Sir Thomas Lawrence
DIVINEST art, the stars above
Were fated on thy birth to shine;
Oh, born of beauty and of love,
What early poetry was thine!
The softness of Ionian night
Upon Ionian summer lay,
One planet gave its vesper light,
Enough to guide a lover's way;
And gave the fountain as it played
The semblance of a silvery shower,
And as its waters fell, they made
A music meet for such an hour;
That, and the tones the gentle wind
Won from the leaf, as from a lute,
In natural melody combined,
Now that all ruder sound was mute;
And odours floated on the air,
As many a nymph had just unbound
The wreath that bound their raven hair,
And flung the fragrant tresses round.
Pillowed on violet leaves, which prest
Filled the sweet chamber with their sighs,
Lulled by the lyre's low notes to rest,
A Grecian youth in slumber lies;
And at his side a maiden stands,
The dark hair braided on her brow,
The lute within her slender hands,
But hushed is all its music now.
She would not wake him from his dreams,
Although she has so much to say,
Although the morning's earliest beams
Will see her warrior torn away.
How fond and earnest is the gaze
Upon these sleeping features thrown,
She who yet never dared to raise
Her timid eyes to meet his own.
She bends her lover's rest above,
Thoughtful with gentle hopes and fears,
And that unutterable love
Which never yet spoke but in tears;
She would not that those tears should fall
Upon the cherished sleeper's face,
She turns, and sees upon the wall
Its imaged shade, its perfect grace;
With eager hand she marked each line,
The shadowy brow, the arching head,
Till some creative power divine,
Love's likeness o'er love's shadow spread:
Since then, what passion and what power
Has dwelt upon the painter's art;
How has it soothed the absent hour,
With looks that wear life's loveliest part.
Oh, painter of our English isle,
Whose name is now upon my line,
Who gave to beauty's blush and smile
All that could make them most divine;
The fair Ionian's ancient claim
Was never paid, till paid by thee,
And thou didst honour to her name,
By showing what her sex can be.
poem by Letitia Elizabeth Landon
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The German Student’s Love-Song
I.
BY the rush of the Rhine's broad stream,
Down whose rapid tide
We sailed as in some sweet dream
Sitting side by side;
By the depth of its clear blue wave
And the vine-clad hills,
Which gazed on its heart and gave
Their tribute rills;
By the mountains, in purple shade,
And those valleys green
Where our bower of rest was made,
By the world unseen;
By the notes of the wild free bird,
Singing over-head
When nought else in the sunshine stirr'd
Round our flowery bed;
By these, and by Love's power divine,
I have no thought but what is thine!
II.
By the glance of thy radiant eyes,
Where a glory shone
That was half of the summer skies
And half their own;
By the light and yet fervent hold
Of thy gentle hand,--
(As the woodbines the flowers enfold
With their tender band
By thy voice when it breathes in song,
And the echo given
By lips that to Earth belong,
Float up to Heaven;
By the gleams on thy silken hair
At the sunset hour,
And the breadth of they forehead fair
With its thoughtful power;
By these, and by Love's soul divine,
I have no hope but what is thine!
III.
By the beauty and stilness round
When the lake's lone shore
Scarce echoed the pleasant sound
Of the distant oar;
By the moonlight which softly fell
On all objects near,
And thy whisper seemed like a spell
In thy Lover's ear;
By the dreams of the restless past,
And the hope that came
Like sunshine in shadow cast
With thy gentle name;
By the beat of thy good true heart
Where pure thoughts have birth;
By thy tears, when Fate bade us part,
And thy smiles of mirth;
By these, and by Love's power divine,
I have no hope but what is thine!
IV.
By the gloom of those holy fanes
Where the light stream'd through
Dim orange and purple panes
On the aisles below;
By the ruin'd and roofless wall
Of that castle high,
With its turrets so grey and tall
In the clear blue sky;
By beauty, because its light
Should thy portion be,
And whatever is fair and bright
Seems a part of thee;
And by darkness and blank decay,
Because they tell
What the world would be, THOU away,
Whom I love so well;
By these, and by Love's power divine,
My heart, my soul, my life, are thine!
poem by Caroline Elizabeth Sarah Norton
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The Chain I Gave: From The Turkish
The chain I gave was fair to view,
The lute I added sweet in sound;
The heart that offer'd both was true,
And ill deserved the fate it found.
These gifts were charm'd by secret spell,
Thy truth in absence to divine;
And they have done their duty well,
Alas! they could not teach the thine.
That chain was firm in every link,
But not to bear a stranger's touch;
That lute was sweet, till thou could'st think
In other hands its notes were such.
Let him who from thy neck unbound
The chain which shiver'd in his grasp,
Who saw that lute refuse to sound,
Restring the chords, renew the clasp.
When thou wert changed, they alter'd too;
The chain is broke, the music mute.
'Tis past, to them and thee adieu
False heart, frail chain, and silent lute.
The Nizam’s Daughter
SHE is yet a child in years,
Twelve springs are on her face,
Yet in her slender form appears
The woman's perfect grace.
Her silken hair, that glossy black,
But only to be found
There, or upon the raven's back,
Falls sweeping to the ground.
'Tis parted in two shining braids
With silver and with gold,
And one large pearl by contrast aids
The darkness of each fold.
And for she is so young, that flowers
Seem natural to her now,
There wreaths the champac's snowy showers
Around her sculptured brow.
Close to her throat the silvery vest
By shining clasps is bound,
Scarce may her graceful shape be guest,
Mid drapery floating round.
But the small curve of that veined throat,
Like marble, but more warm,
The fairy foot and hand denote
How perfect is the form.
Upon the ankle and the wrist
There is a band of gold,
No step by Grecian fountain kiss'd,
Was of diviner mould.
In the bright girdle round her waist,
Where the red rubies shine,
The kandjar's glittering hilt is placed,
To mark her royal line.
Her face is like the moonlight pale,
Strangely and purely fair,
For never summer sun nor gale
Has touched the softness there.
There are no colours of the rose,
Alone the lip is red;
No blush disturbs the sweet repose
Which o'er that cheek is shed.
And yet the large black eyes, like night,
Have passion and have power;
Within their sleepy depths is light
For some wild wakening hour.
