Juliet After The Masquerade. By Thompson
SHE left the festival, for it seem'd dim
Now that her eye no longer dwelt on him,
And sought her chamber,--gazed, (then turn'd away),
Upon a mirror that before her lay,
Half fearing, half believing her sweet face
Would surely claim within his memory place.
The hour was late, and that night her light foot
Had been the constant echo of the lute;
Yet sought she not her pillow, the cool air
Came from the casement, and it lured her there.
The terrace was beneath, and the pale moon
Shone o'er the couch which she had press'd at noon,
Soft-lingering o'er some minstrel's love-lorn page,--
Alas, tears are the poet's heritage!
She flung her on that couch, but not for sleep;
No, it was only that the wind might steep
Her fever'd lip in its delicious dew:
Her brow was burning, and aside she threw
Her cap and plume, and, loosen'd from its fold,
Came o'er her neck and face a shower of gold,
A thousand curls. It was a solitude
Made for young hearts in love's first dreaming mood:--
Beneath the garden lay, fill'd with rose-trees
Whose sighings came like passion on the breeze.
Two graceful statues of the Parian stone
So finely shaped, that as the moonlight shone
The breath of life seem'd to their beauty given,
But less the life of earth than that of heaven.
'Twas PSYCHE and her boy-god, so divine
They turn'd the terrace to an idol shrine,
With its white vases and their summer share
Of flowers, like altars raised to that sweet pair.
And there the maiden leant, still in her ear
The whisper dwelt of that young cavalier;
It was no fancy, he had named the name
Of love, and at that thought her cheek grew flame:
It was the first time her young ear had heard
A lover's burning sigh, or silver word;
Her thoughts were all confusion, but most sweet,--
Her heart beat high, but pleasant was its beat.
She murmur'd over many a snatch of song
That might to her own feelings now belong;
She thought upon old histories she had read,
And placed herself in each high heroine's stead,
Then woke her lute,--oh! there is little known
Of music's power till aided by love's own.
And this is happiness: oh! love will last
When all that made it happiness is past,--
When all its hopes are as the glittering toys
Time present offers, time to come destroys,--
When they have been too often crush'd to earth,
For further blindness to their little worth,--
When fond illusions have dropt one by one,
Like pearls from a rich carkanet, till none
Are left upon life's soil'd and naked string,--
And this is all what time will ever bring.
--And that fair girl,--what can the heart foresee
Of her young love, and of its destiny?
There is a white cloud o'er the moon, its form
Is very light, and yet there sleeps the storm;
It is an omen, it may tell the fate
Of love known all too soon, repented all too late.
poem by Letitia Elizabeth Landon

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The Oriental Nosegay. By Pickersgill
THROUGH the light curtains came the perfumed air,
And flung them back and show'd a garden, where
The eye could just catch glimpses of those trees
Which send sweet messages upon the breeze
To lull a maiden's sleep, and fan her cheek,
When inward thoughts in outward blushes speak.
Bequeath's a silken couch, just fit to be
A snowy shrine for some fair deity;
And there a beauty rests, lovely as those
Enchanted visions haunting the repose
Of the young poet, when his eyelids shut
To dream that love they have but dream'd as yet;--
But dream'd! Alas, that love should ever be
A happiness but made for phantasie!
And flowers are by her side, and her dark eye
Seems as it read in them her destiny.
She knew whose hand had gather'd them, she knew
Whose sigh and touch were on their scent and hue.
Beautiful language! Love's peculiar, own,
But only to the spring and summer known.
Ah! little marvel in such clime and age
As that of our too earth-bound pilgrimage,
That we should daily hear that love is fled,
And hope grown pale, and lighted feelings dead.
Not for the cold, the careless to impart,
By such sweet signs, the silence of the heart:
But surely in the countries where the sun
Lights loveliness in all he shines upon,--
Where love is as a mystery and a dream,
One single flower upon life's troubled stream;
There, there, perchance, may the young bosom thrill,
Feeling and fancy linger with love still.
She look'd upon the blossoms, and a smile,
A twilight one, lit up her lip the while.
Surely her love is blest, no leaves are there
That aught of lover's misery declare.
True, 'mid them is that pale and pining flower,
Whose dim blue colour speaks an absent hour;
Yet it is nothing but that tender sorrow
Of those who part to-day to meet to-morrow:
For there are hope and constancy beside,
And are not these to happiness allied;
And yet upon that maiden's cheek is caught
A summer evening's shade of pensive thought,
As if these large soft eyes knew all their fate,
How the heart would its destiny create,--
At once too tender, and too passionate;--
Too made for happiness to be happy here,
An angel fetter'd to an earthly sphere.--
And those dark eyes, so large, so soft, so bright,
So clear as if their very tears were light;
They tell that destiny, art thou not one
To whom love will be like the summer sun
That feeds the diamond in the secret mine,
Then calls it from its solitude to shine,
And piece by piece be broken. Watch the bloom,
And mark its fading to an early tomb,
And read in the decay upon it stealing
Of thy own wasted hope and wither'd feeling,--
Ay, fitting messengers for love! as fair,
As quickly past as his own visions are;--
Fling, fling the flowers away!
poem by Letitia Elizabeth Landon

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When I Was A Young Girl
(A Song of Old Ballads)
WHEN I was a young girl, all in a green arbor,
When I was a young girl in Springtimes gone by
All the long days I went singing and smiling,
Down by the roses the sweet days beguiling,
Love in the arbor and love in the sky . . .
When I was a young girl, a young girl, a young girl,
When I was a young girl, how happy was I!
Oh, the long days I must sit at my sampler,
Oh, the slow way that the still time would go!
I longed to be running across the bright heather,
'Off with the silk gown and on with the leather,
Following the raggle-taggle gypsies, oh!'
When I was a young girl, a young girl, a young girl,
When I was a young girl, a long time ago!
When I was a young girl in days that were golden,
When I was a young girl, and life had no smart,
All the world seemed a place for my playing,
Full of great lovers to come to me, saying,
'Madam, I give you the keys of my heart . . .'
When I was a young girl, a young girl, a young girl,
When I was a young girl, and dreaming apart!
When I was a young girl, I dreamed of my lover,
A tall cavalier who should whisper me low,
'Love, on your lips are red roses a-blowing,
I am your true love, and fast is time going
Am I your true love? Oh, say yes or no!'
When I was a young girl, a young girl, a young girl–
When I was a young girl, a long time ago!
When I was a young girl there came my true lover,
Swiftly I knew him in glad days gone by;
Never a sword or a lovelock or feather,
But oh, at his touch 'twas our hearts came together,
Love in the arbor and love in the sky . . .
When I was a young girl, a young girl, a young girl,
When I was a young girl, how happy was I!
poem by Margaret Widdemer

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Love's Young Dream
Oh! the days are gone, when Beauty bright
My heart's chain wove;
When my dream of life, from morn till night,
Was love, still love.
New hope may bloom,
And days may come,
Of milder calmer beam,
But there's nothing half so sweet in life
As love's young dream:
No, there's nothing half so sweet in life
As love's young dream.
Though the bard to purer fame may soar,
When wild youth's past;
Though he win the wise, who frown'd before,
To smile at last;
He'll never meet
A joy so sweet,
In all his noon of fame,
As when first he sung to woman's ear
His soul-felt flame,
And, at every close, she blush'd to hear
The one loved name.
No, -- that hallow'd form is ne'er forgot
Which first love traced;
Still it lingering haunts the greenest spot
On memory's waste.
'Twas odour fled
As soon as shed;
'Twas morning's winged dream;
'Twas a light, tht ne'er can shine again
On life's dull stream:
Oh! 'twas light that n'er can shine again
On life's dull stream.
poem by Thomas Moore

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Its Not Too Late
(david jones)
Immortal music (bmi)
Lead vocal: davy jones
If I had a penny for every time I thought about you
I would be a millionaire
I would send you flowers each day
And I would show you in every way
Just how much I really care
The summer sun and the winter snow,
The autumn leaves let the spring rains know
Just how much I need your love
And if I knew that my time was near,
And you were there,
I would have no fear
Your name would be my dying prayer
Its not too late
To turn this ship around
To sail into the wind my love
Before we run aground
Its not too late
To say that I love you
And its not too late for you, my love
To say you love me too
(its not too late)
If I was a rich mans son
I would work till the day was done
Just to prove my love was true
I would take you for my wife
And I would love you all my life
And I would never leave or be untrue
Its not too late
To turn this ship around
To sail into the wind my love
Before we run aground
Its not too late
To say that I love you
And its not too late for you, my love
To say you love me too
(its not too late)
You know our future and your feelings
And the love that I have for you
Theyre always in my heart and on my mind
A never ending love affair
Well go together everywhere
Our love will last till the end of time
You know our future and your feelings
And the love that I have for you
Theyre always in my heart, theyre on my mind
A never ending love affair
Well go together everywhere
Our love will last till the end of time
Its not too late
To turn this ship around
To sail into the wind my love
Before we run aground
Its not too late
To say that I love you
And its not too late for you, my love
To say you love me too
(its not too late)
Its not too late
To turn this ship around
To sail into the wind my love
Before we run aground
Its not too late
To say that I love you
And its not too late for you, my love
To say you love me too
(its not too late)
Its not too late (its not too late)
Its not too late (its not too late)
Its not too late to turn this ship around
song performed by by Monkees

