Realities

(To the etchings of Norman Lindsay)
Now the statues lean over each to each, and sing,
Gravely in warm plaster turning; the hedges are dark.
The trees come suddenly to flower with moonlight,
The water-gardens to glassy fire, and the night, the night,
Breaks in a rain of stars. O, now the statues wake,
Poise on their leaden stems, and dive into the lake—
And the old Gardener, who has grown old with raking,
Bends by his flickering candle, and hears the noise,
And is nodding his head at a music of copper shaking,
And Mercury whispering to some little graven Boys.
And Venus with Venus is walking in a misty grove,
Their mouths breathless with great lies of Jove,
And the green-silver moon flows quivering down their sides,
Till each is lined in light.
'And this Brass Tower?' she said—
But a stone Faun, clawed to the branches overhead,
Could hold his breath no longer, downward slides,
And crashes in a storm of leaves.—O, look, the lake!
O, the great dolphins from the fountain-rim,
And the rusty Tritons—and O, the branches break—
A flute of ivory shines—it is Apollo come to swim!
Then the skies open with a light from no moon or star,
The dark terraces tremble, melt in a shower of petals;
Flowers turn to faces; faces, like small gold panes,
Are bodied with a mist of limbs—no dark remains,
Nor silence, but there is laughter like bells in air,
A rushing wind of music, torches, dancers everywhere,
And lovers no farther. It is not night nor day,
The world's tissue has utterly crumbled away,
Time is a crusty pond, and that old Mirror, Life,
Has broken, and the ghosts of flesh are stirred
With a new blood, the fluid of eternity,
And mouths that have never spoken, ears that have never heard,
Eyes that have never seen, speak now, and hear, and see.
And I, who have climbed in these unrooted boughs
Behind the world, find substance there and flesh,
Thoughts more infrangible than windy vows,
Love that's more bodily, and kisses longer,
And Cythera lovelier, and the girls of moonlight stronger
Than all earth's ladies, webbed in their bony mesh.
The statues dance, and the old Gardener is asleep,
And golden bodies tread the paths—O, happy shapes,
O, shining ones! Could I for ever keep
Within your radiance, made absolute at last,
No more amongst earth's phantoms to be cast,
No more in the shadowy race of the world exist,
But, born into reality, remember Life
As men see ghosts at midnight—so with me
Might all those aery textures, the world's mist,
Melt into Beauty's actuality!

poem by Kenneth SlessorReport problemRelated quotes
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Stars

'THESE are the floating berries of the night,
They drop their harvest in dark alleys down,
Softly far down on groves of Venus, or on a little town
Forgotten at the world's edge—and O, their light
Unlocks all closed things, eyes and mouths, and drifts
Quietly over kisses in a golden rain,
Drowning their flight, till suddenly the Cyprian lifts
Her small, white face to the moon, then hides again.
'They are the warm candles of beauty, hung in blessing on high,
Poised like bright comrades on boughs of night above:
They are the link-boys of Queen Venus, running out of the sky,
Spilling their friendly radiance on all her ways of love.
'Should the girl's eyes be lit with swimming fire,
O do not kiss it away, it is a star, a star!'
So cried the passionate poet to his great, romantic guitar.
But I was beating off the stars, gazing, not rhyming.
I saw the bottomless, black cups of space
Between their clusters, and the planets climbing
Dizzily in sick airs, and desired to hide my face.
But I could not escape those tunnels of nothingness,
The cracks in the spinning Cross, nor hold my brain
From rushing for ever down that terrible lane,
Infinity's trap-door, eternal and merciless.

poem by Kenneth SlessorReport problemRelated quotes
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Tiare Tahiti

Mamua, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!

And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred 'tiare's' white,
And white birds in the dark ravine,
And 'flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .

'Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.

poem by Rupert Brooke (1914)Report problemRelated quotes
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Vampires

Mandarin sky like fire in her eyes
Dark visions rise between her thighs
She sleeps in a bed of liquid lava

Decadent Venus in gossamer night
Black silk poetry fills her womb
Succulent moonlight caresses

She reads the Flowers of Evil
Satin sheets in soft candle light
Golden chains, silk scarves

Passion dances in pedicure red
6 inch high heels on my shoulder
Her kisses are like wild wolves

Her mirror fills with purple night
Ivory neck alive with moon beams
She longs to feed on a poets sin

Feel the thorns of sensuous myth
Born to be adored in the garden
The dark side casts her spell

Music from ancient castles
Roses wet with deep red lust
A Goddess thrives on hot blood

Vampires gorged in moonlight

poem by Joseph NarusiewiczReport problemRelated quotes
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Oriental selection

Bare winter branches
beneath the moon wreathed in mist.
Seem to bloom again.
Echoes of memories foresee
future in the past.

In the soft moonlight
blossoms from the cherry tree
Scattered on the ground.
purpose served, hey leave the stage
Autumn will grant them honour.

Sharp edged shadows cast
by the brilliant winter moon
on the earth below.
Poetry written on the snow
only lovers understand

The wind stirs the reeds
making music by moonlight.
Plaintive melodies
the wind needs no audience.
the moon listens silently.

The moon my lantern
the scent of blossom lingers
The moon lights my way
I walk beside the water
yesterday is gone.

Sun sets, moon rises
constant repetition
She follows her lord

Night without moonlight
restless spirits walk abroad
seeking solace.

Moonlight soothes my soul
as I meditate alone.
Trees whisper to me.

