright ringlets hung so still–
The lovely child was dead!
'Alas!' I cried, 'fair faded thing!
Thou hast wrung bitter tears,
And thou hast left a wo, to cling
Round yearning hearts for years!'
But then a voice came sweet and low–
I turn'd, and near me sate
A woman with a mourner's brow,
Pale, yet not desolate.
And in her still, clear, matron face,
All solemnly serene,
A shadow'd image I could trace
Of that young slumberer's mien.
'Stranger! thou pitiest me,' she said,
With lips that faintly smil'd,
'As here I watch beside my dead,
My fair and precious child.
'But know, the time-worn heart may be
By pangs in this world riven,
Keener than theirs who yield, like me,
An angel thus to Heaven!'
poem by Felicia Dorothea Hemans
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Lines On H---'s Foot
It may be you've seen her eyes,
Dark and deep like midnight skies;
You mayhap have seen them flash
Underneath the drooping lash,
And been dazzled by the light
Of those orbs, so dark and bright;
But-have you seen her foot,
In its little gaiter boot?
You have noticed, maybe, how
The lily spreads from chin to brow.
You have thought her cheek more fair
Than if roses lingered there;
(Roses would seem out of place
On her pale patrician face)
But-again I question you,
Have you seen her tiny shoe?
You have thought her mouth, no doubt,
Like a blush-rose half blown out;
Small and sweet, withal, beside,
Touched with scorn and curved with pride;
(Innate pride-not meant to chill)-
You have seen it there, and still-
Answer one more question, pray-
Have you seen her boot? I say.
Such a tiny, tiny thing,
Is that foot of which I sing;
No. 3 would hide it so
It could not be found, I know.
No. 2 must stand aside
All too long and large and wide,
No. 1
must
be the boot
For this maiden's little foot.
You may envy, sir, the clerk
In the shoe-store, hard at work,
Who tries the gaiter boot
On this cunning little foot.
On his knee, supporting it,
Saying, 'It's a perfect fit,'
Buttoning on the No. 1,
Looking sorry, when it's done.
You have seen her, slight and neat,
As she tripped along the street,
You have
heard
the pit-pat-fall
Of that foot so very small.
That she's fair, and pure, and good,
Bright, and sweet is understood,
But-have you
seen
that foot-
In its dainty gaiter boot?
poem by Ella Wheeler Wilcox
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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The Young Greek Odalisque
’Mid silken cushions, richly wrought, a young Greek girl reclined,
And fairer form the harem’s walls had ne’er before enshrined;
’Mid all the young and lovely ones who round her clustered there,
With glowing cheeks and sparkling eyes, she shone supremely fair.
’Tis true that orbs as dark as hers in melting softness shone,
And lips whose coral hue might vie in brightness with her own;
And forms as light as ever might in Moslem’s heaven be found,
So full of beauty’s witching grace, were lightly hovering round.
Yet, oh, how paled their brilliant charms before that beauteous one
Who, ’mid their gay mirth, silent sat, from all apart—alone,
Outshining all, not by the spells of lovely face or form,
But by the soul that shone through all, her peerless, priceless charm.
But, say, what were the visions sweet that filled that gentle heart?
Surely to Azof, her liege lord, was given the greatest part,—
To him who prized her smiles beyond the power his sceptre gave,
And, mighty sultan though he was, to her was as a slave.
No, not of crowned heads thought she then, of hall or gilded dome,
But of fair Greece, that classic land, her loved, her early home.
She yearns to see again its skies, proud temples, woodland flowers,
Less bright, but dearer far, than those that bloom in harem bowers.
She glanced upon the jewels rich that gemmed her shining hair,
And wreathed her sculptured, snowy arms, her neck and brow so fair.
Their lustre softened not the pangs that filled that lonely hour,
More happy was she when her braids were decked with simple flower.
But, Azof, did not thought of him some passing joy impart;
Did not the memory of his love bring gladness to her heart?
Alas, that long and heavy sigh, the glitt’ring tear that fell
From ’neath her dark and drooping lids, told more than words could tell.
