The Shadow of God
To Mohács
in the marshlands, still in the pouring rain,
August 29th, 1526, where those summoned
and hastily gathered died in thousands
in the space of a moment the chronicler
scribbles, in the safety of distance,
cruel panthers in a moment to hell's pit.
That day the guns chained wheel to wheel,
smoke and the cries of men and horses,
the knights shot from their saddles, armour
dragging them into the mire, the hooves
stamping them in, the infantry butchered,
in the space of a moment the swift
routine of retreat, slaughter and rout,
the space of a moment. No prisoners,
the wails of the wounded, the dying, becks
brimmed with blood, and the young king
thrown from his horse, drowned in his breastplate.
Thereafter Suleyman recalls he sat on the field
in the pouring rain on his glittering throne
to the long applause of his army: I am
Sultan Suleyman Han, son of Sultan Selim Han,
son of Sultan Bayezid Han. The shadow of God.
And they butcher the captives, dig the pits,
to bury their own brave dead, horses and men,
30 thousand whose last rainy day was this,
and the other dead lie in the rain, or scatter
their bones in the wetlands and the reedgrass.
Whatever birds pecked out their eyes
their names are no matter nor the stream
they drowned in nor the name of the planet
whose soft brown body they shovelled in after.
Thereafter the land burns and the churches,
thereafter women and slaves and silver.
And thereafter, pronounces the historian,
his quill's tip brushing his cheek, his point
squeaking over the page, the lamp's glint
on his inkhorn: the long Turkish night,
the tomb of the nation, dug in the rain.
In the space of a moment, in the centuries
moments pile into, leaf over leaf,
season by season as the winters pass
and the wars roll over and the borders shift
it is ploughland, old bones surfacing
at the hoe's edge and the plough's iron,
scapulae and vertebrae rising in a flat
wide fenced country laid open to the wind,
prowled by the tractors of the collectives
and the same wandering birds, black earth
through white snow, wind beaten scarecrow
and the white silence of another winter.
It is a museum of bones in the thick boney
stew of each other, where some bird sings
in the evergreens and a boy rings a bell
in the long white silence that follows.
It is a field of poles upright at a pit's rim,
carved into cruel faces, chiselled in grimaces,
spiked, helmeted, horned, a ragged line of posts
that are totems of men straggling off into trees,
some aslant, the long necks of horses
rearing from snow. They are flail and bludgeon
and battleaxe, calvaries of yokes and the bows
of the swift horsemen, the trailed arms
of the willow tree. They are the crescent moon
and the star, the cross, the crown, the turban
and the tarboosh, gnarled glances of soldiers,
the figures of dead men rising from the earth,
Suleyman with a basket of heads at his pommel
and the dead king Lajos in his blue bonnet.
Overhead the high jets in the clear blue
corridor of cloudless sky above Serbia,
flying the line of the great rivers
whose names are the same though the names
of the empires and the nations shift
on the maps. South of here, not far,
in the debateable lands of the warring states
the bones are again rising in the mud.
[...]
Very fast very slow the music
a lament from the villages
a music come down from the mountains
called across rivers across plains:
ah no joking and no joking
a gift for the kolo, bridegroom
the thieves they are singing
dance my love dance faster
faster till we fall down.
The reedgrass that will be thatch
first snowy fields turned in the plough.
A line of trucks in a white field
waiting for grain not yet sown:
end of the winter quarter
end of the season of craving
the river's ice drifting south
snow collapsing from the buildings:
the days of the death of King Winter.
The Busójárás.
Time to take to the streets
wearing the skins of beasts
masks years in the making offspring
of the old whisperers in the hearth
kin to the devotees of trees
and certain stones and all rivers
lord of the vines and beasts
our lady of the wild things the old gods
who never made it into heaven.
Busós.
They step out of the unwritten
the unremembered out of Illyria
out of the south the dark the flight
and the distant remembrance of panic
the horned hoof footed hard drinking
god of the shepherds. They step out
through the winter streets in masks
horns in sheepskins and bandoliers
with their bells and their rattles.
Busós.
With their antlers tall in the skins
of beasts belled shaggy moustache men
huge with their clubs and horns
wild in their tall wooden masks
coming on from the distance
all the years they have travelled
out of the unwritten the agrapha
the history of the forgotten
the long shadows of the lost gods.
At noon they have crossed the river
they have taken the streets
filled with organized riot
the ruckus of men in the male dance
the clatter and rattle of flails
the interminable clanging of bells
rain clanking into buckets
in mockery taking their ways
through the orders of anarchy.
Busós.
Fierce and yet not fierce
joking and yet not joking
this is the management of chaos:
the war of the great ratchets
the battle of the bells upright animals
striding through the streets
through the cold falling sunlight
in a wild skirling music
bearing the skulls of animals.
Busós.
Others come as veiled hooded women
a brown friar another the devil
a joker in a Russian tank mask
a Groucho Marx an Austrian helmet.
And these others ghosts in dirty sheets
rags sackcloth and ashes and stocking masks
bunched in knots of impudent silence
young men scattering the girls
the dead risen from the dead.
Centuries ago the traveller
Evliya Çelebi warned his far flung
wandering countrymen of the masked
madmen of Mohács in the marshland
in their shaggy jackets and bells
and their faceless faces:
they are devils devils
in the place of devils
no-one should go there.
In their own legend of themselves
they chased the Turks out of town
in terror. In the ill-disciplined
shaggy masked half-drunk ranks
among pitchforks and whirling clubs
the carved severed head on a stick
of a janissary, moustache top knot skull
goes round and round in the racket
and the gathering fire and the dusk.
How years ago they were fearless
in the place of defeat and rose again
how years ago a pig's blood painted
a cross in the town square and how
the masks stained in animal blood
and the wild cries and the kolo
was their resistance. How once
they were one with the beasts
one with men one with the gods.