A pond holds the moon
why should the mind of man do less
achieving stillness

Gently moonlight falls
like silver rain silently
lotus blossom sing.

poem by Ivor Or Ivor.e HoggReport problemRelated quotes
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The House Of Dust: Part 03: 12: Witches' Sabbath

Now, when the moon slid under the cloud
And the cold clear dark of starlight fell,
He heard in his blood the well-known bell
Tolling slowly in heaves of sound,
Slowly beating, slowly beating,
Shaking its pulse on the stagnant air:
Sometimes it swung completely round,
Horribly gasping as if for breath;
Falling down with an anguished cry . . .
Now the red bat, he mused, will fly;
Something is marked, this night, for death . . .
And while he mused, along his blood
Flew ghostly voices, remote and thin,
They rose in the cavern of his brain,
Like ghosts they died away again;
And hands upon his heart were laid,
And music upon his flesh was played,
Until, as he was bidden to do,
He walked the wood he so well knew.
Through the cold dew he moved his feet,
And heard far off, as under the earth,
Discordant music in shuddering tones,
Screams of laughter, horrible mirth,
Clapping of hands, and thudding of drums,
And the long-drawn wail of one in pain.
To-night, he thought, I shall die again,
We shall die again in the red-eyed fire
To meet on the edge of the wood beyond
With the placid gaze of fed desire . . .
He walked; and behind the whisper of trees,
In and out, one walked with him:
She parted the branches and peered at him,
Through lowered lids her two eyes burned,
He heard her breath, he saw her hand,
Wherever he turned his way, she turned:
Kept pace with him, now fast, now slow;
Moving her white knees as he moved . . .
This is the one I have always loved;
This is the one whose bat-soul comes
To dance with me, flesh to flesh,
In the starlight dance of horns and drums . . .

The walls and roofs, the scarlet towers,
Sank down behind a rushing sky.
He heard a sweet song just begun
Abruptly shatter in tones and die.
It whirled away. Cold silence fell.
And again came tollings of a bell.

* * * * *

This air is alive with witches: the white witch rides
Swifter than smoke on the starlit wind.
In the clear darkness, while the moon hides,
They come like dreams, like something remembered . .
Let us hurry! beloved; take my hand,
Forget these things that trouble your eyes,
Forget, forget! Our flesh is changed,
Lighter than smoke we wreathe and rise . . .

The cold air hisses between us . . . Beloved, beloved,
What was the word you said?
Something about clear music that sang through water . . .
I cannot remember. The storm-drops break on the leaves.
Something was lost in the darkness. Someone is dead.
Someone lies in the garden and grieves.
Look how the branches are tossed in this air,
Flinging their green to the earth!
Black clouds rush to devour the stars in the sky,
The moon stares down like a half-closed eye.
The leaves are scattered, the birds are blown,
Oaks crash down in the darkness,
We run from our windy shadows; we are running alone.

* * * * *

The moon was darkened: across it flew
The swift grey tenebrous shape he knew,
Like a thing of smoke it crossed the sky,
The witch! he said. And he heard a cry,
And another came, and another came,
And one, grown duskily red with blood,
Floated an instant across the moon,
Hung like a dull fantastic flame . . .
The earth has veins: they throb to-night,
The earth swells warm beneath my feet,
The tips of the trees grow red and bright,
The leaves are swollen, I feel them beat,
They press together, they push and sigh,
They listen to hear the great bat cry,
The great red bat with the woman's face . . .
Hurry! he said. And pace for pace
That other, who trod the dark with him,
Crushed the live leaves, reached out white hands
And closed her eyes, the better to see
The priests with claws, the lovers with hooves,
The fire-lit rock, the sarabands.
I am here! she said. The bough he broke—
Was it the snapping bough that spoke?
I am here! she said. The white thigh gleamed
Cold in starlight among dark leaves,
The head thrown backward as he had dreamed,
The shadowy red deep jasper mouth;
And the lifted hands, and the virgin breasts,
Passed beside him, and vanished away.
I am here! she cried. He answered 'Stay!'
And laughter arose, and near and far
Answering laughter rose and died . . .
Who is there? in the dark? he cried.
He stood in terror, and heard a sound
Of terrible hooves on the hollow ground;
They rushed, were still; a silence fell;
And he heard deep tollings of a bell.

* * * * *

Look beloved! Why do you hide your face?
Look, in the centre there, above the fire,
They are bearing the boy who blasphemed love!
They are playing a piercing music upon him
With a bow of living wire! . . .
The virgin harlot sings,
She leans above the beautiful anguished body,
And draws slow music from those strings.
They dance around him, they fling red roses upon him,
They trample him with their naked feet,
His cries are lost in laughter,
Their feet grow dark with his blood, they beat and
beat,
They dance upon him, until he cries no more . . .
Have we not heard that cry before?
Somewhere, somewhere,
Beside a sea, in the green evening,
Beneath green clouds, in a copper sky . . .
Was it you? was it I?
They have quenched the fires, they dance in the darkness,
The satyrs have run among them to seize and tear,
Look! he has caught one by the hair,
She screams and falls, he bears her away with him,
And the night grows full of whistling wings.
Far off, one voice, serene and sweet,
Rises and sings . . .

'By the clear waters where once I died,
In the calm evening bright with stars. . . .'
Where have I heard these words? Was it you who sang them?
It was long ago.
Let us hurry, beloved! the hard hooves trample;
The treetops tremble and glow.

* * * * *

In the clear dark, on silent wings,
The red bat hovers beneath her moon;
She drops through the fragrant night, and clings
Fast in the shadow, with hands like claws,
With soft eyes closed and mouth that feeds,
To the young white flesh that warmly bleeds.
The maidens circle in dance, and raise
From lifting throats, a soft-sung praise;
Their knees and breasts are white and bare,
They have hung pale roses in their hair,
Each of them as she dances by
Peers at the blood with a narrowed eye.
See how the red wing wraps him round,
See how the white youth struggles in vain!
The weak arms writhe in a soundless pain;
He writhes in the soft red veiny wings,
But still she whispers upon him and clings. . . .
This is the secret feast of love,
Look well, look well, before it dies,
See how the red one trembles above,
See how quiet the white one lies! . . . .