A world of sad and tender dreams
'Neath those long lashes sleep,
A native pensiveness that seems
Too still and sweet to weep.
Of such seclusion know we nought:
Yet surely woman here
Grows shrouded from all common thought,
More delicate and dear.
And love, thus made a thing apart,
Must seem the more divine,
When the sweet temple of the heart
Is a thrice-veiled shrine.
poem by Letitia Elizabeth Landon
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A Legend Of Tintagel Castle
ALONE in the forest, Sir Lancelot rode
O'er the neck of his courser the reins lightly flowed
And beside hung his helmet, for bare was his brow
To meet the soft breeze that was fanning him now.
And 'the flowers of the forest' were many and sweet,
Which, crushed at each step by his proud courser's feet,
Gave forth all their fragrance, while thick over-head
The boughs of the oak and the elm-tree were spread.
The wind stirred its branches, as if its low suit
Were urged, like a lover who wakens the lute,
And through the dark foliage came sparkling and bright
Like rain from the green leaves, in small gems of light.
There was stillness, not silence, for dancing along,
A brook went its way like a child with a song;
Now hidden, where rushes and water-flags grow;
Now clear, while white pebbles were glistening below.
Lo, bright as a vision, and fair as a dream,
The face of a maiden is seen in the stream;
With her hair like a mantle of gold to her knee,
Stands a lady as lovely as lady can be.
Short speech tells a love-tale;—the bard's sweetest words
Are poor, beside those which each memory hoards;
Sound of some gentle whisper, the haunting and low,
Such as love may have murmured—ah, long, long ago.
She led him away to an odorous cave,
Where the emerald spars shone like stars in the wave,
And the green moss and violets crowded beneath,
And the ash at the entrance hung down like a wreath.
They might have been happy, if love could but learn
A lesson from some flowers, and like their leaves turn
Round their own inward world, their own lone fragrant nest,
Content with its sweetness, content with its rest.
But the sound of the trumpet was heard from afar,
And Sir Lancelot rode forth again to the war;
And the wood-nymph was left as aye woman will be,
Who trusts her whole being, oh, false love, to thee.
For months, every sunbeam that brightened the gloom,
She deemed was the waving of Lancelot's plume;
She knew not of the proud and the beautiful queen,
Whose image was treasured as hers once had been.
There was many a fair dame, and many a knight,
Made the banks of the river like fairy-land bright;
And among those whose shadow was cast on the tide,
Was Lancelot kneeling at Genevra's side.
With purple sails heavily drooping around
The mast, and the prow, with the vale lily bound;
And towed by two swans, a small vessel drew near
But high on the deck was a pall-covered bier.
They oared with their white wings, the bark thro' the flood,
Till arrived at the bank where Sir Lancelot stood:
A wind swept the river, and flung back the pall,
And there lay a lady, the fairest of all.
But pale as a statue, like sunshine on snow,
The bright hair seemed mocking the cold face below:
Sweet truants, the blush and the smile both are fled—
Sir Lancelot weeps as he kneels by the dead.
And these are love's records; a vow and a dream,
And the sweet shadow passes away from life's stream:
Too late we awake to regret—but what tears
Can bring back the waste to our hearts and our years?
poem by Letitia Elizabeth Landon
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Juliet After The Masquerade. By Thompson
SHE left the festival, for it seem'd dim
Now that her eye no longer dwelt on him,
And sought her chamber,--gazed, (then turn'd away),
Upon a mirror that before her lay,
Half fearing, half believing her sweet face
Would surely claim within his memory place.
The hour was late, and that night her light foot
Had been the constant echo of the lute;
Yet sought she not her pillow, the cool air
Came from the casement, and it lured her there.
The terrace was beneath, and the pale moon
Shone o'er the couch which she had press'd at noon,
Soft-lingering o'er some minstrel's love-lorn page,--
Alas, tears are the poet's heritage!
She flung her on that couch, but not for sleep;
No, it was only that the wind might steep
Her fever'd lip in its delicious dew:
Her brow was burning, and aside she threw
Her cap and plume, and, loosen'd from its fold,
Came o'er her neck and face a shower of gold,
A thousand curls. It was a solitude
Made for young hearts in love's first dreaming mood:--
Beneath the garden lay, fill'd with rose-trees
Whose sighings came like passion on the breeze.
Two graceful statues of the Parian stone
So finely shaped, that as the moonlight shone
The breath of life seem'd to their beauty given,
But less the life of earth than that of heaven.
'Twas PSYCHE and her boy-god, so divine
They turn'd the terrace to an idol shrine,
With its white vases and their summer share
Of flowers, like altars raised to that sweet pair.
And there the maiden leant, still in her ear
The whisper dwelt of that young cavalier;
It was no fancy, he had named the name
Of love, and at that thought her cheek grew flame:
It was the first time her young ear had heard
A lover's burning sigh, or silver word;
Her thoughts were all confusion, but most sweet,--
Her heart beat high, but pleasant was its beat.
She murmur'd over many a snatch of song
That might to her own feelings now belong;
She thought upon old histories she had read,
And placed herself in each high heroine's stead,
Then woke her lute,--oh! there is little known
Of music's power till aided by love's own.
And this is happiness: oh! love will last
When all that made it happiness is past,--
When all its hopes are as the glittering toys
Time present offers, time to come destroys,--
When they have been too often crush'd to earth,
For further blindness to their little worth,--
When fond illusions have dropt one by one,
Like pearls from a rich carkanet, till none
Are left upon life's soil'd and naked string,--
And this is all what time will ever bring.
--And that fair girl,--what can the heart foresee
Of her young love, and of its destiny?
There is a white cloud o'er the moon, its form
Is very light, and yet there sleeps the storm;
It is an omen, it may tell the fate
Of love known all too soon, repented all too late.
poem by Letitia Elizabeth Landon
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A Girl’s Day Dream And Its Fulfilment
“Child of my love, why wearest thou
That pensive look and thoughtful brow?
Can’st gaze abroad on this world so fair
And yet thy glance be fraught with care?
Roses still bloom in glowing dyes,
Sunshine still fills our summer skies,
Earth is still lovely, nature glad—
Why dost thou look so lone and sad?”