Submitted by Lucian Velea
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The Change
She leaned out into the soft June weather,
With her long loose tresses the night breeze played;
Her eyes were as blue as the bells on the heather:
Oh, what is so fair as a fair young maid!
She folded her hands, like the leaves of a lily,
'My life, ' she said, 'is a night in June,
Fair and quiet, and calm and stilly;
Bring me a change, O changeful moon!
'Who would drift on a lake forever?
Young hearts weary - it is not strange,
And sigh for the beautiful bounding river;
New moon, true moon, bring me a change! '
The rose that rivalled her maiden blushes
Dropped from her breast, at a strangers feet;
Only a glance; but the hot blood rushes
To mantle a fair face, shy and sweet.
To and fro, while the moon is waning,
They walk, and the stars shine on above;
And one is in earnest, and one is feigning -
Oh, what is so sweet as a sweet young love?
A young life crushed, and a young heart broken,
A bleak wind blows through the lovely bower,
And all that remains of the love vows spoken -
Is the trampled leaf of a faded flower.
The night is dark, for the moon is failing -
And what is so pale as a pale old moon?
Cold is the wind through the tree tops wailing -
Woe that the change should come so soon.
poem by Ella Wheeler Wilcox

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To My Cousin
Come out with me into the moonlight, coz!
Fling by that page of romance—the hot breath
Of the dim taper, ill befits an eve
So beautiful as this—I know there is
A deep bewildering interest in that tale;
For the low drooping head, the parted lip,
The feverish glow that brightens cheek and eye,
And the light finger press'd upon the page,
As if that volume were the magic link
That bound thee to illusion—all proclaim
The spell that hath enchain'd thee. Yet come out,
And I will show thee full as bright a page,
And one where thou may'st read as wild a tale
Of love and chivalry, as that from which
My voice hath won thee.—Is it not, sweet coz,
A most delicious night? and how could I
Gaze upward on that moon, and thou not here—
Our arms entwining thus—and the light touch
Of those soft fingers resting upon mine,
That I may feel their gentle pressure tell
Thy voiceless feelings—when I turn to say
“How very beautiful!”—It is a night
For Poetry—and the low breeze comes by
As 't were a holy whisper, sent to quell
The spirit's fever.—We will fling aside
Like a dull robe the thought of present things,
And wrap ourselves in dreams.
And yet 't is not
A scene like that we gazed on when yon moon
Last moved, so empress-like, across the sky—
Nay, thou rememberest—I know it well
By the curl'd lip turn'd towards me with a smile
Of recollected pleasure: yet again
Look towards yon concave: other eyes than ours
Are gazing on that orb, and kindly lips
Perchance are naming us.
Did we not say
Yon planet should be written, like a book,
With cherish'd memories?—and when the hour
Of her arising came, that we would think
On those from whom we parted?—Look, Annette!
Couldst thou not fancy that a friendly eye
Was smiling on thee from the distant sphere?
Nay, laugh not, cousin,—'t was a silly thought!—
But who would fetter fancy's wildest wing
Upon a night like this? The very light
That falls around us hath a dreamy spell,
And gives the scene a dim unreal shade,
Like a forgotten thought come back again.
It is most beautiful! yet on the heart
The sense of pleasure presses, with a weight
That half hath started tears—'t is strange that even
Our happiness should be so link'd with pain!
And beauty—perfect beauty—only wake
The knowledge that our spirits are too weak,
To feel it in its full deep blessedness!
Didst never wish to be an angel, coz?
That thou might understand the pencilling
Writ on the sunset sky—and send abroad
A soul unfetter'd on a night like this!
Well, let us wander on—did I not say
I knew a history of the olden time,
That I would tell to thee?—we should have been
Beneath our grape-vine bower—thou know'st it, love,
And I thine own true knight to sing thee,
While thou didst touch the lute—
But 't is not so—
And while I tell the tale of which I spake,
If I can win from thee one gentle sigh,
I will not ask for music!—
'T was a night
Moon-lit, and calm, and beautiful,—like this;
Music was swelling out, upon the breeze,
From a gay festive hall—and starry lamps
Flung out their perfumed splendour upon brows
Of alabaster whiteness, and dark hair
Enwreathed with dazzling gems: light forms went by
Graceful and fairy-like, amid the dance,
Beside a nation's chivalry—and songs
Melted away in liquid melody
From rosy lips, and the gay laugh broke forth;
Or, when the ancient minstrel breathed some tale
Of love and sadness, gentle tears fell forth
From eyes that shone more lovely through their mist
But there was one, had stolen from that scene
Of smiles and joyousness, to where the moon
Look'd downward, silently, through jasmine leaves,
And the low night-breeze kiss'd the drooping bells
Of the sweet clematis.
And there she stood—
Her head bent slightly back, and the long fringe
Of her dark melancholy eye raised up
And laid against her brow, as if her soul
Were lifted in that long deep glance to Heaven!
Her cheek was pale—so pale, that its faint tinge
Of lingering carmine scarce sufficed to tell
That the slight form, round which the white robes fell
So gracefully, was not in very deed
A sculptor's form of beauty—her dark hair
Was carelessly thrown backward, and her hand
Twisted among its tresses, look'd as 't were
A wandering moon-beam—'t was so delicate!
A deeper sadness gather'd on the brow,
The queenly brow, of that young worshipper,
Until it droop'd upon her breast, and tears
Came crowding to her eyelids. Could it be
That grief had paled a cheek so beautiful?
That gush of tears went by—and she raised up
Her forehead to the breeze, and touch'd the lute,
That lay beside her, to a mournful strain,
The while she sung to it:—
“This faded cheek, this faded cheek,
Pale lip and alter'd brow,
Are all the outward signs that speak
The love I bear thee now.
I name thee not amid the halls,
Where mirthful glances shine;
But not one tear in secret falls,
That is not truly thine.
“They told me, that the vows we spake
Were soon forgot by thee;
But though my heart, perchance, may break,
'T will ne'er be false to thee.
Nor would'st thou, dearest, all so soon
That one deep vow forget,
The first, the last, the only one,
That told our hearts had met.
”They told me thou wast false, that pride
Might dry my burning tears,
When I should learn that thou hadst died
Amid thine early years.
They did not know how deeply dear
Was every thought of thee,
More fondly, truly, cherish'd here,
Than living love could be.”
The strain was hush'd—A rustle midst the leaves
Hath caught the maiden's ear, and a low voice
Whisper'd the name of “Eva!” Could it be
That the dark grave had given up its dead?
Or was that breath a summons from the land
Of parted spirits? But a moment more,
And her own knight was kneeling at her feet—
Her head fell on his bosom—hours past on,
And when the gray dawn made a pause amid
The mirth of their gay revelling, they came
To seek that absent one,—and both were there,
Silent and motionless as they had sunk,
When the first shock was over—one in death,
And one in cold despair!
poem by Elizabeth Margaret Chandler from Poetical Works (1836)

Submitted by Veronica Serbanoiu
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For love of you my lute was strung
FOR love of you my lute was strung,
When singing days were fair and young,
When life and hope and song were new,
And all were sweet for love of you.
For love of you from June to June
My heart beat to a triumph tune,
And music rose by sea and land,
In answer to a victor's hand.
For love of you from sun to sun,
I strove to sing when songs were done,
And on each failing string my tears
Burnt silence, through the empty years.
But broken now 'neath evening skies,
My lute for ever tuneless lies,
And I but mourn the songs I knew,
Which were so sweet for love of you.
poem by Dollie Radford