Wind through the trees. . . .and a voice is heard
Singing far off. The dead leaves fall. . . .
'By the clear waters where once I died,
In the calm evening bright with stars,
One among numberless avatars,
I wedded a mortal, a mortal bride,
And lay on the stones and gave my flesh,
And entered the hunger of him I loved.
How shall I ever escape this mesh
Or be from my lover's body removed?'
Dead leaves stream through the hurrying air
And the maenads dance with flying hair.

* * * * *

The priests with hooves, the lovers with horns,
Rise in the starlight, one by one,
They draw their knives on the spurting throats,
They smear the column with blood of goats,
They dabble the blood on hair and lips
And wait like stones for the moon's eclipse.
They stand like stones and stare at the sky
Where the moon leers down like a half-closed eye. . .
In the green moonlight still they stand
While wind flows over the darkened sand
And brood on the soft forgotten things
That filled their shadowy yesterdays. . . .
Where are the breasts, the scarlet wings? . . . .
They gaze at each other with troubled gaze. . . .
And then, as the shadow closes the moon,
Shout, and strike with their hooves the ground,
And rush through the dark, and fill the night
With a slowly dying clamor of sound.
There, where the great walls crowd the stars,
There, by the black wind-riven walls,
In a grove of twisted leafless trees. . . .
Who are these pilgrims, who are these,
These three, the one of whom stands upright,
While one lies weeping and one of them crawls?
The face that he turned was a wounded face,
I heard the dripping of blood on stones. . . .
Hooves had trampled and torn this place,
And the leaves were strewn with blood and bones.
Sometimes, I think, beneath my feet,
The warm earth stretches herself and sighs. . . .
Listen! I heard the slow heart beat. . . .
I will lie on this grass as a lover lies
And reach to the north and reach to the south
And seek in the darkness for her mouth.

* * * * *

Beloved, beloved, where the slow waves of the wind
Shatter pale foam among great trees,
Under the hurrying stars, under the heaving arches,
Like one whirled down under shadowy seas,
I run to find you, I run and cry,
Where are you? Where are you? It is I. It is I.
It is your eyes I seek, it is your windy hair,
Your starlight body that breathes in the darkness there.
Under the darkness I feel you stirring. . . .
Is this you? Is this you?
Bats in this air go whirring. . . .
And this soft mouth that darkly meets my mouth,
Is this the soft mouth I knew?
Darkness, and wind in the tortured trees;
And the patter of dew.

* * * * *

Dance! Dance! Dance! Dance!
Dance till the brain is red with speed!
Dance till you fall! Lift your torches!
Kiss your lovers until they bleed!
Backward I draw your anguished hair
Until your eyes are stretched with pain;
Backward I press you until you cry,
Your lips grow white, I kiss you again,
I will take a torch and set you afire,
I will break your body and fling it away. . . .
Look, you are trembling. . . .Lie still, beloved!
Lock your hands in my hair, and say
Darling! darling! darling! darling!
All night long till the break of day.

Is it your heart I hear beneath me. . . .
Or the far tolling of that tower?
The voices are still that cried around us. . . .
The woods grow still for the sacred hour.
Rise, white lover! the day draws near.
The grey trees lean to the east in fear.
'By the clear waters where once I died . . . .'
Beloved, whose voice was this that cried?
'By the clear waters that reach the sun
By the clear waves that starward run. . . .
I found love's body and lost his soul,
And crumbled in flame that should have annealed. . .
How shall I ever again be whole,
By what dark waters shall I be healed?'

Silence. . . .the red leaves, one by one,
Fall. Far off, the maenads run.

Silence. Beneath my naked feet
The veins of the red earth swell and beat.
The dead leaves sigh on the troubled air,
Far off the maenads bind their hair. . . .
Hurry, beloved! the day comes soon.
The fire is drawn from the heart of the moon.

* * * * *

The great bell cracks and falls at last.
The moon whirls out. The sky grows still.
Look, how the white cloud crosses the stars
And suddenly drops behind the hill!
Your eyes are placid, you smile at me,
We sit in the room by candle-light.
We peer in each other's veins and see
No sign of the things we saw this night.
Only, a song is in your ears,
A song you have heard, you think, in dream:
The song which only the demon hears,
In the dark forest where maenads scream . . .

'By the clear waters where once I died . . .
In the calm evening bright with stars . . . '
What do the strange words mean? you say,—
And touch my hand, and turn away.

poem by Conrad Potter AikenReport problemRelated quotes
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Music