Rutting and butting as beasts
sticks for pricks bells balls
and under the mask is another
and another they are Busós
three days of the year Busós
parading their ragged squads
to the square where the cannon
from that year of the rain
thunders mud and rags and smoke.
Busós.
Come nightfall on the third day
of marching and mayhem and music
that is Shrovetide the fire's lit
in the square. King Winter is dead
carted off in a coffin and burned.
On the coffin in flowery
Hungarian script: it's sold,
our country, it's sold, we have
nothing left but our fathers' pricks.
Where does this music come from,
an old woman asks. From all round her
from everywhere from earth
from the wind from the long turned
furrows of defeat the old sorrow
the old joy the songs
of the long gone into the dark.
It's sold, our country,
and all the thieves are laughing.
Time to march one last time
on the town and burn winter
with bells and cannon and fire
round and around the tottering square
masked men and horses the music
round and round the kolo
the dancing of the hairy men
and winter goes up in the flames
the tall smoke climbing the sky.
Busós.
The sliver of moon the first star
on the pale blue flag of the sky
as the sparks flare and die. At the edge
of the embers of memory the borders
of hearing: bells laughter a child
a cough girls singing the swift music
in the ashes of the evening
whisps of voices at a distance
in that far off language.
Related quotes
The Farmer's Bride
Three summers since I chose a maid,
Too young maybe-but more's to do
At harvest-time that a bide and woo.
When us was wed she turned afraid
Of love and me and all things human;
Like the shut of winter's day
Her smile went out, and `twadn't a woman-
More like a little frightened fay.
One night, in the Fall, she runned away.
"Out 'mong the sheep, her be," they said,
Should properly have been abed;
But sureenough she wadn't there
Lying awake with her wide brown stare.
So over seven-acre field and up-along across the down
We chased her, flying like a hare
Before out lanterns. To Church-Town
All in a shiver and a scare
We caught her, fetched her home at last
And turned the key upon her, fast.
She does the work about the hosue
As well as most, but like a mouse:
Happy enough to cheat and play
With birds and rabbits and such as they,
So long as men-folk keep away
"Not near, not near!" her eyes beseech
When one of us comes within reach.
The woman say that beasts in stall
Look round like children at her call.
I've hardly heard her speak at all.
Shy as a leveret, swift as he,
Straight and slight as a young larch tree,
Sweet as the first wild violets, she,
To her wild self. But what to me?
The short days shorten and the oaks are brown,
The blue smoke rises to the low grey sky,
One leaf in the still air falls slowly down,
A magpie's spotted feathers lie
An the black earth spread white with rime,
The berries redden up to Christmas-time.
What's Christmas-time without there be
Some other in the house than we!
She sleeps up in the attic there
Alone, poor maid. `Tis but a stair
Betwixt us. Oh! my God! the down,
The soft young down of her, the brown,
The brown of her-her eyes, her hair, her hair!
poem by Charlotte Mary Mew
Submitted by Poetry Lover
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Over The Darkened City
Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.
Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .
. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .
Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.
'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'
'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'
'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'
Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '
He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.
'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.
'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.
'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'
The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
poem by Conrad Potter Aiken
Submitted by Poetry Lover
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The House Of Dust: Part 01: 06: Over the darkened city, the city of towers
Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.
Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .
. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .
Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.
'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'
'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'
'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'
Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '
He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.
'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.
'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.
'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'
The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
poem by Conrad Potter Aiken
Submitted by Poetry Lover
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The Champion
Young and a conqueror, once on a day,
Wild white Winter rode out this way;
With his sword of ice and his banner of snow
Vanquished the Summer and laid her low.
Winter was young then, young and strong;
Now he is old, he has reigned too long.
He shall be routed, he shall be slain;
Summer shall come to her own again!
See the champion of Summer wake
Little armies in field and brake:
'Cruel and cold has King Winter been;
Fight for the Summer, fight for the Queen!'
First the aconite dots the mould
With little round cannon-balls of gold;
Then, to help in the winter's rout,
Regiments of crocuses march out.
See the swords of the flag-leaves shine;
See the shield of the celandine,
And daffodil lances green and keen,
To fight for the Summer, fight for the Queen.
Silver triumphant the snowdrop swings
Banners that mock at defeated kings;
And wherever the green of the new grass peers,
See the array of victorious spears.
Daffodil trumpets soon shall sound
Over the garden's battle-ground,
And lovely ladies crowd out to see
The long procession of victory.
Little daisies with snowy frills,
Courtly tulips and sweet jonquils,
Primrose and cowslip, friends well met
With white wood-sorrel and violet.
Hundreds of milkmaids by field and fold;
Thousands of buttercups licked with gold;
Budding hedges and woods and trees -
Spring brings freedom and life to these.
Then the triumphant Spring shall ride
Over the happy countryside;
Deep in the woods the birds shall sing:
'The King is dead--long live the King!'
But Spring is no king, but a faithful knight;
He will ride on through the meadows bright
Till at Summer's feet he shall light him down
And lay at her feet the royal crown.
She will lean down where the roses twine
Between the may-trees' silver shine,
And look in the eyes of the dying knight
Who led his army and won her fight.
She will stoop to his lips and say,
'Oh, live, O love! O my true love, stay!'
While he smiles and sighs her arms between
And dies for the Summer, dies for the Queen.
poem by Edith Nesbit
Submitted by Poetry Lover
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Race
Lie down, [fair 1//pheromone], and come away
Till the rain is over and gone
G-g-gimme the beat now (face the music)
Lead line (face the music)
If the air is a little thick in this room 2nite
I reckon its the result of an onslaught of separatist rookies
Overcome by this colorful sight
Talkin so fast that even they
Talkin so fast that even they
Dont know what they mean
Of all the things that base a rhyme
How is it that u everytime
Regurgitate the racist lines that keep us apart?