Awhile she weeps, and then a change steals o’er her mournful dream,
Her gloomy thoughts are chased away, and all things brighter seem,
A timid and yet blissful smile lights up her beauteous brow,
Her soft cheek crimsons, but, oh’ not of Azof thinks she now.
Perchance of some gallant Greek she knew in life’s young hour,
Some childish love as guileless as her love for bird or flower,
But which, looked back on through the mist of absence or of time,
Seemed sad and sweet as are the words—of some old childish rhyme.
Could he, her royal lover, now but look into her heart,
And read its depths, how sharp the pang that knowledge would impart,
But no, secure in certain bliss, he deems her all his own,
And prides himself that girlish heart loves him and him alone.
The sadness which might have awaked suspicion or mistrust,
Was of the spells she swayed him by, the dearest and the first,—
He deemed it but the token of a timid gentle heart,
That ever kept from needless show or noisy mirth apart.
He knew not that the voice which now sang but some mournful lay
Breathed once the soul of joyousness, was gayest of the gay,
That the soft laugh whose magic power his very heart strings stirred,
Though now so rare, in girlhood’s home had oftentimes been heard!
Th’ averted head, the timid look the half unwilling ear,
With which she met his vows of love, he deemed but girlish fear,
Nor ever dreamed that she whom all considered as thrice blessed,
Whose life was like a summer day loved, honored and caressed;
Who held, a captive to her charms, a most accomplished knight
And monarch brave that ever yet had bowed to woman’s might
Was but a poor and joyless slave, compelled to wear a smile
And act a part for which she loathed her wretched self the while.
But, like some fair exotic brought unto a foreign strand,
She lost her bloom and pined to see once more her native land,
And only when from earthly scenes death summoned her to part
A blissful smile played round her lips, and peace was in her heart.
poem by Rosanna Eleanor Leprohon
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The Oriental Nosegay. By Pickersgill
THROUGH the light curtains came the perfumed air,
And flung them back and show'd a garden, where
The eye could just catch glimpses of those trees
Which send sweet messages upon the breeze
To lull a maiden's sleep, and fan her cheek,
When inward thoughts in outward blushes speak.
Bequeath's a silken couch, just fit to be
A snowy shrine for some fair deity;
And there a beauty rests, lovely as those
Enchanted visions haunting the repose
Of the young poet, when his eyelids shut
To dream that love they have but dream'd as yet;--
But dream'd! Alas, that love should ever be
A happiness but made for phantasie!
And flowers are by her side, and her dark eye
Seems as it read in them her destiny.
She knew whose hand had gather'd them, she knew
Whose sigh and touch were on their scent and hue.
Beautiful language! Love's peculiar, own,
But only to the spring and summer known.
Ah! little marvel in such clime and age
As that of our too earth-bound pilgrimage,
That we should daily hear that love is fled,
And hope grown pale, and lighted feelings dead.
Not for the cold, the careless to impart,
By such sweet signs, the silence of the heart:
But surely in the countries where the sun
Lights loveliness in all he shines upon,--
Where love is as a mystery and a dream,
One single flower upon life's troubled stream;
There, there, perchance, may the young bosom thrill,
Feeling and fancy linger with love still.
She look'd upon the blossoms, and a smile,
A twilight one, lit up her lip the while.
Surely her love is blest, no leaves are there
That aught of lover's misery declare.
True, 'mid them is that pale and pining flower,
Whose dim blue colour speaks an absent hour;
Yet it is nothing but that tender sorrow
Of those who part to-day to meet to-morrow:
For there are hope and constancy beside,
And are not these to happiness allied;
And yet upon that maiden's cheek is caught
A summer evening's shade of pensive thought,
As if these large soft eyes knew all their fate,
How the heart would its destiny create,--
At once too tender, and too passionate;--
Too made for happiness to be happy here,
An angel fetter'd to an earthly sphere.--
And those dark eyes, so large, so soft, so bright,
So clear as if their very tears were light;
They tell that destiny, art thou not one
To whom love will be like the summer sun
That feeds the diamond in the secret mine,
Then calls it from its solitude to shine,
And piece by piece be broken. Watch the bloom,
And mark its fading to an early tomb,
And read in the decay upon it stealing
Of thy own wasted hope and wither'd feeling,--
Ay, fitting messengers for love! as fair,
As quickly past as his own visions are;--
Fling, fling the flowers away!