I
MUSIC, on the air's edge, rides alone,
Plumed like empastured Caesars of the sky
With a god's helmet; now, in the gold dye
Of sunlight, the iron cloak, the Tuscan stone,
Melt to enchanted flesh—a voice is blown
Down from the windy pit, like a star falling.
Men think it is a lost eagle calling,
But the fool and the lover know it for Music's cry.
He is running with the Valkyrs on a road of manes,
Darkness draws back its fur, the stars course by,
Fighting the windy beaks of hurricanes
To keep their stations in the sky—
Away, away! The little earth-light wanes,
The moon has drowned herself, cold music rings,
The battering of a thousand Vulcanals
Hammers the blood; a thousand horsemen fly
Belly to air, away! Now Music sings
Harshly, like horns of Tartars blown on high.
II
A SHIP in hell marooned;
He lies under the mast,
Caked with the sticky unguents of the sun.
Sluggishly at his wound,
The rat Pain, biting with bloody teeth
And broken nails, is fed at last,
The tale is done.
Let the shell of bleeding flesh remain,
This crusted finery is nothing worth.
He flings his body carelessly to Pain,
Meat for the earth.
Trumpets of godhood! The voice of Music sings,
Lost in the dark forest, riding out,
Louder and nearer, with triumphant wings,
Music and his eternal cavaliers—
Now Tristan rises with a mighty shout.
Nobody hears.
III
O, SILENT night, dark beach,
Drowning like lovers, each in each,
Uncharge thy musky boughs, unbend
Thy mouths of air, and give them speech—
Then, like a nest of thieves,
The golden, tattling leaves
Will sell their mask for bravoes' love,
Or cry their fruit to stranger Eves,
And voices ride
By foam and field
Of drowsy lovers, lips unsealed,
Blown to the lazy tide—
'With love we put the planets out,
With kissing drowned the bells,
And struck the clambering moon to ice;
Now we shall sleep and hide . . . '
I sang with Nonie, side by side,
Sunk in a drift of tumbled laces,
Till Music breathed his enormous flute
Over our small, upturned faces.
IV
IN the pans of straw-coned country
This river is the solitary traveller;
Nothing else moves, the sky lies empty,
Birds there are none, and cattle not many.
Now it is sunlight, what is the difference?
Nothing. The sun is as white as moonlight.
Wind has buffeted flat the grasses,
Long, long ago; but now there is nothing,
Wind gone and men gone, only the water
Stumbling over the stones in silence—
Nothing but fields with roots gone rotten,
Paddocks unploughed and clotted marshes.
Even the wind that stirred them has vanished,
Only the river remains with its water,
Shambling over the straw-coned country.
Nothing else moves, the sky lies empty,
Only the river remains with its water,
And droughts will come . . . .
V
IN and out the countryfolk, the carriages and carnival,
Pastry-cooks in all directions push to barter their confections,
Trays of little gilded cakes, caramels in painted flakes,
Marzipan of various makes and macaroons of all complexions,
Riding on a tide of country faces.
Up and down the smoke and crying,
Girls with apple-eyes are flying,
Country boys in costly braces
Run with red, pneumatic faces;
Trumpets gleam, whistles scream,
Organs cough their coloured steam out,
Dogs are worming, sniffing, squirming;
Air-balloons and paper moons,
Roundabouts with curdled tunes,
Drowned bassoons and waggon-jacks;
Tents like flowers of candle-wax;
'Buy, buy, buy, buy!
Cotton ties, cakes and pies, what a size, test your eyes, hairdyes,
candy-shies, all a prize, penny tries, no lies, watch it rise,
buy, buy, buy, buy!'
So everybody buys.
Gently the doctor of magic mutters,
Opens his puppet-stall,
Pulls back the painted shutters,
Ruffles the golden lace.
Ha! The crowd flutters . . .
Reddened and sharp and small,
O, Petroushka's face!
VI
TORCHES and running fire; the flagstones drip
Like a black mirror, wet from killing. Smoke goes up,
Clouding the gilded rafter-birds, and the flying cup
That floats with magic wine to Konchak's lip.
Then the Khan claps his beard, and harps are brushed
Clear in the darkness; dancers' bells far off
Blab at their ankles. Now, from the gold trough,
We have dipped bowls of mare's milk; all is hushed.
Suddenly, dull bubbling drums uprise, grow thicker,
Split with a scream of metal—glazed in the flare,
Tartar girls rapidly whirl in storms of animal hair,
Spinning in islands of movement, quicker and quicker.
In the middle of the dance, smiling at his whim,
Khan Konchak rose, and left the golden hall.
Soon there was silent darkness over all.
One of the dancers was sent after him.
VII
IN the apple-country, in the apple-trees,
The boughs are bubbling with pink snow
To frost the fields. A thousand birds fall crying,
Sharp and sweet, like morning-stars, in seas
Deeper than air. A thousand blossoms blow,
Drops of gold blood, like flowers gone flying,
Drowning with foam the drowsy girls below.
These country-girls, in hats of straw,
Take kissing as a natural law,
Put up their cheeks, like rosy saucers,
Gravely on tiptoe waiting.
They plainly do not know the dangers
This practice breeds from courteous strangers,
Who find, on airing their politeness,
Such local customs captivating.
As for my part, under the trees,
I found a girl with tawny knees,
Pretty enough, at a hurried view.
We lay on blossoms, glassed with dew.
I didn't notice her till we kissed.
How pleasant, a sentimentalist!
VIII
OPEN! It is the moon knocking with fists of air
To break thy doors down, it is the lusty moon
More clamorous than hunting-cries, come tramping
With lanterns to uprouse thee, drown the fields
In drifts of crystal, waken the farms with light,
And lovers call to buffet the rough smoke
From valleys rising up—then, like the juice
Of Juno's apples, the rich, Indian glow
Shall cast them out of Time, and all be running,
Dancing and kissing, in this headlong, breathless moon,
This moon pulling at old hinges, bawling through keyholes,
Crying out 'Siegmund! Siegmund! Siegmund!'
The door flies open.
In this house, there is anger, in the forest, night,
But love is under my laughter, and under my cloak, flight.
O, hast thou not yet woken?
In night, there is bitterness, in sorrow, tears to weep,
But love is under my music, and under my cloak, sleep.
O, Lady, hast thou spoken?
In tears, there is remembering, in memory, no release,
But love is under my kissing, and under my cloak, peace.
O, hide beneath my cloak!
So shall we steal into the deeps of Spring,
Clasped each to each, and swim the merry tide,
Rounding the world, on the green floods astride,
Till, drowned in a bubble of flowers, too dazed to cling,
We're thrown up, pink and naked castaways,
On some old beach, where Time is put to rout,
And the world a buried star, not talked about—
So shall we daunt the gods, conceal their gaze.
IX
ONCE, at your words, I would have struck to flame
The ground I strode on, all the hives of blood
Gone bursting mad—but now, congealed and thick,
Anger, the wine, chokes me, hoods me with stone,
Clogs and corrodes me with its marish flood.
Suddenly, as though to metal grown,
I stand immovable, feel strangely sick,
And hear your voice far off, crying my name.
The clouds dissolve. Now I can see your face,
Immense and sweating; the room has fallen in,
Tiny beside it—your face, immense and sweating,
Blurred into mockery at the words that fill you.
Come, then. You wish to crush me. Let us begin;
Since it is obvious I shall have to kill you,
Have done with useless voices and regretting.
I want to get it over, and leave this place.
Then, like some god on a stone pedestal
Who stirs by night with unfamiliar limbs,
I turn to an automation, upraise
Half-wondering an arm I find in the air,
Clammy with grappled iron. Everything swims,
Fogged in the coughing gas-light. Blindly I stare,
And stab once or twice . . . stabbing in a daze . . . .
No need for more. He is dead, this animal.
Dead, dead. There was no need to strike
So many times, there is no need to hide—
It's nothing to be ashamed of nowadays.
He was my enemy. Now he has perished,
Charred in the smoking ovens of my pride.
Why should the splendid fury that I cherished
Seem now to be a cold and fruitless blaze?
Good God! Can't I kill my enemy if I like!
X
NOTHING grows on the stone trees
But lanterns, frosty gourds of colour,
Melting their bloody drops in water
Over the dark seas.
These peaks of stucco, smoking light,
These Venice-roads, the pools and channels,
Tunnel the night with a thousand planets,
Daubing their glaze of white,
Where belfries glitter, spire on spire,
Shining on men with paper faces,
And boats, in the glass billow fading,
Beetles of cloudy fire.
Faintly the dripping, crystal strings
Unlock their Spanish airs, their festival
Which, far away, resolves to emptiness,
Echoes of bitter things,
Far away music, cold and small,
Which, like a child's delight remembered,
Falls to mocked effigy for ever,
Melancholy to recall.
XI
COME in your painted coaches, friends of mine,
We'll keep the stars night-company with wine,
Morning shall find us bending to the flute,
And daybreak mock us at our candleshine.
Pile all thy jewelled berries in a heap,
Almonds and musk and sweetmeats, all for thee—
We'll rest on silk a thousand cushions deep,
Wake up and shake the cassia-tree,
And eat a sticky cake, and sleep,
And slee—..
XII
Look up! Thou hast a shining Guest
Whose body in the dews hath lain,
His face like a strange wafer pressed
Secret and starry, at thy pane;
And he shall sing with human tongue
Old music men have never sung
Since Orpheus on earth was young,
And shall not sing again.
But life and all its lies of stone
Shall crack to fumes and disappear,
Thy little golden shells be blown
Like stars in water, far and near,
And thou shalt wake behind the Glass,
In stone dissolved, and phantom brass—
O, deaf! The bells of Music pass,
Not can, but darest, thou hear!