“Ah! mother it once sufficed thy child
To cherish a bird or flow’ret wild;
To see the moonbeams the waters kiss,
Was enough to fill her heart with bliss;
Or o’er the bright woodland stream to bow,
But these things may not suffice her now.”
“Perhaps ’tis music thou seekest, child?
Then list the notes of the song birds wild,
The gentle voice of the mountain breeze,
Whispering among the dark pine trees,
The surge sublime of the sounding main,
Or thy own loved lute’s soft silvery strain.”
“Mother, there’s music sweeter I know
Than bird’s soft note or than ocean’s flow,
Vague to me yet as sounds of a dream,
Yet dearer, brighter than sunshine’s gleam;
Such is the music I fain would hear,
All other sounds but tire mine ear!”
“Ah! thou seekest then a loving heart,
That in all thy griefs will bear a part,
That shelter will give in doubt and fear,
Come to me, loved one, thou’lt find it here!”
“Sweet mother, I almost fear to speak,
And remorseful blushes dye my cheek,
For though thou’st watched me from childhood’s hour,
As thou would’st have done a precious flower,
Though I love thee still as I did of yore,
Yet this weak heart seeketh something more:
A bliss as yet to my life unknown,
A heart whose throbs will be all mine own,
The tender tones of a cherished voice,
Of him who shall be my heart’s first choice;
And who at my feet alone shall bow,
This, this is the dream that haunts me now.”
“Alas, poor child, has it come to this?
Then bid farewell to thy childhood’s bliss,
To thy girlhood’s bright unfettered hours,
Thy sunny revels ’mid birds and flowers;
Of the golden zone yield up each strand
To cling to a hope, unstable as sand,
And forget the joys thy youth hath wove
In the stormy doubts of human love,
The feverish hopes and wearing pain
That form the links of Love’s bright chain!”
Alas! the mother spoke in vain!
The girl’s dream was soon fulfilled,
Her hopes by no dark cloud were chilled;
A lover ardent, noble too,
With flashing eyes of jetty hue,
With voice like music, sweet and soft,
Such as her dreams had pictured oft,
Now at her feet, a suppliant bowed,
And love eternal, changeless vowed.
Listening, then, with glowing cheek,
And rapture which no words might speak,
She thought, with bright and joyous smile,
They erred who thus could love revile,
Or say it had many a dark alloy,—
Had it not proved a dream of joy?
But, alas for her! she learned too soon
That love is fleeting as rose of June,
That her eyes might shine with olden light,
And yet be found no longer bright;
That she might devoted, faithful prove,
Yet her lover grow weary of her love.
Many an hour of silent tears,
Of heart-sick doubts, of humbling fears,
Of angry regrets, were hers, before
Her heart would say, “He loves no more.”
Weary of life and its thorny ways,
She sought the friend of her early days:
“Mother, I bring thee a breaking heart,
In sorrows deep it hath borne a part;
Speak to me tenderly as of yore,
Let thy kiss rest on my brow once more;
To the joys of my girlhood back I flee,
To live alone for them and for thee!”
poem by Rosanna Eleanor Leprohon
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To My Cousin
Come out with me into the moonlight, coz!
Fling by that page of romance—the hot breath
Of the dim taper, ill befits an eve
So beautiful as this—I know there is
A deep bewildering interest in that tale;
For the low drooping head, the parted lip,
The feverish glow that brightens cheek and eye,
And the light finger press'd upon the page,
As if that volume were the magic link
That bound thee to illusion—all proclaim
The spell that hath enchain'd thee. Yet come out,
And I will show thee full as bright a page,
And one where thou may'st read as wild a tale
Of love and chivalry, as that from which
My voice hath won thee.—Is it not, sweet coz,
A most delicious night? and how could I
Gaze upward on that moon, and thou not here—
Our arms entwining thus—and the light touch
Of those soft fingers resting upon mine,
That I may feel their gentle pressure tell
Thy voiceless feelings—when I turn to say
“How very beautiful!”—It is a night
For Poetry—and the low breeze comes by
As 't were a holy whisper, sent to quell
The spirit's fever.—We will fling aside
Like a dull robe the thought of present things,
And wrap ourselves in dreams.
And yet 't is not
A scene like that we gazed on when yon moon
Last moved, so empress-like, across the sky—
Nay, thou rememberest—I know it well
By the curl'd lip turn'd towards me with a smile
Of recollected pleasure: yet again
Look towards yon concave: other eyes than ours
Are gazing on that orb, and kindly lips
Perchance are naming us.
Did we not say
Yon planet should be written, like a book,
With cherish'd memories?—and when the hour
Of her arising came, that we would think
On those from whom we parted?—Look, Annette!
Couldst thou not fancy that a friendly eye
Was smiling on thee from the distant sphere?
Nay, laugh not, cousin,—'t was a silly thought!—
But who would fetter fancy's wildest wing
Upon a night like this? The very light
That falls around us hath a dreamy spell,
And gives the scene a dim unreal shade,
Like a forgotten thought come back again.
It is most beautiful! yet on the heart
The sense of pleasure presses, with a weight
That half hath started tears—'t is strange that even
Our happiness should be so link'd with pain!
And beauty—perfect beauty—only wake
The knowledge that our spirits are too weak,
To feel it in its full deep blessedness!
Didst never wish to be an angel, coz?
That thou might understand the pencilling
Writ on the sunset sky—and send abroad
A soul unfetter'd on a night like this!
Well, let us wander on—did I not say
I knew a history of the olden time,
That I would tell to thee?—we should have been
Beneath our grape-vine bower—thou know'st it, love,
And I thine own true knight to sing thee,
While thou didst touch the lute—
But 't is not so—
And while I tell the tale of which I spake,
If I can win from thee one gentle sigh,
I will not ask for music!—
'T was a night
Moon-lit, and calm, and beautiful,—like this;
Music was swelling out, upon the breeze,
From a gay festive hall—and starry lamps
Flung out their perfumed splendour upon brows
Of alabaster whiteness, and dark hair
Enwreathed with dazzling gems: light forms went by
Graceful and fairy-like, amid the dance,
Beside a nation's chivalry—and songs
Melted away in liquid melody
From rosy lips, and the gay laugh broke forth;
Or, when the ancient minstrel breathed some tale
Of love and sadness, gentle tears fell forth
From eyes that shone more lovely through their mist
But there was one, had stolen from that scene
Of smiles and joyousness, to where the moon
Look'd downward, silently, through jasmine leaves,
And the low night-breeze kiss'd the drooping bells
Of the sweet clematis.