poem by Letitia Elizabeth Landon
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Juliet After The Masquerade. By Thompson
SHE left the festival, for it seem'd dim
Now that her eye no longer dwelt on him,
And sought her chamber,--gazed, (then turn'd away),
Upon a mirror that before her lay,
Half fearing, half believing her sweet face
Would surely claim within his memory place.
The hour was late, and that night her light foot
Had been the constant echo of the lute;
Yet sought she not her pillow, the cool air
Came from the casement, and it lured her there.
The terrace was beneath, and the pale moon
Shone o'er the couch which she had press'd at noon,
Soft-lingering o'er some minstrel's love-lorn page,--
Alas, tears are the poet's heritage!
She flung her on that couch, but not for sleep;
No, it was only that the wind might steep
Her fever'd lip in its delicious dew:
Her brow was burning, and aside she threw
Her cap and plume, and, loosen'd from its fold,
Came o'er her neck and face a shower of gold,
A thousand curls. It was a solitude
Made for young hearts in love's first dreaming mood:--
Beneath the garden lay, fill'd with rose-trees
Whose sighings came like passion on the breeze.
Two graceful statues of the Parian stone
So finely shaped, that as the moonlight shone
The breath of life seem'd to their beauty given,
But less the life of earth than that of heaven.
'Twas PSYCHE and her boy-god, so divine
They turn'd the terrace to an idol shrine,
With its white vases and their summer share
Of flowers, like altars raised to that sweet pair.
And there the maiden leant, still in her ear
The whisper dwelt of that young cavalier;
It was no fancy, he had named the name
Of love, and at that thought her cheek grew flame:
It was the first time her young ear had heard
A lover's burning sigh, or silver word;
Her thoughts were all confusion, but most sweet,--
Her heart beat high, but pleasant was its beat.
She murmur'd over many a snatch of song
That might to her own feelings now belong;
She thought upon old histories she had read,
And placed herself in each high heroine's stead,
Then woke her lute,--oh! there is little known
Of music's power till aided by love's own.
And this is happiness: oh! love will last
When all that made it happiness is past,--
When all its hopes are as the glittering toys
Time present offers, time to come destroys,--
When they have been too often crush'd to earth,
For further blindness to their little worth,--
When fond illusions have dropt one by one,
Like pearls from a rich carkanet, till none
Are left upon life's soil'd and naked string,--
And this is all what time will ever bring.
--And that fair girl,--what can the heart foresee
Of her young love, and of its destiny?
There is a white cloud o'er the moon, its form
Is very light, and yet there sleeps the storm;
It is an omen, it may tell the fate
Of love known all too soon, repented all too late.
poem by Letitia Elizabeth Landon
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The Mourners
LOW she lies, who blest our eyes
Through many a sunny day;
She may not smile, she will not rise--
The life hath past away!
Yet there is a world of light beyond,
Where we neither die nor sleep--
She is there, of whom our souls were fond--
Then wherefore do we weep?
The heart is cold, whose thoughts were told
In each glance of her glad bright eye;
And she lies pale, who was so bright,
She scarce seemed made to die.
Yet we know that her soul is happy now,
Where the saints their calm watch keep;
That angels are crowning that fair young brow--
Then wherefore do we weep?
Her laughing voice made all rejoice,
Who caught the happy sound;
There was gladness in her very step,
As it lightly touched the ground.
The echoes of voice and step are gone;
There is silence still and deep:
Yet we know she sings by God's bright throne--
Then wherefore do we weep?
The cheek's pale tinge, the lid's dark fringe;
That lies like a shadow there,
Were beautiful in the eyes of all--
And her glossy golden hair!