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The German Student’s Love-Song
I.
BY the rush of the Rhine's broad stream,
Down whose rapid tide
We sailed as in some sweet dream
Sitting side by side;
By the depth of its clear blue wave
And the vine-clad hills,
Which gazed on its heart and gave
Their tribute rills;
By the mountains, in purple shade,
And those valleys green
Where our bower of rest was made,
By the world unseen;
By the notes of the wild free bird,
Singing over-head
When nought else in the sunshine stirr'd
Round our flowery bed;
By these, and by Love's power divine,
I have no thought but what is thine!
II.
By the glance of thy radiant eyes,
Where a glory shone
That was half of the summer skies
And half their own;
By the light and yet fervent hold
Of thy gentle hand,--
(As the woodbines the flowers enfold
With their tender band
By thy voice when it breathes in song,
And the echo given
By lips that to Earth belong,
Float up to Heaven;
By the gleams on thy silken hair
At the sunset hour,
And the breadth of they forehead fair
With its thoughtful power;
By these, and by Love's soul divine,
I have no hope but what is thine!
III.
By the beauty and stilness round
When the lake's lone shore
Scarce echoed the pleasant sound
Of the distant oar;
By the moonlight which softly fell
On all objects near,
And thy whisper seemed like a spell
In thy Lover's ear;
By the dreams of the restless past,
And the hope that came
Like sunshine in shadow cast
With thy gentle name;
By the beat of thy good true heart
Where pure thoughts have birth;
By thy tears, when Fate bade us part,
And thy smiles of mirth;
By these, and by Love's power divine,
I have no hope but what is thine!
IV.
By the gloom of those holy fanes
Where the light stream'd through
Dim orange and purple panes
On the aisles below;
By the ruin'd and roofless wall
Of that castle high,
With its turrets so grey and tall
In the clear blue sky;
By beauty, because its light
Should thy portion be,
And whatever is fair and bright
Seems a part of thee;
And by darkness and blank decay,
Because they tell
What the world would be, THOU away,
Whom I love so well;
By these, and by Love's power divine,
My heart, my soul, my life, are thine!
poem by Caroline Elizabeth Sarah Norton