And there she stood—
Her head bent slightly back, and the long fringe
Of her dark melancholy eye raised up
And laid against her brow, as if her soul
Were lifted in that long deep glance to Heaven!
Her cheek was pale—so pale, that its faint tinge
Of lingering carmine scarce sufficed to tell
That the slight form, round which the white robes fell
So gracefully, was not in very deed
A sculptor's form of beauty—her dark hair
Was carelessly thrown backward, and her hand
Twisted among its tresses, look'd as 't were
A wandering moon-beam—'t was so delicate!
A deeper sadness gather'd on the brow,
The queenly brow, of that young worshipper,
Until it droop'd upon her breast, and tears
Came crowding to her eyelids. Could it be
That grief had paled a cheek so beautiful?
That gush of tears went by—and she raised up
Her forehead to the breeze, and touch'd the lute,
That lay beside her, to a mournful strain,
The while she sung to it:—
“This faded cheek, this faded cheek,
Pale lip and alter'd brow,
Are all the outward signs that speak
The love I bear thee now.
I name thee not amid the halls,
Where mirthful glances shine;
But not one tear in secret falls,
That is not truly thine.
“They told me, that the vows we spake
Were soon forgot by thee;
But though my heart, perchance, may break,
'T will ne'er be false to thee.
Nor would'st thou, dearest, all so soon
That one deep vow forget,
The first, the last, the only one,
That told our hearts had met.
”They told me thou wast false, that pride
Might dry my burning tears,
When I should learn that thou hadst died
Amid thine early years.
They did not know how deeply dear
Was every thought of thee,
More fondly, truly, cherish'd here,
Than living love could be.”
The strain was hush'd—A rustle midst the leaves
Hath caught the maiden's ear, and a low voice
Whisper'd the name of “Eva!” Could it be
That the dark grave had given up its dead?
Or was that breath a summons from the land
Of parted spirits? But a moment more,
And her own knight was kneeling at her feet—
Her head fell on his bosom—hours past on,
And when the gray dawn made a pause amid
The mirth of their gay revelling, they came
To seek that absent one,—and both were there,
Silent and motionless as they had sunk,
When the first shock was over—one in death,
And one in cold despair!
poem by Elizabeth Margaret Chandler from Poetical Works (1836)
Submitted by Veronica Serbanoiu
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The Stream's Secret
What thing unto mine ear
Wouldst thou convey,--what secret thing,
O wandering water ever whispering?
Surely thy speech shall be of her.
Thou water, O thou whispering wanderer,
What message dost thou bring?
Say, hath not Love leaned low
This hour beside thy far well-head,
And there through jealous hollowed fingers said
The thing that most I long to know--
Murmuring with curls all dabbled in thy flow
And washed lips rosy red?
He told it to thee there
Where thy voice hath a louder tone;
But where it welters to this little moan
His will decrees that I should hear.
Now speak: for with the silence is no fear,
And I am all alone.
Shall Time not still endow
One hour with life, and I and she
Slake in one kiss the thirst of memory?
Say, streams, lest Love should disavow
Thy service, and the bird upon the bough
Sing first to tell it me.
What whisperest thou? Nay, why
Name the dead hours? I mind them well.
Their ghosts in many darkened doorways dwell
With desolate eyes to know them by.
That hour must still be born ere it can die
Of that I'd have thee tell.
But hear, before thou speak!
Withhold, I pray, the vain behest
That while the maze hath still its bower for quest
My burning heart should cease to seek.
Be sure that Love ordained for souls more meek
His roadside dells of rest.
Stream, when this silver thread
In flood-time is a torrent brown,
May any bulwark bind thy foaming crown?
Shall not the waters surge and spread
And to the crannied boulders of their bed
Still shoot the dead drift down
Let no rebuke find place
In speech of thine: or it shall prove
That thou dost ill expound the words of Love.
Even as thine eddy's rippling race
Would blur the perfect image of his face
I will have none thereof.
O learn and understand
That 'gainst the wrongs himself did wreak
Love sought her aid; until her shadowy cheek
And eyes beseeching gave command;
And compassed in her close compassionate hand
My heart must burn and speak.
For then at last we spoke
What eyes so oft had told to eyes
Through that long-lingering silence whose half-sighs
Alone the buried secret broke,
Which with snatched hands and lips' reverberate stroke
Then from the heart did rise.
But she is far away
Now; nor the hours of night grown hoar
Bring yet to me, long gazing from the door,
The wind-stirred robe of roseate gray
And rose-crown of the hour that leads the day
When we shall meet once more.
Dark as thy blinded wave
When brimming midnight floods the glen,--
Bright as the laughter of thy runnels when
The dawn yields all the light they crave;
Even so these hours to wound and that to save
Are sisters in Love's ken.
Oh sweet her bending grace
Then when I kneel beside her feet;
And sweet her eyes' o'erhanging heaven; and sweet
The gathering folds of her embrace;
And her fall'n hair at last shed round my face
When breaths and tears shall meet.
Beneath her sheltering hair,
In the warm silence near her breast,
Our kisses and our sobs shall sink to rest;
As in some still trance made aware
That day and night have wrought to fulness there
And Love has built our nest.
And as in the dim grove,
When the rains cease that hushed them long,
'Mid glistening boughs the song-birds wake to song,--
So from our hearts deep-shrined in love,
While the leaves throb beneath, around, above,
The quivering notes shall throng.
Till tenderest words found vain
Draw back to wonder mute and deep,
And closed lips in closed arms a silence keep,
Subdued by memory's circling strain,--
The wind-rapt sound that the wind brings again
While all the willows weep.
Then by her summoning art
Shall memory conjure back the sere
Autumnal Springs, from many a dying year
Born dead; and, bitter to the heart,
The very ways where now we walk apart
Who then shall cling so near.