But though that lid may never wake
From its dark and dreamless sleep,
She is gone where young hearts do not break--
Then wherefore do we weep?
That world of light with joy is bright,
This is a world of woe:
Shall we grieve that her soul hath taken flight,
Because we dwell below?
We will bury her under the mossy sod,
And one long bright tress we'll keep;
We have only given her back to God--
Ah! wherefore do we weep?
poem by Caroline Elizabeth Sarah Norton
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My Springs
In the heart of the Hills of Life, I know
Two springs that with unbroken flow
Forever pour their lucent streams
Into my soul's far Lake of Dreams.
Not larger than two eyes, they lie
Beneath the many-changing sky
And mirror all of life and time,
-- Serene and dainty pantomime.
Shot through with lights of stars and dawns,
And shadowed sweet by ferns and fawns,
-- Thus heaven and earth together vie
Their shining depths to sanctify.
Always when the large Form of Love
Is hid by storms that rage above,
I gaze in my two springs and see
Love in his very verity.
Always when Faith with stifling stress
Of grief hath died in bitterness,
I gaze in my two springs and see
A Faith that smiles immortally.
Always when Charity and Hope,
In darkness bounden, feebly grope,
I gaze in my two springs and see
A Light that sets my captives free.
Always, when Art on perverse wing
Flies where I cannot hear him sing,
I gaze in my two springs and see
A charm that brings him back to me.
When Labor faints, and Glory fails,
And coy Reward in sighs exhales,
I gaze in my two springs and see
Attainment full and heavenly.
O Love, O Wife, thine eyes are they,
-- My springs from out whose shining gray
Issue the sweet celestial streams
That feed my life's bright Lake of Dreams.
Oval and large and passion-pure
And gray and wise and honor-sure;
Soft as a dying violet-breath
Yet calmly unafraid of death;
Thronged, like two dove-cotes of gray doves,
With wife's and mother's and poor-folk's loves,
And home-loves and high glory-loves
And science-loves and story-loves,
And loves for all that God and man
In art and nature make or plan,
And lady-loves for spidery lace
And broideries and supple grace
And diamonds and the whole sweet round
Of littles that large life compound,
And loves for God and God's bare truth,
And loves for Magdalen and Ruth,
Dear eyes, dear eyes and rare complete --
Being heavenly-sweet and earthly-sweet,
-- I marvel that God made you mine,
For when He frowns, 'tis then ye shine!
poem by Sidney Lanier
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Venus and Madonna [Venere şi Madonă]
An ideal lost in darkness of a world that's gone for ever,
Which in fairy tales was thinking and in poems used to speak,
I can see and hear you, goddess, my sweet news, so young and clever
Living in a starry heaven full of deities antique.
Venus, warm and tender marble, eye of stone, which sparkles lively
Lazy arm, like the slow thinking of a king and poet, too,
Wonderful deification of the woman looking nicely,
Of that woman, which at present, still I think she's fair and true.
Raphael, lost in his visions, in a night when stars were present,
Soul by rays intoxicated and by many lovely springs,
Saw you and he dreamed the heaven with its gardens, smelling pleasant,
Saw you floating among angels and among the holy things.
And created on the canvas the Madonna, divine being,
With her maiden smile and wearing a tiara of stars bright
With pale face and yellow tresses, woman-angel and appealing,
For the woman is the image of the angels pure and white.
So did I, lost in the darkness of a life of rhymes enchanting,
I saw you, O, barren woman without soul, and I was struck
And I took you for an angel, sweet like magic and like chanting,
When the wretched life is lighted by a strong ray of good luck.
And I saw your pale complexion, sign of sick intoxication,
Your lips bruised by the corruption, which is biting nastily,
And I covered you, cruel woman, with white veils of inspiration,
On your pallor, with my poems, throwing rays of chastity.
I gave you the rays encircling with their magic and their power
The white forehead of the angel who will help us carry on,
Turned the fiend into a hermit and the sneer into a flower
And your bold and filthy glances into a majestic dawn.