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The Troubadour. Canto 4
IT was a wild and untrain'd bower,
Enough to screen from April shower,
Or shelter from June's hotter hour,
Tapestried with starry jessamines,
The summer's gold and silver mines;
With a moss seat, and its turf set
With crowds of the white violet.
And close beside a fountain play'd,
Dim, cool, from its encircling shade;
And lemon trees grew round, as pale
As never yet to them the gale
Had brought a message from the sun
To say their summer task was done.
It was a very solitude
For love in its despairing mood,
With just enough of breath and bloom,
With just enough of calm and gloom,
To suit a heart where love has wrought
His wasting work, with saddest thought;
Where all its sickly fantasies
May call up suiting images:
With flowers like hopes that spring and fade
As only for a mockery made,
And shadows of the boughs that fall
Like sorrow drooping over all.
And LEILA , loveliest! can it be
Such destiny is made for thee?
Yes, it is written on thy brow
The all thy lip may not avow,--
All that in woman's heart can dwell,
Save by a blush unutterable.
Alas! that ever RAYMOND came
To light thy cheek and heart to flame,--
A hidden fire, but not the less
Consuming in its dark recess.
She had leant by his couch of pain,
When throbbing pulse and bursting vein
Fierce spoke the fever, when fate near
Rode on the tainted atmosphere;
And though that parch'd lip spoke alone
Of other love, in fondest tone,
And though the maiden knew that death
Might be upon his lightest breath,
Yet never by her lover's side
More fondly watch'd affianced bride,--
With pain or fear more anxious strove,
Than LEILA watch'd another's love.
But he was safe!--that very day
Farewell, it had been her's to say;
And he was gone to his own land,
To seek another maiden's hand.
Who that had look'd on her that morn,
Could dream of all her heart had borne;
Her cheek was red, but who could know
'Twas flushing with the strife below;--
Her eye was bright, but who could tell
It shone with tears she strove to quell;--
Her voice was gay, her step was light;
And, beaming, beautiful, and bright,
It was as if life could confer
Nothing but happiness on her.
Ah! who could think that all so fair
Was semblance, and but misery there.
'Tis strange with how much power and pride
The softness is of love allied;
How much of power to force the breast
To be in outward show at rest,--
How much of pride that never eye
May look upon its agony!
Ah! little will the lip reveal
Of all the burning heart can feel.
But this was past, and she was now
With clasped hands prest to her brow,
And head bow'd down upon her knee,
And heart-pulse throbbing audibly,
And tears that gush'd like autumn rain,
The more for that they gush'd in vain.
Oh! why should woman ever love,
Trusting to one false star above;
And fling her little chance away
Of sunshine for its treacherous ray.
At first ELVIRA had not sought
To break upon her lonely thought.
But it was now the vesper time,
And she return'd not at the chime
Of holy bells,--she knew the hour:--
At last they search'd her favourite bower;
Beside the fount they found the maid
On head bow'd down, as if she pray'd;
Her long black hair fell like a veil,
Making her pale brow yet more pale.
'Twas strange to look upon her face,
Then turn and see its shadowy trace
Within the fountain; one like stone,
So cold, so colourless, so lone,--
A statue nymph, placed there to show
How far the sculptor's art could go.
The other, and that too the shade,
In light and crimson warmth array'd;
For the red glow of day declining,
Was now upon the fountain shining,
And the shape in its mirror bright
Of sparkling waves caught warmth and light.
ELVIRA spoke not, though so near,
Her words lay mute in their own fear:
At last she whisper'd LEILA'S name,--
No answer from the maiden came.
She took one cold hand in her own,
Started, and it dropp'd lifeless down!
She gazed upon the fixed eye,
And read in it mortality.
And lingers yet that maiden's tale
A legend of the lemon vale:
They say that never from that hour
Has flourish'd there a single flower,--
The jasmine droop'd, the violets died,
Nothing grew by that fountain side,
Save the pale pining lemon trees,
And the dark weeping cypresses.--
And now when to the twilight star
The lover wakes his lone guitar,
Or maiden bids a song impart
All that is veil'd in her own heart,
The wild and mournful tale they tell
Of her who loved, alas! too well.--
And where was RAYMOND , where was he?
Borne homeward o'er the rapid sea,
While sunny days and favouring gales
Brought welcome speed to the white sails,--
With bended knee, and upraised hand,
He stood upon his native land,
With all that happiness can be
When resting on futurity.
On, on he went, and o'er the plain
He rode an armed knight again;
He urged his steed with hand and heel,
It bounded concious of the steel,
And never yet to RAYMOND'S eye
Spread such an earth, shone such a sky,
Blew such sweet breezes o'er his brow,
As those his native land had now.
He thought upon young EVA'S name,
And felt that she was still the same;
He thought on AMIRALD , his child
Had surely his dark cares beguiled;
He thought upon the welcome sweet
It would be his so soon to meet:
And never had the star of hope
Shone on a lovelier horoscope.
And evening shades were on the hour
When RAYMOND rode beneath the tower
Remember'd well, for ADELINE
Had there been his heart's summer queen.
Could this be it?--he knew the heath
Which, lake-like, spread its walls beneath,--
He saw the dark old chesnut wood
Which had for ages by it stood;
And but for these the place had been
As one that he had never seen.
The walls were rent, the gates were gone,
No red light from the watch tower shone.
He enter'd, and the hall was bare,
It show'd the spoiler had been there;
Even upon the very hearth
The green grass found a place of birth.
Oh, vanity! that the stone wall
May sooner than a blossom fall;
The tower in its strength may be
Laid low before the willow tree.
There stood the wood, subject to all
The autumn wind, the winter fall,--
There stood the castle which the rain
And wind had buffetted in vain,--
But one in ruins stood beside
The other green in its spring pride.
And RAYMOND paced the lonely hall
As if he feared his own footfall.
It is the very worst, the gloom
Of a deserted banquet-room,
To see the spider's web outvie
The torn and faded tapestry,--
To shudder at the cold damp air,
Then think how once were burning there
The incense vase with odour glowing,
The silver lamp its softness throwing
O'er cheeks as beautiful and bright
As roses bathed in summer light,--
How through the portals sweeping came
Proud cavalier and high-born dame,
With gems like stars 'mid raven curls,
And snow-white plumes and wreathed pearls--
Gold cups, whose lighted flames made dim
The sparkling stones around the brim;--
Soft voices answering to the lute,
The swelling harp, the sigh-waked flute,--
The glancing lightness of the dance,--
Then, starting sudden from thy trance,
Gaze round the lonely place and see
Its silence and obscurity:
Then commune with thine heart, and say
These are the foot-prints of decay,--
And I, even thus shall pass away.
And RAYMOND turn'd him to depart,
With darken'd brow and heavy heart.
Can outrage or can time remove
The sting, the scar of slighted love?
He could not look upon the scene
And not remember ADELINE ,
Fair queen of gone festivity,--
Oh, where was it, and where was she!
At distance short a village lay,
And thither RAYMOND took his way,
And in its hostel shelter found,
While the dark night was closing round.
It was a cheerful scene, the hearth
Was bright with wood-fire and with mirth,
And in the midst a harper bent
O'er his companion instrument:
'Twas an old man, his hair was grey,--
For winter tracks in snow its way,--
But yet his dark, keen eye was bright,
With somewhat of its youthful light;
Like one whose path of life had made
Its course through mingled sheen and shade,
But one whose buoyant spirit still
Pass'd lightly on through good or ill,--
One reckless if borne o'er the sea
In storm or in tranquillity;
The same to him, as if content
Were his peculiar element.
'Tis strange how the heart can create
Or colour from itself its fate;
We make ourselves our own distress,
We are ourselves our happiness.
And many a song and many a lay,
Had pass'd the cheerful hour away,
When one pray'd that he would relate,
His tale of the proud ladye's fate,--
The lady ADELINE ;--the name
Like lightning upon RAYMOND came!
And swept the harper o'er his chords
As that he paused for minstrel words,
Or stay'd till silence should prevail,
When thus the old man told the tale.
THE PROUD LADYE.
OH , what could the ladye's beauty match,
An it were not the ladye's pride;
An hundred knights from far and near
Woo'd at that ladye's side.
The rose of the summer slept on her cheek,
Its lily upon her breast,
And her eye shone forth like the glorious star
That rises the first in the west.
There were some that woo'd for her land and gold,
And some for her noble name,
And more that woo'd for her loveliness;
But her answer was still the same.
'There is a steep and lofty wall,
Where my warders trembling stand,
He who at speed shall ride round its height,
For him shall be my hand.'
Many turn'd away from the deed,
The hope of their wooing o'er;
But many a young knight mounted the steed
He never mounted more.
At last there came a youthful knight,
From a strange and far countrie,
The steed that he rode was white as the foam
Upon a stormy sea.
And she who had scorn'd the name of love,
Now bow'd before its might,
And the ladye grew meek as if disdain
Were not made for that stranger knight.
She sought at first to steal his soul
By dance, song, and festival;
At length on bended knee she pray'd
He would not ride the wall.
But gaily the young knight laugh'd at her fears,
And flung him on his steed,--
There was not a saint in the calendar
That she pray'd not to in her need.
She dared not raise her eyes to see
If heaven had granted her prayer,
Till she heard a light step bound to her side,--
The gallant knight stood there!
And took the ladye ADELINE
From her hair a jewell'd band,
But the knight repell'd the offer'd gift,
And turn'd from the offer'd hand.
And deemest thou that I dared this deed,
Ladye, for love of thee;
The honour that guides the soldier's lance
Is mistress enough for me.
Enough for me to ride the ring,
The victor's crown to wear;
But not in honour of the eyes
Of any ladye there.
I had a brother whom I lost
Through thy proud crueltie,
And far more was to me his love,
Than woman's love can be.
I came to triumph o'er the pride
Through which that brother fell,
I laugh to scorn thy love and thee,
And now, proud dame, farewell!
And from that hour the ladye pined,
For love was in her heart,
And on her slumber there came dreams
She could not bid depart.
Her eye lost all its starry light,
Her cheek grew wan and pale,
Till she hid her faded loveliness
Beneath the sacred veil.
And she cut off her long dark hair,
And bade the world farewell,
And she now dwells a veiled nun
In Saint Marie's cell.
AND what were RAYMOND'S dreams that night?
The morning's gift of crimson light
Waked not his sleep, for his pale cheek
Did not of aught like slumber speak;
Though not upon a morn like this
Should RAYMOND turn to aught but bliss.
To-day, when EVA will be prest,
Ere evening, to his throbbing breast,--
To-day, when all his own will be
That cheer'd his long captivity.
Care to the wind of heaven was flung
As the young knight to stirrup sprung.
He reach'd the castle; save one, all
Rush'd to his welcome in the hall.
He gazed, but there no EVA came,
Scarce his low voice named EVA'S name!
'Our EVA , she is far away
Amid the young, the fair, the gay.
At Thoulouse, now the bright resort
Of beauty and the Minstrel Court;
For this time it is hers to set
The victor's brow with violet.
Her father,--but you're worn and pale,--
Come, the wine cup will aid my tale.'
The greeting of the elder knight,
The cheerful board, the vintage bright,
Not all could chase from RAYMOND'S soul,
The cloud that o'er its gladness stole;
And soon, pretending toil, he sought
A solitude for lonely thought.--
'Tis strange how much of vanity
Almost unconciously will be
With our best feelings mix'd, and now
But that, what shadows RAYMOND'S brow.
He had deem'd a declining flower,
Pining in solitary bower,
He should find EVA , sad and lone,--
He sought the cage, the bird had flown,
With burnish'd plume, and careless wing,
A follower of the sunny Spring.
He pictured her the first of all
In masque, and dance, and festival,--
With cheek at its own praises burning,
And eyes but on adorers turning,
The lady of the tournament,
For whose bright sake the lance was sent;
While minstrels borrow'd from her name
The beauty which they paid by fame:
Beloved! not even his hot brain
Dared whisper,--loving too again.
But the next morn, and RAYMOND bent
His steps to that fair Parliament,
While pride and hasty anger strove
Against his memory and his love.
But leave we him awhile to rave
Against the faith which, like the wave,
By every grain of sand can be
Moved from its own tranquillity,
Till settled he that woman's mind
Was but a leaf before the wind,--
Left to remain, retreat, advance,
Without a destiny but chance.--
And where is EVA ? on her cheek
Is there aught that of love may speak?
Amid the music and perfume
That, mingling, fill yon stately room
A maiden sits, around her chair
Stand others who, with graceful care,
Bind Indian jewels in her hair.
'Tis EVA ! on one side a stand
Of dark wood from the Ethiop's land
Is cover'd with all gems that deck
A maiden's arm, or maiden's neck:
The diamond with its veins of light,
The sapphire like a summer night,
The ruby rich as it had won
A red gift from the setting sun,
And white pearls, such as might have been
A bridal offering for a queen.
On the side opposite were thrown,
Rainbow-like mix'd, a sparkling zone,
A snow-white veil, a purple vest
Embroider'd with a golden crest.
Before, the silver mirror's trace
Is the sweet shadow of her face,
Placed as appealing to her eyes
For the truth of the flatteries,
With which her gay attendants seek
To drive all sadness from her cheek.--
She heard them not; she reck'd not how
They wreath'd the bright hair o'er her brow,
Whate'er its sunny grace might be
There was an eye that would not see.
They told of words of royal praise,
They told of minstrel's moonlight lays,
Of youthful knights who swore to die
For her least smile, her lightest sigh.
But he was gone, her young, her brave,
Her heart was with him in the grave.
Wearied, for ill the heart may bear
Light words in which it has no share,
She turn'd to a pale maid, who, mute,
Dreaming of song leant o'er her lute;
And at her sign, that maiden's words
Came echo-like to its sweet chords,--
It was a low and silver tone,
And very sad, like sorrow's own;
She sang of love as it will be,
And has been in reality,--
Of fond hearts broken and betray'd,
Of roses opening but to fade,
Of wither'd hope, and wasted bloom,
Of the young warrior's early tomb;
And the while her dark mournful eye
Held with her words deep sympathy.
And EVA listen'd;--music's power
Is little felt in sunlit hour;
But hear its voice when hopes depart,
Like swallows, flying from the heart
On which the summer's late decline
Has set a sadness and a sign;
When friends whose commune once we sought
For every bosom wish and thought,
Have given in our hour of need
Such a support as gives the reed,--
When we have seen the green grass grow
Over what once was life below;
How deeply will the spirit feel
The lute, the song's sweet-voiced appeal;
And how the heart drink in their sighs
As echoes they from Paradise.
'Tis done: the last bright gem is set
In EVA'S sparkling coronet;
A soil on her rich veil appears,--
Unsuiting here--and is it tears!
Her father met her, he was proud
To lead his daughter through the crowd,
And see the many eyes that gazed,
Then mark the blush their gazing raised;
And for his sake, she forced away
The clouds that on her forehead lay,
The sob rose in her throat, 'twas all,
The tears swam, but they dared not fall;
And the pale lip put on a smile,
Alas it was too sad for guile!
A beautiful and festal day
Shone summer bright o'er the array,
And purple banners work'd in gold,
And azure pennons spread their fold,
O'er the rich awnings which were round
The galleries that hemm'd in the ground,
The green and open space, where met
The Minstrels of the Violet;
And two or three old stately trees
Soften'd the sun, skreen'd from the breeze.
And there came many a lovely dame,
With cheek of rose, and eye of flame;
And many a radiant arm was raised,
Whose rubies in the sunshine blazed;
And many a white veil swept the air
Only than what they hid less fair;
And placed at his own beauty's feet
Found many a youthful knight his seat,
And flung his jewell'd cap aside,
And wore his scarf with gayer pride,
And whisper'd soft and gallant things,
And bade the bards' imaginings
Whenever love awoke the tone,
With their sweet passion plead his own.
Beneath an azure canopy,
Blue as the sweep of April's sky,
Upon a snowy couch reclined
Like a white cloud before the wind,
Leant EVA :--there was many a tent
More royal, more magnificent,
With purple, gold, and crimson swelling,
But none so like a fairy dwelling:
One curtain bore her father's crest,
But summer flowers confined the rest;
And, at her feet, the ground was strew'd
With the June's rainbow multitude:
Beside her knelt a page, who bore
A vase with jewels sparkling o'er,
And in that shining vase was set
The prize,--THE GOLDEN VIOLET.
Alas for her whom ev'ry eye
Worshipp'd like a divinity!
Alas for her whose ear was fill'd
With flatteries like sweet woods distill'd!
Alas for EVA ! bloom and beam,
Music and mirth, came like a dream,
In which she mingled not,--apart
From all in heaviness of heart.
There were soft tales pour'd in her ear,
She look'd on many a cavalier,
Wander'd her eye round the glad scene,
It was as if they had not been;--
To ear, eye, heart, there only came
Her RAYMOND'S image, RAYMOND'S name!
There is a flower, a snow-white flower,
Fragile as if a morning shower
Would end its being, and the earth
Forget to what it gave a birth;
And it looks innocent and pale,
Slight as the least force could avail
To pluck it from its bed, and yet
Its root in depth and strength is set.
The July sun, the autumn rain,
Beat on its slender stalk in vain;--
Around it spreads, despite of care,
Till the whole garden is its share;
And other plants must fade and fall
Beneath its deep and deadly thrall.
This is love's emblem; it is nurst
In all unconciousness at first,
Too slight, too fair, to wake distrust;
No sign how that an after hour
Will rue and weep its fatal power.
'Twas thus with EVA ; she had dream'd
Of love as his first likeness seem'd,
A sweet thought o'er which she might brood,
The treasure of her solitude;
But tidings of young RAYMOND'S fate
Waken'd her from her dream too late,
Even her timid love could be
The ruling star of destiny.
And when a calmer mood prevail'd
O'er that whose joy her father hail'd,
Too well he saw how day by day
Some other emblem of decay
Came on her lip, and o'er her brow,
Which only she would disallow;
The cheek the lightest word could flush
Not with health's rose, but the heart's gush
Of feverish anxiousness; he caught
At the least hope, and vainly sought
By change, by pleasure, to dispell
Her sorrow from its secret cell.
In vain;--what can reanimate
A heart too early desolate?
It had been his, it could not save,
But it could follow to his grave.
The trumpets peal'd their latest round,
Stole from the flutes a softer sound,
Swell'd the harp to each master's hand,
As onward came the minstrel band!
And many a bright cheek grew more bright,
And many a dark eye flash'd with light,
As bent the minstrel o'er his lute,
And urged the lover's plaining suit,
Or swept a louder chord, and gave
Some glorious history of the brave.
At last from 'mid the crowd one came,
Unknown himself, unknown his name,
Both knight and bard,--the stranger wore
The garb of a young Troubadour;
His dark green mantle loosely flung,
Conceal'd the form o'er which it hung;
And his cap, with its shadowy plume,
Hid his face by its raven gloom.
Little did EVA'S careless eye
Dream that it wander'd RAYMOND by,
Though his first tone thrill'd every vein,
It only made her turn again,
Forget the scene, the song, and dwell
But on what memory felt too well.
THE SONG OF THE TROUBADOUR.
IN some valley low and lone,
Where I was the only one
Of the human dwellers there,
Would I dream away my care:
I'd forget how in the world
Snakes lay amid roses curl'd,
I'd forget my once distress
For young Love's insidiousness.
False foes, and yet falser friends,
Seeming but for their own ends;
Pleasures known but by their wings,
Yet remember'd by their stings;
Gold's decrease, and health's decay,
I will fly like these away,
To some lovely solitude,
Where the nightingale's young brood
Lives amid the shrine of leaves,
Which the wild rose round them weaves,
And my dwelling shall be made
Underneath the beech-tree's shade.
Twining ivy for the walls
Over which the jasmine falls,
Like a tapestry work'd with gold
And pearls around each emerald fold:
And my couches shall be set
With the purple violet,
And the white ones too, inside
Each a blush to suit a bride.
That flower which of all that live,
Lovers, should be those who give,
Primroses, for each appears
Pale and wet with many tears.
Alas tears and pallid check
All too often love bespeak!
There the gilderose should fling
Silver treasures to the spring,
And the bright laburnum's tresess
Seeking the young wind's caresses;
In the midst an azure lake,
Where no oar e'er dips to break
The clear bed of its blue rest,
Where the halcyon builds her nest;
And amid the sedges green,
And the water-flag's thick screen,
The solitary swan resides;
And the bright kingfisher hides,
With its colours rich like those
Which the bird of India shows.--
Once I thought that I would seek
Some fair creature, young and meek,
Whose most gentle smile would bless
My too utter loneliness;
But I then remember'd all
I had suffer'd from Love's thrall,
And I thought I 'd not again
Enter in the lion's den;
But, with my wrung heart now free,
So I thought I still will be.
Love is like a kingly dome,
Yet too often sorrow's home;
Sometimes smiles, but oftener tears,
Jealousies, and hopes, and fears,
A sweet liquor sparkling up,
But drank from a poison'd cup.
Would you guard your heart from care
Love must never enter there.
I will dwell with summer flowers,
Fit friends for the summer hours,
My companions honey-bees,
And birds, and buds, and leaves, and trees,
And the dew of the twilight,
And the thousand stars of night:
I will cherish that sweet gift,
The least earthly one now left
Of the gems of Paradise,
Poesy's delicious sighs.
Ill may that soft spirit bear
Crowds' or cities' healthless air;
Was not her sweet breathing meant
To echo the low murmur sent
By the flowers, and by the rill,
When all save the wind is still?
As if to tell of those fair things
High thoughts, pure imaginings,
That recall how bright, how fair,
In our other state we were.
And at last, when I have spent
A calm life in mild content,
May my spirit pass away
As the early leaves decay:
Spring shakes her gay coronal,
One sweet breath, and then they fall.
Only let the red-breast bring
Moss to strew me with, and sing,
One low mournful dirge to tell
I have bid the world farewell.
AND praise rang forth, the prize is won,
Young minstrel, thou hast equal none!
They led him to the lady's seat,
And knelt he down at EVA'S feet;
She bent his victor brow to deck,
And, fainting, sunk upon his neck!
The cap and plume aside were thrown,
'Twas as the grave restored its own,
And sent its victim forth to share
Light, life, and hope, and sun, and air.
That day the feast spread gay and bright
In honour of the youthful knight,
And it was EVA'S fairy hand
Met RAYMOND'S in the saraband,
And it was EVA'S ear that heard
Many a low and love-tuned word.--
And life seem'd as a sunny stream,
And hope awaked as from a dream;
But what has minstrel left to tell
When love has not an obstacle?
My lute is hush'd, and mute its chords,
The heart and happiness have no words!
MY tale is told, the glad sunshine
Fell over its commencing line,--
It was a morn in June, the sun
Was blessing all it shone upon,
The sky was clear as not a cloud
Were ever on its face allow'd;
The hill whereon I stood was made
A pleasant place of summer shade
By the green elms which seem'd as meant
To make the noon a shadowy tent.
I had been bent half sleep, half wake,
Dreaming those rainbow dreams that take
The spirit prisoner in their chain,
Too beautiful to be quite vain,--
Enough if they can soothe or cheer
One moment's pain or sorrow here.
And I was happy; hope and fame
Together on my visions came,
For memory had just dipp'd her wings
In honey dews, and sunlit springs,--
My brow burnt with its early wreath,
My soul had drank its first sweet breath
Of praise, and yet my cheek was flushing,
My heart with the full torrent gushing
Of feelings whose delighted mood
Was mingling joy and gratitude.
Scarce possible it seem'd to be
That such praise could be meant for me.--
Enured to coldness and neglect,
My spirit chill'd, my breathing check'd,
All that can crowd and crush the mind,
Friends even more than fate unkind,
And fortunes stamp'd with the pale sign
That marks and makes autumn's decline.
How could I stand in the sunshine,
And marvel not that it was mine?
One word, if ever happiness
In its most passionate excess
Offer'd its wine to human lip,
It has been mine that cup to sip.
I may not say with what deep dread
The words of my first song were said,
I may not say how much delight
Has been upon my minstrel flight.--
'Tis vain, and yet my heart would say
Somewhat to those who made my way
A path of light, with power to kill,
To check, to crush, but not the will.
Thanks for the gentleness that lent
My young lute such encouragement,
When scorn had turn'd my heart to stone,
Oh, their's be thanks and benison!
Back to the summer hill again,
When first I thought upon this strain,
And music rose upon the air,
I look'd below, and, gather'd there,
Rode soldiers with their breast-plates glancing,
Helmets and snow-white feathers dancing,
And trumpets at whose martial sound
Prouder the war horse trod the ground,
And waved their flag with many a name
Of battles and each battle fame.
And as I mark'd the gallant line
Pass through the green lane's serpentine,
And as I saw the boughs give way
Before the crimson pennons' play;
To other days my fancy went,
Call'd up the stirring tournament,
The dark-eyed maiden who for years
Kept the vows seal'd by parting tears,
While he who own'd her plighted hand
Was fighting in the Holy Land.
The youthful knight with his gay crest,
His ladye's scarf upon a breast
Whose truth was kept, come life, come death,--
Alas! has modern love such faith?
I thought how in the moon-lit hour
The minstrel hymn'd his maiden's bower,
His helm and sword changed for the lute
And one sweet song to urge his suit.
Floated around me moated hall,
And donjon keep, and frowning wall;
I saw the marshall'd hosts advance,
I gazed on banner, brand, and lance;
The murmur of a low song came
Bearing one only worshipp'd name;
And my next song, I said, should be
A tale of gone-by chivalry.
My task is done, the tale is told,
The lute drops from my wearied hold;
Spreads no green earth, no summer sky
To raise fresh visions for my eye,
The hour is dark, the winter rain
Beats cold and harsh against the pane,
Where, spendthrift like, the branches twine,
Worn, knotted, of a leafless vine;
And the wind howls in gusts around,
As omens were in each drear sound,--
Omens that bear upon their breath
Tidings of sorrow, pain, and death.
Thus should it be,--I could not bear
The breath of flowers, the sunny air
Upon that ending page should be
Which ONE will never, never see.
Yet who will love it like that one,
Who cherish as he would have done,
My father! albeit but in vain
This clasping of a broken chain,
And albeit of all vainest things
That haunt with sad imaginings,
None has the sting of memory;
Yet still my spirit turns to thee,
Despite of long and lone regret,
Rejoicing it cannot forget.
I would not lose the lightest thought
With one remembrance of thine fraught,--
And my heart said no name, but thine
Should be on this last page of mine.
My father, though no more, thine ear
Censure or praise of mine can hear,
It soothes me to embalm thy name
With all my hope, my pride, my fame,
Treasures of Fancy's fairy hall,--
Thy name most precious far of all.
My page is wet with bitter tears,--
I cannot but think of those years
When happiness and I would wait
On summer evenings by the gate,
And keep o'er the green fields our watch
The first sound of thy step to catch,
Then run for the first kiss, and word,--
An unkind one I never heard.
But these are pleasant memories,
And later years have none like these:
They came with griefs, and pains, and cares,
All that the heart breaks while it bears;
Desolate as I feel alone
I should not weep that thou art gone.
Alas! the tears that still will fall
Are selfish in their fond recall;--
If ever tears could win from Heaven
A loved one, and yet be forgiven,
Mine surely might; I may not tell
The agony of my farewell!
A single tear I had not shed,--
'Twas the first time I mourn'd the dead:--
It was my heaviest loss, my worst,--
My father!--and was thine the first!
Farewell! in my heart is a spot
Where other griefs and cares come not,
Hallow'd by love, by memory kept,
And deeply honour'd, deeply wept.
My own dead father, time may bring
Chance, change, upon his rainbow-wing,
But never will thy name depart
The household god of thy child's heart,
Until thy orphan girl may share
The grave where her best feelings are.
Never, dear father, love can be,
Like the dear love I had for thee!
poem by Letitia Elizabeth Landon