And with each thought new-grown,
Some sweet caress or some sweet name
Low-breathed shall let me know her thought the same:
Making me rich with every tone
And touch of the dear heaven so long unknown
That filled my dreams with flame.
Pity and love shall burn
In her pressed cheek and cherishing hands;
And from the living spirit of love that stands
Between her lips to soothe and yearn,
Each separate breath shall clasp me round in turn
And loose my spirit's bands.
Oh passing sweet and dear,
Then when the worshipped form and face
Are felt at length in darkling close embrace;
Round which so oft the sun shone clear,
With mocking light and pitiless atmosphere,
In many an hour and place.
Ah me! with what proud growth
Shall that hour's thirsting race be run;
While, for each several sweetness still begun
Afresh, endures love's endless drouth;
Sweet hands, sweet hair, sweet cheeks, sweet eyes, sweet mouth,
Each singly wooed and won.
Yet most with the sweet soul
Shall love's espousals then be knit;
What time the governing cloud sheds peace from it
O'er tremulous wings that touch the goal,
And on the unmeasured height of Love's control
The lustral fires are lit.
Therefore, when breast and cheek
Now part, from long embraces free,--
Each on the other gazing shall but see
A self that has no need to speak:
All things unsought, yet nothing more to seek,--
One love in unity.
O water wandering past,--
Albeit to thee I speak this thing,
O water, thou that wanderest whispering,
Thou keep'st thy counsel to the last.
What spell upon thy bosom should Love cast,
Its secret thence to wring?
Nay, must thou hear the tale
Of the past days,--the heavy debt
Of life that obdurate time withholds,--ere yet
To win thine ear these prayers prevail,
And by thy voice Love's self with high All-hail
Yield up the amulet?
How should all this be told?--
All the sad sum of wayworn days,--
Heart's anguish in the impenetrable maze;
And on the waste uncoloured wold
The visible burthen of the sun grown cold
And the moon's labouring gaze?
Alas! shall hope be nurs'd
On life's all-succouring breast in vain,
And made so perfect only to be slain?
Or shall not rather the sweet thirst
Even yet rejoice the heart with warmth dispers'd
And strength grown fair again?
Stands it not by the door!--
Love's Hour--Till she and I shall meet
With bodiless form and unapparent feet
That cast no shadow yet before,
Though round its head the dawn begins to pour
The breath that makes day sweet?
Its eyes invisible
Watch till the dial's thin-thrown shade
Be born,--yea, till the journeying line be laid
Upon the point that wakes the spell,
And there in lovelier light than tongue can tell
Its presence stands array'd.
Its soul remembers yet
Those sunless hours that passed it by;
And still it hears the night's disconsolate cry,
And feels the branches wringing wet
Cast on its brow, that may not once forget,
Dumb tears from the blind sky.
But oh! when now her foot
Draws near, for whose sake night and day
Were long in weary longing sighed away,--
The hour of Love, 'mid airs grown mute,
Shall sing beside the door, and Love's own lute
Thrill to the passionate lay.
Thou know'st, for Love has told
Within thine ear, O stream, how soon
That song shall lift its sweet appointed tune.
O tell me, for my lips are cold,
And in my veins the blood is waxing old
Even while I beg the boon.
So, in that hour of sighs
Assuaged, shall we beside this stone
Yield thanks for grace; while in thy mirror shown
The twofold image softly lies,
Until we kiss, and each in other's eyes
Is imaged all alone.
Still silent? Can no art
Of Love's then move thy pity? Nay,
To thee let nothing come that owns his sway:
Let happy lovers have no part
With thee; nor even so sad and poor a heart
As thou hast spurned to-day.
To-day? Lo! night is here.
The glen grows heavy with some veil
Risen from the earth or fall'n to make earth pale;
And all stands hushed to eye and ear,
Until the night-wind shake the shade like fear
And every covert quail.
Ah! by another wave
On other airs the hour must come
Which to thy heart, my love, shall call me home.
Between the lips of the low cave
Against that night the lapping waters lave,
And the dark lips are dumb.
But there Love's self doth stand,
And with Life's weary wings far flown,
And with Death's eyes that make the water moan,
Gathers the water in his hand:
And they that drink know nought of sky or land
But only love alone.
O soul-sequestered face
Far off,--O were that night but now!
So even beside that stream even I and thou
Through thirsting lips should draw Love's grace,
And in the zone of that supreme embrace
Bind aching breast and brow.
O water whispering
Still through the dark into mine ears,--
As with mine eyes, is it not now with hers?--
Mine eyes that add to thy cold spring,
Wan water, wandering water weltering,
This hidden tide of tears.
poem by Dante Gabriel Rossetti
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The Origin of the Harp
Tis believed that this Harp, which I wake now for thee
Was a Siren of old, who sung under the sea;
And who often, at eve, through the bright waters roved,
To meet, on the green shore, a youth whom she loved.
But she loved him in vain, for he left her to weep,
And in tears, all the night, her gold tresses to steep,
Till heaven look'd with pity on true-love so warm,
And changed to this soft Harp the sea-maiden's form.
Still her bosom rose fair -- still her cheeks smiled the same --
While her sea-beauties gracefully form'd the light
And her hair, as, let loose, o'er her white arm it fell,
Was changed to bright chords uttering melody's spell.
Hence it came, that this soft Harp so long hath been known
To mingle love's language with sorrow's sad tone;
Till thou didst divide them, and teach the fond lay
To speak love when I'm near thee, and grief when away.
poem by Thomas Moore
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Sweet Innisfallen
Sweet Innisfallen, fare thee well,
May calm and sunshine long be thine!
How fair thou art let others tell --
To feel how fair shall long be mine.
Sweet Innisfallen, long shall dwell
In memory's dream that sunny smile,
Which o'er thee on that evening fell,
When first I saw thy fairy isle.
'Twas light, indeed, too blest for one,
Who had to turn to paths of care --
Through crowded haunts again to run,
And leave thee bright and silent there;
No more unto thy shores to come,
But, on the world's rude ocean tost,
Dream of thee sometimes as a home
Of sunshine he had seen and lost.
Far better in thy weeping hour
To part from thee, as I do now,
When mist is o'er thy blooming bowers,
Like sorrow's veil on beauty's brow.