But today, the veil is falling, ruthless woman! dreams are shattered,
Your chilled lips awaken quickly my sincere and sleepy brow
And I watch you, evil demon, and my love, so cold and scattered,
Teaches me a precious lesson, that I should despise you now!
You are like a young bacchante, who has stolen without caring
The green myrtle of the martyr from the forehead of a maid,
A young virgin, whose soul surely, is as holy as a praying,
While the one of the bacchante raves and wriggles in the shade.
Oh, as Raphael created the Madonna, divine being,
With her maiden smile and wearing a tiara of stars bright,
I made out of a pale woman a true goddess, nice and pleasing,
But devoid of any feelings, with a soul as black as night!
Are you crying, child? - I wonder, with your wet and pleading glances
Can you break again my poor heart as the wind would break a bough?
Falling at your feet I'm looking in your eyes, two black expanses,
And I kiss your hands while asking if they can forgive me now.
* * *
Wipe your eyes and stop your crying!... Blaming you was cruel, disgusting,
An unjust, crooked accusation, without essence, full of lies.
Even if you were a demon, love makes you a saint, I'm trusting,
And I love this evil demon with blonde hair and deep large eyes.
poem by Mihai Eminescu, translated by Octavian Cocoş
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Sonnet X: The Portrait
O Lord of all compassionate control,
O Love! let this my lady's picture glow
Under my hand to praise her name, and show
Even of her inner self the perfect whole:
That he who seeks her beauty's furthest goal,
Beyond the light that the sweet glances throw
And refluent wave of the sweet smile, may know
The very sky and sea-line of her soul.
Lo! it is done. Above the enthroning throat
The mouth's mould testifies of voice and kiss,
The shadowed eyes remember and foresee.
Her face is made her shrine. Let all men note
That in all years (O Love, thy gift is this!)
They that would look on her must come to me.
poem by Dante Gabriel Rossetti
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Fairies On The Sea Shore. By Howard
FIRST FAIRY.
MY home and haunt are in every leaf,
Whose life is a summer day, bright and brief,--
I live in the depths of the tulip's bower,
I wear a wreath of the cistus flower,
I drink the dew of the blue harebell,
I know the breath of the violet well,--
The white and the azure violet;
But I know not which is the sweetest yet,--
I have kiss'd the cheek of the rose;
I have watch'd the lily unclose,
My silver mine is the almond tree,
Who will come dwell with flower and me?
CHORUS OF FAIRIES.
Dance we our round, 'tis a summer night,
And our steps are led by the glow-worms' light.
SECOND FAIRY.
My dwelling is in the serpentine
Of the rainbow's colour'd line,--
See how its rose and amber clings
To the many hues of my radiant wings;
Mine is the step that bids the earth
Give to the iris flower its birth,
And mine the golden cup to hide,
Where the last faint hue of the rainbow died.
Search the depths of an Indian mine,
Where are the colours to match with mine?
CHORUS.
Dance we round, for the gale is bringing
Songs the summer rose is singing.
THIRD FAIRY.
I float on the breath of a minstrel's lute,
Or the wandering sounds of a distant flute,
Linger I over the tones that swell
From the pink-vein'd chords of an ocean-shell;
I love the sky-lark's morning hymn,
Or the nightingale heard at the twilight dim,
The echo, the fountain's melody,--
These, oh! these are the spells for me!
CHORUS.
Hail to the summer night of June;
See! yonder has risen our ladye moon.
FOURTH SPIRIT.
My palace is in the coral cave
Set with spars by the ocean wave;
Would ye have gems, then seek them there,--
There found I the pearls that bind my hair.
I and the wind together can roam
Over the green waves and their white foam,--
See, I have got this silver shell,
Mark how my breath will its smallness swell,
For the Nautilus is my boat
In which I over the waters float,--
The moon is shining over the sea,
Who is there will come sail with me?
CHORUS OF FAIRIES.
Our noontide sleep is on leaf and flower,
Our revels are held in a moonlit hour,--
What is there sweet, what is there fair,
And we are not the dwellers there?