poem by Kenneth SlessorReport problemRelated quotes
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Matins

Gray earth, gray mist, gray sky:
Through vapors hurrying by,
Larger than wont, on high
Floats the horned, yellow moon.
Chill airs are faintly stirred,
And far away is heard,
Of some fresh-awakened bird,
The querulous, shrill tune.

The dark mist hides the face
Of the dim land: no trace
Of rock or river's place
In the thick air is drawn;
But dripping grass smells sweet,
And rustling branches meet,
And sounding water greet
The slow, sure, sacred dawn.

Past is the long black night,
With its keen lightnings white,
Thunder and floods: new light
The glimmering low east streaks.
The dense clouds part: between
Their jagged rents are seen
Pale reaches blue and green,
As the mirk curtain breaks.

Above the shadowy world,
Still more and more unfurled,
The gathered mists upcurled
Like phantoms melt and pass.
In clear-obscure revealed,
Brown wood, gray stream, dark field:
Fresh, healthy odors yield
Wet furrows, flowers, and grass.

The sudden, splendid gleam
Of one thin, golden beam
Shoots from the feathered rim
Of yon hill crowned with woods.
Down its embowered side,
As living waters slide,
So the great morning tide
Follows in sunny floods.

From bush and hedge and tree
Joy, unrestrained and free,
Breaks forth in melody,
Twitter and chirp and song:
Alive the festal air
With gauze-winged creatures fair,
That flicker everywhere,
Dart, poise, and flash along.

The shining mists are gone,
Slight films of gold swift-blown
Before the strong, bright sun
Or the deep-colored sky:
A world of life and glow
Sparkles and basks below,
Where the soft meads a-row,
Hoary with dew-fall, lie.

Does not the morn break thus,
Swift, bright, victorious,
With new skies cleared for us,
Over the soul storm-tost?
Her night was long and deep,
Strange visions vexed her sleep,
Strange sorrows bade her weep:
Her faith in dawn was lost.

No halt, no rest for her,
The immortal wanderer
From sphere to higher sphere,
Toward the pure source of day.
The new light shames her fears,
Her faithlessness, her tears,
As the new sun appears
To light her godlike way.

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The House Of Dust: Part 02: 07: Two Lovers: Overtones

Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.

'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .

She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .

'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.

'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .

Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .

'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'

Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.

What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.

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Light and Dark

Yes, You are Dark
Like the Darkness
of the Night
And Yes, I am Fair
Like the Sweet
Moonlight.

Yet the Moon
And The Night
Co-exist
Together...
Complementing
Each other -
With their shades of
the Light and the Dark.

Brushing each other,
Like the soft caresses
Of my Fair Fingers
On your Dark Skin.

And one such
Moonlit Night,
I'll be the Moon
And you'll be the
Night -
Making love to you
With your consent,
If I might.

The light of my
Effervescent Love
Igniting -
The Inhibited Passions
In the Dark Dungeons
Of your shadowy life.

Flooding you with
Vibrant colours
So Bright -
As Beautiful
And Celestial
As the
Skyline Rainbow
And Eternal...
As the Ethereal
Moonlight.