Submitted by Poetry Lover
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Madeline. A Domestic Tale
My child, my child, thou leav'st me!–I shall hear
The gentle voice no more that blest mine ear
With its first utterance; I shall miss the sound
Of thy light step amidst the flowers around,
And thy soft-breathing hymn at twilight's close,
And thy 'Good-night' at parting for repose.
Under the vine-leaves I shall sit alone,
And the low breeze will have a mournful tone
Amidst their tendrils, while I think of thee,
My child! and thou, along the moonlight sea,
With a soft sadness haply in thy glance,
Shalt watch thine own, thy pleasant land of France,
Fading to air.–Yet blessings with thee go!
Love guard thee, gentlest! and the exile's wo
From thy young heart be far! And sorrow not
For me, sweet daughter! in my lonely lot,
God shall be with me.–Now, farewell! farewell!
Thou that hast been what words may never tell
Unto thy mother's bosom, since the days
When thou wert pillow'd there, and wont to raise
In sudden laughter thence thy loving eye
That still sought mine:–these moments are gone by,
Thou too must go, my flower!–Yet with thee dwell
The peace of God!–One, one more gaze–farewell!'
This was a mother's parting with her child,
A young meek bride, on whom fair fortune smil'd,
And wooed her with a voice of love away
From childhood's home; yet there, with fond delay,
She linger'd on the threshold, heard the note
Of her cag'd bird thro' trellis'd rose-leaves float,
And fell upon her mother's neck, and wept,
Whilst old remembrances, that long had slept,
Gush'd o'er her soul, and many a vanish'd day,
As in one picture traced, before her lay.
But the farewell was said; and on the deep,
When its breast heav'd in sunset's golden sleep,
With a calm'd heart, young Madeline ere long,
Pour'd forth her own sweet solemn vesper-song,
Breathing of home: thro' stillness heard afar,
And duly rising with the first pale star,
That voice was on the waters; till at last
The sounding ocean-solitudes were pass'd,
And the bright land was reach'd, the youthful world
That glows along the West: the sails were furl'd
In its clear sunshine, and the gentle bride
Look'd on the home that promis'd hearts untried
A bower of bliss to come.–Alas! we trace
The map of our own paths, and long ere years
With their dull steps the brilliant lines efface,
On sweeps the storm, and blots them out with tears.
That home was darken'd soon: the summer breeze
Welcom'd with death the wanderers from the seas,
Death unto one, and anguish–how forlorn!
To her, that widow'd in her marriage-morn,
Sat in her voiceless dwelling, whence with him
Her bosom's first belov'd, her friend and guide,
Joy had gone forth, and left the green earth dim,
As from the sun shut out on every side,
By the close veil of misery!–Oh! but ill,
When with rich hopes o'erfraught, the young high heart
Bears its first blow!–it knows not yet the part
Which life will teach–to suffer and be still,
And with submissive love to count the flowers
Which yet are spared, and thro' the future hour;
To send no busy dream!–She had not learn'd
Of sorrow till that hour, and therefore turn'd
In weariness from life: then came th' unrest,
The heart-sick yearning of the exile's breast,
The haunting sounds of voices far away,
And household steps: until at last she lay
On her lone couch of sickness, lost in dreams
Of the gay vineyards and blue-rushing streams
In her own sunny land, and murmuring oft
Familiar names, in accents wild, yet soft,
To strangers round that bed, who knew not aught
Of the deep spells wherewith each word was fraught.
To strangers?–Oh! could strangers raise the head
Gently as hers was raised?–did strangers shed
The kindly tears which bath'd that feverish brow
And wasted cheek with half-unconscious flow?
Something was there, that thro' the lingering night
Outwatches patiently the taper's light,
Something that faints not thro' the day's distress,
That fears not toil, that knows not weariness;
Love, true, and perfect love!–Whence came that power,
Uprearing thro' the storm the drooping flower?
Whence?–who can ask?–the wild delirium pass'd,
And from her eyes the spirit look'd at last
Into her mother's face, and wakening knew
The brow's calm grace, the hair's dear silvery hue,
The kind sweet smile of old!–and had she come,
Thus in life's evening, from her distant home,
To save her child?–Ev'n so–nor yet in vain:
In that young heart a light sprung up again,
And lovely still, with so much love to give,
Seem'd this fair world, tho' faded; still to live
Was not to pine forsaken. On the breast
That rock'd her childhood, sinking in soft rest,
'Sweet mother! gentlest mother! can it be?'
The lorn one cried, 'and do I look on thee?
Take back thy wanderer from this fatal shore,
Peace shall be ours beneath our vines once more.'
poem by Felicia Dorothea Hemans