For, though unrivall'd still thy grace,
Thou dost not look, as then, too blest,
But, thus in shadow, seem'st a place
Where erring man might hope to rest --
Might hope to rest, and find in thee
A gloom like Eden's, on the day
He left its shade, when every tree,
Like thine, hung weeping o'er his way.
Weeping or smiling, lovely isle!
And all the lovelier for thy tears --
For though but rare thy sunny smile,
'Tis heaven's own glance when it appears.
Like feeling hearts whose joys are few,
But, when indeed they come, divine --
The brightest light the sun e'er threw
Is lifeless to one gleam of thine!
poem by Thomas Moore
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After our Likeness.
Before me now a little picture lies—
A little shadow of a childish face,
Childishly sweet, yet with the dawning grace
Of thought and wisdom on her lips and eyes.
Fair, oval, broad-brow'd face—small, delicate head—
Transparent skin, with blue veins shining through—
All the soft outlines, beautiful and true,
Bring me the echo of the words “God said.”
Made “in our image”—sure 'tis that we see,
God's likeness, in the fair face of a child,
By the world's sin and passion undefiled—
Ay, as I look, it seems quite plain to me.
The light wherein the little features shine,
Strange, mystic light, so undefined and faint,
So far too pure for any words to paint—
'Tis a reflection of the Face divine.
Some day the earthly shadows will be cast
Across that sunshine—it may be to dim
A while the visible countenance of Him;
But 'twill be there—the likeness—to the last.
Some day the lucid waters, in which lie
Pictured those glorious lineaments, will be
Stirred up and troubled like a stormy sea;—
But they will yet re-settle—by-and-by.
They will re-settle when the soul is still'd,
Its passions, its wild longings, and its pain;
The pure reflection will shine out again
When earth's hopes are relinquish'd, unfulfill'd.
They will re-settle in those after-years
When life's hard lessons have been conned and learn'd;
Then this child's beauty will have all return'd,
More lovely for the trouble and the tears.
They will re-settle in the calm of death,
When the sweet eyes are laid asleep, and when
The heart is hush'd. Truly God's likeness then—
The mirror clear, unsullied by a breath.
Ah! while I look, and trace each tender line,
I think most of the day when I shall see
The dear face in that perfect purity,
Its mortal features clothed with the divine.
This self-same face, but with the image bright,
Nevermore undefined, and faint, and dim;
This self-same face, yet like the face of Him,
In glory and in beauty infinite.
poem by Ada Cambridge
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A Piori Love
In dreams / I formed you
In sweat / I gave you life
In tears / I gave you passion
In the heat / I gave you molten eyes
In the night / I gave you raven hair
In the morning / I gave you dawn’s smile
In the tremor / I gave you love
With the spark of infinity / I brought you forth
poem by Guillermo Veloso
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Gertrude, Or Fidelity Till Death
Dark lowers our fate,
And terrible the storm that gathers o'er us;
But nothing, till that latest agony
Which severs thee from nature, shall unloose
This fix'd and sacred hold. In thy dark prison-house,
In the terrific face of armed law,
Yea, on the scaffold, if it needs must be,
I never will forsake thee.
-Joanna Baillie
HER hands were clasp'd, her dark eyes rais'd,
The breeze threw back her hair;
Up to the fearful wheel she gaz'd–
All that she lov'd was there.
The night was round her clear and cold,
The holy heaven above,
Its pale stars watching to behold
The might of earthly love.
'And bid me not depart,' she cried,
'My Rudolph, say not so!
This is no time to quit thy side,
Peace, peace! I cannot go.
Hath the world aught for me to fear,
When death is on thy brow?
The world!–what means it?–mine is here–
I will not leave thee now.
'I have been with thee in thine hour
Of glory and of bliss;
Doubt not its memory's living power
To strengthen me thro' this!
And thou, mine honour'd love and true,
Bear on, bear nobly on!
We have the blessed heaven in view,
Whose rest shall soon be won.'
And were not these high words to flow
From woman's breaking heart?
Thro' all that night of bitterest woe
She bore her lofty part;
But oh! with such a glazing eye,
With such a curdling cheek–
Love, love! of mortal agony,
Thou, only thou, should'st speak!
The wind rose high–but with it rose
Her voice, that he might hear:
Perchance that dark hour brought repose
To happy bosoms near;
While she sat striving with despair
Beside his tortured form,
And pouring her deep soul in prayer
Forth on the rushing storm.
She wiped the death-damps from his brow
With her pale hands and soft,
Whose touch upon the lute-chords low
Had still'd his heart so oft.
She spread her mantle o'er his breast,
She bath'd his lips with dew,
And on his cheek such kisses press'd
As hope and joy ne'er knew.
Oh! lovely are ye, Love and Faith,
Enduring to the last!
She had her meed–one smile in death–
And his worn spirit pass'd.
While ev'n as o'er a martyr's grave
She knelt on that sad spot,
And, weeping, bless'd the God who gave
Strength to forsake it not!
poem by Felicia Dorothea Hemans
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The Organist
In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.
One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
'You love the music, child,' he said,
And laid his hand upon her head,
And smoothed her matted hair.
She answered, 'At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here.'
'You love the music then,' he said,
And still he stroked her golden head,
And followed out some winding reverie;
'And you are poor?' said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
'And will you be my friend?' he spake,
'And on the organ learn to make
Grand music here with me?'
And all the little maiden's face
Was kindled with a grateful grace;
'Oh, master, teach me; I will slave for thee!'
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.
And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.
And sometimes at his work a glow
Would touch him, and he murmured low
'How beautiful she is?' and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
'My music cometh not to-day;
Pray God she be not dead!'
So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed-
What prayers for her in hours of rest
The sombre organ prayed.
At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
'To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me.'
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.
'You love him, then?' 'I love him well,'
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
'God bless and bless thee, little maid,
With peace and long delight,' and laid
His hands upon her head.
And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.
The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat-
They could not choose but hear.
And there they sat till dawning light,
Nor ever stirred to awe. 'To-night,
The master hath a noble mood,' they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.
poem by Archibald Lampman
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Juana
The night-wind shook the tapestry round an ancient palace-room,
And torches, as it rose and fell, waved thro' the gorgeous gloom,
And o'er a shadowy regal couch threw fitful gleams and red,
Where a woman with long raven hair sat watching by the dead.