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Sara Teasdale

A November Night

There! See the line of lights,
A chain of stars down either side the street --
Why can't you lift the chain and give it to me,
A necklace for my throat? I'd twist it round
And you could play with it. You smile at me
As though I were a little dreamy child
Behind whose eyes the fairies live. . . . And see,
The people on the street look up at us
All envious. We are a king and queen,
Our royal carriage is a motor bus,
We watch our subjects with a haughty joy. . . .
How still you are! Have you been hard at work
And are you tired to-night? It is so long
Since I have seen you -- four whole days, I think.
My heart is crowded full of foolish thoughts
Like early flowers in an April meadow,
And I must give them to you, all of them,
Before they fade. The people I have met,
The play I saw, the trivial, shifting things
That loom too big or shrink too little, shadows
That hurry, gesturing along a wall,
Haunting or gay -- and yet they all grow real
And take their proper size here in my heart
When you have seen them. . . . There's the Plaza now,
A lake of light! To-night it almost seems
That all the lights are gathered in your eyes,
Drawn somehow toward you. See the open park
Lying below us with a million lamps
Scattered in wise disorder like the stars.
We look down on them as God must look down
On constellations floating under Him
Tangled in clouds. . . . Come, then, and let us walk
Since we have reached the park. It is our garden,
All black and blossomless this winter night,
But we bring April with us, you and I;
We set the whole world on the trail of spring.
I think that every path we ever took
Has marked our footprints in mysterious fire,
Delicate gold that only fairies see.
When they wake up at dawn in hollow tree-trunks
And come out on the drowsy park, they look
Along the empty paths and say, "Oh, here
They went, and here, and here, and here! Come, see,
Here is their bench, take hands and let us dance
About it in a windy ring and make
A circle round it only they can cross
When they come back again!" . . . Look at the lake --
Do you remember how we watched the swans
That night in late October while they slept?
Swans must have stately dreams, I think. But now
The lake bears only thin reflected lights
That shake a little. How I long to take
One from the cold black water -- new-made gold
To give you in your hand! And see, and see,
There is a star, deep in the lake, a star!
Oh, dimmer than a pearl -- if you stoop down
Your hand could almost reach it up to me. . . .

There was a new frail yellow moon to-night --
I wish you could have had it for a cup
With stars like dew to fill it to the brim. . . .

How cold it is! Even the lights are cold;
They have put shawls of fog around them, see!
What if the air should grow so dimly white
That we would lose our way along the paths
Made new by walls of moving mist receding
The more we follow. . . . What a silver night!
That was our bench the time you said to me
The long new poem -- but how different now,
How eerie with the curtain of the fog
Making it strange to all the friendly trees!
There is no wind, and yet great curving scrolls
Carve themselves, ever changing, in the mist.
Walk on a little, let me stand here watching
To see you, too, grown strange to me and far. . . .
I used to wonder how the park would be
If one night we could have it all alone --
No lovers with close arm-encircled waists
To whisper and break in upon our dreams.
And now we have it! Every wish comes true!
We are alone now in a fleecy world;
Even the stars have gone. We two alone!

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Counterpoint: Two Rooms

He, in the room above, grown old and tired;
She, in the room below, his floor her ceiling,
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter.
She, by the window, smiles at a starlight night.

His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock upon her mantelpiece strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. New stars come up to shine.

His youth—far off—he sees it brightly walking
In a golden cloud .... wings flashing about it....
Darkness
Walls it around with dripping enormous walls.
Old age, far off—or death—what do they matter?
Down the smooth purple night a streaked star falls.

She hears slow steps in the street; they chime like music,
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn.
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.

Far off, on a smooth dark road, he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him; or he to death.

What's death?—she smiles. The cool stone hurts her elbow,
The last few raindrops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance,
A sparrbw whirs to the eaves and shakes its wings.

What's death—what's death ? The spring returns like music ;
The trees are like dark lovers who dream in starlight;
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams.
And death seems far away—a thing of roses,
A golden portal where golden music closes,
Death seems far away;
And spring returns, the countless singing of lovers,
And spring returns to stay....

He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.
And she, by the window, smiles at a night of starlight....
The soft grey clouds go slowly across the sky.

poem by Conrad Potter AikenReport problemRelated quotes
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The Spice-Tree

This is the song
The spice-tree sings:
"Hunger and fire,
Hunger and fire,
Sky-born Beauty—
Spice of desire,"
Under the spice-tree
Watch and wait,
Burning maidens
And lads that mate.

The spice-tree spreads
And its boughs come down
Shadowing village and farm and town.
And none can see
But the pure of heart
The great green leaves
And the boughs descending,
And hear the song that is never ending.

The deep roots whisper,
The branches say:—
"Love to-morrow,
And love to-day,
And till Heaven's day,
And till Heaven's day."

The moon is a bird's nest in its branches,
The moon is hung in its topmost spaces.
And there, to-night, two doves play house
While lovers watch with uplifted faces.
Two doves go home
To their nest, the moon.
It is woven of twigs of broken light,
With threads of scarlet and threads of gray
And a lining of down for silk delight.
To their Eden, the moon, fly home our doves,
Up through the boughs of the great spice-tree;—
And one is the kiss I took from you,
And one is the kiss you gave to me.

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The House Of Dust: Part 04: 04: Counterpoint: Two Rooms

He, in the room above, grown old and tired,
She, in the room below—his floor her ceiling—
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter. . . .
She, by the window, smiles at a starlight night,

His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock, upon her mantelpiece, strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. . . .New stars come up to shine.

His youth—far off—he sees it brightly walking
In a golden cloud. . . .Wings flashing about it. . . . Darkness
Walls it around with dripping enormous walls.
Old age—far off—her death—what do they matter?
Down the smooth purple night a streaked star falls.

She hears slow steps in the street—they chime like music;
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn. . . .
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.

Far off—on a smooth dark road—he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him: or he to death.

What's death?—She smiles. The cool stone hurts her elbows.
The last of the rain-drops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance.
A sparrow whirs to the eaves, and shakes his wings.

What's death—what's death? The spring returns like music,
The trees are like dark lovers who dream in starlight,
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams. . . .
And death seems far away, a thing of roses,
A golden portal, where golden music closes,
Death seems far away:
And spring returns, the countless singing of lovers,
And spring returns to stay. . . .