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Dreams
Oh! that my young life were a lasting dream!
My spirit not awakening, till the beam
Of an Eternity should bring the morrow.
Yes! tho' that long dream were of hopeless sorrow,
'Twere better than the cold reality
Of waking life, to him whose heart must be,
And hath been still, upon the lovely earth,
A chaos of deep passion, from his birth.
But should it be- that dream eternally
Continuing- as dreams have been to me
In my young boyhood- should it thus be given,
'Twere folly still to hope for higher Heaven.
For I have revell'd, when the sun was bright
I' the summer sky, in dreams of living light
And loveliness,- have left my very heart
In climes of my imagining, apart
From mine own home, with beings that have been
Of mine own thought- what more could I have seen?
'Twas once- and only once- and the wild hour
From my remembrance shall not pass- some power
Or spell had bound me- 'twas the chilly wind
Came o'er me in the night, and left behind
Its image on my spirit- or the moon
Shone on my slumbers in her lofty noon
Too coldly- or the stars- howe'er it was
That dream was as that night-wind- let it pass.
I have been happy, tho' in a dream.
I have been happy- and I love the theme:
Dreams! in their vivid coloring of life,
As in that fleeting, shadowy, misty strife
Of semblance with reality, which brings
To the delirious eye, more lovely things
Of Paradise and Love- and all our own!
Than young Hope in his sunniest hour hath known.
poem by Edgar Allan Poe