Thank God this aint monopoly
Ud make us all go back 2 start
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
I gotcha
Race
Race
Check it
Three seats over theres a lady black
Entrusted 2 her care is a little white girl
And the fact of the matter is
Before her momma or another kid at school
Tells her about the fallacy that 1 race rules over the other
Shed be a much-better-off-left fool (face the music)
If we never heard about the evils that those before us committed
Then how my dear, tell me now how my dear, tell me now how now would we know
And then the band say
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
I gotcha
Race
Race
(face the music)
D-d-down with h-i-s-t-o-r-y and all this bs propagandi
Keepin u from me and me from u as we grow
I dont wanna know (I dont wanna know)
Why those before us hated each other
Id rather believe they never did
Id rather believe (Id rather, Id rather believe)
That theres hope 4 a kid
And if he imitates the best
I guess thats what Ill try 2 be
And I will let the rest dissolve with my guitar underneath the sea
Race
(face face face face face)
Face the music (face the music)
Face the music
Race
In the space I mark human (face the music)
Race
Face the music
We all bones when we dead
Race
In the space I mark human (face the music)
Cut me, cut u
Both the blood is red
Get it?
Race
Got it
Race
Face the music
Race race
(face face face the music)
Race race
(face face face the music)
Race race
Race race
(face-f-face the music)
Race
song performed by by Prince
Submitted by Lucian Velea
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The King Of Sunset Town
(music: marillion lyrics: steve hogarth & john helmer)
A ragged man came shuffling through
A puppet king on the 4th of june
And butterflies from all around
Settled on his paper crown
A pretty sight it seemed to be
An avenue of eternal peace
But he said, what is here can soon burn down...
Im the king of sunset town
Watch a big wheel turning round
Some go up and some go down
Some go thirsty some just drown
Thats the law round here
Said the king of sunset town
And in the night he comes to me
And the square becomes a battlefield
Of staring eyes that cant explain
The insanity and the greater game
Watch a big wheel turning round
Some go up and some go down
Some go thirsty some just drown
Thats the law round here
Said the king of sunset town
Thats the law round here
A ragged man came shuffling through
The corridors of this white place
And as he lay his body down
I saw the scars that lined his face
And injured souls came to his bed
To hear the stories he would tell
Of butterflies and summertimes
And everyone assembled here
Remembers how it used to be
Before the 27th came
This place will never be the same
He said
Im the king of sunset town
Watch a big wheel turning round
Some go up and some go down
Some go thirsty some just drown
Thats the law round here
Thats the law round here
Said the king of sunset town
Im the king of sunset town
song performed by by Marillion
Submitted by Lucian Velea
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March Horse Fair Day
The morning has a heavy winter chill
And dark rain clouds move over Clara hill
And the old man says that the rain will bucket down
As he stands holding his horse in the Square at Millstreet Town.
In Ireland on March the first the sun doesn't often shine
In fact the day is seldom ever fine
Old February till latter March remain
You take your hat and coat expecting rain.
Near 10 A.M. it makes a heavy shower
And it keeps on raining maybe for an hour
And horses and their owners soaked right to the skin
But rain doesn't worry tough horse loving men.
The deals were clinched with hand slap and hand shake
Your bond your word and your word you would not break
The Town Square packed with people young and old
And deals were done and many horses sold.
And people there from many walks of life
The travelling man with his children and wife,
And the man who owns forty acres of moor
By any standards he's considered poor.
And wealthy farmer down south for the day
To buy good horse and make the journey pay
And horses changed hands when the deals were made
And Uptown pubs were doing a roaring trade.
My thoughts return to happier days gone by
When I was younger and a school going boy
And March horse fair was always school free day
The better memories with us tend to stay.
And I too went to Millstreet old Town Square
For to watch the dealings and the barterings there,
The slap of hands, the handshakes deals were done
And old friendships renewed and new friendships were won.
A nip of winter in the morning air
As people made their way to the horse fair
A shame about the weather some did say
But rain or sleet did not keep them away.
A time of year between winter and spring
Too cold and early yet for birds to sing
Old February till latter March remain
And you take your hat and coat expecting rain.
The morning has a heavy winter chill
And dark rain clouds move over Clara hill
And the old man says that the rain will bucket down
As he stands holding his horse in the Square at Millstreet town.
poem by Francis Duggan
Submitted by Poetry Lover
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Dies Irae.
The last great Day it may be near,
Or Man may pass ere it comes here.
There may be nothing but weeds and flowers
Over the Earth in her dying hours;
Men, beasts and birds may all be gone
Ere the world's disaster shall come on;
Or there may be neither grass nor trees,
But stony wastes round the ashen seas —
No life to take when the days are dead,
And God is doing the thing He said;
Nothing but Desolation's wing
Like a sunless mist o'er everything!
And all the millions long, long gone,
To ashes turned in Oblivion;
And the last great Day shall but consume
The bones of a world in its fiery tomb,
As God puts by for ever and aye
The thought of the sorrow that's passed away!
poem by Robert Crawford
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A Late Winter
Why is winter late this year?
Will it come or not, I fear?
Sometime it’s cloudy, sometimes sunny,
They play hide & seek, how funny!
All of sudden it is drizzling,
Then raining, then pouring,
Rain in Winter?
The seasons are in a scatter,
Its mid winter, what happens thereafter?
I feel little bit of cold
Is winter at the threshold?
Christmas is fast approaching,
but no sign of winter,
no festive feeling,
Can’t dream of a Christmas without winter,
Or a winter without Christmas.
