The House Of Dust: Part 04: 04: Counterpoint: Two Rooms
He, in the room above, grown old and tired,
She, in the room below—his floor her ceiling—
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter. . . .
She, by the window, smiles at a starlight night,
His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock, upon her mantelpiece, strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. . . .New stars come up to shine.
His youth—far off—he sees it brightly walking
In a golden cloud. . . .Wings flashing about it. . . . Darkness
Walls it around with dripping enormous walls.
Old age—far off—her death—what do they matter?
Down the smooth purple night a streaked star falls.
She hears slow steps in the street—they chime like music;
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn. . . .
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.
Far off—on a smooth dark road—he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him: or he to death.
What's death?—She smiles. The cool stone hurts her elbows.
The last of the rain-drops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance.
A sparrow whirs to the eaves, and shakes his wings.
What's death—what's death? The spring returns like music,
The trees are like dark lovers who dream in starlight,
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams. . . .
And death seems far away, a thing of roses,
A golden portal, where golden music closes,
Death seems far away:
And spring returns, the countless singing of lovers,
And spring returns to stay. . . .
He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.
And she, by the window, smiles at a night of starlight.
. . . The soft grey clouds go slowly across the sky.
poem by Conrad Potter Aiken
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Related quotes
Counterpoint: Two Rooms
He, in the room above, grown old and tired;
She, in the room below, his floor her ceiling,
Pursue their separate dreams. He turns his light,
And throws himself on the bed, face down, in laughter.
She, by the window, smiles at a starlight night.
His watch—the same he has heard these cycles of ages—
Wearily chimes at seconds beneath his pillow.
The clock upon her mantelpiece strikes nine.
The night wears on. She hears dull steps above her.
The world whirs on. New stars come up to shine.
His youth—far off—he sees it brightly walking
In a golden cloud .... wings flashing about it....
Darkness
Walls it around with dripping enormous walls.
Old age, far off—or death—what do they matter?
Down the smooth purple night a streaked star falls.
She hears slow steps in the street; they chime like music,
They climb to her heart, they break and flower in beauty,
Along her veins they glisten and ring and burn.
He hears his own slow steps tread down to silence.
Far off they pass. He knows they will never return.
Far off, on a smooth dark road, he hears them faintly.
The road, like a sombre river, quietly flowing,
Moves among murmurous walls. A deeper breath
Swells them to sound: he hears his steps more clearly.
And death seems nearer to him; or he to death.
What's death?—she smiles. The cool stone hurts her elbow,
The last few raindrops gather and fall from elm-boughs,
She sees them glisten and break. The arc-lamp sings,
The new leaves dip in the warm wet air and fragrance,
A sparrbw whirs to the eaves and shakes its wings.
What's death—what's death ? The spring returns like music ;
The trees are like dark lovers who dream in starlight;
The soft grey clouds go over the stars like dreams.
The cool stone wounds her arms to pain, to pleasure.
Under the lamp a circle of wet street gleams.
And death seems far away—a thing of roses,
A golden portal where golden music closes,
Death seems far away;
And spring returns, the countless singing of lovers,
And spring returns to stay....
He, in the room above, grown old and tired,
Flings himself on the bed, face down, in laughter,
And clenches his hands, and remembers, and desires to die.
And she, by the window, smiles at a night of starlight....
The soft grey clouds go slowly across the sky.
poem by Conrad Potter Aiken
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Again—his voice is at the door
663
Again—his voice is at the door—
I feel the old Degree—
I hear him ask the servant
For such an one—as me—
I take a flower—as I go—
My face to justify—
He never saw me—in this life—
I might surprise his eye!
I cross the Hall with mingled steps—
I—silent—pass the door—
I look on all this world contains—
Just his face—nothing more!
We talk in careless—and it toss—
A kind of plummet strain—
Each—sounding—shyly& mdash;
Just—how—deep—
The other's one—had been—
We walk—I leave my Dog—at home—
A tender—thoughtful Moon—
Goes with us—just a little way—
And—then—we are alone—
Alone—if Angels are "alone"—
First time they try the sky!
Alone—if those "veiled faces"—be—
We cannot count—on High!
I'd give—to live that hour—again—
The purple—in my Vein—
But He must count the drops—himself—
My price for every stain!
poem by Emily Dickinson
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You know that Portrait in the Moon
504
You know that Portrait in the Moon—
So tell me who 'tis like—
The very Brow—the stooping eyes—
A fog for—Say—Whose Sake?