He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.
And she, by the window, smiles at a night of starlight.
. . . The soft grey clouds go slowly across the sky.

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Katherine Mansfield

Night-Scented Stock

White, white in the milky night
The moon danced over a tree.
"Wouldn't it be lovely to swim in the lake!"
Someone whispered to me.

"Oh, do-do-do!" cooed someone else,
And clasped her hands to her chin.
"I should so love to see the white bodies--
All the white bodies jump in!"

The big dark house hid secretly
Behind the magnolia and the spreading pear-tree;
But there was a sound of music--music rippled and ran
Like a lady laughing behind her fan,
Laughing and mocking and running away...
"Come into the garden--it's as light as day!"

"I can't dance to that Hungarian stuff,
The rhythm in it is not passionate enough,"
Said somebody. "I absolutely refuse...."
But he took off his socks and his shoes
And round he spun. "It's like Hungarian fruit dishes
Hard and bright--a mechanical blue!"
His white feet flicked in the grass like fishes...
Someone cried: "I want to dance, too!"

But one with a queer Russian ballet head
Curled up on a blue wooden bench instead.
And another, shadowy--shadowy and tall--
Walked in the shadow of the dark house wall,
Someone beside her. It shone in the gloom,
His round grey hat, like a wet mushroom.

"Don't you think perhaps..." piped someone's flute.
"How sweet the flowers smell!" I heard the other say.
Somebody picked a wet, wet pink,
Smelled it and threw it away.
"Is the moon a virgin or is she a harlot?"
Asked somebody. Nobody would tell.
The faces and the hands moved in a pattern
As the music rose and fell,
In a dancing, mysterious, moon-bright pattern
Like flowers nodding under the sea...

The music stopped and there was nothing left of them
But the moon dancing over the tree.

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Nocturne Of Remembered Spring

I.

Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain hoar and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:
This is the moonlit night that will never die.
Through the grey streets our memories retain
Let us go back again.

II.

Mist goes up from the river to dim the stars,
The river is black and cold; so let us dance
To flare of horns, and clang of cymbals and drums;
And strew the glimmering floor with roses,
And remember, while the rich music yawns and closes,
With a luxury of pain, how silence comes.
Yes, we loved each other, long ago;
We moved like wind to a music's ebb and flow.
At a phrase from violins you closed your eyes,
And smiled, and let me lead you how young we were!
Your hair, upon that music, seemed to stir.
Let us return there, let us return, you and I;
Through changeless streets our memories retain
Let us go back again.

III.

Mist goes up from the rain steeped earth, and clings
Ghostly with lamplight among drenched maple trees.
We walk in silence and see how the lamplight flings
Fans of shadow upon it the music's mournful pleas
Die out behind us, the door is closed at last,
A net of silver silence is softly cast
Over our thought slowly we walk,
Quietly with delicious pause, we talk,
Of foolish trivial things; of life and death,
Time, and forgetfulness, and dust and truth;
Lilacs and youth.
You laugh, I hear the after taken breath,
You darken your eyes and turn away your head
At something I have said
Some intuition that flew too deep,
And struck a plageant chord.
Tonight, tonight you will remember it as you fall asleep,
Your dream will suddenly blossom with sharp delight,
Goodnight! You say.
The leaves of the lilac dip and sway;
The purple spikes of bloom
Nod their sweetness upon us, lift again,
Your white face turns, I am caught with pain
And silence descends, and dripping of dew from eaves,
And jeweled points of leaves.

IV.

I walk in a pleasure of sorrow along the street
And try to remember you; slow drops patter;
Water upon the lilacs has made them sweet;
I brush them with my sleeve, the cool drops scatter;
And suddenly I laugh and stand and listen
As if another had laughed a gust
Rustles the leaves, the wet spikes glisten;
And it seems as though it were you who had shaken the bough,
And spilled the fragrance I pursue your face again,
It grows more vague and lovely, it eludes me now.
I remember that you are gone, and drown in pain.
Something there was I said to you I recall,
Something just as the music seemed to fall
That made you laugh, and burns me still with pleasure.
What were those words the words like dripping fire?
I remember them now, and in sweet leisure
Rehearse the scene, more exquisite than before,
And you more beautiful, and I more wise.
Lilacs and spring, and night, and your clear eyes,
And you, in white, by the darkness of a door:
These things, like voices weaving to richest music,
Flow and fall in the cool night of my mind,
I pursue your ghost among green leaves that are ghostly,
I pursue you, but cannot find.
And suddenly, with a pang that is sweetest of all,
I become aware that I cannot remember you;
The ghost I knew
Has silently plunged in shadows, shadows that stream and fall.

V.

Let us go in and dance once more
On the dream's glimmering floor,
Beneath the balcony festooned with roses.
Let us go in and dance once more.
The door behind us closes
Against an evening purple with stars and mist.
Let us go in and keep our tryst
With music and white roses, and spin around
In swirls of sound.
Do you foresee me, married and grown old?
And you, who smile about you at this room,
Is it foretold
That you must step from tumult into gloom,
Forget me, love another?
No, you are Cleopatra, fiercely young,
Laughing upon the topmost stair of night;
Roses upon the desert must be flung;
Above us, light by light,
Weaves the delirious darkness, petal fall,
And music breaks in waves on the pillared wall;
And you are Cleopatra, and do not care.
And so, in memory, you will always be
Young and foolish, a thing of dream and mist;
And so, perhaps when all is disillusioned,
And eternal spring returns once more,
Bringing a ghost of lovelier springs remembered,
You will remember me.

VI.

Yet when we meet we seem in silence to say,
Pretending serene forgetfulness of our youth,
"Do you remember but then why should you remember!
Do you remember a certain day,
Or evening rather, spring evening long ago,
We talked of death, and love, and time, and truth,
And said such wise things, things that amused us so
How foolish we were, who thought ourselves so wise!"
And then we laugh, with shadows in our eyes.