Can’t dream of a hot Christmas night,
Or of a Christmas that is not white
If so, no shepherd will shiver out in cold,
No Angel will sing carols new or old
Baby Jesus will not be cold in the manger
No cattle will be in the shed for warmth any longer
No winter fairy tale will be sung,
No Silver Bells will be rung,
No Santa will come on his sleigh,
No Jingle Bells will be heard on the way
Christmas and Winter both go together
They are truly made for each other.
Robert Buchanan
’T WAS the body of Judas Iscariot
Lay in the Field of Blood;
’T was the soul of Judas Iscariot
Beside the body stood.
Black was the earth by night
And black was the sky;
Black, black were the broken clouds,
Tho’ the red Moon went by.
’T was the body of Judas Iscariot
Strangled and dead lay there;
’T was the soul of Judas Iscariot
Look’d on it in despair.
The breath of the World came and went
Like a sick man’s in rest;
Drop by drop on the World’s eyes
The dews fell cool and blest.
Then the soul of Judas Iscariot
Did make a gentle moan—
“I will bury underneath the ground
My flesh and blood and bone.
“I will bury deep beneath the soil,
Lest mortals look thereon,
And when the wolf and raven come
The body will be gone!
“The stones of the field are sharp as steel,
And hard and bold, God wot;
And I must bear my body hence
Until I find a spot!”
’T was the soul of Judas Iscariot
So grim, and gaunt, and gray,
Rais’d the body of Judas Iscariot,
And carried it away.
And as he bare it from the field
Its touch was cold as ice,
And the ivory teeth within the jaw
Rattled aloud, like dice.
As the soul of Judas Iscariot
Carried its load with pain,
The Eye of Heaven, like a lanthorn’s eye,
Open’d and shut again.
Half he walk’d, and half he seem’d
Lifted on the cold wind;
He did not turn, for chilly hands
Were pushing from behind.
The first place that he came unto
It was the open wold,
And underneath were prickly whins,
And a wind that blew so cold.
The next place that he came unto
It was a stagnant pool,
And when he threw the body in
It floated light as wool.
He drew the body on his back,
And it was dripping chill,
And the next place that he came unto
Was a Cross upon a hill.
A Cross upon the windy hill,
And a Cross on either side,
Three skeletons that swing thereon,
Who had been crucified.
And on the middle crossbar sat
A white Dove slumbering;
Dim it sat in the dim light,
With its head beneath its wing.
And underneath the middle Cross
A grave yawn’d wide and vast,
But the soul of Judas Iscariot
Shiver’d, and glided past.
The fourth place that he came unto
It was the Brig of Dread,
And the great torrents rushing down
Were deep, and swift, and red.
He dar’d not fling the body in
For fear of faces dim,
And arms were wav’d in the wild water
To thrust it back to him.
’T was the soul of Judas Iscariot
Turn’d from the Brig of Dread,
And the dreadful foam of the wild water
Had splash’d the body red.
For days and nights he wander’d on
Upon an open plain,
And the days went by like blinding mist,
And the nights like rushing rain.
For days and nights he wander’d on,
All thro’ the Wood of Woe;
And the nights went by like moaning wind,
And the days like drifting snow.
’T was the soul of Judas Iscariot
Came with a weary face—
Alone, alone, and all alone,
Alone in a lonely place!
He wander’d east, he wander’d west,
And heard no human sound;
For months and years, in grief and tears,
He wander’d round and round.
For months and years, in grief and tears,
He walk’d the silent night;
Then the soul of Judas Iscariot
Perceiv’d a far-off light.
A far-off light across the waste,
As dim as dim might be,
That came and went like a lighthouse gleam
On a black night at sea.
’T was the soul of Judas Iscariot
Crawl’d to the distant gleam;
And the rain came down, and the rain was blown
Against him with a scream.
For days and nights he wander’d on,
Push’d on by hands behind;
And the days went by like black, black rain,
And the nights like rushing wind.
’T was the soul of Judas Iscariot,
Strange, and sad, and tall,
Stood all alone at dead of night
Before a lighted hall.
And the wold was white with snow,
And his footmarks black and damp,
And the ghost of the silver Moon arose,
Holding her yellow lamp.
And the icicles were on the eaves,
And the walls were deep with white,
And the shadows of the guests within
Pass’d on the window light.
The shadows of the wedding guests
Did strangely come and go,
And the body of Judas Iscariot
Lay stretch’d along the snow.
The body of Judas Iscariot
Lay stretch’d along the snow;
’T was the soul of Judas Iscariot
Ran swiftly to and fro.
To and fro, and up and down,
He ran so swiftly there,
As round and round the frozen Pole
Glideth the lean white bear.
’T was the Bridegroom sat at the tablehead,
And the lights burn’d bright and clear—
“Oh, who is that,” the Bridegroom said,
“Whose weary feet I hear?”
’T was one look’d from the lighted hall,
And answer’d soft and slow,
“It is a wolf runs up and down
With a black track in the snow.”
The Bridegroom in his robe of white
Sat at the tablehead—
“Oh, who is that who moans without?”
The blessed Bridegroom said.
’T was one look’d from the lighted hall,
And answer’d fierce and low,
“’T is the soul of Judas Iscariot
Gliding to and fro.”
’T was the soul of Judas Iscariot
Did hush itself and stand,
And saw the Bridegroom at the door
With a light in his hand.
The Bridegroom stood in the open door,
And he was clad in white,
And far within the Lord’s Supper
Was spread so long and bright.
The Bridegroom shaded his eyes and look’d,
And his face was bright to see—
“What dost thou here at the Lord’s Supper
With thy body’s sins?” said he.
’T was the soul of Judas Iscariot
Stood black, and sad, and bare—
“I have wander’d many nights and days;
There is no light elsewhere.”