The very Pattern of the Cheek—
It varies—in the Chin—
But—Ishmael—since we met—'tis long—
And fashions—intervene—
When Moon's at full—'Tis Thou—I say—
My lips just hold the name—
When crescent—Thou art worn—I note—
But—there—the Golden Same—
And when—Some Night—Bold—slashing Clouds
Cut Thee away from Me—
That's easier—than the other film
That glazes Holiday—
poem by Emily Dickinson
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I was the slightest in the House
486
I was the slightest in the House—
I took the smallest Room—
At night, my little Lamp, and Book—
And one Geranium—
So stationed I could catch the Mint
That never ceased to fall—
And just my Basket—
Let me think—I'm sure—
That this was all—
I never spoke—unless addressed—
And then, 'twas brief and low—
I could not bear to live—aloud—
The Racket shamed me so—
And if it had not been so far—
And any one I knew
Were going—I had often thought
How noteless—I could die—
poem by Emily Dickinson
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A Murmur in the Trees—to note
416
A Murmur in the Trees—to note—
Not loud enough—for Wind—
A Star—not far enough to seek—
Nor near enough—to find—
A long—long Yellow—on the Lawn—
A Hubbub—as of feet—
Not audible—as Ours—to Us—
But dapperer—More Sweet—
A Hurrying Home of little Men
To Houses unperceived—
All this—and more—if I should tell—
Would never be believed—
Of Robins in the Trundle bed
How many I espy
Whose Nightgowns could not hide the Wings—
Although I heard them try—
But then I promised ne'er to tell—
How could I break My Word?
So go your Way—and I'll go Mine—
No fear you'll miss the Road.
poem by Emily Dickinson
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Unit, like Death, for Whom?
408
Unit, like Death, for Whom?
True, like the Tomb,
Who tells no secret
Told to Him—
The Grave is strict—
Tickets admit
Just two—the Bearer—
And the Borne—
And seat—just One—
The Living—tell—
The Dying—but a Syllable—
The Coy Dead—None—
No Chatter—here—no tea—
So Babbler, and Bohea—stay there—
But Gravity—and Expectation—and Fear—
A tremor just, that All's not sure.
poem by Emily Dickinson
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In falling Timbers buried
614
In falling Timbers buried—
There breathed a Man—
Outside—the spades—were plying—
The Lungs—within—
Could He—know—they sought Him—
Could They—know—He breathed—
Horrid Sand Partition—
Neither—could be heard—
Never slacked the Diggers—
But when Spades had done—
Oh, Reward of Anguish,
It was dying—Then—
Many Things—are fruitless—
'Tis a Baffling Earth—
But there is no Gratitude
Like the Grace—of Death—
poem by Emily Dickinson
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Behind Me—dips Eternity
721
Behind Me—dips Eternity—
Before Me—Immortality—
Myself—the Term between—
Death but the Drift of Eastern Gray,
Dissolving into Dawn away,
Before the West begin—
'Tis Kingdoms—afterward—they say—
In perfect—pauseless Monarchy—
Whose Prince—is Son of None—
Himself—His Dateless Dynasty—
Himself—Himself diversify—
In Duplicate divine—
'Tis Miracle before Me—then—
'Tis Miracle behind—between—
A Crescent in the Sea—
With Midnight to the North of Her—
And Midnight to the South of Her—
And Maelstrom—in the Sky—
poem by Emily Dickinson
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The Court is far away
235
The Court is far away—
No Umpire—have I—
My Sovereign is offended—
To gain his grace—I'd die!
I'll seek his royal feet—
I'll say—Remember—King—
Thou shalt—thyself—one day—a Child—
Implore a larger—thing—
That Empire—is of Czars—
As small—they say—as I—
Grant me—that day—the royalty—
To intercede—for Thee—
poem by Emily Dickinson
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The Love a Life can show Below
673
The Love a Life can show Below
Is but a filament, I know,
Of that diviner thing
That faints upon the face of Noon—
And smites the Tinder in the Sun—
And hinders Gabriel's Wing—
'Tis this—in Music—hints and sways—
And far abroad on Summer days—
Distils uncertain pain—
'Tis this enamors in the East—
And tints the Transit in the West
With harrowing Iodine—
'Tis this—invites—appalls—endows&mda sh;
Flits—glimmers—proves—di ssolves—
Returns—suggests—co nvicts—enchants—
Then—flings in Paradise—
poem by Emily Dickinson
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If I'm lost—now
256
If I'm lost—now
That I was found—
Shall still my transport be—
That once—on me—those Jasper Gates
Blazed open—suddenly—
That in my awkward—gazing—face—
The Angels—softly peered—
And touched me with their fleeces,
Almost as if they cared—
I'm banished—now—you know it—
How foreign that can be—
You'll know—Sir—when the Savior's face
Turns so—away from you—
poem by Emily Dickinson