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A Little Litany

When God turned back eternity and was young,
Ancient of Days, grown little for your mirth
(As under the low arch the land is bright)
Peered through you, gate of heaven--and saw the earth.

Or shutting out his shining skies awhile
Built you about him for a house of gold
To see in pictured walls his storied world
Return upon him as a tale is told.

Or found his mirror there; the only glass
That would not break with that unbearable light
Till in a corner of the high dark house
God looked on God, as ghosts meet in the night.

Star of his morning; that unfallen star
In that strange starry overturn of space
When earth and sky changed places for an hour
And heaven looked upwards in a human face.

Or young on your strong knees and lifted up
Wisdom cried out, whose voice is in the street,
And more than twilight of twiformed cherubim
Made of his throne indeed a mercy-seat.

Or risen from play at your pale raiment's hem
God, grown adventurous from all time's repose,
Or your tall body climbed the ivory tower
And kissed upon your mouth the mystic rose.

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The Night Dance

Strike the gay harp! see the moon is on high,
And, as true to her beam as the tides of the ocean,
Young hearts, when they feel the soft light of her eye,
Obey the mute call, and heave into motion.
Then, sound notes -- the gayest, the lightest,
That ever took wing, when heaven look'd brightest
Again! Again!
Oh! could such heart-stirring music be heard
In that City of Statues described by romancers,
So wakening its spell, even stone would be stirr'd,
And statues themselves all start into dancers!

Why then delay, with such sounds in our ears,
And the flower of Beauty's own garden before us --
While stars overhead leave the song of their spheres,
And, listening to ours, hang wondering o'er us?
Again, that strain! -- to hear it thus sounding
Might set even Death's cold pulses bounding --
Again! Again!
Oh, what delight when the youthful and gay
Each with eye like a sunbeam and foot like a feather,
Thus dance, like the Hours to the music of May,
And mingle sweet song and sunshine together.

poem by Thomas MooreReport problemRelated quotes
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Spring

Wake up again, sad heart, wake up again !
(I heard the birds this morning singing sweet.)
Wake up again ! The sky was crystal clear,
And washed quite clean with rain ;
And tar below my heart stirred with the year,
Stirred with the year and sighed. O pallid feet
Move now at last, O heart that sleeps with pain
Rise up and hear
The voices in the valleys, run to meet
The songs and shadows. O wake up again !

Put out green leaves, dead tree, put out green leaves t
(Last night the moon was soft and kissed the air.)
Put out green leaves ! The moon was in the skies,
All night she wakes and weaves.
The dew was on the grass like fairies' eyes,
Like fairies' eyes. O trees so black and bare,
Remember all the fruits, the full gold sheaves;
For nothing dies,
The songs that are, are silences that were,
Summer was Winter. O put but green leaves!

Break through the earth, pale flower, break through the earth !
(All day the lark has sung a madrigal.)
Break through the earth that lies not lightly yet
And waits thy patient birth,
Waits for the jonquil and the violet,
The violet. Full soon the heavy pall
Will be a bed, and in the noon of mirth
Some rivulet
Will bubble in my wilderness, some call
Will touch my silence. O break through the earth.

poem by Lord Alfred DouglasReport problemRelated quotes
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Mihai Eminescu

Leave your world [Lasă-ţi lumea]

Leave behind your world of sorrow
Give yourself to me and glow,
If you were my love tomorrow
No one in the world would know.

Come with me, let's wander purely,
Feeling happy, feeling good,
Where at night awakens surely
The voice of the ancient wood.

Through the branches, stars are twinkling
And the narrow path is clear,
Even if our hearts were tinkling
No one in the world could hear.

And I see your hair is flying
And I'm feeling young and free,
If I hug you, don't start crying
No one in the world will see.

Hush! The horn is sounding clearly
We are listening on our knees,
While the moon is rising freely
From behind the tall beech trees.

The green forest is responding
The leaves tremble with much grace
And my spirit, soft, desponding,
Yearns after your pretty face.

You pretend to loath my passion
Now you want me, now you're shy,
Yet your eyes glow with compassion
My cute angel from the sky.

Watch the lake! The moon, delighted,
Glides above his wilderness,
By her light he is ignited
And he feels his loneliness.

The small ripples, gently rolling,
On his surface seem to creep,
But he hears the world's loud calling
And he cannot fall asleep.

He is filled with inspiration
Mirroring your lovely face,
You don't need his confirmation
That you're nice and full of grace.

The blue sky, always in action,
Covers all the hills and caves,
Showing us with satisfaction
Stars in heavens, stars in waves.

Lime-tree scent is very pleasant
The wind gently shakes a bough,
Only you and I are present
And we are so happy now!

The full moon in mist is shrouded
Yet she's shining from above
Seeing you, wholly surrounded
By my arms, sweet fair-haired love.

poem by Mihai Eminescu, translated by Octavian CocoşReport problemRelated quotes
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Haunted

The wet rain of love softly pours
Kiss the night with drenched thighs
The earth turns towards Venus
Hot liquid kisses
Languid world without color
Love sleeps in golden dreams

Hearts parched in loneliness awaken
The moon sails with ivory romance
All the dry places fill with hope
This hunger deeper than time
Leaves blow like living emeralds
Blue stars of a diamond sea
Your eyes light a thousand fires
The image of your face haunts me

I am the broken vessel of freedom
We are meant to be in love
No banner fly’s higher
Night banishes ideology
Love bends the proud to the ground
Pretend all you want
Act for all your noble causes
Try to fill up your empty heart
I am haunted by your kiss
Your long hair
Your sweet laughter
I am ready to change
The thirst for love can be fierce!

Love haunts me with songbirds
With wet moonlight
With the sound of the pouring rain
I am haunted by visions of Love
I am haunted by you my jewel

poem by Joseph NarusiewiczReport problemRelated quotes
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