’T was the wedding guests cried out within,
And their eyes were fierce and bright—
“Scourge the soul of Judas Iscariot
Away into the night!”
The Bridegroom stood in the open door,
And he wav’d hands still and slow,
And the third time that he wav’d his hands
The air was thick with snow.
And of every flake of falling snow,
Before it touch’d the ground,
There came a dove, and a thousand doves
Made sweet sound.
’T was the body of Judas Iscariot
Floated away full fleet,
And the wings of the doves that bare it off
Were like its winding-sheet.
’T was the Bridegroom stood at the open door,
And beckon’d, smiling sweet;
’T was the soul of Judas Iscariot
Stole in, and fell at his feet.
“The Holy Supper is spread within,
And the many candles shine,
And I have waited long for thee
Before I pour’d the wine!”
The supper wine is pour’d at last,
The lights burn bright and fair,
Iscariot washes the Bridegroom’s feet,
And dries them with his hair.
poem by William Cosmo Monkhouse
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With Bells On
Ill be home with bells on
Ill be home with bells on
Trim the tree and wrap the presents turn the christmas music on
This christmas Ill be home with bells on
Ive traveled around this country crossed the waters deep and wide
Made lots of friends and memories brought joy to others lives
Its christmas time again another year has come and gone
And I cant keep from wonderin how the old folks are at home
Ill be home with bells on
Ill be home with bells on
Trim the tree and wrap the presents turn the christmas music on
This christmas Ill be home with bells on
When the snow is on the meadow and the sleigh bells jingle bright
And the kids are singing jingle bells around the christmas lights
As daddy stokes the fire and mama puts the turkey on
There aint nothing going to slow me down this christmas Ill be home
Ill be home with bells on
Ill be home with bells on
Trim the tree and wrap the presents turn the christmas music on
This christmas Ill be home with bells on
Repeat chorus
song performed by by Dolly Parton
Submitted by Lucian Velea
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White Void For The Moment, Quiescent as Paper and Canvas
White void for the moment, quiescent as paper and canvas,
a little white square in the middle of my heart
as a psychologist once said, startled and wide-eyed,
and there's no one there, as if I were the simplest
of impossibilities. Could be. But who would be there
to know what it might make a difference to, or care?
Some purposes fulfill themselves or maybe
the quality of peace goes white in the winter
as it does in the dove, so as not to attract
undue attention to itself in a snow storm of poems.
Or maybe, sooner or later, even reality
comes to realize its suprasensual ground of being
is misconceptualized from a word or a name
that has the creative power of one of the shapeshifting lords
of the dead metaphors that get brought back to life
with no idea of where they've been in the meantime.
All of genesis in the first word, the to logos,
the whole table of contents of the imagination, now and to come,
the alpha and omega like the short and long vowels
of the sacred syllables of picture music,
apple bloom playing the dead branches of its leafless violins,
and the grammar of a living medium of animal images
and the shamans who entered into their visionary agony
painted on the blackboards of our native skull caves
where we worshipped bears dressed in the hides of humans.
The happy beginnings quit and the hard-line endings go on forever.
I'm back here at Long Bay, like the long story
of a lifemask that's been passing itself off as me for light years
sitting alone around a daylily of fire
giving a private lapdance to the wind,
scattering stars and leaves and smoke around
all over the place, as if it were looking for something it lost
in a panic to retrieve it from the passage of the mindstream
like time unravelling the seams of all things
unstitching the constellations like the wavelengths
of the enfeebled threads that kept our wounds together
long enough to heal into the crude ores
of terraformed scar tissue that might smoulder
like a starmap of brown stars over the course of time,
even when it's been mined out like the open pits of the moon,
no light bulbs in the sockets of an empty skull
but never shines the way its eyes used to
when you could look through them
like reflecting telescopes into the sidereal splendours of the soul.
Before it discovered the unbearable solitude
in the nightfall of pain, and the white apparition
that comes like the silence of a nurse in soft shoes
to sow its mouth shut to keep the others
from waking up on the night ward from their dreams
to discover like a wild rose at the end of summer
that everything is terminal, our departures and arrivals,
our exits and entrances alike. That there's a holy war of one
deep in the heart, win, lose, or draw, day and night
that goes on without respite that even for survival
the crazy wisdom of a compassionate warrior will not fight,
our human divinity not something to be won,
but a birthright, a square of light like a faceless stamp
on a loveletter that melts like a snowflake
as soon as it alights like a star on the furnace of the heart
and the ghosts of our tears return like rivers
to the oceanic awareness of the bays
we sit beside listening to the spiritual white noise
of the cosmic events, in bliss and sorrow,
we once lived through like the mirages and muses
of a tomorrow that came too late to celebrate our absence.
poem by Patrick White
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Let the Spring Winds Blow
Who divided the rivers and mountains
Forty-five years ago, hearts were torn, blood flowed
Standing and waiting, turning to stone looking at my homeland
The cries of anguish are no longer heard No fertile land for the trees to grow, no water to float the ships
No flight in the sky, where did it go
Known long ago, Korea was the rising sun of the East
Everywhere, tall trees, clear waters, blue skies To roam everywhere, to greet everyone
But that was yesterday
Spring comes to other countries, where everyone can travel
But winter snow blocks the path to my homeland Following year to year, people and seasons come and go
I am waiting, why are the spring winds not blowing
Winter is long and cold but spring must come
The seeds are waiting to bloom Spring has arrived, let us join hands
Let us plant trees on the mountains
Let us sail our ships on the rivers
Let us fly far into the sky
poem by Michael I. Byun
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In Memory of Marina Tsvetaeva
Dismal day, with the weather inclement.
Inconsolably rivulets run
Down the porch in front of the doorway;
Through my wide-open windows they come.