Pale shone the features of the dead, yet glorious still to see,
Like a hunter or a chief struck down while his heart and step were free;
No shroud he wore, no robe of death, but there majestic lay,
Proudly and sadly glittering in royalty's array.
But she that with the dark hair watch'd by the cold slumberer's side,
On her wan cheek no beauty dwelt, and in her garb no pride;
Only her full impassion'd eyes as o'er that clay she bent,
A wildness and a tenderness in strange resplendence blent.
And as the swift thoughts cross'd her soul, like shadows of a cloud,
Amidst the silent room of death, the dreamer spoke aloud;
She spoke to him who could not hear, and cried, 'Thou yet wilt wake,
And learn my watchings and my tears, belov'd one! for thy sake.
'They told me this was death, but well I knew it could not be;
Fairest and stateliest of the earth! who spoke of death for thee?
They would have wrapp'd the funeral shroud thy gallant form around,
But I forbade–and there thou art, a monarch, robed and crown'd!
'With all thy bright locks gleaming still, their coronal beneath,
And thy brow so proudly beautiful–who said that this was death?
Silence hath been upon thy lips, and stillness round thee long,
But the hopeful spirit in my breast is all undimm'd and strong.
'I know thou hast not loved me yet; I am not fair like thee,
The very glance of whose clear eye threw round a light of glee!
A frail and drooping form is mine–a cold unsmiling cheek,–
Oh! I have but a woman's heart, wherewith thy heart to seek.
'But when thou wak'st, my prince, my lord! and hear'st how I have kept
A lonely vigil by thy side, and o'er thee pray'd and wept;
How in one long, deep dream of thee my nights and days have past,
Surely that humble, patient love must win back love at last!
'And thou wilt smile–my own, my own, shall be the sunny smile,
Which brightly fell, and joyously, on all but me erewhile!
No more in vain affection's thirst my weary soul shall pine–
Oh! years of hope deferr'd were paid by one fond glance of thine!
'Thou'lt meet me with that radiant look when thou com'st from the chase,
For me, for me, in festal halls it shall kindle o'er thy face!
Thou'lt reck no more tho' beauty's gift mine aspect may not bless;
In thy kind eyes this deep, deep love, shall give me loveliness.
'But wake! my heart within me burns, yet once more to rejoice
In the sound to which it ever leap'd, the music of thy voice:
Awake! I sit in solitude, that thy first look and tone,
And the gladness of thine opening eyes, may all be mine alone.'
In the still chambers of the dust, thus pour'd forth day by day,
The passion of that loving dream from a troubled soul found way,
Until the shadows of the grave had swept o'er every grace,
Left midst the awfulness of death on the princely form and face.
And slowly broke the fearful truth upon the watcher's breast,
And they bore away the royal dead with requiems to his rest,
With banners and with knightly plumes all waving in the wind,–
But a woman's broken heart was left in its lone despair behind.
poem by Felicia Dorothea Hemans
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The Magnetic Lady To Her Patient
I.
'Sleep, sleep on! forget thy pain;
My hand is on thy brow,
My spirit on thy brain;
My pity on thy heart, poor friend;
And from my fingers flow
The powers of life, and like a sign,
Seal thee from thine hour of woe;
And brood on thee, but may not blend
With thine.
II.
'Sleep, sleep on! I love thee not;
But when I think that he
Who made and makes my lot
As full of flowers as thine of weeds,
Might have been lost like thee;
And that a hand which was not mine
Might then have charmed his agony
As I another's--my heart bleeds
For thine.
III.
'Sleep, sleep, and with the slumber of
The dead and the unborn
Forget thy life and love;
Forget that thou must wake forever;
Forget the world's dull scorn;
Forget lost health, and the divine
Feelings which died in youth's brief morn;
And forget me, for I can never
Be thine.
IV.
'Like a cloud big with a May shower,
My soul weeps healing rain
On thee, thou withered flower!
It breathes mute music on thy sleep
Its odour calms thy brain!
Its light within thy gloomy breast
Spreads like a second youth again.
By mine thy being is to its deep
Possessed.
V.
'The spell is done. How feel you now?'
'Better—Quite well,' replied
The sleeper.--'What would do
You good when suffering and awake?
What cure your head and side?--'
‘What would cure, that would kill me, Jane:
And as I must on earth abide
Awhile, yet tempt me not to break
My chain.'
poem by Percy Bysshe Shelley
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Memories
A beautiful and happy girl,
With step as light as summer air,
Eyes glad with smiles, and brow of pearl,
Shadowed by many a careless curl
Of unconfined and flowing hair;
A seeming child in everything,
Save thoughtful brow and ripening charms,
As Nature wears the smile of Spring
When sinking into Summer's arms.
A mind rejoicing in the light
Which melted through its graceful bower,
Leaf after leaf, dew-moist and bright,
And stainless in its holy white,
Unfolding like a morning flower
A heart, which, like a fine-toned lute,
With every breath of feeling woke,
And, even when the tongue was mute,
From eye and lip in music spoke.
How thrills once more the lengthening chain
Of memory, at the thought of thee!
Old hopes which long in dust have lain
Old dreams, come thronging back again,
And boyhood lives again in me;
I feel its glow upon my cheek,
Its fulness of the heart is mine,
As when I leaned to hear thee speak,
Or raised my doubtful eye to thine.
I hear again thy low replies,
I feel thy arm within my own,
And timidly again uprise
The fringed lids of hazel eyes,
With soft brown tresses overblown.
Ah! memories of sweet summer eves,
Of moonlit wave and willowy way,
Of stars and flowers, and dewy leaves,
And smiles and tones more dear than they!
Ere this, thy quiet eye hath smiled
My picture of thy youth to see,
When, half a woman, half a child,
Thy very artlessness beguiled,
And folly's self seemed wise in thee;
I too can smile, when o'er that hour
The lights of memory backward stream,
Yet feel the while that manhood's power
Is vainer than my boyhood's dream.