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Dream-Love
Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there:
And round about him
The May-bushes are white.
Soft moss the pillow
For oh, a softer cheek;
Broad leaves cast shadow
Upon the heavy eyes:
There wind and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.
Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips;
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.
Burn odours round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For oh, in waking
The sights are no so fair,
And song and silence
Are not like these below.
Young Love lies dreaming
Till summer days are gone, -
Dreaming and drowsing
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep.
Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
Oh, poor the voices
Of earth from east to west,
And poor earth's stillness
Between her stately palms.
Young Love lies drowsing
Away to poppied death;
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm delicious breath;
And what hath autumn
To give us in its place?
Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere:
Here first the violets
Perhaps with bud unseen,
And a dove, may be,
Return to nestle here.
poem by Dante Gabriel Rossetti

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Youth And Lordship
MY young lord's the lover
Of earth and sky above,
Of youth's sway and youth's play,
Of songs and flowers and love.
Yet for love's desire
Green youth lacks the daring;
Though one dream of fire,
All his hours ensnaring,
Burns the boy past bearing—
The dream that girls inspire.
My young lord's the lover
Of every burning thought
That Love's will, that Love's skill
Within his breast has wrought.
Lovely girl, look on him
Soft as music's measure;
Yield him, when you've won him,
Joys and toys at pleasure;
But to win your treasure,
Softly look upon him.
My young lord's the lover
Of every tender grace
That woman, to woo man,
Can wear in form or face.
Take him to your bosom
Now, girl, or never;
Let not your new blossom
Of sweet kisses sever;
Only guard for ever
Your boast within your bosom.
My young lord's the lover
Of every secret thing,
Love-hidden, love-bidden
This day to banqueting.
Lovely girl, with vaunting
Never tempt to-morrow:
From all shapes enchanting
Any joy can borrow,
Still the spectre Sorrow
Rises up for haunting.
And now my lord's the lover
Of ah! so many a sweet,—
Of roses, of spouses,
As many as love may greet.
poem by Dante Gabriel Rossetti

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Love Lives Beyond the Tomb
Love lives beyond
The tomb, the earth, which fades like dew-
I love the fond,
The faithful, and the true.
Love lies in sleep,
The happiness of healthy dreams,
Eve's dews may weep,
But love delightful seems.
'Tis seen in flowers,
And in the even's pearly dew
On earth's green hours,
And in the heaven's eternal blue.
'Tis heard in spring
When light and sunbeams, warm and kind,
On angels wing
Bring love and music to the wind.
And where is voice
So young, so beautiful, so sweet
As nature's choice,
Where spring and lovers meet?
Love lies beyond
The tomb, the earth, the flowers, and dew.
I love the fond,
The faithful, young, and true.
poem by John Clare

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Sir Thomas Lawrence
DIVINEST art, the stars above
Were fated on thy birth to shine;
Oh, born of beauty and of love,
What early poetry was thine!
The softness of Ionian night
Upon Ionian summer lay,
One planet gave its vesper light,
Enough to guide a lover's way;
And gave the fountain as it played
The semblance of a silvery shower,
And as its waters fell, they made
A music meet for such an hour;
That, and the tones the gentle wind
Won from the leaf, as from a lute,
In natural melody combined,
Now that all ruder sound was mute;
And odours floated on the air,
As many a nymph had just unbound
The wreath that bound their raven hair,
And flung the fragrant tresses round.
Pillowed on violet leaves, which prest
Filled the sweet chamber with their sighs,
Lulled by the lyre's low notes to rest,
A Grecian youth in slumber lies;
And at his side a maiden stands,
The dark hair braided on her brow,
The lute within her slender hands,
But hushed is all its music now.
She would not wake him from his dreams,
Although she has so much to say,
Although the morning's earliest beams
Will see her warrior torn away.
How fond and earnest is the gaze
Upon these sleeping features thrown,
She who yet never dared to raise
Her timid eyes to meet his own.
She bends her lover's rest above,
Thoughtful with gentle hopes and fears,
And that unutterable love
Which never yet spoke but in tears;
She would not that those tears should fall
Upon the cherished sleeper's face,
She turns, and sees upon the wall
Its imaged shade, its perfect grace;
With eager hand she marked each line,
The shadowy brow, the arching head,
Till some creative power divine,
Love's likeness o'er love's shadow spread:
Since then, what passion and what power
Has dwelt upon the painter's art;
How has it soothed the absent hour,
With looks that wear life's loveliest part.
Oh, painter of our English isle,
Whose name is now upon my line,
Who gave to beauty's blush and smile
All that could make them most divine;
The fair Ionian's ancient claim
Was never paid, till paid by thee,
And thou didst honour to her name,
By showing what her sex can be.
poem by Letitia Elizabeth Landon

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The Soul Of The Anzac
THE form that was mine was brown and hard,
And thewed and muscled, and tall and straight;
And often it rode from the station yard,
And often it passed through the stockyard gate;
And often it paused on the grey skyline
'Twixt mulga and mallee or gum and pine.
There was never a task that it would not do;
There was never a labour it left undone;
But ever and always it battled through,
And took the rest that its toil had won,
And slept the sleep of the weary-limbed
Till the stars grew pale and the planets dimmed.
The form that was mine is mine no more,
For low it lies in a soldier's grave
By an alien sea on an alien shore;
And over its sleep no wattles wave,
And stars unseen on their journey creep;
But it wakes no more from its dreamless sleep.
O Mother of mine, what is is best!
And our graves are dug at the hour of birth;
And the form that slept on your shielding breast
Sleeps soundly here in the mothering earth.
And dust to dust! When our part is played,
Does it matter much where the change is made?
O Heart that was mine, you were brave and strong —
How strong, how brave, let another tell!
You loved the lilt of the bushman's song,
And loved the land that he loved so well,
And loved — ah, well! — as well she knew,
The sweet, white girl who was all to you.
O Heart of mine, though your love was great,
Yet a greater than Love is lord of man;
The rose-path wound to the garden gate,
And there the track to The Peaks began;
And though storm threatened and skies grew black,
You dared the menace and took the track.
O Heart, when the cliffs were hard to climb,
How sweet was home, and her eyes how sweet!
How sweet the moments when Love kept time,
And you and her heart gave beat for beat,
And the waters sang, and the sun-rays glanced,
And the flowers laughed out, and the saplings danced.
Yet better, O Heart, to do as you did
Than to lie on her breast, as your love-gift lies;
For how can Love prosper when Honour lies hid,
Ashamed to look Love fair and square in the eyes?
Though grave-mould be round you, grey grasses above,
You live, and shall live, evermore in her love!
O Man that I was, you were foe to Death;
For Life was fair to you — wonderful, rare;
You had your being and drew your breath
In ample spaces of earth and air;
While ever and always, by night and day,
Bright Promise pointed the Golden Way.
And yet 'twas your choice to be this thing —
A young man dead on an alien shore,
Where the immemorial surges sing
As once they sang in the days of yore,
When Greek and Trojan matched their might
And Troy shone down upon the fight.
O Man that I was, well done! Well done!
You chose the nobler, the better part;
Though a mother weep for her soldier son,
And a fair, sweet girl be sad at heart,
Yet the soul of your country glows with pride
At the deed you did and the death you died.
poem by Roderic Quinn