But behind the old fence on the roadside,
See, the public gardens are flooded.
Like wild beasts in a den, the rainclouds
Sprawl about in shaggy disorder.
In such weather, I dream of a volume
On the beauties of Earth in our age,
And I draw an imp of the forest
Just for you on the title-page.
Oh, Marina, I'd find it no burden,
And the time has been long overdue:
Your sad clay should be brought from Yelabuga
By a requiem written for you.
All the triumph of your homecoming
I considered last year in a place
Near a snow-covered bend in the river
Where boats winter, locked in the ice.
What can I do to be of service?
Convey somehow your own request,
For in the silence of your going
There's a reproach left unexpressed.
A loss is always enigmatic.
I hunt for clues to no avail,
And rack my brains in fruitless torment:
Death has no lineaments at all.
Words left half-spoken, self-deception,
Promises, shadows-all are vain,
And only faith in resurrection
Can give the semblance of a sign.
Step out into the open country:
Winter's a sumptuous funeral wake.
Add currants to the dusk, then wine,
And there you have your funeral cake.
The apple-tree stands in a snowdrift
Outside. All this year long, to me,
The snow-clad city's been a massive
Monument to your memory.
With your face turned to meet your Maker.
You yearn for Him from here on Earth,
As in the days when those upon it
Were yet to appreciate your worth
poem by Boris Pasternak
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Clowns' Houses
BENEATH the flat and paper sky
The sun, a demon's eye,
Glowed through the air, that mask of glass;
All wand'ring sounds that pass
Seemed out of tune, as if the light
Were fiddle-strings pulled tight.
The market-square with spire and bell
Clanged out the hour in Hell;
The busy chatter of the heat
Shrilled like a parakeet;
And shuddering at the noonday light
The dust lay dead and white
As powder on a mummy's face,
Or fawned with simian grace
Round booths with many a hard bright toy
And wooden brittle joy:
The cap and bells of Time the Clown
That, jangling, whistled down
Young cherubs hidden in the guise
Of every bird that flies;
And star-bright masks for youth to wear,
Lest any dream that fare
--Bright pilgrim--past our ken, should see
Hints of Reality.
Upon the sharp-set grass, shrill-green,
Tall trees like rattles lean,
And jangle sharp and dissily;
But when night falls they sign
Till Pierrot moon steals slyly in,
His face more white than sin,
Black-masked, and with cool touch lays bare
Each cherry, plum, and pear.
Then underneath the veiled eyes
Of houses, darkness lies--
Tall houses; like a hopeless prayer
They cleave the sly dumb air.
Blind are those houses, paper-thin
Old shadows hid therein,
With sly and crazy movements creep
Like marionettes, and weep.
Tall windows show Infinity;
And, hard reality,
The candles weep and pry and dance
Like lives mocked at by Chance.
The rooms are vast as Sleep within;
When once I ventured in,
Chill Silence, like a surging sea,
Slowly enveloped me.
poem by Dame Edith Louisa Sitwell
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Music In Our Hearts
Music in our bones music in our hearts
Music in the air singing from a lark,
Sailing ‘cross the river moon
Beethoven sends dreams of the sonatas swoon,
Chopin lulls the senses, for applause,
Snowdrops ring the dainty bells cause
Daffodils start their famous dance,
With a Strauss waltz wafting a lilting breeze of trance
Music in our bones music in our hearts
Music in the air singing from a lark.
Memories of a T S Elliot poem find
Greatness to flow from Andrew Lloyd’s mind.
To drowned us in dreams of falling leaves,
Then Mozart lifts our souls up to the eaves,
His magic his mighty requiem of love
His music to God of all rises far above.
Music in our bones music in our hearts,
Music in the air singing from a lark.
poem by Ken e Hall
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At Thurgarton Church
To the memory of my father
At Thurgarton Church the sun
burns the winter clouds over
the gaunt Danish stone
and thatched reeds that cover
the barest chapel I know.
I could compare it with
the Norse longboats that bore
burning the body forth
in honour from the shore
of great fjords long ago.
The sky is red and cold
overhead, and three small
sturdy trees keep a hold
on the world and the stone wall
that encloses the dead below.
I enter and find I stand
in a great barn, bleak and bare.
Like ice the winter ghosts and
the white walls gleam and flare
and flame as the sun drops low.
And I see, then, that slowly
the December day has gone.
I stand in the silence, not wholly
believing I am alone.
Somehow I cannot go.
Then a small wind rose, and the trees
began to crackle and stir
and I watched the moon by degrees
ascend in the window till her
light cut a wing in the shadow.
I thought: the House of the Dead.
The dead moon inherits it.
And I seem in a sense to have died
as I rise from where I sit
and out into darkness go.
I know as I leave I shall pass
where Thurgarton’s dead lie
at those old stones in the grass
under the cold moon’s eye.
I see the old bones glow.
No, they do not sleep here
in the long holy night of
the serene soul, but keep here
a dark tenancy and the right of
rising up to go.
Here the owl and soul shriek with
the voice of the dead as they turn
on the polar spit and burn
without hope and seek with
out hope the holy home below.
Yet to them the mole and
mouse bring a wreath and a breath
of the flowering leaves of the soul, and
it is from the Tree of Death
the leaves of life grow.
The rain, the sometime summer
rain on a memory of roses
will fall lightly and come a-
mong them as it erases
summers so long ago.
And the voices of those
once so much loved will flitter
over the nettled rows
of graves, and the holly tree twitter
like friends they used to know.
And not far away the
icy and paralysed stream
has found it also, that day the
flesh became glass and a dream
with no where to go.
Haunting the December
fields their bitter lives
entreat us to remember
the lost spirit that grieves
over these fields like a scarecrow.