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It might be lonelier
405
It might be lonelier
Without the Loneliness—
I'm so accustomed to my Fate—
Perhaps the Other—Peace—
Would interrupt the Dark—
And crowd the little Room—
Too scant—by Cubits—to contain
The Sacrament—of Him—
I am not used to Hope—
It might intrude upon—
Its sweet parade—blaspheme the place—
Ordained to Suffering—
It might be easier
To fail—with Land in Sight—
Than gain—My Blue Peninsula—
To perish—of Delight—
poem by Emily Dickinson
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Sweet—safe—Houses
457
Sweet—safe—Houses—Glad—gay—Houses—
Sealed so stately tight—
Lids of Steel—on Lids of Marble—
Locking Bare feet out—
Brooks of Plush—in Banks of Satin
Not so softly fall
As the laughter—and the whisper—
From their People Pearl—
No Bald Death—affront their Parlors—
No Bold Sickness come
To deface their Stately Treasures—
Anguish—and the Tomb—
Hum by—in Muffled Coaches—
Lest they—wonder Why—
Any—for the Press of Smiling—
Interrupt—to die—
poem by Emily Dickinson
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When I hoped, I recollect
768
When I hoped, I recollect
Just the place I stood—
At a Window facing West—
Roughest Air—was good—
Not a Sleet could bite me—
Not a frost could cool—
Hope it was that kept me warm—
Not Merino shawl—
When I feared—I recollect
Just the Day it was—
Worlds were lying out to Sun—
Yet how Nature froze—
Icicles upon my soul
Prickled Blue and Cool—
Bird went praising everywhere—
Only Me—was still—
And the Day that I despaired—
This—if I forget
Nature will—that it be Night
After Sun has set—
Darkness intersect her face—
And put out her eye—
Nature hesitate—before
Memory and I—
poem by Emily Dickinson
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The Day undressed—Herself
716
The Day undressed—Herself—
Her Garter—was of Gold—
Her Petticoat—of Purple plain—
Her Dimities—as old
Exactly—as the World—
And yet the newest Star—
Enrolled upon the Hemisphere
Be wrinkled—much as Her—
Too near to God—to pray—
Too near to Heaven—to fear—
The Lady of the Occident
Retired without a care—
Her Candle so expire
The flickering be seen
On Ball of Mast in Bosporus—
And Dome—and Window Pane—
poem by Emily Dickinson
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The World—stands—solemner—to me
493
The World—stands—solemner—to me—
Since I was wed—to Him—
A modesty befits the soul
That bears another's—name—
A doubt—if it be fair—indeed—
To wear that perfect—pearl—
The Man—upon the Woman—binds—
To clasp her soul—for all—
A prayer, that it more angel—prove—
A whiter Gift—within—
To that munificence, that chose—
So unadorned—a Queen—
A Gratitude—that such be true—
It had esteemed the Dream—
Too beautiful—for Shape to prove—
Or posture—to redeem!
poem by Emily Dickinson
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A House upon the Height
399
A House upon the Height—
That Wagon never reached—
No Dead, were ever carried down—
No Peddler's Cart—approached—
Whose Chimney never smoked—
Whose Windows—Night and Morn—
Caught Sunrise first—and Sunset—last—
Then—held an Empty Pane—
Whose fate—Conjecture knew—
No other neighbor—did—
And what it was—we never lisped—
Because He—never told—
poem by Emily Dickinson
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Tis Opposites—entice
355
'Tis Opposites—entice—
Deformed Men—ponder Grace—
Bright fires—the Blanketless—
The Lost—Day's face—
The Blind—esteem it be
Enough Estate—to see—
The Captive—strangles new—
For deeming—Beggars—play—
To lack—enamor Thee—
Tho' the Divinity—
Be only
Me—
poem by Emily Dickinson
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The name—of it—is "Autumn"
656
The name—of it—is "Autumn"—
The hue—of it—is Blood—
An Artery—upon the Hill—
A Vein—along the Road—
Great Globules—in the Alleys—
And Oh, the Shower of Stain—
When Winds—upset the Basin—
And spill the Scarlet Rain—
It sprinkles Bonnets—far below—
It gathers ruddy Pools—
Then—eddies like a Rose—away—
Upon Vermilion Wheels—
poem by Emily Dickinson
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The first Day's Night had come
410
The first Day's Night had come—
And grateful that a thing
So terrible—had been endured—
I told my Soul to sing—
She said her Strings were snapt—
Her Bow—to Atoms blown—
And so to mend her—gave me work
Until another Morn—
And then—a Day as huge
As Yesterdays in pairs,
Unrolled its horror in my face—
Until it blocked my eyes—
My Brain—begun to laugh—
I mumbled—like a fool—
And tho' 'tis Years ago—that Day—
My Brain keeps giggling—still.
And Something's odd—within—
That person that I was—
And this One—do not feel the same—
Could it be Madness—this?
poem by Emily Dickinson
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