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At the Opera
THE CURTAIN rose—the play began—
The limelight on the gay garbs shone;
Yet carelessly I gazed upon
The painted players, maid and man,
As one with idle eyes who sees
The marble figures on a frieze.
Long lark-notes clear the first act close,
So the soprano: then a hush—
The tenor, tender as a thrush;
Then loud and high the chorus rose,
Till, with a sudden rush and strong,
It ended in a storm of song.
The curtain fell—the music died—
The lights grew bright, revealing there
The flash of jewelled fingers fair,
And wreaths of pearls on brows of pride;
Then, with a quick-flushed cheek, I turned,
And into mine her dark eyes burned.
Such eyes but once a man may see,
And, seeing once, his fancy dies
To thought of any other eyes:
So shadow-soft, they seemed to be
Twin haunted lakes, lit by the gleams
Of a mysterious moon of dreams.
Silk lashes veiled their liquid light
With such a shade as tall reeds fling
From the lake-marge at sunsetting:
Their darkness might have hid the night—
Yet whoso saw their glance would say
Night dreamt therein, and saw the day.
Long looked I at them, wondering
What tender memories were hid
Beneath each blue-veined lily-lid;
What hopes of joys the years would bring;
What griefs? In vain: I might not guess
The secret of their silentness.
What of her face? Her face, meseems,
Was such as painters see who muse
By moonlight in dim avenues,
Yet cannot paint; or as in dreams,
Young poets see, but, when they try
To limn in verse are dumb—so I.
Yet well I know that I have seen
That sweet face in the long ago
In a rose-bower—well I know—
Laughing the singing leaves between,
In that strange land of rose and rhyme—
The land of Once upon a Time.
O unknown sweet, so sweetly known,
I know not what your name may be—
Madonna is your name for me—
Nor where your lines in life are thrown;
But soul sees soul—what is the rest?
A passing phantom at the best.
Did your young bosom never glow
To love? or burns your heart beneath
As burns the rosebud in its sheath?
I neither know nor wish to know:
I smell the rose upon the tree;
Who will may pluck and wear, for me—
May wear the rose, and watch it die,
And, leaf by red leaf, fade and fall,
Till there be nothing left at all
Of its sweet loveliness; but I
Love it so well, I leave it free—
The scent alone I take with me!
As one who visits sacred spots
Brings tokens back, so I from you
A glance, a smile, a rapture new!
And these are my forget-me-nots!
I take from you but only these—
Give all the rest to whom you please.
Sweet eyes, your glance a light shall cast
On me, when dreaded ghosts arise
Of dead regrets with shrouded eyes,
And phantoms of the perished past,
Old thoughts, old hopes, and old desire
Gather around my lonely fire!
Farewell! In rhyme, I kiss your hand—
Kiss not unsweet, although unheard!—
This is our secret—say no word—
That I have been in Fairyland,
And seen for one brief moment’s space
The Queen Titania face to face.
poem by Victor James Daley

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Dream-Love
Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there:
And round about him
The May-bushes are white.
Soft moss the pillow
For oh, a softer cheek;
Broad leaves cast shadow
Upon the heavy eyes:
There winds and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.
Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips;
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.
Burn odours round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For oh, in waking
The sights are not so fair,
And song and silence
Are not like these below.
Young Love lies dreaming
Till summer days are gone,—
Dreaming and drowsing
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep.
Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
Oh, poor the voices
Of earth from east to west,
And poor earth's stillness
Between her stately palms.
Young Love lies drowsing
Away to poppied death;
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm, delicious breath;
And what hath autumn
To give us in its place?
Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere:
Here the first violets
Perhaps will bud unseen,
And a dove, may be,
Return to nestle here.
poem by Christina Georgina Rossetti

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Gone
Another hand is beckoning us,
Another call is given;
And glows once more with Angel-steps
The path which reaches Heaven.
Our young and gentle friend, whose smile
Made brighter summer hours,
Amid the frosts of autumn time
Has left us with the flowers.
No paling of the cheek of bloom
Forewarned us of decay;
No shadow from the Silent Land
Fell round our sister's way.
The light of her young life went down,
As sinks behind the hill
The glory of a setting star,
Clear, suddenly, and still.
As pure and sweet, her fair brow seemed
Eternal as the sky;
And like the brook's low song, her voice,--
A sound which could not die.
And half we deemed she needed not
The changing of her sphere,
To give to Heaven a Shining One,
Who walked an Angel here.
The blessing of her quiet life
Fell on us like the dew;
And good thoughts where her footsteps pressed
Like fairy blossoms grew.
Sweet promptings unto kindest deeds
Were in her very look;
We read her face, as one who reads
A true and holy book,
The measure of a blessed hymn,
To which our hearts could move;
The breathing of an inward psalm,
A canticle of love.
We miss her in the place of prayer,
And by the hearth-fire's light;
We pause beside her door to hear
Once more her sweet 'Good-night!'
There seems a shadow on the day,
Her smile no longer cheers;
A dimness on the stars of night,
Like eyes that look through tears.
Alone unto our Father's will
One thought hath reconciled;
That He whose love exceedeth ours
Hath taken home His child.
Fold her, O Father! in Thine arms,
And let her henceforth be
A messenger of love between
Our human hearts and Thee.
Still let her mild rebuking stand
Between us and the wrong,
And her dear memory serve to make
Our faith in Goodness strong.
And grant that she who, trembling, here
Distrusted all her powers,
May welcome to her holier home
The well-beloved of ours.
poem by John Greenleaf Whittier

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Come Into the Garde, Maud
Come into the garden, Maud,
For the black bat, Night, has flown,
Come into the garden, Maud,
I am here at the gate alone;
And the woodbine spices are wafted abroad,
And the musk of the roses blown.
For a breeze of morning moves,
And the planet of Love is on high,
Beginning to faint in the light that she loves
On a bed of daffodil sky,
To faint in the light of the sun she loves,
To faint in his light, and to die.
All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune:
Till a silence fell with the waking bird,
And a hush with the setting moon.
I said to the lily, "There is but one
With whom she has heart to be gay.
When will the dancers leave her alone?
She is weary of dance and play."
Now half to the setting moon are gone,
And half to the rising day;
Low on the sand and loud on the stone
The last wheel echoes away.
I said to the rose, "The brief night goes
In babble and revel and wine.
O young lordlover, what sighs are those
For one that will never be thine?
But mine, but mine," so I sware to the rose,
"For ever and ever, mine."
And the soul of the rose went into my blood,
As the music clash'd in the hall;
And long by the garden lake I stood,
For I heard your rivulet fall
From the lake to the meadow and on to the wood,
Our wood, that is dearer than all;
From the meadow your walks have left so sweet
That whenever a March-wind sighs
He sets the jewelprint of your feet
In violets blue as your eyes,
To the woody hollows in which we meet
And the valleys of Paradise.
The slender acacia would not shake
One long milk-bloom on the tree;
The white lake-blossom fell into the lake,
As the pimpernel dozed on the lea;
But the rose was awake all night for your sake,
Knowing your promise to me;
The lilies and roses were all awake,
They sigh'd for the dawn and thee.
Queen rose of the rosebud garden of girls,
Come hither, the dances are done,
In gloss of satin and glimmer of pearls,
Queen lily and rose in one;
Shine out, little head, sunning over with curls,
To the flowers, and be their sun.
There has fallen a splendid tear
From the passion-flower at the gate.
She is coming, my dove, my dear;
She is coming, my life, my fate;
The red rose cries, "She is near, she is near;"
And the white rose weeps, "She is late;"
The larkspur listens, "I hear, I hear;"
And the lily whispers, "I wait."
She is coming, my own, my sweet;
Were it ever so airy a tread,
My heart would hear her and beat,
Were it earth in an earthy bed;
My dust would hear her and beat,
Had I lain for a century dead;
Would start and tremble under her feet,
And blossom in purple and red.
poem by Alfred Lord Tennyson

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