That grieves over all it ever
did and all, all not
done, that grieves over
its crosspurposed lot:
to know and not to know.
The masterless dog sits
outside the church door
with dereliction haunting its
heart that hankers for
the hand that loved it so.
Not in a small grave
outside the stone wall
will the love that it gave
ever be returned, not for all
time or tracks in the snow.
More mourned the death of the dog
than our bones ever shall
receive from the hand of god
this bone again, or all
that high hand could bestow.
As I stand by the porch
I believe that no one has heard
here in Thurgarton Church
a single veritable word
save the unspoken No.
The godfathered negative
that responds to our mistaken
incredulous and heartbroken
desire above all to live
as though things were not so.
Desire to live as though the
two-footed clay stood up
proud never to know the
tempests that rage in the cup
under a rainbow.
Desire above all to live
as though the soul was stone,
believing we cannot give
or love since we are alone
and always will be so.
That heartbroken desire
to live as though no light
ever set the seas on fire
and no sun burned at night
or Mercy walked to and fro.
The proud flesh cries: I am not
caught up in the great cloud
of my unknowing. But that
proud flesh had endowed
us with the cloud we know.
To this the unspoken No
of the dead god responds
and then the whirlwinds blow
over all the things and beyond
and the dead mop and mow.
And there in the livid dust
and bones of death we search
until we find as we must
outside Thurgarton Church
only wild grasses blow.
I hear the old bone in me cry
and the dying spirit call:
I have forfeited all
and once and for all must die
and this is all that I know.
For now in a wild way we
know that justice is served
and that we die in the clay we
dread, desired, and deserved,
awaiting no Judgement Day.
poem by George Barker
Submitted by Poetry Lover
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The Year of the Rose
From the depths of the green garden-closes
Where the summer in darkness dozes
Till autumn pluck from his hand
An hour-glass that holds not a sand;
From the maze that a flower-belt encloses
To the stones and sea-grass on the strand
How red was the reign of the roses
Over the rose-crowned land!
The year of the rose is brief;
From the first blade blown to the sheaf,
From the thin green leaf to the gold,
It has time to be sweet and grow old,
To triumph and leave not a leaf
For witness in winter's sight
How lovers once in the light
Would mix their breath with its breath,
And its spirit was quenched not of night,
As love is subdued not of death.
In the red-rose land not a mile
Of the meadows from stile to stile,
Of the valleys from stream to stream,
But the air was a long sweet dream
And the earth was a sweet wide smile
Red-mouthed of a goddess, returned
From the sea which had borne her and burned,
That with one swift smile of her mouth
Looked full on the north as it yearned,
And the north was more than the south.
For the north, when winter was long,
In his heart had made him a song,
And clothed it with wings of desire,
And shod it with shoon as of fire,
To carry the tale of his wrong
To the south-west wind by the sea,
That none might bear it but he
To the ear of the goddess unknown
Who waits till her time shall be
To take the world for a throne.
In the earth beneath, and above
In the heaven where her name is love,
She warms with light from her eyes
The seasons of life as they rise,
And her eyes are as eyes of a dove,
But the wings that lift her and bear
As an eagle's, and all her hair
As fire by the wind's breath curled,
And her passage is song through the air,
And her presence is spring through the world.
So turned she northward and came,
And the white-thorn land was aflame
With the fires that were shed from her feet,
That the north, by her love made sweet,
Should be called by a rose-red name;
And a murmur was heard as of doves,
And a music beginning of loves
In the light that the roses made,
Such light as the music loves,
The music of man with maid.
But the days drop one upon one,
And a chill soft wind is begun
In the heart of the rose-red maze
That weeps for the roseleaf days
And the reign of the rose undone
That ruled so long in the light,
And by spirit, and not by sight,
Through the darkness thrilled with its breath,
Still ruled in the viewless night,
As love might rule over death.
The time of lovers is brief;
From the fair first joy to the grief
That tells when love is grown old,
From the warm wild kiss to the cold,
From the red to the white-rose leaf,
They have but a season to seem
As rose-leaves lost on a stream
That part not and pass not apart
As a spirit from dream to dream,
As a sorrow from heart to heart.
From the bloom and the gloom that encloses
The death-bed of Love where he dozes
Till a relic be left not of sand
To the hour-glass that breaks in his hand;
From the change in the grey garden-closes
To the last stray grass of the strand,
A rain and ruin of roses
Over the red-rose land.
poem by Algernon Charles Swinburne
Submitted by Poetry Lover
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New World Order
Broken down, feeling naked
Leaving me unfulfilled
Promising compromise
Championing mediocrity
Time and time again
What you said ain't what you mean
Even if all my bones are broken
I will drag myself back from the edge to
Kill the King, The King is dead, Long live the King
Kill the King, The King is dead, Long live the
King,
I am the King, God save the King
Kill the King, The King is dead
I am the King, Long live the King
Kill the King, The King is dead
I am the King, Long live the King
I reveal a deceiver
In the highest seat in the land
His idle hands the Devil's workshop
Generate more smoke than heat
Time and time again
What you said ain't what you mean
Even if all my bones are broken
I will drag myself back from the edge to
Kill the King, The King is dead, Long live the King
Kill the King, The King is dead, Long live the
King,
I am the King, God save the King
Kill the King, The King is dead
I am the King, Long live the King
Kill the King, The King is dead
I am the King, Long live the King
A new precedent in pain, a new precedent in pain
Mankind is blown to dust, mankind is blown to dust
An explosion of the Brain, an explosion of the
Brain
Spontaneously combust, spontaneously combust
Kill the King, The King is dead, Long live the
King,
I am the King
Kill the King, I, The King is dead, I am, Long live
the King,
I am the King
Kill the King, I, The King is dead, I am, Long live
the King,
I am the King
Kill the King, I, The King is dead, I am, Long live
the King,
I am the King
song performed by by Megadeth
Submitted by Lucian Velea
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A Winter's Tale
It is a winter's tale
That the snow blind twilight ferries over the lakes
And floating fields from the farm in the cup of the vales,
Gliding windless through the hand folded flakes,
The pale breath of cattle at the stealthy sail,
And the stars falling cold,
And the smell of hay in the snow, and the far owl
Warning among the folds, and the frozen hold
Flocked with the sheep white smoke of the farm house cowl
In the river wended vales where the tale was told.