Dance we round, for the morning light,
Will put us and our glow-worm lamps to flight!
poem by Letitia Elizabeth Landon
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At the Opera
THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.
The curtain fell—the music died—
The lights grew bright, revealing there
The flash of jewelled fingers fair,
And wreaths of pearls on brows of pride;
Then, with a quick-flushed cheek, I turned,
And into mine her dark eyes burned.
Such eyes but once a man may see,
And, seeing once, his fancy dies
To thought of any other eyes:
So shadow-soft, they seemed to be
Twin haunted lakes, lit by the gleams
Of a mysterious moon of dreams.
Silk lashes veiled their liquid light
With such a shade as tall reeds fling
From the lake-marge at sunsetting:
Their darkness might have hid the night—
Yet whoso saw their glance would say
Night dreamt therein, and saw the day.
Long looked I at them, wondering
What tender memories were hid
Beneath each blue-veined lily-lid;
What hopes of joys the years would bring;
What griefs? In vain: I might not guess
The secret of their silentness.
What of her face? Her face, meseems,
Was such as painters see who muse
By moonlight in dim avenues,
Yet cannot paint; or as in dreams,
Young poets see, but, when they try
To limn in verse are dumb—so I.
Yet well I know that I have seen
That sweet face in the long ago
In a rose-bower—well I know—
Laughing the singing leaves between,
In that strange land of rose and rhyme—
The land of Once upon a Time.
O unknown sweet, so sweetly known,
I know not what your name may be—
Madonna is your name for me—
Nor where your lines in life are thrown;
But soul sees soul—what is the rest?
A passing phantom at the best.
Did your young bosom never glow
To love? or burns your heart beneath
As burns the rosebud in its sheath?
I neither know nor wish to know:
I smell the rose upon the tree;
Who will may pluck and wear, for me—
May wear the rose, and watch it die,
And, leaf by red leaf, fade and fall,
Till there be nothing left at all
Of its sweet loveliness; but I
Love it so well, I leave it free—
The scent alone I take with me!
As one who visits sacred spots
Brings tokens back, so I from you
A glance, a smile, a rapture new!
And these are my forget-me-nots!
I take from you but only these—
Give all the rest to whom you please.
Sweet eyes, your glance a light shall cast
On me, when dreaded ghosts arise
Of dead regrets with shrouded eyes,
And phantoms of the perished past,
Old thoughts, old hopes, and old desire
Gather around my lonely fire!
Farewell! In rhyme, I kiss your hand—
Kiss not unsweet, although unheard!—
This is our secret—say no word—
That I have been in Fairyland,
And seen for one brief moment’s space
The Queen Titania face to face.
poem by Victor James Daley
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The Visionary Portrait
I.
As by his lonely hearth he sate,
The shadow of a welcome dream
Pass'd o'er his heart,--disconsolate
His home did seem;
Comfort in vain was spread around,
For something still was wanting found.
II.
Therefore he thought of one who might
For ever in his presence stay;
Whose dream should be of him by night,
Whose smile should be for him by day;
And the sweet vision, vague and far,
Rose on his fancy like a star.
II.
'Let her be young, yet not a child,
Whose light and inexperienced mirth
Is all too wingéd and too wild
For sober earth,--
Too rainbow-like such mirth appears,
And fades away in misty tears.
IV.
'Let youth's fresh rose still gently bloom
Upon her smooth and downy cheek,
Yet let a shadow, not of gloom,
But soft and meek,
Tell that some sorrow she hath known,
Tho' not a sorrow of her own.
V.
'And let her eyes be of the grey,
The soft grey of the brooding dove,
Full of the sweet and tender ray
Of modest love;
For fonder shows that dreamy hue
Than lustrous black or heavenly blue.
VI.
'Let her be full of quiet grace,
No sparkling wit with sudden glow
Bright'ning her purely chisell'd face
And placid brow;
Not radiant to the stranger's eye,--
A creature easily pass'd by;
VII.
'But who, once seen, with untold power
For ever haunts the yearning heart,
Raised from the crowd that self-same hour
To dwell apart,
All sainted and enshrined to be
The idol of our memory!