Years have passed on, and left their trace,
Of graver care and deeper thought;
And unto me the calm, cold face
Of manhood, and to thee the grace
Of woman's pensive beauty brought.
More wide, perchance, for blame than praise,
The school-boy's humble name has flown;
Thine, in the green and quiet ways
Of unobtrusive goodness known.
And wider yet in thought and deed
Diverge our pathways, one in youth;
Thine the Genevan's sternest creed,
While answers to my spirit's need
The Derby dalesman's simple truth.
For thee, the priestly rite and prayer,
And holy day, and solemn psalm;
For me, the silent reverence where
My brethren gather, slow and calm.
Yet hath thy spirit left on me
An impress Time has worn not out,
And something of myself in thee,
A shadow from the past, I see,
Lingering, even yet, thy way about;
Not wholly can the heart unlearn
That lesson of its better hours,
Not yet has Time's dull footstep worn
To common dust that path of flowers.
Thus, while at times before our eyes
The shadows melt, and fall apart,
And, smiling through them, round us lies
The warm light of our morning skies,--
The Indian Summer of the heart!
In secret sympathies of mind,
In founts of feeling which retain
Their pure, fresh flow, we yet may find
Our early dreams not wholly vain
poem by John Greenleaf Whittier
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To A Beautiful Child On Her Birthday With A Wreath Of Flowers
Whilst others give thee wond’rous toys,
Or jewels rich and rare,
I bring but flowers—more meet are they
For one so young and fair.
’Tis not because that snowy brow
Might with the lily vie,
Or violet match the starry glance
Of that dark, lustrous eye;
Nor yet because a brighter blush
E’en rose leaf never wore,
But ’tis that in their leaves lies hid
A rare and mystic lore.
And with its aid I now shall form
A wreath of flow’rets wild—
Graceful, and full of meaning sweet,
To deck thy brow, fair child!
The primrose, first, the emblem fit
Of budding, early youth;
The daisy in whose leaves we read
Pure innocence and truth.
The rosebud, sign of youthful charms,
We well may give to thee,
And with it join the sweet frail leaves
Of the shrinking sensitive tree.
And, tribute to thy modesty,
The violet emblem meet,—
Itself concealing, yet on all
Shedding its perfume sweet.
And for thy kind and gentle heart
We bring the jessamine,
To twine with ivy, ever green—
True friendship’s sacred sign.
Thy wreath is formed—of blossoms bright
I’ve twined each link, and, yet,
Another flower I still must add,
The fragrant mignonnette,
Which says “However great the charms
That to thy lot may fall
Thy qualities of heart and mind
By far surpass them all.”
Aye, be it thus, and ever may
This lovely wreath, as now—
Emblem of every precious gift—
Be fit to deck thy brow.
But, last and dearest, ’mid the buds
Of that bright varied lot
Must ever be, my gentle child,
The sweet forget-me-not!
poem by Rosanna Eleanor Leprohon
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Evening Prayer at a Girl's School
HUSH! 'tis a holy hour-the quiet room
Seems like a temple, while yon soft lamp sheds
A faint and starry radiance, through the gloom
And the sweet stillness, down on fair young heads,
With all their clustering locks, untouch'd by care,
And bow'd, as flowers are bow'd with night, in prayer.
Gaze on-'tis lovely!-Childhood's lip and cheek,
Mantling beneath its earnest brow of thought-
Gaze-yet what seest thou in those fair, and meek,
And fragile things, as but for sunshine wrought?-
Thou seest what grief must nurture for the sky,
What death must fashion for eternity!
O! joyous creatures! that will sink to rest,
Lightly, when those pure orisons are done,
As birds, with slumber's honey-dew opprest,
'Midst the dim folded leaves, at set of sun-
Life up your hearts! though yet no sorrow lies
Dark in the summer-heaven of those clear eyes.
Though fresh within your breasts the untroubled springs
Of hope make melody where'er ye tread,
And o'er your sleep bright shadows, from the wings
Of spirits visiting but youth, be spread;
Yet in those flute-like voices, mingling low,
Is woman's tenderness-how soon her woe!
Her lot is on you-silent tears to weep,
And patient smiles to wear through suffering's hour,
And sumless riches, from affection's deep,
To pour on broken reeds-a wasted shower!
And to make idols, and to find them clay,
And to bewail that worship-therefore pray!
Her lot is on you-to be found untired,
Watching the stars out by the bed of pain,
With a pale cheek, and yet a brow inspired,
And a true heart of hope, though hope be vain;
Meekly to bear with wrong, to cheer decay,
And oh! to love through all things-therefore pray!
And take the thought of this calm vesper time,
With its low murmuring sounds and silvery light,
On through the dark days fading from their prime,
As a sweet dew to keep your souls from blight!
Earth will forsake-O! happy to have given
The unbroken heart's first fragrance unto Heaven.
poem by Felicia Dorothea Hemans
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To a Cabbage Rose
Thy clustering leaves are steeped in splendour;
No evening red, no morning dun,
Can show a hue as rich and tender
As thine -- bright lover of the sun!
What wondrous hints of hidden glory,
Of strains no human lips can sing;
What symbols rare of life's strange story,
Dost thou from earth's dark bosom bring!
What elements have made thy sweetness,
Thy glowing hue, thy emerald stem?
What hand has fashioned to completeness
From tiny germ, thy diadem?
Thou art the fair earth's fond expression
Of tenderness for heaven above --
The virgin blush that yields confession --
Thou bright "ambassador of love"!
Fair are thy leaves when summer glowing
Lies in the lap of swooning spring;
But where art thou when autumn, blowing,
Bids youth and tenderness take wing?
Sweet messenger! thou waftest beauty
Wherever human lives are sown,
Around the peasant's humble duty
Or weary grandeurs of a throne.
Transfused through hearts in future ages,
Thy glowing power anew may shine
Effulgent in the poets' pages
Or music's harmony divine.
But not to thee from future glory
Can shine one added charm or day;
Sweet is thy life's unwritten story
Of radiant bloom and swift decay.
Give, then, to vagrant winds thy sweetness,
Shine, tearful, in the summer shower;
And, heedless of thy season's fleetness,
Enrich with joy the passing hour.
poem by Henry Lea Twisleton
Submitted by Poetry Lover
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