Once when the world turned old
On a star of faith pure as the drifting bread,
As the food and flames of the snow, a man unrolled
The scrolls of fire that burned in his heart and head,
Torn and alone in a farm house in a fold
Of fields. And burning then
In his firelit island ringed by the winged snow
And the dung hills white as wool and the hen
Roosts sleeping chill till the flame of the cock crow
Combs through the mantled yards and the morning men
Stumble out with their spades,
The cattle stirring, the mousing cat stepping shy,
The puffed birds hopping and hunting, the milkmaids
Gentle in their clogs over the fallen sky,
And all the woken farm at its white trades,
He knelt, he wept, he prayed,
By the spit and the black pot in the log bright light
And the cup and the cut bread in the dancing shade,
In the muffled house, in the quick of night,
At the point of love, forsaken and afraid.
He knelt on the cold stones,
He wept form the crest of grief, he prayed to the veiled sky
May his hunger go howling on bare white bones
Past the statues of the stables and the sky roofed sties
And the duck pond glass and the blinding byres alone
Into the home of prayers
And fires where he should prowl down the cloud
Of his snow blind love and rush in the white lairs.
His naked need struck him howling and bowed
Though no sound flowed down the hand folded air
But only the wind strung
Hunger of birds in the fields of the bread of water, tossed
In high corn and the harvest melting on their tongues.
And his nameless need bound him burning and lost
When cold as snow he should run the wended vales among
The rivers mouthed in night,
And drown in the drifts of his need, and lie curled caught
In the always desiring centre of the white
Inhuman cradle and the bride bed forever sought
By the believer lost and the hurled outcast of light.
Deliver him, he cried,
By losing him all in love, and cast his need
Alone and naked in the engulfing bride,
Never to flourish in the fields of the white seed
Or flower under the time dying flesh astride.
Listen. The minstrels sing
In the departed villages. The nightingale,
Dust in the buried wood, flies on the grains of her wings
And spells on the winds of the dead his winter's tale.
The voice of the dust of water from the withered spring
Is telling. The wizened
Stream with bells and baying water bounds. The dew rings
On the gristed leaves and the long gone glistening
Parish of snow. The carved mouths in the rock are wind swept strings.
Time sings through the intricately dead snow drop. Listen.
It was a hand or sound
In the long ago land that glided the dark door wide
And there outside on the bread of the ground
A she bird rose and rayed like a burning bride.
A she bird dawned, and her breast with snow and scarlet downed.
Look. And the dancers move
On the departed, snow bushed green, wanton in moon light
As a dust of pigeons. Exulting, the grave hooved
Horses, centaur dead, turn and tread the drenched white
Paddocks in the farms of birds. The dead oak walks for love.
The carved limbs in the rock
Leap, as to trumpets. Calligraphy of the old
Leaves is dancing. Lines of age on the stones weave in a flock.
And the harp shaped voice of the water's dust plucks in a fold
Of fields. For love, the long ago she bird rises. Look.
And the wild wings were raised
Above her folded head, and the soft feathered voice
Was flying through the house as though the she bird praised
And all the elements of the slow fall rejoiced
That a man knelt alone in the cup of the vales,
In the mantle and calm,
By the spit and the black pot in the log bright light.
And the sky of birds in the plumed voice charmed
Him up and he ran like a wind after the kindling flight
Past the blind barns and byres of the windless farm.
In the poles of the year
When black birds died like priests in the cloaked hedge row
And over the cloth of counties the far hills rode near,
Under the one leaved trees ran a scarecrow of snow
And fast through the drifts of the thickets antlered like deer,
Rags and prayers down the knee-
Deep hillocks and loud on the numbed lakes,
All night lost and long wading in the wake of the she-
Bird through the times and lands and tribes of the slow flakes.
Listen and look where she sails the goose plucked sea,
The sky, the bird, the bride,
The cloud, the need, the planted stars, the joy beyond
The fields of seed and the time dying flesh astride,
The heavens, the heaven, the grave, the burning font.
In the far ago land the door of his death glided wide,
And the bird descended.
On a bread white hill over the cupped farm
And the lakes and floating fields and the river wended
Vales where he prayed to come to the last harm
And the home of prayers and fires, the tale ended.
The dancing perishes
On the white, no longer growing green, and, minstrel dead,
The singing breaks in the snow shoed villages of wishes
That once cut the figures of birds on the deep bread
And over the glazed lakes skated the shapes of fishes
Flying. The rite is shorn
Of nightingale and centaur dead horse. The springs wither
Back. Lines of age sleep on the stones till trumpeting dawn.
Exultation lies down. Time buries the spring weather
That belled and bounded with the fossil and the dew reborn.
For the bird lay bedded
In a choir of wings, as though she slept or died,
And the wings glided wide and he was hymned and wedded,
And through the thighs of the engulfing bride,
The woman breasted and the heaven headed
Bird, he was brought low,
Burning in the bride bed of love, in the whirl-
Pool at the wanting centre, in the folds
Of paradise, in the spun bud of the world.
And she rose with him flowering in her melting snow.
poem by Dylan Thomas
Submitted by Poetry Lover
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