VIII.
'And oh! let Mary be her name
It hath a sweet and gentle sound
At which no glories dear to fame
Come crowding round,
But which the dreaming heart beguiles
With holy thoughts and household smiles
IX.
'With peaceful meetings, welcomes kind,
And love, the same in joy and tears,
And gushing intercourse of mind
Thro' faithful years;
Oh! dream of something half divine,
Be real--be mortal--and be mine!'
poem by Caroline Elizabeth Sarah Norton
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A Greek Girl
I may not weep, not weep, and he is dead.
A weary, weary weight of tears unshed
Through the long day in my sad heart I bear;
The horrid sun with all unpitying glare
Shines down into the dreary weaving-room,
Where clangs the ceaseless clatter of the loom,
And ceaselessly deft maiden-fingers weave
The fine-wrought web; and I from morn till eve
Work with the rest, and when folk speak to me
I smile hard smiles; while still continually
The silly stream of maiden speech flows on:--
And now at length they talk of him that's gone,
Lightly lamenting that he died so soon--
Ah me! ere yet his life's sun stood at noon.
Some praise his eyes, some deem his body fair,
And some mislike the colour of his hair!
Sweet life, sweet shape, sweet eyes, and sweetest hair,
What form, what hue, save Love's own, did ye wear?
I may not weep, not weep, for very shame.
He loved me not. One summer's eve he came
To these our halls, my father's honoured guest,
And seeing me, saw not. If his lips had prest
My lips, but once, in love; his eyes had sent
One love-glance into mine, I had been content,
And deemed it great joy for one little life;
Nor envied other maids the crown of wife:
The long sure years, the merry children-band--
Alas, alas, I never touched his hand!
And now my love is dead that loved not me.
Thrice-blest, thrice-crowned, of gods thrice-lovèd she--
That other, fairer maid, who tombward brings
Her gold, shorn locks and piled-up offerings
Of fragrant fruits, rich wines, and spices rare,
And cakes with honey sweet, with saffron fair;
And who, unchecked by any thought of shame,
May weep her tears, and call upon his name,
With burning bosom prest to the cold ground,
Knowing, indeed, that all her life is crown'd,
Thrice-crowned, thrice honoured, with that love of his;--
No dearer crown on earth is there, I wis.
While yet the sweet life lived, more light to bear
Was my heart's hunger; when the morn was fair,
And I with other maidens in a line
Passed singing through the city to the shrine,
Oft in the streets or crowded market-place
I caught swift glimpses of the dear-known face;
Or marked a stalwart shoulder in the throng;
Or heard stray speeches as we passed along,
In tones more dear to me than any song.
These, hoarded up with care, and kept apart,
Did serve as meat and drink my hungry heart.
And now for ever has my sweet love gone;
And weary, empty days I must drag on,
Till all the days of all my life be sped,
By no thought cheered, by no hope comforted.
For if indeed we meet among the shades,
How shall he know me from the other maids?--
Me, that had died to save his body pain!
Alas, alas, such idle thoughts are vain!
O cruel, cruel sunlight, get thee gone!
O dear, dim shades of eve, come swiftly on!
That when quick lips, keen eyes, are closed in sleep,
Through the long night till dawn I then may weep.
In Rest
Lay your head upon these feathered clouds, and rest,
Spread your silken tresses on this virgin wilderness,
Then I will beg sweet dreams to come, and be your company.
When darkness drifts across your eyes to steal their perfect light,
I'll summon lesser Angels, who will guide you through the night,
And sing to you their silver hymns, in purest harmony.
Let your sweet form, in rest, adorn, this bed of perfumed flowers,
Where I shall sit, and hold your hand, throughout the long dark hours.
Knowing you will never wake, again, to smile on me.
Farewell, my love, my own sweet child, go now to thy sleep,
And I will pray, both night and day, the Lord your soul to keep.
You may be sure, forever more, of my true constancy.
_ _ _ _ _ _ _ _ _ _
poem by Owain Glyn
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